Jonathan Tribe
Friday, 1 October, 2021
The first part of Byrd 'Ad dominum cum tribularer' is at 126v, following the second part 'Heu mihi' at 125v.
| Archive | British Library, London, England (GB-Lbl) |
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| Shelfmark | Add. MS 31390 |
| Surface | Paper |
| Numbering System | Foliation |
| Format | portrait |
| Measurements | 388 x 272 mm |
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Copied by a single scribe (perhaps Clement Woodcocke), except for slightly later additions on ff. 123'-124 and 125'-127. Many pieces have text incipits or titles only. Of English origin; possibly copied at Chichester, West Sussex (EdwaS). Belonged in 1728 to Bernard Gates (inscription on f. 129), then to North and L'Estrange families. Owned in 1843 by the antiquarian Edward F. Rimbault. Acquired by British Museum in 1881.
New covers of red cloth on pasteboard, with white spine; portions of original brown leather covers, tooled in gold, glued inside new front and back covers.
Title page on f. 1: 'A booke of In nomines & other solfainge songes of v: vi: vii: & viii: pts for voyces or Instrumentes.'
black void mensural
Ca. 1578 (date of corrections in manuscript).
New pencil foliation, 1-129; original ink foliation, 17-36 [= new ff. 3-22] + 43-143 [= new ff. 24-125] (omits new ff. 1-2, 23, 109, and 126-129).
paper
Digitized with funding from the Arts and Humanities Research Council (UK) for the Tudor Partbooks project at the Universities of Oxford and Newcastle.
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
1 Magnificat section, 28 motets, 3 anthems, 26 French secular pieces, 6 Italian secular pieces, 1 English secular piece, 65 instrumental pieces (In nomines, Fantasias, etc.) = 130
Blancks-2, Bruster [Brewster]-1, Byrd-6, (Clemens non Papa)-1, (Crecquillon)-2, (Croce)-1, Douglas-1, (Douglas/Lassus)-1, A. Ferrabosco I [Alfoncius]-1, D. Gerarde [Gerardus]-1, Gombert-1, S. Hollander/(C. Hollander/Lassus)-1, (Janequin)-1, R.Johnson I-3, (Le Cocq)-1, Maillard? [Mr. Maillart Italyan]/(Tye)-1, Mallorie-4, T. Mudd I? or H. Mudd? [Mr. Mudd]-1, W. Mundy-5, Parsley-1, R. Parsons 1-5, R. Parsons I/(Byrd)-1, (R. Parsons I/Wilder)-1, Picforth-1, Poynte-1, Alessandro Romano-1, Shep-herd-5, Stoninge-3, Strogers-3, Tallis-6, Taverner-3, Tye-28, (Tye/Verdelot/Wilder)-1, R. White-1, Wilder [Philipps]-16, Wilder [Philippes]/(Gombert)-2, Woodcocke-4, anon-12
iii + 129 + i paper folios, 388 x 272. New pencil foliation, 1-129; original ink foliation, 17-36 [= new ff. 3-22] + 43-143 [= new ff. 24-125] (omits new ff. 1-2, 23, 109, and 126-129). New covers of red cloth on pasteboard, with white spine; portions of original brown leather covers, tooled in gold, glued inside new front and back covers. No index. Copied by a single scribe (perhaps Clement Woodcocke), except for slightly later additions on ff. 123'-124 and 125'-127. Voice parts copied to be readable by performers around a table. No initials or decoration. Many pieces have text incipits or titles only. Title page on f. 1: "A booke of In nomines & other solfainge songes of v: vi: vii: & viii: pts for voyces or Instrumentes."
Ca. 1578 (date of corrections in manuscript). Of English origin; possibly copied at Chichester, West Sussex (EdwaS). Belonged in 1728 to Bernard Gates (inscription on f. 129), then to North and L'Estrange families. Owned in 1843 by the antiquarian Edward F. Rimbault. Acquired by British Museum in 1881.
25r
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The first part of Byrd 'Ad dominum cum tribularer' is at 126v, following the second part 'Heu mihi' at 125v.
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'Si je me plains' previously listed as 'Si je moy pleins' concordant with Hamond partbooks (GB-Lbl Add. 30480–4)
Identified untutled piece on 121v–122r by Alessandro Romano as "Non pur d'almi splendori", found at the head of RISM 1561/10.
Added a note identifying "Or sa bien" (ff. 114v-115) as an anonymous five-part re-working of Janequin's four-part chanson "Or vien ca" (printed in Chansons musicales a quatre parties, Attaingnant, Paris 1533)
Entries for 'My death bed' & 'Follow me' (on 60v-61r) updated to show layout of parts across the opening; and 2 composition entries for 'My Death Bed' merged.
Notification of the second, anonymous and untitled piece on fols 26v-27r (which is briefly mentioned in passing in Paul Doe's introduction to Elizabethan Consort Music II).
Order of pieces on f.20v-21 corrected
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Liminary Note; Notation Note; Date Note; Foliation Note; Surface Note
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description