D-Ju MS 20

Universitätsbibliothek, Jena, Germany

manuscript of polyphony: c. 1515

Archive Universitätsbibliothek, Jena, Germany (D-Ju)
Shelfmark MS 20
Surface Mixed Paper and Parchment
Numbering System Foliation
Measurements 435 x 315 mm
Other Identifiers
  • CCM: JenaU 20
Notations
  • black void mensural
Copyists
Relationships
External Links
Provenance
  • Netherlands
Contents Contains 19 compositions from 10 composers.
General Description

Copied mostly by Netherlands court scribe Petrus Alamire (paper folios are in different hand) (KellJ); copied mostly by Netherlands court scribe D (WarmMC). Copied in Brussels/ Mechlin; belongs to Netherlands court complex (KellJ). See the entry for JenaU 2 for information about the later history of this manuscript.

http://archive.thulb.uni-jena.de/hisbest/receive/HisBest_cbu_00014271, July 2012
Binding

Original covers of dark brown leather over boards, partially restored, with blind-tooled lozenge design, metal corners, buckle and clasps

http://archive.thulb.uni-jena.de/hisbest/receive/HisBest_cbu_00014271, July 2012
Watermark

Watermarks of the two paper folios are the coat of arms of Saxony.

http://archive.thulb.uni-jena.de/hisbest/receive/HisBest_cbu_00014271, July 2012
Notation

not indicated

http://archive.thulb.uni-jena.de/hisbest/receive/HisBest_cbu_00014271, July 2012
Foliation

New pencil foliation, 1-51; 51a-115

http://archive.thulb.uni-jena.de/hisbest/receive/HisBest_cbu_00014271, July 2012
Foliation

69

http://archive.thulb.uni-jena.de/hisbest/receive/HisBest_cbu_00014271, July 2012
Decoration

Miniatures illuminated in Ghent-Bruges style; painted initials and inked calligraphic initials. Coat of arms of Frederick the Wise, Elector of Saxony

http://archive.thulb.uni-jena.de/hisbest/receive/HisBest_cbu_00014271, July 2012
Surface

69 parchment + 2 paper + 45 parchment

http://archive.thulb.uni-jena.de/hisbest/receive/HisBest_cbu_00014271, July 2012
Census Catalogue of Music Description

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19 Magnificats

Compère/(Finck)-1, Divitis-2, A. Févin-2, Gascongne [Gascoing] -1, La Rue-5, Mouton-2, Pipelare-1, Prioris-3, Remiger-2

69 parchment + 2 paper + 45 parchment folios, 435 x 315. New pencil foliation, 1-51; 51a-115. Blank folios: 1, 115'. Original covers of dark brown leather over boards, partially restored, with blind-tooled lozenge design, metal corners, buckle and clasps. No index. Main scribe: Petrus Alamire (KellJ); the two paper folios are in a different hand. Miniatures illuminated in Ghent-Bruges style; painted initials and inked calligraphic initials. Coat of arms of Frederick the Wise, Elector of Saxony. Watermarks of the two paper folios are the coat of arms of Saxony.

1512-25 (KellBP); ca. 1515 (DougMJP). Copied in Brussels/ Mechlin; belongs to Netherlands court complex (KellJ). See the entry for JenaU 2 for information about the later history of this manuscript.

Vol 4

Physical: Copied mostly by Netherlands court scribe Petrus Alamire (paper folios are in different hand) (KellJ); see general index for other manuscripts copied by Alamire. Copied mostly by Netherlands court scribe D (WarmMC).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

67v

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Sets

Select a set to see its sources.

denotes primary source study

Kellman, Herbert (editor). 1999. The Treasury of Petrus Alamire. Music and art in Flemish Court Manuscripts 1500-1535.  Leuven: Alamire Foundation. Pages: 102.

Heidrich, Jürgen. 1993. Die deutschen Chorbücher aus der Hofkapelle Friedrich des Weisen. Sammlung Musikwissenschaftlicher Abhandlungen, vol. 84.  Baden-Baden. Pages: p. xviiif.

Kellman, Herbert. 1989. Observations on the Production and Distribution of Music Manuscripts at the Netherlands Court. Early Music History, 9: . Notes: physical description; mention of MS; discussion; contents list (partial).

Kapp, Maria. 1987. Musikalische Handschriften des burgundischen Hofes in Mechel und Brüssel ca. 1495-1530.  Darmstadt. Pages: 124.

Keahey, Thomas Herman, and Conrad Edward Mary Douglas (editors). 1982-85. Johannes Prioris: Opera Omnia. Corpus mensurabilis musicae, vol. 90.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: II,xii-xiii,65-98. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Warmington, Flynn. 1982. A Master Calligrapher in Alamire's Workshop: The Chronology of His Work. Paper read at the Annual Meeting of the American Musicological Society, November, 1982, . Pages: 21. Notes: physical description (partial); mention of MS; discussion.

Hamm, Charles E, and Herbert Kellman (editors). 1979-1988. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies, vol. 1-5. 5 vols. Neuhausen nr. Stuttgart: American Institute of Musicology, Hänssler Verlag. Pages: v (1988), 414. Notes: physical description; mention of MS; discussion.

Kellman, Herbert. 1976. Josquin and the Courts of the Netherlands and France: The Evidence of the Sources. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25 June 1971, 181-216. London, New York, and Toronto. Pages: 198-209. Notes: mention of MS.

Nugent, George Edward. 1970. The Life and Works of Antonius Divitis. North Texas State University, Unpublished Ph.D. dissertation. Pages: ,93-6,101-3,136-7; II, 292-313,340-61 [Divitis Magnificat on ff. 110'-115 is Octavi toni, not Quinti toni]. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Douglas, Conrad Edward Mary. 1969. The motets of Johannes Prioris with a prefatory bio-bibliographical study. University of Illinois, Ph.D. Dissertation. Pages: 90-1. Notes: physical description; mention of MS; discussion.

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts.  Tutzing. Pages: 138. Notes: concordances; incipits (partial).

Finscher, Ludwig (editor). 1958-. Loyset Compere: Opera Omnia. Corpus mensurabilis musicae, vol. 15.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: III,vii,44-9. Notes: transcription (partial); facsimile (partial).

Kellman, Herbert. 1958. The Origins of the Chigi Codex: The Date, Provenance, and Original Ownership of Rome, Biblioteca Vaticana, Chigiana, C. VIII. 234. Journal of the American Musicological Society, 11: 6-19. Pages: 18. Notes: mention of MS.

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik.  Kassel. Pages: VI,1872-3)Fp(IX, 682. Notes: physical description (partial); mention of MS; discussion.

Gerhardt, Carl. 1949. Die Torgauer Walter-Handschriften: Eine Studie zur Quellenkunde der Musikgeschichte der deutschen Reformationszeit.  Kassel and Basel. Pages: 86-7. Notes: facsimile (partial); mention of MS.

Roediger, Karl Erich. 1935. Die geistlichen Musikhandschriften der Universitätsbibliothek Jena. 2 vols. Jena: Frommannsche Buchhandlung. Pages: 29-38; i, 50-1, passim. Notes: contents list; incipits: physical description; mention of MS; discussion.

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description