D-Ju MS 2 - DIAMM

D-Ju MS 2

Universitätsbibliothek, Jena, Germany

manuscript of polyphony: 1512-25

Archive	Universitätsbibliothek, Jena, Germany (D-Ju)
Shelfmark	MS 2
Surface	Mixed Paper and Parchment
Numbering System	Foliation
Measurements	600 x 415 mm
Other Identifiers	CCM: JenaU 2
Notations	black void mensural
Copyists	? Alamire, Petrus (ca. 1470–1536) Music scribal concordance [9], Alamire D Text and Music scribal concordance [8], Alamire X Text and Music scribal concordance [34], Alamire D var Text and Music scribal concordance [35], Alamire C5 Text
Relationships	Jena University Hochschule (owner) Johann Friedrich I (1503–1554) (owner) Friedrich der Weise (patron) All Saints' Church, Wittenberg (= Schlosskirche, or Castle Chapel) (used the MS)
External Links	images CMME online edition online images (Integrated Database for Early Music)
Provenance	Belgium
Contents	Contains 35 compositions from 6 composers.

General Description

Copied by Netherlands court scribe Petrus Alamire (KellJ); WarmMC distinguishes two music and/or text scripts: scribe D (main scribe); and scribe X (ff. 80-81, 97'-98); she later distinguished additionally a 'D variant'; and the hand of scribe C5 (text only). Copied in Brussels/Mechlin; belongs to Netherlands court complex (KellJ). Sent to Frederick the Wise, Elector of Saxony, along with JenaU 3, 5, 8, 12, 20, 21, and 22. Frederick may have commissioned the copying of these manuscripts, or he may have acquired them as gifts from the Hapsburg court. They were used at the All Saints Church in Wittenberg, and remained there until 1547, when a later Elector, Johann Friedrich I, was deposed. He retired to Weimar, taking with him the court library, including these manuscripts. The collection was transferred to Jena in 1548 to become the foundation of the library of the Hochschule (later Jena University), founded by Johann Friedrich.

http://archive.thulb.uni-jena.de/hisbest/receive/HisBest_cbu_00014277, July 2012

Binding

Original covers of dark brown leather over boards, partially restored, with blind-tooled lozenge design, metal corners, buckle and clasps.

http://archive.thulb.uni-jena.de/hisbest/receive/HisBest_cbu_00014277, July 2012

Notation

not indicated

http://archive.thulb.uni-jena.de/hisbest/receive/HisBest_cbu_00014277, July 2012

Foliation

New pencil foliation, 1-108

http://archive.thulb.uni-jena.de/hisbest/receive/HisBest_cbu_00014277, July 2012

Foliation

108

http://archive.thulb.uni-jena.de/hisbest/receive/HisBest_cbu_00014277, July 2012

Decoration

Miniatures illuminated in Ghent-Bruges style; painted initials and inked calligraphic initials. Coat of arms of Frederick the Wise, Elector of Saxony.

http://archive.thulb.uni-jena.de/hisbest/receive/HisBest_cbu_00014277, July 2012

Surface

i paper + 108 parchment + i paper

http://archive.thulb.uni-jena.de/hisbest/receive/HisBest_cbu_00014277, July 2012

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

7 Masses

Bauldeweyn-1, A. Fevin-1, Gascongne [Johannes Gasscoeing]-1, La Rue-2, Mouton-1, Pipelare-1

i paper + 108 parchment + i paper folios, 600 x 415. New pencil foliation, 1-108. Blank folios: 12'-13, 32'-33, 46'-47, 48'-49, 65'-66, 79'-80, 96'-97, 108'. Original covers of dark brown leather over boards, partially restored, with blind-tooled lozenge design, metal corners, buckle and clasps. No index. Copied by Netherlands court scribe Petrus Alamire (KellJ). Miniatures illuminated in Ghent-Bruges style; painted initials and inked calligraphic initials. Coat of arms of Frederick the Wise, Elector of Saxony.

1512-25 (KellBP). Copied in Brussels/Mechlin; belongs to Netherlands court complex (KellJ). Sent to Frederick the Wise, Elector of Saxony, along with JenaU 3, 5, 8, 12, 20, 21, and 22. Frederick may have commissioned the copying of these manuscripts, or he may have acquired them as gifts from the Hapsburg court. They were used at the All Saints Church in Wittenberg, and remained there until 1547, when a later Elector, Johann Friedrich I, was deposed. He retired to Weimar, taking with him the court library, including these manuscripts. The collection was transferred to Jena in 1548 to become the foundation of the library of the Hochschule (later Jena University), founded by Johann Friedrich.

Vol 4

Composers: Change "La Rue-2" to "La Rue-1 + 1?."

Physical: Copied by Netherlands court scribe Petrus Alamire (KellJ); see general index for other manuscripts copied by the same scribe. WarmMC distinguishes two music and/or text scripts: D (main scribe); and X (ff. 80-81, 97'-98); see general index for other manuscripts attributed to the same scribes.

Date: 1512-25 (KellBP); work of scribe X before March 1516 (WarmMC).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Number of voices	Source attribution	Composers (? Uncertain)
1v–3	Missa L'homme armé II: Kyrie	4	-	Rue, Pierre de la (ca. 1452–1518) (?)
Missa L'homme armé II: Kyrie Rue, Pierre de la (ca. 1452–1518) (?) Appears on: 1v–3 Genres: Kyrie eleison, Mass Ordinary Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Missa L'homme arme (a 5)
2v–4	Missa L'homme armé II: Gloria	4	-	Rue, Pierre de la (ca. 1452–1518) (?)
Missa L'homme armé II: Gloria Rue, Pierre de la (ca. 1452–1518) (?) Appears on: 2v–4 Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 4
4v–8	Missa L'homme armé II: Credo	4	-	Rue, Pierre de la (ca. 1452–1518) (?)
Missa L'homme armé II: Credo Rue, Pierre de la (ca. 1452–1518) (?) Appears on: 4v–8 Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 4
8v–10	Missa L'homme armé II: Sanctus	4	-	Rue, Pierre de la (ca. 1452–1518) (?)
Missa L'homme armé II: Sanctus Rue, Pierre de la (ca. 1452–1518) (?) Appears on: 8v–10 Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 4
10v–12	Missa L'homme armé II: Agnus Dei	4	-	Rue, Pierre de la (ca. 1452–1518) (?)
Missa L'homme armé II: Agnus Dei Rue, Pierre de la (ca. 1452–1518) (?) Appears on: 10v–12 Genres: Agnus Dei, Mass Ordinary Number of voices: 4
13v–16	Missa Ista est speciosa (a 5): Kyrie	5	Petrus de la Rue	Rue, Pierre de la (ca. 1452–1518)
Missa Ista est speciosa (a 5): Kyrie Rue, Pierre de la (ca. 1452–1518) Appears on: 13v–16 Genres: Kyrie eleison, Mass Ordinary Source Attribution: Petrus de la Rue Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Missa Ista est speciosa (a 5)
16v–20	Missa Ista est speciosa (a 5): Gloria	5	-	Rue, Pierre de la (ca. 1452–1518)
Missa Ista est speciosa (a 5): Gloria Rue, Pierre de la (ca. 1452–1518) Appears on: 16v–20 Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 5
20v–25	Missa Ista est speciosa (a 5): Credo	5	-	Rue, Pierre de la (ca. 1452–1518)
Missa Ista est speciosa (a 5): Credo Rue, Pierre de la (ca. 1452–1518) Appears on: 20v–25 Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 5
25v–29	Missa Ista est speciosa (a 5): Sanctus	5	-	Rue, Pierre de la (ca. 1452–1518)
Missa Ista est speciosa (a 5): Sanctus Rue, Pierre de la (ca. 1452–1518) Appears on: 25v–29 Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 5
29v–32	Missa Ista est speciosa (a 5): Agnus Dei	5	-	Rue, Pierre de la (ca. 1452–1518)
Missa Ista est speciosa (a 5): Agnus Dei Rue, Pierre de la (ca. 1452–1518) Appears on: 29v–32 Genres: Agnus Dei, Mass Ordinary Number of voices: 5
33v–36	Missa Feria (5vv): Kyrie	5	Anthonius de Fevin	Fevin, Antoine de (ca. 1470–ca. 1512) Gascongne, Mathieu (?Johannes) (fl. 1517-1518) (?)
Missa Feria (5vv): Kyrie Fevin, Antoine de (ca. 1470–ca. 1512) Gascongne, Mathieu (?Johannes) (fl. 1517-1518) (?) Appears on: 33v–36 Genres: Kyrie eleison, Mass Ordinary Source Attribution: Anthonius de Fevin Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Missa de Feria (a 6)
36v–38	Missa Feria (5vv): Gloria: 2 partes.	5	-	Gascongne, Mathieu (?Johannes) (fl. 1517-1518) (?) Fevin, Antoine de (ca. 1470–ca. 1512)
Missa Feria (5vv): Gloria: 2 partes. Gascongne, Mathieu (?Johannes) (fl. 1517-1518) (?) Fevin, Antoine de (ca. 1470–ca. 1512) Appears on: 36v–38 Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 5
38v–43	Missa Feria (5vv): Credo: 4 partes.	5	-	Fevin, Antoine de (ca. 1470–ca. 1512) Gascongne, Mathieu (?Johannes) (fl. 1517-1518) (?)
Missa Feria (5vv): Credo: 4 partes. Fevin, Antoine de (ca. 1470–ca. 1512) Gascongne, Mathieu (?Johannes) (fl. 1517-1518) (?) Appears on: 38v–43 Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 5
43v–45	Missa Feria (5vv): Sanctus (with: Pleni: 2 voces, Benedictus: 3 voces).	5	-	Gascongne, Mathieu (?Johannes) (fl. 1517-1518) (?) Fevin, Antoine de (ca. 1470–ca. 1512)
Missa Feria (5vv): Sanctus (with: Pleni: 2 voces, Benedictus: 3 voces). Gascongne, Mathieu (?Johannes) (fl. 1517-1518) (?) Fevin, Antoine de (ca. 1470–ca. 1512) Appears on: 43v–45 Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 5
45v–48	Missa Feria (5vv): Agnus I. Agnus II: 2 voces. Agnus III: 6 voces.	5	-	Fevin, Antoine de (ca. 1470–ca. 1512) Gascongne, Mathieu (?Johannes) (fl. 1517-1518) (?)
Missa Feria (5vv): Agnus I. Agnus II: 2 voces. Agnus III: 6 voces. Fevin, Antoine de (ca. 1470–ca. 1512) Gascongne, Mathieu (?Johannes) (fl. 1517-1518) (?) Appears on: 45v–48 Genres: Agnus Dei, Mass Ordinary Number of voices: 5 General Note the opening f. 46v-47 has only blank staves
49v–51	Missa Inviolata integra et casta (5vv): Kyrie	5	Noel Bauldewyn	Bauldeweyn, Noel (ca. 1480–1529)
Missa Inviolata integra et casta (5vv): Kyrie Bauldeweyn, Noel (ca. 1480–1529) Appears on: 49v–51 Genres: Kyrie eleison, Mass Ordinary Source Attribution: Noel Bauldewyn Number of voices: 5 Voice: [no designation] Languages: Latin, Greek Voice Text: Missa Inviolata (a 5)
51v–54	Missa Inviolata integra et casta (5vv): Gloria	5	-	Bauldeweyn, Noel (ca. 1480–1529)
Missa Inviolata integra et casta (5vv): Gloria Bauldeweyn, Noel (ca. 1480–1529) Appears on: 51v–54 Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 5
54v–59	Missa Inviolata integra et casta (5vv): Credo	5	-	Bauldeweyn, Noel (ca. 1480–1529)
Missa Inviolata integra et casta (5vv): Credo Bauldeweyn, Noel (ca. 1480–1529) Appears on: 54v–59 Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 5
59v–63	Missa Inviolata integra et casta (5vv): Sanctus	5	-	Bauldeweyn, Noel (ca. 1480–1529)
Missa Inviolata integra et casta (5vv): Sanctus Bauldeweyn, Noel (ca. 1480–1529) Appears on: 59v–63 Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 5
63v–65	Missa Inviolata integra et casta (5vv): Agnus Dei	5	-	Bauldeweyn, Noel (ca. 1480–1529)
Missa Inviolata integra et casta (5vv): Agnus Dei Bauldeweyn, Noel (ca. 1480–1529) Appears on: 63v–65 Genres: Agnus Dei, Mass Ordinary Number of voices: 5
66v–69	Missa Fors seulement: Kyrie	5	Mattheus Pipelare	Pipelare, Mattheus (ca. 1450–ca. 1515)
Missa Fors seulement: Kyrie Pipelare, Mattheus (ca. 1450–ca. 1515) Appears on: 66v–69 Genres: Kyrie eleison, Mass Ordinary Source Attribution: Mattheus Pipelare Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Missa Fors seulement (a 5)
69v–71	Missa Fors seulement: Gloria	5	-	Pipelare, Mattheus (ca. 1450–ca. 1515)
Missa Fors seulement: Gloria Pipelare, Mattheus (ca. 1450–ca. 1515) Appears on: 69v–71 Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 5
71v–74	Missa Fors seulement: Credo	5	-	Pipelare, Mattheus (ca. 1450–ca. 1515)
Missa Fors seulement: Credo Pipelare, Mattheus (ca. 1450–ca. 1515) Appears on: 71v–74 Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 5
74v–77	Missa Fors seulement: Sanctus	5	-	Pipelare, Mattheus (ca. 1450–ca. 1515)
Missa Fors seulement: Sanctus Pipelare, Mattheus (ca. 1450–ca. 1515) Appears on: 74v–77 Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 5
77v–79	Missa Fors seulement: Agnus Dei	5	-	Pipelare, Mattheus (ca. 1450–ca. 1515)
Missa Fors seulement: Agnus Dei Pipelare, Mattheus (ca. 1450–ca. 1515) Appears on: 77v–79 Genres: Agnus Dei, Mass Ordinary Number of voices: 5
80v–83	Missa L'oserai-je dire: Kyrie	4	Johannes Mouton	Mouton, Jean (ca. 1459–1522)
Missa L'oserai-je dire: Kyrie Mouton, Jean (ca. 1459–1522) Appears on: 80v–83 Genres: Kyrie eleison, Mass Ordinary Source Attribution: Johannes Mouton Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Missa L'oserai-je dire
83v–86	Missa L'oserai-je dire: Gloria	4	-	Mouton, Jean (ca. 1459–1522)
Missa L'oserai-je dire: Gloria Mouton, Jean (ca. 1459–1522) Appears on: 83v–86 Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 4
86v–91	Missa L'oserai-je dire: Credo	4	-	Mouton, Jean (ca. 1459–1522)
Missa L'oserai-je dire: Credo Mouton, Jean (ca. 1459–1522) Appears on: 86v–91 Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 4
91v–94	Missa L'oserai-je dire: Sanctus	4	-	Mouton, Jean (ca. 1459–1522)
Missa L'oserai-je dire: Sanctus Mouton, Jean (ca. 1459–1522) Appears on: 91v–94 Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 4
94v–96	Missa L'oserai-je dire: Agnus Dei	4	-	Mouton, Jean (ca. 1459–1522)
Missa L'oserai-je dire: Agnus Dei Mouton, Jean (ca. 1459–1522) Appears on: 94v–96 Genres: Agnus Dei, Mass Ordinary Number of voices: 4
97v–99	Missa Mijn herte altijt heeft verlanghen: Kyrie	4	Johannes Gasscoeing	Gascongne, Mathieu (?Johannes) (fl. 1517-1518)
Missa Mijn herte altijt heeft verlanghen: Kyrie Gascongne, Mathieu (?Johannes) (fl. 1517-1518) Appears on: 97v–99 Genres: Kyrie eleison, Mass Ordinary Source Attribution: Johannes Gasscoeing Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Missa Myn hert heeft allyt
99v–101	Missa Mijn herte altijt heeft verlanghen: Gloria	4	-	Gascongne, Mathieu (?Johannes) (fl. 1517-1518)
Missa Mijn herte altijt heeft verlanghen: Gloria Gascongne, Mathieu (?Johannes) (fl. 1517-1518) Appears on: 99v–101 Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 4
101v–105	Missa Mijn herte altijt heeft verlanghen: Credo	4	-	Gascongne, Mathieu (?Johannes) (fl. 1517-1518)
Missa Mijn herte altijt heeft verlanghen: Credo Gascongne, Mathieu (?Johannes) (fl. 1517-1518) Appears on: 101v–105 Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 4
105v–107	Missa Mijn herte altijt heeft verlanghen: Sanctus	4	-	Gascongne, Mathieu (?Johannes) (fl. 1517-1518)
Missa Mijn herte altijt heeft verlanghen: Sanctus Gascongne, Mathieu (?Johannes) (fl. 1517-1518) Appears on: 105v–107 Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 4
107v–108	Missa Mijn herte altijt heeft verlanghen: Agnus Dei	4	-	Gascongne, Mathieu (?Johannes) (fl. 1517-1518)
Missa Mijn herte altijt heeft verlanghen: Agnus Dei Gascongne, Mathieu (?Johannes) (fl. 1517-1518) Appears on: 107v–108 Genres: Agnus Dei, Mass Ordinary Number of voices: 4

Composer	Compositions
Bauldeweyn, Noel (ca. 1480-1529)	Missa Inviolata integra et casta (5vv): Agnus Dei – 63v–65 Missa Inviolata integra et casta (5vv): Credo – 54v–59 Missa Inviolata integra et casta (5vv): Gloria – 51v–54 Missa Inviolata integra et casta (5vv): Kyrie – 49v–51 Missa Inviolata integra et casta (5vv): Sanctus – 59v–63
Fevin, Antoine de (ca. 1470-ca. 1512)	Missa Feria (5vv): Agnus I. Agnus II: 2 voces. Agnus III: 6 voces. – 45v–48 Missa Feria (5vv): Credo: 4 partes. – 38v–43 Missa Feria (5vv): Gloria: 2 partes. – 36v–38 Missa Feria (5vv): Kyrie – 33v–36 Missa Feria (5vv): Sanctus (with: Pleni: 2 voces, Benedictus: 3 voces). – 43v–45
Gascongne, Mathieu (?Johannes) (1517-1518)	(?) Missa Feria (5vv): Agnus I. Agnus II: 2 voces. Agnus III: 6 voces. – 45v–48 (?) Missa Feria (5vv): Credo: 4 partes. – 38v–43 (?) Missa Feria (5vv): Gloria: 2 partes. – 36v–38 (?) Missa Feria (5vv): Kyrie – 33v–36 (?) Missa Feria (5vv): Sanctus (with: Pleni: 2 voces, Benedictus: 3 voces). – 43v–45 Missa Mijn herte altijt heeft verlanghen: Agnus Dei – 107v–108 Missa Mijn herte altijt heeft verlanghen: Credo – 101v–105 Missa Mijn herte altijt heeft verlanghen: Gloria – 99v–101 Missa Mijn herte altijt heeft verlanghen: Kyrie – 97v–99 Missa Mijn herte altijt heeft verlanghen: Sanctus – 105v–107
Mouton, Jean (ca. 1459-1522)	Missa L'oserai-je dire: Agnus Dei – 94v–96 Missa L'oserai-je dire: Credo – 86v–91 Missa L'oserai-je dire: Gloria – 83v–86 Missa L'oserai-je dire: Kyrie – 80v–83 Missa L'oserai-je dire: Sanctus – 91v–94
Pipelare, Mattheus (ca. 1450-ca. 1515)	Missa Fors seulement: Agnus Dei – 77v–79 Missa Fors seulement: Credo – 71v–74 Missa Fors seulement: Gloria – 69v–71 Missa Fors seulement: Kyrie – 66v–69 Missa Fors seulement: Sanctus – 74v–77
Rue, Pierre de la (ca. 1452-1518)	Missa Ista est speciosa (a 5): Agnus Dei – 29v–32 Missa Ista est speciosa (a 5): Credo – 20v–25 Missa Ista est speciosa (a 5): Gloria – 16v–20 Missa Ista est speciosa (a 5): Kyrie – 13v–16 Missa Ista est speciosa (a 5): Sanctus – 25v–29 (?) Missa L'homme armé II: Agnus Dei – 10v–12 (?) Missa L'homme armé II: Credo – 4v–8 (?) Missa L'homme armé II: Gloria – 2v–4 (?) Missa L'homme armé II: Kyrie – 1v–3 (?) Missa L'homme armé II: Sanctus – 8v–10

Composition	Composers (? Uncertain)	Folios / Pages
Missa Feria (5vv): Agnus I. Agnus II: 2 voces. Agnus III: 6 voces.	Fevin, Antoine de (ca. 1470–ca. 1512) Gascongne, Mathieu (?Johannes) (fl. 1517-1518) (?)	45v–48
Missa Feria (5vv): Credo: 4 partes.	Fevin, Antoine de (ca. 1470–ca. 1512) Gascongne, Mathieu (?Johannes) (fl. 1517-1518) (?)	38v–43
Missa Feria (5vv): Gloria: 2 partes.	Gascongne, Mathieu (?Johannes) (fl. 1517-1518) (?) Fevin, Antoine de (ca. 1470–ca. 1512)	36v–38
Missa Feria (5vv): Kyrie	Fevin, Antoine de (ca. 1470–ca. 1512) Gascongne, Mathieu (?Johannes) (fl. 1517-1518) (?)	33v–36
Missa Feria (5vv): Sanctus (with: Pleni: 2 voces, Benedictus: 3 voces).	Gascongne, Mathieu (?Johannes) (fl. 1517-1518) (?) Fevin, Antoine de (ca. 1470–ca. 1512)	43v–45
Missa Fors seulement: Agnus Dei	Pipelare, Mattheus (ca. 1450–ca. 1515)	77v–79
Missa Fors seulement: Credo	Pipelare, Mattheus (ca. 1450–ca. 1515)	71v–74
Missa Fors seulement: Gloria	Pipelare, Mattheus (ca. 1450–ca. 1515)	69v–71
Missa Fors seulement: Kyrie	Pipelare, Mattheus (ca. 1450–ca. 1515)	66v–69
Missa Fors seulement: Sanctus	Pipelare, Mattheus (ca. 1450–ca. 1515)	74v–77
Missa Inviolata integra et casta (5vv): Agnus Dei	Bauldeweyn, Noel (ca. 1480–1529)	63v–65
Missa Inviolata integra et casta (5vv): Credo	Bauldeweyn, Noel (ca. 1480–1529)	54v–59
Missa Inviolata integra et casta (5vv): Gloria	Bauldeweyn, Noel (ca. 1480–1529)	51v–54
Missa Inviolata integra et casta (5vv): Kyrie	Bauldeweyn, Noel (ca. 1480–1529)	49v–51
Missa Inviolata integra et casta (5vv): Sanctus	Bauldeweyn, Noel (ca. 1480–1529)	59v–63
Missa Ista est speciosa (a 5): Agnus Dei	Rue, Pierre de la (ca. 1452–1518)	29v–32
Missa Ista est speciosa (a 5): Credo	Rue, Pierre de la (ca. 1452–1518)	20v–25
Missa Ista est speciosa (a 5): Gloria	Rue, Pierre de la (ca. 1452–1518)	16v–20
Missa Ista est speciosa (a 5): Kyrie	Rue, Pierre de la (ca. 1452–1518)	13v–16
Missa Ista est speciosa (a 5): Sanctus	Rue, Pierre de la (ca. 1452–1518)	25v–29
Missa L'homme armé II: Agnus Dei	Rue, Pierre de la (ca. 1452–1518) (?)	10v–12
Missa L'homme armé II: Credo	Rue, Pierre de la (ca. 1452–1518) (?)	4v–8
Missa L'homme armé II: Gloria	Rue, Pierre de la (ca. 1452–1518) (?)	2v–4
Missa L'homme armé II: Kyrie	Rue, Pierre de la (ca. 1452–1518) (?)	1v–3
Missa L'homme armé II: Sanctus	Rue, Pierre de la (ca. 1452–1518) (?)	8v–10
Missa L'oserai-je dire: Agnus Dei	Mouton, Jean (ca. 1459–1522)	94v–96
Missa L'oserai-je dire: Credo	Mouton, Jean (ca. 1459–1522)	86v–91
Missa L'oserai-je dire: Gloria	Mouton, Jean (ca. 1459–1522)	83v–86
Missa L'oserai-je dire: Kyrie	Mouton, Jean (ca. 1459–1522)	80v–83
Missa L'oserai-je dire: Sanctus	Mouton, Jean (ca. 1459–1522)	91v–94
Missa Mijn herte altijt heeft verlanghen: Agnus Dei	Gascongne, Mathieu (?Johannes) (fl. 1517-1518)	107v–108
Missa Mijn herte altijt heeft verlanghen: Credo	Gascongne, Mathieu (?Johannes) (fl. 1517-1518)	101v–105
Missa Mijn herte altijt heeft verlanghen: Gloria	Gascongne, Mathieu (?Johannes) (fl. 1517-1518)	99v–101
Missa Mijn herte altijt heeft verlanghen: Kyrie	Gascongne, Mathieu (?Johannes) (fl. 1517-1518)	97v–99
Missa Mijn herte altijt heeft verlanghen: Sanctus	Gascongne, Mathieu (?Johannes) (fl. 1517-1518)	105v–107

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Type: Linked by Origin or Contents

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A-Wn Cod. 4809 Han

A-Wn Cod. 4810 Han

A-Wn Cod. 11778 Han

A-Wn Cod. 11883 Han

A-Wn Mus.Hs. 15495 (Maximilian Codex)

A-Wn Mus.Hs. 15496

A-Wn Mus.Hs. 15497

A-Wn Mus.Hs. 15941 (B)

A-Wn Mus.Hs. 15941 (Contratenor)

A-Wn Mus.Hs. 15941 Mus (T)

A-Wn Mus.Hs. 18746 (Altus/Contratenor)

A-Wn Mus.Hs. 18746 (Bassus)

A-Wn Mus.Hs. 18746 (Superius/Cantus)

A-Wn Mus.Hs. 18746 (Tenor 1)

A-Wn Mus.Hs. 18746 (Tenor 2/Quintus)

A-Wn Mus.Hs. 18825 (Bassus)

A-Wn Mus.Hs. 18825 (Contratenor)

A-Wn Mus.Hs. 18825 (Discantus)

A-Wn Mus.Hs. 18825 (Tenor)

A-Wn Mus.Hs. 18832 (Lower Voice)

A-Wn Mus.Hs. 18832 (Upper Voice)

B-Amp MS M18.13 (fragment 1)

B-Amp MS M18.13 (fragment 2)

B-BRra Aanwisten 756

No images available

B-Baeb Fonds Sint-Goedele, 5170

B-Baeb Fonds Sint-Goedele, 9423

B-Baeb Fonds Sint-Goedele, 9424

No images available

No images available

B-Br MS 215-216

No images available

B-Br MS 228 (Chansonnier of Margaret of Austria)

No images available

No images available

No images available

No images available

B-Br MS IV.922 (Occo Codex)

B-Gra Varia D.3360 B

B-TOsa Oud regime MS 183

No images available

D-Mbs Mus. MS 6

No images available

D-Mbs Mus. MS 7

No images available

D-Mbs Mus. MS 34

No images available

D-Mbs Mus. MS F

GB-Lbl Royal 8 G. vii

GB-Ob MS. Ashmole 831

GB-Ob MS. Lat. liturg. a. 8

No images available

I-Fc MS Basevi 2439 (Basevi Codex)

No images available

I-VEc MS DCCLVI

NL-SHbhic MS 153

NL-SHbhic MS 154

NL-SHbhic MS 155

NL-Urc Hs. 47 (fragments 1 and 2)

No images available

V-CVbav MS Capp. Sist. 34

No images available

V-CVbav MS Capp. Sist. 36

No images available

V-CVbav MS Capp. Sist. 160

No images available

V-CVbav MS Pal. lat. 1976

No images available

V-CVbav MS Pal. lat. 1977

No images available

V-CVbav MS Pal. lat. 1978

No images available

V-CVbav MS Pal. lat. 1979

‡ denotes primary source study

Kellman, Herbert (editor). 1999. The Treasury of Petrus Alamire. Music and art in Flemish Court Manuscripts 1500-1535. Leuven: Alamire Foundation. Pages: 84-85.

Heidrich, Jürgen. 1996. Jena: Musikhandschriften. Musik in Geschichte und Gegenwart: Sachteil, fourth edition. columns 1451-1455. Kassel.

Duffy, Kathryn Ann P. 1995. The Jena Choirbooks: Music and Liturgy at the Castle Church in Wittenberg under Frederick the Wise, Elector of Saxony. University of Chicago, Ph.D. diss., 5 vols. Pages: 23-175.

Heidrich, Jürgen. 1993. Die deutschen Chorbücher aus der Hofkapelle Friedrich des Weisen. Sammlung Musikwissenschaftlicher Abhandlungen, vol. 84. Baden-Baden.

Kellman, Herbert. 1989. Observations on the Production and Distribution of Music Manuscripts at the Netherlands Court. Early Music History, 9: . Notes: physical description; mention of MS; discussion; contents list (partial).

Warmington, Flynn. 1982. A Master Calligrapher in Alamire's Workshop: The Chronology of His Work. Paper read at the Annual Meeting of the American Musicological Society, November, 1982, . Notes: physical description (partial); mention of MS; discussion.

Wiesflecker, H. 1981. Kaiser Maximilian I. fourth edition. Munich. Pages: 35-42.

Hamm, Charles E, and Herbert Kellman (editors). 1979-1988. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies, vol. 1. 5 vols. Neuhausen nr. Stuttgart: American Institute of Musicology, Hänssler Verlag. Pages: i (1979): 288; v (1988): 413.

Kellman, Herbert. 1976. Josquin and the Courts of the Netherlands and France: The Evidence of the Sources. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25 June 1971, 181-216. London, New York, and Toronto. Pages: 190-192, 209. Notes: mention of MS.

Sparks, Edgar H. 1972. The music of Noel Bauldeweyn. American Musicological Society. Pages: 133. Notes: concordances (partial).

Minor, Andrew C (editor). 1967-. Joannes Mouton: Opera Omnia. Corpus mensurabilis musicae, vol. 43. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: III,x. Notes: concordances (partial).

Kellman, Herbert. 1958. The Origins of the Chigi Codex: The Date, Provenance, and Original Ownership of Rome, Biblioteca Vaticana, Chigiana, C. VIII. 234. Journal of the American Musicological Society, 11: 6-19. Pages: 18. Notes: mention of MS.

Kast, Paul. 1955. Studien zu den Messen des Jean Mouton. Johann Wolfgang Goethe-Universität (Frankfurt am Main), Unpublished Ph.D. dissertation. Pages: 193. Notes: concordances (partial).

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: I, Tafel 43; VI, 1871-4. Notes: physical description (partial); mention of MS; discussion; facsimile (partial).

Boom, Ghislaine de. 1935. Marguerite d'Autriche-Savoie et la Pre-Renaissance. Paris and Brussels. Pages: 104-105.

Roediger, Karl Erich. 1935. Die geistlichen Musikhandschriften der Universitätsbibliothek Jena. 2 vols. Jena: Frommannsche Buchhandlung. Pages: l-4; i, 39-41, passim. Notes: contents list; incipits; physical description; mention of MS; discussion.

Doorslaer, G van. 1934. La Chapelle Musicale de Philippe le Beau. Revue Belge d'Archéologie et d'Histoire de l'Art, 4: 21-57,139-65.

Aber, Adolf. 1921. : Die Pflege der Musik unter den Wettinern und wettinischen Ernestinern. Bückeburg and Leipzig. Pages: 17-53.

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description