Hamm, Charles E. 1983. Interrelationships between Manuscript and Printed Sources of Polyphonic Music in the Early Sixteenth Century-An Overview. Datierung und Filiation von Musikhandschriften der Josquin-Zeit, Wolfenbütteler Forschungen. 1-13.

Hamm, Charles E, and Herbert Kellman (eds.) 1979-1988. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies. 5 vols. Neuhausen nr. Stuttgart: American Institute of Musicology, Hänssler Verlag.

Hamm, Charles E, and Ann Besser Scott. 1972. A Study and Inventory of the Manuscript Modena, Biblioteca Estense, a.X.I.11 (ModB). Musica Disciplina, 26: 101-43.

Hamm, Charles E (ed.) 1969-. Leonel Power: Complete Works. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology.

Hamm, Charles E. 1969. Another Barbingant Mass. Essays in Musicology in Honor of Dragan Plamenac on His 70th Birthday, 83-90. Pittsburgh.

Hamm, Charles E. 1968. A Catalogue of Anonymous English Music in Fifteenth-Century Continental Manuscripts. Musica Disciplina, 22: 47-76.

Hamm, Charles E. 1968. Musiche del Quattrocento in S. Petronio. Revista Italiana di Musicologia, 3: 215-32.

Hamm, Charles E. 1968. The Motets of Lionel Power. Studies in Music History: Essays for Oliver Strunk, 127-36. Princeton.

Hamm, Charles E. 1965. The Reson Mass. Journal of the American Musicological Society, 18: 5-21.

Hamm, Charles E. 1964. A Chronology of the Works of Guillaume Dufay Based on a Study of Mensural Practice.  Princeton.

Hamm, Charles E. 1964. A Chronology of the Works of Guillaume Dufay Based on a Study of Mensural Practice.  Princeton.

Hamm, Charles E. 1962. Manuscript Structure in the Dufay Era. Acta Musicologica, 34: 166-84.

Hamm, Charles E. 1962. Manuscript Structure in the Dufay Era. Acta Musicologica, 34: 166–84.

Hamm, Charles E. 1960. The Manuscript San Pietro B 80. Revue Belge de Musicologie, 14: 40-55.

Hamm, Charles E. 1960. A Group of Anonymous English Pieces in Trent 87. Music and Letters, 41: 211-5.