Copied by Netherlands court scribe Petrus Alamire (NowakM), though Warmington assigns some of the music copying to scribe K (KellmanTO). Copied in Brussels/Mechlin; belongs to Netherlands court complex (KellJ). Sent to Raimund Fugger the Elder (1489-1535), of Augsburg. Fugger library purchased by Emperor Ferdinand III and brought to Vienna in 1656.
A-Wn Mus.Hs. 18832 (Lower Voice)
Österreichische Nationalbibliothek, Vienna, Austria
partbook: c. 1515-34
| Archive | Österreichische Nationalbibliothek, Vienna, Austria (A-Wn) |
|---|---|
| Shelfmark | Mus.Hs. 18832 (Lower Voice) |
| Surface | Paper |
| Numbering System | Foliation |
| Measurements | 140 x 205 mm |
| Other Identifiers |
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| Contents | Contains 84 compositions, 46 from 15 composers, 38 are anonymous. |
General Description
Binding
Original covers of dark brown leather stamped front and back, respectively, with four identical plates (vine motifs, animals, and inscription 'Ligatus per manus Johannis tys qui petit a malis erui et semper protegi per manus domini')
Watermark
(1) pot surmounted by four-petalled flower (generally resembles Briquet #12624-30); (2) Gothic letter 'P', sometimes surmounted by four-petalled flower (see Briquet #8652 for approximate pattern).
Notation
black void mensural
Ruling
Staff height 13
Foliation
Other numberings: Modern pencil numbering of pieces, 1-89
Foliation
Modern pencil foliation in each book.
Decoration
No decorative initials; Fugger family coat of arms on f. 7' of each book.
Surface
paper
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
89 bicinia*
*A few items have text incipits or titles, but most pieces lack text, title, or other identification. Items identified from concordant sources include 43 Mass Ordinary sections, 3 Requiem Mass sections, 9 Magnificat sections, and 2 motets.
(A. Agricola)-4, (Brumel)-4, (Brumel/Jhan of Ferrara)-1, (Brumel/Venalt)-1, (Compère)-2, (Divitis)-1, (A. Févin)-9, (A. Févin/ Mouton)-5, (Gascongne)-1, Isaac-2, (Josquin)-5, (Josquin/Ockeghem)-3, (La Rue)-5, (Obrecht)-2 + 1?, anon-43
2 paper partbooks (Upper voice-i + 90 + i folios, Lower voice-i + 89 + i), 138 x 203. Modern pencil foliation in each book. Modern pencil numbering of pieces, 1-89. Original covers of dark brown leather stamped front and back, respectively, with four identical plates (vine motifs, animals, and inscription "Ligatus per manus Johannis tys qui petit a malis erui et semper protegi per manus domini"). No index. Copied by Netherlands court scribe Petrus Alamire (NowakM); see general index for other manuscripts copied by the same scribe. Staff height 13. No decorative initials; Fugger family coat of arms on f. 7' of each book. Watermarks: (1) pot surmounted by four-petalled flower (generally resembles Briquet #12624-30); (2) Gothic letter "P", sometimes surmounted by four-petalled flower (see Briquet #8652 for approximate pattern).
1515-34, probably ca. 1521-5 (KellJ). Copied in Brussels/Mechlin; belongs to Netherlands court complex (KellJ). Sent to Raimund Fugger the Elder (1489-1535), of Augsburg. Fugger library purchased by Emperor Ferdinand III and brought to Vienna in 1656.
15
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Sets
Books prepared by the Alamire workshop
Linked by Origin or Contents · 72 sources
Mus.Hs. 18832/1-2 Mus
Partbooks · 2 sources
‡ denotes primary source study
Saunders, Zoe. 2010. Anonymous Masses in the Alamire Manuscripts: Toward a new understanding of a repertoire, an atelier, and a renaissance court. University of Maryland, PhD.
Kellman, Herbert (editor). 1999. The Treasury of Petrus Alamire. Music and art in Flemish Court Manuscripts 1500-1535. Leuven: Alamire Foundation.
Kellman, Herbert. 1989. Observations on the Production and Distribution of Music Manuscripts at the Netherlands Court. Early Music History, 9: . Notes: physical description (partial); mention of MS; discussion.
Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II, vol. 28/I-III. Bern and Stuttgart. Pages: I, xliv, 28, 30, 32, 59; III, 49, 95, 193. Notes: physical description; contents list (partial); concordances (partial).
Ward, Tom Robert. 1977. Another Mass by Obrecht? Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 27: 102-8. Pages: 105-6. Notes: contents list (partial); concordances (partial); mention of MS; discussion.
Kellman, Herbert. 1976. Josquin and the Courts of the Netherlands and France: The Evidence of the Sources. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25 June 1971, 181-216. London, New York, and Toronto. Pages: 193, 204, 209, 214. Notes: contents list (partial); mention of MS; discussion.
Staehelin, Martin. 1975. Obrechtiana. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 25/1: 1-37. Pages: 18, 33. Notes: contents list (partial); concordances (partial).
Bellingham, Bruce Allan. 1971. The Bicinium in the Lutheran Latin Schools During the Reformation Period. University of Toronto, Unpublished Ph.D. dissertation. Pages: I, 36-7; II, 101ff. Notes: contents list (partial); concordances (partial); mention of MS; discussion.
Kämper, Dietrich. 1970. Studien zur Instrumentalen Ensemblemusik des 16. Jahrhunderts in Italien. Analecta Musicologica, 10: . Pages: 103. Notes: physical description; mention of MS; discussion.
Hudson, Barton (editor). 1969-72. Antoine Brumel: Collected Works. Corpus mensurabilis musicae, vol. 5. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I, xiv-xv; II, xvii-xix; VI, xv-xvi. Notes: contents list (partial); concordances (partial).
Staehelin, Martin. 1967. Quellenkundliche Beiträge zum Werk von Johannes Ghiselin-Verbonnet. Archiv für Musikwissenschaft, 24: 120-32. Pages: 131. Notes: contents list (partial); concordances (partial).
Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 173. Notes: contents list (partial); concordances (partial); incipits (partial).
Sheley, Wayne M. 1966. The Instrumental Instructional Duo around 1500. Eastman School of Music, Unpublished D.M.A. thesis. Notes: physical description (partial); contents list; concordances (partial); incipits; texts; discussion.
Kämper, Dietrich. 1965. Das Lehr- und Instrumentalduo um 1500 in Italien. Die Musikforschung, 18: 242-53. Pages: 246-9. Notes: contents list (partial); transcriptions (partial); mention of MS; discussion.
Davison, Nigel St. John. 1962. The Motets of Pierre de La Rue. The Musical Quarterly, 48: 19-35. Pages: 22. Notes: contents list (partial).
Lerner, Edward R (editor). 1961-70. Alexandrí Agricola: Opera Omnia. Corpus mensurabilis musicae, vol. 22. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I, xiv, xix. Notes: contents list (partial); concordances (partial).
Unterkircher, Franz. 1957-9. Inventar der Illuminierten Handschriften, Inkunabeln und Frühdrucke der Osterreichischen Nationalbibliothek. Vienna. Pages: I, 167. Notes: physical description (partial).
Kast, Paul. 1955. Studien zu den Messen des Jean Mouton. Johann Wolfgang Goethe-Universität (Frankfurt am Main), Unpublished Ph.D. dissertation. Pages: 67, 195. Notes: contents list (partial); concordances (partial).
Nowak, Leopold. 1948. Die Musikhandschriften aus Fuggerschem Besitz in der Österreichischen Nationalbibliothek. Die Österreichische Nationalbibliothek. Festschrift herausgegeben zum 25 jährigen Dienstjubiläum des Generaldirektors Univ.-Prof. Dr. Josef Bick, edited by Leopold Nowak, Vienna: H. Bauer-Verlag. Notes: physical description (partial); mention of MS; discussion.
Nowak, Leopold. 1931-2. Eine Bicinienhandschrift der Wiener Nationalbibliothek. Zeitschrift für Musikwissenschaft, 14: 99-102. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.
Mantuani, Joseph. 1864-99 R 1965. Tabulae Codicum Manu Scriptorum in Bibliotheca Palatina Vindobonensi Asservatorum. 10 vols. Vienna: (1864-99) Graz: (1965 reprint). Pages: X, 240-2. Notes: physical description (partial); contents list.
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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description