Copied by Netherlands court scribe B1, who also wrote JenaU 22 (KellBP). Copied in Brussels/Mechlin; belongs to Netherlands court complex (KellJ). Compiled as wedding gift for Manuel I, King of Portugal, and Marie of Spain (DixM).
A-Wn Cod. 1783
Österreichische Nationalbibliothek, Vienna, Austria
manuscript of polyphony: ca. 1505
| Archive | Österreichische Nationalbibliothek, Vienna, Austria (A-Wn) |
|---|---|
| Shelfmark | Cod. 1783 |
| Image Availability | DIAMM does not have images of this source. Please refer to the external links for image availability. |
| Surface | Parchment |
| Numbering System | Foliation |
| Measurements | 395 x 270 mm |
| Other Identifiers |
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| Notations |
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| Copyists | |
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| Provenance |
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| Contents | Contains 22 compositions from 9 composers. |
General Description
Binding
Rebound in 1952 in original covers of brown leather over wooden boards, with blind-tooled lozenge design; metal bosses, clasps, and corners now missing.
Notation
black void mensural
Ruling
Staff height 17
Foliation
Modern ink foliation, 1-255
Decoration
Miniatures and borders illuminated in Ghent-Bruges style; painted initials and inked calligraphic initials. Coat of arms of Manuel I, King of Portugal, and Marie of Spain on ff. l'-2 and f. 17'; mottoes of Philip the Fair, Archduke of Austria, on ff. 65'-66 and f. 83'.
Surface
parchment
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
18 Masses, 1 Kyrie, 1 Credo = 20
A. Agricola-2, A. Agricola/(Ghiselin)-1,* Barbireau-3, Brumel-Isaac-1,** Ghiselin [Verbonnet]-1, Josquin-1, La Rue-6, La Rue/ (Josquin)-1, Orto-3, Weerbecke [Jaspar]-1
*Missa Paschale on ff. 83'-98 attributed to "Allexander Agricola"; Sanctus of this Mass attributed to "Verbonnet" [= Ghiselin] in VerBC 756.
**Attribution to "Brumel" appears at beginning of Mass on ff. 187'-197, but Credo (based on "Tmeiskin was jonck") attributed to "Yzaac."
ii + 255 + ii parchment folios, 395 x 280. Modern ink foliation, 1-255. Rebound in 1952 in original covers of brown leather over wooden boards, with blind-tooled lozenge design; metal bosses, clasps, and corners now missing. No index. Copied by Netherlands court scribe B', who also wrote JenaU 22 (KellBP). Staff height 17. Miniatures and borders illuminated in Ghent-Bruges style; painted initials and inked calligraphic initials. Coat of arms of Manuel I, King of Portugal, and Marie of Spain on ff. l'-2 and f. 17'; mottoes of Philip the Fair, Archduke of Austria, on ff. 65'-66 and f. 83'.
1500-5, probably 1500 (KellJ). Copied in Brussels/Mechlin; belongs to Netherlands court complex (KellJ). Compiled as wedding gift for Manuel I, King of Portugal, and Marie of Spain (DixM).
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Sets
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Books prepared by the Alamire workshop
Linked by Origin or Contents · 72 sources
A-Wn Cod. 1783
Current source
‡ denotes primary source study
Kellman, Herbert (editor). 1999. The Treasury of Petrus Alamire. Music and art in Flemish Court Manuscripts 1500-1535. Leuven: Alamire Foundation.
Kellman, Herbert. 1989. Observations on the Production and Distribution of Music Manuscripts at the Netherlands Court. Early Music History, 9: . Notes: physical description (partial); mention of MS; discussion.
Kellman, Herbert (editor). 1987. London, British Library, Royal 8 G. VII. Renaissance Music in Facsimile, vol. 9. New York. Notes: mention of MS.
Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II, vol. 28/I-III. Bern and Stuttgart. Pages: I,xlii-xliii,34,57-8,84; III,99-100. Notes: physical description; contents list (partial); concordances (partial).
Kellman, Herbert. 1976. Josquin and the Courts of the Netherlands and France: The Evidence of the Sources. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25 June 1971, 181-216. London, New York, and Toronto. Pages: 193,195,209-10. Notes: contents list (partial); concordances (partial); mention of MS; discussion.
Curtis, Alan (editor). 1974. Gaspar van Weerbeke, Missa Princesse d'amourettes 4 vx. Exempla Musica Neerlandica. 1964- (VvNM), vol. VII. Edited by Willem Elders. Amsterdam. Pages: VIII. Notes: contents list (partial); concordances (partial); transcriptions (partial).
Miller, Ronald Lee. 1974. The Musical Works of Marbriano de Orto: Transcription and Commentary. Indiana University, Unpublished Ph.D. dissertation. Pages: I,18-9,21,42ff,119ff; II,345-57. Notes: physical description (partial); contents list (partial); transcriptions (partial); mention of MS; discussion.
Staehelin, Martin. 1973. Möglichkeiten und praktische Anwendung der Verfasserbestimmung an anonym überlieferten Kompositionen der Josquin-Zeit. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 23: 79-91. Pages: 82. Notes: contents list (partial); concordances (partial).
Dixon, Helen M. 1969. The Manuscript Vienna, National Library, 1783. Musica Disciplina, 23: 105-16. Notes: physical description; contents list; concordances (partial); transcription (partial); mention of MS; discussion.
Elders, Willem. 1968. Studien zur Symbolik in der Musik der alten Niederländer. Bilthoven. Pages: 125,151-2. Notes: contents list (partial); transcriptions (partial); mention of MS; discussion.
Unterkircher, Franz. 1962. Manuscrits et Livres Imprimés Concernant L'Histoire des Pays-Bas 1475-1600. Biblos-Schrifien, vol. 33. Brussels. Pages: 70, Pl. 56. Notes: physical description; facsimile (partial).
Lerner, Edward R (editor). 1961-70. Alexandrí Agricola: Opera Omnia. Corpus mensurabilis musicae, vol. 22. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I.iii.xiv; II,i-ii,x,l-22. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.
Gottwald, Clytus (editor). 1961-68. Johannes Ghiselin- Verbonnet: Opera Omnia. Corpus mensurabilis musicae, vol. 23. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: III.viii.[x]. Notes: contents list (partial); concordances (partial); facsimile (partial).
Fox, Charles Warren. 1960. Barbireau and Barbingant: A Review. Journal of the American Musicological Society, 13: 79-101. Pages: 81, 86,88,101. Notes: contents list (partial); concordances (partial); mention of MS; discussion.
Kellman, Herbert. 1958. The Origins of the Chigi Codex: The Date, Provenance, and Original Ownership of Rome, Biblioteca Vaticana, Chigiana, C. VIII. 234. Journal of the American Musicological Society, 11: 6-19. Pages: 18. Notes: mention of MS.
Unterkircher, Franz. 1957-9. Inventar der Illuminierten Handschriften, Inkunabeln und Frühdrucke der Osterreichischen Nationalbibliothek. Vienna. Pages: I,49. Notes: physical description.
Meier, Bernhard (editor). 1954-7. Jacobi Barbireau: Opera Omnia. Corpus mensurabilis musicae, vol. 7. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I,i-x, 1-20,47-51; plates preceding 1 and 47. Notes: contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial); mention of MS; discussion.
Robijns, Jozef. 1954. Pierre de la Rue (Circa 1460-1518): Een Bio-Bibliographische Studie. Brussels. Pages: 44-5,55-6,155ff. Notes: contents list (partial); concordances (partial).
Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: I,1245-6; IV, 1409-10; VIII,233-4. Notes: facsimile (partial).
Kinsky, Georg (editor). 1930. A History of Music in Pictures. London, New York, and Toronto. Pages: 54. Notes: facsimile (partial).
Smijers, Albert (editor). 1927-56. Werken van Josquin des Prez: Missen. Amsterdam. Pages: VI.v-xii. Notes: physical description (partial); contents list (partial); concordances (partial).
Winkler, Friedrich. 1925. Die Flämische Buchmalerei des XV. und XVI. Jahrhunderts; Künstler und Werke von den Brüdern Van Eyck bis zu Simon Bening. Leipzig. Pages: 203. Notes: physical description (partial).
Waagen, G F. 1867. Die vornehmsten Kunstdenkmäler in Wien. Manuscripte mit Miniaturen, Handzeichnungen und Kupferstiche, vol. 2. Vienna. Pages: 56-7. Notes: physical description (partial).
Mantuani, Joseph. 1864-99 R 1965. Tabulae Codicum Manu Scriptorum in Bibliotheca Palatina Vindobonensi Asservatorum. 10 vols. Vienna: (1864-99) Graz: (1965 reprint). Pages: I,289. Notes: physical description (partial).
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Sam Bradley
Saturday, 27 June, 2020
link to the images in Vienna updated
Jonathan Tribe
Thursday, 16 May, 2019
Patron corrected
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description