Copied by Netherlands court scribe Petrus Alamire (KellJ); WarmMC distinguishes two music and/or text scripts: scribe D (ff. l'-7, 9'-14, 17-28, 29'-41, 42'-43',44'-52', 56'-60', 62', 64', 90'-101, 104'-112, 113'-117); and scribe X (ff. 8'-9, 15'-20, 29'-30', 42'-53', 54'-65, 66'-76, 77'-89, 102'-107, 108-112). Copied in Brussels/Mechlin; belongs to Netherlands court complex (KellJ). Emperor Maximilian I may have originally intended to send this manuscript, along with JenaU 7 and JenaU 9, to Henry VIII of England. Maximilian instead sent the manuscripts to Frederick the Wise, Elector of Saxony (RoediT). They were used at the All Saints Church in Wittenberg, and remained there until 1547, when a later Elector, Johann Friedrich I, was deposed. He retired to Weimar, taking with him the court library, including these manuscripts. The collection was transferred to Jena in 1548 to become the foundation of the library of the Hochschule (later Jena University) founded by Johann Friedrich.
D-Ju MS 4
Universitätsbibliothek, Jena, Germany
manuscript of polyphony: 1512-19, probably c. 1513 (KellBP)
| Archive | Universitätsbibliothek, Jena, Germany (D-Ju) |
|---|---|
| Shelfmark | MS 4 |
| Surface | Parchment |
| Numbering System | Foliation |
| Measurements | 785 x 550 mm |
| Other Identifiers |
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| Contents | Contains 48 compositions from 7 composers. |
General Description
Binding
Original covers of dark brown leather over boards, partially restored, with blind-tooled lozenge design, metal corners, buckle and clasps
Notation
not indicated
Foliation
New pencil foliation, 1-117.
Foliation
117
Decoration
Miniatures and borders illuminated in Ghent-Bruges style; painted initials and inked calligraphic initials. Miniatures include representations of Popes Nicholas IV, Alexander V, Innocent V, and Sixtus IV; various saints; Emperors Frederick III and Maximilian I, Archduke Charles (later Charles V), Archduke Ferdinand and his four sisters, Henry VIII of England and his wife, Catherine of Aragon. Coats of arms of the royal houses of Austria, Burgundy, Spain, and England; the imperial arms are also present.
Surface
Parchment
Census Catalogue of Music Description
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9 Masses, 1 Kyrie, 2 Credos = 12
Divitis-1, A. Fevin-1, M. Forestier-1, La Rue-7, Mouton-1, Pipelare-1
117 parchment folios, 785 x 550. New pencil foliation, 1-117. Blank folios: 1, 7'-8, 14'-15, 28'-29, 41'-42, 53'-54, 65'-66, 76'-77, 89'-90, 101'-102, 112'-113, 117'. Original covers of dark brown leather over boards, partially restored, with blind-tooled lozenge design, metal corners, buckle and clasps. No index. Copied by Netherlands court scribe Petrus Alamire (KellJ). Miniatures and borders illuminated in Ghent-Bruges style; painted initials and inked calligraphic initials. Miniatures include representations of Popes Nicholas IV, Alexander V, Innocent V, and Sixtus IV; various saints; Emperors Frederick III and Maximilian I, Archduke Charles (later Charles V), Archduke Ferdinand and his four sisters, Henry VIII of England and his wife, Catherine of Aragon. Coats of arms of the royal houses of Austria, Burgundy, Spain, and England; the imperial arms are also present.
1512-19, probably ca. 1513 (KellBP). Copied in Brussels/Mechlin; belongs to Netherlands court complex (KellJ). Emperor Maximilian I may have originally intended to send this manuscript, along with JenaU 7 and JenaU 9, to Henry VIII of England. But when friction developed between the two rulers, Maximilian sent the manuscripts instead to Frederick the Wise, Elector of Saxony (RoediT). They were used at the All Saints Church in Wittenberg, and remained there until 1547, when a later Elector, Johann Friedrich I, was deposed. He retired to Weimar, taking with him the court library, including these manuscripts. The collection was transferred to Jena in 1548 to become the foundation of the library of the Hochschule (later Jena University) founded by Johann Friedrich.
Vol 4
Composers: Change "La Rue-7" to "La Rue-6 + 1?."
Physical: Copied by Netherlands court scribe Petrus Alamire (KellJ); see general index for other manuscripts copied by the same scribe. WarmMC distinguishes two music and/or text scripts: D (ff. l'-7, 9'-14, 17-28, 29'-41, 42'-43',44'-52', 56'-60', 62', 64', 90'-101, 104'-112, 113'-117); and X (ff. 8'-9, 15'-20, 29'-30', 42'-53', 54'-65, 66'-76, 77'-89, 102'-107, 108-112); see general index for other manuscripts attributed to the same scribes.
Date: 1512-9, probably ca. 1513 (KellBP); 1516-8 (WarmMC).
102v
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Sets
Books prepared by the Alamire workshop
Linked by Origin or Contents · 72 sources
‡ denotes primary source study
Kratzsch, Irmgard. 2001. Schätze der Buchmalerei. Aus der Handschriftensammlung der Thüringer Universitäts- und Landesbibliothek Jena. edited by Irmgard Kratzsch, Jena: Friedrich-Schiller-Universität. Pages: 88-97.
Kellman, Herbert (editor). 1999. The Treasury of Petrus Alamire. Music and art in Flemish Court Manuscripts 1500-1535. Leuven: Alamire Foundation. Pages: 90-94.
Smeyers, Maurits. 1999. Flämische Buchmalerei. Vom 8. bis zur Mitte des 16. Jahrhunderts. Die Welt des Mittelalters auf Pergament. Stuttgart. Pages: 470-473.
Heidrich, Jürgen. 1993. Die deutschen Chorbücher aus der Hofkapelle Friedrich des Weisen. Sammlung Musikwissenschaftlicher Abhandlungen, vol. 84. Baden-Baden. Pages: p. xviiif.
Kellman, Herbert. 1989. Observations on the Production and Distribution of Music Manuscripts at the Netherlands Court. Early Music History, 9: . Notes: physical description; mention of MS; discussion; contents list (partial); facsimile (partial).
Kapp, Maria. 1987. Musikalische Handschriften des burgundischen Hofes in Mechel und Brüssel ca. 1495-1530. Darmstadt. Pages: 150.
Kellman, Herbert (editor). 1987. London, British Library, Royal 8 G. VII. Renaissance Music in Facsimile, vol. 9. New York. Notes: mention of MS.
Flemming, Johanna, and Irmgard Kratzsch. 1986. Noten und Ranken. Aus Chorbüchern des 16. Jahrhunderts,. Das Kabinett. Kalender für 1987. Dresden.
Brown, Howard Mayer. 1983. In Alamire's Workshop. Notes on Scribal Practice in the Early Sixteenth Century. Datierung und Filiation von Musikhandschriften der Josquin-Zeit, Wolfenbütteler Forschungen, vol. 26. 15-63. Wiesbaden. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.
Warmington, Flynn. 1982. A Master Calligrapher in Alamire's Workshop: The Chronology of His Work. Paper read at the Annual Meeting of the American Musicological Society, November, 1982, . Notes: physical description (partial); mention of MS; discussion.
Karpe, Georg. 1976. Handschriften und alte Drucke aus den Sammlungen der Universitätsbibliothek der Friedrich-Schiller-Universität Jena. Jena.
Kellman, Herbert. 1976. Josquin and the Courts of the Netherlands and France: The Evidence of the Sources. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25 June 1971, 181-216. London, New York, and Toronto. Notes: mention of MS.
Minor, Andrew C (editor). 1967-. Joannes Mouton: Opera Omnia. Corpus mensurabilis musicae, vol. 43. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: III,x. Notes: concordances (partial).
Kellman, Herbert. 1958. The Origins of the Chigi Codex: The Date, Provenance, and Original Ownership of Rome, Biblioteca Vaticana, Chigiana, C. VIII. 234. Journal of the American Musicological Society, 11: 6-19. Pages: 18. Notes: mention of MS.
Kast, Paul. 1955. Studien zu den Messen des Jean Mouton. Johann Wolfgang Goethe-Universität (Frankfurt am Main), Unpublished Ph.D. dissertation. Pages: 193. Notes: concordances (partial).
Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: (VI,1872-3)Fp(IX, Tafel 41). Notes: physical description (partial); mention of MS; discussion.
Roediger, Karl Erich. 1935. Die geistlichen Musikhandschriften der Universitätsbibliothek Jena. 2 vols. Jena: Frommannsche Buchhandlung. Pages: 7-12; i, 41-6. Notes: contents list; incipits: physical description; mention of MS; discussion.
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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description