A-Wn Cod. 11883 Han - DIAMM

A-Wn Cod. 11883 Han

Österreichische Nationalbibliothek, Wien (Vienna), Austria

manuscript of polyphony: 1475-1540

Archive	Österreichische Nationalbibliothek, Wien (Vienna), Austria (A-Wn)
Shelfmark	Cod. 11883 Han
Surface	Paper
Numbering System	Foliation
Measurements	287 x 210 mm
Other Identifiers	CCM: VienNB 11883 olim (Former shelfmark): Theol. 281; VIII. D.20
Notations	black void mensural
Copyists	Alamire, Petrus (ca. 1470–1536) Text and Music scribal concordance [38], Alamire P Text and Music scribal concordance [71], Alamire K Music
Relationships	Ferdinand III (1608–1657) (owner) Fugger, Raimund (the Elder) (1489–1535) (owner)
External Links	CMME online edition online library entry linked to images (Digitalisat)
Provenance	Brussels, Low Countries
Contents	33 pieces from 17 composers

General Description

Composite of originally separate fascicles later bound together. Copied by many scribes, including Netherlands court scribe Petrus Alamire (NowakM); Warmington also distinguishes music/text hand P, and music hand K (KellmanTO). Probably copied in Low Countries. Several fascicles copied in Brussels/Mechlin; belong to Netherlands court complex (KellJ). Probably sent to Raimund Fugger the Elder (1489-1535), of Augsburg. Fugger family library purchased by Emperor Ferdinand III and brought to Vienna in 1656.

Oscar Verhaar, for the medieval music manuscript project of the National Library Vienna (www.cantusplanus.at), 2014

Physical Description

Folios subsequently trimmed at top, partially or completely obliterating some titles and attributions.

Oscar Verhaar, for the medieval music manuscript project of the National Library Vienna (www.cantusplanus.at), 2014

Binding

Rebound in 18th-century covers of white parchment over boards, gold stamped with double eagle and inscriptions 'E.A.B.C.V.' and '17.G.L.B.V.S.B.52.'

Oscar Verhaar, for the medieval music manuscript project of the National Library Vienna (www.cantusplanus.at), 2014

Watermark

(1) Gothic letter 'P' (several variants, none in Briquet); (2) Gothic letter 'p' surmounted by four-petalled flower (several variants; see Briquet #8652 for approximate pattern); (3) resembles Briquet #8796; (4) one-handled pot surmounted by four-petalled flower (several variants; some not in Briquet, but others include resemblances to Briquet #12624, #12626, and #12629); (5) two-handled pot (not in Briquet); (6) resembles Briquet #12571; (7) hand and cuff surmounted by three-petalled flower (not in Briquet); (8) hand and cuff surmounted by four-petalled flower (not in Briquet, but see Briquet #11417ff for general type); (9) generally resembles Briquet #11406; (10) resembles Briquet #11463; (11) resembles Briquet #11465; (12) resembles Briquet #8993; (13) generally resembles Briquet #1744; (14) generally resembles Briquet #1745; (15) resembles Briquet #6152.

Oscar Verhaar, for the medieval music manuscript project of the National Library Vienna (www.cantusplanus.at), 2014

Notation

black void mensural

Oscar Verhaar, for the medieval music manuscript project of the National Library Vienna (www.cantusplanus.at), 2014

Foliation

Modern ink foliation, 1-325, on upper right rectos.

Oscar Verhaar, for the medieval music manuscript project of the National Library Vienna (www.cantusplanus.at), 2014

Decoration

A few inked calligraphic initials, but most folios have no decorative initials; some red voice designations, text, etc. on ff. 306'-315

Oscar Verhaar, for the medieval music manuscript project of the National Library Vienna (www.cantusplanus.at), 2014

Index

Index on f. 1, prepared when fascicles were assembled in present form (mid 16th century or earlier); pieces listed in order of appearance (a few pieces not listed).

Oscar Verhaar, for the medieval music manuscript project of the National Library Vienna (www.cantusplanus.at), 2014

Surface

paper

Oscar Verhaar, for the medieval music manuscript project of the National Library Vienna (www.cantusplanus.at), 2014

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

28 Masses (several incomplete), 1 Kyrie-Gloria pair (incomplete), 1 Agnus, 1 motet = 31

Barbireau-1, Carlir-1, Amanus Faber-1, Ghiselin [Verbonet]-1, Isaac-2, Josquin-2, Lupus-1, Notens-1, Obrecht-2, (Ockeghem)-1, Pipelare-4, Prioris-1, Severdonck-1, Sticheler-1, Vinders [Hieronimus Winters]-1, anon-10

i + 325 + i paper folios, 287 x 210. Composite of originally separate fascicles later bound together. Folios subsequently trimmed at top, partially or completely obliterating some titles and attributions. Modern ink foliation, 1-325, on upper right rectos. Rebound in 18th-century covers of white parchment over boards, gold stamped with double eagle and inscriptions "E.A.B.C.V." and "17.G.L.B.V.S.B.52." Index on f. 1, prepared when fascicles were assembled in present form (mid 16th century or earlier); pieces listed in order of appearance (a few pieces not listed). Copied by many scribes, including Netherlands court scribe Petrus Alamire (NowakM); see general index for other manuscripts copied by Alamire. A few inked calligraphic initials, but most folios have no decorative initials; some red voice designations, text, etc. on ff. 306'-315. Watermarks: (1) Gothic letter "P" (several variants, none in Briquet); (2) Gothic letter "p" surmounted by four-petalled flower (several variants; see Briquet #8652 for approximate pattern); (3) resembles Briquet #8796; (4) one-handled pot surmounted by four-petalled flower (several variants; some not in Briquet, but others include resemblances to Briquet #12624, #12626, and #12629); (5) two-handled pot (not in Briquet); (6) resembles Briquet #12571; (7) hand and cuff surmounted by three-petalled flower (not in Briquet); (8) hand and cuff surmounted by four-petalled flower (not in Briquet, but see Briquet #11417ff for general type); (9) generally resembles Briquet #11406; (10) resembles Briquet #11463; (11) resembles Briquet #11465; (12) resembles Briquet #8993; (13) generally resembles Briquet #1744; (14) generally resembles Briquet #1745; (15) resembles Briquet #6152.

First third of 16th century (StaeMI). Probably copied in Low Countries. Several fascicles copied in Brussels/Mechlin; belong to Netherlands court complex (KellJ). Probably sent to Raimund Fugger the Elder (1489-1535), of Augsburg. Fugger family library purchased by Emperor Ferdinand III and brought to Vienna in 1656.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
2–11	Missa Malheur me bat 9.1	Josquin	Despres, Josquin (ca. 1450–1521)
Missa Malheur me bat 9.1 Despres, Josquin (ca. 1450–1521) Appears on: 2–11 Genres: Mass Ordinary Source Attribution: Josquin Voice: [no designation] Languages: Latin, Greek Voice Text: Missa Malheur me bat 9.1
12–19	Missa Ghy syt die wertste boven: KGC	Verbonet [= Ghiselin]	Ghiselin (Verbonnet), Johannes
Missa Ghy syt die wertste boven: KGC Ghiselin (Verbonnet), Johannes Appears on: 12–19 Genres: Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary Source Attribution: Verbonet [= Ghiselin] Voice: [no designation] Languages: Latin, Greek Voice Text: Missa [Ghy syt die wertste boven] [KGC]
20v–29	Missa Sine nomine	Anon.	Anonymous
Missa Sine nomine Anonymous Appears on: 20v–29 Genres: Mass Ordinary Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Missa [Sine nomine]
30–41	Missa Crux fidelis inter omnes	Anon.	Anonymous
Missa Crux fidelis inter omnes Anonymous Appears on: 30–41 Genres: Mass Ordinary Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Missa super Crux fidelis inter omnes
42v–51	Missa Quant j'ai au coeur: KGCS	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Missa Quant j'ai au coeur: KGCS Isaac, Heinrich (ca. 1450–1517) Appears on: 42v–51 Genres: Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary Source Attribution: [Isaac] Voice: [no designation] Languages: Latin, Greek Voice Text: Missa [Quant j'ay au cueur] [KGCS] (Mostly without text)
52–63	Missa L'homme armé	Jacquet Obrecht	Obrecht, Jacobus (ca. 1457–1505)
Missa L'homme armé Obrecht, Jacobus (ca. 1457–1505) Appears on: 52–63 Genres: Kyrie eleison, Mass Ordinary Source Attribution: Jacquet Obrecht Voice: [no designation] Languages: Latin Voice Text: Missa super Lomme arme
64–75	Missa per Alamyr	Hieronimus Winters [= Vinders]	Vinders, Jheronimus (fl. c1525-1526)
Missa per Alamyr Vinders, Jheronimus (fl. c1525-1526) Appears on: 64–75 Genres: Mass Ordinary Source Attribution: Hieronimus Winters [= Vinders] Voice: [no designation] Languages: Latin Voice Text: Missa per Alamyr
76–89	Missa Sine nomine	Anon.	Anonymous
Missa Sine nomine Anonymous Appears on: 76–89 Genres: Mass Ordinary Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Missa [Sine nomine]
90–100	Missa Depuis q'une jeune fille	Amanus Faber	Faber, Amanus
Missa Depuis q'une jeune fille Faber, Amanus Appears on: 90–100 Genres: Mass Ordinary Source Attribution: Amanus Faber Voice: [no designation] Languages: Latin Voice Text: Missa Depuis qvune josne fille
101v–110v	Missa de Angelis	Johannes Prioris	Prioris, Johannes (Denis, Dionisius) (–1515)
Missa de Angelis Prioris, Johannes (Denis, Dionisius) (–1515) Appears on: 101v–110v Genres: Mass Ordinary Source Attribution: Johannes Prioris Voice: [no designation] Languages: Latin Voice Text: Missa de Angelis
111–120	Missa Waer ist die alder liefste	Henricus Severdonck	Severdonck, Henricus
Missa Waer ist die alder liefste Severdonck, Henricus Appears on: 111–120 Genres: Mass Ordinary Source Attribution: Henricus Severdonck Voice: [no designation] Languages: Latin Voice Text: Missa Waer ist die alder liefste
121v–132v	Missa tous biens plaine	Jacobus Hobrecht	Obrecht, Jacobus (ca. 1457–1505)
Missa tous biens plaine Obrecht, Jacobus (ca. 1457–1505) Appears on: 121v–132v Genres: Mass Ordinary Source Attribution: Jacobus Hobrecht Voice: [no designation] Languages: Latin, Greek Voice Text: Missa [De tous biens plaine]
133v–144	Missa Faulx perverse	Barbiriaw	Barbireau, Jacobus (1455–1491)
Missa Faulx perverse Barbireau, Jacobus (1455–1491) Appears on: 133v–144 Genres: Mass Ordinary Source Attribution: Barbiriaw Voice: [no designation] Languages: Latin Voice Text: Missa Faulx perversa
145v–163	Missa Misericordias Domini cantabo	H. Yzaac	Isaac, Heinrich (ca. 1450–1517)
Missa Misericordias Domini cantabo Isaac, Heinrich (ca. 1450–1517) Appears on: 145v–163 Genres: Mass Ordinary Source Attribution: H. Yzaac Voice: [no designation] Languages: Latin Voice Text: Missa Misericordias domini cantabo [without text]
164–175v	Missa Dicit Dominus	Pepelare	Pipelare, Mattheus (ca. 1450–ca. 1515)
Missa Dicit Dominus Pipelare, Mattheus (ca. 1450–ca. 1515) Appears on: 164–175v Genres: Mass Ordinary Source Attribution: Pepelare Voice: [no designation] Languages: Latin Voice Text: Missa Dicit dominus
176–187	Missa Salve sancte parens	Nicolaus Carlir sang Meyster zu Anthorff	Carlir, Nicolaus
Missa Salve sancte parens Carlir, Nicolaus Appears on: 176–187 Genres: Mass Ordinary Source Attribution: Nicolaus Carlir sang Meyster zu Anthorff Voice: [no designation] Languages: Latin Voice Text: Missa Salve sancte parens
190–193	Missa De tous biens plaine	Johannes Notens	Notens, Johannes (?) Compère, Loyset (ca. 1445–1518) (?)
Missa De tous biens plaine Notens, Johannes (?) Compère, Loyset (ca. 1445–1518) (?) Appears on: 190–193 Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus] Source Attribution: Johannes Notens Voice: [no designation] Languages: Latin, Greek Voice Text: Missa [De tous biens plaine] [KGCS] General Note lacks Agnus Dei
[-]	Regina caeli laetare alleluia	-	Anonymous
Regina caeli laetare alleluia Anonymous Appears on: [-] Genres: Marian antiphon, Regina caeli laetare Voice: [no designation] Languages: Latin Voice Text: Regina caeli laetare alleluia
193v–194	Regina caeli laetare Quia quem meruisti	Anon.	Notens, Johannes (?)
Regina caeli laetare Quia quem meruisti Notens, Johannes (?) Appears on: 193v–194 Genres: Motet, Regina caeli laetare Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Regina celi letare] Quia quem meruisti
194v–195	Missa La sol fa re mi 11.2: Kyrie and beginning of Gloria	[Josquin]	Despres, Josquin (ca. 1450–1521)
Missa La sol fa re mi 11.2: Kyrie and beginning of Gloria Despres, Josquin (ca. 1450–1521) Appears on: 194v–195 Genres: Gloria (et in terra pax), Kyrie eleison, Mass Ordinary Source Attribution: [Josquin] Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa La sol fa re mi] [Kyrie and beginning of Gloria only] 11.2
195v–198	Missa Pourquoi allez vous seullette	Anon.	Notens, Johannes (?)
Missa Pourquoi allez vous seullette Notens, Johannes (?) Appears on: 195v–198 Genres: Mass Ordinary Source Attribution: Anon. Voice: [no designation] Languages: Latin, Greek Voice Text: Missa Pourquoy alles vous seullette
204v–207	Agnus Dei	Anon.	Anonymous
Agnus Dei Anonymous Appears on: 204v–207 Genres: Agnus Dei, Mass Ordinary Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Agnus dei qui tollis peccata mundi
208–221	Missa Prolationum	[Ockeghem]	Ockeghem, Jean de (ca. 1410–1497)
Missa Prolationum Ockeghem, Jean de (ca. 1410–1497) Appears on: 208–221 Genres: Mass Ordinary Source Attribution: [Ockeghem] Voice: [no designation] Languages: Latin Voice Text: Missa [Prolationem]
222–229	Missa Quam pulchra es amica mea KGCA	Lupus	Hellinck, Lupus (ca. 1494–1541)
Missa Quam pulchra es amica mea KGCA Hellinck, Lupus (ca. 1494–1541) Appears on: 222–229 Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary Source Attribution: Lupus Voice: [no designation] Languages: Latin, Greek Voice Text: Missa Quam pulchra es amica mea [KGCA]
231–250v	Missa Sine nomine at beginning	Anon.	Anonymous
Missa Sine nomine at beginning Anonymous Appears on: 231–250v Genres: Mass Ordinary Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Missa [Sine nomine] [incomplete at beginning]
252–265	Missa Noch weth ic ein so scoen joncfraw	Anon.	Anonymous
Missa Noch weth ic ein so scoen joncfraw Anonymous Appears on: 252–265 Genres: Mass Ordinary Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Missa Noch weth ic ein so scoen joncfraw
265v	Pen trials and scribblings (A-Wn Cod. 11883 Han)	-	-
Pen trials and scribblings (A-Wn Cod. 11883 Han) Appears on: 265v Voice: [no designation] Languages: insufficient Voice Text: Pen trials and scribblings
266–276	Missa Se javoye porpoin de veleur	Jo. Sticheler	Sticheler, Jo.
Missa Se javoye porpoin de veleur Sticheler, Jo. Appears on: 266–276 Genres: Mass Ordinary Source Attribution: Jo. Sticheler Voice: [no designation] Languages: Latin Voice Text: Missa Se javoye porpoin de veleur
277–284v	Missa Aduitorium! meum intende	Anon.	Anonymous
Missa Aduitorium! meum intende Anonymous Appears on: 277–284v Genres: Mass Ordinary Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Missa Aduitorium(!) meum [intende]
285v–294	Missa Ma bouche rit	Anon.	Anonymous
Missa Ma bouche rit Anonymous Appears on: 285v–294 Genres: Mass Ordinary Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Missa Ma bouche rit
295v–303	Missa Johannes Christi care - Ecce puer meus	Matheus Pipelare (Attribution partly cut off)	Pipelare, Mattheus (ca. 1450–ca. 1515)
Missa Johannes Christi care - Ecce puer meus Pipelare, Mattheus (ca. 1450–ca. 1515) Appears on: 295v–303 Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus] Source Attribution: Matheus Pipelare (Attribution partly cut off) Voice: [no designation] Languages: Latin Voice Text: Missa Johannes Christe care [Gloria incomplete]
306–315	Missa Floruit egregius infans livinus	Pipelare	Pipelare, Mattheus (ca. 1450–ca. 1515)
Missa Floruit egregius infans livinus Pipelare, Mattheus (ca. 1450–ca. 1515) Appears on: 306–315 Genres: Mass Ordinary Source Attribution: Pipelare Voice: [no designation] Languages: Latin Voice Text: Missa Floruit egregius infans livinus
315v–325v	Missa Sine nomine (II)	Pipelare	Pipelare, Mattheus (ca. 1450–ca. 1515)
Missa Sine nomine (II) Pipelare, Mattheus (ca. 1450–ca. 1515) Appears on: 315v–325v Genres: Mass Ordinary Source Attribution: Pipelare Voice: [no designation] Languages: Latin Voice Text: Missa [Sine nomine]

Composer	Compositions
Anonymous	Agnus Dei – 204v–207 Missa Aduitorium! meum intende – 277–284v Missa Crux fidelis inter omnes – 30–41 Missa Ma bouche rit – 285v–294 Missa Noch weth ic ein so scoen joncfraw – 252–265 Missa Sine nomine – 20v–29 Missa Sine nomine – 76–89 Missa Sine nomine at beginning – 231–250v Regina caeli laetare alleluia – [-] [No description] – 265v
Barbireau, Jacobus (1455–1491)	Missa Faulx perverse – 133v–144
Carlir, Nicolaus	Missa Salve sancte parens – 176–187
Compère, Loyset (ca. 1445–1518)	(?) Missa De tous biens plaine – 190–193
Despres, Josquin (ca. 1450–1521)	Missa La sol fa re mi 11.2: Kyrie and beginning of Gloria – 194v–195 Missa Malheur me bat 9.1 – 2–11
Faber, Amanus	Missa Depuis q'une jeune fille – 90–100
Ghiselin (Verbonnet), Johannes	Missa Ghy syt die wertste boven: KGC – 12–19
Hellinck, Lupus (ca. 1494–1541)	Missa Quam pulchra es amica mea KGCA – 222–229
Isaac, Heinrich (ca. 1450–1517)	Missa Misericordias Domini cantabo – 145v–163 Missa Quant j'ai au coeur: KGCS – 42v–51
Notens, Johannes	(?) Missa De tous biens plaine – 190–193 (?) Missa Pourquoi allez vous seullette – 195v–198 (?) Regina caeli laetare Quia quem meruisti – 193v–194
Obrecht, Jacobus (ca. 1457–1505)	Missa L'homme armé – 52–63 Missa tous biens plaine – 121v–132v
Ockeghem, Jean de (ca. 1410–1497)	Missa Prolationum – 208–221
Pipelare, Mattheus (ca. 1450–ca. 1515)	Missa Dicit Dominus – 164–175v Missa Floruit egregius infans livinus – 306–315 Missa Johannes Christi care - Ecce puer meus – 295v–303 Missa Sine nomine (II) – 315v–325v
Prioris, Johannes (Denis, Dionisius) (–1515)	Missa de Angelis – 101v–110v
Severdonck, Henricus	Missa Waer ist die alder liefste – 111–120
Sticheler, Jo.	Missa Se javoye porpoin de veleur – 266–276
Vinders, Jheronimus (fl. c1525-1526)	Missa per Alamyr – 64–75

Composition	Composers (? Uncertain)	Folios / Pages
Agnus Dei	Anonymous	204v–207
Missa Aduitorium! meum intende	Anonymous	277–284v
Missa Crux fidelis inter omnes	Anonymous	30–41
Missa de Angelis	Prioris, Johannes (Denis, Dionisius) (–1515)	101v–110v
Missa De tous biens plaine	Notens, Johannes (?) Compère, Loyset (ca. 1445–1518) (?)	190–193
Missa Depuis q'une jeune fille	Faber, Amanus	90–100
Missa Dicit Dominus	Pipelare, Mattheus (ca. 1450–ca. 1515)	164–175v
Missa Faulx perverse	Barbireau, Jacobus (1455–1491)	133v–144
Missa Floruit egregius infans livinus	Pipelare, Mattheus (ca. 1450–ca. 1515)	306–315
Missa Ghy syt die wertste boven: KGC	Ghiselin (Verbonnet), Johannes	12–19
Missa Johannes Christi care - Ecce puer meus	Pipelare, Mattheus (ca. 1450–ca. 1515)	295v–303
Missa L'homme armé	Obrecht, Jacobus (ca. 1457–1505)	52–63
Missa La sol fa re mi 11.2: Kyrie and beginning of Gloria	Despres, Josquin (ca. 1450–1521)	194v–195
Missa Ma bouche rit	Anonymous	285v–294
Missa Malheur me bat 9.1	Despres, Josquin (ca. 1450–1521)	2–11
Missa Misericordias Domini cantabo	Isaac, Heinrich (ca. 1450–1517)	145v–163
Missa Noch weth ic ein so scoen joncfraw	Anonymous	252–265
Missa per Alamyr	Vinders, Jheronimus (fl. c1525-1526)	64–75
Missa Pourquoi allez vous seullette	Notens, Johannes (?)	195v–198
Missa Prolationum	Ockeghem, Jean de (ca. 1410–1497)	208–221
Missa Quam pulchra es amica mea KGCA	Hellinck, Lupus (ca. 1494–1541)	222–229
Missa Quant j'ai au coeur: KGCS	Isaac, Heinrich (ca. 1450–1517)	42v–51
Missa Salve sancte parens	Carlir, Nicolaus	176–187
Missa Se javoye porpoin de veleur	Sticheler, Jo.	266–276
Missa Sine nomine	Anonymous	20v–29
Missa Sine nomine	Anonymous	76–89
Missa Sine nomine (II)	Pipelare, Mattheus (ca. 1450–ca. 1515)	315v–325v
Missa Sine nomine at beginning	Anonymous	231–250v
Missa tous biens plaine	Obrecht, Jacobus (ca. 1457–1505)	121v–132v
Missa Waer ist die alder liefste	Severdonck, Henricus	111–120
Regina caeli laetare alleluia	Anonymous	[-]
Regina caeli laetare Quia quem meruisti	Notens, Johannes (?)	193v–194

Set: Books prepared by the Alamire workshop

Type: Linked by Origin or Contents

No images available

A-Wn Cod. 4809 Han

A-Wn Cod. 4810 Han

A-Wn Cod. 11778 Han

A-Wn Cod. 11883 Han

A-Wn Mus.Hs. 15495 (Maximilian Codex)

A-Wn Mus.Hs. 15496

A-Wn Mus.Hs. 15497

A-Wn Mus.Hs. 15941 (B)

A-Wn Mus.Hs. 15941 (Contratenor)

A-Wn Mus.Hs. 15941 Mus (T)

A-Wn Mus.Hs. 18746 (Altus/Contratenor)

A-Wn Mus.Hs. 18746 (Bassus)

A-Wn Mus.Hs. 18746 (Superius/Cantus)

A-Wn Mus.Hs. 18746 (Tenor 1)

A-Wn Mus.Hs. 18746 (Tenor 2/Quintus)

A-Wn Mus.Hs. 18825 (Bassus)

A-Wn Mus.Hs. 18825 (Contratenor)

A-Wn Mus.Hs. 18825 (Discantus)

A-Wn Mus.Hs. 18825 (Tenor)

A-Wn Mus.Hs. 18832 (Lower Voice)

A-Wn Mus.Hs. 18832 (Upper Voice)

B-Amp MS M18.13 (fragment 1)

B-Amp MS M18.13 (fragment 2)

No images available

B-Baeb Fonds Sint-Goedele, 5170

B-Baeb Fonds Sint-Goedele, 9423

B-Baeb Fonds Sint-Goedele, 9424

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B-Br MS 215-216

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B-Br MS 228 (Chansonnier of Margaret of Austria)

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B-Br MS IV.922 (Occo Codex)

B-Gra Varia D.3360 B

B-TOsa Oud regime MS 183

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D-Mbs Mus. MS 6

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D-Mbs Mus. MS 7

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D-Mbs Mus. MS 34

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D-Mbs Mus. MS F

GB-Lbl Royal 8 G. vii

GB-Ob MS. Ashmole 831

GB-Ob MS. Lat. liturg. a. 8

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I-Fc MS Basevi 2439 (Basevi Codex)

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I-VEc MS DCCLVI

NL-SHbhic MS 153

NL-SHbhic MS 154

NL-SHbhic MS 155

NL-Urc Hs. 47 (fragments 1 and 2)

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V-CVbav MS Capp. Sist. 34

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V-CVbav MS Capp. Sist. 36

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V-CVbav MS Capp. Sist. 160

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V-CVbav MS Pal. lat. 1976

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V-CVbav MS Pal. lat. 1977

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V-CVbav MS Pal. lat. 1978

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V-CVbav MS Pal. lat. 1979

‡ denotes primary source study

Kellman, Herbert (editor). 1999. The Treasury of Petrus Alamire. Music and art in Flemish Court Manuscripts 1500-1535. Leuven: Alamire Foundation.

‡ Hudson, Barton. 1994. A glimpse into a scribal workshop. Vienna, Österreichische Nationalbibliothek ms 11883. From Ciconia to Sweelinck. Donum natalicium Willem Elders, Chloe: Beheifte zum Daphnis. edited by Barton Hudson, 179-214. Amsterdam: Editions Rodopi.

Maas, Chris J (editor). 1983-. New Obrecht Edition. Utrecht. Pages: IV, xi-xvii, [liv-lv], 1-24. Notes: contents list (partial); transcriptions (partial); facsimile (partial); mention of MS; discussion.

Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II. Bern and Stuttgart. Pages: I, xliii, 32-4, 57-9; III, 76-8, 103-6. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.

Kellman, Herbert. 1976. Josquin and the Courts of the Netherlands and France: The Evidence of the Sources. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25 June 1971, 181-216. London, New York, and Toronto. Pages: 201, 209. Notes: mention of MS.

Blackburn, Bonnie J. 1970. The Lupus Problem. University of Chicago, Unpublished Ph.D. dissertation. Pages: 105, 108, 399. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Douglas, Conrad Edward Mary. 1969. The motets of Johannes Prioris with a prefatory bio-bibliographical study. University of Illinois, Ph.D. Dissertation. Pages: 93-4. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Elders, Willem. 1969. Zur Aufführungspraxis der Altniederländischen Musik. Renaissance-Muziek 1400-1600: Donum Natalicium René Bernard Lenaerts, Louvain. Pages: 95-8. Notes: contents list (partial); transcriptions (partial); mention of MS; discussion.

Cross, Ronald (editor). 1966-. Matthaeus Pipelare: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: II, ix-x, xiii-xiv, 23-81; III, ix, xii-xiv, 1-23, 94-121. Notes: contents list (partial); transcriptions (partial); facsimile (partial); mention of MS; discussion.

Lenaerts, René Bernard. 1963. Polyphonische Missen op Nederlandse Liederen. Organicae Voces: Festschrift Joseph Smits van Waesberghe, 101-5. Amsterdam. Pages: 103-4 [some information incorrect: Mass on ff. 20'-29 is not Johann de Fossa's Missa Ick segge adieu]. Notes: contents list (partial); concordances (partial).

Unterkircher, Franz. 1962. Manuscrits et Livres Imprimés Concernant L'Histoire des Pays-Bas 1475-1600. Biblos-Schrifien. Brussels. Pages: 71. Notes: physical description.

Gottwald, Clytus (editor). 1961-68. Johannes Ghiselin- Verbonnet: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: III, ix, xi-xii, 66-81. Notes: contents list (partial); transcription (partial); facsimile (partial).

Fox, Charles Warren. 1960. Barbireau and Barbingant: A Review. Journal of the American Musicological Society, 79-101. Pages: 88, 101. Notes: mention of MS; contents list (partial); concordances (partial).

Meier, Bernhard (editor). 1954-7. Jacobi Barbireau: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I, iii-iv, 21-46, plate following 20. Notes: contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial); mention of MS; discussion.

Clendenin, William Ritchie. 1952. The Use of the French Chanson in Some Polyphonic Masses by French and Netherlands Composers, 1450-1550. Iowa State University, Unpublished Ph.D. dissertation. Pages: I, 84-9, 352-8. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Nowak, Leopold. 1948. Die Musikhandschriften aus Fuggerschem Besitz in der Österreichischen Nationalbibliothek. Die Österreichische Nationalbibliothek. Festschrift herausgegeben zum 25 jährigen Dienstjubiläum des Generaldirektors Univ.-Prof. Dr. Josef Bick, edited by Leopold Nowak, Vienna: H. Bauer-Verlag. Notes: physical description (partial); contents list (partial); concordances (partial); facsimile (partial); mention of MS; discussion.

Smijers, Albert (editor). 1927-56. Werken van Josquin des Prez: Missen. Amsterdam. Pages: VIII, vii-xvi. Notes: physical description; contents list (partial); concordances (partial).

Wolf, Johannes (editor). 1908-21. Reprint: Farnborough, England, 1968. Werken van Jacob Obrecht. Leipzig and Amsterdam,. Pages: XXVI, v-vi]; XXIX, passim. Notes: physical description; contents list (partial); concordances (partial); transcriptions (partial).

Mantuani, Joseph. 1864-99 R 1965. Tabulae Codicum Manu Scriptorum in Bibliotheca Palatina Vindobonensi Asservatorum. 10 vols. Vienna: (1864-99) Graz: (1965 reprint). Pages: VII, 72-3. Notes: physical description (partial); contents list.

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M. Jennifer Bloxam

Wednesday, 27 September, 2023

Added Hudson's study to bibliography

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description