V-CVbav MS Pal. lat. 1978

Biblioteca Apostolica Vaticana, Vatican City, Vatican

partbook: c. 1528-31

Archive Biblioteca Apostolica Vaticana, Vatican City, Vatican (V-CVbav)
Shelfmark MS Pal. lat. 1978
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Parchment
Numbering System Foliation
Measurements 158 x 210 mm
Other Identifiers
  • RISM: I-Rvat 1976-79
  • CCM: VatP 1976-9
  • olim (Former shelfmark): I-Rvat MS Pal. lat. 1978
Notations
  • black void mensural
Copyists
Relationships
External Links
Provenance
  • Brussels/Mechlin, Belgium
Contents Contains 75 compositions, 57 from 13 composers, 18 are anonymous.
General Description

A Bassus partbook from a set of four volumes. Copied mostly by Netherlands court scribe Petrus Alamire (KellJ); Warmington also identifies text/music scribe F and text scribe Y. Last piece is later addition by different scribe (not from the Alamire scriptorium), who also copied 6 pieces in Vienna 18810 and much of the manuscript portion of Munich Art.401 (RifMichel). Copied in Brussels/Mechlin; belongs to Netherlands court complex (KellJ). Compiled for Anne, Queen of Hungary and Bohemia, and her husband King Ferdinand (1503-64; Emperor Ferdinand I after 1556)(KellJ). Perhaps owned later by Ulrich Fugger (1526-84), of Augsburg, and incorporated in Palatine electoral library in Heidelberg after Ulrich's death. See VatP 1347 for subsequent history of electoral library.

DIAMM, 2017
Binding

Original covers of dark brown leather over cardboard, blind tooled with decorative floral panels bearing inscription 'Deus dedit. deus abstulit. Sit nomen domini benedictum.'

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Ruling

Staff height 13mm

DIAMM, 2017
Foliation

Modern foliation in each book (lower right rectos in DB, upper right rectos in AT).

[Note: foliation in DIAMM inventory from Discantus]

DIAMM, 2017
Decoration

Inked voice designations on small parchment strips glued to front covers; green ribbon ties. Borders illuminated in Ghent-Bruges style; painted initials and inked calligraphic initials. Components of Hapsburg imperial arms on f. 2' in each book (D-Hungary; A-Burgundy; T-Bohemia; B-Austria).

DIAMM, 2017
Index

Original index at beginning of each book lists motets in order of appearance

DIAMM, 2017
Surface

Parchment

DIAMM, 2017
RISM Description

RISM

XVIe s. 4 vol. Sup. 114ff, Ct. 117ff., T. 106ff., B. 107ff. Parchemin, 160 x 210 mm. Foliotation moderne au bas des ff. Seul, le livre du Ct. a une foliotation ancienne complète en haut des ff. Au livre du Sup. les ff. 2, 5, 20v à 22, 41 à 44, 74v, 75, 113v, 114 sont blancs. Notation mesurée blanche. 4 portées par p. Au 1er f. de chaque vol. «Registrum dive regine Hungarie.» avec les armes de l'empire hongrois. A toutes les tables, mq. les motets nos 30, 34 et 38. Capitales ornées.

Ms. franco-flamand copié par Alamire pour Ferdinand et Anne de Hongrie à laquelle le ms. est dédié (Keilman), et non pas à Marie de Hongrie comme on l'avait cru jusqu'à présent (Rubsamen). Le nom des deux souverains apparaît en effet fréquemment dans certains motets dont le texte a été adapté spécialement (nos 3, 7, 17, 24, 34). La copie a dû s'effectuer entre 1528, date du couronnement de Ferdinand et Anne, et 1534, date où Alamire disparaît des listes de paiement, mais plus précisément entre 1528 et 1531, le motet no 10 qui se réfère à Marguerite d'Autriche (à la fin: «Gaude sacra Margarita.») n'ayant vraisemblablement pu être ainsi transformé que peu avant ou peu après la mort de la Régente.

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

38 motets

A. Agricola-2, (Bauldeweyn)-1, (Bauldeweyn/Josquin)-1, (A. Févin) -3, (Gascongne)-3, (Gascongne/Mouton)-1, (Isaac)-1, (Josquin)-1, (Josquin/Mouton/Richafort)-1, La Rue-4, (Mouton)-4, (Mouton/Ninot le Petit)-1, (Mouton/Richafort)-1, (Obrecht/Willaert)-1, (Richafort)-2, (Therache)-1, anon-10

4 parchment partbooks (D-114 folios, A-117, T-106, B-107), 158 x 210. Modern foliation in each book (lower right rectos in DB, upper right rectos in AT). Original covers of dark brown leather over cardboard, blind tooled with decorative floral panels bearing inscription "Deus dedit. deus abstulit. Sit nomen domini benedictum." Inked voice designations on small parchment strips glued to front covers; green ribbon ties. Original index at beginning of each book lists motets in order of appearance. Copied mostly by Netherlands court scribe Petrus Alamire (KellJ); see general index for other manuscripts copied by the same scribe. Last piece is later addition by different scribe. Staff height 13. Borders illuminated in Ghent-Bruges style; painted initials and inked calligraphic initials. Components of Hapsburg imperial arms on f. 2' in each book (D-Hungary; A-Burgundy; T-Bohemia; B-Austria).

Ca. 1528-31 (KellJ). Copied in Brussels/Mechlin; belongs to Netherlands court complex (KellJ). Compiled for Anne, Queen of Hungary and Bohemia, and her husband King Ferdinand (1503-64; Emperor Ferdinand I after 1556)(KellJ). Perhaps owned later by Ulrich Fugger (1526-84), of Augsburg, and incorporated in Palatine electoral library in Heidelberg after Ulrich's death. See VatP 1347 for subsequent history of electoral library.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
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Sets

Select a set to see its sources.

denotes primary source study

Kellman, Herbert. 1989. Observations on the Production and Distribution of Music Manuscripts at the Netherlands Court. Early Music History, 9: . Notes: physical description; mention of MS; discussion.

Boorman, Stanley. 1983. Notational Spelling and Scribal Habit. Datierung und Filiation von Musikhandschriften der Josquin-Zeit, Wolfenbütteler Forschungen, vol. 26.  Wiesbaden. Pages: 88, 100, 102. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Jonas, Luise. 1983. Das Augsburger Liederbuch: Die Musikhandschrift 2° Codex 142a der Staats- und Stadtbibliothek Augsburg. Edition und Kommentar. Berliner Musikwissenschaftliche Arbeiten, vol. Band 21 (2 vols.) .  Munich and Salzburg. Pages: II, 11, 154-8. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.

Dalton, Karen Lanz. 1982. Vienna, Österreichische Nationalbibliothek MS. 18825: A Study and Critical Edition. University of Illinois, MA thesis. Pages: 37, 41-62, 76ff, 98ff. Notes: contents list (partial); concordances (partial); facsimile (partial); mention of MS; discussion.

Noblitt, Thomas L. 1981. A Reconstruction of Ms. Thomaskirche 51 of the Universitätsbibliothek Leipzig (olim III, A. a. 22-23). Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 31: 16-72. Pages: 53, 57. Notes: contents list (partial); concordances (partial).

Hudson, Barton (editor). 1979. Ninot le Petit: Collected Works. Corpus mensurabilis musicae, vol. 87.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: xxviii, 130-41. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Kellman, Herbert. 1976. Josquin and the Courts of the Netherlands and France: The Evidence of the Sources. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25 June 1971, 181-216. London, New York, and Toronto. Pages: 200-l, 209, 215. Notes: contents list (partial); mention of MS; discussion.

Sparks, Edgar H. 1972. The music of Noel Bauldeweyn.  American Musicological Society. Pages: 98ff et 128f n. 70.

Long, Joan Anne. 1971. The Motets, Psalms and Hymns of Adrian Willaert- A Liturgico-Musical Study. Columbia University, Unpublished Ph.D. dissertation. Pages: 92-3. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Kellman, Herbert. 1970. Musical Links between France and the Empire, 1500-1530. Paper read at the Annual Meeting of the American Musicologica] Society, November 1970, . Notes: contents list (partial); texts (partial); mention of MS; discussion.

Smijers, Albert, Myroslaw Antonowycz, and Willem Elders (editors). 1969. Werken van Josquin des Prés: Supplement.  Amsterdam. Pages: xv. Notes: contents list (partial); concordances (partial).

Dunning, Albert. 1969. Die Staatsmotette 1480-1555.  Utrecht. Pages: 335, 341, 343. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Swing, Peter Gram. 1969. Parody and Form in Five Polyphonic Masses by Mathieu Gascongne. University of Chicago, Unpublished Ph.D. dissertation. Pages: 10-3, 15, 29-30. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Lockwood, Lewis Henry. 1968. A Sample Problem of Musica Ficta: Willaert's Pater Noster. Studies in Music History: Essays for Oliver Strunk, 161-82. Princeton. Pages: 171-3. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Braithwaite, James Roland. 1967. The Introduction of Franco-Netherlandish Manuscripts to Early Tudor England: The Motet Repertory. Boston University, Unpublished Ph.D. dissertation. Pages: II, 52ff, passim. Notes: contents list (partial); concordances (partial).

Schunke, Use. 1962. Die Einbände der Palatina in der Vatikanischen Bibliothek. Studie Testi, vol. 216-218. 2 vols. Vatican City. Pages: I, 246-7, Tafel CLXXVIII; II, 902. Notes: physical description (partial); facsimile (partial).

Lerner, Edward R (editor). 1961-70. Alexandrí Agricola: Opera Omnia. Corpus mensurabilis musicae, vol. 22.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: IV, iv, xiii, 41-6. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Just, Martin. 1960. Studien zu Heinrich Isaacs Motetten. Eberhard-Karls-Universität, Tübingen, Unpublished Ph.D. dissertation. Pages: II ,24, 31. Notes: contents list (partial); concordances (partial); incipits (partial).

Picker, Martin. 1960. The Chanson Albums of Marguerite of Austria: Manuscripts 228 and 11239 of the Bibliothèque Royale de Belgique, Bruxelles. University of California at Berkeley, Unpublished Ph.D. dissertation. Pages: I, 98, 373, 411. Notes: physical description; contents list (partial); concordances (partial).

Rubsamen, Walter H. 1951. Music Research in Italian Libraries: An Anecdotal Account of Obstacles and Discoveries.  Los Angeles. Pages: 19, 44-6. Notes: physical description; contents list; concordances (partial); incipits (partial); mention of MS; discussion.

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik.  Kassel. Pages: XI, 758-9. Notes: physical description (partial).

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 48, I, p. XLIV.

Blume, Friedrich (editor). 1929-. Das Chorwerk.  Berlin/Wolfenbüttel. Pages: LXXVI, vii, 1-8; XCI, iii-iv. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Bannister, Enrico Marriott. 1913. Monumenti Vaticani di paleografia musicale latina. Codices e Vaticanis selecti phototypice expressi, vol. 12. 2 vols. Leipzig. Pages: I, 189, no 860-865.

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Daniel Pickens-Jones

Monday, 28 July, 2025

Pal. lat. 1978 is the Bassus partbook, not the Tenor partbook as previously stated in the description

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description