Boorman, Stanley

Bent, Margaret. 2015. Orfeo: dominus presbiter Orpheus de Padua. ‘Qui musicam in se habet’: Studies in Honor of Alejandro Enrique Planchart, edited by Stanley Boorman, Anna Zayaruznaya,  and Bonnie J Blackburn, 231-256. American Institute of Musicology.

Boorman, Stanley (ed.) 1983. Studies in the Performance of Late Mediaeval Music.  Cambridge: Cambridge University Press.

Boorman, Stanley. 1983. Notational Spelling and Scribal Habit. Datierung und Filiation von Musikhandschriften der Josquin-Zeit, Wolfenbütteler Forschungen.  Wiesbaden.

Bowers, Roger. 1983. The Performing Ensemble for English Church Polyphony, c. 1320-c. 1390. Studies in the Performance of Late Medieval Music, edited by Stanley Boorman,  Cambridge.

Fallows, David. 1983. Specific Information on the Ensembles for Composed Polyphony, 1400-1474. Studies in the Performance of Late Mediaeval Music, edited by Stanley Boorman, 109-59. Cambridge.

Günther, Ursula. 1983. Fourteenth-Century Music with Texts Revealing Performance Practice. Studies in the performance of late mediaeval music, edited by Stanley Boorman, 253-270. Cambridge: Cambridge University Press.

Hasselman, Margaret Paine, and David McGown. 1983. Mimesis and Woodwind Articulation in the Fourteenth-Century. Studies in the Performance of Late Medieval Music, edited by Stanley Boorman, 101–107. Cambridge: Cambridge University Press.

Boorman, Stanley. 1981. Petrucci's Type-setters and the Process of Stemmatics. Formen und Probleme der Überlieferung mehrstimmiger Musik im Zeitalter Josquins Desprez, Wolfenbütteler Forschungen. 245-80. Munich.

Boorman, Stanley. 1981. Limitations and Extensions of Filiation Technique. Music in Medieval and Early Modern Europe: Patronage, Sources and Texts, edited by Iain Fenlon, 319-46. Cambridge: Cambridge University Press.

Boorman, Stanley. 1977. Review of EMN II (Josquin: Missa Pange Lingua). The Musical Quarterly, 63: 436-40.

Boorman, Stanley. 1977. A New Edition of Machaut. Early Music, 5: 495-498.

Boorman, Stanley. 1977. The 'First' Edition of the Odhecaton A. Journal of the American Musicological Society, 30: 183-207.