Copied by Netherlands court scribe B (= Martin Bourgeois?); three motets are concordant with VatC 234 (also in the hand of scribe B), and were probably copied directly from it (KellC). Copied in Brussels/Mechlin; belongs to Netherlands court complex (KellJ).
B-Br MS 9126
KBR (Koninklijke Bibliotheek / Bibliothèque royale), Brussels, Belgium
manuscript of polyphony: 1505
| Archive | KBR (Koninklijke Bibliotheek / Bibliothèque royale), Brussels, Belgium (B-Br) |
|---|---|
| Shelfmark | MS 9126 |
| Image Availability | DIAMM does not have images of this source. Please refer to the external links for image availability. |
| Surface | Parchment |
| Numbering System | Foliation |
| Measurements | 382 x 270 mm |
| Other Identifiers |
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| Notations |
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| Copyists |
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| Provenance |
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| Contents | Contains 68 compositions from 5 composers. |
General Description
Binding
Modern leather covers.
Notation
black void mensural
Foliation
Modern foliation, 1-8; 8bis-181
Decoration
iniatures and borders illuminated in Ghent-Bruges style (the decoration may have been done at the workshop of Master of James IV of Scotland — WinkF); inked calligraphic initials. Coats of arms and miniatures of Philip the Fair and Juana of Spain.
Surface
parchment
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
9 Masses, 3 Magnificats, 10 motets = 22
A. Agricola-5, Barbireau-1, Josquin-7, La Rue-7, La Rue/(Josquin)-1, Orto-1
182 parchment folios, 382 x 270. Modern foliation, 1-8; 8bis-181. Blank folios: 13'-14, 27'-28, 43'-44, 57'-58, 95'-96, 115-116, 134'-136, 144, 159'-160, 180'-181'. Modern leather covers. No index. Copied by Netherlands court scribe B (= Martin Bourgeois?); three motets are concordant with VatC 234 (also in the hand of scribe B), and were probably copied directly from it (KellC). Miniatures and borders illuminated in Ghent-Bruges style (the decoration may have been done at the workshop of Master of James IV of Scotland — WinkF); inked calligraphic initials. Coats of arms and miniatures of Philip the Fair and Juana of Spain.
1505 (KellJ). Copied in Brussels/Mechlin; belongs to Netherlands court complex (KellJ).
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Sets
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Books prepared by the Alamire workshop
Linked by Origin or Contents · 72 sources
B-Br MS 9126
Current source
‡ denotes primary source study
Kellman, Herbert (editor). 1999. The Treasury of Petrus Alamire. Music and art in Flemish Court Manuscripts 1500-1535. Leuven: Alamire Foundation.
Kellman, Herbert. 1989. Observations on the Production and Distribution of Music Manuscripts at the Netherlands Court. Early Music History, 9: . Notes: physical description; mention of MS; discussion; contents list (partial); facsimile (partial).
Prizer, William Flaville. 1985. Music and Ceremonial in the Low Countries: Philip the Fair and the Order of the Golden Fleece. Early Music History, 5: 113-53. Pages: 128. Notes: physical description; mention of MS; discussion.
Jonas, Luise. 1983. Das Augsburger Liederbuch: Die Musikhandschrift 2° Codex 142a der Staats- und Stadtbibliothek Augsburg. Edition und Kommentar. Berliner Musikwissenschaftliche Arbeiten, vol. Band 21 (2 vols.) . Munich and Salzburg. Pages: II,8, passim. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.
Holoman, D Kern. 1976. The Performance and Interpretation of Josquin's Masses [Workshop]. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25 June 1971, 696-719. London, New York, and Toronto. Pages: 710. Notes: concordances (partial).
Kellman, Herbert. 1976. Josquin and the Courts of the Netherlands and France: The Evidence of the Sources. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25 June 1971, 181-216. London, New York, and Toronto. Notes: physical description; mention of MS; discussion; contents list (partial).
Wangermée, Robert. 1968. Flemish Music and Society in the Fifteenth and Sixteenth Centuries. New York. Pages: 306,309, plates 14,28. Notes: physical description; facsimile (partial).
Huys, Bernard. 1966. De Grégoire le Grand à Stockhausen: Douze siècles de notation musicale. Brussels. Pages: 31-3. Notes: physical description; additional bibliography (partial).
Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 127. Notes: concordances (partial); incipits (partial).
Lerner, Edward R (editor). 1961-70. Alexandrí Agricola: Opera Omnia. Corpus mensurabilis musicae, vol. 22. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I, xix, 66-145; III,viii,34-40; IV, 10-9,32-5. Notes: concordances (partial); transcription (partial).
Picker, Martin. 1959. Polyphonic Settings c. 1500 of the Flemish Tune, 'In minen sin'. Journal of the American Musicological Society, 12: 94-5. Pages: 94. Notes: concordances (partial).
Kellman, Herbert. 1958. The Origins of the Chigi Codex: The Date, Provenance, and Original Ownership of Rome, Biblioteca Vaticana, Chigiana, C. VIII. 234. Journal of the American Musicological Society, 11: 6-19. Pages: 10-9. Notes: physical description; mention of MS; discussion; facsimile (partial).
Meier, Bernhard (editor). 1954-7. Jacobi Barbireau: Opera Omnia. Corpus mensurabilis musicae, vol. 7. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: II,[viii]. Notes: facsimile (partial).
Robijns, Jozef. 1954. Pierre de la Rue (Circa 1460-1518): Een Bio-Bibliographische Studie. Brussels. Pages: 34, passim. Notes: mention of MS; contents list (partial).
Closson, Ernest, and Charles van den Borren. 1950. La musique en Belgique du Moyen Age à nos jours. Brussels. Pages: 73, passim. Notes: mention of MS; facsimile (partial).
Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: VIII, Tafel 8. Notes: facsimile (partial).
Reese, Gustave. 1948-49. Maldeghem and His Buried Treasure: A Bibliographical Study. Notes, 6: 75-117. Pages: 82,91ff. Notes: mention of MS.
Roediger, Karl Erich. 1935. Die geistlichen Musikhandschriften der Universitätsbibliothek Jena. 2 vols. Jena: Frommannsche Buchhandlung. Pages: 97. Notes: mention of MS.
Doorslaer, G van. 1934. La Chapelle Musicale de Philippe le Beau. Revue Belge d'Archéologie et d'Histoire de l'Art, 4: 21-57,139-65. Pages: 37-8. Notes: physical description.
Borren, Charles van den. 1933-34. Inventaire des manuscrits de musique polyphonique qui se trouvent en Belgique. Acta Musicologica, 5 & 6: V:66-71,120-7,177-83;VI:23-9,65-73,116-21. Pages: V, 70-1. Notes: physical description; contents list; concordances (partial).
Smijers, Albert (editor). 1926-64. Werken van Josquin des Prez: Motetten. Amsterdam. Pages: III,v. Notes: physical description; contents list.
Winkler, Friedrich. 1925. Die Flämische Buchmalerei des XV. und XVI. Jahrhunderts; Künstler und Werke von den Brüdern Van Eyck bis zu Simon Bening. Leipzig. Pages: 127,164. Notes: mention of MS.
Wolf, Johannes. 1913-9; Reprinted: Hildesheim, 1963. Handbuch der Notationskunde. Leipzig. Pages: I,447. Notes: mention of MS.
Eitner, Robert. 1892. Kgl. Bibliothek zu Brüssel. Monatshefte für Musikgeschichte, 24: 31-3. Pages: 31-2. Notes: physical description; contents list.
Maldeghem, R-J van. 1865-93. Tresor musical: collection authentique de musique sacrée & profane des anciens maîtres belges ... Musique profane. Brussels. Pages: XVIII, XXIX. Notes: transcription (partial).
Marchai, J. None. Catalogue des manuscrits de La Bibliothèque Royale des ducs de Bourgogne. Pages: I, 183. Notes: mention of MS.
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Jonathan Tribe
Wednesday, 12 September, 2018
good spot! corrected
DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Foliation Note; Decoration Note; Surface Note
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description