| Archive | Biblioteca Capitolare di Verona, Verona, Italy (I-VEc) |
|---|---|
| Shelfmark | MS DCCLVI |
| Image Availability | DIAMM does not have images of this source. |
| Surface | Mixed Paper and Parchment |
| Numbering System | Foliation |
| Measurements | 315 x 220 mm |
| Other Identifiers |
|
| Copyists |
|
| Relationships |
|
| External Links | |
| Provenance |
|
| Contents | 13 pieces from 5 composers |
Copied by Netherlands court scribe B (= Martin Bourgeois?) (Staehelin 1967). Copied in Brussels/Mechlin; belongs to Netherlands court complex. Purchased in Rome by Franciscus Blandinus in 1715 (inscription on f. 1).
Rebound in modern covers of brown leather, with blind-stamped and gold-tooled ornamental designs.
not indicated
Collateral with FlorC 2439 (KellBP).
Staff height 14.
163 ff
Modern foliation, 1-162 ('43' applied to two consecutive folios).
Miniatures and borders illuminated in Ghent-Bruges style; painted initials and inked calligraphic initials. Unidentified coat of arms on f. 1' and f. 48': white castle and bird on red/blue ground.
i paper + 163 parchment
RISM
XVIe s. 162ff (= 163, le f. 43 chiffré 2 fois). Parchemin, 315 x 223 mm. Foliotation moderne en haut des ff. Les ff. 1, 16v, 17, 32v, 33, 47v, 48, 105v, 106, 121v, 122, 145v à 162 sont blancs. Notation mesurée blanche. 8, 9 ou 10 portées par p. Capitales et marges ornées en couleurs. Reliure ancienne cuir estampé fers dorés.
Le f. 1 porte, en même temps que le cachet de la bibliothèque daté 1725, la mention suivante: «Franciscus Blanchinus emit Romae Kal. Julii 1715», ce qui indique que le ms., acheté à Rome en 1715, serait entré dix ans plus tard à la Capitolare. Le style de l'écriture et des miniatures ainsi que le répertoire désignent très nettement une origine franco-flamande, ce qui n'exclut pas que la copie ait pu être exécutée en Italie par un scribe étranger. On date le ms. des toutes premières années du XVIe s. sans qu'il soit possible de préciser à quel personnage ou organisme religieux ce recueil luxueux (mais non terminé, semble-t-il) était destiné. Il semble plus vraisemblable qu'il ait été compilé dans l'entourage de Philippe le Beau ou de Marguerite d'Autriche à Malines, comme on a pu le supposer pour le ms. I-Fc 2439, avec lequel on relève beaucoup d'affinités en ce qui concerne le scribe qui pourrait être Martin Bourgeois. Les armes qui figurent dans les initiales aux ff. lv et 48v et qui sont certainement celles du premier possesseur du ms. n'ont pu être jusqu'à présent identifiées.
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
10 Masses, 1 Sanctus-Agnus pair = 11
(A. Agricola)/Ghiselin [Verbonnet]-(Isaac)-1,* Ghiselin-5, Isaac -3, (La Rue)-1, anon-1
*Credo of Missa Pascale on ff. 48'-64 = Credo "Tmeiskin was jonck" attributed to Isaac in VienNB 1783; appears there as part of different Mass whose other four movements are attributed to Brumel. Kyrie, Gloria, Sanctus, and Agnus of present Missa Pascale also appear in VienNB 1783 (with different Credo), attributed to A. Agricola. Sanctus has conflicting attribution to "Verbonnet" [= Ghiselin] in VerBC 756.
i paper + 163 parchment folios, 315 x 220. Modern foliation, 1-162 ("43" applied to two consecutive folios). Blank folios, or blank staves only: 16'-17, 32'-33, 47'-48, 105'-106, 121'-122, 145'-162'. Rebound in modern covers of brown leather, with blind-stamped and gold-tooled ornamental designs. No index. Copied by Netherlands court scribe B (= Martin Bourgeois?); see general index for other manuscripts copied by the same scribe. Staff height 14. Miniatures and borders illuminated in Ghent-Bruges style; painted initials and inked calligraphic initials. Unidentified coat of arms on f. 1' and f. 48': white castle and bird on red/blue ground.
Ca. 1508? (collateral with FlorC 2439)(KellBP). Copied in Brussels/Mechlin; belongs to Netherlands court complex. Purchased in Rome by Franciscus Blandinus in 1715 (inscription on f. 1).
Click an entry to see more information about that item.
| Folio / Pages | Composition / Item title | Source attribution | Composers (? Uncertain) |
|---|---|---|---|
| 1v–16 | Missa Sancto Antonio | [P. DE LA RUE]* | |
|
Appears on:
1v–16
Genres:
Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
Source Attribution:
[P. DE LA RUE]*
Voice:
[no designation]
Languages:
Latin, Greek
Voice Text:
Kyrie . . .
Voice:
[no designation]
Languages:
Latin, Greek
Voice Text:
Kyrie . . .
Voice:
[no designation]
Languages:
Latin, Greek
Voice Text:
Agnosce O Vincenti in victissime ...
Voice:
[no designation]
Languages:
Latin, Greek
Voice Text:
Kyrie . . .
General Note[=Missa O sacer Anthoni]* T: Agnosce O Vincenti in victissime Concordances*B-Br 9126 |
|||
| 17v–32 | Missa Ein frölich Wesen: KGCSA | H. Y[SAAC]* | |
|
Appears on:
17v–32
Genres:
Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
Source Attribution:
H. Y[SAAC]*
Voice:
[no designation]
Languages:
Latin, Greek
Voice Text:
Kyrie . . .
Voice:
[no designation]
Languages:
Latin, Greek, Flemish
Voice Text:
Kyrie Een vrolich eleyson Kyrie wesenn …
Voice:
[no designation]
Languages:
Latin, Greek
Voice Text:
Kyrie . . .
Voice:
[no designation]
Languages:
Latin, Greek
Voice Text:
Kyrie . . .
General NoteT: Kyrie Een vrolich eleyson Kyrie wesenn Concordances*15392 |
|||
| 33v–47 | Missa La belle se siet | [J. GHISELIN]* | |
|
Appears on:
33v–47
Genres:
Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
Source Attribution:
[J. GHISELIN]*
Voice:
[no designation]
Languages:
Latin, Greek
Voice Text:
Kyrie . . .
Voice:
[no designation]
Languages:
Latin, Greek
Voice Text:
Kyrie . . .
Voice:
[no designation]
Languages:
Latin, Greek
Voice Text:
Kyrie . . .
Voice:
[no designation]
Languages:
Latin, French, Greek
Voice Text:
Kyrie La belle se siedt . . .
General NoteT: Kyrie La belle se siedt Concordances*RISM G 1780 Item BibliographyPaganuzzi, Enrico, C Bologna, and L; Cambié, G M; Conati, M Rognini. 1976. La musica a Verona. Verona. Pages: facs. f. 33V—34. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 23, II. |
|||
| 48v–55 | Missa Pascale Kyrie & Gloria | [A.AGRICOLA*/H. ISAAC**] VERBONNET | |
|
Appears on:
48v–55
Genres:
Gloria (et in terra pax), Kyrie eleison, Mass Ordinary
Source Attribution:
[A.AGRICOLA*/H. ISAAC**] VERBONNET
Voice:
[no designation]
Languages:
Latin, Greek
Voice Text:
Kyrie …
Voice:
[no designation]
Languages:
Latin, Greek
Voice Text:
Kyrie pascale …
Voice:
[no designation]
Languages:
Latin, Greek
Voice Text:
Kyrie …
Voice:
[no designation]
Languages:
Latin, Greek
Voice Text:
Kyrie …
General Note[au Sanctus] [Credo de la Missa T'meiskin was jonck*** = ISAAC]**[Credo de la Missa T'meiskin was jonck*** = ISAAC]** f. 59: VERBONNET***StaeheHnDM I, 34; 111,99; StaehelinQ, 127 CMM 22, II (sauf le Credo) Concordances*A-Wn 1783 et D-ddr-Ju 22 **A-Wn 1783 Item BibliographyStaehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II. Bern and Stuttgart. Pages: I, 34 , 111,99. Staehelin, Martin. 1967. Quellenkundliche Beiträge zum Werk von Johannes Ghiselin-Verbonnet. Archiv für Musikwissenschaft, 120-32. Pages: 127. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 22, 1. |
|||
| 55v–59 | Missa Tmeiskin was jonck: Patrem omnipotentem [Credo] | - | |
|
Appears on:
55v–59
Genres:
Credo (patrem omnipotentem), Mass Ordinary
Voice:
[no designation]
Languages:
Latin
Voice Text:
Credo Tmeiskin was jonk
|
|||
| 59v–64 | Missa Pascale Sanctus and Agnus Dei | - | |
|
Appears on:
59v–64
Genres:
Agnus Dei, Mass Ordinary, Sanctus [& Benedictus]
Voice:
[no designation]
Languages:
Latin
Voice Text:
[Missa Pascale]* Sanctus and Agnus Dei
|
|||
| 64v–76 | Missa N'arai-je jamais mieux | [J. GHISELIN]* | |
|
Appears on:
64v–76
Genres:
Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
Source Attribution:
[J. GHISELIN]*
Voice:
[no designation]
Languages:
Latin, Greek
Voice Text:
Kyrie . . .
Voice:
[no designation]
Languages:
Latin, Greek
Voice Text:
Kyrie . . .
Voice:
[no designation]
Languages:
Latin, Greek
Voice Text:
Kyrie . . .
Voice:
[no designation]
Languages:
Latin, French, Greek
Voice Text:
Kyrie Narayne [sic] james mieulx . . .
General NoteT: Kyrie Narayne [sic] james mieulx Concordances*RISM G 1780 Item Bibliography[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 23, II. |
|||
| 76v–84 | Missa Une musque de biscaye | [H. ISAAC]* | |
|
Appears on:
76v–84
Genres:
Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
Source Attribution:
[H. ISAAC]*
Voice:
[no designation]
Languages:
Latin, Greek
Voice Text:
Kyrie . . .
Voice:
[no designation]
Languages:
Latin, Greek
Voice Text:
Kyrie . . .
Voice:
[no designation]
Languages:
Latin, Greek
Voice Text:
Kyrie . . .
Voice:
[no designation]
Languages:
Latin, Greek
Voice Text:
Kyrie . . .
General Note
Concordances*D-ddr-Bds 40021 **1541> Item BibliographyCuyler, Louise. 1973. The Emperor Maximilian I and Music. London. |
|||
| 84v–96 | Missa | [VERBENET]* | |
|
Appears on:
84v–96
Genres:
Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
Source Attribution:
[VERBENET]*
Voice:
[no designation]
Languages:
Latin, Greek
Voice Text:
Kyrie …
Voice:
[no designation]
Languages:
none
Voice:
[no designation]
Languages:
Latin, Greek
Voice Text:
Kyrie …
Voice:
[no designation]
Languages:
Latin, Greek
Voice Text:
Kyrie …
General Note
Concordances*D-ddr-LEu 1494 Item Bibliography[No Author] 1935-1959. Reihe: Reichsdenkmale. Das Erbe deutscher Musik. Pages: 32. |
|||
| 96v–105 | Missa Allez regretz: KGCS | - | Anonymous |
Missa Allez regretz: KGCSAnonymous
Appears on:
96v–105
Genres:
Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
Voice:
[no designation]
Languages:
Latin, Greek
Voice Text:
Kyrie …
Voice:
[no designation]
Languages:
Latin, Greek
Voice Text:
Kyrie …
Voice:
[no designation]
Languages:
Latin, Greek
Voice Text:
Kyrie …
General NoteSans Agnus. *Noté postérieurement au bas du f. 96v |
|||
| 106v–121 | Missa Salva nos Domine | [H. ISAAC]* | |
|
Appears on:
106v–121
Genres:
Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
Source Attribution:
[H. ISAAC]*
Voice:
[no designation]
Languages:
Latin, Greek
Voice Text:
Kyrie Salva nos domine …
Voice:
[no designation]
Languages:
Latin, Greek
Voice Text:
Kyrie …
Voice:
[no designation]
Languages:
Latin, Greek
Voice Text:
Kyrie …
Voice:
[no designation]
Languages:
Latin, Greek
Voice Text:
Kyrie …
General NoteT: Kyrie Salva nos dominePubl. cf. CT 95-96 n° 42 Concordances*D-ddr-Bds 40634 et 15392 |
|||
| 122v–140 | Missa Gracieuse plaisant Christe Amoreulx suis | [J.GHISELIN]* | |
|
Appears on:
122v–140
Genres:
Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
Source Attribution:
[J.GHISELIN]*
Voice:
[no designation]
Languages:
Latin, Greek
Voice Text:
Kyrie . . .
Voice:
[no designation]
Languages:
Latin, Greek
Voice Text:
Kyrie . . .
Voice:
[no designation]
Languages:
Latin, Greek
Voice Text:
Kyrie Gracieuse plaisant … Criste Amoreulx suis ...
Voice:
[no designation]
Languages:
Latin, Greek
Voice Text:
Kyrie . . .
General NoteT: Kyrie Gracieuse plaisant … Criste AmoreuLx suis Concordances*RISM G 1780 Item Bibliography[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 23, III. |
|||
| 140v–145 | Missa Joie me fuit: Sanctus & Agnus | GHISELING | |
|
Appears on:
140v–145
Genres:
Agnus Dei, Mass Ordinary, Sanctus [& Benedictus]
Source Attribution:
GHISELING
Voice:
[no designation]
Languages:
Latin
Voice Text:
Missa Joye me fuyt. Sanctus
General NoteT: Joye me fuyt Sanctus. Item Bibliography[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 23, IV. |
|||
| Composer | Compositions |
|---|---|
| Agricola, Alexander (ca. 1445–1506) |
|
| Anonymous |
|
| Ghiselin (Verbonnet), Johannes |
|
| Isaac, Heinrich (ca. 1450–1517) |
|
| Rue, Pierre de la (ca. 1452–1518) |
|
| Composition | Composers (? Uncertain) | Folios / Pages |
|---|---|---|
| Missa | 84v–96 | |
| Missa Allez regretz: KGCS | Anonymous | 96v–105 |
| Missa Ein frölich Wesen: KGCSA | 17v–32 | |
| Missa Gracieuse plaisant Christe Amoreulx suis | 122v–140 | |
| Missa Joie me fuit: Sanctus & Agnus | 140v–145 | |
| Missa La belle se siet | 33v–47 | |
| Missa N'arai-je jamais mieux | 64v–76 | |
| Missa Pascale Kyrie & Gloria | 48v–55 | |
| Missa Pascale Sanctus and Agnus Dei | 59v–64 | |
| Missa Salva nos Domine | 106v–121 | |
| Missa Sancto Antonio | 1v–16 | |
| Missa Tmeiskin was jonck: Patrem omnipotentem [Credo] | 55v–59 | |
| Missa Une musque de biscaye | 76v–84 |
‡ denotes primary source study
Kellman, Herbert (editor). 1999. The Treasury of Petrus Alamire. Music and art in Flemish Court Manuscripts 1500-1535. Leuven: Alamire Foundation.
Kellman, Herbert. 1989. Observations on the Production and Distribution of Music Manuscripts at the Netherlands Court. Early Music History, .
Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II. Bern and Stuttgart. Pages: I,xlii,26,29-30,32,52,57-9,72,80,86; III,28,41-3,94-5,99-100.
Kellman, Herbert. 1976. Josquin and the Courts of the Netherlands and France: The Evidence of the Sources. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25 June 1971, 181-216. London, New York, and Toronto. Pages: 209.
Lerner, Edward R (editor). 1974-. Henrici Isaac (ca. 1450-1517): Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I,xxxix, 105-39; VII, xxxvii,xl.
Preston, Alan Herbert. 1969. Sacred Polyphony in Renaissance Verona: A Liturgical and Stylistic Study. University of Illinois, Unpublished Ph.D. dissertation. Pages: 134,371, passim.
Staehelin, Martin. 1967. Quellenkundliche Beiträge zum Werk von Johannes Ghiselin-Verbonnet. Archiv für Musikwissenschaft, 120-32. Pages: 125-31.
Lerner, Edward R (editor). 1961-70. Alexandrí Agricola: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: II,i-ii.
Gottwald, Clytus (editor). 1961-68. Johannes Ghiselin- Verbonnet: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: IV,ix,40-50.
Rehm, Wolfgang (editor). 1957) & Vol. VI: Mehrstimmige Lamentationen aus der ersten Hälfte des 16. Jahrhunderts, Massenkeil, G (ed.) (1965) & Vol. VII-VIII. Heinrich Isaac Messen, Staehelin, Martin (ed.) (1970-1973. Die Chansons von Gilles Binchois (1400-1460). Musikalische Denkmäler. Pages: VIII, 145.
Schmitz, Arnold (editor). 1955-. Musikalische Denkmäler. Mainz. Pages: VIII, 145,149ff.
Turrini, Giuseppe. 1953. II Patrimonio Musicale della Biblioteca Capitolare di Verona dal Sec. XV al XIX. Atti e Memorie della Accademia di Agricoltura Scienze e Lettere di Verona, 95-176. Pages: 4, 10, 11, 12, 98-106.
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Harvard University's library catalog now includes a scan of Armen Carapetyan's personal microfilm of this ms. The scans are viewable by anyone, not just Harvard affiliates, and I found this by querying their library database directly, so I assume that it is OK to share this link publicly.
https://nrs.lib.harvard.edu/urn-3:vit.bb:102443661
Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.
Entries amended to whole masses not just Kyries
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description
NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description