A-Wn Mus.Hs. 18746 (Tenor 1)

Österreichische Nationalbibliothek, Wien (Vienna), Austria

partbook: 16th century (1523)

Archive	Österreichische Nationalbibliothek, Wien (Vienna), Austria (A-Wn)
Shelfmark	Mus.Hs. 18746 (Tenor 1)
Surface	Paper
Numbering System	Foliation
Measurements	180 x 245 mm
Other Identifiers	CCM: VienNB Mus. 18746 olim (Former shelfmark): A.N.35. H.14
Notations	black void mensural
Copyists	Alamire, Petrus (ca. 1470–1536) Text and Music scribal concordance [29], Alamire C1 (possibly = Alamire) Music scribal concordance [38], Alamire P Text and Music
Relationships	Ferdinand III (1608–1657) (owner) Fugger, Raimund (the Elder) (1489–1535) (owner) Fugger family of Augsburg (patron)
External Links	CMME online edition images
External Authorities	RISM Online (sources/600100332)
Provenance	Brussels/Mechlin, Netherlands
Contents	62 pieces from 14 composers

General Description

A Tenor I partbook from a set of five volumes. Copied by Netherlands court scribe Petrus Alamire (whose signature appears in T1 and T2 books), though music attributed to Netherlands court scribe C' - who may be Alamire (KellBP). Warmington (KellmanTO) attributes some of the copying to scribe P. All pieces have text incipits or titles only. Copied in Brussels/Mechlin; belongs to Netherlands court complex (KellJ). Sent to Raimund Fugger the Elder (1489-1535), of Augsburg. Fugger library purchased by Emperor Ferdinand III and brought to Vienna in 1656.

Oscar Verhaar, 2014

Binding

Original covers of white parchment inscribed with voice designations; red leather bands fasten folios to covers

Oscar Verhaar, 2014

Watermark

(1) Gothic letter "P" surmounted by four-petalled flower (see Briquet #8652 for approximate pattern); (2) Gothic letter "C" (resembles Briquet #8113)

Oscar Verhaar, 2014

Notation

black void mensural

Oscar Verhaar, 2014

Ruling

Staff height 15

Oscar Verhaar, 2014

Foliation

Modern pencil foliation in each book.

Oscar Verhaar, 2014

Decoration

No initials or decoration

Oscar Verhaar, 2014

Surface

paper

Oscar Verhaar, 2014

DIAMM Note

Four pieces attributed to Josquin on stylistic grounds by BenthEW: Sans vous veoir, Saillies avant, Dame donuer, Consideres mes incessantes plaintes

DIAMM, 2023

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

3 motets, 1 motet-chanson, 51 French secular pieces, 1 textless piece with title "Cantus de anglia" = 56

(Appenzeller/Verdelot)-1, (Bauldeweyn/Grefinger)-1, Brumel-1, (Josquin)-7 + 4?,* (Josquin/La Rue)-2, La Rue-2, Lebrun-1, (Mouton)-1, (Prioris)-1, (Richafort)-1, (Richafort/Werrecore)-1, (Stokhem)-1, anon-32

*Four pieces attributed to Josquin on stylistic grounds by BenthEW.

5 paper partbooks (D-63 folios, A-68, T1-57, T2-63, B-62), 180 x 245. Modern pencil foliation in each book. Original covers of white parchment inscribed with voice designations; red leather bands fasten folios to covers. No index. Copied by Netherlands court scribe Petrus Alamire (whose signature appears in T1 and T2 books) and Netherlands court scribe C' (KellBP); see general index for other manuscripts copied by the same scribes. Staff height 15. No initials or decoration. Watermarks: (1) Gothic letter "P" surmounted by four-petalled flower (see Briquet #8652 for approximate pattern); (2) Gothic letter "C" (resembles Briquet #8113). All pieces have text incipits or titles only.

1523 (date in manuscript). Copied in Brussels/Mechlin; belongs to Netherlands court complex (KellJ). Sent to Raimund Fugger the Elder (1489-1535), of Augsburg. Fugger library purchased by Emperor Ferdinand III and brought to Vienna in 1656.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1–7	[blank pages]	-	-
[blank pages] Appears on: 1–7
7v–8	Cent mille regrets me poursuivent sans cesse 29.1	[Josquin/La Rue]	Despres, Josquin (ca. 1450–1521) (?) Rue, Pierre de la (ca. 1452–1518) (?)
Cent mille regrets me poursuivent sans cesse 29.1 Despres, Josquin (ca. 1450–1521) (?) Rue, Pierre de la (ca. 1452–1518) (?) Appears on: 7v–8 Genres: Chanson Source Attribution: [Josquin/La Rue] Voice: [no designation] Languages: French Voice Text: Cent mille regretz [me poursuivent sans cesse] 29.1
8v–9	Plusieurs regrets qui sur la terre 29.21	[Josquin]	Despres, Josquin (ca. 1450–1521)
Plusieurs regrets qui sur la terre 29.21 Despres, Josquin (ca. 1450–1521) Appears on: 8v–9 Genres: Chanson Source Attribution: [Josquin] Voice: [no designation] Languages: French Voice Text: Plusours regretz [= Plusieurs regretz qui sur la terre sont] 29.21
9–9v	Deuil et ennuy souci regrets et paine	Anon.	Anonymous
Deuil et ennuy souci regrets et paine Anonymous Appears on: 9–9v Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Deueil et ennuy [soucy regretz et paine]
9v–10	Je n'ai regrets	Anon.	Anonymous
Je n'ai regrets Anonymous Appears on: 9v–10 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Jen ay regretz [= Je n'ay regretz]
10–10v	On a mal dit de mon amy	Anon.	Anonymous
On a mal dit de mon amy Anonymous Appears on: 10–10v Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: On a mal dit de mon amy
10v–11	En doleur en tristesse languirayge = Ach Gott wem sol ichs klagen das heimlich leiden	[Bauldeweyn/Grefinger]	Grefinger, Wolfgang (?) Bauldeweyn, Noel (ca. 1480–1529) (?)
En doleur en tristesse languirayge = Ach Gott wem sol ichs klagen das heimlich leiden Grefinger, Wolfgang (?) Bauldeweyn, Noel (ca. 1480–1529) (?) Appears on: 10v–11 Genres: Chanson, Contrafactum Source Attribution: [Bauldeweyn/Grefinger] Voice: [no designation] Languages: French Voice Text: En doleur en tritresse [= En douleur en tristesse languiray-je tousjours]
11v	Je mi complain de mon ami qui me souloit 29.10	[Josquin]	Despres, Josquin (ca. 1450–1521)
Je mi complain de mon ami qui me souloit 29.10 Despres, Josquin (ca. 1450–1521) Appears on: 11v Genres: Chanson Source Attribution: [Josquin] Voice: [no designation] Languages: French Voice Text: Je mi complain [de mon amy qui me souloit] 29.10
12–12v	J'ai mis mon ceur en un lieu seullement	Anon.	Anonymous
J'ai mis mon ceur en un lieu seullement Anonymous Appears on: 12–12v Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Jay mis mon ceur [en ung lieu seullement]
12v–13	Cueur endurci plus dure que piere	Anon.	Anonymous
Cueur endurci plus dure que piere Anonymous Appears on: 12v–13 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Ceuer en durchi [= Cueur endurci plus dure que piere]
13v–14	Sans vous veoir	Anon.	Despres, Josquin (ca. 1450–1521) (?)
Sans vous veoir Despres, Josquin (ca. 1450–1521) (?) Appears on: 13v–14 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Sans vous veoir Item Bibliography Benthem, Jaap van. 1971-2. Einige wiedererkannte Josquin-Chansons im Codex 18746 der Österreichische Nationalbibliothek. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 18-42. Pages: 21-29. Notes: attributed to Josquin on stylistic grounds by BenthEW.
14–14v	Adieu comment	Anon.	Rue, Pierre de la (ca. 1452–1518) (?)
Adieu comment Rue, Pierre de la (ca. 1452–1518) (?) Appears on: 14–14v Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Adieu commant
14v–15v	Saillies avant (2p. 'Residuum')	Anon.	Despres, Josquin (ca. 1450–1521) (?) Rue, Pierre de la (ca. 1452–1518) (?)
Saillies avant (2p. 'Residuum') Despres, Josquin (ca. 1450–1521) (?) Rue, Pierre de la (ca. 1452–1518) (?) Appears on: 14v–15v Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Saillies avant Item Bibliography Kempster, William (editor). 2022. Pierre de la Rue: a 'complete' performing edition. https://pierredelaruescores787ad8.webflow.io/(Accessed: 16-12-2023). Notes: attributed to La Rue on stylistic grounds. Benthem, Jaap van. 1971-2. Einige wiedererkannte Josquin-Chansons im Codex 18746 der Österreichische Nationalbibliothek. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 18-42. Pages: 21-29. Notes: attributed to Josquin on stylistic grounds by BenthEW.
16	Incessamment mon pouvre coeur lamente 29.9	[Josquin/La Rue]	Rue, Pierre de la (ca. 1452–1518) (?) Despres, Josquin (ca. 1450–1521) (?)
Incessamment mon pouvre coeur lamente 29.9 Rue, Pierre de la (ca. 1452–1518) (?) Despres, Josquin (ca. 1450–1521) (?) Appears on: 16 Genres: Chanson Source Attribution: [Josquin/La Rue] Voice: [no designation] Languages: French Voice Text: Incessament [mon povre cueur lamente] 29.9
16v	Je suis nuyt et iour	Anon.	Anonymous
Je suis nuyt et iour Anonymous Appears on: 16v Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Je suis nuyt et iour
17	Sans vous veoir	Anon.	Despres, Josquin (ca. 1450–1521) (?)
Sans vous veoir Despres, Josquin (ca. 1450–1521) (?) Appears on: 17 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Sans vous veoir General Note "Canon: Quere in aliis libris" ('Look in the toher books'). No music is copied.
17v–18	D'un autre aimer mon coeur s'abesseroit	Rue	Rue, Pierre de la (ca. 1452–1518)
D'un autre aimer mon coeur s'abesseroit Rue, Pierre de la (ca. 1452–1518) Appears on: 17v–18 Genres: Chanson Source Attribution: Rue Voice: [no designation] Languages: French Voice Text: Dung aultre aymer [mon cueur s'abesseroit]
18–18v	D'un autre aimer mon coeur s'abesseroit / Cela sans plus	Lebrun	le Brun, Jean (fl. early 16th century)
D'un autre aimer mon coeur s'abesseroit / Cela sans plus le Brun, Jean (fl. early 16th century) Appears on: 18–18v Genres: Chanson Source Attribution: Lebrun Voice: [no designation] Languages: French Voice Text: Dung aultre aymer/Cela sans plus
19	Garde le tret / Au retret	Anon.	Anonymous
Garde le tret / Au retret Anonymous Appears on: 19 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Garde le tret
19v–20	Le grant deueill	Anon.	Anonymous
Le grant deueill Anonymous Appears on: 19v–20 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Le grant deueill
20	A moi seule qui tant aime vous / Comme femme desconforte	Anon.	Anonymous
A moi seule qui tant aime vous / Comme femme desconforte Anonymous Appears on: 20 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: A moy seulle qui tant/Comme femme desconforte General Note The cantus firmus "Comme femme desconfortee" in long notes
20v	Consideres mes incessantes plaintes / Fortuna desperata	Anon.	Despres, Josquin (ca. 1450–1521) (?)
Consideres mes incessantes plaintes / Fortuna desperata Despres, Josquin (ca. 1450–1521) (?) Appears on: 20v Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Consideres mes incessantes plaintes/Fortuna desperata General Note The cantus firmus 'Fortuna desperata' in long notes Item Bibliography Benthem, Jaap van. 1971-2. Einige wiedererkannte Josquin-Chansons im Codex 18746 der Österreichische Nationalbibliothek. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 18-42. Pages: 32-36. Notes: attributed to Josquin on stylistic grounds by BenthEW.
20v–21	Languentis miseris / Clamor meus ad te veniat	Brumel	Brumel, Antoine (ca. 1460–ca. 1513)
Languentis miseris / Clamor meus ad te veniat Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 20v–21 Genres: Motet Source Attribution: Brumel Voice: [no designation] Languages: Latin Voice Text: Languentis miseris/Clamor meus ad te veniat General Note The cantus firmus 'Clamor meus' in long notes
21v	Par vous je suis = Entre ie suis un grant penser	[Prioris]	Prioris, Johannes (Denis, Dionisius) (–1515)
Par vous je suis = Entre ie suis un grant penser Prioris, Johannes (Denis, Dionisius) (–1515) Appears on: 21v Genres: Chanson Source Attribution: [Prioris] Voice: [no designation] Languages: French Voice Text: Entre ie suis ung grant penser [= Par vous je suis]
22–22v	Tout a par moi affin que on ne me voye	Anon.	Anonymous
Tout a par moi affin que on ne me voye Anonymous Appears on: 22–22v Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Tout a par moy [affin que on ne me voye]
22v–23	Tristis est anima mea usque ad mortem	Anon.	Anonymous
Tristis est anima mea usque ad mortem Anonymous Appears on: 22v–23 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Tristis est anima mea [usque ad mortem]
23–23v	Pro chasser fait	Anon.	Anonymous
Pro chasser fait Anonymous Appears on: 23–23v Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Pro chasser fait
23v	Brunete m'amiette	[Stokhem]	Stockem, Johannes de (ca. 1445–1487)
Brunete m'amiette Stockem, Johannes de (ca. 1445–1487) Appears on: 23v Genres: Chanson Source Attribution: [Stokhem] Voice: [no designation] Languages: French Voice Text: Brunette mamiette
24	Qui vult aymere il fault estre joieulx	Anon.	Anonymous
Qui vult aymere il fault estre joieulx Anonymous Appears on: 24 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Qui vult aymere il fault estre joieulx
24v–25	La jonne dame va au moulin?	Anon.	Anonymous
La jonne dame va au moulin? Anonymous Appears on: 24v–25 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: La jonne dame [va au moulin?]
25v–26	D'amour je suis desherite et plaindre	[Richafort]	Richafort, Jean (ca. 1480–ca. 1550)
D'amour je suis desherite et plaindre Richafort, Jean (ca. 1480–ca. 1550) Appears on: 25v–26 Genres: Chanson Source Attribution: [Richafort] Voice: [no designation] Languages: French Voice Text: Damour ie suis [desheritée et plaindre]
26–26v	Du bon du coeur ma chère dame	[Mouton]	Mouton, Jean (ca. 1459–1522)
Du bon du coeur ma chère dame Mouton, Jean (ca. 1459–1522) Appears on: 26–26v Genres: Chanson Source Attribution: [Mouton] Voice: [no designation] Languages: French Voice Text: Du bon du coeur [ma chère dame]
27–27v	Voustre beaulte plaisant et lye me donne?	Anon.	Anonymous
Voustre beaulte plaisant et lye me donne? Anonymous Appears on: 27–27v Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Voustre beaulte [plaisant et lye me donne?]
27v–28v	Tout a rebors de mon affaire	Anon.	Anonymous
Tout a rebors de mon affaire Anonymous Appears on: 27v–28v Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Tout a rebors [de mon affaire]
28v–29	Ne vous chaille mon coeur si vous aves	[Richafort/Werrecore]	Richafort, Jean (ca. 1480–ca. 1550) (?) Werrecore, Matthias Hermann (?)
Ne vous chaille mon coeur si vous aves Richafort, Jean (ca. 1480–ca. 1550) (?) Werrecore, Matthias Hermann (?) Appears on: 28v–29 Genres: Chanson Source Attribution: [Richafort/Werrecore] Voice: [no designation] Languages: French Voice Text: Ne vuos challe [= Ne vous chaille mon cueur]
29v–30	Vide vous	Anon.	Anonymous
Vide vous Anonymous Appears on: 29v–30 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Vide vous
30–31	Doise espoir	Anon.	Anonymous
Doise espoir Anonymous Appears on: 30–31 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Doise espoir
31–31v	Choisisses vrais amoreux	Anon.	Anonymous
Choisisses vrais amoreux Anonymous Appears on: 31–31v Genres: Italian secular Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Choisisses vrais amoreux
31v–32	Doleur me bat et tristesse m'afolle 29.4	[Josquin]	Despres, Josquin (ca. 1450–1521)
Doleur me bat et tristesse m'afolle 29.4 Despres, Josquin (ca. 1450–1521) Appears on: 31v–32 Genres: Chanson Source Attribution: [Josquin] Voice: [no designation] Languages: French Voice Text: Doleur me bat [et tristesse m'afolle] 29.4
32v–33	Mon cour vit in tristicia	Anon.	Anonymous
Mon cour vit in tristicia Anonymous Appears on: 32v–33 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Mon cour vit in tristicia General Note Text incipit omitted (added in modern pencil)
33–34	Douleur me bat / O vos omnes qui transitis	Anon.	Anonymous
Douleur me bat / O vos omnes qui transitis Anonymous Appears on: 33–34 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: Latin, French Voice Text: Douleur me bat/O vos omnes qui transitis General Note "Super O vos omnes"
34–34v	Ceur doloreulx qui vit	Anon.	Anonymous
Ceur doloreulx qui vit Anonymous Appears on: 34–34v Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Ceur doloreulx qui vit
35–35v	Dame donuer [d'honneur?]	Anon.	Despres, Josquin (ca. 1450–1521) (?)
Dame donuer [d'honneur?] Despres, Josquin (ca. 1450–1521) (?) Appears on: 35–35v Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Dame donner Item Bibliography Benthem, Jaap van. 1971-2. Einige wiedererkannte Josquin-Chansons im Codex 18746 der Österreichische Nationalbibliothek. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 18-42. Pages: 29-32. Notes: attributed to Josquin on stylistic grounds by BenthEW.
35v–36	J'ai un regrets	Anon.	Anonymous
J'ai un regrets Anonymous Appears on: 35v–36 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Jay ung regretz
36	Plaine de deuil et de merencolie voyant 29.20	[Josquin]	Despres, Josquin (ca. 1450–1521)
Plaine de deuil et de merencolie voyant 29.20 Despres, Josquin (ca. 1450–1521) Appears on: 36 Genres: Chanson Source Attribution: [Josquin] Voice: [no designation] Languages: French Voice Text: Plaine de doul [et de melencolie voyant] 29.20
36v	Parfons regrets et lamentable joye 29.19	[Josquin]	Despres, Josquin (ca. 1450–1521)
Parfons regrets et lamentable joye 29.19 Despres, Josquin (ca. 1450–1521) Appears on: 36v Genres: Chanson Source Attribution: [Josquin] Voice: [no designation] Languages: French Voice Text: Parfons regretz [et lamentable joye] 29.19
37–37v	Cantus de Anglia: La sol mi fa mi	Anon.	Anonymous
Cantus de Anglia: La sol mi fa mi Anonymous Appears on: 37–37v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Cantus de Anglia: La sol mi fa mi
38–38v	De mien amant le deppart m'est si grief (2p. 'Residuum')	[Josquin]	Despres, Josquin (ca. 1450–1521)
De mien amant le deppart m'est si grief (2p. 'Residuum') Despres, Josquin (ca. 1450–1521) Appears on: 38–38v Genres: Chanson Source Attribution: [Josquin] Voice: [no designation] Languages: French Voice Text: De mien amant [le deppart m'est si grief] 29.5
38v–39	Incessamment livré suis à martire triste 29.8	[Josquin]	Despres, Josquin (ca. 1450–1521)
Incessamment livré suis à martire triste 29.8 Despres, Josquin (ca. 1450–1521) Appears on: 38v–39 Genres: Chanson Source Attribution: [Josquin] Voice: [no designation] Languages: French Voice Text: Incessament [livré suis à martire triste] 29.8
39–39v	Je my levai par un matin jour n'estoit	[Appenzeller/Verdelot]	Appenzeller, Benedictus (ca. 1480–ca. 1558) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?)
Je my levai par un matin jour n'estoit Appenzeller, Benedictus (ca. 1480–ca. 1558) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?) Appears on: 39–39v Genres: Chanson Source Attribution: [Appenzeller/Verdelot] Voice: [no designation] Languages: French Voice Text: Je my levay [par] ung matin [jour n'estoit]
40–47	[blank staves]	-	-
[blank staves] Appears on: 40–47
47v–48	Maria mater gracie / Fors seullement (2 partes)	Anon.	Anonymous
Maria mater gracie / Fors seullement (2 partes) Anonymous Appears on: 47v–48 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin, French Voice Text: Maria mater gracie/Fors seullement
48v–49	Fors seulement l'attente que je meure (2 partes)	Anon.	Anonymous
Fors seulement l'attente que je meure (2 partes) Anonymous Appears on: 48v–49 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Fors seullement [lvattente que je meure]
49v–50	Fors seulement l'attente que je meure	Anon.	Anonymous
Fors seulement l'attente que je meure Anonymous Appears on: 49v–50 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Fors seullement [lvattente que je meure]
50–50v	Fors seulement l'attente que je meure	Anon.	Anonymous
Fors seulement l'attente que je meure Anonymous Appears on: 50–50v Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Fors seullement [lvattente que je meure]
50v–51v	Fors seulement l'attente que je meure	Anon.	Anonymous
Fors seulement l'attente que je meure Anonymous Appears on: 50v–51v Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Fors seullement [lvattente que je meure]
51v–52	Fors seulement l'attente que je meure (2 partes)	Anon.	Anonymous
Fors seulement l'attente que je meure (2 partes) Anonymous Appears on: 51v–52 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Fors seullement [lvattente que je meure]
52v–53	Fors seulement l'attente que je meure (2p. Qui n'est douleur)	Rue	Rue, Pierre de la (ca. 1452–1518)
Fors seulement l'attente que je meure (2p. Qui n'est douleur) Rue, Pierre de la (ca. 1452–1518) Appears on: 52v–53 Genres: Chanson Source Attribution: Rue Voice: [no designation] Languages: French Voice Text: Fors seullement [lvattente que je meure]
53v	[blank staves]	-	-
[blank staves] Appears on: 53v
54–54v	[blank pages]	-	-
[blank pages] Appears on: 54–54v
55–56v	[blank staves]	-	-
[blank staves] Appears on: 55–56v
57–57v	[blank pages]	-	-
[blank pages] Appears on: 57–57v

Composer	Compositions
Anonymous	A moi seule qui tant aime vous / Comme femme desconforte – 20 Cantus de Anglia: La sol mi fa mi – 37–37v Ceur doloreulx qui vit – 34–34v Choisisses vrais amoreux – 31–31v Cueur endurci plus dure que piere – 12v–13 Deuil et ennuy souci regrets et paine – 9–9v Doise espoir – 30–31 Douleur me bat / O vos omnes qui transitis – 33–34 Fors seulement l'attente que je meure – 50v–51v Fors seulement l'attente que je meure – 49v–50 Fors seulement l'attente que je meure – 50–50v Fors seulement l'attente que je meure (2 partes) – 48v–49 Fors seulement l'attente que je meure (2 partes) – 51v–52 Garde le tret / Au retret – 19 J'ai mis mon ceur en un lieu seullement – 12–12v J'ai un regrets – 35v–36 Je n'ai regrets – 9v–10 Je suis nuyt et iour – 16v La jonne dame va au moulin? – 24v–25 Le grant deueill – 19v–20 Maria mater gracie / Fors seullement (2 partes) – 47v–48 Mon cour vit in tristicia – 32v–33 On a mal dit de mon amy – 10–10v Pro chasser fait – 23–23v Qui vult aymere il fault estre joieulx – 24 Tout a par moi affin que on ne me voye – 22–22v Tout a rebors de mon affaire – 27v–28v Tristis est anima mea usque ad mortem – 22v–23 Vide vous – 29v–30 Voustre beaulte plaisant et lye me donne? – 27–27v [No description] – 53v [No description] – 54–54v [No description] – 1–7 [No description] – 55–56v [No description] – 57–57v [No description] – 40–47
Appenzeller, Benedictus (ca. 1480–ca. 1558)	(?) Je my levai par un matin jour n'estoit – 39–39v
Bauldeweyn, Noel (ca. 1480–1529)	(?) En doleur en tristesse languirayge = Ach Gott wem sol ichs klagen das heimlich leiden – 10v–11
Brumel, Antoine (ca. 1460–ca. 1513)	Languentis miseris / Clamor meus ad te veniat – 20v–21
Despres, Josquin (ca. 1450–1521)	(?) Cent mille regrets me poursuivent sans cesse 29.1 – 7v–8 (?) Consideres mes incessantes plaintes / Fortuna desperata – 20v (?) Dame donuer [d'honneur?] – 35–35v De mien amant le deppart m'est si grief (2p. 'Residuum') – 38–38v Doleur me bat et tristesse m'afolle 29.4 – 31v–32 Incessamment livré suis à martire triste 29.8 – 38v–39 (?) Incessamment mon pouvre coeur lamente 29.9 – 16 Je mi complain de mon ami qui me souloit 29.10 – 11v Parfons regrets et lamentable joye 29.19 – 36v Plaine de deuil et de merencolie voyant 29.20 – 36 Plusieurs regrets qui sur la terre 29.21 – 8v–9 (?) Saillies avant (2p. 'Residuum') – 14v–15v (?) Sans vous veoir – 17 (?) Sans vous veoir – 13v–14
Grefinger, Wolfgang	(?) En doleur en tristesse languirayge = Ach Gott wem sol ichs klagen das heimlich leiden – 10v–11
Mouton, Jean (ca. 1459–1522)	Du bon du coeur ma chère dame – 26–26v
Prioris, Johannes (Denis, Dionisius) (–1515)	Par vous je suis = Entre ie suis un grant penser – 21v
Richafort, Jean (ca. 1480–ca. 1550)	D'amour je suis desherite et plaindre – 25v–26 (?) Ne vous chaille mon coeur si vous aves – 28v–29
Rue, Pierre de la (ca. 1452–1518)	(?) Adieu comment – 14–14v (?) Cent mille regrets me poursuivent sans cesse 29.1 – 7v–8 D'un autre aimer mon coeur s'abesseroit – 17v–18 Fors seulement l'attente que je meure (2p. Qui n'est douleur) – 52v–53 (?) Incessamment mon pouvre coeur lamente 29.9 – 16 (?) Saillies avant (2p. 'Residuum') – 14v–15v
Stockem, Johannes de (ca. 1445–1487)	Brunete m'amiette – 23v
Verdelot, Philippe (ca. 1480–ca. 1532)	(?) Je my levai par un matin jour n'estoit – 39–39v
Werrecore, Matthias Hermann	(?) Ne vous chaille mon coeur si vous aves – 28v–29
le Brun, Jean (fl. early 16th century)	D'un autre aimer mon coeur s'abesseroit / Cela sans plus – 18–18v

Composition	Composers (? Uncertain)	Folios / Pages
A moi seule qui tant aime vous / Comme femme desconforte	Anonymous	20
Adieu comment	Rue, Pierre de la (ca. 1452–1518) (?)	14–14v
Brunete m'amiette	Stockem, Johannes de (ca. 1445–1487)	23v
Cantus de Anglia: La sol mi fa mi	Anonymous	37–37v
Cent mille regrets me poursuivent sans cesse 29.1	Despres, Josquin (ca. 1450–1521) (?) Rue, Pierre de la (ca. 1452–1518) (?)	7v–8
Ceur doloreulx qui vit	Anonymous	34–34v
Choisisses vrais amoreux	Anonymous	31–31v
Consideres mes incessantes plaintes / Fortuna desperata	Despres, Josquin (ca. 1450–1521) (?)	20v
Cueur endurci plus dure que piere	Anonymous	12v–13
D'amour je suis desherite et plaindre	Richafort, Jean (ca. 1480–ca. 1550)	25v–26
D'un autre aimer mon coeur s'abesseroit	Rue, Pierre de la (ca. 1452–1518)	17v–18
D'un autre aimer mon coeur s'abesseroit / Cela sans plus	le Brun, Jean (fl. early 16th century)	18–18v
Dame donuer [d'honneur?]	Despres, Josquin (ca. 1450–1521) (?)	35–35v
De mien amant le deppart m'est si grief (2p. 'Residuum')	Despres, Josquin (ca. 1450–1521)	38–38v
Deuil et ennuy souci regrets et paine	Anonymous	9–9v
Doise espoir	Anonymous	30–31
Doleur me bat et tristesse m'afolle 29.4	Despres, Josquin (ca. 1450–1521)	31v–32
Douleur me bat / O vos omnes qui transitis	Anonymous	33–34
Du bon du coeur ma chère dame	Mouton, Jean (ca. 1459–1522)	26–26v
En doleur en tristesse languirayge = Ach Gott wem sol ichs klagen das heimlich leiden	Grefinger, Wolfgang (?) Bauldeweyn, Noel (ca. 1480–1529) (?)	10v–11
Fors seulement l'attente que je meure	Anonymous	49v–50
Fors seulement l'attente que je meure	Anonymous	50–50v
Fors seulement l'attente que je meure	Anonymous	50v–51v
Fors seulement l'attente que je meure (2 partes)	Anonymous	48v–49
Fors seulement l'attente que je meure (2 partes)	Anonymous	51v–52
Fors seulement l'attente que je meure (2p. Qui n'est douleur)	Rue, Pierre de la (ca. 1452–1518)	52v–53
Garde le tret / Au retret	Anonymous	19
Incessamment livré suis à martire triste 29.8	Despres, Josquin (ca. 1450–1521)	38v–39
Incessamment mon pouvre coeur lamente 29.9	Rue, Pierre de la (ca. 1452–1518) (?) Despres, Josquin (ca. 1450–1521) (?)	16
J'ai mis mon ceur en un lieu seullement	Anonymous	12–12v
J'ai un regrets	Anonymous	35v–36
Je mi complain de mon ami qui me souloit 29.10	Despres, Josquin (ca. 1450–1521)	11v
Je my levai par un matin jour n'estoit	Appenzeller, Benedictus (ca. 1480–ca. 1558) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?)	39–39v
Je n'ai regrets	Anonymous	9v–10
Je suis nuyt et iour	Anonymous	16v
La jonne dame va au moulin?	Anonymous	24v–25
Languentis miseris / Clamor meus ad te veniat	Brumel, Antoine (ca. 1460–ca. 1513)	20v–21
Le grant deueill	Anonymous	19v–20
Maria mater gracie / Fors seullement (2 partes)	Anonymous	47v–48
Mon cour vit in tristicia	Anonymous	32v–33
Ne vous chaille mon coeur si vous aves	Richafort, Jean (ca. 1480–ca. 1550) (?) Werrecore, Matthias Hermann (?)	28v–29
On a mal dit de mon amy	Anonymous	10–10v
Par vous je suis = Entre ie suis un grant penser	Prioris, Johannes (Denis, Dionisius) (–1515)	21v
Parfons regrets et lamentable joye 29.19	Despres, Josquin (ca. 1450–1521)	36v
Plaine de deuil et de merencolie voyant 29.20	Despres, Josquin (ca. 1450–1521)	36
Plusieurs regrets qui sur la terre 29.21	Despres, Josquin (ca. 1450–1521)	8v–9
Pro chasser fait	Anonymous	23–23v
Qui vult aymere il fault estre joieulx	Anonymous	24
Saillies avant (2p. 'Residuum')	Despres, Josquin (ca. 1450–1521) (?) Rue, Pierre de la (ca. 1452–1518) (?)	14v–15v
Sans vous veoir	Despres, Josquin (ca. 1450–1521) (?)	13v–14
Sans vous veoir	Despres, Josquin (ca. 1450–1521) (?)	17
Tout a par moi affin que on ne me voye	Anonymous	22–22v
Tout a rebors de mon affaire	Anonymous	27v–28v
Tristis est anima mea usque ad mortem	Anonymous	22v–23
Vide vous	Anonymous	29v–30
Voustre beaulte plaisant et lye me donne?	Anonymous	27–27v

Images © Österreichische Nationalbibliothek, Vienna

Set: Books prepared by the Alamire workshop

Type: Linked by Origin or Contents

No images available

A-Wn Mus.Hs. 15495 (Maximilian Codex)

A-Wn Mus.Hs. 15496

A-Wn Mus.Hs. 15497

A-Wn Mus.Hs. 15941 (B)

A-Wn Mus.Hs. 15941 (Contratenor)

A-Wn Mus.Hs. 15941 Mus (T)

A-Wn Mus.Hs. 18746 (Altus/Contratenor)

A-Wn Mus.Hs. 18746 (Bassus)

A-Wn Mus.Hs. 18746 (Superius/Cantus)

A-Wn Mus.Hs. 18746 (Tenor 1)

A-Wn Mus.Hs. 18746 (Tenor 2/Quintus)

A-Wn Mus.Hs. 18825 (Bassus)

A-Wn Mus.Hs. 18825 (Contratenor)

A-Wn Mus.Hs. 18825 (Discantus)

A-Wn Mus.Hs. 18825 (Tenor)

A-Wn Mus.Hs. 18832 (Lower Voice)

A-Wn Mus.Hs. 18832 (Upper Voice)

B-Amp MS M18.13 (fragment 1)

B-Amp MS M18.13 (fragment 2)

B-BRra 756

No images available

B-Baeb Fonds Sint-Goedele, 5170

B-Baeb Fonds Sint-Goedele, 9423

B-Baeb Fonds Sint-Goedele, 9424

No images available

B-Bcpas H 1135

No images available

B-Br MS 215-216

No images available

B-Br MS 228 (Chansonnier of Margaret of Austria)

No images available

B-Br MS 6428

No images available

B-Br MS 9126

No images available

B-Br MS 15075

No images available

B-Br MS IV.922 (Occo Codex)

B-Gra Varia D.3360 B

B-MEa s.s.

B-TOsa Oud regime MS 183

No images available

No images available

No images available

No images available

GB-Lbl Royal 8 G. vii

GB-Ob MS. Ashmole 831

GB-Ob MS. Lat. liturg. a. 8

No images available

I-Fc MS Basevi 2439 (Basevi Codex)

No images available

NL-Urc Hs. 47 (fragments 1 and 2)

No images available

V-CVbav MS Capp. Sist. 34

No images available

V-CVbav MS Capp. Sist. 36

No images available

V-CVbav MS Capp. Sist. 160

No images available

V-CVbav MS Pal. lat. 1976

No images available

V-CVbav MS Pal. lat. 1977

No images available

V-CVbav MS Pal. lat. 1978

No images available

V-CVbav MS Pal. lat. 1979

Set: Mus.Hs. 18746 Mus

Type: Partbooks

A-Wn Mus.Hs. 18746 (Altus/Contratenor)

A-Wn Mus.Hs. 18746 (Bassus)

A-Wn Mus.Hs. 18746 (Superius/Cantus)

A-Wn Mus.Hs. 18746 (Tenor 1)

A-Wn Mus.Hs. 18746 (Tenor 2/Quintus)

‡ denotes primary source study

Kellman, Herbert (editor). 1999. The Treasury of Petrus Alamire. Music and art in Flemish Court Manuscripts 1500-1535. Leuven: Alamire Foundation.

Kellman, Herbert. 1989. Observations on the Production and Distribution of Music Manuscripts at the Netherlands Court. Early Music History, . Notes: physical description (partial); mention of MS; discussion.

Dalton, Karen Lanz. 1982. Vienna, Österreichische Nationalbibliothek MS. 18825: A Study and Critical Edition. University of Illinois, MA thesis. Pages: 29-30. Notes: facsimile (partial); mention of MS; discussion.

Blackburn, Bonnie J. 1976. Josquin's Chansons: Ignored and Lost Sources. Journal of the American Musicological Society, 30-76. Pages: 44,53-5. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Kellman, Herbert. 1976. Josquin and the Courts of the Netherlands and France: The Evidence of the Sources. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25 June 1971, 181-216. London, New York, and Toronto. Pages: 184, 203, 209, 214, Plate 31a. Notes: physical description (partial); contents list (partial); facsimile (partial); mention of MS; discussion.

Wexler, Richard. 1974. The Complete Works of Johannes Prioris. . Pages: 230,233-5,377. Notes: contents list (partial); concordances (partial).

Sparks, Edgar H. 1972. The music of Noel Bauldeweyn. American Musicological Society. Pages: 29,138-9. Notes: contents list (partial); concordances (partial).

Benthem, Jaap van. 1971-2. Einige wiedererkannte Josquin-Chansons im Codex 18746 der Österreichische Nationalbibliothek. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 18-42. Notes: contents list (partial); transcriptions (partial); mention of MS; discussion.

Hudson, Barton (editor). 1969-72. Antoine Brumel: Collected Works. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: V,xxiii,xxxii,43-5. Notes: contents list (partial); transcription (partial).

Hewitt, Helen Margaret. 1969. Fors seulement and the Cantus Firmus Technique of the Fifteenth Century. Essays in Musicology in Honor of Dragan Plamenac on His 70th Birthday, 91-126. Pittsburgh. Pages: 94, 109-14,119ff. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Osthoff, Helmuth. 1962. Josquin Desprez. 2 vols. Tutzing. Pages: II, 173-4, 185, 210,298-9. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Picker, Martin. 1960. The Chanson Albums of Marguerite of Austria: Manuscripts 228 and 11239 of the Bibliothèque Royale de Belgique, Bruxelles. University of California at Berkeley, Unpublished Ph.D. dissertation. Pages: I,94-7,335-41,375. Notes: physical description (partial); contents list (partial); concordances (partial); facsimile (partial); mention of MS; discussion.

Picker, Martin. 1958-63. The Chanson Albums of Marguerite of Austria: MSS. 228 and 11239 of the Bibliothèque Royale de Belgique, Brussels. Annales Musicologiques, 145-287. Pages: 156-7,199ff; Plates 8-10,12,14. Notes: contents list (partial); concordances (partial); incipits (partial); facsimile (partial); mention of MS; discussion.

Nowak, Leopold. 1948. Die Musikhandschriften aus Fuggerschem Besitz in der Österreichischen Nationalbibliothek. Die Österreichische Nationalbibliothek. Festschrift herausgegeben zum 25 jährigen Dienstjubiläum des Generaldirektors Univ.-Prof. Dr. Josef Bick, edited by Leopold Nowak, Vienna: H. Bauer-Verlag. Notes: physical description (partial); mention of MS; discussion.

Smijers, Albert (editor). 1925-68. Werken van Josquin des Prez: Wereldlijke Werken. Amsterdam. Pages: I,vi,xiii-xv; II,xi-xii; III,xii. Notes: contents list (partial); concordances (partial).

Mantuani, Joseph. 1864-99 R 1965. Tabulae Codicum Manu Scriptorum in Bibliotheca Palatina Vindobonensi Asservatorum. 10 vols. Vienna: (1864-99) Graz: (1965 reprint). Pages: X, 196-200. Notes: physical description (partial); contents list.

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Niv Yehuda

Wednesday, 28 November, 2018

Missing images notified. These will be uploaded and linked to the inventory as soon as possible.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description