Hewitt, Helen Margaret. 1969. Fors seulement and the Cantus Firmus Technique of the Fifteenth Century. Essays in Musicology in Honor of Dragan Plamenac on His 70th Birthday, 91-126. Pittsburgh.

Hewitt, Helen Margaret (ed.) 1967. Ottaviano Petrucci: Canti B Numero Cinquanta Venice, 1502. Monuments of Renaissance Music.  Chicago and London.

Hewitt, Helen Margaret (ed.) 1967. Canti B numero cinquanta, Venice 1502. Monuments of Renaissance Music.  Chicago.

Hewitt, Helen Margaret. 1966. A Chanson Rustique of the Early Renaissance: Bon temps. Aspects of Medieval and Renaissance Music: A Birthday Offering to Gustave Reese, 376-91. New York.

Hewitt, Helen Margaret. 1957. The Two Puzzle Canons in Busnois's Maintes femmes. Journal of the American Musicological Society, 10: 104-10.

Hewitt, Helen Margaret. 1957. A Study in Proportions. Essays on Music in honor of Archibald Thompson Davison by his Associates, 69-81. Cambridge, Massachusetts.

Hewitt, Helen Margaret. 1946. The Rinck Part-Books. The Germanic Review, 21: 9-47.

Hewitt, Helen Margaret (ed.) 1942. Harmonice Musices Odhecaton A. Studies and Documents.  Cambridge, Massachusetts: Mediaeval Academy of America.