A-Wn Mus.Hs. 18832 (Upper Voice) - DIAMM

A-Wn Mus.Hs. 18832 (Upper Voice)

Österreichische Nationalbibliothek, Wien (Vienna), Austria

partbook: ca. 1521-1525

Archive	Österreichische Nationalbibliothek, Wien (Vienna), Austria (A-Wn)
Shelfmark	Mus.Hs. 18832 (Upper Voice)
Surface	Paper
Numbering System	Foliation
Measurements	140 x 205 mm
Other Identifiers	CCM: VienNB Mus. 18832 olim (Former shelfmark): A.N.35. H.27; Cod. 18.832
Notations	black void mensural
Copyists	Alamire, Petrus (ca. 1470–1536) Text and Music scribal concordance [71], Alamire K Music
Relationships	Ferdinand III (1608–1657) (owner) Fugger, Raimund (the Elder) (1489–1535) (owner)
External Links	CMME online edition ONB catalogue entry linking to images
External Authorities	RISM Online (sources/600100349)
Provenance	Brussels, Netherlands
Contents	88 pieces from 16 composers

General Description

Copied by Netherlands court scribe Petrus Alamire (NowakM), though Warmington assigns some of the music copying to scribe K (KellmanTO). Copied in Brussels/Mechlin; belongs to Netherlands court complex (KellJ). Sent to Raimund Fugger the Elder (1489-1535), of Augsburg. Fugger library purchased by Emperor Ferdinand III and brought to Vienna in 1656.

Oscar Verhaar, for the medieval music manuscript project of the National Library Vienna (www.cantusplanus.at), 2014

Binding

Original covers of dark brown leather stamped front and back, respectively, with four identical plates (vine motifs, animals, and inscription 'Ligatus per manus Johannis tys qui petit a malis erui et semper protegi per manus domini')

Oscar Verhaar, for the medieval music manuscript project of the National Library Vienna (www.cantusplanus.at), 2014

Watermark

(1) pot surmounted by four-petalled flower (generally resembles Briquet #12624-30); (2) Gothic letter 'P', sometimes surmounted by four-petalled flower (see Briquet #8652 for approximate pattern).

Oscar Verhaar, for the medieval music manuscript project of the National Library Vienna (www.cantusplanus.at), 2014

Notation

black void mensural

Oscar Verhaar, for the medieval music manuscript project of the National Library Vienna (www.cantusplanus.at), 2014

Ruling

Staff height 13

Oscar Verhaar, for the medieval music manuscript project of the National Library Vienna (www.cantusplanus.at), 2014

Foliation

Other numberings: Modern pencil numbering of pieces, 1-89

Oscar Verhaar, for the medieval music manuscript project of the National Library Vienna (www.cantusplanus.at), 2014

Foliation

Modern pencil foliation in each book.

Oscar Verhaar, for the medieval music manuscript project of the National Library Vienna (www.cantusplanus.at), 2014

Decoration

No decorative initials; Fugger family coat of arms on f. 7' of each book.

Oscar Verhaar, for the medieval music manuscript project of the National Library Vienna (www.cantusplanus.at), 2014

Surface

paper

Oscar Verhaar, for the medieval music manuscript project of the National Library Vienna (www.cantusplanus.at), 2014

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

89 bicinia*

*A few items have text incipits or titles, but most pieces lack text, title, or other identification. Items identified from concordant sources include 43 Mass Ordinary sections, 3 Requiem Mass sections, 9 Magnificat sections, and 2 motets.

(A. Agricola)-4, (Brumel)-4, (Brumel/Jhan of Ferrara)-1, (Brumel/Venalt)-1, (Compère)-2, (Divitis)-1, (A. Févin)-9, (A. Févin/ Mouton)-5, (Gascongne)-1, Isaac-2, (Josquin)-5, (Josquin/Ockeghem)-3, (La Rue)-5, (Obrecht)-2 + 1?, anon-43

2 paper partbooks (Upper voice-i + 90 + i folios, Lower voice-i + 89 + i), 138 x 203. Modern pencil foliation in each book. Modern pencil numbering of pieces, 1-89. Original covers of dark brown leather stamped front and back, respectively, with four identical plates (vine motifs, animals, and inscription "Ligatus per manus Johannis tys qui petit a malis erui et semper protegi per manus domini"). No index. Copied by Netherlands court scribe Petrus Alamire (NowakM); see general index for other manuscripts copied by the same scribe. Staff height 13. No decorative initials; Fugger family coat of arms on f. 7' of each book. Watermarks: (1) pot surmounted by four-petalled flower (generally resembles Briquet #12624-30); (2) Gothic letter "P", sometimes surmounted by four-petalled flower (see Briquet #8652 for approximate pattern).

1515-34, probably ca. 1521-5 (KellJ). Copied in Brussels/Mechlin; belongs to Netherlands court complex (KellJ). Sent to Raimund Fugger the Elder (1489-1535), of Augsburg. Fugger library purchased by Emperor Ferdinand III and brought to Vienna in 1656.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
7v–8v	Missa Malheur me bat: Benedictus	-	Agricola, Alexander (ca. 1445–1506)
Missa Malheur me bat: Benedictus Agricola, Alexander (ca. 1445–1506) Appears on: 7v–8v Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: Benedictus, Missa Malheur me bat
8v–9v	Missa Pange lingua 4.3: Pleni sunt caeli et terra	-	Despres, Josquin (ca. 1450–1521)
Missa Pange lingua 4.3: Pleni sunt caeli et terra Despres, Josquin (ca. 1450–1521) Appears on: 8v–9v Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: Pleni sunt caeli, Missa Pange lingua
9v–10	Missa Pange lingua 4.3: Agnus Dei II	-	Despres, Josquin (ca. 1450–1521)
Missa Pange lingua 4.3: Agnus Dei II Despres, Josquin (ca. 1450–1521) Appears on: 9v–10 Genres: Agnus Dei, Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Agnus II, Missa Pange lingua
10–10v	Missa La sol fa re mi 11.2: Agnus Dei II	-	Despres, Josquin (ca. 1450–1521)
Missa La sol fa re mi 11.2: Agnus Dei II Despres, Josquin (ca. 1450–1521) Appears on: 10–10v Genres: Agnus Dei, Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Agnus II, Missa La sol fa re mi
10v–11	Missa Gaudeamus 4.2: Agnus Dei II	-	Despres, Josquin (ca. 1450–1521)
Missa Gaudeamus 4.2: Agnus Dei II Despres, Josquin (ca. 1450–1521) Appears on: 10v–11 Genres: Agnus Dei, Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Agnus II, Missa Gaudeamus
11–11v	Missa Pange lingua 4.3: Benedictus	-	Despres, Josquin (ca. 1450–1521)
Missa Pange lingua 4.3: Benedictus Despres, Josquin (ca. 1450–1521) Appears on: 11–11v Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: Benedictus, Missa Pange lingua
11v–12	Missa Gaudeamus 4.2: Benedictus	-	Despres, Josquin (ca. 1450–1521)
Missa Gaudeamus 4.2: Benedictus Despres, Josquin (ca. 1450–1521) Appears on: 11v–12 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: Benedictus, Missa Gaudeamus
12–12v	Missa Malheur me bat: Et resurrexit	-	Agricola, Alexander (ca. 1445–1506)
Missa Malheur me bat: Et resurrexit Agricola, Alexander (ca. 1445–1506) Appears on: 12–12v Genres: Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Et resurrexit, Missa Malheur me bat
13	Missa Ista est speciosa (a 5): Pleni sunt caeli	-	Rue, Pierre de la (ca. 1452–1518)
Missa Ista est speciosa (a 5): Pleni sunt caeli Rue, Pierre de la (ca. 1452–1518) Appears on: 13 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: Pleni sunt celi, Missa Ista est speciosa
13v–14	Magnificat quarti toni: (exc) Esurientes implevit bonis	-	Agricola, Alexander (ca. 1445–1506) (?)
Magnificat quarti toni: (exc) Esurientes implevit bonis Agricola, Alexander (ca. 1445–1506) (?) Appears on: 13v–14 Genres: BVM, Magnificat Voice: [no designation] Languages: Latin Voice Text: Esurientes, Magnificat Quarti toni
14–14v	Missa feria (a5): Agnus Dei II	-	Rue, Pierre de la (ca. 1452–1518)
Missa feria (a5): Agnus Dei II Rue, Pierre de la (ca. 1452–1518) Appears on: 14–14v Genres: Agnus Dei, Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Agnus II, Missa de Feria
14v–15	Missa Salve diva parens (Mi Mi): Credo - Qui cum patre	-	Obrecht, Jacobus (ca. 1457–1505)
Missa Salve diva parens (Mi Mi): Credo - Qui cum patre Obrecht, Jacobus (ca. 1457–1505) Appears on: 14v–15 Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Qui cum patrem, Missa Salve diva parens
15–15v	Unidentified	-	-
Unidentified Appears on: 15–15v Voice: [no designation] Languages: insufficient Voice Text: Unidentified
15v–16	Magnificat: (exc) Esurientes	-	Anonymous
Magnificat: (exc) Esurientes Anonymous Appears on: 15v–16 Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: Esurientes, unidentified Magnificat
23v–24	Unidentified	-	-
Unidentified Appears on: 23v–24 Voice: [no designation] Languages: insufficient Voice Text: Unidentified
24v–25	Missa Mente tota tibi: Agnus Dei II	-	Fevin, Antoine de (ca. 1470–ca. 1512)
Missa Mente tota tibi: Agnus Dei II Fevin, Antoine de (ca. 1470–ca. 1512) Appears on: 24v–25 Genres: Agnus Dei, Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Agnus II, Missa Mente tota
25–25v	Missa Mente tota tibi: Benedictus	-	Fevin, Antoine de (ca. 1470–ca. 1512)
Missa Mente tota tibi: Benedictus Fevin, Antoine de (ca. 1470–ca. 1512) Appears on: 25–25v Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: Benedictus, Missa Mente tota tibi
25v–26	Unidentified	-	-
Unidentified Appears on: 25v–26 Voice: [no designation] Languages: insufficient Voice Text: Unidentified
26–26v	Missa Mente tota tibi: Pleni sunt caeli	-	Fevin, Antoine de (ca. 1470–ca. 1512)
Missa Mente tota tibi: Pleni sunt caeli Fevin, Antoine de (ca. 1470–ca. 1512) Appears on: 26–26v Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: Pleni sunt celi, Missa Mente tota tibi
26v–27	Unidentified	-	Anonymous
Unidentified Anonymous Appears on: 26v–27 Genres: not defined Voice: [no designation] Languages: insufficient Voice Text: Unidentified
27	Unidentified	-	Anonymous
Unidentified Anonymous Appears on: 27 Genres: not defined Voice: [no designation] Languages: insufficient Voice Text: Unidentified
27–27v	Unidentified	-	Anonymous
Unidentified Anonymous Appears on: 27–27v Genres: not defined Voice: [no designation] Languages: insufficient Voice Text: Unidentified
27v	Unidentified	-	Anonymous
Unidentified Anonymous Appears on: 27v Genres: not defined Voice: [no designation] Languages: insufficient Voice Text: Unidentified
28	Missa Ad placitum: Pleni sunt caeli	-	Fevin, Antoine de (ca. 1470–ca. 1512)
Missa Ad placitum: Pleni sunt caeli Fevin, Antoine de (ca. 1470–ca. 1512) Appears on: 28 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: Pleni sunt celi, Missa Ad placitum
28v	Missa Ad placitum: Benedictus	-	Fevin, Antoine de (ca. 1470–ca. 1512)
Missa Ad placitum: Benedictus Fevin, Antoine de (ca. 1470–ca. 1512) Appears on: 28v Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: Benedictus, Missa Ad placitum
29–29v	Magnificat primi toni: (exc) Sicut locutus	-	Anonymous
Magnificat primi toni: (exc) Sicut locutus Anonymous Appears on: 29–29v Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: Sicut, unidentified Magnificat Primi toni
29v	Omnes qui pie volunt	-	Anonymous
Omnes qui pie volunt Anonymous Appears on: 29v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Omnes qui pie volunt
30	Unidentified	-	Anonymous
Unidentified Anonymous Appears on: 30 Genres: not defined Voice: [no designation] Languages: insufficient Voice Text: Unidentified
30–30v	Missa Septem doloribus BMV (a 5): Pleni sunt caeli	-	Rue, Pierre de la (ca. 1452–1518)
Missa Septem doloribus BMV (a 5): Pleni sunt caeli Rue, Pierre de la (ca. 1452–1518) Appears on: 30–30v Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: Pleni sunt celi, Missa de Septem Doloribus
31–31v	Missa In Mynen zyn [In myne sinn]: Domine Deus	-	Agricola, Alexander (ca. 1445–1506)
Missa In Mynen zyn [In myne sinn]: Domine Deus Agricola, Alexander (ca. 1445–1506) Appears on: 31–31v Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Domine deus, Missa In Mynen zyn
31v–32	Missa Ferialis: Pleni sunt caeli	-	Fevin, Antoine de (ca. 1470–ca. 1512) Gascongne, Mathieu (?Johannes) (fl. 1517-1518) (?)
Missa Ferialis: Pleni sunt caeli Fevin, Antoine de (ca. 1470–ca. 1512) Gascongne, Mathieu (?Johannes) (fl. 1517-1518) (?) Appears on: 31v–32 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: Pleni sunt celi, Missa Ferialis
32v	Missa Feria (5vv): Agnus Dei II	-	Gascongne, Mathieu (?Johannes) (fl. 1517-1518) (?) Fevin, Antoine de (ca. 1470–ca. 1512)
Missa Feria (5vv): Agnus Dei II Gascongne, Mathieu (?Johannes) (fl. 1517-1518) (?) Fevin, Antoine de (ca. 1470–ca. 1512) Appears on: 32v Genres: Agnus Dei, Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Agnus II, Missa Ferialis
33	Num stultum est mortem	-	Compère, Loyset (ca. 1445–1518)
Num stultum est mortem Compère, Loyset (ca. 1445–1518) Appears on: 33 Genres: Contrafactum Voice: [no designation] Languages: Latin Voice Text: Num stultum est mortem General Note not in LaRueO
33v–34	Virga tua et baculus	-	Compère, Loyset (ca. 1445–1518)
Virga tua et baculus Compère, Loyset (ca. 1445–1518) Appears on: 33v–34 Genres: Magnificat Voice: [no designation] Languages: Latin Voice Text: Virga tua et baculus
34–34v	Unidentified	-	Anonymous
Unidentified Anonymous Appears on: 34–34v Genres: not defined Voice: [no designation] Languages: insufficient Voice Text: Unidentified
34v–36	Unidentified	-	Anonymous
Unidentified Anonymous Appears on: 34v–36 Genres: not defined Voice: [no designation] Languages: insufficient Voice Text: Unidentified
36v–37	Missa Fors seullement: Benedictus	-	Obrecht, Jacobus (ca. 1457–1505)
Missa Fors seullement: Benedictus Obrecht, Jacobus (ca. 1457–1505) Appears on: 36v–37 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: Benedictus, Missa Fors seullement
37v	Unidentified	-	Anonymous
Unidentified Anonymous Appears on: 37v Genres: not defined Voice: [no designation] Languages: insufficient Voice Text: Unidentified
39v–40	Missa Je ne serai plus: Benedictus	-	Obrecht, Jacobus (ca. 1457–1505) (?)
Missa Je ne serai plus: Benedictus Obrecht, Jacobus (ca. 1457–1505) (?) Appears on: 39v–40 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: Benedictus, Missa Je n'ay seray
40–40v	Num stultum est mortem	-	Rue, Pierre de la (ca. 1452–1518)
Num stultum est mortem Rue, Pierre de la (ca. 1452–1518) Appears on: 40–40v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Num stultum est mortem General Note not included in LaRueO
41	Unidentified	-	Anonymous
Unidentified Anonymous Appears on: 41 Genres: not defined Voice: [no designation] Languages: insufficient Voice Text: Unidentified
41v–42	Benedictus, unidentified Mass	-	Ferrara, Maistre Jhan of (ca. 1485–1538) (?) Brumel, Antoine (ca. 1460–ca. 1513) (?)
Benedictus, unidentified Mass Ferrara, Maistre Jhan of (ca. 1485–1538) (?) Brumel, Antoine (ca. 1460–ca. 1513) (?) Appears on: 41v–42 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: Benedictus, unidentified Mass
42–43	Agnus Dei	-	Anonymous
Agnus Dei Anonymous Appears on: 42–43 Genres: Agnus Dei, Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Agnus Dei, unidentified Mass
43–44	Unidentified	-	Anonymous
Unidentified Anonymous Appears on: 43–44 Genres: not defined Voice: [no designation] Languages: insufficient Voice Text: Unidentified
44–45	Benedictus, Mass	-	Anonymous
Benedictus, Mass Anonymous Appears on: 44–45 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: Benedictus, Mass
45	Unidentified, Magnificat Secundi toni [K.472]	-	Anonymous
Unidentified, Magnificat Secundi toni [K.472] Anonymous Appears on: 45 Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: Unidentified, Magnificat Secundi toni
45v	Unidentified, Magnificat Secundi toni [K.473]	-	Anonymous
Unidentified, Magnificat Secundi toni [K.473] Anonymous Appears on: 45v Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: Unidentified, Magnificat Secundi toni
46–46v	Magnificat Secundi Toni [K.631]: (exc) Esurientes	-	Benito, Fray (?) Brumel, Antoine (ca. 1460–ca. 1513) (?)
Magnificat Secundi Toni [K.631]: (exc) Esurientes Benito, Fray (?) Brumel, Antoine (ca. 1460–ca. 1513) (?) Appears on: 46–46v Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: Esurientes, Magnificat Secundi toni
46v–47	Missa Ein frölich Wesen: Pleni sunt caeli	-	Isaac, Heinrich (ca. 1450–1517)
Missa Ein frölich Wesen: Pleni sunt caeli Isaac, Heinrich (ca. 1450–1517) Appears on: 46v–47 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: Pleni sunt celi, Missa Ein frolich wesen
47v–48	Unidentified	-	Anonymous
Unidentified Anonymous Appears on: 47v–48 Genres: not defined Voice: [no designation] Languages: insufficient Voice Text: Unidentified
48v	Missa Je n'ai deul: Benedictus	-	Brumel, Antoine (ca. 1460–ca. 1513)
Missa Je n'ai deul: Benedictus Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 48v Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: Benedictus, Missa Je nay deul
48v–49	Unidentified	-	Anonymous
Unidentified Anonymous Appears on: 48v–49 Genres: not defined Voice: [no designation] Languages: insufficient Voice Text: Unidentified
53v–54	Unidentified	-	Anonymous
Unidentified Anonymous Appears on: 53v–54 Genres: not defined Voice: [no designation] Languages: insufficient Voice Text: Unidentified
54–54v	Missa Sancta Trinitas: Pleni	-	Fevin, Antoine de (ca. 1470–ca. 1512) (?) Mouton, Jean (ca. 1459–1522) (?)
Missa Sancta Trinitas: Pleni Fevin, Antoine de (ca. 1470–ca. 1512) (?) Mouton, Jean (ca. 1459–1522) (?) Appears on: 54–54v Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: Pleni, from Missa Sancta trinitas
54v–55	Unidentified	-	Anonymous
Unidentified Anonymous Appears on: 54v–55 Genres: not defined Voice: [no designation] Languages: insufficient Voice Text: Unidentified
55–55v	Missa Sancta Trinitas: Crucifixus	-	Mouton, Jean (ca. 1459–1522) (?) Fevin, Antoine de (ca. 1470–ca. 1512) (?)
Missa Sancta Trinitas: Crucifixus Mouton, Jean (ca. 1459–1522) (?) Fevin, Antoine de (ca. 1470–ca. 1512) (?) Appears on: 55–55v Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Crucifixus, Missa Sancta trinitas
55v–56	Unidentified	-	Anonymous
Unidentified Anonymous Appears on: 55v–56 Genres: not defined Voice: [no designation] Languages: insufficient Voice Text: Unidentified
56–56v	Missa Sancta Trinitas: Et resurrexit	-	Mouton, Jean (ca. 1459–1522) (?) Fevin, Antoine de (ca. 1470–ca. 1512) (?)
Missa Sancta Trinitas: Et resurrexit Mouton, Jean (ca. 1459–1522) (?) Fevin, Antoine de (ca. 1470–ca. 1512) (?) Appears on: 56–56v Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Et resurrexit, Missa Sancta trinitas
56v–57	Missa Sancta Trinitas: Agnus Dei II	-	Fevin, Antoine de (ca. 1470–ca. 1512) (?) Mouton, Jean (ca. 1459–1522) (?)
Missa Sancta Trinitas: Agnus Dei II Fevin, Antoine de (ca. 1470–ca. 1512) (?) Mouton, Jean (ca. 1459–1522) (?) Appears on: 56v–57 Genres: Agnus Dei, Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Agnus II, Missa Sancta trinitas
57–57v	Missa Sancta Trinitas: Benedictus	-	Mouton, Jean (ca. 1459–1522) (?) Fevin, Antoine de (ca. 1470–ca. 1512) (?)
Missa Sancta Trinitas: Benedictus Mouton, Jean (ca. 1459–1522) (?) Fevin, Antoine de (ca. 1470–ca. 1512) (?) Appears on: 57–57v Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: Benedictus, Missa Sancta trinitas
57v–58	Unidentified	-	Anonymous
Unidentified Anonymous Appears on: 57v–58 Genres: not defined Voice: [no designation] Languages: insufficient Voice Text: Unidentified
58–58v	Unidentified	-	Anonymous
Unidentified Anonymous Appears on: 58–58v Genres: not defined Voice: [no designation] Languages: insufficient Voice Text: Unidentified
59	Missa Pourquoi non: Pleni sunt caeli et terra	-	Gascongne, Mathieu (?Johannes) (fl. 1517-1518)
Missa Pourquoi non: Pleni sunt caeli et terra Gascongne, Mathieu (?Johannes) (fl. 1517-1518) Appears on: 59 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin, Greek Voice Text: Plenin, Missa Pourquoy non
59v	Missa Auditorium meum: Benedictus	-	Anonymous
Missa Auditorium meum: Benedictus Anonymous Appears on: 59v Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: Benedictus, Missa Auditorium meum
60	Missa Auditorium meum: Agnus Dei II	-	Anonymous
Missa Auditorium meum: Agnus Dei II Anonymous Appears on: 60 Genres: Agnus Dei, Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Agnus II, Missa Auditorium meum
60–60v	Missa Wohlauf gut G'sell = Missa Comment poit avoir (4vv): Gloria	-	Isaac, Heinrich (ca. 1450–1517)
Missa Wohlauf gut G'sell = Missa Comment poit avoir (4vv): Gloria Isaac, Heinrich (ca. 1450–1517) Appears on: 60–60v Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: Quoniam to solus, Missa Wohlauf General Note Quoniam tu solus (Gloria 3a pars) only
61–61v	Unidentified	-	Anonymous
Unidentified Anonymous Appears on: 61–61v Genres: not defined Voice: [no designation] Languages: insufficient Voice Text: Unidentified
61v–62	Missa Sine nomine (4vv): Benedictus	-	Brumel, Antoine (ca. 1460–ca. 1513)
Missa Sine nomine (4vv): Benedictus Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 61v–62 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: Benedictus, Missa Sine nomine
62v–63	Unidentified	-	Anonymous
Unidentified Anonymous Appears on: 62v–63 Genres: not defined Voice: [no designation] Languages: insufficient Voice Text: Unidentified
63–63v	Unidentified	-	Anonymous
Unidentified Anonymous Appears on: 63–63v Genres: not defined Voice: [no designation] Languages: insufficient Voice Text: Unidentified
63v–64	Unidentified	-	Anonymous
Unidentified Anonymous Appears on: 63v–64 Genres: not defined Voice: [no designation] Languages: insufficient Voice Text: Unidentified
64v–65	Magnificat quarti toni: (exc) Esurientes implevit bonis	-	Rue, Pierre de la (ca. 1452–1518)
Magnificat quarti toni: (exc) Esurientes implevit bonis Rue, Pierre de la (ca. 1452–1518) Appears on: 64v–65 Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: Esurientes, Magnificat Quarti toni General Note Identified as by La Rue in KellmanTO, but not part of the Magnificat 4th tone in his 'set', nor of the disputed one in Capp Sist 44 variously assigned to Josquin, Agricola, Brumel and La Rue. {Notified by WG Kempster)
65–65v	Unidentified	-	Anonymous
Unidentified Anonymous Appears on: 65–65v Genres: not defined Voice: [no designation] Languages: insufficient Voice Text: Unidentified
65v–66	Unidentified	-	Anonymous
Unidentified Anonymous Appears on: 65v–66 Genres: not defined Voice: [no designation] Languages: insufficient Voice Text: Unidentified
66v–67	Unidentified	-	Anonymous
Unidentified Anonymous Appears on: 66v–67 Genres: not defined Voice: [no designation] Languages: insufficient Voice Text: Unidentified
67	Unidentified	-	Anonymous
Unidentified Anonymous Appears on: 67 Genres: not defined Voice: [no designation] Languages: insufficient Voice Text: Unidentified
67v–68	Unidentified	-	Anonymous
Unidentified Anonymous Appears on: 67v–68 Genres: not defined Voice: [no designation] Languages: insufficient Voice Text: Unidentified
68v–69	Unidentified	-	Anonymous
Unidentified Anonymous Appears on: 68v–69 Genres: not defined Voice: [no designation] Languages: insufficient Voice Text: Unidentified
69–69v	MIssa du bon du cueur: Crucifixus	-	Vinders, Jheronimus (fl. c1525-1526) (?) Bauldeweyn, Noel (ca. 1480–1529) (?)
MIssa du bon du cueur: Crucifixus Vinders, Jheronimus (fl. c1525-1526) (?) Bauldeweyn, Noel (ca. 1480–1529) (?) Appears on: 69–69v Genres: Crucifixus, Mass Ordinary Voice: [no designation] Languages: insufficient Voice Text: Unidentified
70–70v	Unidentified	-	Anonymous
Unidentified Anonymous Appears on: 70–70v Genres: not defined Voice: [no designation] Languages: insufficient Voice Text: Unidentified
77v–78	Sicut cervus, Requiem Mass	-	Anonymous
Sicut cervus, Requiem Mass Anonymous Appears on: 77v–78 Genres: Requiem Voice: [no designation] Languages: Latin Voice Text: Sicut cervus, Requiem Mass
78–78v	Missa Si dedero: Pleni sunt caeli	-	Divitis, Antonius (ca. 1470–ca. 1530)
Missa Si dedero: Pleni sunt caeli Divitis, Antonius (ca. 1470–ca. 1530) Appears on: 78–78v Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: Pleni sunt celi, Miss Si dedero
78v–79	Agnus Dei	-	Anonymous
Agnus Dei Anonymous Appears on: 78v–79 Genres: Agnus Dei, Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Agnus dei, unidentified Mass
79–79v	Missa pro fidelibus defunctis (Requiem): (extract from Tract, Sicut cervus)	-	Divitis, Antonius (ca. 1470–ca. 1530) (?) Fevin, Antoine de (ca. 1470–ca. 1512) (?)
Missa pro fidelibus defunctis (Requiem): (extract from Tract, Sicut cervus) Divitis, Antonius (ca. 1470–ca. 1530) (?) Fevin, Antoine de (ca. 1470–ca. 1512) (?) Appears on: 79–79v Genres: Requiem Voice: [no designation] Languages: Latin Voice Text: Sicut cervus, Requiem Mass
80–80v	Missa pro fidelibus defunctis (Requiem): (extract from Gradual - Virga tua)	-	Fevin, Antoine de (ca. 1470–ca. 1512) (?) Divitis, Antonius (ca. 1470–ca. 1530) (?)
Missa pro fidelibus defunctis (Requiem): (extract from Gradual - Virga tua) Fevin, Antoine de (ca. 1470–ca. 1512) (?) Divitis, Antonius (ca. 1470–ca. 1530) (?) Appears on: 80–80v Genres: Gradual, Requiem Voice: [no designation] Languages: Latin Voice Text: Virga tua, Gradual of Requiem Mass
80v–81	Missa Je n'ai deul: Qui venit	-	Brumel, Antoine (ca. 1460–ca. 1513)
Missa Je n'ai deul: Qui venit Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 80v–81 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: Qui venit, Missa Je n'ay deul
81–81v	Missa Je n'ai deul: Pleni sunt caeli	-	Brumel, Antoine (ca. 1460–ca. 1513)
Missa Je n'ai deul: Pleni sunt caeli Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 81–81v Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: Pleni sunt celi, Missa Je n'ay deul
81v–82v	Missa Malheur me bat 9.1: Agnus Dei	-	Despres, Josquin (ca. 1450–1521)
Missa Malheur me bat 9.1: Agnus Dei Despres, Josquin (ca. 1450–1521) Appears on: 81v–82v Genres: Agnus Dei, Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Agnus II, Missa Malheur me bat

Composer	Compositions
Agricola, Alexander (ca. 1445–1506)	(?) Magnificat quarti toni: (exc) Esurientes implevit bonis – 13v–14 Missa In Mynen zyn [In myne sinn]: Domine Deus – 31–31v Missa Malheur me bat: Benedictus – 7v–8v Missa Malheur me bat: Et resurrexit – 12–12v
Anonymous	Agnus Dei – 78v–79 Agnus Dei – 42–43 Benedictus, Mass – 44–45 Magnificat primi toni: (exc) Sicut locutus – 29–29v Magnificat: (exc) Esurientes – 15v–16 Missa Auditorium meum: Agnus Dei II – 60 Missa Auditorium meum: Benedictus – 59v Omnes qui pie volunt – 29v Sicut cervus, Requiem Mass – 77v–78 Unidentified – 34v–36 Unidentified – 27–27v Unidentified – 26v–27 Unidentified – 41 Unidentified – 37v Unidentified – 27 Unidentified – 34–34v Unidentified – 43–44 Unidentified – 47v–48 Unidentified – 53v–54 Unidentified – 54v–55 Unidentified – 55v–56 Unidentified – 57v–58 Unidentified – 58–58v Unidentified – 61–61v Unidentified – 62v–63 Unidentified – 30 Unidentified – 63v–64 Unidentified – 65–65v Unidentified – 65v–66 Unidentified – 66v–67 Unidentified – 67v–68 Unidentified – 68v–69 Unidentified – 70–70v Unidentified – 67 Unidentified – 63–63v Unidentified – 48v–49 Unidentified – 27v Unidentified, Magnificat Secundi toni [K.472] – 45 Unidentified, Magnificat Secundi toni [K.473] – 45v [No description] – 15–15v [No description] – 23v–24 [No description] – 25v–26
Bauldeweyn, Noel (ca. 1480–1529)	(?) MIssa du bon du cueur: Crucifixus – 69–69v
Benito, Fray	(?) Magnificat Secundi Toni [K.631]: (exc) Esurientes – 46–46v
Brumel, Antoine (ca. 1460–ca. 1513)	(?) Benedictus, unidentified Mass – 41v–42 (?) Magnificat Secundi Toni [K.631]: (exc) Esurientes – 46–46v Missa Je n'ai deul: Benedictus – 48v Missa Je n'ai deul: Pleni sunt caeli – 81–81v Missa Je n'ai deul: Qui venit – 80v–81 Missa Sine nomine (4vv): Benedictus – 61v–62
Compère, Loyset (ca. 1445–1518)	Num stultum est mortem – 33 Virga tua et baculus – 33v–34
Despres, Josquin (ca. 1450–1521)	Missa Gaudeamus 4.2: Agnus Dei II – 10v–11 Missa Gaudeamus 4.2: Benedictus – 11v–12 Missa La sol fa re mi 11.2: Agnus Dei II – 10–10v Missa Malheur me bat 9.1: Agnus Dei – 81v–82v Missa Pange lingua 4.3: Agnus Dei II – 9v–10 Missa Pange lingua 4.3: Benedictus – 11–11v Missa Pange lingua 4.3: Pleni sunt caeli et terra – 8v–9v
Divitis, Antonius (ca. 1470–ca. 1530)	Missa Si dedero: Pleni sunt caeli – 78–78v (?) Missa pro fidelibus defunctis (Requiem): (extract from Gradual - Virga tua) – 80–80v (?) Missa pro fidelibus defunctis (Requiem): (extract from Tract, Sicut cervus) – 79–79v
Ferrara, Maistre Jhan of (ca. 1485–1538)	(?) Benedictus, unidentified Mass – 41v–42
Fevin, Antoine de (ca. 1470–ca. 1512)	Missa Ad placitum: Benedictus – 28v Missa Ad placitum: Pleni sunt caeli – 28 Missa Feria (5vv): Agnus Dei II – 32v Missa Ferialis: Pleni sunt caeli – 31v–32 Missa Mente tota tibi: Agnus Dei II – 24v–25 Missa Mente tota tibi: Benedictus – 25–25v Missa Mente tota tibi: Pleni sunt caeli – 26–26v (?) Missa Sancta Trinitas: Agnus Dei II – 56v–57 (?) Missa Sancta Trinitas: Benedictus – 57–57v (?) Missa Sancta Trinitas: Crucifixus – 55–55v (?) Missa Sancta Trinitas: Et resurrexit – 56–56v (?) Missa Sancta Trinitas: Pleni – 54–54v (?) Missa pro fidelibus defunctis (Requiem): (extract from Gradual - Virga tua) – 80–80v (?) Missa pro fidelibus defunctis (Requiem): (extract from Tract, Sicut cervus) – 79–79v
Gascongne, Mathieu (?Johannes) (fl. 1517-1518)	(?) Missa Feria (5vv): Agnus Dei II – 32v (?) Missa Ferialis: Pleni sunt caeli – 31v–32 Missa Pourquoi non: Pleni sunt caeli et terra – 59
Isaac, Heinrich (ca. 1450–1517)	Missa Ein frölich Wesen: Pleni sunt caeli – 46v–47 Missa Wohlauf gut G'sell = Missa Comment poit avoir (4vv): Gloria – 60–60v
Mouton, Jean (ca. 1459–1522)	(?) Missa Sancta Trinitas: Agnus Dei II – 56v–57 (?) Missa Sancta Trinitas: Benedictus – 57–57v (?) Missa Sancta Trinitas: Crucifixus – 55–55v (?) Missa Sancta Trinitas: Et resurrexit – 56–56v (?) Missa Sancta Trinitas: Pleni – 54–54v
Obrecht, Jacobus (ca. 1457–1505)	Missa Fors seullement: Benedictus – 36v–37 (?) Missa Je ne serai plus: Benedictus – 39v–40 Missa Salve diva parens (Mi Mi): Credo - Qui cum patre – 14v–15
Rue, Pierre de la (ca. 1452–1518)	Magnificat quarti toni: (exc) Esurientes implevit bonis – 64v–65 Missa Ista est speciosa (a 5): Pleni sunt caeli – 13 Missa Septem doloribus BMV (a 5): Pleni sunt caeli – 30–30v Missa feria (a5): Agnus Dei II – 14–14v Num stultum est mortem – 40–40v
Vinders, Jheronimus (fl. c1525-1526)	(?) MIssa du bon du cueur: Crucifixus – 69–69v

Composition	Composers (? Uncertain)	Folios / Pages
Agnus Dei	Anonymous	42–43
Agnus Dei	Anonymous	78v–79
Benedictus, Mass	Anonymous	44–45
Benedictus, unidentified Mass	Ferrara, Maistre Jhan of (ca. 1485–1538) (?) Brumel, Antoine (ca. 1460–ca. 1513) (?)	41v–42
Magnificat primi toni: (exc) Sicut locutus	Anonymous	29–29v
Magnificat quarti toni: (exc) Esurientes implevit bonis	Agricola, Alexander (ca. 1445–1506) (?)	13v–14
Magnificat quarti toni: (exc) Esurientes implevit bonis	Rue, Pierre de la (ca. 1452–1518)	64v–65
Magnificat Secundi Toni [K.631]: (exc) Esurientes	Benito, Fray (?) Brumel, Antoine (ca. 1460–ca. 1513) (?)	46–46v
Magnificat: (exc) Esurientes	Anonymous	15v–16
Missa Ad placitum: Benedictus	Fevin, Antoine de (ca. 1470–ca. 1512)	28v
Missa Ad placitum: Pleni sunt caeli	Fevin, Antoine de (ca. 1470–ca. 1512)	28
Missa Auditorium meum: Agnus Dei II	Anonymous	60
Missa Auditorium meum: Benedictus	Anonymous	59v
MIssa du bon du cueur: Crucifixus	Vinders, Jheronimus (fl. c1525-1526) (?) Bauldeweyn, Noel (ca. 1480–1529) (?)	69–69v
Missa Ein frölich Wesen: Pleni sunt caeli	Isaac, Heinrich (ca. 1450–1517)	46v–47
Missa Feria (5vv): Agnus Dei II	Gascongne, Mathieu (?Johannes) (fl. 1517-1518) (?) Fevin, Antoine de (ca. 1470–ca. 1512)	32v
Missa feria (a5): Agnus Dei II	Rue, Pierre de la (ca. 1452–1518)	14–14v
Missa Ferialis: Pleni sunt caeli	Fevin, Antoine de (ca. 1470–ca. 1512) Gascongne, Mathieu (?Johannes) (fl. 1517-1518) (?)	31v–32
Missa Fors seullement: Benedictus	Obrecht, Jacobus (ca. 1457–1505)	36v–37
Missa Gaudeamus 4.2: Agnus Dei II	Despres, Josquin (ca. 1450–1521)	10v–11
Missa Gaudeamus 4.2: Benedictus	Despres, Josquin (ca. 1450–1521)	11v–12
Missa In Mynen zyn [In myne sinn]: Domine Deus	Agricola, Alexander (ca. 1445–1506)	31–31v
Missa Ista est speciosa (a 5): Pleni sunt caeli	Rue, Pierre de la (ca. 1452–1518)	13
Missa Je n'ai deul: Benedictus	Brumel, Antoine (ca. 1460–ca. 1513)	48v
Missa Je n'ai deul: Pleni sunt caeli	Brumel, Antoine (ca. 1460–ca. 1513)	81–81v
Missa Je n'ai deul: Qui venit	Brumel, Antoine (ca. 1460–ca. 1513)	80v–81
Missa Je ne serai plus: Benedictus	Obrecht, Jacobus (ca. 1457–1505) (?)	39v–40
Missa La sol fa re mi 11.2: Agnus Dei II	Despres, Josquin (ca. 1450–1521)	10–10v
Missa Malheur me bat 9.1: Agnus Dei	Despres, Josquin (ca. 1450–1521)	81v–82v
Missa Malheur me bat: Benedictus	Agricola, Alexander (ca. 1445–1506)	7v–8v
Missa Malheur me bat: Et resurrexit	Agricola, Alexander (ca. 1445–1506)	12–12v
Missa Mente tota tibi: Agnus Dei II	Fevin, Antoine de (ca. 1470–ca. 1512)	24v–25
Missa Mente tota tibi: Benedictus	Fevin, Antoine de (ca. 1470–ca. 1512)	25–25v
Missa Mente tota tibi: Pleni sunt caeli	Fevin, Antoine de (ca. 1470–ca. 1512)	26–26v
Missa Pange lingua 4.3: Agnus Dei II	Despres, Josquin (ca. 1450–1521)	9v–10
Missa Pange lingua 4.3: Benedictus	Despres, Josquin (ca. 1450–1521)	11–11v
Missa Pange lingua 4.3: Pleni sunt caeli et terra	Despres, Josquin (ca. 1450–1521)	8v–9v
Missa Pourquoi non: Pleni sunt caeli et terra	Gascongne, Mathieu (?Johannes) (fl. 1517-1518)	59
Missa pro fidelibus defunctis (Requiem): (extract from Gradual - Virga tua)	Fevin, Antoine de (ca. 1470–ca. 1512) (?) Divitis, Antonius (ca. 1470–ca. 1530) (?)	80–80v
Missa pro fidelibus defunctis (Requiem): (extract from Tract, Sicut cervus)	Divitis, Antonius (ca. 1470–ca. 1530) (?) Fevin, Antoine de (ca. 1470–ca. 1512) (?)	79–79v
Missa Salve diva parens (Mi Mi): Credo - Qui cum patre	Obrecht, Jacobus (ca. 1457–1505)	14v–15
Missa Sancta Trinitas: Agnus Dei II	Fevin, Antoine de (ca. 1470–ca. 1512) (?) Mouton, Jean (ca. 1459–1522) (?)	56v–57
Missa Sancta Trinitas: Benedictus	Mouton, Jean (ca. 1459–1522) (?) Fevin, Antoine de (ca. 1470–ca. 1512) (?)	57–57v
Missa Sancta Trinitas: Crucifixus	Mouton, Jean (ca. 1459–1522) (?) Fevin, Antoine de (ca. 1470–ca. 1512) (?)	55–55v
Missa Sancta Trinitas: Et resurrexit	Mouton, Jean (ca. 1459–1522) (?) Fevin, Antoine de (ca. 1470–ca. 1512) (?)	56–56v
Missa Sancta Trinitas: Pleni	Fevin, Antoine de (ca. 1470–ca. 1512) (?) Mouton, Jean (ca. 1459–1522) (?)	54–54v
Missa Septem doloribus BMV (a 5): Pleni sunt caeli	Rue, Pierre de la (ca. 1452–1518)	30–30v
Missa Si dedero: Pleni sunt caeli	Divitis, Antonius (ca. 1470–ca. 1530)	78–78v
Missa Sine nomine (4vv): Benedictus	Brumel, Antoine (ca. 1460–ca. 1513)	61v–62
Missa Wohlauf gut G'sell = Missa Comment poit avoir (4vv): Gloria	Isaac, Heinrich (ca. 1450–1517)	60–60v
Num stultum est mortem	Compère, Loyset (ca. 1445–1518)	33
Num stultum est mortem	Rue, Pierre de la (ca. 1452–1518)	40–40v
Omnes qui pie volunt	Anonymous	29v
Sicut cervus, Requiem Mass	Anonymous	77v–78
Unidentified	Anonymous	26v–27
Unidentified	Anonymous	27
Unidentified	Anonymous	27–27v
Unidentified	Anonymous	27v
Unidentified	Anonymous	30
Unidentified	Anonymous	34–34v
Unidentified	Anonymous	34v–36
Unidentified	Anonymous	37v
Unidentified	Anonymous	41
Unidentified	Anonymous	43–44
Unidentified	Anonymous	47v–48
Unidentified	Anonymous	48v–49
Unidentified	Anonymous	53v–54
Unidentified	Anonymous	54v–55
Unidentified	Anonymous	55v–56
Unidentified	Anonymous	57v–58
Unidentified	Anonymous	58–58v
Unidentified	Anonymous	61–61v
Unidentified	Anonymous	62v–63
Unidentified	Anonymous	63–63v
Unidentified	Anonymous	63v–64
Unidentified	Anonymous	65–65v
Unidentified	Anonymous	65v–66
Unidentified	Anonymous	66v–67
Unidentified	Anonymous	67
Unidentified	Anonymous	67v–68
Unidentified	Anonymous	68v–69
Unidentified	Anonymous	70–70v
Unidentified, Magnificat Secundi toni [K.472]	Anonymous	45
Unidentified, Magnificat Secundi toni [K.473]	Anonymous	45v
Virga tua et baculus	Compère, Loyset (ca. 1445–1518)	33v–34

Images © Österreichische Nationalbibliothek, Vienna

Set: Books prepared by the Alamire workshop

Type: Linked by Origin or Contents

No images available

A-Wn Cod. 4809 Han

A-Wn Cod. 4810 Han

A-Wn Cod. 11778 Han

A-Wn Cod. 11883 Han

A-Wn Mus.Hs. 15495 (Maximilian Codex)

A-Wn Mus.Hs. 15496

A-Wn Mus.Hs. 15497

A-Wn Mus.Hs. 15941 (B)

A-Wn Mus.Hs. 15941 (Contratenor)

A-Wn Mus.Hs. 15941 Mus (T)

A-Wn Mus.Hs. 18746 (Altus/Contratenor)

A-Wn Mus.Hs. 18746 (Bassus)

A-Wn Mus.Hs. 18746 (Superius/Cantus)

A-Wn Mus.Hs. 18746 (Tenor 1)

A-Wn Mus.Hs. 18746 (Tenor 2/Quintus)

A-Wn Mus.Hs. 18825 (Bassus)

A-Wn Mus.Hs. 18825 (Contratenor)

A-Wn Mus.Hs. 18825 (Discantus)

A-Wn Mus.Hs. 18825 (Tenor)

A-Wn Mus.Hs. 18832 (Lower Voice)

A-Wn Mus.Hs. 18832 (Upper Voice)

B-Amp MS M18.13 (fragment 1)

B-Amp MS M18.13 (fragment 2)

No images available

B-Baeb Fonds Sint-Goedele, 5170

B-Baeb Fonds Sint-Goedele, 9423

B-Baeb Fonds Sint-Goedele, 9424

No images available

No images available

B-Br MS 215-216

No images available

B-Br MS 228 (Chansonnier of Margaret of Austria)

No images available

No images available

No images available

No images available

B-Br MS IV.922 (Occo Codex)

B-Gra Varia D.3360 B

B-TOsa Oud regime MS 183

No images available

D-Mbs Mus. MS 6

No images available

D-Mbs Mus. MS 7

No images available

D-Mbs Mus. MS 34

No images available

D-Mbs Mus. MS F

GB-Lbl Royal 8 G. vii

GB-Ob MS. Ashmole 831

GB-Ob MS. Lat. liturg. a. 8

No images available

I-Fc MS Basevi 2439 (Basevi Codex)

No images available

I-VEc MS DCCLVI

NL-SHbhic MS 153

NL-SHbhic MS 154

NL-SHbhic MS 155

NL-Urc Hs. 47 (fragments 1 and 2)

No images available

V-CVbav MS Capp. Sist. 34

No images available

V-CVbav MS Capp. Sist. 36

No images available

V-CVbav MS Capp. Sist. 160

No images available

V-CVbav MS Pal. lat. 1976

No images available

V-CVbav MS Pal. lat. 1977

No images available

V-CVbav MS Pal. lat. 1978

No images available

V-CVbav MS Pal. lat. 1979

Set: Mus.Hs. 18832/1-2 Mus

Type: Partbooks

A-Wn Mus.Hs. 18832 (Lower Voice)

A-Wn Mus.Hs. 18832 (Upper Voice)

‡ denotes primary source study

Saunders, Zoe. 2010. Anonymous Masses in the Alamire Manuscripts: Toward a new understanding of a repertoire, an atelier, and a renaissance court. University of Maryland, PhD.

Kellman, Herbert (editor). 1999. The Treasury of Petrus Alamire. Music and art in Flemish Court Manuscripts 1500-1535. Leuven: Alamire Foundation.

Kellman, Herbert. 1989. Observations on the Production and Distribution of Music Manuscripts at the Netherlands Court. Early Music History, . Notes: physical description (partial); mention of MS; discussion.

Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II. Bern and Stuttgart. Pages: I, xliv, 28, 30, 32, 59; III, 49, 95, 193. Notes: physical description; contents list (partial); concordances (partial).

Ward, Tom Robert. 1977. Another Mass by Obrecht? Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 102-8. Pages: 105-6. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Kellman, Herbert. 1976. Josquin and the Courts of the Netherlands and France: The Evidence of the Sources. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25 June 1971, 181-216. London, New York, and Toronto. Pages: 193, 204, 209, 214. Notes: contents list (partial); mention of MS; discussion.

Staehelin, Martin. 1975. Obrechtiana. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 1-37. Pages: 18, 33. Notes: contents list (partial); concordances (partial).

Bellingham, Bruce Allan. 1971. The Bicinium in the Lutheran Latin Schools During the Reformation Period. University of Toronto, Unpublished Ph.D. dissertation. Pages: I, 36-7; II, 101ff. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Kämper, Dietrich. 1970. Studien zur Instrumentalen Ensemblemusik des 16. Jahrhunderts in Italien. Analecta Musicologica, . Pages: 103. Notes: physical description; mention of MS; discussion.

Hudson, Barton (editor). 1969-72. Antoine Brumel: Collected Works. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I, xiv-xv; II, xvii-xix; VI, xv-xvi. Notes: contents list (partial); concordances (partial).

Staehelin, Martin. 1967. Quellenkundliche Beiträge zum Werk von Johannes Ghiselin-Verbonnet. Archiv für Musikwissenschaft, 120-32. Pages: 131. Notes: contents list (partial); concordances (partial).

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 173. Notes: contents list (partial); concordances (partial); incipits (partial).

Sheley, Wayne M. 1966. The Instrumental Instructional Duo around 1500. Eastman School of Music, Unpublished D.M.A. thesis. Notes: physical description (partial); contents list; concordances (partial); incipits; texts; discussion.

Kämper, Dietrich. 1965. Das Lehr- und Instrumentalduo um 1500 in Italien. Die Musikforschung, 242-53. Pages: 246-9. Notes: contents list (partial); transcriptions (partial); mention of MS; discussion.

Davison, Nigel St. John. 1962. The Motets of Pierre de La Rue. The Musical Quarterly, 19-35. Pages: 22. Notes: contents list (partial).

Lerner, Edward R (editor). 1961-70. Alexandrí Agricola: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I, xiv, xix. Notes: contents list (partial); concordances (partial).

Unterkircher, Franz. 1957-9. Inventar der Illuminierten Handschriften, Inkunabeln und Frühdrucke der Osterreichischen Nationalbibliothek. Vienna. Pages: I, 167. Notes: physical description (partial).

Kast, Paul. 1955. Studien zu den Messen des Jean Mouton. Johann Wolfgang Goethe-Universität (Frankfurt am Main), Unpublished Ph.D. dissertation. Pages: 67, 195. Notes: contents list (partial); concordances (partial).

Nowak, Leopold. 1948. Die Musikhandschriften aus Fuggerschem Besitz in der Österreichischen Nationalbibliothek. Die Österreichische Nationalbibliothek. Festschrift herausgegeben zum 25 jährigen Dienstjubiläum des Generaldirektors Univ.-Prof. Dr. Josef Bick, edited by Leopold Nowak, Vienna: H. Bauer-Verlag. Notes: physical description (partial); mention of MS; discussion.

Nowak, Leopold. 1931-2. Eine Bicinienhandschrift der Wiener Nationalbibliothek. Zeitschrift für Musikwissenschaft, 99-102. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.

Mantuani, Joseph. 1864-99 R 1965. Tabulae Codicum Manu Scriptorum in Bibliotheca Palatina Vindobonensi Asservatorum. 10 vols. Vienna: (1864-99) Graz: (1965 reprint). Pages: X, 240-2. Notes: physical description (partial); contents list.

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William Kempster

Monday, 4 May, 2020

The Magnificat extract at f. 64v-65 is dentified as by La Rue in KellmanTO, but not part of the Magnificat 4th tone in his 'set', nor of the disputed one in Capp Sist 44 variously assigned to Josquin, Agricola, Brumel and La Rue. If authentic La Rue, therefore, this is a fragment of a piece NOT, apparently, recognized as being part of his output - despite the attribution in KellmanTO.

David Wyatt

Friday, 19 January, 2018

I think I have correctly identified the relevant anon pieces in these two partbooks and given them a title. I can't find the mass in Toledo 33, and I wonder if it's the one ascribed to Bauldeweyn under a different title? There's also a mass with the same name by Vacqueras in I-Rvat Capp. Sist. 49. There is also a Miss du on du cueur in D-Mbs was ascribed to Jheronimus Vinders. I fear there is more untangling yet to be done.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description