B-Br MS 9126

KBR (Koninklijke Bibliotheek / Bibliothèque royale), Brussels, Belgium

manuscript of polyphony: 1505

Archive	KBR (Koninklijke Bibliotheek / Bibliothèque royale), Brussels, Belgium (B-Br)
Shelfmark	MS 9126
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Parchment
Numbering System	Foliation
Measurements	382 x 270 mm
Other Identifiers	CCM: BrusBR 9126
Notations	black void mensural
Copyists	? Bourgeois, Martin Text and Music scribal concordance [26], Alamire B (possibly Martin Bourgeois) Text and Music
Relationships	Philip IV (of Burgundy) (1478–1506) (patron)
External Links	CMME online edition Images (IDEM) PRoMS
Provenance	Brussels, Belgium
Contents	Contains 68 compositions from 5 composers.

General Description

Copied by Netherlands court scribe B (= Martin Bourgeois?); three motets are concordant with VatC 234 (also in the hand of scribe B), and were probably copied directly from it (KellC). Copied in Brussels/Mechlin; belongs to Netherlands court complex (KellJ).

DIAMM, 2017

Binding

Modern leather covers.

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Foliation

Modern foliation, 1-8; 8bis-181

DIAMM, 2017

Decoration

iniatures and borders illuminated in Ghent-Bruges style (the decoration may have been done at the workshop of Master of James IV of Scotland — WinkF); inked calligraphic initials. Coats of arms and miniatures of Philip the Fair and Juana of Spain.

DIAMM, 2017

Surface

parchment

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

9 Masses, 3 Magnificats, 10 motets = 22

A. Agricola-5, Barbireau-1, Josquin-7, La Rue-7, La Rue/(Josquin)-1, Orto-1

182 parchment folios, 382 x 270. Modern foliation, 1-8; 8bis-181. Blank folios: 13'-14, 27'-28, 43'-44, 57'-58, 95'-96, 115-116, 134'-136, 144, 159'-160, 180'-181'. Modern leather covers. No index. Copied by Netherlands court scribe B (= Martin Bourgeois?); three motets are concordant with VatC 234 (also in the hand of scribe B), and were probably copied directly from it (KellC). Miniatures and borders illuminated in Ghent-Bruges style (the decoration may have been done at the workshop of Master of James IV of Scotland — WinkF); inked calligraphic initials. Coats of arms and miniatures of Philip the Fair and Juana of Spain.

1505 (KellJ). Copied in Brussels/Mechlin; belongs to Netherlands court complex (KellJ).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1v–3	Missa Ave maris stella 3.1: Kyrie	[none]	Despres, Josquin (ca. 1450–1521)
Missa Ave maris stella 3.1: Kyrie Despres, Josquin (ca. 1450–1521) Appears on: 1v–3 Genres: Kyrie eleison, Mass Ordinary Source Attribution: [none] Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Missa Ave maris stella
3v–5	Missa Ave maris stella 3.1: Gloria	-	Despres, Josquin (ca. 1450–1521)
Missa Ave maris stella 3.1: Gloria Despres, Josquin (ca. 1450–1521) Appears on: 3v–5 Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 4
5v–8bis	Missa Ave maris stella 3.1: Patrem omnipotentem [Credo]	-	Despres, Josquin (ca. 1450–1521)
Missa Ave maris stella 3.1: Patrem omnipotentem [Credo] Despres, Josquin (ca. 1450–1521) Appears on: 5v–8bis Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 4
8bis v–11	Missa Ave maris stella 3.1: Sanctus	-	Despres, Josquin (ca. 1450–1521)
Missa Ave maris stella 3.1: Sanctus Despres, Josquin (ca. 1450–1521) Appears on: 8bis v–11 Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 4
11v–13	Missa Ave maris stella 3.1: Agnus Dei	-	Despres, Josquin (ca. 1450–1521)
Missa Ave maris stella 3.1: Agnus Dei Despres, Josquin (ca. 1450–1521) Appears on: 11v–13 Genres: Agnus Dei, Mass Ordinary Number of voices: 4
14v–16	Missa Sub tuum praesidium = Missa Quarti toni 4.5: Kyrie	de Rue	Despres, Josquin (ca. 1450–1521) (?) Rue, Pierre de la (ca. 1452–1518)
Missa Sub tuum praesidium = Missa Quarti toni 4.5: Kyrie Despres, Josquin (ca. 1450–1521) (?) Rue, Pierre de la (ca. 1452–1518) Appears on: 14v–16 Genres: Kyrie eleison, Mass Ordinary Source Attribution: de Rue Number of voices: 4 Voice: [no designation] Languages: Latin, Greek Voice Text: Missa Sub tuum presidium
16v–18	Missa Sub tuum praesidium = Missa Quarti toni 4.5: Gloria	-	Despres, Josquin (ca. 1450–1521) (?) Rue, Pierre de la (ca. 1452–1518)
Missa Sub tuum praesidium = Missa Quarti toni 4.5: Gloria Despres, Josquin (ca. 1450–1521) (?) Rue, Pierre de la (ca. 1452–1518) Appears on: 16v–18 Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 4
18v–21	Missa Sub tuum praesidium = Missa Quarti toni 4.5: Credo	-	Despres, Josquin (ca. 1450–1521) (?) Rue, Pierre de la (ca. 1452–1518)
Missa Sub tuum praesidium = Missa Quarti toni 4.5: Credo Despres, Josquin (ca. 1450–1521) (?) Rue, Pierre de la (ca. 1452–1518) Appears on: 18v–21 Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 4
21v–25	Missa Sub tuum praesidium = Missa Quarti toni 4.5: Sanctus	-	Rue, Pierre de la (ca. 1452–1518) Despres, Josquin (ca. 1450–1521) (?)
Missa Sub tuum praesidium = Missa Quarti toni 4.5: Sanctus Rue, Pierre de la (ca. 1452–1518) Despres, Josquin (ca. 1450–1521) (?) Appears on: 21v–25 Genres: Sanctus [& Benedictus] Number of voices: 4
25v–27	Missa Sub tuum praesidium = Missa Quarti toni 4.5: Agnus Dei	-	Despres, Josquin (ca. 1450–1521) (?) Rue, Pierre de la (ca. 1452–1518)
Missa Sub tuum praesidium = Missa Quarti toni 4.5: Agnus Dei Despres, Josquin (ca. 1450–1521) (?) Rue, Pierre de la (ca. 1452–1518) Appears on: 25v–27 Genres: Agnus Dei, Mass Ordinary Number of voices: 4
28v–30	Missa L'homme armé I: Kyrie	Petrus de la Rue	Rue, Pierre de la (ca. 1452–1518)
Missa L'homme armé I: Kyrie Rue, Pierre de la (ca. 1452–1518) Appears on: 28v–30 Genres: Kyrie eleison, Mass Ordinary Source Attribution: Petrus de la Rue Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Missa Lomme arme
30v–33	Missa L'homme armé I: Gloria	-	Rue, Pierre de la (ca. 1452–1518)
Missa L'homme armé I: Gloria Rue, Pierre de la (ca. 1452–1518) Appears on: 30v–33 Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 4
33v–37	Missa L'homme armé I: Credo	-	Rue, Pierre de la (ca. 1452–1518)
Missa L'homme armé I: Credo Rue, Pierre de la (ca. 1452–1518) Appears on: 33v–37 Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 4
37v–40	Missa L'homme armé I: Sanctus	-	Rue, Pierre de la (ca. 1452–1518)
Missa L'homme armé I: Sanctus Rue, Pierre de la (ca. 1452–1518) Appears on: 37v–40 Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 4
40v–43	Missa L'homme armé I: Agnus Dei	-	Rue, Pierre de la (ca. 1452–1518)
Missa L'homme armé I: Agnus Dei Rue, Pierre de la (ca. 1452–1518) Appears on: 40v–43 Genres: Agnus Dei, Mass Ordinary Number of voices: 4
44v–46	Missa Sancto Antonio: Kyrie	P. delarue	Rue, Pierre de la (ca. 1452–1518)
Missa Sancto Antonio: Kyrie Rue, Pierre de la (ca. 1452–1518) Appears on: 44v–46 Genres: Kyrie eleison, Mass Ordinary Source Attribution: P. delarue Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Missa O sacer Anthoni
46v–48	Missa Sancto Antonio: Gloria	-	Rue, Pierre de la (ca. 1452–1518)
Missa Sancto Antonio: Gloria Rue, Pierre de la (ca. 1452–1518) Appears on: 46v–48 Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 4
48v–52	Missa Sancto Antonio: Credo	-	Rue, Pierre de la (ca. 1452–1518)
Missa Sancto Antonio: Credo Rue, Pierre de la (ca. 1452–1518) Appears on: 48v–52 Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 4
52v–55	Missa Sancto Antonio: Sanctus	-	Rue, Pierre de la (ca. 1452–1518)
Missa Sancto Antonio: Sanctus Rue, Pierre de la (ca. 1452–1518) Appears on: 52v–55 Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 4
55v–57	Missa Sancto Antonio: Agnus Dei	-	Rue, Pierre de la (ca. 1452–1518)
Missa Sancto Antonio: Agnus Dei Rue, Pierre de la (ca. 1452–1518) Appears on: 55v–57 Genres: Agnus Dei, Mass Ordinary Number of voices: 4
58v–60	Missa Almana = Missa Pourquoy non: Kyrie	P. de la Rue	Rue, Pierre de la (ca. 1452–1518)
Missa Almana = Missa Pourquoy non: Kyrie Rue, Pierre de la (ca. 1452–1518) Appears on: 58v–60 Genres: Kyrie eleison, Mass Ordinary Source Attribution: P. de la Rue Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Missa Almana
60v–62	Missa Almana = Missa Pourquoy non: Gloria	-	Rue, Pierre de la (ca. 1452–1518)
Missa Almana = Missa Pourquoy non: Gloria Rue, Pierre de la (ca. 1452–1518) Appears on: 60v–62 Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 4
62v–66	Missa Almana = Missa Pourquoy non: Credo	-	Rue, Pierre de la (ca. 1452–1518)
Missa Almana = Missa Pourquoy non: Credo Rue, Pierre de la (ca. 1452–1518) Appears on: 62v–66 Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 4
66v–69	Missa Almana = Missa Pourquoy non: Sanctus	-	Rue, Pierre de la (ca. 1452–1518)
Missa Almana = Missa Pourquoy non: Sanctus Rue, Pierre de la (ca. 1452–1518) Appears on: 66v–69 Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 4
69v–72	Missa Almana = Missa Pourquoy non: Agnus Dei	-	Rue, Pierre de la (ca. 1452–1518)
Missa Almana = Missa Pourquoy non: Agnus Dei Rue, Pierre de la (ca. 1452–1518) Appears on: 69v–72 Genres: Agnus Dei, Mass Ordinary Number of voices: 4
72v–73	Missa Philippus rex Castille: Kyrie	Josquin	Despres, Josquin (ca. 1450–1521)
Missa Philippus rex Castille: Kyrie Despres, Josquin (ca. 1450–1521) Appears on: 72v–73 Genres: Mass Ordinary Source Attribution: Josquin Number of voices: 4 Voice: [no designation] Languages: Latin, Greek Voice Text: Missa Philippus rex Castille General Note The Missa Hercules dux Ferrarie re-titled to honour a different monarch. The syllables of the new name do not, of course, match the tenor's repeated theme.
73v–75	Missa Philippus rex Castille: Gloria	-	Despres, Josquin (ca. 1450–1521)
Missa Philippus rex Castille: Gloria Despres, Josquin (ca. 1450–1521) Appears on: 73v–75 Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 4
75v–78	Missa Philippus rex Castille: Credo	-	Despres, Josquin (ca. 1450–1521)
Missa Philippus rex Castille: Credo Despres, Josquin (ca. 1450–1521) Appears on: 75v–78 Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 4
78v–80	Missa Philippus rex Castille: Sanctus	-	Despres, Josquin (ca. 1450–1521)
Missa Philippus rex Castille: Sanctus Despres, Josquin (ca. 1450–1521) Appears on: 78v–80 Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 4
80v–82	Missa Philippus rex Castille: Agnus Dei	-	Despres, Josquin (ca. 1450–1521)
Missa Philippus rex Castille: Agnus Dei Despres, Josquin (ca. 1450–1521) Appears on: 80v–82 Genres: Agnus Dei, Mass Ordinary Number of voices: 4
82v–84	Missa Malheur me bat 9.1: Kyrie	Josquin	Despres, Josquin (ca. 1450–1521)
Missa Malheur me bat 9.1: Kyrie Despres, Josquin (ca. 1450–1521) Appears on: 82v–84 Genres: Kyrie eleison, Mass Ordinary Source Attribution: Josquin Number of voices: 4 Voice: [no designation] Languages: Latin, Greek Voice Text: Missa Malheur me bat
84v–86	Missa Malheur me bat 9.1: Gloria	-	Despres, Josquin (ca. 1450–1521)
Missa Malheur me bat 9.1: Gloria Despres, Josquin (ca. 1450–1521) Appears on: 84v–86 Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 4
86v–89	Missa Malheur me bat 9.1: Patrem omnipotentem [Credo]	-	Despres, Josquin (ca. 1450–1521)
Missa Malheur me bat 9.1: Patrem omnipotentem [Credo] Despres, Josquin (ca. 1450–1521) Appears on: 86v–89 Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 4
89v–93	Missa Malheur me bat 9.1: Sanctus	-	Despres, Josquin (ca. 1450–1521)
Missa Malheur me bat 9.1: Sanctus Despres, Josquin (ca. 1450–1521) Appears on: 89v–93 Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 4
93v–95	Missa Malheur me bat 9.1: Agnus Dei	-	Despres, Josquin (ca. 1450–1521)
Missa Malheur me bat 9.1: Agnus Dei Despres, Josquin (ca. 1450–1521) Appears on: 93v–95 Genres: Agnus Dei, Mass Ordinary Number of voices: 4
96v–101	Missa In Mynen zyn [In myne sinn]: Gloria	Allexander	Agricola, Alexander (ca. 1445–1506)
Missa In Mynen zyn [In myne sinn]: Gloria Agricola, Alexander (ca. 1445–1506) Appears on: 96v–101 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: Allexander Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Missa In myne zyn [G-C-S-A]
101v–106	Missa In Mynen zyn [In myne sinn]: Credo	-	Agricola, Alexander (ca. 1445–1506)
Missa In Mynen zyn [In myne sinn]: Credo Agricola, Alexander (ca. 1445–1506) Appears on: 101v–106 Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 4
106v–111	Missa In Mynen zyn [In myne sinn]: Sanctus	-	Agricola, Alexander (ca. 1445–1506)
Missa In Mynen zyn [In myne sinn]: Sanctus Agricola, Alexander (ca. 1445–1506) Appears on: 106v–111 Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 4
111v–115	Missa In Mynen zyn [In myne sinn]: Agnus Dei	-	Agricola, Alexander (ca. 1445–1506)
Missa In Mynen zyn [In myne sinn]: Agnus Dei Agricola, Alexander (ca. 1445–1506) Appears on: 111v–115 Genres: Agnus Dei, Mass Ordinary Number of voices: 4
116v–119	Missa Malheur me bat: Kyrie	Allexander	Agricola, Alexander (ca. 1445–1506)
Missa Malheur me bat: Kyrie Agricola, Alexander (ca. 1445–1506) Appears on: 116v–119 Genres: Kyrie eleison, Mass Ordinary Source Attribution: Allexander Number of voices: 4 Voice: [no designation] Languages: Latin, Greek Voice Text: Missa Malheur me bat
119v–123	Missa Malheur me bat: Gloria	-	Agricola, Alexander (ca. 1445–1506)
Missa Malheur me bat: Gloria Agricola, Alexander (ca. 1445–1506) Appears on: 119v–123 Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 4
123v–127	Missa Malheur me bat: Credo	-	Agricola, Alexander (ca. 1445–1506)
Missa Malheur me bat: Credo Agricola, Alexander (ca. 1445–1506) Appears on: 123v–127 Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 4
127v–131	Missa Malheur me bat: Sanctus	-	Agricola, Alexander (ca. 1445–1506)
Missa Malheur me bat: Sanctus Agricola, Alexander (ca. 1445–1506) Appears on: 127v–131 Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 4
131v–134	Missa Malheur me bat: Agnus Dei	-	Agricola, Alexander (ca. 1445–1506)
Missa Malheur me bat: Agnus Dei Agricola, Alexander (ca. 1445–1506) Appears on: 131v–134 Genres: Agnus Dei, Mass Ordinary Number of voices: 4
136v–137	Salve regina VI - 1a pars (of 2): Salve regina mater misericordiae	P. de La Rue	Rue, Pierre de la (ca. 1452–1518)
Salve regina VI - 1a pars (of 2): Salve regina mater misericordiae Rue, Pierre de la (ca. 1452–1518) Appears on: 136v–137 Genres: Marian antiphon, Motet, Salve Regina Source Attribution: P. de La Rue Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Salve regina
137v–138	Salve regina VI - 2a pars (of 2): Et jesum benedictum	-	Rue, Pierre de la (ca. 1452–1518)
Salve regina VI - 2a pars (of 2): Et jesum benedictum Rue, Pierre de la (ca. 1452–1518) Appears on: 137v–138 Genres: Marian antiphon, Motet, Salve Regina
138v–143v	Salve regina - 1a pars (of 6): Salve regina misericordie vita dulcedo	Agricola	Agricola, Alexander (ca. 1445–1506)
Salve regina - 1a pars (of 6): Salve regina misericordie vita dulcedo Agricola, Alexander (ca. 1445–1506) Appears on: 138v–143v Genres: Marian antiphon, Motet, Salve Regina Source Attribution: Agricola Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Salve regina
139v–140	Salve regina - 2a pars (of 6): Ad te suspiramus	-	Agricola, Alexander (ca. 1445–1506)
Salve regina - 2a pars (of 6): Ad te suspiramus Agricola, Alexander (ca. 1445–1506) Appears on: 139v–140 Genres: Marian antiphon, Motet, Salve Regina
140v–141	Salve regina - 3a pars (of 6): Eya ergo advocata	-	Agricola, Alexander (ca. 1445–1506)
Salve regina - 3a pars (of 6): Eya ergo advocata Agricola, Alexander (ca. 1445–1506) Appears on: 140v–141 Genres: Marian antiphon, Motet, Salve Regina
141v–142	Salve regina - 4a pars (of 6): Et Jesum benedictum	-	Agricola, Alexander (ca. 1445–1506)
Salve regina - 4a pars (of 6): Et Jesum benedictum Agricola, Alexander (ca. 1445–1506) Appears on: 141v–142 Genres: Marian antiphon, Motet, Salve Regina
142v–143	Salve regina - 5a pars (of 6): O clemens o pia	-	Agricola, Alexander (ca. 1445–1506)
Salve regina - 5a pars (of 6): O clemens o pia Agricola, Alexander (ca. 1445–1506) Appears on: 142v–143 Genres: Marian antiphon, Motet, Salve Regina
143v	Salve regina - 6a pars (of 6): O dulcis Maria	-	Agricola, Alexander (ca. 1445–1506)
Salve regina - 6a pars (of 6): O dulcis Maria Agricola, Alexander (ca. 1445–1506) Appears on: 143v Genres: Marian antiphon, Motet, Salve Regina
144v–148	Magnificat primi toni: Et exultavit [K.556]	Allexander	Agricola, Alexander (ca. 1445–1506)
Magnificat primi toni: Et exultavit [K.556] Agricola, Alexander (ca. 1445–1506) Appears on: 144v–148 Genres: BVM, Canticle, Magnificat Source Attribution: Allexander Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Magnificat Primi toni
148v–154	Magnificat sexti toni: Et exultavit spiritus meus	P. de la Rue	Rue, Pierre de la (ca. 1452–1518)
Magnificat sexti toni: Et exultavit spiritus meus Rue, Pierre de la (ca. 1452–1518) Appears on: 148v–154 Genres: Motet Source Attribution: P. de la Rue Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Magnificat Sexti toni
154v–159	Magnificat octavi toni: Et exultavit	P. delarue	Rue, Pierre de la (ca. 1452–1518)
Magnificat octavi toni: Et exultavit Rue, Pierre de la (ca. 1452–1518) Appears on: 154v–159 Genres: BVM, Canticle, Magnificat Source Attribution: P. delarue Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Magnificat Octavi toni
160v–162	Stabat mater 25.9 - 1a pars (of 2): Stabat mater dolorosa iusta crucem	Josquin	Despres, Josquin (ca. 1450–1521)
Stabat mater 25.9 - 1a pars (of 2): Stabat mater dolorosa iusta crucem Despres, Josquin (ca. 1450–1521) Appears on: 160v–162 Genres: Motet, Stabat Mater Source Attribution: Josquin Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Stabat mater dolorosa
162v–164	Stabat mater 25.9 - 2a pars (of 2): Eia mater fons amoris me sentire	-	Despres, Josquin (ca. 1450–1521)
Stabat mater 25.9 - 2a pars (of 2): Eia mater fons amoris me sentire Despres, Josquin (ca. 1450–1521) Appears on: 162v–164 Genres: Motet
164v–165	Gaude virgo mater Christi - 1a pars (of 2): Gaude virgo mater Christi tu quae sola	P. de La Rue	Rue, Pierre de la (ca. 1452–1518)
Gaude virgo mater Christi - 1a pars (of 2): Gaude virgo mater Christi tu quae sola Rue, Pierre de la (ca. 1452–1518) Appears on: 164v–165 Genres: Motet Source Attribution: P. de La Rue Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Gaude virgo mater Christi tu quae sola
165v–166	Gaude virgo mater Christi - 2a pars (of 2): Gaude sponsa cara Dei	-	Rue, Pierre de la (ca. 1452–1518)
Gaude virgo mater Christi - 2a pars (of 2): Gaude sponsa cara Dei Rue, Pierre de la (ca. 1452–1518) Appears on: 165v–166 Genres: Motet
166v–168	Ave Maria - 1a pars (of 2): Ave Maria mater gratiae	De Orto	Orto, Marbrianus de
Ave Maria - 1a pars (of 2): Ave Maria mater gratiae Orto, Marbrianus de Appears on: 166v–168 Genres: Ave Maria, Motet Source Attribution: De Orto Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Ave Maria mater gratiae
168v–170	Ave Maria - 2a pars (of 2): Tu felix et sacra permanes	-	Orto, Marbrianus de
Ave Maria - 2a pars (of 2): Tu felix et sacra permanes Orto, Marbrianus de Appears on: 168v–170 Genres: Ave Maria, Motet
170v–172	Sancte Philippe apostole Domini	Allexander [Agricola]	Agricola, Alexander (ca. 1445–1506)
Sancte Philippe apostole Domini Agricola, Alexander (ca. 1445–1506) Appears on: 170v–172 Genres: Contrafactum Source Attribution: Allexander [Agricola] Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Sancte Philippe apostole domini
172v–173	Huc me sidereo 21.5 - 1a pars (of 2): Huc me sidereo descendere jussit Olimpo	Josquin	Despres, Josquin (ca. 1450–1521)
Huc me sidereo 21.5 - 1a pars (of 2): Huc me sidereo descendere jussit Olimpo Despres, Josquin (ca. 1450–1521) Appears on: 172v–173 Genres: Motet Source Attribution: Josquin Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Huc me sydereo descendere iussit Olympo
173v–174	Huc me sidereo 21.5 - 2a pars (of 2): Felle sitim magni regis satiavit	-	Despres, Josquin (ca. 1450–1521)
Huc me sidereo 21.5 - 2a pars (of 2): Felle sitim magni regis satiavit Despres, Josquin (ca. 1450–1521) Appears on: 173v–174 Genres: Motet
174v–175	Osculetur me - 1a pars (of 2): Osculetur me osculo oris sui	Barbireau	Barbireau, Jacobus (1455–1491)
Osculetur me - 1a pars (of 2): Osculetur me osculo oris sui Barbireau, Jacobus (1455–1491) Appears on: 174v–175 Genres: Motet Source Attribution: Barbireau Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Osculetur me osculo
175v–177	Osculetur me - 2a pars (of 2):	-	Barbireau, Jacobus (1455–1491)
Osculetur me - 2a pars (of 2): Barbireau, Jacobus (1455–1491) Appears on: 175v–177 Genres: Motet
177v–178	Missus est Gabriel angelus ad Mariam 20.6	Josquyn	Despres, Josquin (ca. 1450–1521)
Missus est Gabriel angelus ad Mariam 20.6 Despres, Josquin (ca. 1450–1521) Appears on: 177v–178 Genres: Motet Source Attribution: Josquyn Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Missus est Gabriel angelus
178v–180	Gaude virgo mater Christi quae per fidem 24.2	Josquin	Despres, Josquin (ca. 1450–1521)
Gaude virgo mater Christi quae per fidem 24.2 Despres, Josquin (ca. 1450–1521) Appears on: 178v–180 Genres: Sequence Source Attribution: Josquin Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Gaude virgo mater Christi quae per aurem

Composer	Compositions
Agricola, Alexander (ca. 1445-1506)	Magnificat primi toni: Et exultavit [K.556] – 144v–148 Missa In Mynen zyn [In myne sinn]: Agnus Dei – 111v–115 Missa In Mynen zyn [In myne sinn]: Credo – 101v–106 Missa In Mynen zyn [In myne sinn]: Gloria – 96v–101 Missa In Mynen zyn [In myne sinn]: Sanctus – 106v–111 Missa Malheur me bat: Agnus Dei – 131v–134 Missa Malheur me bat: Credo – 123v–127 Missa Malheur me bat: Gloria – 119v–123 Missa Malheur me bat: Kyrie – 116v–119 Missa Malheur me bat: Sanctus – 127v–131 Salve regina - 1a pars (of 6): Salve regina misericordie vita dulcedo – 138v–143v Salve regina - 2a pars (of 6): Ad te suspiramus – 139v–140 Salve regina - 3a pars (of 6): Eya ergo advocata – 140v–141 Salve regina - 4a pars (of 6): Et Jesum benedictum – 141v–142 Salve regina - 5a pars (of 6): O clemens o pia – 142v–143 Salve regina - 6a pars (of 6): O dulcis Maria – 143v Sancte Philippe apostole Domini – 170v–172
Barbireau, Jacobus (1455-1491)	Osculetur me - 1a pars (of 2): Osculetur me osculo oris sui – 174v–175 Osculetur me - 2a pars (of 2): – 175v–177
Despres, Josquin (ca. 1450-1521)	Gaude virgo mater Christi quae per fidem 24.2 – 178v–180 Huc me sidereo 21.5 - 1a pars (of 2): Huc me sidereo descendere jussit Olimpo – 172v–173 Huc me sidereo 21.5 - 2a pars (of 2): Felle sitim magni regis satiavit – 173v–174 Missa Ave maris stella 3.1: Agnus Dei – 11v–13 Missa Ave maris stella 3.1: Gloria – 3v–5 Missa Ave maris stella 3.1: Kyrie – 1v–3 Missa Ave maris stella 3.1: Patrem omnipotentem [Credo] – 5v–8bis Missa Ave maris stella 3.1: Sanctus – 8bis v–11 Missa Malheur me bat 9.1: Agnus Dei – 93v–95 Missa Malheur me bat 9.1: Gloria – 84v–86 Missa Malheur me bat 9.1: Kyrie – 82v–84 Missa Malheur me bat 9.1: Patrem omnipotentem [Credo] – 86v–89 Missa Malheur me bat 9.1: Sanctus – 89v–93 Missa Philippus rex Castille: Agnus Dei – 80v–82 Missa Philippus rex Castille: Credo – 75v–78 Missa Philippus rex Castille: Gloria – 73v–75 Missa Philippus rex Castille: Kyrie – 72v–73 Missa Philippus rex Castille: Sanctus – 78v–80 (?) Missa Sub tuum praesidium = Missa Quarti toni 4.5: Agnus Dei – 25v–27 (?) Missa Sub tuum praesidium = Missa Quarti toni 4.5: Credo – 18v–21 (?) Missa Sub tuum praesidium = Missa Quarti toni 4.5: Gloria – 16v–18 (?) Missa Sub tuum praesidium = Missa Quarti toni 4.5: Kyrie – 14v–16 (?) Missa Sub tuum praesidium = Missa Quarti toni 4.5: Sanctus – 21v–25 Missus est Gabriel angelus ad Mariam 20.6 – 177v–178 Stabat mater 25.9 - 1a pars (of 2): Stabat mater dolorosa iusta crucem – 160v–162 Stabat mater 25.9 - 2a pars (of 2): Eia mater fons amoris me sentire – 162v–164
Orto, Marbrianus de	Ave Maria - 1a pars (of 2): Ave Maria mater gratiae – 166v–168 Ave Maria - 2a pars (of 2): Tu felix et sacra permanes – 168v–170
Rue, Pierre de la (ca. 1452-1518)	Gaude virgo mater Christi - 1a pars (of 2): Gaude virgo mater Christi tu quae sola – 164v–165 Gaude virgo mater Christi - 2a pars (of 2): Gaude sponsa cara Dei – 165v–166 Magnificat octavi toni: Et exultavit – 154v–159 Magnificat sexti toni: Et exultavit spiritus meus – 148v–154 Missa Almana = Missa Pourquoy non: Agnus Dei – 69v–72 Missa Almana = Missa Pourquoy non: Credo – 62v–66 Missa Almana = Missa Pourquoy non: Gloria – 60v–62 Missa Almana = Missa Pourquoy non: Kyrie – 58v–60 Missa Almana = Missa Pourquoy non: Sanctus – 66v–69 Missa L'homme armé I: Agnus Dei – 40v–43 Missa L'homme armé I: Credo – 33v–37 Missa L'homme armé I: Gloria – 30v–33 Missa L'homme armé I: Kyrie – 28v–30 Missa L'homme armé I: Sanctus – 37v–40 Missa Sancto Antonio: Agnus Dei – 55v–57 Missa Sancto Antonio: Credo – 48v–52 Missa Sancto Antonio: Gloria – 46v–48 Missa Sancto Antonio: Kyrie – 44v–46 Missa Sancto Antonio: Sanctus – 52v–55 Missa Sub tuum praesidium = Missa Quarti toni 4.5: Agnus Dei – 25v–27 Missa Sub tuum praesidium = Missa Quarti toni 4.5: Credo – 18v–21 Missa Sub tuum praesidium = Missa Quarti toni 4.5: Gloria – 16v–18 Missa Sub tuum praesidium = Missa Quarti toni 4.5: Kyrie – 14v–16 Missa Sub tuum praesidium = Missa Quarti toni 4.5: Sanctus – 21v–25 Salve regina VI - 1a pars (of 2): Salve regina mater misericordiae – 136v–137 Salve regina VI - 2a pars (of 2): Et jesum benedictum – 137v–138

Composition	Composers (? Uncertain)	Folios / Pages
Ave Maria - 1a pars (of 2): Ave Maria mater gratiae	Orto, Marbrianus de	166v–168
Ave Maria - 2a pars (of 2): Tu felix et sacra permanes	Orto, Marbrianus de	168v–170
Gaude virgo mater Christi - 1a pars (of 2): Gaude virgo mater Christi tu quae sola	Rue, Pierre de la (ca. 1452–1518)	164v–165
Gaude virgo mater Christi - 2a pars (of 2): Gaude sponsa cara Dei	Rue, Pierre de la (ca. 1452–1518)	165v–166
Gaude virgo mater Christi quae per fidem 24.2	Despres, Josquin (ca. 1450–1521)	178v–180
Huc me sidereo 21.5 - 1a pars (of 2): Huc me sidereo descendere jussit Olimpo	Despres, Josquin (ca. 1450–1521)	172v–173
Huc me sidereo 21.5 - 2a pars (of 2): Felle sitim magni regis satiavit	Despres, Josquin (ca. 1450–1521)	173v–174
Magnificat octavi toni: Et exultavit	Rue, Pierre de la (ca. 1452–1518)	154v–159
Magnificat primi toni: Et exultavit [K.556]	Agricola, Alexander (ca. 1445–1506)	144v–148
Magnificat sexti toni: Et exultavit spiritus meus	Rue, Pierre de la (ca. 1452–1518)	148v–154
Missa Almana = Missa Pourquoy non: Agnus Dei	Rue, Pierre de la (ca. 1452–1518)	69v–72
Missa Almana = Missa Pourquoy non: Credo	Rue, Pierre de la (ca. 1452–1518)	62v–66
Missa Almana = Missa Pourquoy non: Gloria	Rue, Pierre de la (ca. 1452–1518)	60v–62
Missa Almana = Missa Pourquoy non: Kyrie	Rue, Pierre de la (ca. 1452–1518)	58v–60
Missa Almana = Missa Pourquoy non: Sanctus	Rue, Pierre de la (ca. 1452–1518)	66v–69
Missa Ave maris stella 3.1: Agnus Dei	Despres, Josquin (ca. 1450–1521)	11v–13
Missa Ave maris stella 3.1: Gloria	Despres, Josquin (ca. 1450–1521)	3v–5
Missa Ave maris stella 3.1: Kyrie	Despres, Josquin (ca. 1450–1521)	1v–3
Missa Ave maris stella 3.1: Patrem omnipotentem [Credo]	Despres, Josquin (ca. 1450–1521)	5v–8bis
Missa Ave maris stella 3.1: Sanctus	Despres, Josquin (ca. 1450–1521)	8bis v–11
Missa In Mynen zyn [In myne sinn]: Agnus Dei	Agricola, Alexander (ca. 1445–1506)	111v–115
Missa In Mynen zyn [In myne sinn]: Credo	Agricola, Alexander (ca. 1445–1506)	101v–106
Missa In Mynen zyn [In myne sinn]: Gloria	Agricola, Alexander (ca. 1445–1506)	96v–101
Missa In Mynen zyn [In myne sinn]: Sanctus	Agricola, Alexander (ca. 1445–1506)	106v–111
Missa L'homme armé I: Agnus Dei	Rue, Pierre de la (ca. 1452–1518)	40v–43
Missa L'homme armé I: Credo	Rue, Pierre de la (ca. 1452–1518)	33v–37
Missa L'homme armé I: Gloria	Rue, Pierre de la (ca. 1452–1518)	30v–33
Missa L'homme armé I: Kyrie	Rue, Pierre de la (ca. 1452–1518)	28v–30
Missa L'homme armé I: Sanctus	Rue, Pierre de la (ca. 1452–1518)	37v–40
Missa Malheur me bat 9.1: Agnus Dei	Despres, Josquin (ca. 1450–1521)	93v–95
Missa Malheur me bat 9.1: Gloria	Despres, Josquin (ca. 1450–1521)	84v–86
Missa Malheur me bat 9.1: Kyrie	Despres, Josquin (ca. 1450–1521)	82v–84
Missa Malheur me bat 9.1: Patrem omnipotentem [Credo]	Despres, Josquin (ca. 1450–1521)	86v–89
Missa Malheur me bat 9.1: Sanctus	Despres, Josquin (ca. 1450–1521)	89v–93
Missa Malheur me bat: Agnus Dei	Agricola, Alexander (ca. 1445–1506)	131v–134
Missa Malheur me bat: Credo	Agricola, Alexander (ca. 1445–1506)	123v–127
Missa Malheur me bat: Gloria	Agricola, Alexander (ca. 1445–1506)	119v–123
Missa Malheur me bat: Kyrie	Agricola, Alexander (ca. 1445–1506)	116v–119
Missa Malheur me bat: Sanctus	Agricola, Alexander (ca. 1445–1506)	127v–131
Missa Philippus rex Castille: Agnus Dei	Despres, Josquin (ca. 1450–1521)	80v–82
Missa Philippus rex Castille: Credo	Despres, Josquin (ca. 1450–1521)	75v–78
Missa Philippus rex Castille: Gloria	Despres, Josquin (ca. 1450–1521)	73v–75
Missa Philippus rex Castille: Kyrie	Despres, Josquin (ca. 1450–1521)	72v–73
Missa Philippus rex Castille: Sanctus	Despres, Josquin (ca. 1450–1521)	78v–80
Missa Sancto Antonio: Agnus Dei	Rue, Pierre de la (ca. 1452–1518)	55v–57
Missa Sancto Antonio: Credo	Rue, Pierre de la (ca. 1452–1518)	48v–52
Missa Sancto Antonio: Gloria	Rue, Pierre de la (ca. 1452–1518)	46v–48
Missa Sancto Antonio: Kyrie	Rue, Pierre de la (ca. 1452–1518)	44v–46
Missa Sancto Antonio: Sanctus	Rue, Pierre de la (ca. 1452–1518)	52v–55
Missa Sub tuum praesidium = Missa Quarti toni 4.5: Agnus Dei	Despres, Josquin (ca. 1450–1521) (?) Rue, Pierre de la (ca. 1452–1518)	25v–27
Missa Sub tuum praesidium = Missa Quarti toni 4.5: Credo	Despres, Josquin (ca. 1450–1521) (?) Rue, Pierre de la (ca. 1452–1518)	18v–21
Missa Sub tuum praesidium = Missa Quarti toni 4.5: Gloria	Despres, Josquin (ca. 1450–1521) (?) Rue, Pierre de la (ca. 1452–1518)	16v–18
Missa Sub tuum praesidium = Missa Quarti toni 4.5: Kyrie	Despres, Josquin (ca. 1450–1521) (?) Rue, Pierre de la (ca. 1452–1518)	14v–16
Missa Sub tuum praesidium = Missa Quarti toni 4.5: Sanctus	Rue, Pierre de la (ca. 1452–1518) Despres, Josquin (ca. 1450–1521) (?)	21v–25
Missus est Gabriel angelus ad Mariam 20.6	Despres, Josquin (ca. 1450–1521)	177v–178
Osculetur me - 1a pars (of 2): Osculetur me osculo oris sui	Barbireau, Jacobus (1455–1491)	174v–175
Osculetur me - 2a pars (of 2):	Barbireau, Jacobus (1455–1491)	175v–177
Salve regina - 1a pars (of 6): Salve regina misericordie vita dulcedo	Agricola, Alexander (ca. 1445–1506)	138v–143v
Salve regina - 2a pars (of 6): Ad te suspiramus	Agricola, Alexander (ca. 1445–1506)	139v–140
Salve regina - 3a pars (of 6): Eya ergo advocata	Agricola, Alexander (ca. 1445–1506)	140v–141
Salve regina - 4a pars (of 6): Et Jesum benedictum	Agricola, Alexander (ca. 1445–1506)	141v–142
Salve regina - 5a pars (of 6): O clemens o pia	Agricola, Alexander (ca. 1445–1506)	142v–143
Salve regina - 6a pars (of 6): O dulcis Maria	Agricola, Alexander (ca. 1445–1506)	143v
Salve regina VI - 1a pars (of 2): Salve regina mater misericordiae	Rue, Pierre de la (ca. 1452–1518)	136v–137
Salve regina VI - 2a pars (of 2): Et jesum benedictum	Rue, Pierre de la (ca. 1452–1518)	137v–138
Sancte Philippe apostole Domini	Agricola, Alexander (ca. 1445–1506)	170v–172
Stabat mater 25.9 - 1a pars (of 2): Stabat mater dolorosa iusta crucem	Despres, Josquin (ca. 1450–1521)	160v–162
Stabat mater 25.9 - 2a pars (of 2): Eia mater fons amoris me sentire	Despres, Josquin (ca. 1450–1521)	162v–164

Set: Books prepared by the Alamire workshop

Type: Linked by Origin or Contents

No images available

A-Wn Mus.Hs. 15495 (Maximilian Codex)

A-Wn Mus.Hs. 15496

A-Wn Mus.Hs. 15497

A-Wn Mus.Hs. 15941 (B)

A-Wn Mus.Hs. 15941 (Contratenor)

A-Wn Mus.Hs. 15941 Mus (T)

A-Wn Mus.Hs. 18746 (Altus/Contratenor)

A-Wn Mus.Hs. 18746 (Bassus)

A-Wn Mus.Hs. 18746 (Superius/Cantus)

A-Wn Mus.Hs. 18746 (Tenor 1)

A-Wn Mus.Hs. 18746 (Tenor 2/Quintus)

A-Wn Mus.Hs. 18825 (Bassus)

A-Wn Mus.Hs. 18825 (Contratenor)

A-Wn Mus.Hs. 18825 (Discantus)

A-Wn Mus.Hs. 18825 (Tenor)

A-Wn Mus.Hs. 18832 (Lower Voice)

A-Wn Mus.Hs. 18832 (Upper Voice)

B-Amp MS M18.13 (fragment 1)

B-Amp MS M18.13 (fragment 2)

B-BRra Aanwisten 756

No images available

B-Baeb Fonds Sint-Goedele, 5170

B-Baeb Fonds Sint-Goedele, 9423

B-Baeb Fonds Sint-Goedele, 9424

No images available

B-Bcpas H 1135

No images available

B-Br MS 215-216

No images available

B-Br MS 228 (Chansonnier of Margaret of Austria)

No images available

B-Br MS 6428

No images available

B-Br MS 9126

No images available

B-Br MS 15075

No images available

B-Br MS IV.922 (Occo Codex)

B-Gra Varia D.3360 B

B-MEa s.s.

B-TOsa Oud regime MS 183

No images available

No images available

No images available

No images available

GB-Lbl Royal 8 G. vii

GB-Ob MS. Ashmole 831

GB-Ob MS. Lat. liturg. a. 8

No images available

I-Fc MS Basevi 2439 (Basevi Codex)

No images available

NL-Urc Hs. 47 (fragments 1 and 2)

No images available

V-CVbav MS Capp. Sist. 34

No images available

V-CVbav MS Capp. Sist. 36

No images available

V-CVbav MS Capp. Sist. 160

No images available

V-CVbav MS Pal. lat. 1976

No images available

V-CVbav MS Pal. lat. 1977

No images available

V-CVbav MS Pal. lat. 1978

No images available

V-CVbav MS Pal. lat. 1979

‡ denotes primary source study

Kellman, Herbert (editor). 1999. The Treasury of Petrus Alamire. Music and art in Flemish Court Manuscripts 1500-1535. Leuven: Alamire Foundation.

Kellman, Herbert. 1989. Observations on the Production and Distribution of Music Manuscripts at the Netherlands Court. Early Music History, 9: . Notes: physical description; mention of MS; discussion; contents list (partial); facsimile (partial).

Prizer, William Flaville. 1985. Music and Ceremonial in the Low Countries: Philip the Fair and the Order of the Golden Fleece. Early Music History, 5: 113-53. Pages: 128. Notes: physical description; mention of MS; discussion.

Jonas, Luise. 1983. Das Augsburger Liederbuch: Die Musikhandschrift 2° Codex 142a der Staats- und Stadtbibliothek Augsburg. Edition und Kommentar. Berliner Musikwissenschaftliche Arbeiten, vol. Band 21 (2 vols.) . Munich and Salzburg. Pages: II,8, passim. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.

Holoman, D Kern. 1976. The Performance and Interpretation of Josquin's Masses [Workshop]. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25 June 1971, 696-719. London, New York, and Toronto. Pages: 710. Notes: concordances (partial).

Kellman, Herbert. 1976. Josquin and the Courts of the Netherlands and France: The Evidence of the Sources. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25 June 1971, 181-216. London, New York, and Toronto. Notes: physical description; mention of MS; discussion; contents list (partial).

Wangermée, Robert. 1968. Flemish Music and Society in the Fifteenth and Sixteenth Centuries. New York. Pages: 306,309, plates 14,28. Notes: physical description; facsimile (partial).

Huys, Bernard. 1966. De Grégoire le Grand à Stockhausen: Douze siècles de notation musicale. Brussels. Pages: 31-3. Notes: physical description; additional bibliography (partial).

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 127. Notes: concordances (partial); incipits (partial).

Lerner, Edward R (editor). 1961-70. Alexandrí Agricola: Opera Omnia. Corpus mensurabilis musicae, vol. 22. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I, xix, 66-145; III,viii,34-40; IV, 10-9,32-5. Notes: concordances (partial); transcription (partial).

Picker, Martin. 1959. Polyphonic Settings c. 1500 of the Flemish Tune, 'In minen sin'. Journal of the American Musicological Society, 12: 94-5. Pages: 94. Notes: concordances (partial).

Kellman, Herbert. 1958. The Origins of the Chigi Codex: The Date, Provenance, and Original Ownership of Rome, Biblioteca Vaticana, Chigiana, C. VIII. 234. Journal of the American Musicological Society, 11: 6-19. Pages: 10-9. Notes: physical description; mention of MS; discussion; facsimile (partial).

Meier, Bernhard (editor). 1954-7. Jacobi Barbireau: Opera Omnia. Corpus mensurabilis musicae, vol. 7. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: II,[viii]. Notes: facsimile (partial).

Robijns, Jozef. 1954. Pierre de la Rue (Circa 1460-1518): Een Bio-Bibliographische Studie. Brussels. Pages: 34, passim. Notes: mention of MS; contents list (partial).

Closson, Ernest, and Charles van den Borren. 1950. La musique en Belgique du Moyen Age à nos jours. Brussels. Pages: 73, passim. Notes: mention of MS; facsimile (partial).

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: VIII, Tafel 8. Notes: facsimile (partial).

Reese, Gustave. 1948-49. Maldeghem and His Buried Treasure: A Bibliographical Study. Notes, 6: 75-117. Pages: 82,91ff. Notes: mention of MS.

Roediger, Karl Erich. 1935. Die geistlichen Musikhandschriften der Universitätsbibliothek Jena. 2 vols. Jena: Frommannsche Buchhandlung. Pages: 97. Notes: mention of MS.

Doorslaer, G van. 1934. La Chapelle Musicale de Philippe le Beau. Revue Belge d'Archéologie et d'Histoire de l'Art, 4: 21-57,139-65. Pages: 37-8. Notes: physical description.

Borren, Charles van den. 1933-34. Inventaire des manuscrits de musique polyphonique qui se trouvent en Belgique. Acta Musicologica, 5 & 6: V:66-71,120-7,177-83;VI:23-9,65-73,116-21. Pages: V, 70-1. Notes: physical description; contents list; concordances (partial).

Smijers, Albert (editor). 1926-64. Werken van Josquin des Prez: Motetten. Amsterdam. Pages: III,v. Notes: physical description; contents list.

Winkler, Friedrich. 1925. Die Flämische Buchmalerei des XV. und XVI. Jahrhunderts; Künstler und Werke von den Brüdern Van Eyck bis zu Simon Bening. Leipzig. Pages: 127,164. Notes: mention of MS.

Wolf, Johannes. 1913-9; Reprinted: Hildesheim, 1963. Handbuch der Notationskunde. Leipzig. Pages: I,447. Notes: mention of MS.

Eitner, Robert. 1892. Kgl. Bibliothek zu Brüssel. Monatshefte für Musikgeschichte, 24: 31-3. Pages: 31-2. Notes: physical description; contents list.

Maldeghem, R-J van. 1865-93. Tresor musical: collection authentique de musique sacrée & profane des anciens maîtres belges ... Musique profane. Brussels. Pages: XVIII, XXIX. Notes: transcription (partial).

Marchai, J. None. Catalogue des manuscrits de La Bibliothèque Royale des ducs de Bourgogne. Pages: I, 183. Notes: mention of MS.

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Jonathan Tribe

Wednesday, 12 September, 2018

good spot! corrected

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

B-Br MS 9126

KBR (Koninklijke Bibliotheek / Bibliothèque royale), Brussels, Belgium

manuscript of polyphony: 1505

General Description

Binding

Notation

Foliation

Decoration

Surface

Census Catalogue of Music Description

General Note