B-Br MS 9126

KBR (Koninklijke Bibliotheek / Bibliothèque royale), Brussels, Belgium

manuscript of polyphony: 1505

Archive KBR (Koninklijke Bibliotheek / Bibliothèque royale), Brussels, Belgium (B-Br)
Shelfmark MS 9126
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Parchment
Numbering System Foliation
Measurements 382 x 270 mm
Other Identifiers
  • CCM: BrusBR 9126
Notations
  • black void mensural
Copyists
Relationships
External Links
Provenance
  • Brussels, Belgium
Contents 68 pieces from 5 composers
General Description

Copied by Netherlands court scribe B (= Martin Bourgeois?); three motets are concordant with VatC 234 (also in the hand of scribe B), and were probably copied directly from it (KellC). Copied in Brussels/Mechlin; belongs to Netherlands court complex (KellJ).

DIAMM, 2017
Binding

Modern leather covers.

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Foliation

Modern foliation, 1-8; 8bis-181

DIAMM, 2017
Decoration

iniatures and borders illuminated in Ghent-Bruges style (the decoration may have been done at the workshop of Master of James IV of Scotland — WinkF); inked calligraphic initials. Coats of arms and miniatures of Philip the Fair and Juana of Spain.

DIAMM, 2017
Surface

parchment

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

9 Masses, 3 Magnificats, 10 motets = 22

A. Agricola-5, Barbireau-1, Josquin-7, La Rue-7, La Rue/(Josquin)-1, Orto-1

182 parchment folios, 382 x 270. Modern foliation, 1-8; 8bis-181. Blank folios: 13'-14, 27'-28, 43'-44, 57'-58, 95'-96, 115-116, 134'-136, 144, 159'-160, 180'-181'. Modern leather covers. No index. Copied by Netherlands court scribe B (= Martin Bourgeois?); three motets are concordant with VatC 234 (also in the hand of scribe B), and were probably copied directly from it (KellC). Miniatures and borders illuminated in Ghent-Bruges style (the decoration may have been done at the workshop of Master of James IV of Scotland — WinkF); inked calligraphic initials. Coats of arms and miniatures of Philip the Fair and Juana of Spain.

1505 (KellJ). Copied in Brussels/Mechlin; belongs to Netherlands court complex (KellJ).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1v–3 Missa Ave maris stella 3.1: Kyrie [none]
Appears on: 1v–3
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [none]
Voice: [no designation]
Languages: Latin
Voice Text: Missa Ave maris stella
3v–5 Missa Ave maris stella 3.1: Gloria -
Appears on: 3v–5
Genres: Gloria (et in terra pax), Mass Ordinary
5v–8bis Missa Ave maris stella 3.1: Patrem omnipotentem [Credo] -
Appears on: 5v–8bis
Genres: Credo (patrem omnipotentem), Mass Ordinary
8bis v–11 Missa Ave maris stella 3.1: Sanctus -
Appears on: 8bis v–11
Genres: Mass Ordinary, Sanctus [& Benedictus]
11v–13 Missa Ave maris stella 3.1: Agnus Dei -
Appears on: 11v–13
Genres: Agnus Dei, Mass Ordinary
14v–16 Missa Sub tuum praesidium = Missa Quarti toni 4.5: Kyrie de Rue
Appears on: 14v–16
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: de Rue
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa Sub tuum presidium
16v–18 Missa Sub tuum praesidium = Missa Quarti toni 4.5: Gloria -
Appears on: 16v–18
Genres: Gloria (et in terra pax), Mass Ordinary
18v–21 Missa Sub tuum praesidium = Missa Quarti toni 4.5: Credo -
Appears on: 18v–21
Genres: Credo (patrem omnipotentem), Mass Ordinary
21v–25 Missa Sub tuum praesidium = Missa Quarti toni 4.5: Sanctus -
Appears on: 21v–25
Genres: Sanctus [& Benedictus]
25v–27 Missa Sub tuum praesidium = Missa Quarti toni 4.5: Agnus Dei -
Appears on: 25v–27
Genres: Agnus Dei, Mass Ordinary
28v–30 Missa L'homme armé I: Kyrie Petrus de la Rue
Appears on: 28v–30
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Petrus de la Rue
Voice: [no designation]
Languages: Latin
Voice Text: Missa Lomme arme
30v–33 Missa L'homme armé I: Gloria -
Appears on: 30v–33
Genres: Gloria (et in terra pax), Mass Ordinary
33v–37 Missa L'homme armé I: Credo -
Appears on: 33v–37
Genres: Credo (patrem omnipotentem), Mass Ordinary
37v–40 Missa L'homme armé I: Sanctus -
Appears on: 37v–40
Genres: Mass Ordinary, Sanctus [& Benedictus]
40v–43 Missa L'homme armé I: Agnus Dei -
Appears on: 40v–43
Genres: Agnus Dei, Mass Ordinary
44v–46 Missa Sancto Antonio: Kyrie P. delarue
Appears on: 44v–46
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: P. delarue
Voice: [no designation]
Languages: Latin
Voice Text: Missa O sacer Anthoni
46v–48 Missa Sancto Antonio: Gloria -
Appears on: 46v–48
Genres: Gloria (et in terra pax), Mass Ordinary
48v–52 Missa Sancto Antonio: Credo -
Appears on: 48v–52
Genres: Credo (patrem omnipotentem), Mass Ordinary
52v–55 Missa Sancto Antonio: Sanctus -
Appears on: 52v–55
Genres: Mass Ordinary, Sanctus [& Benedictus]
55v–57 Missa Sancto Antonio: Agnus Dei -
Appears on: 55v–57
Genres: Agnus Dei, Mass Ordinary
58v–60 Missa Almana = Missa Pourquoy non: Kyrie P. de la Rue
Appears on: 58v–60
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: P. de la Rue
Voice: [no designation]
Languages: Latin
Voice Text: Missa Almana
60v–62 Missa Almana = Missa Pourquoy non: Gloria -
Appears on: 60v–62
Genres: Gloria (et in terra pax), Mass Ordinary
62v–66 Missa Almana = Missa Pourquoy non: Credo -
Appears on: 62v–66
Genres: Credo (patrem omnipotentem), Mass Ordinary
66v–69 Missa Almana = Missa Pourquoy non: Sanctus -
Appears on: 66v–69
Genres: Mass Ordinary, Sanctus [& Benedictus]
69v–72 Missa Almana = Missa Pourquoy non: Agnus Dei -
Appears on: 69v–72
Genres: Agnus Dei, Mass Ordinary
72v–73 Missa Philippus rex Castille: Kyrie Josquin
Appears on: 72v–73
Genres: Mass Ordinary
Source Attribution: Josquin
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa Philippus rex Castille
General Note

The Missa Hercules dux Ferrarie re-titled to honour a different monarch. The syllables of the new name do not, of course, match the tenor's repeated theme.

73v–75 Missa Philippus rex Castille: Gloria -
Appears on: 73v–75
Genres: Gloria (et in terra pax), Mass Ordinary
75v–78 Missa Philippus rex Castille: Credo -
Appears on: 75v–78
Genres: Credo (patrem omnipotentem), Mass Ordinary
78v–80 Missa Philippus rex Castille: Sanctus -
Appears on: 78v–80
Genres: Mass Ordinary, Sanctus [& Benedictus]
80v–82 Missa Philippus rex Castille: Agnus Dei -
Appears on: 80v–82
Genres: Agnus Dei, Mass Ordinary
82v–84 Missa Malheur me bat 9.1: Kyrie Josquin
Appears on: 82v–84
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Josquin
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa Malheur me bat
84v–86 Missa Malheur me bat 9.1: Gloria -
Appears on: 84v–86
Genres: Gloria (et in terra pax), Mass Ordinary
86v–89 Missa Malheur me bat 9.1: Patrem omnipotentem [Credo] -
Appears on: 86v–89
Genres: Credo (patrem omnipotentem), Mass Ordinary
89v–93 Missa Malheur me bat 9.1: Sanctus -
Appears on: 89v–93
Genres: Mass Ordinary, Sanctus [& Benedictus]
93v–95 Missa Malheur me bat 9.1: Agnus Dei -
Appears on: 93v–95
Genres: Agnus Dei, Mass Ordinary
96v–101 Missa In Mynen zyn [In myne sinn]: Gloria Allexander
Appears on: 96v–101
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: Allexander
Voice: [no designation]
Languages: Latin
Voice Text: Missa In myne zyn [G-C-S-A]
101v–106 Missa In Mynen zyn [In myne sinn]: Credo -
Appears on: 101v–106
Genres: Credo (patrem omnipotentem), Mass Ordinary
106v–111 Missa In Mynen zyn [In myne sinn]: Sanctus -
Appears on: 106v–111
Genres: Mass Ordinary, Sanctus [& Benedictus]
111v–115 Missa In Mynen zyn [In myne sinn]: Agnus Dei -
Appears on: 111v–115
Genres: Agnus Dei, Mass Ordinary
116v–119 Missa Malheur me bat: Kyrie Allexander
Appears on: 116v–119
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Allexander
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa Malheur me bat
119v–123 Missa Malheur me bat: Gloria -
Appears on: 119v–123
Genres: Gloria (et in terra pax), Mass Ordinary
123v–127 Missa Malheur me bat: Credo -
Appears on: 123v–127
Genres: Credo (patrem omnipotentem), Mass Ordinary
127v–131 Missa Malheur me bat: Sanctus -
Appears on: 127v–131
Genres: Mass Ordinary, Sanctus [& Benedictus]
131v–134 Missa Malheur me bat: Agnus Dei -
Appears on: 131v–134
Genres: Agnus Dei, Mass Ordinary
136v–137 Salve regina VI - 1a pars (of 2): Salve regina mater misericordiae P. de La Rue
Appears on: 136v–137
Genres: Marian antiphon, Motet, Salve Regina
Source Attribution: P. de La Rue
Voice: [no designation]
Languages: Latin
Voice Text: Salve regina
137v–138 Salve regina VI - 2a pars (of 2): Et jesum benedictum -
Appears on: 137v–138
Genres: Marian antiphon, Motet, Salve Regina
138v–143v Salve regina - 1a pars (of 6): Salve regina misericordie vita dulcedo Agricola
Appears on: 138v–143v
Genres: Marian antiphon, Motet, Salve Regina
Source Attribution: Agricola
Voice: [no designation]
Languages: Latin
Voice Text: Salve regina
139v–140 Salve regina - 2a pars (of 6): Ad te suspiramus -
Appears on: 139v–140
Genres: Marian antiphon, Motet, Salve Regina
140v–141 Salve regina - 3a pars (of 6): Eya ergo advocata -
Appears on: 140v–141
Genres: Marian antiphon, Motet, Salve Regina
141v–142 Salve regina - 4a pars (of 6): Et Jesum benedictum -
Appears on: 141v–142
Genres: Marian antiphon, Motet, Salve Regina
142v–143 Salve regina - 5a pars (of 6): O clemens o pia -
Appears on: 142v–143
Genres: Marian antiphon, Motet, Salve Regina
143v Salve regina - 6a pars (of 6): O dulcis Maria -
Appears on: 143v
Genres: Marian antiphon, Motet, Salve Regina
144v–148 Magnificat primi toni: Et exultavit [K.556] Allexander
Appears on: 144v–148
Genres: BVM, Canticle, Magnificat
Source Attribution: Allexander
Voice: [no designation]
Languages: Latin
Voice Text: Magnificat Primi toni
148v–154 Magnificat sexti toni: Et exultavit spiritus meus P. de la Rue
Appears on: 148v–154
Genres: Motet
Source Attribution: P. de la Rue
Voice: [no designation]
Languages: Latin
Voice Text: Magnificat Sexti toni
154v–159 Magnificat octavi toni: Et exultavit P. delarue
Appears on: 154v–159
Genres: BVM, Canticle, Magnificat
Source Attribution: P. delarue
Voice: [no designation]
Languages: Latin
Voice Text: Magnificat Octavi toni
160v–162 Stabat mater 25.9 - 1a pars (of 2): Stabat mater dolorosa iusta crucem Josquin
Appears on: 160v–162
Genres: Motet, Stabat Mater
Source Attribution: Josquin
Voice: [no designation]
Languages: Latin
Voice Text: Stabat mater dolorosa
162v–164 Stabat mater 25.9 - 2a pars (of 2): Eia mater fons amoris me sentire -
Appears on: 162v–164
Genres: Motet
164v–165 Gaude virgo mater Christi - 1a pars (of 2): Gaude virgo mater Christi tu quae sola P. de La Rue
Appears on: 164v–165
Genres: Motet
Source Attribution: P. de La Rue
Voice: [no designation]
Languages: Latin
Voice Text: Gaude virgo mater Christi tu quae sola
165v–166 Gaude virgo mater Christi - 2a pars (of 2): Gaude sponsa cara Dei -
Appears on: 165v–166
Genres: Motet
166v–168 Ave Maria - 1a pars (of 2): Ave Maria mater gratiae De Orto
Appears on: 166v–168
Genres: Ave Maria, Motet
Source Attribution: De Orto
Voice: [no designation]
Languages: Latin
Voice Text: Ave Maria mater gratiae
168v–170 Ave Maria - 2a pars (of 2): Tu felix et sacra permanes -
Appears on: 168v–170
Genres: Ave Maria, Motet
170v–172 Sancte Philippe apostole Domini Allexander [Agricola]
Appears on: 170v–172
Genres: Contrafactum
Source Attribution: Allexander [Agricola]
Voice: [no designation]
Languages: Latin
Voice Text: Sancte Philippe apostole domini
172v–173 Huc me sidereo 21.5 - 1a pars (of 2): Huc me sidereo descendere jussit Olimpo Josquin
Appears on: 172v–173
Genres: Motet
Source Attribution: Josquin
Voice: [no designation]
Languages: Latin
Voice Text: Huc me sydereo descendere iussit Olympo
173v–174 Huc me sidereo 21.5 - 2a pars (of 2): Felle sitim magni regis satiavit -
Appears on: 173v–174
Genres: Motet
174v–175 Osculetur me - 1a pars (of 2): Osculetur me osculo oris sui Barbireau
Appears on: 174v–175
Genres: Motet
Source Attribution: Barbireau
Voice: [no designation]
Languages: Latin
Voice Text: Osculetur me osculo
175v–177 Osculetur me - 2a pars (of 2): -
Appears on: 175v–177
Genres: Motet
177v–178 Missus est Gabriel angelus ad Mariam 20.6 Josquyn
Appears on: 177v–178
Genres: Motet
Source Attribution: Josquyn
Voice: [no designation]
Languages: Latin
Voice Text: Missus est Gabriel angelus
178v–180 Gaude virgo mater Christi quae per fidem 24.2 Josquin
Appears on: 178v–180
Genres: Sequence
Source Attribution: Josquin
Voice: [no designation]
Languages: Latin
Voice Text: Gaude virgo mater Christi quae per aurem
Composer Compositions
Agricola, Alexander (ca. 1445–1506)
Barbireau, Jacobus (1455–1491)
Despres, Josquin (ca. 1450–1521)
Orto, Marbrianus de
Rue, Pierre de la (ca. 1452–1518)
Composition Composers (? Uncertain) Folios / Pages
Ave Maria - 1a pars (of 2): Ave Maria mater gratiae 166v–168
Ave Maria - 2a pars (of 2): Tu felix et sacra permanes 168v–170
Gaude virgo mater Christi - 1a pars (of 2): Gaude virgo mater Christi tu quae sola 164v–165
Gaude virgo mater Christi - 2a pars (of 2): Gaude sponsa cara Dei 165v–166
Gaude virgo mater Christi quae per fidem 24.2 178v–180
Huc me sidereo 21.5 - 1a pars (of 2): Huc me sidereo descendere jussit Olimpo 172v–173
Huc me sidereo 21.5 - 2a pars (of 2): Felle sitim magni regis satiavit 173v–174
Magnificat octavi toni: Et exultavit 154v–159
Magnificat primi toni: Et exultavit [K.556] 144v–148
Magnificat sexti toni: Et exultavit spiritus meus 148v–154
Missa Almana = Missa Pourquoy non: Agnus Dei 69v–72
Missa Almana = Missa Pourquoy non: Credo 62v–66
Missa Almana = Missa Pourquoy non: Gloria 60v–62
Missa Almana = Missa Pourquoy non: Kyrie 58v–60
Missa Almana = Missa Pourquoy non: Sanctus 66v–69
Missa Ave maris stella 3.1: Agnus Dei 11v–13
Missa Ave maris stella 3.1: Gloria 3v–5
Missa Ave maris stella 3.1: Kyrie 1v–3
Missa Ave maris stella 3.1: Patrem omnipotentem [Credo] 5v–8bis
Missa Ave maris stella 3.1: Sanctus 8bis v–11
Missa In Mynen zyn [In myne sinn]: Agnus Dei 111v–115
Missa In Mynen zyn [In myne sinn]: Credo 101v–106
Missa In Mynen zyn [In myne sinn]: Gloria 96v–101
Missa In Mynen zyn [In myne sinn]: Sanctus 106v–111
Missa L'homme armé I: Agnus Dei 40v–43
Missa L'homme armé I: Credo 33v–37
Missa L'homme armé I: Gloria 30v–33
Missa L'homme armé I: Kyrie 28v–30
Missa L'homme armé I: Sanctus 37v–40
Missa Malheur me bat 9.1: Agnus Dei 93v–95
Missa Malheur me bat 9.1: Gloria 84v–86
Missa Malheur me bat 9.1: Kyrie 82v–84
Missa Malheur me bat 9.1: Patrem omnipotentem [Credo] 86v–89
Missa Malheur me bat 9.1: Sanctus 89v–93
Missa Malheur me bat: Agnus Dei 131v–134
Missa Malheur me bat: Credo 123v–127
Missa Malheur me bat: Gloria 119v–123
Missa Malheur me bat: Kyrie 116v–119
Missa Malheur me bat: Sanctus 127v–131
Missa Philippus rex Castille: Agnus Dei 80v–82
Missa Philippus rex Castille: Credo 75v–78
Missa Philippus rex Castille: Gloria 73v–75
Missa Philippus rex Castille: Kyrie 72v–73
Missa Philippus rex Castille: Sanctus 78v–80
Missa Sancto Antonio: Agnus Dei 55v–57
Missa Sancto Antonio: Credo 48v–52
Missa Sancto Antonio: Gloria 46v–48
Missa Sancto Antonio: Kyrie 44v–46
Missa Sancto Antonio: Sanctus 52v–55
Missa Sub tuum praesidium = Missa Quarti toni 4.5: Agnus Dei 25v–27
Missa Sub tuum praesidium = Missa Quarti toni 4.5: Credo 18v–21
Missa Sub tuum praesidium = Missa Quarti toni 4.5: Gloria 16v–18
Missa Sub tuum praesidium = Missa Quarti toni 4.5: Kyrie 14v–16
Missa Sub tuum praesidium = Missa Quarti toni 4.5: Sanctus 21v–25
Missus est Gabriel angelus ad Mariam 20.6 177v–178
Osculetur me - 1a pars (of 2): Osculetur me osculo oris sui 174v–175
Osculetur me - 2a pars (of 2): 175v–177
Salve regina - 1a pars (of 6): Salve regina misericordie vita dulcedo 138v–143v
Salve regina - 2a pars (of 6): Ad te suspiramus 139v–140
Salve regina - 3a pars (of 6): Eya ergo advocata 140v–141
Salve regina - 4a pars (of 6): Et Jesum benedictum 141v–142
Salve regina - 5a pars (of 6): O clemens o pia 142v–143
Salve regina - 6a pars (of 6): O dulcis Maria 143v
Salve regina VI - 1a pars (of 2): Salve regina mater misericordiae 136v–137
Salve regina VI - 2a pars (of 2): Et jesum benedictum 137v–138
Sancte Philippe apostole Domini 170v–172
Stabat mater 25.9 - 1a pars (of 2): Stabat mater dolorosa iusta crucem 160v–162
Stabat mater 25.9 - 2a pars (of 2): Eia mater fons amoris me sentire 162v–164

Set: Books prepared by the Alamire workshop

Type: Linked by Origin or Contents

No images available

A-Wn Cod. 1783

No images available

B-Baeb Fonds Sint-Goedele, 5170

No images available

B-Bcpas H 1135

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B-Br MS 215-216

No images available

B-Br MS 6428

No images available

B-Br MS 9126

No images available

B-Br MS 15075

No images available

B-Br MS IV.922 (Occo Codex)

No images available

D-Mbs Mus. MS 6

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D-Mbs Mus. MS 7

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D-Mbs Mus. MS 34

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D-Mbs Mus. MS F

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I-VEc MS DCCLVI

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V-CVbav MS Capp. Sist. 34

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V-CVbav MS Capp. Sist. 36

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V-CVbav MS Capp. Sist. 160

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V-CVbav MS Pal. lat. 1976

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V-CVbav MS Pal. lat. 1977

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V-CVbav MS Pal. lat. 1978

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V-CVbav MS Pal. lat. 1979

denotes primary source study

Marchai, J. None. Catalogue des manuscrits de La Bibliothèque Royale des ducs de Bourgogne. Pages: I, 183. Notes: mention of MS.

Kellman, Herbert (editor). 1999. The Treasury of Petrus Alamire. Music and art in Flemish Court Manuscripts 1500-1535.  Leuven: Alamire Foundation.

Kellman, Herbert. 1989. Observations on the Production and Distribution of Music Manuscripts at the Netherlands Court. Early Music History, . Notes: physical description; mention of MS; discussion; contents list (partial); facsimile (partial).

Prizer, William Flaville. 1985. Music and Ceremonial in the Low Countries: Philip the Fair and the Order of the Golden Fleece. Early Music History, 113-53. Pages: 128. Notes: physical description; mention of MS; discussion.

Jonas, Luise. 1983. Das Augsburger Liederbuch: Die Musikhandschrift 2° Codex 142a der Staats- und Stadtbibliothek Augsburg. Edition und Kommentar. Berliner Musikwissenschaftliche Arbeiten.  Munich and Salzburg. Pages: II,8, passim. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.

Holoman, D Kern. 1976. The Performance and Interpretation of Josquin's Masses [Workshop]. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25 June 1971, 696-719. London, New York, and Toronto. Pages: 710. Notes: concordances (partial).

Kellman, Herbert. 1976. Josquin and the Courts of the Netherlands and France: The Evidence of the Sources. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25 June 1971, 181-216. London, New York, and Toronto. Notes: physical description; mention of MS; discussion; contents list (partial).

Wangermée, Robert. 1968. Flemish Music and Society in the Fifteenth and Sixteenth Centuries.  New York. Pages: 306,309, plates 14,28. Notes: physical description; facsimile (partial).

Huys, Bernard. 1966. De Grégoire le Grand à Stockhausen: Douze siècles de notation musicale.  Brussels. Pages: 31-3. Notes: physical description; additional bibliography (partial).

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts.  Tutzing. Pages: 127. Notes: concordances (partial); incipits (partial).

Lerner, Edward R (editor). 1961-70. Alexandrí Agricola: Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I, xix, 66-145; III,viii,34-40; IV, 10-9,32-5. Notes: concordances (partial); transcription (partial).

Picker, Martin. 1959. Polyphonic Settings c. 1500 of the Flemish Tune, 'In minen sin'. Journal of the American Musicological Society, 94-5. Pages: 94. Notes: concordances (partial).

Kellman, Herbert. 1958. The Origins of the Chigi Codex: The Date, Provenance, and Original Ownership of Rome, Biblioteca Vaticana, Chigiana, C. VIII. 234. Journal of the American Musicological Society, 6-19. Pages: 10-9. Notes: physical description; mention of MS; discussion; facsimile (partial).

Meier, Bernhard (editor). 1954-7. Jacobi Barbireau: Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: II,[viii]. Notes: facsimile (partial).

Robijns, Jozef. 1954. Pierre de la Rue (Circa 1460-1518): Een Bio-Bibliographische Studie.  Brussels. Pages: 34, passim. Notes: mention of MS; contents list (partial).

Closson, Ernest, and Charles van den Borren. 1950. La musique en Belgique du Moyen Age à nos jours.  Brussels. Pages: 73, passim. Notes: mention of MS; facsimile (partial).

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik.  Kassel. Pages: VIII, Tafel 8. Notes: facsimile (partial).

Reese, Gustave. 1948-49. Maldeghem and His Buried Treasure: A Bibliographical Study. Notes, 75-117. Pages: 82,91ff. Notes: mention of MS.

Roediger, Karl Erich. 1935. Die geistlichen Musikhandschriften der Universitätsbibliothek Jena. 2 vols. Jena: Frommannsche Buchhandlung. Pages: 97. Notes: mention of MS.

Doorslaer, G van. 1934. La Chapelle Musicale de Philippe le Beau. Revue Belge d'Archéologie et d'Histoire de l'Art, 21-57,139-65. Pages: 37-8. Notes: physical description.

Borren, Charles van den. 1933-34. Inventaire des manuscrits de musique polyphonique qui se trouvent en Belgique. Acta Musicologica, V:66-71,120-7,177-83;VI:23-9,65-73,116-21. Pages: V, 70-1. Notes: physical description; contents list; concordances (partial).

Smijers, Albert (editor). 1926-64. Werken van Josquin des Prez: Motetten.  Amsterdam. Pages: III,v. Notes: physical description; contents list.

Winkler, Friedrich. 1925. Die Flämische Buchmalerei des XV. und XVI. Jahrhunderts; Künstler und Werke von den Brüdern Van Eyck bis zu Simon Bening.  Leipzig. Pages: 127,164. Notes: mention of MS.

Wolf, Johannes. 1913-9; Reprinted: Hildesheim, 1963. Handbuch der Notationskunde.  Leipzig. Pages: I,447. Notes: mention of MS.

Eitner, Robert. 1892. Kgl. Bibliothek zu Brüssel. Monatshefte für Musikgeschichte, 31-3. Pages: 31-2. Notes: physical description; contents list.

Maldeghem, R-J van. 1865-93. Tresor musical: collection authentique de musique sacrée & profane des anciens maîtres belges ... Musique profane.  Brussels. Pages: XVIII, XXIX. Notes: transcription (partial).

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Jonathan Tribe

Wednesday, 12 September, 2018

good spot! corrected

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description