A-Wn Mus.Hs. 15941 (Contratenor)

Österreichische Nationalbibliothek, Wien (Vienna), Austria

partbook: 1519-1525

Archive Österreichische Nationalbibliothek, Wien (Vienna), Austria (A-Wn)
Shelfmark Mus.Hs. 15941 (Contratenor)
Surface Paper
Numbering System Foliation
Measurements 190-3 x 275 mm
Other Identifiers
  • CCM: VienNB Mus. 15941
  • olim (Former shelfmark): A.N.35.H.18
Notations
  • black void mensural
Copyists
Relationships
External Links
External Authorities
Provenance
  • Brussels, Netherlands
Contents 33 pieces from 17 composers
General Description

A Contratenor partbook from a set originally of four volumes. Copied by Netherlands court scribe Petrus Alamire (NowakM); Warmington also identifies the hands of music scribe H1 and text scribe Z1 (KellmanTO). Copied in Brussels/Mechlin; belongs to Netherlands court complex (KellJ). Sent to Raimund Fugger the Elder (1489-1535), of Augsburg. Fugger library purchased by Emperor Ferdinand III and brought to Vienna in 1656.

Oscar Verhaar, for the medieval music manuscript project of the National Library Vienna (www.cantusplanus.at), 2014
Binding

Original covers of brown leather stamped with alternating designs: (1) animals and floral motifs; (2) representation of St. Rochus, with inscription 'S. roche, libera, nos. a. peste.'

Oscar Verhaar, for the medieval music manuscript project of the National Library Vienna (www.cantusplanus.at), 2014
Watermark

(1) Gothic letter 'P' surmounted by four-petalled flower (see Briquet #8652 for approximate pattern); (2) pot surmounted by four-petalled flower (generally resembles Briquet #12624-30); (3) crossed arrows with star (generally resembles Briquet #6289-6300); (4) crossed arrows (generally resembles Briquet #6269ff).

Oscar Verhaar, for the medieval music manuscript project of the National Library Vienna (www.cantusplanus.at), 2014
Notation

black void mensural

Oscar Verhaar, for the medieval music manuscript project of the National Library Vienna (www.cantusplanus.at), 2014
Ruling

Staff height 15

Oscar Verhaar, for the medieval music manuscript project of the National Library Vienna (www.cantusplanus.at), 2014
Foliation

Modern pencil foliation in each book.

Oscar Verhaar, for the medieval music manuscript project of the National Library Vienna (www.cantusplanus.at), 2014
Decoration

Painted coat of arms of Raimund Fugger on f. 11' of each book; no initials or other decoration.

Oscar Verhaar, for the medieval music manuscript project of the National Library Vienna (www.cantusplanus.at), 2014
Index

Original index at beginning of each book groups pieces in two series; under each series, pieces listed in order of appearance.

Oscar Verhaar, for the medieval music manuscript project of the National Library Vienna (www.cantusplanus.at), 2014
Surface

paper

Oscar Verhaar, for the medieval music manuscript project of the National Library Vienna (www.cantusplanus.at), 2014
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

32 motets

Bauldeweyn [Noel]-1, Bauldeweyn/(Josquin)-1, N. Champion/ (Josquin)-1, N. Champion/(Josquin/Senfl)-1, A. Févin-2, A. Févin/ (C. Festa/Mouton)-1, M. Forestier-1, Josquin-6, La Rue-2, Mouton-7, Mouton/(A. Févin)-1, Mouton/(Moulu)-1, Mouton/ Ninot 1e Petit-1, Orto-1, Richafort/(Josquin/Mouton)-1, Therache -1, Vorda-1, anon-2

3 paper partbooks of an original 4 (AT-99 folios each, B-97), 190-3 x 275. Modern pencil foliation in each book. Blank folios, or blank staves only— A: 1-2, 3-3', 4'-11, 42-52, 9O'-99'; T: 1-2, 3-3', 4'-11, 40'-52, 89-99'; B: 1-2, 3'-11, 41 '-50, 87-97'. Original covers of brown leather stamped with alternating designs: (1) animals and floral motifs; (2) representation of St. Rochus, with inscription "S. roche, libera, nos. a. peste." Original index at beginning of each book groups pieces in two series; under each series, pieces listed in order of appearance.

Copied by Netherlands court scribe Petrus Alamire (NowakM); see general index for other manuscripts copied by the same scribe. Staff height 15. Painted coat of arms of Raimund Fugger on f. 11' of each book; no initials or other decoration. Watermarks: (1) Gothic letter "P" surmounted by four-petalled flower (see Briquet #8652 for approximate pattern); (2) pot surmounted by four-petalled flower (generally resembles Briquet #12624-30); (3) crossed arrows with star (generally resembles Briquet #6289-6300); (4) crossed arrows (generally resembles Briquet #6269ff).

Ca. 1521-31 (KellJ). Copied in Brussels/Mechlin; belongs to Netherlands court complex (KellJ). Sent to Raimund Fugger the Elder (1489-1535), of Augsburg. Fugger library purchased by Emperor Ferdinand III and brought to Vienna in 1656.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

36v

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
11v–15 In principio erat verbum 19.7 II: Fuit homo missus a deo cui nomen III: Et verbum caro factum est et habitavit Josquin
Appears on: 11v–15
Genres: Motet
Source Attribution: Josquin
Voice: [no designation]
Languages: Latin
Voice Text: In principio erat verbum et verbum 19.7 II: Fuit homo missus a deo cui nomen III: Et verbum caro factum est
15v–21v In exitu Israel 17.4 (2p. Deus autem noster; 3p. Dominus memor fuit) Josquin
Appears on: 15v–21v
Genres: Motet
Source Attribution: Josquin
Voice: [no designation]
Languages: Latin
Voice Text: In exitu Israel de Egipto domus Iacob 17.4 II: Deus autem noster in celo omnia III: Dominus memor fuit nostri et benedixit
22–26v Qui habitat 18.7 (2p. Non accedat ad te malum) Josquin
Appears on: 22–26v
Genres: Motet
Source Attribution: Josquin
Voice: [no designation]
Languages: Latin
Voice Text: Qui habitat in adiutorio altissimi 18.7 II: Non accedat ad te malum et flagellum
26v–29 Salve regina (5vv) 25.5 II: Eya ergo advocata nostra illos III: Et Jesum benedictum Josquin
Appears on: 26v–29
Genres: Motet, Salve Regina
Source Attribution: Josquin
Voice: [no designation]
Languages: Latin
Voice Text: Salve regina misericordie vita dulcedo 25.5 II: Eya ergo advocata nostra illos tuos III: Et Ihesum benedictum fructum ventris
29v–31 Descendi in ortum meum ut viderem poma 14.3 Josquin
Appears on: 29v–31
Genres: Motet
Source Attribution: Josquin
Voice: [no designation]
Languages: Latin
Voice Text: Descendi in ortum meum ut viderem poma 14.3
31–32v Quam pulchra es et quam decora carissima II: Veni dilecta mi egrediamus in agrum Noel [Bauldeweyn]
Appears on: 31–32v
Genres: Motet
Source Attribution: Noel [Bauldeweyn]
Voice: [no designation]
Languages: Latin
Voice Text: Quam pulcra es et quam decora carissima II: Veni dilecte mi agrediamur [in agrum]
32v–34 Caeleste beneficium introivit in Annam Mouton
Appears on: 32v–34
Genres: Motet
Source Attribution: Mouton
Voice: [no designation]
Languages: Latin
Voice Text: Celeste beneficium introivit in Annam
34–35 Ave Regina caelorum Rue
Appears on: 34–35
Genres: Marian antiphon
Source Attribution: Rue
Voice: [no designation]
Languages: Latin
Voice Text: Ave regina celorum ave domina angelorum
35v–36v Ave Roche sanctissime nobili natus sanguine Anon. Anonymous
Appears on: 35v–36v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Ave Roche sanctissime nobili natus sanguine
37–38 Miseremini mei saltem vos amici mei 14.8 (2p. Cutis mea aruit et contracta est) Richafort/[Josquin/Mouton]
Appears on: 37–38
Genres: Motet
Source Attribution: Richafort/[Josquin/Mouton]
Voice: [no designation]
Languages: Latin
Voice Text: Miseremini mei saltem vos amici mei 14.8 II: Cutis mea aruit et contracta est
38v–39 Tota pulchra es amica mea et macula Anon. Anonymous
Appears on: 38v–39
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Tota pulchra es amica mea et macula
39v–41v O florens rosa mater Domini speciosa II: O Maria mitis pia plena gratia Vorda
Appears on: 39v–41v
Genres: Motet
Source Attribution: Vorda
Voice: [no designation]
Languages: Latin
Voice Text: O florens rosa mater domini speciosa II: O Maria mitis pia plena gratia
52v–54 Ave fuit prima salus qui vincitur hostis (2p. Dominus ab inicio destinavit te filio) Mouton
Appears on: 52v–54
Genres: Motet
Source Attribution: Mouton
Voice: [no designation]
Languages: Latin
Voice Text: Ave fuit prima salus qui vincitur hostis II: Dominus ab inicio destinavit te filio
54v–57 Gratia plena ipsa Dominus per saecula (2p. Producens verbum archane penetralibus; 3p. omitted) Mouton/Nino le Petit
Appears on: 54v–57
Genres: Motet
Source Attribution: Mouton/Nino le Petit
Voice: [no designation]
Languages: Latin
Voice Text: Gratia plena ipsa dominus per secula II: Prodit eis verbum archane penetralibus
57–59v Salve mater salvatoris que Deorum Deum II: O Deorum dominatrix angelorum imperatrix Rue
Appears on: 57–59v
Genres: Motet
Source Attribution: Rue
Voice: [no designation]
Languages: Latin
Voice Text: Salve mater salvatoris que deorum deum II: O deorum dominatrix angelorum imperatrix
59v–61v Factum est silentium in caelo (2p. Dum sacrum misterium cernere Johannes) Mouton
Appears on: 59v–61v
Genres: Motet
Source Attribution: Mouton
Voice: [no designation]
Languages: Latin
Voice Text: Factum est silentium in celo dum committeret II: Dum sacrum misterium cernere Iohannes
61v–63v Amicus Dei Nicolaus pontificali decoratus (2p. Ad sacrum eius tumulum egri currunt) Mouton
Appears on: 61v–63v
Genres: Motet
Source Attribution: Mouton
Voice: [no designation]
Languages: Latin
Voice Text: Amicus dei Nicolaus pontificali decoratus II: Ad sacrum eius tumulum egri currunt
64–66v Ave mundi spes Maria ave mitis ave pia 23.10 II: Ave gemma caeli luminarium ave sancti III: O castitatis lilium tuum precare filium Josquin
Appears on: 64–66v
Genres: Motet
Source Attribution: Josquin
Voice: [no designation]
Languages: Latin
Voice Text: Ave mundi spes Maria ave mitis ave pia 23.10 II: Ave gemma celi luminarium ave sancti III: O castitatis lilium tuum precare filium
66v–68v Alma chorus Domini nunc pangnat nomina II: Os verbum splendor sol gloria lux Mathurin Forestier
Appears on: 66v–68v
Genres: Motet
Source Attribution: Mathurin Forestier
Voice: [no designation]
Languages: Latin
Voice Text: Alma chorus domini nunc pangnat nomina II: Os verbum splendor sol gloria lux
68v–70 Laudate Deum in sanctis eius ut audiatur (2p. Quia cum clamarem ad eum exaudivit) Mouton
Appears on: 68v–70
Genres: Motet
Source Attribution: Mouton
Voice: [no designation]
Languages: Latin
Voice Text: Laudate [d]eum in sanctis eius et audiatur II: Quia cum clamarem ad eum exaudivit
70v–72v Homo quidam fecit caenam magnam et misit II: Venite commedite panem meum et bibite [A.] Fevÿn
Appears on: 70v–72v
Genres: Motet
Source Attribution: [A.] Fevÿn
Voice: [no designation]
Languages: Latin
Voice Text: Homo quidam fecit cenam magnam et misit II: Venite commedite panem meum et bibite
72v–74v Puer natus est nobis et filius datus est (2p. Angelus ad pastores ait annuntio vobis) Mouton
Appears on: 72v–74v
Genres: Motet
Source Attribution: Mouton
Voice: [no designation]
Languages: Latin
Voice Text: Puer natus est nobis et filius datus est II: Angelus ad pastores ait annuntio vobis
75–76 Deus in adjutorium meum intende Domine 16.1 Champion/[Josquin/Senfl]
Appears on: 75–76
Genres: Motet
Source Attribution: Champion/[Josquin/Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: Deus in adiutorium meum intende domine 16.1
76v–77v Gaude Maria virgo - 1a pars (of 2): Gaude maria virgo Therache
Appears on: 76v–77v
Genres: Motet
Source Attribution: Therache
Voice: [no designation]
Languages: Latin
Voice Text: Gaude Maria virgo cunctis hereses sola II: Gabrielem archangelum credimus divinitus
76v–77v Gaude Maria virgo - 2a pars (of 2): Gabrielem archangelum -
Appears on: 76v–77v
Genres: Motet
78–79 Illuminare Jerusalem venit lux tua (2p. Interrogabat magos Herodes quod signum) Mouton
Appears on: 78–79
Genres: Motet
Source Attribution: Mouton
Voice: [no designation]
Languages: Latin
Voice Text: Illuminare Iherusalem venit lux tua II: Interrogabat magos Herodes quod signum
79v–80v Egregie Christi martir [confessor] Christophore suscipe (2p. Ecce enim festus est nobis hodie) Mouton/[A. Févin]
Appears on: 79v–80v
Genres: Motet
Source Attribution: Mouton/[A. Févin]
Voice: [no designation]
Languages: Latin
Voice Text: Egregie Christi martir Cristophore suscipe II: Ecce enim festus est nobis hodie
81–82 Descendi in ortum meum ut viderem poma II: Revertere Suliamitis ut intueamur te De Orto
Appears on: 81–82
Genres: Motet
Source Attribution: De Orto
Voice: [no designation]
Languages: Latin
Voice Text: Descendi in ortum meum ut viderem poma II: Revertere Suliamitis ut intueamur te
82–83 Nesciens mater virgo virum peperit II: Virgo hodie fidelis et si verbum [A.] Fevÿn
Appears on: 82–83
Genres: Motet
Source Attribution: [A.] Fevÿn
Voice: [no designation]
Languages: Latin
Voice Text: Nesciens mater virgo virum peperit II: Virgo hodie fidelis et si verbum
83v–84 O pulcherrima mulierum vulnerasti cor meum (2p. Descendi in ortum meum veni dilecta) [A.] Fevÿn/[C. Festa/Mouton]
Appears on: 83v–84
Genres: Motet
Source Attribution: [A.] Fevÿn/[C. Festa/Mouton]
Voice: [no designation]
Languages: Latin
Voice Text: O pulcerrima mulierum vulnerasti cor meum II: Descendi in ortum meum veni dilecta
84v–86v Ave caro Christi cara inviolata crucis 21.1 (2p. Salve corpus Jhesu Christe; 3p. Salve lux mundi verbum) = Ave Christe immolate in crucis ara Noel [Bauldeweyn]/[Josquin]
Appears on: 84v–86v
Genres: Motet
Source Attribution: Noel [Bauldeweyn]/[Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Ave caro Christi cara immolata crucis 21.1 II: Salve corpus Ihesu Christe quod III: Salve lux mundi verbum patris hostia
87–88v In illo tempore accesserunt ad Jesum Pharisaei (2p. Propter hoc dimittet homo patrem) Mouton/[Moulu]
Appears on: 87–88v
Genres: Motet
Source Attribution: Mouton/[Moulu]
Voice: [no designation]
Languages: Latin
Voice Text: In illo tempore accesserunt ad Ihesum II: Propter hoc dimittet homo patrem
88v–90 De profundis clamavi 15.11 (2p. A custodia Matutina usque ad noctem) (4vv) Champion/[Josquin]
Appears on: 88v–90
Genres: Motet
Source Attribution: Champion/[Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: De profundis clamavi ad te domine 15.11 II: A custodia matutina usque ad noctem
Composer Compositions
Anonymous
Bauldeweyn, Noel (ca. 1480–1529)
Champion, Nicolas (ca. 1475–1533)
Despres, Josquin (ca. 1450–1521)
Festa, Costanzo (ca. 1485–1545)
Fevin, Antoine de (ca. 1470–ca. 1512)
Forestier, Mathurin
Moulu, Pierre (ca. 1484–ca. 1550)
Mouton, Jean (ca. 1459–1522)
Orto, Marbrianus de
Petit, Nino le (fl. c1500)
Richafort, Jean (ca. 1480–ca. 1550)
Rue, Pierre de la (ca. 1452–1518)
Senfl, Ludwig (ca. 1486–ca. 1543)
Therache, Pierrequin de (ca. 1470–1528)
Vinders, Jheronimus (fl. c1525-1526)
Vorda, Laurentius de
Composition Composers (? Uncertain) Folios / Pages
Alma chorus Domini nunc pangnat nomina II: Os verbum splendor sol gloria lux 66v–68v
Amicus Dei Nicolaus pontificali decoratus (2p. Ad sacrum eius tumulum egri currunt) 61v–63v
Ave caro Christi cara inviolata crucis 21.1 (2p. Salve corpus Jhesu Christe; 3p. Salve lux mundi verbum) = Ave Christe immolate in crucis ara 84v–86v
Ave fuit prima salus qui vincitur hostis (2p. Dominus ab inicio destinavit te filio) 52v–54
Ave mundi spes Maria ave mitis ave pia 23.10 II: Ave gemma caeli luminarium ave sancti III: O castitatis lilium tuum precare filium 64–66v
Ave Regina caelorum 34–35
Ave Roche sanctissime nobili natus sanguine Anonymous 35v–36v
Caeleste beneficium introivit in Annam 32v–34
De profundis clamavi 15.11 (2p. A custodia Matutina usque ad noctem) (4vv) 88v–90
Descendi in ortum meum ut viderem poma 14.3 29v–31
Descendi in ortum meum ut viderem poma II: Revertere Suliamitis ut intueamur te 81–82
Deus in adjutorium meum intende Domine 16.1 75–76
Egregie Christi martir [confessor] Christophore suscipe (2p. Ecce enim festus est nobis hodie) 79v–80v
Factum est silentium in caelo (2p. Dum sacrum misterium cernere Johannes) 59v–61v
Gaude Maria virgo - 1a pars (of 2): Gaude maria virgo 76v–77v
Gaude Maria virgo - 2a pars (of 2): Gabrielem archangelum 76v–77v
Gratia plena ipsa Dominus per saecula (2p. Producens verbum archane penetralibus; 3p. omitted) 54v–57
Homo quidam fecit caenam magnam et misit II: Venite commedite panem meum et bibite 70v–72v
Illuminare Jerusalem venit lux tua (2p. Interrogabat magos Herodes quod signum) 78–79
In exitu Israel 17.4 (2p. Deus autem noster; 3p. Dominus memor fuit) 15v–21v
In illo tempore accesserunt ad Jesum Pharisaei (2p. Propter hoc dimittet homo patrem) 87–88v
In principio erat verbum 19.7 II: Fuit homo missus a deo cui nomen III: Et verbum caro factum est et habitavit 11v–15
Laudate Deum in sanctis eius ut audiatur (2p. Quia cum clamarem ad eum exaudivit) 68v–70
Miseremini mei saltem vos amici mei 14.8 (2p. Cutis mea aruit et contracta est) 37–38
Nesciens mater virgo virum peperit II: Virgo hodie fidelis et si verbum 82–83
O florens rosa mater Domini speciosa II: O Maria mitis pia plena gratia 39v–41v
O pulcherrima mulierum vulnerasti cor meum (2p. Descendi in ortum meum veni dilecta) 83v–84
Puer natus est nobis et filius datus est (2p. Angelus ad pastores ait annuntio vobis) 72v–74v
Quam pulchra es et quam decora carissima II: Veni dilecta mi egrediamus in agrum 31–32v
Qui habitat 18.7 (2p. Non accedat ad te malum) 22–26v
Salve mater salvatoris que Deorum Deum II: O Deorum dominatrix angelorum imperatrix 57–59v
Salve regina (5vv) 25.5 II: Eya ergo advocata nostra illos III: Et Jesum benedictum 26v–29
Tota pulchra es amica mea et macula Anonymous 38v–39

Images © Österreichische Nationalbibliothek, Vienna

Set: Books prepared by the Alamire workshop

Type: Linked by Origin or Contents

No images available

A-Wn Cod. 1783

No images available

B-Baeb Fonds Sint-Goedele, 5170

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B-Bcpas H 1135

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B-Br MS 215-216

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B-Br MS 6428

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B-Br MS 9126

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B-Br MS 15075

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B-Br MS IV.922 (Occo Codex)

No images available

D-Mbs Mus. MS 6

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D-Mbs Mus. MS 7

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D-Mbs Mus. MS 34

No images available

D-Mbs Mus. MS F

No images available

I-VEc MS DCCLVI

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V-CVbav MS Capp. Sist. 34

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V-CVbav MS Capp. Sist. 36

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V-CVbav MS Capp. Sist. 160

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V-CVbav MS Pal. lat. 1976

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V-CVbav MS Pal. lat. 1977

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V-CVbav MS Pal. lat. 1978

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V-CVbav MS Pal. lat. 1979

denotes primary source study

Kellman, Herbert (editor). 1999. The Treasury of Petrus Alamire. Music and art in Flemish Court Manuscripts 1500-1535.  Leuven: Alamire Foundation.

Kellman, Herbert. 1989. Observations on the Production and Distribution of Music Manuscripts at the Netherlands Court. Early Music History, . Notes: physical description (partial); mention of MS; discussion.

Kellman, Herbert (editor). 1987. London, British Library, Royal 8 G. VII. Renaissance Music in Facsimile.  New York. Notes: mention of MS.

Hudson, Barton (editor). 1979. Ninot le Petit: Collected Works. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: xxviii. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Nowacki, Edward. 1979. The Latin Psalm Motet 1500-1535. Renaissance-Studien: Helmuth Osthoff zum 80. Geburtstag, Frankfurter Beiträge zur Musikwissenschaft. 159-84. Tutzing. Pages: 168-9,174,176. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Godt, Irving. 1976. The Restoration of Josquin's Ave Mundi Spes, Maria, and Some Observations on Restoration. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 53-83. Notes: contents list (partial); transcription (partial); texts (partial); mention of MS; discussion.

Hoffmann-Erbrecht, Lothar. 1976. Problems in the Interdependence of Josquin Sources. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25 June 1971, 285-93.  London, New York, and Toronto. Pages: 289-91. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Kellman, Herbert. 1976. Josquin and the Courts of the Netherlands and France: The Evidence of the Sources. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25 June 1971, 181-216. London, New York, and Toronto. Pages: 201-4,209,214-5. Notes: contents list (partial); mention of MS; discussion.

Josephson, Nors S. 1975. Some Remarks on the Music of Nicolas Champion. Musica Disciplina, 149-63. Pages: 159-62. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Josephson, Nors S (editor). 1973. Nicolas Champion: Collected Works. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: ix,xiv, 112-6. Notes: mention of MS; contents list (partial).

Sparks, Edgar H. 1972. The music of Noel Bauldeweyn.  American Musicological Society. Pages: 98-103, 112, 137-8,140-1. Notes: contents list (partial); concordances (partial); incipits (partial); mention of MS; discussion.

Smijers, Albert, Myroslaw Antonowycz, and Willem Elders (editors). 1969. Werken van Josquin des Prés: Supplement.  Amsterdam. Pages: xv,xviii,72-84. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Osthoff, Helmuth. 1962. Josquin Desprez. 2 vols. Tutzing. Pages: II,18-9,112,294,370,378-81. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Robijns, Jozef. 1954. Pierre de la Rue (Circa 1460-1518): Een Bio-Bibliographische Studie.  Brussels. Pages: 44, 165ff. Notes: contents list (partial); concordances (partial).

Shine, Josephine M. 1953. The Motets of Jean Mouton. New York University, Unpublished Ph.D. dissertation. Pages: 67ff, passim. Notes: contents list (partial); concordances (partial); texts (partial); mention of MS; discussion.

Nowak, Leopold. 1948. Die Musikhandschriften aus Fuggerschem Besitz in der Österreichischen Nationalbibliothek. Die Österreichische Nationalbibliothek. Festschrift herausgegeben zum 25 jährigen Dienstjubiläum des Generaldirektors Univ.-Prof. Dr. Josef Bick, edited by Leopold Nowak,  Vienna: H. Bauer-Verlag. Notes: physical description (partial); facsimile (partial); mention of MS; discussion.

Smijers, Albert (editor). 1926-64. Werken van Josquin des Prez: Motetten.  Amsterdam. Pages: XI,vii,xiv-xv; XII,xxvii; XIII,xxxiii-xxxv; XIV, xlii-xliii. Notes: physical description; contents list (partial); concordances (partial).

Mantuani, Joseph. 1864-99 R 1965. Tabulae Codicum Manu Scriptorum in Bibliotheca Palatina Vindobonensi Asservatorum. 10 vols. Vienna: (1864-99) Graz: (1965 reprint). Pages: IX,72-4. Notes: physical description (partial); contents list.

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Brett Kostrzewski

Tuesday, 26 November, 2024

corrected foliation of the inventory

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description