Copied by several scribes, including Johannes Wiser (inscription on f. 265': 'Scriptum notatum per Johannem Wiser'), rector of cathedral school at Trent 1459-65, later chaplain to Johannes Hinderbach, Bishop of Trent 1465-86. Gatherings 1-24, 27-28, and 33-39 contain Mass Ordinary and Proper settings (Asperges, Introits, Kyries, Glorias, Credos, and Sanctus/Agnus mostly grouped in separate sections in gatherings 1-24, with composite Masses and some separate Ordinary sections in gatherings 27-28 and 33-39); remaining gatherings contain Vespers music, French secular pieces, and other works, with occasional grouping of pieces by genre. Repertory in gatherings 1-24 essentially concordant with, and probably copied from gatherings 1-30 of TrentM 93 (BentSC). Copied in Trent. Transferred to Vienna in 1891, but returned to Trent following World War I.
I-TRbc MS 1377 [90] (Trent 90)
Museo Provinciale d'Arte, Castello del Buonconsiglio, Trento, Italy
manuscript of polyphony: c. 1460
| Archive | Museo Provinciale d'Arte, Castello del Buonconsiglio, Trento, Italy (I-TRbc) |
|---|---|
| Shelfmark | MS 1377 [90] (Trent 90) |
| Image Availability | DIAMM does not have images of this source. Please refer to the external links for image availability. |
| Surface | Paper |
| Numbering System | Foliation |
| Measurements | 310 x 210 mm |
| Other Identifiers |
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| Copyists |
|
| External Links | |
| Provenance |
|
| Contents | Contains 359 compositions, 146 from 35 composers, 213 are anonymous. |
General Description
Binding
Original covers of tooled leather over wooden boards.
Watermark
(1) resembles Briquet #14726; (2) resembles Briquet #15877; (3) two crescents (not in Briquet; same mark also appears in first two gatherings of TrentC 88).
Notation
not defined
Foliation
466 ff
Foliation
Modern foliation, 1-465 ('194' applied to two consecutive folios).
Decoration
No initials or decoration.
Surface
paper
RISM Description
RISM5
Ces 7 manuscrits, dont les 6 premiers ont été révélés par Haberl en 1885 (cf. Bibliographie), tandis que le 7e ne fut découvert qu'en 1920 (R. von Ficker, in DTÖ 61 (XXXI) VIff) consituent une véritable famille indissoluble en ce qu'ils présentent tant de caractères communs qu'il semble logique d'en donner d'abord une description d'ensemble pour préciser ensuite les particularités de chacun d'eux en même temps que le dépouillement de leur contenu.
Ils fournissent un énorme répertoire en grande partie religieux, sans pour cela que la musique profane soit complètement négligée, qui va de Loqueville à Isaac et Compère, couvrant 25OOff. avec 1870 pièces environ, qui peuvent se dater entre 1420 et 1480. En 1921, R. Wolkan (cf. Bibliographie) avait émis l'opinion que ces mss. copiés à Vienne sous l'impulsion de Johann Hinderbach (né en 1418), secrétaire à la chancellerie impériale, auraient suivi celui-ci à Trente où, en 1455, il avait été nommé prévôt à la cathédrale puis porté à l'évêché en 1465. E. Wellesz va plus loin en les déclarant copiés, à Vienne d'abord puis à Trente, sur ordre de Hinderbach pour sa bibliothèque personnelle qui devait ensuite être donnée au chapitre de la cathédrale (Grove's Dictionary, 5th ed,. 1954). Cependant, comme on ne trouve dans ces mss. aucune pièce de circonstance de la vie de l'empereur Friedrich III, alors que les allusions à des personnages tridentins, même peu célèbres, y sont évidentes et que l'un des copistes Johannes Wiser occupa diverses charges à Trente de 1459 à 1490, il est logique de penser qu'ils ont plutôt été copiés, sinon tous à Trente même, du moins dans l'Italie du nord (cf. Bibliographie, Lunelli). Il est possible aussi qu'ils aient été acquis (en tout cas les plus anciens) par l'évêque de Trente Alexander Masowien, alors en relation avec Amédée VIII de Savoie pour la chapelle duquel ils auraient été copiés (cf. WardTS, p. 144). — On peut diviser ces 7 mss. en deux groupes: d'une part 87 et 92 qui sont les plus anciens, d'autre part 88, 89, 90, 91 et 93 qui sont légèrement postérieurs, 91 étant le plus récent. Le même papier et le même scribe, qui inscrit son nom Puntschucherh au bas du f. 161 du ms 87 (mais s'agit-il d'un nom? Cf. Flotzinger, Bibliographie TRbc 87) se retrouvent pour la première partie du ms. 87 (f. 1—218) et la deuxième partie du ms. 92 (f. 144—239), la relation entre les deux mss. étant de plus soulignée par le fait qu'un Kyrie de Binchois au f. 56v du ms. 87 (n° 34) est accompagné d'une mention renvoyant pour Y Et in terra suivant au premier f. du ms. 92 (n° 2). Ces deux mss. ont certainement été copiés avant 1450 dans l'Italie du Nord, tandis que l'on peut fixer approximativement la date de compilation des cinq autres entre 1445 et 1480, le scribe Johannes Wiser en ayant copié la plus grande partie à Trente même.
Ms. 90
1452-1458. 465 [= 466]ff. Papier 310X210 mm. Foliotation ancienne. Le f. 194 chiffré deux fois. Les ff. 19, 48, 74, 84v, 88, 94, 123, 140, 144, 147, 163, 167v, 168, 175, 180, 183, 190, 194bv, 199r et v, 205, 237, 248, 270, 274, 386, 399 sont blancs. Notation mesurée blanche. 8 portées par p.
Ms. probablement copié comme TRbc 88, 89 et 91 par Johannes Wiser dont la signature figure au f. 465v (facs.: DTÖ 14/15 [VII]). A part quelques messes unitaires dans la dernière partie, le copiste a classé les sections de la messe par genres, n'hésitant pas à séparer ainsi les différentes parties d'un même office. (n°8 74 à 206). Il a de même, au début du ms., groupé les motets (hymnes, antiennes, introits) suivant l'identité des paroles (n™ 1 à 73). Le n° 360 est un hommage à l'évêque Georg II qui succéda à Hinderbach en 1486.
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Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
TRENT. Museo Provinciale d'Arte, Castello del Buon Consiglio. MS 90
6 Masses, 1 Gloria-Credo pair, 6 Sanctus-Agnus pairs, 40 Kyries, 45 Glorias, 26 Credos, 17 Sanctus, 5 Agnus (1 fragmentary), 65 Mass Proper sections, 14 Magnificats, 3 psalms, 7 office hymns, 1 processional hymn, 42 motets, 1 Benedicamus domino, 2 German sacred pieces, 25 French secular pieces (some without text; others have additional Latin motet texts in this source), 5 Italian secular pieces, 3 German secular pieces, 15 textless pieces = 329 + 4 duplicates = 333
(Anglia)-1, C. Anthony-3, Bedingham [Bedingham Langensteiss; BenigunJ-4, (Bedingham/Dunstable-anon)-1, (Bedingham/Frye)-1, Benet-2 + 1?, (Binchois)-9, (Binchois/Dufay)-1, (Binchois/Dunstable)-1, (Brassart)-8, (Brassart/Dusart)-1, Brolo [Bartholomeus de Bruollis VenetusJ-1, Collis-1, Constans-2, Cousin-1, Dufay-19 + 4?, (Dufay/Dunstable)-1, (Dufay/H. Lantins)-1, (Dunstable)-2 + 1?, Dunstable/(Benet)-1, Dunstable/(Power)-1, (Dunstable/ Power)-2, (Feraguti)-1, (Forest)-1 + 1?, (Forest/Plummer)-1, (Frye)-2, Gaius-1, Hert-1, Joye-1, L. Krafft-1, J. Legrant-1, (Loqueville)-1, Ockeghem-1, (Plummer)-2 + 1?, Power [Leonell AnglicusJ-4, Pullois-13 +1?, Pullois/(Braxatoris)-1, Ruby [W. de RougeJ-1, (Soursby)-1, Walterus de Salice-1, (P. Wilhelmi)-1, anon-220
466 paper folios, 310 x 210. Modern foliation, 1-465 ("194" applied to two consecutive folios). Blank staves only on ff. 19, 48, 74, 84', 88, 94, 123, 131, 140, 144, 147, 163, 167'-168, 175, 180, 183, 190, 194b', 199-199', 205, 237, 248', 258'-259, 270', 274, 386, 399. Original covers of tooled leather over wooden boards. No index.
Copied by several scribes, including Johannes Wiser (inscription on f. 265': "Scriptum notatum per Johannem Wiser"), rector of cathedral school at Trent 1459-65, later chaplain to Johannes Hinderbach, Bishop of Trent 1465-86. No initials or decoration. Watermarks: (1) resembles Briquet #14726; (2) resembles Briquet #15877; (3) two crescents (not in Briquet; same mark also appears in first two gatherings of TrentC 88).
Gatherings 1-24, 27-28, and 33-39 contain Mass Ordinary and Proper settings (Asperges, Introits, Kyries, Glorias, Credos, and Sanctus/Agnus mostly grouped in separate sections in gatherings 1-24, with composite Masses and some separate Ordinary sections in gatherings 27-28 and 33-39); remaining gatherings contain Vespers music, French secular pieces, and other works, with occasional grouping of pieces by genre. Repertory in gatherings 1-24 essentially concordant with, and probably copied from gatherings 1-30 of TrentM 93 (BentSC).
Ca. 1460. Copied in Trent. Transferred to Vienna in 1891, but returned to Trent following World War I.
Vol 4
Contents: Change "65 Mass Proper sections" to "66 Mass Proper sections (1 incomplete and without text)"; change "15 textless pieces" to "14 textless pieces."
Composers: Change "Dufay-19 + 4?" to "Dufay-19 + 5?"; change "anon-220" to "anon-219."
Physical: Watermarks: (1) PiccardO XII, 255; (2) PiccardO XII, 254/257; (3) PiccardO XIII, 37; (4) PiccardT II, 326; (5) PiccardT II, 327; (6) scorpion with letter "S"; (7) PiccardO XII, 177; (8) PiccardO XIII, 246; (9) PiccardO XIII, 247; (10) PiccardO XII, 253; (11) two crescents surmounted by star (SaundersD).
Date: Ca. 1452-9 (SaundersD).
The inventory could not be loaded.
Sets
Trent Codices
Linked by Origin or Contents · 7 sources
‡ denotes primary source study
Curtis, Gareth R K, and Andrew B Wathey. 1994. Fifteenth-Century English Liturgical Music: A List of the Surviving Repertory. Royal Musical Association Research Chronicle, 27: 1-69.
Bent, Margaret. 1986. Trent 93 and Trent 90: Johannes Wiser at Work. I codici musicali trentini a cento anni dalla loro riscoperta: Atti del convegno 'Laurence Feininger, la musicologia come missione', edited by Margaret Bent, 84-111. Trent. Notes: physical description (partial); contents list (partial); concordances (partial); facsimile (partial); mention of MS; discussion.
Cattin, Giulio. 1986. Testi Tropati nei Codici Trentini. I codici musicali trentini a cento anni dalla loro riscoperta: Atti del convegno 'Laurence Feininger, la musicologia come missione', Trent. Notes: contents list (partial); concordances (partial).
Fallows, David. 1986. Dufay and the Mass Proper Cycles of Trent 88. I codici musicali trentini a cento anni dalla loro riscoperta: Atti del convegno 'Laurence Feininger, la musicologia come missione', 46-59. Trent. Pages: (46,48,50. Notes: contents list (partial); concordances (partial); mention of MS; discussion.
Fallows, David. 1986. Songs in the Trent Codices: An Optimistic Handlist. I codici musicali trentini a cento anni dalla loro riscoperta: Atti del convegno 'Laurence Feininger, la musicologia come missione', 170-9. Trent. Notes: contents list (partial); concordances (partial).
Saunders, Suparmi Elizabeth. 1986. The Dating of Trent 93 and Trent 90. I codici musicali trentini a cento anni dalla loro riscoperta: Atti del convegno 'Laurence Feininger, la musicologia come missione', 60-82. Trent. Notes: physical description (partial); contents list (partial); mention of MS; discussion.
Staehelin, Martin. 1986. Trienter Codices und Humanismus. I codici musicali trentini a cento anni dalla loro riscoperta: Atti del convegno 'Laurence Feininger, la musicologia come missione', 158-69. Trent. Notes: physical description (partial); mention of MS; discussion.
Strohm, Reinhard. 1985. Music in Late Medieval Bruges. Oxford. Pages: 137,140-1, 193-4. Notes: contents list (partial); concordances (partial); mention of MS; discussion.
Staehelin, Martin. 1983. Bemerkungen zum Verhältnis von Werkcharacter und Filiation in der Musik der Renaissance. Datierung und Filiation von Musikhandschriften der Josquin-Zeit, Wolfenbütteler Forschungen, vol. 26. 199-215. Wiesbaden. Pages: 203,212. Notes: contents list (partial); concordances (partial); facsimile (partial); mention of MS; discussion.
Strohm, Reinhard. 1983. Quellenkritische Untersuchungen an der Missa 'Caput'. Datierung und Filiation von Musikhandschriften der Josquin-Zeit, Wolfenbütteler Forschungen, vol. 26. 153-76. Wiesbaden. Notes: contents list (partial); concordances (partial); mention of MS; discussion.
Bent, Margaret. 1981. Some Criteria for Establishing Relationships Between Sources of Late-Medieval Polyphony. Music in Medieval and Early Modem Europe: Patronage, Sources and Texts, edited by Margaret Bent, 295-317. Cambridge: Cambridge University Press. Pages: 297-8,311,314. Notes: physical description; mention of MS; discussion.
Curtis, Gareth R K. 1981. Jean Pullois and the Cyclic Mass-Or a Case of Mistaken Identity? Music and Letters, 62: 41-59. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.
Planchart, Alejandro Enrique. 1981. Fifteenth-Century Masses: Notes on Performance and Chronology. Studi Musicali, 10: 3-29. Pages: 10,19-25,29. Notes: contents list (partial); concordances (partial); mention of MS; discussion.
Perkins, Leeman L, and Howard Garey (editors). 1979. The Mellon Chansonnier. New Haven and London. Pages: II, 179-80,370-2,385. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.
Ward, Tom Robert. 1979. The Polyphonic Office Hymn from 1400 to 1520: A Descriptive Inventory. RMS, vol. 3. American Institute of Musicology. Notes: contents list (partial); concordances (partial); incipits (partial).
Cattin, Giulio. 1978. Virgo Mater Ecclesiae: Un Tropo alla Salve Regina nelle Fonti Monodiche e Polifoniche dei Sec. XIV-XV. L'Ars Nova Italiana del Trecento IV, Pages: 155-6,161,165-75. Notes: contents list (partial); concordances (partial); transcriptions (partial).
Cobin, Marian W. 1978. The Aosta Manuscript: A Central Source of Early Fifteenth-Century Sacred Polyphony. New York University, Unpublished Ph.D. dissertation. Pages: I,103ff,173-8,335-54. Notes: contents list (partial); concordances (partial); mention of MS; discussion.
Burstyn, Shai. 1977. Early Fifteenth-Century Settings of Song of Songs Antiphons. Acta Musicologica, 49: 200-27. Pages: 215-6,219. Notes: contents list (partial); concordances (partial); mention of MS; discussion.
Spilsted, Gary. 1976. Toward the Genesis of the Trent Codices: New Directions and New Findings. Studies in Music from the University of Western Ontario, 1: 55-70. Notes: physical description; mention of MS; discussion.
Černý, Jaromír. 1975. Petrus Wilhelmi de Grudencz: Neznámy Skladatel Doby Dufayovy v Ceskych Pramenech. Hudební Veda, 12: 195-238. Pages: 232. Notes: contents list (partial); concordances (partial); incipits (partial).
Dangel-Hofmann, Frohmut. 1975. Der Mehrstimmige Introitus in Quellen des 15. Jahrhunderts. Würzburger Musikhistorische Beitrage, vol. 3. Tutzing. Pages: 138,146-9,181ff,251-8, passim. Notes: physical description; contents list (partial); concordances (partial); contents list (partial); transcriptions (partial); mention of MS; discussion.
White, Richard James. 1975. The Battre Section of Trent Codex 87. Indiana University, Unpublished Ph.D. dissertation. Some publications wrong cite the title as 'The Battre Fascicle of the Trent Codex 87'. Pages: I,l-2. Notes: physical description; mention of MS; discussion.
Burstyn, Shai. 1972. Fifteenth-Century Polyphonic Settings of Verses from the Song of Songs. Columbia University, Unpublished Ph.D. dissertation. Pages: 168,285-8,334-43,403-4, passim. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.
Planchart, Alejandro Enrique. 1972. Guillaume Dufay's Masses: Notes and Revisions. The Musical Quarterly, 58: 1-23. Pages: 9ff. Notes: contents list (partial); concordances (partial); mention of MS; discussion.
Scott, Ann Besser. 1972. Ibo Michi ad Montern Mirre: A New Motet by Plummer? The Musical Quarterly, 58: 543-56. Notes: contents list (partial); transcriptions (partial); facsimile (partial); mention of MS; discussion.
Ward, Tom Robert. 1972. The Polyphonic Office Hymn and the Liturgy of Fifteenth Century Italy. Musica Disciplina, 26: 161-88. Pages: 1-16,122-4,129. Notes: contents list (partial); concordances (partial); facsimile (partial); mention of MS; discussion.
Bent, Margaret, Ian D Bent, and Brian Trowell (editors). 1970. John Dunstable complete works. Musica Britannica, vol. VIII. London. Pages: VIII [rev. ed.], 183ff. Notes: contents list (partial); concordances (partial).
[No Author] 1969-70. Codices Musicales Tridentini. Rome. Notes: facsimile.
Hamm, Charles E (editor). 1969-. Leonel Power: Complete Works. Corpus mensurabilis musicae, vol. 50. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I,xxii,xxiv,38-40. Notes: mention of MS; contents list (partial); concordances (partial); transcriptions (partial).
Ward, Tom Robert. 1969. The Polyphonic Office Hymn from the Late Fourteenth Century Until the Early Sixteenth Century. University of Pittsburgh, Unpublished Ph.D. dissertation. Pages: 94,106-8,158-61,251ff. Notes: contents list (partial); concordances (partial); incipits (partial); mention of MS; discussion.
Riemann, Hugo, Wilibald Gurlitt, and Hans Heinrich Eggebrecht (editors). 1967. Musik Lexikon: Zwölfte völlig neubearbeitete. 3 vols. Mainz. Pages: Sachteil 12. Aufl. Quellen, 772.
Gülke, Peter (editor). 1967. Johannis Pullois: Opera Omnia. Corpus mensurabilis musicae, vol. 41. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: xiv-xix,8-13,24-6,32,36-7,40,49. Notes: contents list (partial); concordances (partial); transcriptions (partial).
Loyan, Richard K (editor). 1967. Canons in the Trent Codices. Corpus mensurabilis musicae, vol. 38. Neuhausen nr. Stuttgart: American Institute of Musicology. Notes: contents list (partial); concordances (partial); transcriptions (partial); Discussion of the MS.
Maas, Chris J. 1967. Geschiedenis van het meerstemmig Magnificat tot omstreeks 1525. Groningen. Pages: concerne le n° 258 [1040].
Kanazawa, Masakata. 1966. Polyphonic music for Vespers in the fifteenth century. Harvard University, Ph.D. Dissertation, 2 vols. Pages: 183-90, passim. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.
Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 171. Notes: contents list (partial); concordances (partial); incipits (partial).
Mixter, Keith E (editor). 1965-71. Johannis Brassart: Opera Omnia. Corpus mensurabilis musicae, vol. 35. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I, viii-ix, xii, xviii, xx-xxvi. Notes: contents list (partial); concordances (partial).
Parris, Arthur. 1965. The sacred works of Gilles Binchois. Bryn Mawr College, Ph.D. Dissertation. Pages: I,ii,81-7,94; II,14-7,111-4,214-6. Notes: contents list (partial); concordances (partial); transcriptions (partial).
Hamm, Charles E. 1964. A Chronology of the Works of Guillaume Dufay Based on a Study of Mensural Practice. Princeton. Pages: 26-7,53,65,103-13,125,132-3,165ff. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.
Kenney, Sylvia W. 1964. Walter Frye and the Contenance Angloise. New Haven and London. Pages: 53,63-6, 73, 78-81,178. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.
Harrison, Frank Llewellyn (editor). 1963-. Early English Church Music. London: Stainer & Bell. Pages: VIII,172; XXII, x-xi,8-28,44-109,169ff. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.
Damilano, Don Piero. 1963. Fonti musicali della lauda polifonica intorno alla metà del sec. XV. Collectanea Historiae Musicae III, Pages: 63 (dépouillement des Laudi).
Kulleseid, Eleanor Ransom. 1962. The Sacred Music of Gilles Binchois. Columbia University, Unpublished Master's thesis. Pages: 137,150-3. Notes: contents list (partial); concordances (partial); transcriptions (partial).
Ficker, Rudolf von. 1960. The transition on the Continent. New Oxford History of Music, 3: 150ff. Pages: 150f.
Kenney, Sylvia W (editor). 1960. Walter Frye: Collected Works. Corpus mensurabilis musicae, vol. 19. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: viii-ix, 10-2,14-6. Notes: contents list (partial); concordances (partial); transcriptions (partial).
Bukofzer, Manfred F. 1958. Changing Aspects of Medieval and Renaissance Music. The Musical Quarterly, 44: 1-18. Pages: passim.
Gottlieb, Louis Edward. 1958. The cyclic masses of Trent Codex 89. University of California, Los Angeles, Ph.D. Dissertation. Pages: I,192-202. Notes: physical description; mention of MS; discussion.
Reaney, Gilbert (editor). 1955-83. Early Fifteenth-Century Music. Corpus mensurabilis musicae, vol. 11, 1-6. Rome: American Institute of Musicology. Pages: II,xxxviii; III,ix; V,xxii, 79-83. Notes: contents list (partial); concordances (partial); transcriptions (partial).
Schrade, Leo, and Milos Velimirovic (editors). 1955-68. Thirty chansons for three and four voices from Attaingnant's collection ed. by Albert Seay. Collegium musicum, vol. 2 & Vol 5: Guillaume Dufay, Johannes Ockeghem, Jacob Obrecht Missae Caput, ed. by A.A. Planchart. Yale Univ. Dpt. of music. Pages: 158ff TRbc 88, 89, 90 et 93).
Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: II, 1339; XIII,666-73. Notes: physical description (partial); contents list (partial); mention of MS; discussion.
de Van, Guillaume, and Heinrich Besseler (editors). 1948-66. Guillaume Dufay: Opera Omnia. Corpus mensurabilis musicae, vol. 1. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: II, IV-VI, passim. Notes: contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial); mention of MS; discussion.
Feininger, Laurence K (editor). 1947-48. Series I: Ordinarium missae (1948) & Series II: Proprium missae (1947). Monumenta Polyphoniae Liturgicae Sanctae Ecclesiae Romanae. Rome. Pages: Series I, II/1,iii,#I; Series II, I, passim. Notes: contents list (partial); concordances (partial); transcriptions (partial).
[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 38.
Stephan, Wolfgang. 1937. Die Burgundisch-Niederländische Motette zur Zeit Ockeghems. Kassel. Pages: 97f.
Blume, Friedrich (editor). 1929-. Das Chorwerk. Berlin/Wolfenbüttel. Pages: XIX, 4, 18, 24-5; XLV, 5-6,12-3. Notes: contents list (partial); concordances (partial); transcriptions (partial).
Lunelli, Renato. 1927. La patria dei codici musicali tridentini. Note D'Archivio per la Storia Musicale, 4: 116-28. Pages: 116ff. Notes: physical description; mention of MS; discussion.
Besseler, Heinrich. 1925. Studien zur Musik des Mittelalters: I. Neue Quellen des 14. und beginnenden 15. Jahrhunderts. Archiv für Musikwissenschaft, 7: 167-252. Pages: 239-40. Notes: contents list (partial); concordances (partial).
Ficker, Rudolf von. 1924. Die frühen Messenkompositionen der Trienter Codices. Studien zur Musikwissenschaft, 11: 3ff.
Wolkan, Rudolf. 1921. Die Heimat der Trienter Musikhandschriften. Studien zur Musikwissenschaft, 8: 5-8. Pages: 4ff.
Adler, Guido. 1909. Über Textlegung in den 'Trienter Codices'. Riemann-Festschrift. Gesammelte Studien Hugo Riemann zum sechzigsten Geburtstage, 51ff. Leipzig. Pages: 51ff.
Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: XIV/XV, XXII, LII, LXI, LXXVI, passim. Notes: physical description; contents list; concordances (partial); inventory; transcription (partial); facsimile (partial); mention of MS; discussion.
Haberl, Franz Xavier. 1885-88. Bausteine für Musikgeschichte. 3 vols. Leipzig. Pages: I, 87ff.
Haberl, Franz Xavier. 1885. Wilhelm du Fay, Monographische Studie über dessen Leben und Werke. Vierteljahrsschrift für Musikwissenschaft, 1: 397-530. Pages: 488-9. Notes: physical description (partial); contents list (partial); mention of MS; discussion.
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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description
Répertoire Internationale des Sources Musicales
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description