I-TRbc MS 1376 [89] (Trent 89)

Museo Provinciale d'Arte, Castello del Buonconsiglio, Trento, Italy

manuscript of polyphony: c. 1460-80

Archive	Museo Provinciale d'Arte, Castello del Buonconsiglio, Trento, Italy (I-TRbc)
Shelfmark	MS 1376 [89] (Trent 89)
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Paper
Numbering System	Foliation
Measurements	310 x 210 mm
Other Identifiers	RISM: I-TRbc 89 CCM: TrentC 89 olim (Former shelfmark): Trent 89
Copyists	Wiser, Johannes Text and Music
External Links	online images of whole manuscript
Provenance	Italy
Contents	Contains 296 compositions, 86 from 25 composers, 210 are anonymous.

General Description

Composite of originally separate fascicles later bound together (KanP). Copied by severed scribes, including Johannes Wiser, rector of cathedral school at Trent 1459-65, later chaplain to Johannes Hinderbach, Bishop of Trent 1465-86. Copied in Trent. Transferred to Vienna in 1891, but returned to Trent following World War I.

DIAMM, 2017

Binding

Original covers of tooled leather over wooden boards.

DIAMM, 2017

Watermark

(1) three-peaked mountain surmounted by six-petalled flower; (2) ox head surmounted by six-petalled flower; (3) ox head surmounted by seven-petalled flower (same mark also appears in TrentC 88); (4) three-peaked mountain surmounted by seven-petalled flower (same mark also appears in TrentC 88). None in Briquet.

DIAMM, 2017

Notation

a few inked calligraphic initials. No description of music hand

DIAMM, 2017

Foliation

427 ff

DIAMM, 2017

Foliation

Modern foliation, 1-425 (one folio following f. 189 not numbered; '235' applied to two consecutive folios).

DIAMM, 2017

Decoration

A few inked calligraphic initials; no other decoration.

DIAMM, 2017

Surface

paper

DIAMM, 2017

RISM Description

RISM5

Ces 7 manuscrits, dont les 6 premiers ont été révélés par Haberl en 1885 (cf. Bibliographie), tandis que le 7e ne fut découvert qu'en 1920 (R. von Ficker, in DTÖ 61 (XXXI) VIff) consituent une véritable famille indissoluble en ce qu'ils présentent tant de caractères communs qu'il semble logique d'en donner d'abord une description d'ensemble pour préciser ensuite les particularités de chacun d'eux en même temps que le dépouillement de leur contenu.

Ils fournissent un énorme répertoire en grande partie religieux, sans pour cela que la musique profane soit complètement négligée, qui va de Loqueville à Isaac et Compère, couvrant 25OOff. avec 1870 pièces environ, qui peuvent se dater entre 1420 et 1480. En 1921, R. Wolkan (cf. Bibliographie) avait émis l'opinion que ces mss. copiés à Vienne sous l'impulsion de Johann Hinderbach (né en 1418), secrétaire à la chancellerie impériale, auraient suivi celui-ci à Trente où, en 1455, il avait été nommé prévôt à la cathédrale puis porté à l'évêché en 1465. E. Wellesz va plus loin en les déclarant copiés, à Vienne d'abord puis à Trente, sur ordre de Hinderbach pour sa bibliothèque personnelle qui devait ensuite être donnée au chapitre de la cathédrale (Grove's Dictionary, 5th ed,. 1954). Cependant, comme on ne trouve dans ces mss. aucune pièce de circonstance de la vie de l'empereur Friedrich III, alors que les allusions à des personnages tridentins, même peu célèbres, y sont évidentes et que l'un des copistes Johannes Wiser occupa diverses charges à Trente de 1459 à 1490, il est logique de penser qu'ils ont plutôt été copiés, sinon tous à Trente même, du moins dans l'Italie du nord (cf. Bibliographie, Lunelli). Il est possible aussi qu'ils aient été acquis (en tout cas les plus anciens) par l'évêque de Trente Alexander Masowien, alors en relation avec Amédée VIII de Savoie pour la chapelle duquel ils auraient été copiés (cf. WardTS, p. 144). — On peut diviser ces 7 mss. en deux groupes: d'une part 87 et 92 qui sont les plus anciens, d'autre part 88, 89, 90, 91 et 93 qui sont légèrement postérieurs, 91 étant le plus récent. Le même papier et le même scribe, qui inscrit son nom Puntschucherh au bas du f. 161 du ms 87 (mais s'agit-il d'un nom? Cf. Flotzinger, Bibliographie TRbc 87) se retrouvent pour la première partie du ms. 87 (f. 1—218) et la deuxième partie du ms. 92 (f. 144—239), la relation entre les deux mss. étant de plus soulignée par le fait qu'un Kyrie de Binchois au f. 56v du ms. 87 (n° 34) est accompagné d'une mention renvoyant pour Y Et in terra suivant au premier f. du ms. 92 (n° 2). Ces deux mss. ont certainement été copiés avant 1450 dans l'Italie du Nord, tandis que l'on peut fixer approximativement la date de compilation des cinq autres entre 1445 et 1480, le scribe Johannes Wiser en ayant copié la plus grande partie à Trente même.

Ms. 89

XVe s. 425 [= 426] ff. Papier, 310X210 mm. Foliotation ancienne. Le f. 235 chiffré 2 fois. Les ff. 11, 12v, 24, 57, 81, 83, 93v à 95, 106v, 107, 151, 176v, 198v, 207, 223, 235a, 238 240v, 241, 256v à 257v, 282, 293v, 294, 304v à 306, 342, 366, 378, 400, 404 sont blancs. Notation mesurée blanche. 8 portées par p. Au f. 199 poème sans musique. Aux ff. 245v-246, pièce sans texte copiée postérieurement sur une feuille collée sur les anciens feuillets blancs et portant: Contrabassus, Contratenoris au début de chacune des parties.

Ms. copié lui aussi par Johannes Wiser à la même époque que le précédent, ainsi que le confirment les dates de 3 pièces de circonstance: le n° 74 à l'occasion de la reddition de Bordeaux au roi Charles VII en juin 1451, le poème sans musique du f. 199 Clerus istius venerandus urbis . . . qui célèbre l'élection de Hinderbach à l'évéché de Trente en 1465 (facs.: DTÖ 14/15), et le n° 236 qui fait allusion à son successeur Georg II élu en 1486.

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Répertoire International des Sources Musicales

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

TRENT. Museo Provinciale d'Arte, Castello del Buon Consiglio. MS 89

1 plenary Mass, 19 Masses, 2 Kyrie-Gloria pairs, 1 Gloria-Credo pair, 9 Kyries, 2 Glorias, 1 Credo, 6 Sanctus, 1 Agnus fragment, 22 Mass Proper sections, 13 Magnificats, 1 Magnificat section, 26 office hymns, 2 processional hymns, 61 motets, 1 Latin/German sacred piece, 9 French secular pieces (8 without text), 3 German secular pieces, 2 Italian secular pieces (1 without text), 1 Latin secular piece, 9 textless pieces, 1 textless fragment = 193

(Barbingant)-1 + 1?, (Basiron?)-1, Bassere-1, Bedingham-(Dunstable)-1, (Busnois)-2, (Caron)-3, (N. Clibano)-1, (Cornago)-1, (Dufay)-4 + 4?, (Dux Burgensis)-1, (Flemmik)-1, (Forest?)-1, Hayne van Ghizeghem-1, Hermannus de Atrio-2, Martini/(Isaac) -1, Piret-1, (Sandley?)-1, Tallafangi-1, (Tinctoris)-1, Touront-4, anon-158

427 paper folios, 310 x 210. Composite of originally separate fascicles later bound together (KanP). Modern foliation, 1-425 (one folio following f. 189 not numbered; "235" applied to two consecutive folios). Blank staves only on ff. 11, 12', 24, 57, 81, 83, 93'-95, 106'-107, 118'-119, 151, 176', 189[b], 198', 207, 223, 235a, 238, 240'-241, 256'-257', 282, 293'-294, 304'-306, 342, 366, 378, 400, 404, 425'. Original covers of tooled leather over wooden boards. No index.

Copied by severed scribes, including Johannes Wiser, rector of cathedral school at Trent 1459-65, later chaplain to Johannes Hinderbach, Bishop of Trent 1465-86. A few inked calligraphic initials; no other decoration. Watermarks (none in Briquet): (1) three-peaked mountain surmounted by six-petalled flower; (2) ox head surmounted by six-petalled flower; (3) ox head surmounted by seven-petalled flower (same mark also appears in TrentC 88); (4) three-peaked mountain surmounted by seven-petalled flower (same mark also appears in TrentC 88).

Ca. 1460-80. Copied in Trent. Transferred to Vienna in 1891, but returned to Trent following World War I.

Vol 4

Composers: Change "(Busnois)-2" to "(Busnois)-2 + 1?"; change "Touront-4" to "Touront-5"; change "anon-158" to "anon-156."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Number of voices	Source attribution	Composers (? Uncertain)
1	Ave maris stella / Ave Katherina	3	-	Anonymous
Ave maris stella / Ave Katherina Anonymous Appears on: 1 Genres: Ave maris stella, BVM, Motet Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Ave maris stella Voice: Tenor Languages: Latin Clef: c4 Voice Text: Ave maris Voice: Contratenor Languages: Latin Clef: c4 Voice Text: Ave maris General Note Text incipits for !Ave maris stella" written under music. Full text of "Ave Katherina" written across the top of the page Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 53 (XXVII).
1v–3	Missa Fons bonitatis: Kyrie fons bonitatis	3	-	Anonymous
Missa Fons bonitatis: Kyrie fons bonitatis Anonymous Appears on: 1v–3 Genres: Kyrie eleison, Mass Ordinary Number of voices: 3 Voice: [no designation] Languages: Latin, Greek Mensuration: o Clef: c2 Voice Text: Kyrie fons bonitatis Voice: Tenor Languages: Latin, Greek Mensuration: o Clef: f4 Voice Text: Kyrie fons bonitatis Voice: Contratenor Languages: Latin, Greek Mensuration: o Clef: f4 Voice Text: Kyrie fons bonitatis Layout All voices fully-texted Item Bibliography Gottlieb, Louis Edward. 1958. The cyclic masses of Trent Codex 89. University of California, Los Angeles, Ph.D. Dissertation.
3v–5	Missa Fons bonitatis: Et in terra pax [Gloria]	3	-	Anonymous
Missa Fons bonitatis: Et in terra pax [Gloria] Anonymous Appears on: 3v–5 Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Et in terra pax hominibus Voice: Tenor Languages: Latin Mensuration: o Clef: f4 Voice Text: ...Gratias agimus Voice: Contratenor Languages: Latin Clef: f4 Voice Text: Et in terra Item Bibliography Gottlieb, Louis Edward. 1958. The cyclic masses of Trent Codex 89. University of California, Los Angeles, Ph.D. Dissertation.
5v–7	Missa Fons bonitatis: Patrem omnipotentem [Credo]	3	-	Anonymous
Missa Fons bonitatis: Patrem omnipotentem [Credo] Anonymous Appears on: 5v–7 Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: o Clef: c2 Voice Text: Patrem omnipotentem factorem Voice: Tenor Languages: Latin Mensuration: o Clef: f4 Voice Text: ...Et in unum dominum Voice: Contratenor Languages: Latin Mensuration: o Clef: f4 Voice Text: Patrem Item Bibliography Gottlieb, Louis Edward. 1958. The cyclic masses of Trent Codex 89. University of California, Los Angeles, Ph.D. Dissertation.
7v–9	Missa Fons bonitatis: Sanctus	3	-	Anonymous
Missa Fons bonitatis: Sanctus Anonymous Appears on: 7v–9 Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: o Clef: c2 Voice Text: Sanctus Voice: Tenor Languages: Latin Mensuration: o Clef: f4 Voice Text: Sanctus Voice: Contratenor Languages: Latin Mensuration: o Clef: f4 Voice Text: Sanctus Item Bibliography Gottlieb, Louis Edward. 1958. The cyclic masses of Trent Codex 89. University of California, Los Angeles, Ph.D. Dissertation.
9v–10v	Missa Fons bonitatis: Agnus Dei Qui tollis	3	-	Anonymous
Missa Fons bonitatis: Agnus Dei Qui tollis Anonymous Appears on: 9v–10v Genres: Agnus Dei, Mass Ordinary Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: o Clef: c2 Voice Text: [Agnus dei] Qui tollis Voice: Tenor Languages: Latin Mensuration: o Clef: f4 Voice Text: ...Miserere Voice: Contratenor Languages: Latin Mensuration: o Clef: f4 Voice Text: Qui tollis Item Bibliography Gottlieb, Louis Edward. 1958. The cyclic masses of Trent Codex 89. University of California, Los Angeles, Ph.D. Dissertation.
11v–12	Kyrie eleison	3	-	Anonymous
Kyrie eleison Anonymous Appears on: 11v–12 Genres: Kyrie eleison, Mass Ordinary Number of voices: 3 Voice: [no designation] Languages: Greek Mensuration: o Clef: g2 Voice Text: Kyrie Voice: Tenor Languages: Greek Mensuration: o Clef: c3 Voice Text: Kyrie Voice: Contratenor Languages: Latin Mensuration: o Clef: c4 Voice Text: Kyrie
13	Salve festa dies toto venerabilis	3	-	Anonymous
Salve festa dies toto venerabilis Anonymous Appears on: 13 Genres: Hymn Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: Salve festa dies. Toto venerabilis Voice: Tenor Languages: Latin Clef: c4 Voice Text: Toto venerabilis Voice: Contratenor Languages: Latin Clef: c4 Voice Text: Toto venerabilis
13v–15	Missa Sine nomine: Gloria	3	-	Tourout (Touront), Johannes (ca. 1450–ca. 1475)
Missa Sine nomine: Gloria Tourout (Touront), Johannes (ca. 1450–ca. 1475) Appears on: 13v–15 Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: [Gloria] Et in terra pax hominibus Voice: Tenor Languages: Latin Mensuration: o Clef: c3 Voice Text: Et in terra Voice: Contratenor Languages: Latin Mensuration: o Clef: c4 Voice Text: Et in terra
15v–17	Missa Sine nomine: Credo	3	-	Tourout (Touront), Johannes (ca. 1450–ca. 1475)
Missa Sine nomine: Credo Tourout (Touront), Johannes (ca. 1450–ca. 1475) Appears on: 15v–17 Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: [Credo] Patrem omnipotentem factorem Voice: Tenor Languages: Latin Mensuration: o Clef: c3 Voice Text: Patrem Voice: Contratenor Languages: Latin Mensuration: o Clef: c4 Voice Text: Patrem
17v–19	Missa Sine nomine: Sanctus	3	-	Tourout (Touront), Johannes (ca. 1450–ca. 1475)
Missa Sine nomine: Sanctus Tourout (Touront), Johannes (ca. 1450–ca. 1475) Appears on: 17v–19 Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: Sanctus Voice: Tenor Languages: Latin Mensuration: o Clef: c3 Voice Text: Sanctus Voice: Contratenor Languages: Latin Mensuration: o Clef: c4 Voice Text: Sanctus
19v–20	Missa Sine nomine: Agnus Dei	3	-	Tourout (Touront), Johannes (ca. 1450–ca. 1475)
Missa Sine nomine: Agnus Dei Tourout (Touront), Johannes (ca. 1450–ca. 1475) Appears on: 19v–20 Genres: Agnus Dei, Mass Ordinary Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: Agnus dei Voice: Tenor Languages: Latin Mensuration: o Clef: c3 Voice Text: Agnus dei Voice: Contratenor Languages: Latin Mensuration: o Clef: c4 Voice Text: Agnus dei
20v–21	Asperges me Domine isopo et mundabor	3	-	Anonymous
Asperges me Domine isopo et mundabor Anonymous Appears on: 20v–21 Genres: Asperges me, Motet Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: Asperges me. Domine ysopo et mundabor Voice: Tenor Languages: Latin Mensuration: o Clef: c4 Voice Text: Domine ysopo Voice: Contratenor Languages: Latin Mensuration: o Clef: c4 Voice Text: Domine ysopo General Note 3 verses
21v–25	Magnificat quarti toni: Et exultavit [K.243]	3	-	Anonymous
Magnificat quarti toni: Et exultavit [K.243] Anonymous Appears on: 21v–25 Genres: BVM, Canticle, Magnificat Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: [Magnificat] Et exultavit spiritus meus Voice: Tenor Languages: Latin Mensuration: o Clef: c4 Voice Text: Et exultavit Voice: Contratenor Languages: Latin Mensuration: o Clef: c4 Voice Text: Et exultavit General Note Even verses; the final verse"Sicut erat" is marked 'ad placitum'
25v–26	Amours amours trop me fiers de tes dars	3	HEYNE	Ghizeghem, Hayne van (ca. 1445–ca. 1497)
Amours amours trop me fiers de tes dars Ghizeghem, Hayne van (ca. 1445–ca. 1497) Appears on: 25v–26 Genres: Chanson Source Attribution: HEYNE Number of voices: 3 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice Text: untexted Voice: Tenor Languages: none Clef: c4 Voice Text: untexted Voice: Contratenor Languages: none Mensuration: cut-c Clef: f4 Voice Text: untexted General Note Publ. cf. Bc 16 n° 20
26v–28	Missa Gross sehen: Kyrie	4	-	Anonymous
Missa Gross sehen: Kyrie Anonymous Appears on: 26v–28 Genres: Kyrie eleison, Mass Ordinary Number of voices: 4 Voice: [no designation] Languages: Greek Mensuration: c Clef: c1 Voice Text: Kirie leyson Voice: Contratenor bassus Languages: Greek Mensuration: c Clef: f4 Voice Text: Kirie leyson Voice: Contratenor altus Languages: Greek Mensuration: c Clef: c4 Voice Text: Kirie leyson Voice: Tenor Languages: none Clef: c4 Voice Text: [canon: Notas duplicabunt ad ymum] untexted General Note T: Notas duplicabunt ad ymum [immum]. Item Bibliography Gottlieb, Louis Edward. 1958. The cyclic masses of Trent Codex 89. University of California, Los Angeles, Ph.D. Dissertation.
28v–31	Missa Gross sehen: Et in terra pax [Gloria]	4	-	Anonymous
Missa Gross sehen: Et in terra pax [Gloria] Anonymous Appears on: 28v–31 Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: o Clef: c2 Voice Text: [Gloria] Et in terra Voice: Bassus Languages: none Clef: f4 Voice Text: untexted Voice: Tenor Languages: none Mensuration: o-dot Clef: c4 Voice Text: [various canons] untexted Voice: Contratenor altus Languages: Latin Mensuration: o Clef: c4 Voice Text: Et in terra General Note T: (Et in terra) in triplo crescere debet (Qui tollis) In triplo crescit sed clausulando decrescit (Cum sancto) Crecit in duplum idem Item Bibliography Gottlieb, Louis Edward. 1958. The cyclic masses of Trent Codex 89. University of California, Los Angeles, Ph.D. Dissertation.
31v–35	Missa Gross sehen: Patrem omnipotentem [Credo]	4	-	Anonymous
Missa Gross sehen: Patrem omnipotentem [Credo] Anonymous Appears on: 31v–35 Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: o Clef: c2 Voice Text: [Credo] Patrem omnipotentem factorem Voice: Bassus Languages: Latin Clef: f4 Voice Text: ...Et invisibilium Voice: Contratenor altus Languages: Latin Mensuration: o Clef: c4 Voice Text: Patrem Voice: Tenor Languages: none Mensuration: o-dot Clef: c4 Voice Text: [various canons] untexted General Note T: (Patrem) cantet si notas pausasque triples (Crucifixus) Tenor in quadruplo crescat sed clausulando decrescat. Sed inter binas minimas prima clausulatir aut expressior sine positura (Confiteor) Notas ut iacet cantabis nec deviabis Item Bibliography Gottlieb, Louis Edward. 1958. The cyclic masses of Trent Codex 89. University of California, Los Angeles, Ph.D. Dissertation.
35v–39	Missa Gross sehen: Sanctus	4	-	Anonymous
Missa Gross sehen: Sanctus Anonymous Appears on: 35v–39 Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: o Clef: c2 Voice Text: Sanctus Voice: Bassus Languages: Latin Clef: f4 Voice Text: Sanctus Voice: Altus Languages: Latin Mensuration: o Clef: c4 Voice Text: Sanctus Voice: Tenor Languages: Latin Mensuration: o-dot Clef: c4 Voice Text: Sanctus [various canons] General Note T: (Sanctus) Notas triplabunt pausasque recte numerando (Osanna) Cantandus tenor est triplaris notaque pausa. Sed clausulando decrescere bene canendo Item Bibliography Gottlieb, Louis Edward. 1958. The cyclic masses of Trent Codex 89. University of California, Los Angeles, Ph.D. Dissertation.
39v–41	Missa Gross sehen: Agnus Dei	4	-	Anonymous
Missa Gross sehen: Agnus Dei Anonymous Appears on: 39v–41 Genres: Agnus Dei, Mass Ordinary Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: c Clef: c2 Voice Text: Agnus Voice: Bassus Languages: Latin Mensuration: c Clef: f4 Voice Text: Agnus Voice: Altus Languages: Latin Mensuration: c Clef: c4 Voice Text: Agnus Voice: Tenor Languages: Latin Mensuration: c Clef: c4 Voice Text: Agnus dei, ut iacet General Note T: Ut iacet Item Bibliography Gottlieb, Louis Edward. 1958. The cyclic masses of Trent Codex 89. University of California, Los Angeles, Ph.D. Dissertation.
41v–44	Magnificat Primi Toni: Et exultavit [K.130]	3	-	Anonymous
Magnificat Primi Toni: Et exultavit [K.130] Anonymous Appears on: 41v–44 Genres: BVM, Canticle, Magnificat Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: [Magnificat] Et exultavit Voice: Tenor Languages: none Clef: c4 Voice Text: untexted Voice: Contratenor Languages: none Clef: c4 Voice Text: untexted General Note Even verses. Ct labelled 'Tenor' in opening verse only
44v–46	Magnificat Sexti Toni: Et exultavit [K.306]	3	-	Anonymous
Magnificat Sexti Toni: Et exultavit [K.306] Anonymous Appears on: 44v–46 Genres: BVM, Canticle, Magnificat Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: [Magnificat] Et exultavit spiritus meus Voice: Tenor Languages: Latin Clef: c4 Voice Text: Et exultavit Voice: Contratenor Languages: Latin Mensuration: o Clef: c4 Voice Text: Et exultavit General Note Versets pairs.
46v	Missa Ad fugam: Kyrie	3-ex-1	-	Anonymous
Missa Ad fugam: Kyrie Anonymous Appears on: 46v Genres: Kyrie eleison, Mass Ordinary Number of voices: 3-ex-1 Voice: [no designation] Languages: Greek Mensuration: o Clef: c3 Voice Text: [Missa Ad fugam] Kyrie General Note For the whole mass, cf. TRbc 91 n° 196-200. Layout One voice written out, with 'signa congruentiae' to mark where other voices enter in canon Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 38.
47–48	Missa (3vv): Kyrie eleison	3	TOURONT	Tourout (Touront), Johannes (ca. 1450–ca. 1475) (?)
Missa (3vv): Kyrie eleison Tourout (Touront), Johannes (ca. 1450–ca. 1475) (?) Appears on: 47–48 Genres: Kyrie eleison, Mass Ordinary Source Attribution: TOURONT Number of voices: 3 Voice: [no designation] Languages: Latin, Greek Mensuration: o Clef: c1 Voice Text: Kyrie Voice: Tenor Languages: Greek Mensuration: o Clef: c4 Voice Text: Kyrie Voice: Contratenor Languages: Greek Mensuration: o Clef: c4 Voice Text: Kyrie
48v–50	Missa (3vv): Et in terra pax [Gloria]	3	[TOURONT?]	Tourout (Touront), Johannes (ca. 1450–ca. 1475) (?)
Missa (3vv): Et in terra pax [Gloria] Tourout (Touront), Johannes (ca. 1450–ca. 1475) (?) Appears on: 48v–50 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: [TOURONT?] Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: [Gloria] Et in terra pax hominibus Voice: Tenor Languages: Latin Mensuration: o Clef: c3 Voice Text: Et in terra Voice: Contratenor Languages: Latin Mensuration: o Clef: c4 Voice Text: Et in terra
50v–53	Missa (3vv): Patrem omnipotentem [Credo]	3	[TOURONT?]	Tourout (Touront), Johannes (ca. 1450–ca. 1475) (?)
Missa (3vv): Patrem omnipotentem [Credo] Tourout (Touront), Johannes (ca. 1450–ca. 1475) (?) Appears on: 50v–53 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: [TOURONT?] Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: [Credo] Patrem omnipotentem factorem celi Voice: Tenor Languages: Latin Mensuration: o Clef: c4 Voice Text: Patrem omnipotentem Voice: Contratenor Languages: Latin Mensuration: o Clef: c4 Voice Text: Patrem omnipotentem
53v–55	Missa (3vv): Sanctus	3	[TOURONT?]	Tourout (Touront), Johannes (ca. 1450–ca. 1475) (?)
Missa (3vv): Sanctus Tourout (Touront), Johannes (ca. 1450–ca. 1475) (?) Appears on: 53v–55 Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: [TOURONT?] Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: Sanctus Voice: Tenor Languages: Latin Mensuration: o Clef: c4 Voice Text: Sanctus Voice: Contratenor Languages: Latin Mensuration: o Clef: c4 Voice Text: Sanctus
55v–56v	Missa (3vv): Agnus Dei	3	[TOURONT?]	Tourout (Touront), Johannes (ca. 1450–ca. 1475) (?)
Missa (3vv): Agnus Dei Tourout (Touront), Johannes (ca. 1450–ca. 1475) (?) Appears on: 55v–56v Genres: Agnus Dei, Mass Ordinary Source Attribution: [TOURONT?] Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: Agnus dei Voice: Tenor Languages: Latin Mensuration: o Clef: c4 Voice Text: Agnus dei Voice: Contratenor Languages: Latin Mensuration: o Clef: c4 Voice Text: Agnus dei
57v–58v	Missa Sine nomine (tone 5 irregular): Sanctus	3	-	Domarto, Petrus de (?)
Missa Sine nomine (tone 5 irregular): Sanctus Domarto, Petrus de (?) Appears on: 57v–58v Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Sanctus Voice: [no designation] Languages: Latin Clef: f3 Voice Text: Sanctus Voice: [no designation] Languages: Latin Clef: f3 Voice Text: Sanctus
59	Novus annus hodie monet nos	4	-	Anonymous
Novus annus hodie monet nos Anonymous Appears on: 59 Genres: Hymn Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: Novus annus hodie monet nos Voice: Tenor Languages: Latin Clef: c4 Voice Text: Novus annus Voice: Contratenor primus Languages: Latin Clef: c4 Voice Text: Novus annus hodie Voice: Contratenor secundus Languages: none Mensuration: o Clef: c3 Voice Text: untexted
59v–60	Scitote quoniam	3	[PIRET] ?	Piret (?)
Scitote quoniam Piret (?) Appears on: 59v–60 Genres: Introit, Proper Source Attribution: [PIRET] ? Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Scitote. Quoniam mirificavit dominus Voice: Tenor Languages: Latin Clef: c4 Voice Text: Quoniam mirificavit Voice: Contratenor Languages: Latin Clef: c4 Voice Text: Quoniam mirificavit General Note At top: Introitus missae B Anthonii Item Bibliography Gottlieb, Louis Edward. 1958. The cyclic masses of Trent Codex 89. University of California, Los Angeles, Ph.D. Dissertation.
60v–62	Missa Beati Anthonii: Et in terra pax [Gloria]	3	PIRET	Piret (?)
Missa Beati Anthonii: Et in terra pax [Gloria] Piret (?) Appears on: 60v–62 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: PIRET Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c1 Voice Text: [Gloria] Et in terra pax hominibus Voice: Tenor Languages: Latin Clef: c4 Voice Text: Et in terra Voice: Contratenor Languages: none Clef: c4 Voice Text: untexted Item Bibliography Gottlieb, Louis Edward. 1958. The cyclic masses of Trent Codex 89. University of California, Los Angeles, Ph.D. Dissertation.
62v–64	Tronus eius sicut sol	3	[PIRET] ?	Piret (?)
Tronus eius sicut sol Piret (?) Appears on: 62v–64 Genres: Motet Source Attribution: [PIRET] ? Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Tronus. Eius sicut sol Voice: Tenor Languages: Latin Clef: c4 Voice Text: Eius Voice: Contratenor Languages: none Clef: c4 Voice Text: untexted Item Bibliography Gottlieb, Louis Edward. 1958. The cyclic masses of Trent Codex 89. University of California, Los Angeles, Ph.D. Dissertation.
64v–65	Alleluia. Vox de caelo	2-3	[PIRET] ?	Piret (?)
Alleluia. Vox de caelo Piret (?) Appears on: 64v–65 Genres: Motet Source Attribution: [PIRET] ? Number of voices: 2-3 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Alleluia. Vox de celo Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Alleluia Voice: Contratenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Alleluia. Vox de celo General Note 3vv in Alleluia, 2vv in verse Item Bibliography Gottlieb, Louis Edward. 1958. The cyclic masses of Trent Codex 89. University of California, Los Angeles, Ph.D. Dissertation.
65v–68	Missa Beati Anthonii: Patrem omnipotentem [Credo]	3	[PIRET] ?	Piret (?)
Missa Beati Anthonii: Patrem omnipotentem [Credo] Piret (?) Appears on: 65v–68 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: [PIRET] ? Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Patrem omnipotentem factorem celi Voice: Tenor Languages: Latin Clef: c3 Voice Text: ...Visibilium Voice: Contratenor Languages: Latin Clef: c3 Voice Text: Patrem Item Bibliography Gottlieb, Louis Edward. 1958. The cyclic masses of Trent Codex 89. University of California, Los Angeles, Ph.D. Dissertation.
68v–69	Inclito Anthonio	3	[PIRET]?	Piret (?)
Inclito Anthonio Piret (?) Appears on: 68v–69 Genres: Motet Source Attribution: [PIRET]? Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Inclito. Anthonio spiritus sanctus Voice: Tenor Languages: Latin Clef: c4 Voice Text: Anthonio Voice: Contratenor Languages: Latin Clef: c4 Voice Text: Anthonio Item Bibliography Gottlieb, Louis Edward. 1958. The cyclic masses of Trent Codex 89. University of California, Los Angeles, Ph.D. Dissertation.
69v–70	Missa Beati Anthonii: Sanctus	3	[PIRET]?	Piret (?)
Missa Beati Anthonii: Sanctus Piret (?) Appears on: 69v–70 Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: [PIRET]? Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Sanctus Voice: Tenor Languages: Latin Clef: c4 Voice Text: Sanctus Voice: Contratenor Languages: Latin Clef: c4 Voice Text: Sanctus Item Bibliography Gottlieb, Louis Edward. 1958. The cyclic masses of Trent Codex 89. University of California, Los Angeles, Ph.D. Dissertation.
70v	Missa Beati Anthonii: Agnus Dei	3	[PIRET]?	Piret (?)
Missa Beati Anthonii: Agnus Dei Piret (?) Appears on: 70v Genres: Agnus Dei, Mass Ordinary Source Attribution: [PIRET]? Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Agnus dei Voice: Tenor Languages: Latin Clef: c4 Voice Text: Agnus Voice: Contratenor Languages: Latin Clef: c4 Voice Text: Agnus Item Bibliography Gottlieb, Louis Edward. 1958. The cyclic masses of Trent Codex 89. University of California, Los Angeles, Ph.D. Dissertation.
71–72	Missa Te Deum laudamus: Kyrie	4	-	Anonymous
Missa Te Deum laudamus: Kyrie Anonymous Appears on: 71–72 Genres: Kyrie eleison, Mass Ordinary Number of voices: 4 Voice: [no designation] Languages: Greek Mensuration: o Clef: c1 Voice Text: [Missa Te deum laudamus] Kyrie Voice: Contratenor Languages: Greek Mensuration: o Clef: c3 Voice Text: Kyrie Voice: Contratenor bassus Languages: Greek Mensuration: o Clef: c4 Voice Text: Kyrie Voice: Tenor Languages: Latin Mensuration: crossed-o Clef: c4 Voice Text: Te deum laudamus General Note T: Te deum laudamus. Canon: Primo et tertio modo sic [crossed-o mensuration]; secundo modo dicatur sic ad medietatem [cut-c and crossed-o] Item Bibliography Gottlieb, Louis Edward. 1958. The cyclic masses of Trent Codex 89. University of California, Los Angeles, Ph.D. Dissertation.
72v–74v	Missa Te Deum laudamus: Et in terra pax [Gloria]	4	-	Anonymous
Missa Te Deum laudamus: Et in terra pax [Gloria] Anonymous Appears on: 72v–74v Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: Et in terra pax hominibus Voice: Tenor Languages: Latin Mensuration: o Clef: c3 Voice Text: Te deum laudamus Voice: Contratenor Languages: Latin Mensuration: o Clef: c3 Voice Text: Et in terra Voice: Tenor Bassus Languages: Latin Mensuration: o Clef: c4 Voice Text: Et in terra General Note T: Te deum laudamus. Canon: (Et in terra) Primo et tertio scilicet de modo perfecto temporibus perfectis, et secudo dicatur de eodem modo temporibus imperfectis. (Domine Deus) Secundo modo de modo perfecto, tempore imperfecto alterationibus servatis et 3o ut primo. Item Bibliography Gottlieb, Louis Edward. 1958. The cyclic masses of Trent Codex 89. University of California, Los Angeles, Ph.D. Dissertation.
74v–77	Missa Te Deum laudamus: Patrem omnipotentem [Credo]	4	-	Anonymous
Missa Te Deum laudamus: Patrem omnipotentem [Credo] Anonymous Appears on: 74v–77 Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: Patrem omnipotentem factorem celi Voice: Tenor Languages: Latin Mensuration: o Clef: c3 Voice Text: Te deum laudamus Voice: Contratenor Languages: Latin Mensuration: o Clef: c3 Voice Text: Patrem Voice: Tenor Bassus Languages: Latin Mensuration: o Clef: c4 Voice Text: Patrem General Note T: Te deum laudamus. Canon: (Patrem) Dicitur ut supra in Gloria de modo perfecto temporibus perfectis servatis alterationibus. (Et resurrexit) Dicitur modo perfecto temporibus imperfectis servatis alterationibus. (Qui cum patre) Ut primo modo Item Bibliography Gottlieb, Louis Edward. 1958. The cyclic masses of Trent Codex 89. University of California, Los Angeles, Ph.D. Dissertation.
77v–79	Missa Te Deum laudamus: Sanctus	4	-	Anonymous
Missa Te Deum laudamus: Sanctus Anonymous Appears on: 77v–79 Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: Sanctus Voice: Tenor Languages: Latin Mensuration: o Clef: c3 Voice Text: Te deum laudamus Voice: Contratenor Languages: Latin Mensuration: o Clef: c3 Voice Text: Sanctus Voice: Tenor Bassus Languages: Latin Mensuration: o Clef: c4 Voice Text: Sanctus General Note T: Te deum laudamus. (No canon in this section.) Item Bibliography Gottlieb, Louis Edward. 1958. The cyclic masses of Trent Codex 89. University of California, Los Angeles, Ph.D. Dissertation.
79v–80v	Missa Te Deum laudamus: Agnus Dei	4	-	Anonymous
Missa Te Deum laudamus: Agnus Dei Anonymous Appears on: 79v–80v Genres: Agnus Dei, Mass Ordinary Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: Agnus dei qui tollis Voice: Tenor Languages: Latin Mensuration: o Clef: c3 Voice Text: Te deum laudamus Voice: Contratenor Languages: Latin Mensuration: o Clef: c3 Voice Text: Agnus dei Voice: Tenor Bassus Languages: Latin Mensuration: o Clef: c4 Voice Text: Agnus dei General Note T: Te deum laudamus. Canon: Sic debet dici tenor facilius Item Bibliography Gottlieb, Louis Edward. 1958. The cyclic masses of Trent Codex 89. University of California, Los Angeles, Ph.D. Dissertation.
81v–82v	Sanctus Veni creator 'Srotyrzssyke'	4	-	Flemmik
Sanctus Veni creator 'Srotyrzssyke' Flemmik Appears on: 81v–82v Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: Sanctus Voice: Contratenor primus Languages: Latin Mensuration: o Clef: c3 Voice Text: Sanctus Voice: Tenor Languages: Latin Mensuration: o Clef: c3 Voice Text: Sanctus Voice: Contratenor secundus Languages: Latin Mensuration: o Clef: c4 Voice Text: Sanctus
83v–86	Gloria-Credo pair [Tr89-1]: Gloria	4	-	Anonymous
Gloria-Credo pair [Tr89-1]: Gloria Anonymous Appears on: 83v–86 Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: [Gloria] Et in terra pax hominibus bone voluntatis Voice: Tenor Languages: Latin Mensuration: o Clef: c4 Voice Text: Et in terra pax Voice: Contratenor primus Languages: Latin Mensuration: o Clef: c3 Voice Text: Et in terra pax hominibus Voice: Contratenor secundus Languages: Latin Mensuration: o Clef: c3 Voice Text: Et in terra pax hominibus
86v–89	Gloria-Credo pair [Tr89-1]: Credo	4	-	Anonymous
Gloria-Credo pair [Tr89-1]: Credo Anonymous Appears on: 86v–89 Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: [Credo] Patrem omnipotentem factorem celi Voice: Tenor Languages: Latin Mensuration: o Clef: c4 Voice Text: Patrem omnipotentem Voice: Contratenor primus Languages: Latin Mensuration: o Clef: c3 Voice Text: Patrem omnipotentem Voice: Contratenor secundus Languages: Latin Mensuration: o Clef: c3 Voice Text: Patrem omnipotentem
89v	Petrus apostolus - 1a pars (of 3): Petrus apostolus et Paulus doctor	3	-	Anonymous
Petrus apostolus - 1a pars (of 3): Petrus apostolus et Paulus doctor Anonymous Appears on: 89v Genres: Motet Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Petrus apostolus. Et Paulus doctor Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Et Paulus doctor Voice: Contratenor Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Et Paulus doctor General Note Suivi de: [Tradent enim vos] in consilio . . .[Estote fortes in bello] et pugnate
89v–90	Petrus apostolus - 2a pars (of 3): Tradent enim vos in conciliis et in synagogis	3	-	Anonymous
Petrus apostolus - 2a pars (of 3): Tradent enim vos in conciliis et in synagogis Anonymous Appears on: 89v–90 Genres: Motet Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Tradent enim vos. In conciliis et in synagogis Voice: Tenor Languages: Latin Clef: c4 Voice Text: In conciliis Voice: Contratenor Languages: Latin Clef: c4 Voice Text: In conciliis
90	Petrus apostolus - 3a pars (of 3): Estote fortes in bello et pugnate	3	-	Anonymous
Petrus apostolus - 3a pars (of 3): Estote fortes in bello et pugnate Anonymous Appears on: 90 Genres: Motet Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Estote fortes in bello. Et pugnate Voice: Tenor Languages: Latin Clef: c4 Voice Text: Et pugnate Voice: Contratenor Languages: Latin Clef: c4 Voice Text: Et pugnate
90v	Iste sanctus pro lege Dei	3	-	Anonymous
Iste sanctus pro lege Dei Anonymous Appears on: 90v Genres: Hymn Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Iste sanctus. Pro lege dei Voice: Tenor Languages: Latin Clef: c3 Voice Text: Pro lege Voice: Contratenor Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Pro lege dei
90v	Qui vult venire post me	3.	-	Anonymous
Qui vult venire post me Anonymous Appears on: 90v Genres: Hymn Number of voices: 3. Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Qui vult venire post me, Abnehet semetipsum Voice: Tenor Languages: Latin Clef: c4 Voice Text: Abneget Voice: Contratenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Abneget
91	Sancti et justi in Domino	3	-	Anonymous
Sancti et justi in Domino Anonymous Appears on: 91 Genres: Hymn Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Sancti et iusti. In domino gaudete Voice: Tenor Languages: Latin Clef: c3 Voice Text: In domino gaudete Voice: Contratenor Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: In domino gaudete
91	Istorum est enim regnum caelorum	3.	-	Anonymous
Istorum est enim regnum caelorum Anonymous Appears on: 91 Genres: Hymn Number of voices: 3. Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Istorum est enim regnum celorum. Qui contempserunt vitam mundi Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Qui contempserunt Voice: Contratenor Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Qui contempserunt
91v–931v	Gaudent in caelis animae sanctorum	3	-	Anonymous
Gaudent in caelis animae sanctorum Anonymous Appears on: 91v–931v Genres: Hymn Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Gaudent in caelis. Animae sanctorum Voice: Tenor Languages: Latin Clef: c4 Voice Text: Animae sanctorum Voice: Contratenor Languages: Latin Clef: c4 Voice Text: Animae sanctorum
91v–92	Sacerdos et pontifex	3	-	Anonymous
Sacerdos et pontifex Anonymous Appears on: 91v–92 Genres: Hymn Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Sacerdos et pontifex. Et virtutum artifex Voice: Tenor Languages: Latin Clef: c4 Voice Text: Et virtutum Voice: Contratenor Languages: Latin Clef: c4 Voice Text: Et virtutum artifex
92	Amavit eum Dominus	3	-	Anonymous
Amavit eum Dominus Anonymous Appears on: 92 Genres: Hymn Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Amavit eum dominus. Et ornavit eum Voice: Tenor Languages: Latin Clef: c4 Voice Text: Et ornavit Voice: Contratenor Languages: Latin Clef: c4 Voice Text: Et ornavit eum
92v	Similabo eum viro	3	-	Anonymous
Similabo eum viro Anonymous Appears on: 92v Genres: Hymn Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Similabo eum. Viro sapienti Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Viro sapienti Voice: Contratenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Viro sapienti
92v	Prudentes virgines	3	-	Anonymous
Prudentes virgines Anonymous Appears on: 92v Genres: Hymn Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Prudentes virgines. Aptate lampadas vestras Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Aptate Voice: Contratenor Languages: Latin Clef: c4 Voice Text: Aptate lampadas
93	Veni sponsa Christi	3	-	Anonymous
Veni sponsa Christi Anonymous Appears on: 93 Genres: Motet Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Veni sponsa Christi. Accipe coronam Voice: Tenor Languages: Latin Clef: c3 Voice Text: Accipe coronam Voice: Contratenor Languages: Latin Clef: c3 Voice Text: Accipe coronam
95v–96	Salve sancta parens	3	-	Anonymous
Salve sancta parens Anonymous Appears on: 95v–96 Genres: Introit, Proper Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: o Clef: c2 Voice Text: [Salve] Sancta parens Voice: Tenor Languages: Latin Mensuration: o Clef: c4 Voice Text: Sancta parens Voice: Contratenor Languages: Latin Mensuration: o Clef: c5 Voice Text: Sancta parens
96v–97	Benedicta et venerabilis	3	-	Libert, Reginaldus
Benedicta et venerabilis Libert, Reginaldus Appears on: 96v–97 Genres: Motet Number of voices: 3 Voice: [no designation] Languages: Latin Clef: f2 Voice Text: Benedicta et venerabilis et virgo maria Voice: Contratenor Languages: Latin Clef: f4 Voice Text: Benedicta et venerabilis Voice: [no designation] Languages: Latin Clef: f3 Voice Text: Benedicta et venerabilis
97v–98v	Ave Maria gratia plena Dominus tecum	3	-	Anonymous
Ave Maria gratia plena Dominus tecum Anonymous Appears on: 97v–98v Genres: Ave Maria, Motet Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: c Clef: c2 Voice Text: Dominus tecum virgo serena Voice: Contratenor Languages: Latin Mensuration: c Clef: c3 Voice Text: Dominus tecum Voice: Tenor Languages: Latin Mensuration: c Clef: c4 Voice Text: Ave Maria grata plena. Dominus tecum virgo serena
98v–99	Alleluia. Virga Jesse floruit virgo Deum	3	-	Anonymous
Alleluia. Virga Jesse floruit virgo Deum Anonymous Appears on: 98v–99 Genres: Alleluia, Proper Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: c Clef: c3 Voice Text: Alleluia. Virga yesse Voice: Tenor Languages: Latin Clef: f4 Voice Text: Alleluia. Virga yesse Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Alleluia. Virga yesse
99v–100	Felix namque es, sacra virgo Maria	5	-	Anonymous
Felix namque es, sacra virgo Maria Anonymous Appears on: 99v–100 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Namque es sacra virgo Maria Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Namque es sacra virgo Maria Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Namque es sacra virgo Maria Voice: [no designation] Languages: Latin Clef: f4 Voice Text: Namque es sacra virgo Maria Voice: [Tenor] Languages: Latin Clef: c3 Voice Text: Felix. Namque es sacra virgo Maria
100v	Beata viscera Mariae virginis	3	-	Anonymous
Beata viscera Mariae virginis Anonymous Appears on: 100v Genres: Motet Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: c Clef: c4 Voice Text: Beata viscera Mariae virginis Voice: [no designation] Languages: Latin Mensuration: c Clef: c4 Voice Text: Beata viscera Mariae virginis Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Beata viscera Mariae virginis
100v–101	Regina caeli laetare alleluia	3	-	Anonymous
Regina caeli laetare alleluia Anonymous Appears on: 100v–101 Genres: Motet, Regina caeli laetare Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Regina celi. Letare alleluia Voice: Tenor Languages: Latin Clef: c4 Voice Text: Letare alleluia Voice: Contratenor Languages: Latin Clef: c4 Voice Text: Letare alleluia
101v–102	Haec dies quam fecit	3	-	Anonymous
Haec dies quam fecit Anonymous Appears on: 101v–102 Genres: Gradual, Motet Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Quam fecit dominus exultemus Voice: [no designation] Languages: Latin Clef: c5 Voice Text: Quam fecit dominus exultemus Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Hec dies. Quam fecit dominus exultemus
102v–103	Salve regina mater misericordiae	3-ex-2	-	Anonymous
Salve regina mater misericordiae Anonymous Appears on: 102v–103 Genres: BVM, Motet, Salve Regina Number of voices: 3-ex-2 Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Salve regina misericordie Vita dulcedo Voice: Contratenor Languages: Latin Mensuration: cut-c Clef: f3 Voice Text: Salve regina General Note Canon: Superius - Tenor : Qui medio premis cantu tibi tempora primis / Incipio sedem verticis atque pedem / Sed binis refert brevibus qui psallere prefert / Et dyapason eget carmina quisquis aget
103v–105	Ave regina caelorum	5	-	Anonymous
Ave regina caelorum Anonymous Appears on: 103v–105 Genres: BVM, Motet Number of voices: 5 Voice: [no designation] Languages: Latin Clef: g2 Voice Text: Ave regina celorum Voice: Tenor Primus Languages: Latin Clef: c4 Voice Text: Ave regina celorum Voice: Contratenor Languages: Latin Clef: c2 Voice Text: ... Ave domina angelorum Voice: Tenor secundus Languages: Latin Clef: c5 Voice Text: ... Ave domina angelorum Voice: Tertius Tenor Languages: Latin Clef: c5 Voice Text: ... Ave domina angelorum
105v–106	untexted	4	-	-
untexted - Appears on: 105v–106 Genres: textless Number of voices: 4 Voice: [no designation] Languages: none Clef: c1 Voice Text: untexted Voice: [no designation] Languages: none Clef: c3 Voice Text: untexted Voice: [no designation] Languages: none Clef: c5 Voice Text: untexted Voice: [no designation] Languages: none Clef: c4 Voice Text: untexted
107v–109	Missa [Tr89-1] (voces pares): Et in terra pax [Gloria]	3	-	Anonymous
Missa [Tr89-1] (voces pares): Et in terra pax [Gloria] Anonymous Appears on: 107v–109 Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: o Clef: c4 Voice Text: [Gloria] Et in terra Voice: [no designation] Languages: Latin Mensuration: o Clef: c4 Voice Text: Et in terra Voice: [no designation] Languages: Latin Mensuration: o Clef: c4 Voice Text: Et in terra
109v–111	Missa [Tr89-1] (voces pares): Patrem omnipotentem [Credo]	3	-	Anonymous
Missa [Tr89-1] (voces pares): Patrem omnipotentem [Credo] Anonymous Appears on: 109v–111 Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: o Clef: c4 Voice Text: [Credo] Patrem omnipotentem factorem Voice: [no designation] Languages: Latin Mensuration: o Clef: c4 Voice Text: Patrem Voice: [no designation] Languages: Latin Mensuration: o Clef: c4 Voice Text: Patrem
111v–113	Missa [Tr89-1] (voces pares): Sanctus	3	-	Anonymous
Missa [Tr89-1] (voces pares): Sanctus Anonymous Appears on: 111v–113 Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: o Clef: c4 Voice Text: Sanctus Voice: [no designation] Languages: Latin Mensuration: o Clef: c4 Voice Text: Sanctus Voice: [no designation] Languages: Latin Mensuration: o Clef: c4 Voice Text: Sanctus
113v–114	Missa [Tr89-1] (voces pares): Agnus Dei	3	-	Anonymous
Missa [Tr89-1] (voces pares): Agnus Dei Anonymous Appears on: 113v–114 Genres: Agnus Dei, Mass Ordinary Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: o Clef: c4 Voice Text: [Agnus dei] Qui tollis Voice: [no designation] Languages: Latin Mensuration: o Clef: c4 Voice Text: Qui tollis Voice: [no designation] Languages: Latin Mensuration: o Clef: c4 Voice Text: Qui tollis
114v–116	Kyrie Deus creator omnium tu Theos (voces pares)	3	-	Anonymous
Kyrie Deus creator omnium tu Theos (voces pares) Anonymous Appears on: 114v–116 Genres: Kyrie eleison, Mass Ordinary, Troped Kyrie Number of voices: 3 Voice: [no designation] Languages: Latin, Greek Mensuration: o Clef: c4 Voice Text: [Kyrie] Deus creator omnium tu theos Voice: [no designation] Languages: Latin, Greek Mensuration: o Clef: c4 Voice Text: [Kyrie] Deus creator omnium tu theos Voice: [no designation] Languages: Latin, Greek Mensuration: o Clef: c4 Voice Text: [Kyrie] Deus creator omnium tu theos
116v–118	Sanctus	3	-	Anonymous
Sanctus Anonymous Appears on: 116v–118 Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: o Clef: c2 Voice Text: Sanctus Voice: Tenor Languages: Latin Mensuration: o Clef: c4 Voice Text: Sanctus Voice: Contratenor Languages: Latin Mensuration: o Clef: c5 Voice Text: Sanctus
119v–120	O rosa bella, o Deitatis cella	3/4	BEDINGHAM [or DUNSTABLE]	Bedingham, John (–ca. 1460) (?) Dunstaple, John (ca. 1390–1453) (?)
O rosa bella, o Deitatis cella Bedingham, John (–ca. 1460) (?) Dunstaple, John (ca. 1390–1453) (?) Appears on: 119v–120 Genres: Motet Source Attribution: BEDINGHAM [or DUNSTABLE] Number of voices: 3/4 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: O rosa bella. Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: O rosa bella. Voice: Contratenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: O rosa bella. Voice: Concordans Languages: none Clef: c1 Voice Text: untexted. "Concordantiae 0 rosa bella cum aliis tribus ut posuit Bedingham et sine his non concordant." Voice: Concordans Languages: none Clef: c4 Voice Text: untexted Voice: Concordans Languages: none Clef: f4 Voice Text: untexted General Note 3vv setting, with 3 additional 'concordans' voices; attrbuted to Bedingham: «Concordantiae 0 rosa bella cum aliis tribus ut posuit Bedingham et sine his non concordant.» Publ. cf. Mc 871 n° 81. Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 14/15 (VII)facs.
120v–121	Quae est ista quae ascendit per desertum	3-ex-2	-	Standley (?)
Quae est ista quae ascendit per desertum Standley (?) Appears on: 120v–121 Genres: Motet Number of voices: 3-ex-2 Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: Que est ista que ascendit Voice: Tenor + Contra Languages: Latin Mensuration: o Clef: c3 Voice Text: Que est ista Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 38 (avec facs. Feininger, Laurence K (editor). 1947-. Documenta Polyphoniae Liturgieae Sanctae Ecclesiae Romanae. Roma. Pages: IV, n° 1 (attrib. à Standley).
121v–123	Odas clangat - 1a pars (of 2): Odas clangat / Jesse produxit	4	-	Anonymous
Odas clangat - 1a pars (of 2): Odas clangat / Jesse produxit Anonymous Appears on: 121v–123 Genres: Motet Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: Odas clangat Voice: Tenor Languages: Latin Mensuration: o Clef: c4 Voice Text: Yesse produxit Voice: Tenor Languages: Latin Mensuration: o Clef: c4 Voice Text: Yesse produxit Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: Odas clangat Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: Odas clangat Voice: Contratenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Yesse produxit Voice: Contratenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Yesse produxit
121v–123	Odas clangat - 2a pars (of 2): untexted	4	-	Anonymous
Odas clangat - 2a pars (of 2): untexted Anonymous Appears on: 121v–123 Genres: Motet, textless Number of voices: 4 Voice: [no designation] Languages: none Mensuration: c Clef: c1 Voice Text: untexted Voice: Tenor Languages: none Mensuration: c Clef: c4 Voice Text: untexted Voice: [no designation] Languages: none Mensuration: c Clef: c1 Voice Text: untexted Voice: Contratenor Languages: none Mensuration: c Clef: c4 Voice Text: untexted
123v–124	Compangant omnes in hoc festo corde = O generosa nata David quia te predixere	3	-	Tourout (Touront), Johannes (ca. 1450–ca. 1475)
Compangant omnes in hoc festo corde = O generosa nata David quia te predixere Tourout (Touront), Johannes (ca. 1450–ca. 1475) Appears on: 123v–124 Genres: Contrafactum Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: o Clef: c2 Voice Text: Compangant omnes [= O generosa nata] Voice: Tenor Languages: Latin Mensuration: o Clef: c4 Voice Text: Compangant Voice: Tenor Languages: Latin Mensuration: o Clef: c4 Voice Text: Compangant Voice: Tenor Languages: Latin Mensuration: o Clef: c4 Voice Text: Compangant Voice: Contratenor Languages: Latin Mensuration: o Clef: f4 Voice Text: Compangant Voice: Contratenor Languages: Latin Mensuration: o Clef: f4 Voice Text: Compangant Voice: Contratenor Languages: Latin Mensuration: o Clef: f4 Voice Text: Compangant
124v–125	Gregatim grex audet - 1a pars (of 2): Gregatim grex audet	4	-	Anonymous
Gregatim grex audet - 1a pars (of 2): Gregatim grex audet Anonymous Appears on: 124v–125 Genres: Motet Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: o Clef: c2 Voice Text: Gregatim grex audet Voice: Tenor Languages: Latin Mensuration: o Clef: f3 Voice Text: Gregatim Voice: Contratenor primus Languages: Latin Mensuration: o Clef: c4 Voice Text: Gregatim Voice: Contratenor secundus Languages: Latin Mensuration: o Clef: f3 Voice Text: Gregatim Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 76 (XL).
125v–126	Gregatim grex audet - 2a pars (of 2): Cessat Deus sedens	4	-	Anonymous
Gregatim grex audet - 2a pars (of 2): Cessat Deus sedens Anonymous Appears on: 125v–126 Genres: Motet Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Cessat Deus sedens Voice: Tenor Languages: Latin Mensuration: cut-c Clef: f3 Voice Text: Cessat Voice: Contratenor secundus Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Cessat Voice: Contratenor secundus Languages: Latin Mensuration: cut-c Clef: f3 Voice Text: Cessat
126v–127	Gaude regina	4	-	Anonymous
Gaude regina Anonymous Appears on: 126v–127 Genres: Motet Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: Gaude regina Voice: Tenor Languages: Latin Mensuration: o Clef: c4 Voice Text: Gaude Voice: Contratenor primus Languages: Latin Mensuration: o Clef: c4 Voice Text: Gaude regina Voice: Contratenor secundus Languages: Latin Mensuration: o Clef: c3 Voice Text: Gaude
127v–128	Regina caeli - 1a pars (of 2): Regina caeli laetare alleluia	4	-	Anonymous
Regina caeli - 1a pars (of 2): Regina caeli laetare alleluia Anonymous Appears on: 127v–128 Genres: Motet, Regina caeli laetare Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: o Clef: c2 Voice Text: ... Letare alleluia Voice: Tenor Languages: Latin Mensuration: o Clef: f4 Voice Text: ... Quia quem meruisti Voice: Contratenor primus Languages: Latin Mensuration: o Clef: c2 Voice Text: Regina celi letare Voice: Contratenor secundus Languages: Latin Mensuration: o Clef: c4 Voice Text: Regina caeli ... alleluia
128v–129	Regina caeli - 2a pars (of 2): Resurrexit sicut dixit	4	-	Anonymous
Regina caeli - 2a pars (of 2): Resurrexit sicut dixit Anonymous Appears on: 128v–129 Genres: Motet Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Resurrexit sicut dixit Voice: Tenor Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: ... Ora pro nobis Voice: Contratenor primus Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Resurrexit Voice: Contratenor secundus Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: ... sicut dixit
129v–130	Adoretur beata trinitas - 1a pars (of 2): Adoretur beata trinitas / In ultimo lucente / Dies datur / Lilia nunc flores / Pacem Deus	5	-	Anonymous
Adoretur beata trinitas - 1a pars (of 2): Adoretur beata trinitas / In ultimo lucente / Dies datur / Lilia nunc flores / Pacem Deus Anonymous Appears on: 129v–130 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: Adoretur beata trinitas Voice: Tenor Languages: Latin Mensuration: o Clef: c4 Voice Text: Pacem deus Voice: Contratenor primus Languages: Latin Mensuration: o Clef: c4 Voice Text: Lilia nunc flores Voice: [no designation] Languages: Latin Clef: g1 Voice Text: In ultimo lucente Voice: alius Contratenor Languages: Latin Mensuration: o Clef: c3 Voice Text: Dies datur iocosa
130v–131	Adoretur beata trinitas - 2a pars (of 2): In [nulleno?] / Pacem Deus / Rex dux noema / Haec dies / Collaudent	5	-	Anonymous
Adoretur beata trinitas - 2a pars (of 2): In [nulleno?] / Pacem Deus / Rex dux noema / Haec dies / Collaudent Anonymous Appears on: 130v–131 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: In [nulleno se coitenario?] Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Pacem deus (c.f.) Voice: Contratenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Rex dux noema Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g1 Voice Text: Hec dies quam fecit Voice: alius Contratenor Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: ... Collaudent celeste
131v–132	Benedicta sit sancta trinitas	4	-	Anonymous
Benedicta sit sancta trinitas Anonymous Appears on: 131v–132 Genres: Introit, Proper Number of voices: 4 Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Benedicta sit sancta trinitas Voice: Tenor Languages: Latin Clef: c4 Voice Text: Benedicta Voice: Tenor Languages: Latin Clef: c4 Voice Text: Benedicta Voice: Tenor Languages: Latin Clef: c4 Voice Text: Benedicta General Note Canon en marge du Sup.: Primus novem, secundus sex, tertius quatuor, solum in primis duabus figuris. Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 38 (avec facs.).
132v–133	Regis caelorum - 1a pars (of 3): Regis caelorum	3-ex-2	-	Anonymous
Regis caelorum - 1a pars (of 3): Regis caelorum Anonymous Appears on: 132v–133 Genres: Motet Number of voices: 3-ex-2 Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: Regis celorum genitrix virgo Voice: Tenor Languages: Latin Mensuration: o Clef: c4 Voice Text: Regis celorum General Note The second voce is labelled "Tenores 2" (in canon, with signum indicating where the second starts) Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 38.
133v–134	Regis caelorum - 2a pars (of 3): Ut sacrum flamen	3-ex-2	-	Anonymous
Regis caelorum - 2a pars (of 3): Ut sacrum flamen Anonymous Appears on: 133v–134 Genres: Motet Number of voices: 3-ex-2 Voice: [no designation] Languages: Latin Mensuration: c Clef: c1 Voice Text: Ut sacrum flamen Voice: Tenor Languages: Latin Mensuration: c Clef: c4 Voice Text: Ut sacrum flamen General Note The second voce is labelled "Tenores" (in canon, with signum indicating where the second starts) Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 38.
134v–135	Regis caelorum - 3a pars (of 3): O quanta pietas	3-ex-2	-	Anonymous
Regis caelorum - 3a pars (of 3): O quanta pietas Anonymous Appears on: 134v–135 Genres: Motet Number of voices: 3-ex-2 Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: O quanta pietas Voice: Tenor Languages: Latin Mensuration: o Clef: c4 Voice Text: O quanta pietas General Note The second voce is labelled "Tenor" but the second tenor is in canon, with signum indicating where the second starts Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 38.
135v–136	O sacrum manna - 1a pars (of 2): O sacrum manna / Ecce panis angelorum	4	-	Anonymous
O sacrum manna - 1a pars (of 2): O sacrum manna / Ecce panis angelorum Anonymous Appears on: 135v–136 Genres: Motet Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: O sacrum manna Voice: [Tenor] Languages: Latin Mensuration: o Clef: c3 Voice Text: Ecce panis angelorum (c.f.) Voice: Contratenor primus Languages: Latin Mensuration: o Clef: c1 Voice Text: O sacrum monstrans Voice: Contratenor secundus Languages: Latin Mensuration: o Clef: c4 Voice Text: O sacrum manna General Note T: Ecce panis angelorum Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 76 (XL).
136v–137	O sacrum manna - 2a pars (of 2): Exorante pia	4	-	Anonymous
O sacrum manna - 2a pars (of 2): Exorante pia Anonymous Appears on: 136v–137 Genres: Motet Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Exorante pia Voice: Tenor Languages: Latin Mensuration: o Clef: c3 Voice Text: Exorante pia Voice: Contratenor primus Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Exorante pia Voice: Contratenor secundus Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Exorante pia Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 76 (XL).
137v–138	Recordare virgo mater - 1a pars (of 2): Recordare virgo mater dum steteris	4	[TAURONT]*	Tourout (Touront), Johannes (ca. 1450–ca. 1475)
Recordare virgo mater - 1a pars (of 2): Recordare virgo mater dum steteris Tourout (Touront), Johannes (ca. 1450–ca. 1475) Appears on: 137v–138 Genres: Offertory + prose, Proper Source Attribution: [TAURONT]* Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: Recordare virgo mater dum steteris Voice: Tenor Languages: Latin Mensuration: o Clef: c4 Voice Text: Recordare virgo mater Voice: Contratenor primus Languages: Latin Mensuration: o Clef: c4 Voice Text: Recordare virgo mater Voice: Contratenor secundus Languages: Latin Mensuration: o Clef: c4 Voice Text: Recordare
138v–139	Recordare virgo mater - 2a pars (of 2): Ab hac familia	4	-	Tourout (Touront), Johannes (ca. 1450–ca. 1475)
Recordare virgo mater - 2a pars (of 2): Ab hac familia Tourout (Touront), Johannes (ca. 1450–ca. 1475) Appears on: 138v–139 Genres: Motet Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Ab hac familia Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Ab hac familia Voice: Contratenor primus Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Ab hac familia Voice: Contratenor secundus Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Ab hac familia tu propitia Concordances *CS-HK II.A.7
139v–141	Sanctus	4	-	Anonymous
Sanctus Anonymous Appears on: 139v–141 Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: Sanctus Voice: [no designation] Languages: Latin Mensuration: o Clef: c3 Voice Text: Sanctus Voice: [no designation] Languages: Latin Mensuration: o Clef: c3 Voice Text: Sanctus Voice: Bassus Languages: Latin Mensuration: o Clef: c4 Voice Text: Sanctus
141v–142	Ut queant laxis resonare fibris	3	-	Anonymous
Ut queant laxis resonare fibris Anonymous Appears on: 141v–142 Genres: Motet Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Ut queant laxis / Gaudio summo Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Ut queant laxis Voice: Contratenor Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Ut queant laxis General Note Superius texted 'Ut queant laxis' in full, also with text incipit 'Gaudio summo'. At top of page is the full text "Literis sacris" as well.
142v	Novus annus adiit in quo Christus prodiit	3	-	Anonymous
Novus annus adiit in quo Christus prodiit Anonymous Appears on: 142v Genres: Hymn Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: o Clef: c2 Voice Text: Novus annus hodie Voice: Tenor Languages: Latin Mensuration: o Clef: c4 Voice Text: Novus annus hodie Voice: Contratenor Languages: Latin Mensuration: o Clef: c4 Voice Text: Novus annus hodie
143	Wunsch alles lustes.	3	-	Anonymous
Wunsch alles lustes. Anonymous Appears on: 143 Genres: Song Number of voices: 3 Voice: [no designation] Languages: German Mensuration: o Clef: c2 Voice Text: Wunsch alles lustes Voice: Tenor Languages: none Clef: c4 Voice Text: untexted Voice: Contratenor Languages: German Clef: f3 Voice Text: Wunsch alles lustes Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 14/15 (VII).
143	Sendliche pein hat mich verwundt.	3	-	Anonymous
Sendliche pein hat mich verwundt. Anonymous Appears on: 143 Genres: Song Number of voices: 3 Voice: [no designation] Languages: German Clef: c1 Voice Text: Sendliche pein hat mich verwundt Voice: Tenor Languages: none Clef: c4 Voice Text: untexted Voice: Contratenor Languages: German Clef: c4 Voice Text: Sendliche pein Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 14/15 (VII).
143v–145	Magnificat sexti toni: Et exultavit [K.295]	2-4	-	Anonymous
Magnificat sexti toni: Et exultavit [K.295] Anonymous Appears on: 143v–145 Genres: BVM, Canticle, Magnificat Number of voices: 2-4 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: [Magnificat] Et exultavit Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Et exultavit Voice: Contratenor Languages: Latin Clef: c4 Voice Text: ... Quia fecit Voice: Contratenor secundus Languages: Latin Clef: c3 Voice Text: ... Fecit potentiam Layout Even verses. 2vv at beginning; expands to 3vv for Quia fecit, and 4vv for Fecit potentiam. Final 3 verses follow the same pattern, 2vv-3vv-4vv.
145v–146	O castitatis lilium (= Advocata libera)	3	-	Tourout (Touront), Johannes (ca. 1450–ca. 1475)
O castitatis lilium (= Advocata libera) Tourout (Touront), Johannes (ca. 1450–ca. 1475) Appears on: 145v–146 Genres: Cantio Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: O castitatis lilium Voice: Tenor Languages: Latin Clef: c4 Voice Text: O castitatis Voice: Contratenor Languages: Latin Mensuration: o Clef: c4 Voice Text: O castitatis
146v–147	Salve regina - 1a pars (of 2): Salve regina mater misericordiae	4	-	Anonymous
Salve regina - 1a pars (of 2): Salve regina mater misericordiae Anonymous Appears on: 146v–147 Genres: BVM, Motet, Salve Regina Number of voices: 4 Voice: [no designation] Languages: Latin Clef: c2 Voice Text: [Salve regina] Vita dulcedo Voice: Tenor Languages: Latin Clef: c4 Voice Text: Vita Voice: Contratenor Languages: Latin Clef: f4 Voice Text: Vita Voice: Contratenor secundus Languages: Latin Clef: c4 Voice Text: Vita Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 53 (XXVII).
147v–148	Salve regina - 2a pars (of 2): Et Jesum benedictum	4	-	Anonymous
Salve regina - 2a pars (of 2): Et Jesum benedictum Anonymous Appears on: 147v–148 Genres: Motet Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Et Jhesum benedictum Voice: Tenor Languages: Latin Clef: c4 Voice Text: Et Jhesum Voice: Contratenor Languages: Latin Clef: f4 Voice Text: Et Jhesum Voice: Contratenor secundus Languages: Latin Clef: c4 Voice Text: Et Jhesum
148v	Assit herus rex sincerus	4	-	Anonymous
Assit herus rex sincerus Anonymous Appears on: 148v Genres: Ballade Number of voices: 4 Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Assit herus rex sincerus Voice: Tenor Languages: none Clef: c4 Voice Text: untexted Voice: Contratenor primus Languages: none Clef: c4 Voice Text: untexted Voice: Contratenor secundus Languages: none Clef: f4 Voice Text: untexted
149	Ex ore tuo = Yerra con poco saber	3	[J. CORNAGO]	Cornago, Juan de
Ex ore tuo = Yerra con poco saber Cornago, Juan de Appears on: 149 Genres: Chanson, Contrafactum, Motet Source Attribution: [J. CORNAGO] Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Ex ore tuo [= Yerra con poco saber] Voice: Tenor Languages: Latin Clef: c5 Voice Text: Ex ore Voice: Contratenor Languages: Latin Clef: c5 Voice Text: Ex ore General Note Publ. cf. MC 871 n° 19
149v–150	Deus Deorum inclite	4	-	Anonymous
Deus Deorum inclite Anonymous Appears on: 149v–150 Genres: Ballade Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: c Clef: c1 Voice Text: Deus deorum inclite Voice: Tenor Languages: none Clef: c4 Voice Text: untexted Voice: Contratenor primus Languages: none Clef: c3 Voice Text: untexted Voice: Contratenor secundus Languages: none Clef: c4 Voice Text: untexted
150v	Der Pfauenschwanz = Ave virgo speciosa = O quam clara testimonia	4	[BARBINGANT]*	Barbingant, Pierre (fl. c1445-60)
Der Pfauenschwanz = Ave virgo speciosa = O quam clara testimonia Barbingant, Pierre (fl. c1445-60) Appears on: 150v Genres: Contrafactum, Dance, Motet Source Attribution: [BARBINGANT]* Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: c Clef: c1 Voice Text: O quam clara testimonia [= Der Pfauenschwanz] Voice: Tenor Languages: none Mensuration: c Clef: c3 Voice Text: Tenor huius. untexted Voice: Contratenor primus Languages: none Clef: c3 Voice Text: untexted Voice: Contratenor secundus Languages: none Clef: c5 Voice Text: untexted General Note (=Der pfobenswancz) Texted: 'O quam clara testimonia' Concordances »CS-HK II.A.7 Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 7, II.
151v–153	Magnificat Sexti Toni: Et exultavit [K.307]	3	-	Anonymous
Magnificat Sexti Toni: Et exultavit [K.307] Anonymous Appears on: 151v–153 Genres: BVM, Canticle, Magnificat Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: [Magnificat] Et exultavit spiritus meus Voice: Tenor Languages: Latin Clef: c4 Voice Text: Et exultavi Voice: Contratenor Languages: Latin Clef: c4 Voice Text: Et exultavit General Note Versets pairs
153v–154	Missa Le serviteur [Tr89]: Kyrie eleison	3	-	Anonymous
Missa Le serviteur [Tr89]: Kyrie eleison Anonymous Appears on: 153v–154 Genres: Kyrie eleison, Mass Ordinary Number of voices: 3 Voice: [no designation] Languages: Greek Mensuration: o Clef: c2 Voice Text: Kyrie Voice: Tenor Languages: Greek Mensuration: o Clef: c4 Voice Text: Kyrie Voice: Contratenor Languages: Greek Mensuration: o Clef: c4 Voice Text: Kyrie
154v–156	Missa Le serviteur [Tr89]: Et in terra pax [Gloria]	3	-	Anonymous
Missa Le serviteur [Tr89]: Et in terra pax [Gloria] Anonymous Appears on: 154v–156 Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c2 Voice Text: [Gloria] Et in terra pax hominibus Voice: Tenor Languages: Latin Mensuration: o Clef: c4 Voice Text: ... Laudamus te Voice: Contratenor Languages: Latin Mensuration: o Clef: c4 Voice Text: Et in terra
156v–158	Missa Le serviteur [Tr89]: Patrem omnipotentem [Credo]	3	-	Anonymous
Missa Le serviteur [Tr89]: Patrem omnipotentem [Credo] Anonymous Appears on: 156v–158 Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: o Clef: c2 Voice Text: [Credo] Patrem omnipotentem factorem celi Voice: Tenor Languages: Latin Clef: c4 Voice Text: ... Visibilium Voice: Contratenor Languages: Latin Mensuration: o Clef: c4 Voice Text: Patrem omnipotentem
158v–159v	Missa Le serviteur [Tr89]: Sanctus	3	-	Anonymous
Missa Le serviteur [Tr89]: Sanctus Anonymous Appears on: 158v–159v Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: o Clef: c2 Voice Text: Sanctus Voice: Tenor Languages: Latin Mensuration: o Clef: c4 Voice Text: Sanctus Voice: Contratenor Languages: Latin Mensuration: o Clef: c4 Voice Text: Sanctus
159v–160	Missa Le serviteur [Tr89]: Agnus Dei	3	-	Anonymous
Missa Le serviteur [Tr89]: Agnus Dei Anonymous Appears on: 159v–160 Genres: Agnus Dei, Mass Ordinary Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: o Clef: c2 Voice Text: Agnus dei Voice: Tenor Languages: Latin Mensuration: o Clef: c4 Voice Text: Agnus Voice: Contratenor Languages: Latin Mensuration: o Clef: c4 Voice Text: Agnus
160v–162	Et in terra pax [Gloria]	4	-	Anonymous
Et in terra pax [Gloria] Anonymous Appears on: 160v–162 Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: [Gloria] Et in terra pax hominibus Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Et in terra pax hominibus Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Et in terra pax Voice: Contratenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Et in terra
162v–163	Missa Nos amis ('Wunsliche schone'): Kyrie eleison	3	-	Tinctoris, Johannes (ca. 1435–1511)
Missa Nos amis ('Wunsliche schone'): Kyrie eleison Tinctoris, Johannes (ca. 1435–1511) Appears on: 162v–163 Genres: Kyrie eleison, Mass Ordinary Number of voices: 3 Voice: [no designation] Languages: Greek Clef: c2 Voice Text: Kyrie Voice: Tenor Languages: Greek Clef: c4 Voice Text: Kyrie Voice: Contratenor Languages: Greek Clef: c4 Voice Text: Kyrie Item Bibliography Gottlieb, Louis Edward. 1958. The cyclic masses of Trent Codex 89. University of California, Los Angeles, Ph.D. Dissertation.
163v–164v	Missa Nos amis ('Wunsliche schone'): Et in terra pax [Gloria]	3	-	Tinctoris, Johannes (ca. 1435–1511)
Missa Nos amis ('Wunsliche schone'): Et in terra pax [Gloria] Tinctoris, Johannes (ca. 1435–1511) Appears on: 163v–164v Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c1 Voice Text: [Gloria] Et in terra Voice: Tenor Languages: Latin Clef: c4 Voice Text: ... Gratias agimus tibi Voice: Contratenor Languages: Latin Clef: c5 Voice Text: Et in terra Item Bibliography Gottlieb, Louis Edward. 1958. The cyclic masses of Trent Codex 89. University of California, Los Angeles, Ph.D. Dissertation.
165–166	Magnificat 3 & 4 toni. Anima mea [K.747]	3-4	[G. DUFAY]	Du Fay, Guillaume (1397–1474)
Magnificat 3 & 4 toni. Anima mea [K.747] Du Fay, Guillaume (1397–1474) Appears on: 165–166 Genres: BVM, Canticle, Magnificat Source Attribution: [G. DUFAY] Number of voices: 3-4 Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Tercii et quarti toni. [Magnificat] Anima mea Voice: Tenor Languages: Latin Mensuration: o Clef: c4 Voice Text: Anima mea Voice: Contratenor primus Languages: Latin Mensuration: o Clef: c4 Voice Text: Anima mea Voice: Contratenor secundus Languages: Latin Clef: c3 Voice Text: ... Quia respexit General Note Tous les versets. Publ. cf. Md 2269 n° 14
166v–168	Per pulchra Sion filia	4	-	Anonymous
Per pulchra Sion filia Anonymous Appears on: 166v–168 Genres: Cantio Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: c Clef: c2 Voice Text: Per pulchra Syon filia Voice: Tenor Languages: Latin Mensuration: c Clef: c5 Voice Text: ... Inter rosas et lilia Voice: Contratenor Languages: Latin Mensuration: c Clef: c4 Voice Text: Per pulchra Syon filia Voice: Bassus Languages: Latin Mensuration: c Clef: f4 Voice Text: Per pulchra Syon filia
168v–169	Tu ne quaesieris - 1a pars (of 2): Tu ne quaesieris scire nephas quem mihi	4	-	Anonymous
Tu ne quaesieris - 1a pars (of 2): Tu ne quaesieris scire nephas quem mihi Anonymous Appears on: 168v–169 Genres: Motet Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: c Clef: c1 Voice Text: Tu ne quaesieris scire nephas quem mihi Voice: Contratenor Languages: Latin Clef: c3 Voice Text: Tu ne quaesieris scire nephas quem mihi Voice: Tenor Languages: Latin Clef: c3 Voice Text: Tu ne quaesieris scire nephas quem mihi Voice: Bassus Languages: Latin Clef: c4 Voice Text: Tu ne quaesieris scire nephas quem mihi Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 14/15 (VII).
169v–170	Tu ne quaesieris - 2a pars (of 2): Quae nunc oppositis	4	-	Anonymous
Tu ne quaesieris - 2a pars (of 2): Quae nunc oppositis Anonymous Appears on: 169v–170 Genres: Motet Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: c Clef: c1 Voice Text: Que nunc oppositis Voice: Tenor Languages: Latin Clef: c3 Voice Text: Que nunc oppositis Voice: Contratenor Languages: Latin Clef: c3 Voice Text: Que nunc oppositis Voice: Bassus Languages: Latin Clef: c4 Voice Text: Que nunc oppositis Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 14/15 (VII).
170v–171	Gaude flore virginali - 1a pars (of 3): Gaude flore virginali	4	-	Anonymous
Gaude flore virginali - 1a pars (of 3): Gaude flore virginali Anonymous Appears on: 170v–171 Genres: Sequence Number of voices: 4 Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Gaude flore virginali Voice: Tenor Languages: Latin Clef: c4 Voice Text: ... Gaude sponsa cara dei Voice: Contratenor Languages: Latin Clef: c3 Voice Text: Gaude flore virginali Voice: Contratenor Languages: Latin Clef: c4 Voice Text: ... Angelorum principatum
171v–172	Gaude flore virginali - 2a pars (of 3): Gaude nexu voluntatis	4	-	Anonymous
Gaude flore virginali - 2a pars (of 3): Gaude nexu voluntatis Anonymous Appears on: 171v–172 Genres: Sequence Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: c Clef: c1 Voice Text: Gaude nexu voluntatis Voice: Tenor Languages: Latin Mensuration: c Clef: c4 Voice Text: Gaude nexu voluntatis Voice: Contratenor Languages: Latin Clef: c3 Voice Text: Gaude nexu voluntatis Voice: Contratenor Languages: Latin Mensuration: c Clef: c4 Voice Text: Gaude nexu voluntatis
172v–173	Gaude flore virginali - 3a pars (of 3): Gaude virgo mater	4	-	Anonymous
Gaude flore virginali - 3a pars (of 3): Gaude virgo mater Anonymous Appears on: 172v–173 Genres: Sequence Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: Gaude virgo mater Christi Voice: Tenor Languages: Latin Mensuration: o Clef: c4 Voice Text: ... Gaude virgo mater pura Voice: Contratenor Languages: Latin Mensuration: o Clef: c3 Voice Text: Gaude virgo mater Christi Voice: Contratenor Languages: Latin Mensuration: o Clef: c4 Voice Text: ... Gaude virgo mater pura
173v–175	Magnificat octavi toni: Et exultavit [K.382]	3	-	Anonymous
Magnificat octavi toni: Et exultavit [K.382] Anonymous Appears on: 173v–175 Genres: BVM, Canticle, Magnificat Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: [Magnificat] Et exultavit spiritus meus Voice: Tenor Languages: Latin Mensuration: o Clef: c3 Voice Text: Et exultavit Voice: Contratenor Languages: Latin Mensuration: o Clef: c4 Voice Text: Et exultavit General Note Versets 2,5,7,9, 11,12.
175v	Aurea luce / Sit trinitati	3	-	Anonymous
Aurea luce / Sit trinitati Anonymous Appears on: 175v Genres: Hymn Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Aurea luce / Sit trinitati Voice: Tenor Languages: Latin Clef: c4 Voice Text: Sit trinitati Voice: Contratenor Languages: Latin Clef: f4 Voice Text: Sit trinitati General Note 2 texts underlaid to Superius; but text incipits for only the second under Tenor & Contra
176	Ave maris stella	3	-	Anonymous
Ave maris stella Anonymous Appears on: 176 Genres: Ave maris stella, BVM, Hymn Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: c Clef: c1 Voice Text: [Ave maris stella] Sumens illud ave Voice: Tenor Languages: Latin Mensuration: c Clef: c4 Voice Text: Sumens illud ave Voice: Contratenor Languages: Latin Mensuration: c Clef: f3 Voice Text: Sumens illud ave General Note 'Ave maris stella' added under Superius to aid identification; and full text of additional verses added at top of page Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 53 (XXVII).
177	Veni creator	3	-	Anonymous
Veni creator Anonymous Appears on: 177 Genres: Hymn, Veni creator spiritus Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: Veni creator Voice: Tenor Languages: Latin Mensuration: o Clef: c4 Voice Text: Veni creator Voice: Contratenor Languages: Latin Mensuration: o Clef: c4 Voice Text: Veni creator Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 53 (XXVII).
177v	Festum nunc celebre	3	-	Anonymous
Festum nunc celebre Anonymous Appears on: 177v Genres: Hymn Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: Festum nunc celebre Voice: Tenor Languages: Latin Mensuration: o Clef: c4 Voice Text: Festum nunc celebre Voice: Contratenor Languages: Latin Mensuration: o Clef: f4 Voice Text: Festum nunc celebre General Note 2 verses underlaid to Superius & a further verse at foot of page
178	Quod chorus vatum	3	-	Anonymous
Quod chorus vatum Anonymous Appears on: 178 Genres: Motet Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Quod chorus vatum Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Quod chorus Voice: Contratenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Quod chorus
178v–179	Ave maris stella	3	-	Anonymous
Ave maris stella Anonymous Appears on: 178v–179 Genres: Ave maris stella, BVM, Hymn Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: Ave maris stella Voice: Tenor Languages: Latin Mensuration: o Clef: c4 Voice Text: Ave maris stella Voice: Contratenor Languages: Latin Mensuration: o Clef: c4 Voice Text: Ave maris stella Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 53 (XXVII).
179	Magnificat Duo: Quia fecit (voces pares)	2	-	Anonymous
Magnificat Duo: Quia fecit (voces pares) Anonymous Appears on: 179 Genres: BVM, Canticle, Magnificat Number of voices: 2 Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: Duo. Quia fecit. Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: Duo. Quia fecit. General Note 1 seul verset.
179v–180	O lux beata trinitas	4	-	Anonymous
O lux beata trinitas Anonymous Appears on: 179v–180 Genres: Hymn Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: O lux beata trinitas Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: O lux beata trinitas Voice: Contratenor primus Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: O lux beata trinitas Voice: Contratenor secundus Languages: Latin Mensuration: cut-c Clef: f3 Voice Text: O lux beata trinitas
180v–181	Ut queant laxis resonare fibris	3	-	Anonymous
Ut queant laxis resonare fibris Anonymous Appears on: 180v–181 Genres: Hymn Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Ut queant laxis Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Ut queant laxis Voice: Contratenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Ut queant laxis
181v–182	Plaudat laetitia	4	-	Anonymous
Plaudat laetitia Anonymous Appears on: 181v–182 Genres: Motet Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Plaudat letitia Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Plaudat letitia Voice: Contratenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Plaudat letitia Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: untexted
182	Aurea luce	3	-	Anonymous
Aurea luce Anonymous Appears on: 182 Genres: Hymn Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Aurea luce Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Aurea luce Voice: Contratenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Aurea luce
182v–183	Grates nunc omnes	5	-	Anonymous
Grates nunc omnes Anonymous Appears on: 182v–183 Genres: Motet Number of voices: 5 Voice: Superius primus Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Grates nunc omnes Voice: Superius secundus Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Grates nunc omnes Voice: Tenor Primus Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Grates nunc omnes Voice: Tenor secundus Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Grates nunc omnes Voice: Contratenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Grates nunc omnes
183v	Christus surrexit	4	-	Anonymous
Christus surrexit Anonymous Appears on: 183v Genres: Cantio Number of voices: 4 Voice: Superius primus Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Christus surrexit Voice: Superius secundus Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Christus surrexit Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Christus surrexit Voice: Contratenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Christus surrexit
184	Ecce panis angelorum factus cibus	4	-	Anonymous
Ecce panis angelorum factus cibus Anonymous Appears on: 184 Genres: Motet Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Ecce panis angelorum factus cibus Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Ecce panis angelorum Voice: Contratenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Ecce panis Voice: Contratenor Languages: Latin Mensuration: cut-c Clef: f3 Voice Text: Ut placitur [?]. Ecce panis
184v–185	Rorate Caeli desuper et nubes pluant Vs: Caeli enarrant Et opera R. Sicut erat in principio	3	-	Anonymous
Rorate Caeli desuper et nubes pluant Vs: Caeli enarrant Et opera R. Sicut erat in principio Anonymous Appears on: 184v–185 Genres: Introit, Proper Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Rorate. Celi desuper Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Celi desuper Voice: Contratenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Celi desuper
185v–186	Salve sancta parens	3	-	Anonymous
Salve sancta parens Anonymous Appears on: 185v–186 Genres: Introit, Proper Number of voices: 3 Voice: Tenor Languages: Latin Mensuration: cut-c Clef: f3 Voice Text: Sancta parens Voice: Contratenor Languages: Latin Mensuration: cut-c Clef: f3 Voice Text: Sancta parens Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Salve. Sancta parens
186v–187	Viri Galilaei Quid admiramini aspicientes Vs: Omnes gentes plaudite Jubilate deo	3	-	Anonymous
Viri Galilaei Quid admiramini aspicientes Vs: Omnes gentes plaudite Jubilate deo Anonymous Appears on: 186v–187 Genres: Introit, Proper Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Viri Galilaei. Quid admiramini Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Quid admiramini Voice: Contratenor Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Quid admiramini
187v–189	Sanctus	4	-	Anonymous
Sanctus Anonymous Appears on: 187v–189 Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: Sanctus Voice: Tenor Languages: Latin Mensuration: o Clef: c4 Voice Text: Sanctus Voice: Contratenor primus Languages: Latin Mensuration: o Clef: c4 Voice Text: Sanctus Voice: Contratenor secundus Languages: Latin Mensuration: o Clef: c4 Voice Text: Sanctus
189a–v191	Regina caeli laetare alleluia (2p. Alleluia domina)	4	-	Anonymous
Regina caeli laetare alleluia (2p. Alleluia domina) Anonymous Appears on: 189a–v191 Genres: Motet, Regina caeli laetare Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: Regina celi letare alleluia Voice: Tenor Languages: Latin Mensuration: o Clef: c4 Voice Text: Regina celi Voice: Contratenor primus Languages: Latin Mensuration: o Clef: c3 Voice Text: Regina celi Voice: Contratenor secundus Languages: Latin Mensuration: o Clef: c5 Voice Text: Regina celi Layout between 189 and 190 is a half-sheet (189a) on the verso of which is the end of the 1a pars of Ct2, continued from the bottom of 190
191v–192	Salve regina - 1a pars (of 2): Salve regina mater misericordiae	4	-	Anonymous
Salve regina - 1a pars (of 2): Salve regina mater misericordiae Anonymous Appears on: 191v–192 Genres: BVM, Motet, Salve Regina Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: o Clef: g2 Voice Text: Salve regina misericordie Voice: Tenor Languages: Latin Mensuration: o Clef: c4 Voice Text: Le serviteur. Ad te clamamus Voice: Contratenor primus Languages: Latin Mensuration: o Clef: c3 Voice Text: Salve regina Voice: Contratenor secundus Languages: Latin Mensuration: o Clef: f3 Voice Text: Ad te clamamus General Note T: Le serviteur. Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 53 (XXVII).
192v–193	Salve regina - 2a pars (of 2): Et Jesum benedictum fructum	4	-	Anonymous
Salve regina - 2a pars (of 2): Et Jesum benedictum fructum Anonymous Appears on: 192v–193 Genres: Motet Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Et Jhesum benedictum fructum Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: O clemens o pia Voice: Contratenor primus Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Et Jhesum Voice: Contratenor secundus Languages: Latin Mensuration: cut-c Clef: f3 Voice Text: O clemens o pia
193v–194	O beata infantia - 1a pars (of 2): O beata infantia	4	-	Anonymous
O beata infantia - 1a pars (of 2): O beata infantia Anonymous Appears on: 193v–194 Genres: Motet Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: o Clef: c2 Voice Text: O beata infantia per quam Voice: Tenor Languages: Latin Mensuration: o Clef: c4 Voice Text: O beata infantia Voice: Contratenor primus Languages: Latin Mensuration: o Clef: c4 Voice Text: O beata infantia Voice: Contratenor secundus Languages: Latin Mensuration: o Clef: f4 Voice Text: O beata infantia
194v–195	O beata infantia - 2a pars (of 2): O praesepe splendidum	4	-	Anonymous
O beata infantia - 2a pars (of 2): O praesepe splendidum Anonymous Appears on: 194v–195 Genres: Motet Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: O presepe splendidum Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: O presepe Voice: Contratenor primus Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: O presepe Voice: Contratenor secundus Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: O presepe
195v–196	Anima mea - 1a pars (of 3): Anima mea liquefacta est	4	[J. FOREST]	Forest
Anima mea - 1a pars (of 3): Anima mea liquefacta est Forest Appears on: 195v–196 Genres: Motet Source Attribution: [J. FOREST] Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: c Clef: c1 Voice Text: Anima mea liquefacta est Voice: Tenor Languages: Latin Mensuration: c Clef: c4 Voice Text: Quesivi Voice: Contratenor primus Languages: Latin Mensuration: c Clef: c2 Voice Text: Anima mea liquefacta est Voice: Contratenor secundus Languages: none Mensuration: c Clef: f4 Voice Text: untexted Concordances Also in Trent 90, where it is in 3vv and a 4th lower Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 76 (XL).
196v–197	Anima mea - 2a pars (of 3): Tulerunt pallium meum	2	-	Forest
Anima mea - 2a pars (of 3): Tulerunt pallium meum Forest Appears on: 196v–197 Genres: Motet Number of voices: 2 Voice: [no designation] Languages: none Clef: c1 Voice Text: duo [Tulerunt pallium] untexted Voice: Contratenor Languages: none Clef: c2 Voice Text: duo. untexted
196v–197	Anima mea - 3a pars (of 3): Filiae Jerusalem	4	-	Forest
Anima mea - 3a pars (of 3): Filiae Jerusalem Forest Appears on: 196v–197 Genres: Motet Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: c1 Voice Text: Filiae Jerusalem Voice: Tenor Languages: Latin Mensuration: cut-o Clef: c4 Voice Text: Filiae Jerusalem Voice: Contratenor primus Languages: Latin Mensuration: cut-o Clef: c2 Voice Text: Filiae Jerusalem Voice: Contratenor secundus Languages: Latin Mensuration: cut-o Clef: f4 Voice Text: Filiae Jerusalem
197v–198	Gaude visceribus	4	-	Anonymous
Gaude visceribus Anonymous Appears on: 197v–198 Genres: Motet Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: Gaude visceribus Voice: Tenor Languages: Latin Clef: c4 Voice Text: Gaude visceribus Voice: Contratenor primus Languages: Latin Clef: c3 Voice Text: Gaude visceribus Voice: Contratenor secundus Languages: Latin Clef: f4 Voice Text: Gaude visceribus
199v	Clerus istius venerandus urbis, text-only	-	-	-
Clerus istius venerandus urbis, text-only Appears on: 199v
199v–200	Missa [Tr89-2]: Kyrie	3	-	Anonymous
Missa [Tr89-2]: Kyrie Anonymous Appears on: 199v–200 Genres: Kyrie eleison, Mass Ordinary Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: [Missa] Kirie Voice: Tenor Languages: Latin Mensuration: o Clef: c4 Voice Text: Kirie Voice: Contratenor Languages: Latin Mensuration: o Clef: c4 Voice Text: Kirie Item Bibliography Gottlieb, Louis Edward. 1958. The cyclic masses of Trent Codex 89. University of California, Los Angeles, Ph.D. Dissertation.
200v–202	Missa [Tr89-2]: Et in terra pax [Gloria]	3	-	Anonymous
Missa [Tr89-2]: Et in terra pax [Gloria] Anonymous Appears on: 200v–202 Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c1 Voice Text: [Missa. Gloria] Et in terra pax hominibus Voice: Tenor Languages: Latin Clef: c4 Voice Text: Et in terra Voice: Contratenor Languages: none Clef: c4 Voice Text: untexted Item Bibliography Gottlieb, Louis Edward. 1958. The cyclic masses of Trent Codex 89. University of California, Los Angeles, Ph.D. Dissertation.
202v–204	Missa [Tr89-2]: Patrem omnipotentem [Credo]	3	-	Anonymous
Missa [Tr89-2]: Patrem omnipotentem [Credo] Anonymous Appears on: 202v–204 Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c1 Voice Text: [Missa. Credo] Patrem Voice: Tenor Languages: none Clef: c4 Voice Text: untexted Voice: Contratenor Languages: none Clef: c4 Voice Text: untexted Item Bibliography Gottlieb, Louis Edward. 1958. The cyclic masses of Trent Codex 89. University of California, Los Angeles, Ph.D. Dissertation.
204v–205v	Missa [Tr89-2]: Sanctus	3	-	Anonymous
Missa [Tr89-2]: Sanctus Anonymous Appears on: 204v–205v Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c1 Voice Text: [Missa] Sanctus Voice: Tenor Languages: Latin Clef: c4 Voice Text: Sanctus Voice: Contratenor Languages: Latin Clef: c4 Voice Text: Sanctus Item Bibliography Gottlieb, Louis Edward. 1958. The cyclic masses of Trent Codex 89. University of California, Los Angeles, Ph.D. Dissertation.
206–206v	Missa [Tr89-2]: Agnus Dei	3	-	Anonymous
Missa [Tr89-2]: Agnus Dei Anonymous Appears on: 206–206v Genres: Agnus Dei, Mass Ordinary Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c1 Voice Text: [Missa] Agnus dei qui tollis Voice: Tenor Languages: Latin Clef: c4 Voice Text: Agnus dei Voice: Contratenor Languages: Latin Clef: c4 Voice Text: Agnus Item Bibliography Gottlieb, Louis Edward. 1958. The cyclic masses of Trent Codex 89. University of California, Los Angeles, Ph.D. Dissertation.
207v–211	Magnificat quinti toni: Et exultavit [K.275]	3	-	Anonymous
Magnificat quinti toni: Et exultavit [K.275] Anonymous Appears on: 207v–211 Genres: BVM, Canticle, Magnificat Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: [Magnificat] Et exultavit spiritus meus Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Et exultavit Voice: Contratenor Languages: Latin Mensuration: cut-c Clef: f3 Voice Text: Et exultavit General Note Versets pairs.
211v–212	Kyrie fons bonitatis	3	-	Anonymous
Kyrie fons bonitatis Anonymous Appears on: 211v–212 Genres: Kyrie eleison, Mass Ordinary Number of voices: 3 Voice: [no designation] Languages: Latin, Greek Mensuration: o Clef: c1 Voice Text: Kyrie fons bonitatis Voice: Tenor Languages: Latin, Greek Mensuration: o Clef: c3 Voice Text: Kyrie fons bonitatis Voice: Contratenor Languages: Latin, Greek Mensuration: o Clef: c4 Voice Text: Kyrie fons bonitatis
212v–213	Kyrie fons bonitatis.	3	-	Anonymous
Kyrie fons bonitatis. Anonymous Appears on: 212v–213 Genres: Kyrie eleison, Mass Ordinary Number of voices: 3 Voice: [no designation] Languages: Latin, Greek Mensuration: cut-c Clef: c1 Voice Text: Kyrie fons bonitatis. Voice: Tenor Languages: Latin, Greek Mensuration: cut-c Clef: c4 Voice Text: Kyrie fons bonitatis Voice: Contratenor Languages: Latin, Greek Clef: c4 Voice Text: Kyrie fons bonitatis
213v–214	Veni sancte spiritus et emitte caelitus	3	-	Anonymous
Veni sancte spiritus et emitte caelitus Anonymous Appears on: 213v–214 Genres: Sequence, Veni sancte spiritus Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: o-2 Clef: c1 Voice Text: Veni sancte spiritus. Reple tuorum corda Voice: Tenor Languages: Latin Mensuration: o-2 Clef: c4 Voice Text: Veni sancte spiritus. Reple tuorum corda Voice: Contratenor Languages: Latin Mensuration: o-2 Clef: c4 Voice Text: Veni sancte spiritus. Reple tuorum corda
214v–216	Homo quidam fecit caenam magnam R. Venite comedite Vs. Gloria patri	3	-	Anonymous
Homo quidam fecit caenam magnam R. Venite comedite Vs. Gloria patri Anonymous Appears on: 214v–216 Genres: Responsory Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: o-2 Clef: c1 Voice Text: Homo quidam fecit cenam magnam et misit Voice: Tenor Languages: Latin Mensuration: o-2 Clef: c4 Voice Text: Homo quidam Voice: Contratenor Languages: Latin Mensuration: o-2 Clef: c4 Voice Text: Homo quidam
216v–217	Ecce panis angelorum factus cibus	3	-	Anonymous
Ecce panis angelorum factus cibus Anonymous Appears on: 216v–217 Genres: Motet Number of voices: 3 Voice: Superius primus Languages: Latin Mensuration: o Clef: c1 Voice Text: Ecce panis angelorum factus cibus Voice: Superius secundus Languages: Latin Mensuration: o Clef: c1 Voice Text: Ecce panis angelorum factus cibus Voice: Superius tertius Languages: Latin Mensuration: o Clef: c1 Voice Text: Ecce panis angelorum factus cibus General Note voces pares Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 76 (XL).
217v–218	O florens rosa mater Domini speciosa	4	-	Anonymous
O florens rosa mater Domini speciosa Anonymous Appears on: 217v–218 Genres: Hymn Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: o Clef: c2 Voice Text: O florens rosa mater domini speciosa Voice: Tenor Languages: Latin Mensuration: o Clef: f3 Voice Text: O florens rosa Voice: Contratenor primus Languages: Latin Mensuration: o Clef: c4 Voice Text: O florens Voice: Contratenor secundus Languages: Latin Mensuration: o Clef: f3 Voice Text: O florens rosa
218v–219	Quam pulchra es - 1a pars (of 2): Quam pulchra es	3	-	Anonymous
Quam pulchra es - 1a pars (of 2): Quam pulchra es Anonymous Appears on: 218v–219 Genres: Motet Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: o Clef: c2 Voice Text: Quam pulchra es et quam decora Voice: Tenor Languages: Latin Mensuration: o Clef: f3 Voice Text: Quam pulchra Voice: Contratenor Languages: Latin Mensuration: o Clef: f3 Voice Text: Quam pulchra
219v–220	Quam pulchra es - 2a pars (of 2): Dilecte mi	3	-	Anonymous
Quam pulchra es - 2a pars (of 2): Dilecte mi Anonymous Appears on: 219v–220 Genres: Motet Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: c Clef: c2 Voice Text: Dilecte mi egrediamur in agrum Voice: Tenor Languages: Latin Mensuration: c Clef: f3 Voice Text: Dilecte mi Voice: Contratenor Languages: Latin Mensuration: c Clef: f3 Voice Text: Dilecte mi
220v–221	Levavi oculos meos - 1a pars (of 2): Levavi oculos meos	4	-	Breittinens, Andreas Gregorius
Levavi oculos meos - 1a pars (of 2): Levavi oculos meos Breittinens, Andreas Gregorius Appears on: 220v–221 Genres: Psalm motet Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: Levavi oculos meos Voice: Tenor Languages: Latin Mensuration: o Clef: c4 Voice Text: Levavi Voice: Contratenor primus Languages: Latin Mensuration: o Clef: c3 Voice Text: Levavi Voice: Contratenor secundus Languages: Latin Mensuration: o Clef: c4 Voice Text: Levavi
221v–222	Levavi oculos meos - 2a pars (of 2): Deus custodit te	4	-	Breittinens, Andreas Gregorius
Levavi oculos meos - 2a pars (of 2): Deus custodit te Breittinens, Andreas Gregorius Appears on: 221v–222 Genres: Psalm motet Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Deus custodit te Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Deus custodit Voice: Contratenor primus Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Deus custodit Voice: Contratenor secundus Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Deus custodit
222v	Pange lingua gloriosi corporis misterium	3	-	Anonymous
Pange lingua gloriosi corporis misterium Anonymous Appears on: 222v Genres: Motet Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Pange lingua Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Pange lingua Voice: Contratenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Pange Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 53 (XXVII).
223v–224	Grates nunc omnes	4	-	Anonymous
Grates nunc omnes Anonymous Appears on: 223v–224 Genres: Motet Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Grates nunc omnes reddamus domino Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Grates nunc omnes Voice: Contratenor primus Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Grates nunc omnes Voice: Contratenor secundus Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Grates nunc omnes General Note (both Ct voices are labelled "Contra 2us")
224v–225	Puer natus est nobis	3	-	Anonymous
Puer natus est nobis Anonymous Appears on: 224v–225 Genres: Introit Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Puer. Natus est nobis et filius datus Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Natus est nobis Voice: Contratenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Natus est nobis
225v–227	Resonet in laudibus cum jocundis plausibus	4	-	Anonymous
Resonet in laudibus cum jocundis plausibus Anonymous Appears on: 225v–227 Genres: Hymn Number of voices: 4 Voice: Superius primus Languages: Latin Mensuration: o Clef: c1 Voice Text: Resonet in laudibus cum iocundis Voice: Superius secundus Languages: Latin Mensuration: o Clef: c1 Voice Text: Resonet in laudibus cum iocundis Voice: Tenor Languages: Latin Mensuration: o Clef: c4 Voice Text: Resonet Voice: Contratenor Languages: Latin Mensuration: o Clef: c4 Voice Text: Resonet
227v–228	O gloriosa et laudabilis	4	-	Anonymous
O gloriosa et laudabilis Anonymous Appears on: 227v–228 Genres: Motet Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: O gloriosa et laudabilis Voice: Tenor Languages: none Mensuration: o Clef: c3 Voice Text: untexted Voice: Contratenor primus Languages: none Mensuration: o Clef: c2 Voice Text: unetxted Voice: Contratenor secundus Languages: none Mensuration: o Clef: c3 Voice Text: untexted
228v–229	Vidi aquam egredientem de templo	4	-	Anonymous
Vidi aquam egredientem de templo Anonymous Appears on: 228v–229 Genres: Hymn Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Vidi aquam. Egredientem de templo Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Egredientem Voice: Contratenor primus Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Egredientem Voice: Contratenor secundus Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Egredientem
229v–230	Vidi aquam egredientem de templo	3	-	Anonymous
Vidi aquam egredientem de templo Anonymous Appears on: 229v–230 Genres: Hymn Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Vidi aquam. Egredientem de templo Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Egredientem Voice: Contratenor Languages: none Mensuration: cut-c Clef: c3 Voice Text: untexted
230v–231	Salve festa dies toto venerabilis	4	-	Anonymous
Salve festa dies toto venerabilis Anonymous Appears on: 230v–231 Genres: Hymn Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Salve festa dies toto venerabilis Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Salve festa dies Voice: Contratenor primus Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Salve festa Voice: Contratenor secundus Languages: Latin Mensuration: cut-c Clef: f3 Voice Text: Salve festa General Note text of 3 more verses at foot of page
231v–232	Urbs beata Jerusalem Nova veniens	4	-	Anonymous
Urbs beata Jerusalem Nova veniens Anonymous Appears on: 231v–232 Genres: Hymn Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: [Urbs beata] Nova veniens de celo Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Urbs beata Jerusalem Voice: Contratenor primus Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Urbs beata Jerusalem Voice: Contratenor Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: Urbs beata Jerusalem
232v–233	Terribilis est locus iste	3	-	Anonymous
Terribilis est locus iste Anonymous Appears on: 232v–233 Genres: Introit, Proper Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Terribilis. Est locus iste hic domus dei est Voice: Tenor Languages: Latin Mensuration: cut-c Clef: f3 Voice Text: Est locus iste Voice: Contratenor Languages: Latin Mensuration: cut-c Clef: f3 Voice Text: Est locus iste
233v–234	Ave mundi spes Maria / In Gottes Namen	8	-	Anonymous
Ave mundi spes Maria / In Gottes Namen Anonymous Appears on: 233v–234 Genres: Ave Maria, Motet Number of voices: 8 Voice: [no designation] Languages: Latin Mensuration: o Clef: c2 Voice Text: Ave mundi spes Maria Voice: [no designation] Languages: Latin Mensuration: o Clef: c2 Voice Text: Ave mundi spes Maria Voice: [no designation] Languages: German Mensuration: o Clef: c2 Voice Text: [In] Gottes namen faren wir Voice: [no designation] Languages: German Mensuration: o Clef: c4 Voice Text: [In] Gottes namen faren wir Voice: [no designation] Languages: German Mensuration: o Clef: c4 Voice Text: ... Gottes namen faren wir Voice: [no designation] Languages: German Mensuration: o Clef: c4 Voice Text: ... Gottes namen faren wir Voice: [no designation] Languages: German Mensuration: o Clef: f4 Voice Text: ... Gottes namen faren wir Voice: [no designation] Languages: German Mensuration: o Clef: c4 Voice Text: Gottes namen faren wir Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 14/15 (VII).
234v	Quem terra	3	-	Anonymous
Quem terra Anonymous Appears on: 234v Genres: Motet Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Quem terra Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Quem terra Voice: Contratenor Languages: Latin Clef: f4 Voice Text: Quem terra
235av–235b	Kyrie-Gloria pair [Tr89-1]: Kyrie eleison	3	-	Anonymous
Kyrie-Gloria pair [Tr89-1]: Kyrie eleison Anonymous Appears on: 235av–235b Genres: Kyrie eleison, Mass Ordinary Number of voices: 3 Voice: [no designation] Languages: Greek Mensuration: o Clef: c1 Voice Text: Kirie Voice: Tenor Languages: Greek Mensuration: o Clef: c4 Voice Text: Kirie Voice: Contratenor Languages: Greek Mensuration: o Clef: c4 Voice Text: Kirie Layout Two pages are numbered 235, here 235a & 235b
235bv–238	Kyrie-Gloria pair [Tr89-1]: Gloria	3	-	Anonymous
Kyrie-Gloria pair [Tr89-1]: Gloria Anonymous Appears on: 235bv–238 Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: [Gloria] Et in terra pax hominibus Voice: Tenor Languages: Latin Mensuration: o Clef: c4 Voice Text: Et in terra Voice: Contratenor Languages: none Mensuration: o Clef: f4 Voice Text: untexted
238v–239	Nouvellement ay	3	HERMANUS DE ATRIO	Atrio, Hermanus de (fl. c1460)
Nouvellement ay Atrio, Hermanus de (fl. c1460) Appears on: 238v–239 Genres: Chanson Source Attribution: HERMANUS DE ATRIO Number of voices: 3 Voice: [no designation] Languages: none Mensuration: c-2 Clef: c2 Voice Text: untexted Voice: Tenor Languages: none Mensuration: c-2 Clef: c4 Voice Text: untexted Voice: Contratenor Languages: none Mensuration: cut-c Clef: f4 Voice Text: untexted Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 14/15 (VII).
239v–240	In Maria vitae viam	4	HERMANUS DE ATRIO	Atrio, Hermanus de (fl. c1460)
In Maria vitae viam Atrio, Hermanus de (fl. c1460) Appears on: 239v–240 Genres: Motet Source Attribution: HERMANUS DE ATRIO Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: o-2 Clef: c1 Voice Text: In Maria vite viam Voice: Tenor Languages: none Mensuration: o-2 Clef: c4 Voice Text: untexted Voice: [Contratenor] Languages: none Mensuration: o-2 Clef: c3 Voice Text: untexted Voice: Contratenor secundus Languages: Latin Mensuration: o-2 Clef: f4 Voice Text: In Maria
241v–242	Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto	3	-	Anonymous
Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto Anonymous Appears on: 241v–242 Genres: Introit, Proper Number of voices: 3 Voice: [no designation] Languages: none Clef: c1 Voice Text: untexted Voice: Tenor Languages: Latin Clef: c4 Voice Text: Spiritus domini - - - Confirma hoc Voice: Contratenor Languages: Latin Clef: c4 Voice Text: Spiritus domini - - - Confirma hoc
242v–243	Salve sancta parens	4	-	Anonymous
Salve sancta parens Anonymous Appears on: 242v–243 Genres: Hymn Number of voices: 4 Voice: Tenor Languages: Latin Clef: c4 Voice Text: Sancta parens Voice: Contratenor primus Languages: Latin Clef: c3 Voice Text: Sancta parens Voice: Contratenor bassus Languages: Latin Clef: f4 Voice Text: Sancta parens Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Salve. Sancta parens exixa puerpera
243v–244	Sancta genitrix = Der Fuchsschwanz	3	-	Anonymous
Sancta genitrix = Der Fuchsschwanz Anonymous Appears on: 243v–244 Genres: Contrafactum Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Sancta genitrix sit tibi [= Der Fuchsschwanz] Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Sancta genitrix Voice: Contratenor Languages: Latin Clef: c4 Voice Text: Sancta genitrix
244v–245	Sanctus	3	-	Anonymous
Sanctus Anonymous Appears on: 244v–245 Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Sanctus Voice: Tenor Languages: Latin Clef: c4 Voice Text: Sanctus Voice: Contratenor Languages: Latin Clef: c4 Voice Text: Sanctus
246v–248	Missa Caput: Kyrie Deus creator omnium	4	G.DUFAY	Anonymous (previously ascr. to Du Fay)
Missa Caput: Kyrie Deus creator omnium Anonymous (previously ascr. to Du Fay) Appears on: 246v–248 Genres: Mass Ordinary, Troped Kyrie Source Attribution: G.DUFAY Number of voices: 4 Voice: [no designation] Languages: Latin, Greek Mensuration: o Clef: c1 Voice Text: Caput. Kyrie Deus creator omnium eleyson Voice: Tenor Languages: Latin, Greek Mensuration: o Clef: c3 Voice Text: Kyrie Caput Voice: Contratenor Languages: Greek Mensuration: o Clef: c3 Voice Text: Kyrie eleyson Voice: Contratenor secundus Languages: Greek Mensuration: o Clef: c4 Voice Text: Kyrie General Note T: Kyrie Caput. Publ. cf. La 238 n» 3 General Note Walker 1969 has argued (compellingly) for English origin of the entire Missa Caput. Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 38 (XIX)facs. Walker, Thomas. 1969. ‘A Severed Head: Notes on a Lost English Caput Mass’. Abstracts of Papers Read at the Thirty-Fifth Annual Meeting of the American Musicological Society, Saint Louis, 1969, American Musicological Society. Notes: Argues (compellingly) for English origin of the Missa Caput, overturning the attributions in Tr88 and Tr89 of the whole mass to ‘Duffay'.
248v–250	Missa Caput: Et in terra pax [Gloria]	4	[G. DUFAY]	Anonymous (previously ascr. to Du Fay)
Missa Caput: Et in terra pax [Gloria] Anonymous (previously ascr. to Du Fay) Appears on: 248v–250 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: [G. DUFAY] Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: Et in terra pax hominibus Voice: Tenor Languages: Latin Mensuration: o Clef: c3 Voice Text: Et in terra. Caput Voice: Contratenor Languages: Latin Mensuration: o Clef: c3 Voice Text: Et in terra Voice: Contratenor secundus Languages: Latin Mensuration: o Clef: c4 Voice Text: Et in terra General Note T: Et in terra Caput.Publ. cf. La 238 n° 3 General Note Walker (1969) has argued (compellingly) for English origin of the entire Missa Caput. Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 38 (XIX)facs. Walker, Thomas. 1969. ‘A Severed Head: Notes on a Lost English Caput Mass’. Abstracts of Papers Read at the Thirty-Fifth Annual Meeting of the American Musicological Society, Saint Louis, 1969, American Musicological Society. Notes: Argues (compellingly) for English origin of the entire Missa Caput, overturning the attributions in Tr88 and Tr89 of the whole mass to ‘Duffay'.
250v–252	Missa Caput: Patrem omnipotentem [Credo]	4	[G. DUFAY]	Anonymous (previously ascr. to Du Fay)
Missa Caput: Patrem omnipotentem [Credo] Anonymous (previously ascr. to Du Fay) Appears on: 250v–252 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: [G. DUFAY] Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: Patrem omnipotentem factorem celi Voice: Tenor Languages: Latin Mensuration: o Clef: c3 Voice Text: Patrem. Caput Voice: Contratenor Languages: Latin Mensuration: o Clef: c3 Voice Text: Patrem Voice: Contratenor secundus Languages: Latin Mensuration: o Clef: c4 Voice Text: Patrem General Note T: Patrem Caput. Publ. cf. La 238 n° 3 General Note Walker (1969) has argued (compellingly) for English origin of the entire Missa Caput. Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 38 (XIX)facs. Walker, Thomas. 1969. ‘A Severed Head: Notes on a Lost English Caput Mass’. Abstracts of Papers Read at the Thirty-Fifth Annual Meeting of the American Musicological Society, Saint Louis, 1969, American Musicological Society. Notes: Argues (compellingly) for English origin of the entire Missa Caput, overturning the attributions in Tr88 and Tr89 of the whole mass to ‘Duffay'.
252v–254	Missa Caput: Sanctus	4	[G. DUFAY]	Anonymous (previously ascr. to Du Fay)
Missa Caput: Sanctus Anonymous (previously ascr. to Du Fay) Appears on: 252v–254 Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: [G. DUFAY] Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: Sanctus Voice: Tenor Languages: Latin Mensuration: o Clef: c3 Voice Text: Sanctus Voice: Contratenor Languages: Latin Mensuration: o Clef: c3 Voice Text: Sanctus Voice: Contratenor secundus Languages: Latin Mensuration: o Clef: c4 Voice Text: Sanctus General Note Publ. cf. La 238 n° 3 General Note Walker (1969) has argued (compellingly) for English origin of the entire Missa Caput. Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 38(XIX)facs. Walker, Thomas. 1969. ‘A Severed Head: Notes on a Lost English Caput Mass’. Abstracts of Papers Read at the Thirty-Fifth Annual Meeting of the American Musicological Society, Saint Louis, 1969, American Musicological Society. Notes: Argues (compellingly) for English origin of the entire Missa Caput, overturning the attributions in Tr88 and Tr89 of the whole mass to ‘Duffay'.
254v–256	Missa Caput: Agnus Dei	4	[G. DUFAY]	Anonymous (previously ascr. to Du Fay)
Missa Caput: Agnus Dei Anonymous (previously ascr. to Du Fay) Appears on: 254v–256 Genres: Agnus Dei, Mass Ordinary Source Attribution: [G. DUFAY] Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: Agnus dei Voice: Tenor Languages: Latin Clef: c3 Voice Text: ... Peccata Voice: Contratenor Languages: Latin Mensuration: o Clef: c3 Voice Text: Agnus dei Voice: Contratenor secundus Languages: Latin Mensuration: o Clef: c4 Voice Text: ... Peccata mundi General Note Walker (1969) has argued (compellingly) for English origin of the entire Missa Caput. Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 38(XIX)facs. Walker, Thomas. 1969. ‘A Severed Head: Notes on a Lost English Caput Mass’. Abstracts of Papers Read at the Thirty-Fifth Annual Meeting of the American Musicological Society, Saint Louis, 1969, American Musicological Society. Notes: Argues (compellingly) for English origin of the entire Missa Caput, overturning the attributions in Tr88 and Tr89 of the whole mass to ‘Duffay'.
258–260	Missa Monyel (Mon oeil): Kyrie	4	TORONT	Tourout (Touront), Johannes (ca. 1450–ca. 1475)
Missa Monyel (Mon oeil): Kyrie Tourout (Touront), Johannes (ca. 1450–ca. 1475) Appears on: 258–260 Genres: Kyrie eleison, Mass Ordinary Source Attribution: TORONT Number of voices: 4 Voice: [no designation] Languages: Greek Mensuration: o Clef: c1 Voice Text: Monyel. Kyrie Voice: Tenor Languages: Greek Mensuration: o Clef: c4 Voice Text: Kyrie Monyel Voice: Contratenor primus Languages: Greek Mensuration: o Clef: c3 Voice Text: Kyrie Voice: Contratenor secundus Languages: Greek Mensuration: o Clef: f4 Voice Text: Kyrie General Note T: Kyrie Monyel.
260v–263	Missa Monyel (Mon oeil): Et in terra pax [Gloria]	4	[TOURONT]	Tourout (Touront), Johannes (ca. 1450–ca. 1475)
Missa Monyel (Mon oeil): Et in terra pax [Gloria] Tourout (Touront), Johannes (ca. 1450–ca. 1475) Appears on: 260v–263 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: [TOURONT] Number of voices: 4 Voice: Contratenor primus Languages: Latin Mensuration: o Clef: c3 Voice Text: Et in terra Voice: Contratenor primus Languages: Latin Mensuration: o Clef: c3 Voice Text: Et in terra Voice: Contratenor secundus Languages: Latin Mensuration: o Clef: c4 Voice Text: Et in terra Voice: Contratenor secundus Languages: Latin Mensuration: o Clef: c4 Voice Text: Et in terra. Monyel Voice: Contratenor bassus Languages: Latin Mensuration: o Clef: f4 Voice Text: Et in terra Voice: Contratenor bassus Languages: none Mensuration: o Clef: f4 Voice Text: untexted Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: Et in terra pax hominibus General Note Ct 2us: Et in terra pax —> Monyel.
263v–266	Missa Monyel (Mon oeil): Patrem omnipotentem [Credo]	4	[TOURONT]	Tourout (Touront), Johannes (ca. 1450–ca. 1475)
Missa Monyel (Mon oeil): Patrem omnipotentem [Credo] Tourout (Touront), Johannes (ca. 1450–ca. 1475) Appears on: 263v–266 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: [TOURONT] Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: Patrem omnipotentem factorem celi Voice: Contratenor primus Languages: Latin Mensuration: o Clef: c3 Voice Text: Patrem Voice: Contratenor secundus Languages: Latin Mensuration: o Clef: c4 Voice Text: Patrem Voice: Tenor Languages: Latin Mensuration: o Clef: f4 Voice Text: ... Et ex patre. Monyel General Note T: Et ex patre Monyel.
266v–271	Missa Monyel (Mon oeil): Sanctus	4	[TOURONT]	Tourout (Touront), Johannes (ca. 1450–ca. 1475)
Missa Monyel (Mon oeil): Sanctus Tourout (Touront), Johannes (ca. 1450–ca. 1475) Appears on: 266v–271 Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: [TOURONT] Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: Sanctus Voice: Contratenor primus Languages: Latin Mensuration: o Clef: c3 Voice Text: Sanctus Voice: Contratenor secundus Languages: Latin Mensuration: o Clef: c4 Voice Text: Sanctus Voice: Tenor Languages: Latin Mensuration: o Clef: f4 Voice Text: Monyel Sanctus General Note T: Monyel Sanctus.
271v–273	Missa Monyel (Mon oeil): Agnus Dei	4	[TOURONT]	Tourout (Touront), Johannes (ca. 1450–ca. 1475)
Missa Monyel (Mon oeil): Agnus Dei Tourout (Touront), Johannes (ca. 1450–ca. 1475) Appears on: 271v–273 Genres: Agnus Dei, Mass Ordinary Source Attribution: [TOURONT] Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: Agnus primum et ultimum dei Voice: Contratenor primus Languages: Latin Mensuration: o Clef: c3 Voice Text: Agnus dei Voice: Contratenor secundus Languages: Latin Mensuration: o Clef: c4 Voice Text: Agnus Voice: Tenor Languages: Latin Mensuration: o Clef: f4 Voice Text: Monyel. ... Miserere General Note T: Monyel miserere. General Note All voices have dual mensurations, o and cut-o, for "Agnus primum et ultimum"
273v–274	Missa [Tr89-3]: Kyrie	3	-	Anonymous
Missa [Tr89-3]: Kyrie Anonymous Appears on: 273v–274 Genres: Kyrie eleison, Mass Ordinary Number of voices: 3 Voice: [no designation] Languages: Greek Mensuration: o-2 Clef: c2 Voice Text: Kyrie Voice: Tenor Languages: Greek Mensuration: o-2 Clef: f3 Voice Text: Kyrie Voice: Contratenor Languages: Greek Mensuration: o-2 Clef: f3 Voice Text: Kyrie
274v–276	Missa [Tr89-3]: Et in terra pax [Gloria]	3	-	Anonymous
Missa [Tr89-3]: Et in terra pax [Gloria] Anonymous Appears on: 274v–276 Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: o-2 Clef: c2 Voice Text: Et in terra pax hominibus Voice: Tenor Languages: Latin Mensuration: o-2 Clef: f3 Voice Text: ... Gratias agimus Voice: Contratenor Languages: Latin Mensuration: o-2 Clef: f3 Voice Text: Et in terra
276v–278	Missa [Tr89-3]: Patrem omnipotentem [Credo]	3	-	Anonymous
Missa [Tr89-3]: Patrem omnipotentem [Credo] Anonymous Appears on: 276v–278 Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: o-2 Clef: c2 Voice Text: Patrem omnipotentem factorem celi Voice: Tenor Languages: Latin Mensuration: o-2 Clef: f3 Voice Text: ... Et ex patre natum Voice: Contratenor Languages: Latin Mensuration: o-2 Clef: f3 Voice Text: Patrem omnipotentem
278v–280	Missa [Tr89-3]: Sanctus	3	-	Anonymous
Missa [Tr89-3]: Sanctus Anonymous Appears on: 278v–280 Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: o-2 Clef: c2 Voice Text: Sanctus Voice: Tenor Languages: Latin Mensuration: o-2 Clef: f3 Voice Text: Sanctus Voice: Contratenor Languages: Latin Mensuration: o-2 Clef: f3 Voice Text: Sanctus
280v–281v	Missa [Tr89-3]: Agnus Dei	3	-	Anonymous
Missa [Tr89-3]: Agnus Dei Anonymous Appears on: 280v–281v Genres: Agnus Dei, Mass Ordinary Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: o-2 Clef: c2 Voice Text: Agnus dei Voice: Tenor Languages: Latin Mensuration: o-2 Clef: f3 Voice Text: ... Qui tollis Voice: Contratenor Languages: Latin Mensuration: o-2 Clef: f3 Voice Text: Agnus dei
282v–284	Missa Du coeur je souspier: Kyrie Orbis factor rex aeterne eleison.	4	-	Anonymous
Missa Du coeur je souspier: Kyrie Orbis factor rex aeterne eleison. Anonymous Appears on: 282v–284 Genres: Kyrie eleison, Mass Ordinary Number of voices: 4 Voice: [no designation] Languages: Latin, Greek Mensuration: o Clef: c1 Voice Text: [Kyrie] Orbis factor rex eterne eleyson. Voice: Tenor Languages: French Mensuration: c-dot Clef: c4 Voice Text: Du cuer je souspier Voice: Contratenor primus Languages: Latin, Greek Mensuration: o Clef: c3 Voice Text: [Kyrie] Orbis factor Voice: Contratenor secundus Languages: Latin, Greek Mensuration: o Clef: f3 Voice Text: [Kyrie] Orbis factor rex eterne General Note T: Du cuer je souspier. A la fin du T: Canon totius misse: Teter cane prius plane / iterum compositio / dyapente constat sane / pausis demptis initio. Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 120.
284v–286	Missa Du coeur je souspier: Et in terra pax [Gloria]	4	-	Anonymous
Missa Du coeur je souspier: Et in terra pax [Gloria] Anonymous Appears on: 284v–286 Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: [Gloria] Et in terra pax hominibus Voice: Tenor Languages: French Mensuration: c-dot Clef: c4 Voice Text: Du cuer je souspier Voice: Contratenor primus Languages: Latin Mensuration: o Clef: c3 Voice Text: Et in terra Voice: Contratenor secundus Languages: none Mensuration: o Clef: f3 Voice Text: untexted General Note T: Du cuer je souspier. Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 120.
286v–288	Missa Du coeur je souspier. Patrem omnipotentem [Credo]	4	-	Anonymous
Missa Du coeur je souspier. Patrem omnipotentem [Credo] Anonymous Appears on: 286v–288 Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: [Credo] Patrem omnipotentem factorem celi Voice: Tenor Languages: French Mensuration: c-dot Clef: c4 Voice Text: Du cuer Voice: Contratenor primus Languages: Latin Mensuration: o Clef: c3 Voice Text: Patrem omnipotentem Voice: Contratenor secundus Languages: Latin Mensuration: o Clef: f3 Voice Text: ... Et ex patre General Note T: Du cuer. Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 120.
288v–290	Missa Du coeur je souspier: Sanctus	4	-	Anonymous
Missa Du coeur je souspier: Sanctus Anonymous Appears on: 288v–290 Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: Sanctus Voice: Tenor Languages: French Mensuration: c-dot Clef: c4 Voice Text: Du cuer Voice: Contratenor primus Languages: Latin Mensuration: o Clef: c3 Voice Text: Sanctus Voice: Contratenor secundus Languages: Latin Mensuration: o Clef: f3 Voice Text: ... Dominus General Note T: Du cuer Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 120.
290v–292	Missa Du coeur je souspier: Agnus Dei	4	-	Anonymous
Missa Du coeur je souspier: Agnus Dei Anonymous Appears on: 290v–292 Genres: Agnus Dei, Mass Ordinary Number of voices: 4 Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Agnus dei Voice: Tenor Languages: French Mensuration: c-dot Clef: c4 Voice Text: Du cuer Voice: Contratenor primus Languages: Latin Mensuration: o Clef: c3 Voice Text: Agnus dei Voice: Contratenor secundus Languages: Latin Mensuration: o Clef: f3 Voice Text: ... Qui tollis General Note T: Du cuer. Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 120.
292v–293	Ave vivens hostia	3	-	Anonymous
Ave vivens hostia Anonymous Appears on: 292v–293 Genres: Cantio Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: o Clef: c2 Voice Text: Ave vivens hostia veritas et vita Voice: Tenor Languages: Latin Mensuration: o Clef: c4 Voice Text: Ave vivens hostia Voice: Contratenor Languages: Latin Mensuration: o Clef: c5 Voice Text: Ave vivens hostia
294v–295	Missa: Kyrie	3	JO. BASSERE	Bassere, Johannes (fl. c1450)
Missa: Kyrie Bassere, Johannes (fl. c1450) Appears on: 294v–295 Genres: Kyrie eleison, Mass Ordinary Source Attribution: JO. BASSERE Number of voices: 3 Voice: [no designation] Languages: Greek Mensuration: o Clef: c1 Voice Text: [Missa] Kyrie Voice: Tenor Languages: Greek Mensuration: o Clef: c4 Voice Text: Kyrie Voice: Contratenor Languages: Greek Mensuration: o Clef: c3 Voice Text: Kyrie
295v–297	Missa: Et in terra pax [Gloria]	3	[JO. BASSERE]	Bassere, Johannes (fl. c1450)
Missa: Et in terra pax [Gloria] Bassere, Johannes (fl. c1450) Appears on: 295v–297 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: [JO. BASSERE] Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: [Missa. Gloria] Et in terra pax hominibus Voice: Tenor Languages: Latin Mensuration: o Clef: c4 Voice Text: Et in terra pax Voice: Contratenor Languages: Latin Mensuration: o Clef: c3 Voice Text: ... Adoramus te
297v–300	Missa: Credo Patrem	3	[JO. BASSERE]	Bassere, Johannes (fl. c1450)
Missa: Credo Patrem Bassere, Johannes (fl. c1450) Appears on: 297v–300 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: [JO. BASSERE] Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: [Missa. Credo] Patrem omnipotentem factorem celi Voice: Tenor Languages: Latin Mensuration: o Clef: c4 Voice Text: Patrem Voice: Contratenor Languages: Latin Mensuration: o Clef: c3 Voice Text: Patrem
300v–302	Missa Sanctus	3	[JO. BASSERE]	Bassere, Johannes (fl. c1450)
Missa Sanctus Bassere, Johannes (fl. c1450) Appears on: 300v–302 Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: [JO. BASSERE] Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: [Missa] Sanctus Voice: Tenor Languages: Latin Mensuration: o Clef: c4 Voice Text: Sanctus Voice: Contratenor Languages: Latin Mensuration: o Clef: c3 Voice Text: Sanctus
302v–303	Missa: Agnus Dei	3	[JO. BASSERE]	Bassere, Johannes (fl. c1450)
Missa: Agnus Dei Bassere, Johannes (fl. c1450) Appears on: 302v–303 Genres: Agnus Dei, Mass Ordinary Source Attribution: [JO. BASSERE] Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: [Missa] Agnus dei Voice: Tenor Languages: Latin Mensuration: o Clef: c4 Voice Text: Agnus dei Voice: Contratenor Languages: Latin Mensuration: o Clef: c3 Voice Text: Agnus
303v–304	Veni redemptor gentium Non ex virili	4	-	Anonymous
Veni redemptor gentium Non ex virili Anonymous Appears on: 303v–304 Genres: Hymn Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Non ex virili semine Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Non ex virili semine Voice: Contratenor Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: Non ex virili semine Voice: Tenor Languages: Latin Mensuration: cut-c Clef: f3 Voice Text: Non ex virili semine
306v–307	Missa: Kyrie eleison	3	-	Barbingant, Pierre (fl. c1445-60) (?)
Missa: Kyrie eleison Barbingant, Pierre (fl. c1445-60) (?) Appears on: 306v–307 Genres: Kyrie eleison, Mass Ordinary Number of voices: 3 Voice: [no designation] Languages: Greek Mensuration: o Clef: c1 Voice Text: [Missa] Kyrie Voice: Tenor Languages: Greek Clef: c4 Voice Text: Kyrie Voice: Contratenor Languages: Greek Clef: c4 Voice Text: Kyrie General Note Attrib. à J. Barbingant par Hamm (cf. Bibliogr.) Item Bibliography Hamm, Charles E. 1960. The Manuscript San Pietro B 80. Revue Belge de Musicologie, 14: 40-55.
307v–309	Missa: Et in terra pax [Gloria]	3	-	Barbingant, Pierre (fl. c1445-60) (?)
Missa: Et in terra pax [Gloria] Barbingant, Pierre (fl. c1445-60) (?) Appears on: 307v–309 Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: o Clef: c2 Voice Text: [Missa. Gloria] Et in terra pax hominibus Voice: Tenor Languages: Latin Mensuration: o Clef: c4 Voice Text: ... Laudamus Voice: Contratenor Languages: Latin Clef: c4 Voice Text: Et in terra General Note Attrib. à J. Barbingant par Hamm (cf. Bibliogr.) Item Bibliography Hamm, Charles E. 1960. The Manuscript San Pietro B 80. Revue Belge de Musicologie, 14: 40-55.
309v–312	Missa: Patrem omnipotentem [Credo]	3	-	Barbingant, Pierre (fl. c1445-60) (?)
Missa: Patrem omnipotentem [Credo] Barbingant, Pierre (fl. c1445-60) (?) Appears on: 309v–312 Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: o Clef: c2 Voice Text: [Missa. Credo] Patrem omnipotentem factorem celi Voice: Tenor Languages: Latin Clef: c4 Voice Text: Patrem Voice: Contratenor Languages: Latin Clef: c4 Voice Text: Patrem General Note Attrib. à J. Barbingant par Hamm (cf. Bibliogr.) Item Bibliography Hamm, Charles E. 1960. The Manuscript San Pietro B 80. Revue Belge de Musicologie, 14: 40-55.
312v–314	Missa: Sanctus	3	-	Barbingant, Pierre (fl. c1445-60) (?)
Missa: Sanctus Barbingant, Pierre (fl. c1445-60) (?) Appears on: 312v–314 Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: o Clef: c2 Voice Text: [Missa] Sanctus Voice: Tenor Languages: Latin Clef: c4 Voice Text: Sanctus Voice: Contratenor Languages: Latin Clef: c4 Voice Text: Sanctus General Note Attrib. à J. Barbingant par Hamm (cf. Bibliogr.) Item Bibliography Hamm, Charles E. 1960. The Manuscript San Pietro B 80. Revue Belge de Musicologie, 14: 40-55.
314v–315	Missa: Agnus Dei	3	-	Barbingant, Pierre (fl. c1445-60) (?)
Missa: Agnus Dei Barbingant, Pierre (fl. c1445-60) (?) Appears on: 314v–315 Genres: Agnus Dei, Mass Ordinary Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Agnus secundus. Agnus dei Voice: Tenor Languages: Latin Clef: c4 Voice Text: Agnus tertius. Voice: Contratenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Agnus secundus. duo. General Note Attrib. à J. Barbingant par Hamm (cf. Bibliogr.) General Note Agnus I not copied (chant); Agnus 2 duo Sup+Ct; Agnus 3 in 3vv Item Bibliography Hamm, Charles E. 1960. The Manuscript San Pietro B 80. Revue Belge de Musicologie, 14: 40-55.
315v–316	Kyrie-Gloria pair [Tr89-2]: Kyrie eleison	3	-	Anonymous
Kyrie-Gloria pair [Tr89-2]: Kyrie eleison Anonymous Appears on: 315v–316 Genres: Kyrie eleison, Mass Ordinary Number of voices: 3 Voice: [no designation] Languages: Greek Mensuration: o Clef: c1 Voice Text: Kyrie Voice: Tenor Languages: Greek Mensuration: o Clef: c4 Voice Text: Kyrie Voice: Contratenor Languages: Greek Mensuration: o Clef: f4 Voice Text: Kyrie
316v–318	Kyrie-Gloria pair [Tr89-2]: Gloria	3	-	Anonymous
Kyrie-Gloria pair [Tr89-2]: Gloria Anonymous Appears on: 316v–318 Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: [Gloria] Et in terra pax hominibus Voice: Tenor Languages: Latin Mensuration: o Clef: c3 Voice Text: ... Gratias agimus Voice: Contratenor Languages: Latin Mensuration: o Clef: c3 Voice Text: Et in terra
318v–320	Missa Quant che vendra: Kyrie	4	-	Anonymous
Missa Quant che vendra: Kyrie Anonymous Appears on: 318v–320 Genres: Kyrie eleison, Mass Ordinary Number of voices: 4 Voice: [no designation] Languages: Greek Mensuration: o Clef: c1 Voice Text: [Missa Quant che vendra] Kyrie Voice: Contratenor Languages: Greek Clef: c3 Voice Text: Kyrie Voice: Tenor Bassus Languages: Greek Mensuration: o Clef: f4 Voice Text: Kyrie Voice: Tenor Languages: French, Greek Clef: c4 Voice Text: Kyrie Quant che vendra General Note T: Quant che vendra. Item Bibliography Gottlieb, Louis Edward. 1958. The cyclic masses of Trent Codex 89. University of California, Los Angeles, Ph.D. Dissertation.
320v–324	Missa Quant che vendra: Et in terra pax [Gloria]	4	-	Anonymous
Missa Quant che vendra: Et in terra pax [Gloria] Anonymous Appears on: 320v–324 Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 4 Voice: [no designation] Languages: Latin Clef: c1 Voice Text: [Missa Quant che vendra. Gloria] Et in terra Voice: Contratenor Languages: Latin Clef: c3 Voice Text: Et in terra Voice: Tenor Bassus Languages: Latin Clef: f4 Voice Text: ... Propter magnam Voice: Tenor Languages: Latin Clef: c4 Voice Text: ... Propter magnam Item Bibliography Gottlieb, Louis Edward. 1958. The cyclic masses of Trent Codex 89. University of California, Los Angeles, Ph.D. Dissertation.
324v–328	Missa Quant che vendra: Patrem omnipotentem [Credo]	4	-	Anonymous
Missa Quant che vendra: Patrem omnipotentem [Credo] Anonymous Appears on: 324v–328 Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 4 Voice: [no designation] Languages: Latin Clef: c1 Voice Text: [Missa Quant che vendra. Credo] Patrem Voice: Contratenor Languages: Latin Clef: c3 Voice Text: Patrem Voice: Tenor Bassus Languages: Latin Clef: f4 Voice Text: ... Et ex patre Voice: Tenor Languages: Latin Clef: c4 Voice Text: ... Et ex patre Item Bibliography Gottlieb, Louis Edward. 1958. The cyclic masses of Trent Codex 89. University of California, Los Angeles, Ph.D. Dissertation.
328v–330	Missa Quant che vendra: Sanctus	4	-	Anonymous
Missa Quant che vendra: Sanctus Anonymous Appears on: 328v–330 Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 4 Voice: Contratenor Languages: Latin Clef: c3 Voice Text: Sanctus Voice: Tenor Bassus Languages: Latin Clef: f4 Voice Text: Sanctus Voice: Tenor Languages: Latin Clef: c4 Voice Text: Sanctus Voice: [no designation] Languages: Latin Clef: c1 Voice Text: [Missa Quant che vendra] Sanctus Item Bibliography Gottlieb, Louis Edward. 1958. The cyclic masses of Trent Codex 89. University of California, Los Angeles, Ph.D. Dissertation.
330v–332	Missa O rosa bella [II]: Kyrie rex virginum	4	-	Anonymous
Missa O rosa bella [II]: Kyrie rex virginum Anonymous Appears on: 330v–332 Genres: Mass Ordinary, Troped Kyrie Number of voices: 4 Voice: [no designation] Languages: Latin, Greek Mensuration: o Clef: c2 Voice Text: [Missa 0 rosa bella] Kyrie rex virginum amator Deus Voice: Tenor Languages: Greek Mensuration: o Clef: c4 Voice Text: Kyrie Voice: Contratenor primus Languages: Greek Mensuration: o Clef: c4 Voice Text: Kyrie Voice: Contratenor bassus Languages: Greek Mensuration: o Clef: f4 Voice Text: Kyrie General Note T:[O rosa bella] Item Bibliography Gottlieb, Louis Edward. 1958. The cyclic masses of Trent Codex 89. University of California, Los Angeles, Ph.D. Dissertation.
332v–334	Missa O rosa bella [II]: Et in terra pax [Gloria]	4	-	Anonymous
Missa O rosa bella [II]: Et in terra pax [Gloria] Anonymous Appears on: 332v–334 Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: o Clef: c2 Voice Text: [Missa O rosa bella. Gloria] Et in terra Voice: Tenor Languages: Latin Mensuration: o Clef: c4 Voice Text: ... Propter magnam gloriam Voice: Contratenor primus Languages: Latin Clef: c4 Voice Text: Et in terra Voice: Contratenor bassus Languages: Latin Mensuration: o Clef: f4 Voice Text: ... Gratias agimus Item Bibliography Gottlieb, Louis Edward. 1958. The cyclic masses of Trent Codex 89. University of California, Los Angeles, Ph.D. Dissertation.
334v–336	Missa O rosa bella [II]: Patrem omnipotentem [Credo]	4	-	Anonymous
Missa O rosa bella [II]: Patrem omnipotentem [Credo] Anonymous Appears on: 334v–336 Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: o Clef: c2 Voice Text: [Missa O rosa bella. Credo] Patrem Voice: Tenor Languages: Latin Mensuration: o Clef: c4 Voice Text: ... Et ex patre natum Voice: Contratenor primus Languages: Latin Mensuration: o Clef: c4 Voice Text: Patrem Voice: Contratenor bassus Languages: Latin Mensuration: o Clef: f4 Voice Text: ... Filium dei Item Bibliography Gottlieb, Louis Edward. 1958. The cyclic masses of Trent Codex 89. University of California, Los Angeles, Ph.D. Dissertation.
336v–338	Missa O rosa bella [II]: Sanctus	4	-	Anonymous
Missa O rosa bella [II]: Sanctus Anonymous Appears on: 336v–338 Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: o Clef: c2 Voice Text: [Missa O rosa bella] Sanctus Voice: Tenor Languages: Latin Mensuration: o Clef: c4 Voice Text: Sanctus Voice: Contratenor Languages: Latin Mensuration: o Clef: c4 Voice Text: Sanctus Voice: Contratenor bassus Languages: Latin Mensuration: o Clef: f4 Voice Text: Sanctus Item Bibliography Gottlieb, Louis Edward. 1958. The cyclic masses of Trent Codex 89. University of California, Los Angeles, Ph.D. Dissertation.
338v–339	Missa O rosa bella [II]: Agnus Dei	4	-	Anonymous
Missa O rosa bella [II]: Agnus Dei Anonymous Appears on: 338v–339 Genres: Agnus Dei, Mass Ordinary Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: o Clef: c2 Voice Text: [Missa O rosa bella] Agnus dei Voice: Tenor Languages: Latin Mensuration: o Clef: c4 Voice Text: Agnus dei Voice: Contratenor Languages: Latin Mensuration: o Clef: c4 Voice Text: Agnus Voice: Contratenor bassus Languages: Latin Mensuration: o Clef: f4 Voice Text: Agnus dei Item Bibliography Gottlieb, Louis Edward. 1958. The cyclic masses of Trent Codex 89. University of California, Los Angeles, Ph.D. Dissertation.
339v–340	Veni creator spiritus Qui paraclitus diceris	4	-	Anonymous
Veni creator spiritus Qui paraclitus diceris Anonymous Appears on: 339v–340 Genres: Motet, Veni creator spiritus Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: c Clef: g2 Voice Text: ]Veni creator spiritus] Qui paraclitus diceris Voice: Tenor Languages: Latin Mensuration: c Clef: c3 Voice Text: Qui paraclitus Voice: Contratenor primus Languages: Latin Mensuration: c Clef: c2 Voice Text: Qui paraclitus Voice: Contratenor secundus Languages: none Mensuration: c Clef: c4 Voice Text: untexted General Note Full text of 5 verses (including the first, Veni creator spiritus!) at footof page Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 53 (XXVII).
340v–341	Christe redemptor	4	-	Anonymous
Christe redemptor Anonymous Appears on: 340v–341 Genres: Motet Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Christe redemptor omnium Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Tu lumen Voice: Contratenor primus Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Christe redemptor omnium Voice: Contratenor secundus Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: Christe redemptor omnium Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 53 (XXVII).
341v	Christe redemptor	3	-	Anonymous
Christe redemptor Anonymous Appears on: 341v Genres: Motet Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Christe redemptor omnium Voice: Tenor Languages: none Mensuration: cut-c Clef: c4 Voice Text: untexted Voice: Contratenor bassus Languages: none Mensuration: cut-c Clef: f4 Voice Text: untexted Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 53 (XXVII).
342v–344	Missa Christus surrexit: Et in terra pax [Gloria]	4	-	Du Fay, Guillaume (1397–1474) (?)
Missa Christus surrexit: Et in terra pax [Gloria] Du Fay, Guillaume (1397–1474) (?) Appears on: 342v–344 Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: [Missa Christus surrexit. Gloria] Et in terra pax hominibus Voice: Tenor Languages: Latin Mensuration: o Clef: c3 Voice Text: Christus surrexit Voice: Contratenor primus Languages: Latin Mensuration: o Clef: c3 Voice Text: Et in terra Voice: Contratenor secundus Languages: Latin Mensuration: o Clef: c4 Voice Text: ... Gratias agimus General Note T: Christus surrexit. Item Bibliography Feininger, Laurence K (editor). 1947-48. Series I: Ordinarium missae (1948) & Series II: Proprium missae (1947). Monumenta Polyphoniae Liturgicae Sanctae Ecclesiae Romanae. Rome. Pages: Ordinarium I, tom. 11,1 (attrib. à G. Dufay).
344v–346	Missa Christus surrexit: Patrem omnipotentem [Credo]	4	-	Du Fay, Guillaume (1397–1474) (?)
Missa Christus surrexit: Patrem omnipotentem [Credo] Du Fay, Guillaume (1397–1474) (?) Appears on: 344v–346 Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: [Missa Christus surrexit. [Credo] Patrem Voice: Tenor Languages: none Mensuration: o Clef: c3 Voice Text: [Christus surrexit] untexted Voice: Contratenor primus Languages: none Mensuration: o Clef: c3 Voice Text: untexted Voice: Contratenor secundus Languages: none Mensuration: o Clef: c4 Voice Text: untexted General Note T: Christus surrexit Item Bibliography Feininger, Laurence K (editor). 1947-48. Series I: Ordinarium missae (1948) & Series II: Proprium missae (1947). Monumenta Polyphoniae Liturgicae Sanctae Ecclesiae Romanae. Rome. Pages: Ordinarium I, tom. 11,1 (attrib. à G. Dufay).
346v–349	Missa Christus surrexit: Sanctus	4	-	Du Fay, Guillaume (1397–1474) (?)
Missa Christus surrexit: Sanctus Du Fay, Guillaume (1397–1474) (?) Appears on: 346v–349 Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: [Missa Christus surrexit] Sanctus Voice: Tenor Languages: Latin Mensuration: o Clef: c3 Voice Text: Christus surrexit Voice: Contratenor primus Languages: none Mensuration: o Clef: c3 Voice Text: untexted Voice: Contratenor secundus Languages: none Mensuration: o Clef: c4 Voice Text: untexted General Note T: Christus surrexit. Item Bibliography Feininger, Laurence K (editor). 1947-48. Series I: Ordinarium missae (1948) & Series II: Proprium missae (1947). Monumenta Polyphoniae Liturgicae Sanctae Ecclesiae Romanae. Rome. Pages: Ordinarium I, tom. 11,1 (attrib. à G. Dufay).
349v–352	Salve regina misericordiae (2p. Ad te clamamus; 3p. Eya ergo; 4p. Et Jhesum benedictum; 5p. O clemens; 6p. O pia; 7p. O dulcis))	4	[G. DUFAY]*	Du Fay, Guillaume (1397–1474)
Salve regina misericordiae (2p. Ad te clamamus; 3p. Eya ergo; 4p. Et Jhesum benedictum; 5p. O clemens; 6p. O pia; 7p. O dulcis)) Du Fay, Guillaume (1397–1474) Appears on: 349v–352 Genres: BVM, Motet, Salve Regina Source Attribution: [G. DUFAY]* Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: Salve. Regina misericordie Voice: Tenor Languages: Latin Mensuration: o Clef: c4 Voice Text: Regina Voice: Contratenor primus Languages: Latin Mensuration: o Clef: c4 Voice Text: Regina Voice: Contratenor secundus Languages: Latin Mensuration: o Clef: f3 Voice Text: Regina Concordances D-brd-Mbs 3154 Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.* Graz and Vienna. Pages: 14/15 (VII).
352v–353	Ave beatissima - 1a pars (of 2): Ave beatissima civitas	4	-	Anonymous
Ave beatissima - 1a pars (of 2): Ave beatissima civitas Anonymous Appears on: 352v–353 Genres: Motet Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: o Clef: c2 Voice Text: Ave beatissima civitas Voice: Tenor Languages: Latin Mensuration: o Clef: f3 Voice Text: Ave beatissima civitas Voice: Contratenor primus Languages: Latin Mensuration: o Clef: c4 Voice Text: Ave beatissima civitas Voice: Contratenor secundus Languages: Latin Mensuration: o Clef: f3 Voice Text: Ave beatissima civitas
353v–354	Ave beatissima - 2a pars (of 2): Tormentis Christo	4	-	Anonymous
Ave beatissima - 2a pars (of 2): Tormentis Christo Anonymous Appears on: 353v–354 Genres: Motet Number of voices: 4 Voice: [no designation] Languages: Italian Mensuration: cut-c Clef: c1 Voice Text: Tormentis Christo Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Tormentis Voice: Contratenor primus Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Tormentis Voice: Contratenor secundus Languages: Latin Mensuration: cut-c Clef: f3 Voice Text: Tormentis
354v–355	O gloriosa mater - 1a pars (of 2): O gloriosa mater / Hilf und gib rat	4	-	Basiron, Philippe (ca. 1449–1491)
O gloriosa mater - 1a pars (of 2): O gloriosa mater / Hilf und gib rat Basiron, Philippe (ca. 1449–1491) Appears on: 354v–355 Genres: BVM, Motet, Salve Regina Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: Salve regina misericordie / Gaude rosa Voice: Tenor Languages: German Mensuration: o Clef: c4 Voice Text: Hilf und gib rat Voice: Contratenor primus Languages: Latin Mensuration: o Clef: c4 Voice Text: Salve regina / Sola [rosa] Voice: Contratenor secundus Languages: Latin Mensuration: o Clef: c4 Voice Text: ... Vita dulcedo / Sola rosa General Note T: Hilf und gib rat. General Note two texts underlaid, Salve regina & (later) Gaude rosa. In Strahov the text is O gloriosa mater. Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 53 (XXVII).
355v–356	O gloriosa mater - 2a pars (of 2): Mirifica celica gaudia / Hilf und gib rat	4	-	Basiron, Philippe (ca. 1449–1491)
O gloriosa mater - 2a pars (of 2): Mirifica celica gaudia / Hilf und gib rat Basiron, Philippe (ca. 1449–1491) Appears on: 355v–356 Genres: BVM, Motet, Salve Regina Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Eya ergo / Gaude rosa Voice: Tenor Languages: German Mensuration: cut-c Clef: c4 Voice Text: Hilf und gib rat Voice: Contratenor primus Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Eya ergo Voice: Contratenor secundus Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: ... Et Jhesum General Note T: Hilf und gib rat. General Note two texts underlaid, Eia ergo (2p of Salve regina) & (later) Gaude rosa. In Strahov the text is Mirifica celica gaudia (2p of O gloriosa mater). Concordances Strahov (112v-114) has 5th voice 'contratenor concordans cum omnibus' Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 53 (XXVII).
356v–358v	Salve regina misericordiae	3	-	Anonymous
Salve regina misericordiae Anonymous Appears on: 356v–358v Genres: BVM, Motet, Salve Regina Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: Salve. Regina misericordie Voice: Tenor Languages: Latin Mensuration: o Clef: c4 Voice Text: Regina Voice: Contratenor Languages: Latin Mensuration: o Clef: f3 Voice Text: Regina Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 53 (XXVII).
359–360	Magnificat octavi toni: Et exultavit [K.383]	3-4	-	Anonymous
Magnificat octavi toni: Et exultavit [K.383] Anonymous Appears on: 359–360 Genres: BVM, Canticle, Magnificat Number of voices: 3-4 Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Et exultavit Voice: Contratenor Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Et exultavit Voice: Contratenor secundus Languages: Latin Mensuration: o Clef: c4 Voice Text: Fecit potentiam. Sicut erat Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Magnificat. Et exultavit General Note Even verses. 4vv in Fecit potentiam & Sicut erat only
360v–361	Magnificat octavi toni: Et exultavit [K.366]	4	-	Anonymous
Magnificat octavi toni: Et exultavit [K.366] Anonymous Appears on: 360v–361 Genres: BVM, Canticle, Magnificat Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: [Magnificat] Et exultavit spiritus mesu Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Et exultavit Voice: Contratenor Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: ... Quia fecit Voice: Contratenor secundus Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: ... Quia fecit General Note Versets pairs.
361v–362	Victimae paschali laudes Agnus redemit oves Christus innocens	4	-	Anonymous
Victimae paschali laudes Agnus redemit oves Christus innocens Anonymous Appears on: 361v–362 Genres: Sequence Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Victimae paschali laudes. Agnus redemit oves Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Agnus redemit Voice: Contratenor primus Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Agnus redemit Voice: Contratenor secundus Languages: Latin Mensuration: cut-c Clef: f3 Voice Text: Agnus redemit
362v–363	Congaudent angelorum - 1a pars (of 2): Congaudent angelorum	3	-	Anonymous
Congaudent angelorum - 1a pars (of 2): Congaudent angelorum Anonymous Appears on: 362v–363 Genres: Motet Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Congaudent. Que sine virili Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Que sine Voice: Contratenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Que sine
363v–364	Congaudent angelorum - 2a pars (of 2): Te libri virgo	3	-	Anonymous
Congaudent angelorum - 2a pars (of 2): Te libri virgo Anonymous Appears on: 363v–364 Genres: Motet Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Te libri virgo Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Te libri Voice: Contratenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Te libri
364v–365	Qui caeli qui terrae - 1a pars (of 2): Qui caeli qui terrae	3	-	Anonymous
Qui caeli qui terrae - 1a pars (of 2): Qui caeli qui terrae Anonymous Appears on: 364v–365 Genres: Motet Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Qui celi qui terre Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Qui celi Voice: Contratenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Qui celi
365v	Qui caeli qui terrae - 2a pars (of 2): Et tremens	3	-	Anonymous
Qui caeli qui terrae - 2a pars (of 2): Et tremens Anonymous Appears on: 365v Genres: Motet Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Et tremens Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Et tremens Voice: Contratenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Et tremens
366v–367	Missa [de BMV]: Kyrie	3	[H. TIK]	Tik, Henricus
Missa [de BMV]: Kyrie Tik, Henricus Appears on: 366v–367 Genres: Kyrie eleison, Mass Ordinary Source Attribution: [H. TIK] Number of voices: 3 Voice: [no designation] Languages: Greek Mensuration: o Clef: c1 Voice Text: Kyrie Voice: Tenor Languages: Greek Mensuration: o Clef: c3 Voice Text: Kyrie Voice: Contratenor Languages: Greek Mensuration: o Clef: c3 Voice Text: Kyrie
367v–369	Missa [de BMV]: Et in terra pax [Gloria]	3	[H. TIK]	Tik, Henricus
Missa [de BMV]: Et in terra pax [Gloria] Tik, Henricus Appears on: 367v–369 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: [H. TIK] Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: [Gloria] Et in terra pax hominibus Voice: Tenor Languages: Latin Mensuration: o Clef: c3 Voice Text: ... Gratias Voice: Contratenor Languages: Latin Mensuration: o Clef: c3 Voice Text: Et in terra
369v–371	Missa [de BMV]: Patrem omnipotentem [Credo]	3	[H. TIK]	Tik, Henricus
Missa [de BMV]: Patrem omnipotentem [Credo] Tik, Henricus Appears on: 369v–371 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: [H. TIK] Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: [Credo] Patrem omnipotentem factorem celi Voice: Tenor Languages: Latin Mensuration: o Clef: c3 Voice Text: ... Et in unum dominum Jhesu CHriste Voice: Contratenor Languages: Latin Clef: c3 Voice Text: Patrem omnipotentem
371v–373	Missa [de BMV]: Sanctus	3	[H. TIK]	Tik, Henricus
Missa [de BMV]: Sanctus Tik, Henricus Appears on: 371v–373 Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: [H. TIK] Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: Sanctus Voice: Tenor Languages: Latin Mensuration: o Clef: c3 Voice Text: Sanctus Voice: Contratenor Languages: Latin Mensuration: o Clef: c3 Voice Text: Sanctus
373v–374	Missa [de BMV]: Agnus Dei	3	[H. TIK]	Tik, Henricus
Missa [de BMV]: Agnus Dei Tik, Henricus Appears on: 373v–374 Genres: Agnus Dei, Mass Ordinary Source Attribution: [H. TIK] Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: duo. Agnus dei Voice: Tenor Languages: Latin Mensuration: o Clef: c3 Voice Text: [Agnus 2] Agnus dei Voice: Contratenor Languages: Latin Mensuration: o Clef: c3 Voice Text: duo. Agnus dei
374v–375	Exultet caelum laudibus vos saecli justi judices	4	-	Anonymous
Exultet caelum laudibus vos saecli justi judices Anonymous Appears on: 374v–375 Genres: Motet Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: c1 Voice Text: Exultet celum laudibus Voice: Contratenor primus Languages: none Mensuration: cut-o Clef: c3 Voice Text: untexted Voice: Tenor Languages: none Mensuration: cut-o Clef: c4 Voice Text: untexted Voice: Contratenor secundus Languages: Latin Mensuration: cut-o Clef: f3 Voice Text: Exultet
375v–376	Sanctorum meritis Hi sunt quos retinens	4	-	Anonymous
Sanctorum meritis Hi sunt quos retinens Anonymous Appears on: 375v–376 Genres: Motet Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Sanctorum meritis Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Sanctorum meritis Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Sanctorum meritis Voice: Contratenor Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Sanctorum meritis
376v–377	Kyrie eleison	3	-	Anonymous
Kyrie eleison Anonymous Appears on: 376v–377 Genres: Kyrie eleison, Mass Ordinary Number of voices: 3 Voice: [no designation] Languages: Latin, Greek Mensuration: o Clef: c2 Voice Text: Kyrie Voice: Tenor Languages: Latin Mensuration: o Clef: c4 Voice Text: Kyrie Voice: Contratenor Languages: Latin Mensuration: o Clef: c4 Voice Text: Kyrie
377v	Ad cenam agni (3vv)	3	[G. DUFAY]	Du Fay, Guillaume (1397–1474)
Ad cenam agni (3vv) Du Fay, Guillaume (1397–1474) Appears on: 377v Genres: Hymn Source Attribution: [G. DUFAY] Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Ad cenam agni providi Voice: Contratenor Languages: Latin Clef: f3 Voice Text: Ad cenam Voice: Tenor Languages: Latin Clef: f3 Voice Text: Ad cenam agni providi General Note Publ. cf. MOe. X. 1. 11 n° 9
377v	Ad cenam agni (2vv)	2	[G. DUFAY]	Du Fay, Guillaume (1397–1474) (?)
Ad cenam agni (2vv) Du Fay, Guillaume (1397–1474) (?) Appears on: 377v Genres: Hymn Source Attribution: [G. DUFAY] Number of voices: 2 Voice: [no designation] Languages: Latin Mensuration: o Clef: c2 Voice Text: Ad cenam agni providi Voice: Tenor Languages: Latin Mensuration: o Clef: c4 Voice Text: Ad cenam faulxbourdon General Note T: Ad cenam. FauLx bourdon Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, V (n° 176).
378v–379	Missa Clemens et benigna: Kyrie	4	[CARON]	Caron, Firminus (ca. 1460–ca. 1475)
Missa Clemens et benigna: Kyrie Caron, Firminus (ca. 1460–ca. 1475) Appears on: 378v–379 Genres: Kyrie eleison, Mass Ordinary Source Attribution: [CARON] Number of voices: 4 Voice: [no designation] Languages: Greek Mensuration: o Clef: c1 Voice Text: Kyrie Voice: Tenor Languages: Greek Mensuration: o Clef: c3 Voice Text: Kyrie Voice: Contratenor primus Languages: Latin Mensuration: o Clef: c3 Voice Text: Kyrie Voice: Contratenor bassus Languages: Greek Mensuration: o Clef: f3 Voice Text: Kyrie General Note Publ. cf. MOe M. 1. 13 n° 12
379v–382	Missa Clemens et benigna: Et in terra pax [Gloria]	4	[CARON]	Caron, Firminus (ca. 1460–ca. 1475)
Missa Clemens et benigna: Et in terra pax [Gloria] Caron, Firminus (ca. 1460–ca. 1475) Appears on: 379v–382 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: [CARON] Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: [Gloria] Et in terra pax hominibus Voice: Tenor Languages: Latin Mensuration: o Clef: c3 Voice Text: Clemens et benigna Voice: Contratenor primus Languages: Latin Mensuration: o Clef: c3 Voice Text: Et in terra Voice: Contratenor bassus Languages: Latin Mensuration: o Clef: f3 Voice Text: Et in terra General Note T: Clemens et benigna. Publ. cf. MOe M. 1. 13 n» 12
382v–385	Missa Clemens et benigna: Patrem omnipotentem [Credo]	4	[CARON]	Caron, Firminus (ca. 1460–ca. 1475)
Missa Clemens et benigna: Patrem omnipotentem [Credo] Caron, Firminus (ca. 1460–ca. 1475) Appears on: 382v–385 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: [CARON] Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: [Credo] Patrem omnipotentem factorem celi Voice: Tenor Languages: Latin Mensuration: o Clef: c3 Voice Text: Patrem Clemens et benigna Voice: Contratenor primus Languages: Latin Mensuration: o Clef: c3 Voice Text: Patrem omnipotentem Voice: Contratenor bassus Languages: Latin Mensuration: o Clef: f3 Voice Text: Patrem omnipotentem General Note T: Patrem Clemens et benigna. Publ. cf. MOe M. 1. 13 n° 12
385v–387	Missa Clemens et benigna: Sanctus	4	[CARON]	Caron, Firminus (ca. 1460–ca. 1475)
Missa Clemens et benigna: Sanctus Caron, Firminus (ca. 1460–ca. 1475) Appears on: 385v–387 Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: [CARON] Number of voices: 4 Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Sanctus Voice: Tenor Languages: Latin Mensuration: o Clef: c3 Voice Text: Clemens et benigna Voice: Contratenor primus Languages: Latin Mensuration: o Clef: c3 Voice Text: Sanctus Voice: Contratenor bassus Languages: Latin Mensuration: o Clef: f3 Voice Text: Sanctus General Note T: Clemens et benigna. Publ. cf. MOe M. 1. 13 n° 12
387v–388	Missa Clemens et benigna: Agnus Dei	4	[CARON]	Caron, Firminus (ca. 1460–ca. 1475)
Missa Clemens et benigna: Agnus Dei Caron, Firminus (ca. 1460–ca. 1475) Appears on: 387v–388 Genres: Agnus Dei, Mass Ordinary Source Attribution: [CARON] Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: Agnus dei Voice: Tenor Languages: Latin Mensuration: o Clef: c3 Voice Text: Agnus Voice: Contratenor primus Languages: Latin Mensuration: o Clef: c3 Voice Text: Sanctus Voice: Contratenor bassus Languages: Latin Mensuration: o Clef: f3 Voice Text: Agnus General Note Publ. cf. MOe 1. 13 n° 12
388v–389	Heya heya nun wie si grollen	4	-	Anonymous
Heya heya nun wie si grollen Anonymous Appears on: 388v–389 Genres: Song Number of voices: 4 Voice: [no designation] Languages: German Mensuration: cut-c Clef: c1 Voice Text: Heya heya nun wie si grollen Voice: Tenor Languages: German Mensuration: cut-c Clef: c4 Voice Text: Heya heya nun wie si grollen Voice: Contratenor primus Languages: none Mensuration: cut-c Clef: c3 Voice Text: untexted Voice: Contratenor secundus Languages: none Mensuration: cut-c Clef: f4 Voice Text: untexted General Note Publ. cf. Fn 229 n° 166
389v–390	La martinella	3	JOHANNES MARTINI	Martini, Johannes (ca. 1430–1497)
La martinella Martini, Johannes (ca. 1430–1497) Appears on: 389v–390 Genres: Italian secular Source Attribution: JOHANNES MARTINI Number of voices: 3 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice Text: [La martinella] untexted Voice: Tenor Languages: none Mensuration: cut-c Clef: c4 Voice Text: untexted Voice: Contratenor Languages: none Mensuration: cut-c Clef: f4 Voice Text: untexted General Note Publ. cf. Bc 16 n' 84
390v–391	Kyrie [Tro] magne Deus potentiae	3	-	Anonymous
Kyrie [Tro] magne Deus potentiae Anonymous Appears on: 390v–391 Genres: Kyrie eleison, Mass Ordinary, Troped Kyrie Number of voices: 3 Voice: [no designation] Languages: Latin, Greek Mensuration: c Clef: c1 Voice Text: Kyrie magne Deus Voice: [no designation] Languages: none Mensuration: c Clef: c4 Voice Text: untexted Voice: [no designation] Languages: none Mensuration: c Clef: c4 Voice Text: untexted
391v–392	Kyrie fons bonitatis	3	-	Anonymous
Kyrie fons bonitatis Anonymous Appears on: 391v–392 Genres: Kyrie eleison, Mass Ordinary, Troped Kyrie Number of voices: 3 Voice: [no designation] Languages: Latin, Greek Mensuration: o Clef: c1 Voice Text: Kyrie fons bonitatis Voice: [no designation] Languages: none Mensuration: o Clef: c4 Voice Text: untexted Voice: [no designation] Languages: none Mensuration: o Clef: c4 Voice Text: untexted
392v–394	untexted	2	-	-
untexted - Appears on: 392v–394 Genres: textless Number of voices: 2 Voice: [no designation] Languages: none Mensuration: o Clef: c2 Voice Text: untexted Voice: [no designation] Languages: none Mensuration: o Clef: c4 Voice Text: untexted Voice: [no designation] Languages: none Mensuration: cut-c Clef: f3 Voice Text: [sections 3-6 only] untexted General Note in 6 sections, the first 2 in 2vv the remainder in 3vv. Mensurations o, cut-o, cut-c, c, c, cut-o
394v–396	Magnificat primi toni: Et exultavit [K.155]	4	-	Anonymous
Magnificat primi toni: Et exultavit [K.155] Anonymous Appears on: 394v–396 Genres: BVM, Canticle, Magnificat Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: o Clef: c2 Voice Text: [Magnificat] Et exultavit spiritus meus Voice: Tenor Languages: Latin Clef: c4 Voice Text: Et exultavit Voice: Contratenor Languages: Latin Clef: c4 Voice Text: Et exultavit Voice: Contratenor secundus Languages: Latin Clef: f4 Voice Text: Et exultavit General Note Versets pairs.
396v–397	Ave maris stella	4	-	Anonymous
Ave maris stella Anonymous Appears on: 396v–397 Genres: Ave maris stella, BVM, Motet Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Ave maris stella / Sumens illud ave Voice: Tenor Languages: Latin Clef: c3 Voice Text: Sumens illud ave Voice: Contratenor primus Languages: none Clef: c4 Voice Text: untexted Voice: Contratenor secundus Languages: none Clef: f4 Voice Text: untexted Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 53 (XXVII).
397v–398	Magnificat quinti toni: Et exultavit [K.276]	3	-	Anonymous
Magnificat quinti toni: Et exultavit [K.276] Anonymous Appears on: 397v–398 Genres: BVM, Canticle, Magnificat Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: [Magnificat] Et exultavit spiritus meus Voice: Tenor Languages: Latin Clef: c3 Voice Text: Et exultavit Voice: Contratenor Languages: Latin Clef: c3 Voice Text: Et exultavit General Note Even verses. 3 verses set, with verses 1&4, 2&5, 3&6 underlaid
398v–401v	Magnificat quinti toni: Et exultavit [K.289]	5	-	Anonymous
Magnificat quinti toni: Et exultavit [K.289] Anonymous Appears on: 398v–401v Genres: BVM, Canticle, Magnificat Number of voices: 5 Voice: Discantus primus Languages: Latin Clef: c1 Voice Text: [Magnificat] Et exultavit Voice: Secundus Discantus Languages: Latin Clef: c1 Voice Text: Et exultavit Voice: Tertius discantus Languages: Latin Clef: c1 Voice Text: Et exultavit Voice: Contratenor Languages: Latin Clef: c4 Voice Text: Et exultavit Voice: Tenor Languages: Latin Clef: c4 Voice Text: Et exultavit General Note Versets pairs.
402	untexted	4	D.ANDREAS TALAFANGI CALABRESE	Tallafangi, D. Andreas
untexted Tallafangi, D. Andreas Appears on: 402 Genres: textless Source Attribution: D.ANDREAS TALAFANGI CALABRESE Number of voices: 4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice Text: untexted Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: untexted Voice: Contratenor primus Languages: none Clef: f3 Voice Text: untexted Voice: Contratenor secundus Languages: none Clef: f3 Voice Text: untexted Item Bibliography Disertori, Benvenuto. 1954. La frottola nella storia della musica. Monumenta N.I., Cremona, Instituta et monumenta, Serie I. 9ff.
402v–403	untexted	3	-	-
untexted - Appears on: 402v–403 Genres: textless Number of voices: 3 Voice: [no designation] Languages: none Voice Text: without text Layout copied on 8-line staves Item Bibliography Disertori, Benvenuto. 1957. L'Unica composizione sicuramente strumentale nei codice Tridentini. Collectanea Historiae Musicae, 135ff. Florentiae. Pages: facs.
404v–408	Credo / Patrem de village (quarti toni)	4	-	Clibano, Jacobus de
Credo / Patrem de village (quarti toni) Clibano, Jacobus de Appears on: 404v–408 Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: [Credo] Patrem
408v–409	Missa Mein herz: Kyrie	3	-	Anonymous
Missa Mein herz: Kyrie Anonymous Appears on: 408v–409 Genres: Kyrie eleison, Mass Ordinary Number of voices: 3 Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa] Kyrie
409v–410	Missa Mein herz: Et in terra pax [Gloria]	3	-	Anonymous
Missa Mein herz: Et in terra pax [Gloria] Anonymous Appears on: 409v–410 Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: [Missa. Gloria] Et in terra
410v–412	Missa Mein herz: Patrem omnipotentem [Credo]	-	-	Anonymous
Missa Mein herz: Patrem omnipotentem [Credo] Anonymous Appears on: 410v–412 Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Missa. Credo] Patrem
412v–414	Missa Mein herz: Sanctus	-	-	Anonymous
Missa Mein herz: Sanctus Anonymous Appears on: 412v–414 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: [Missa] Sanctus
414v	Mon seul et cele souvenir = Mon seul et sangle souvenir	3	[A. BUSNOIS]*	Busnoys, Antoine (ca. 1430–1492)
Mon seul et cele souvenir = Mon seul et sangle souvenir Busnoys, Antoine (ca. 1430–1492) Appears on: 414v Genres: Chanson Source Attribution: [A. BUSNOIS]* Number of voices: 3 Voice: [no designation] Languages: French Voice Text: [Mon seul et cele souvenir] General Note [= Mon seul et sangle souvenir]* [=Ave rosa rubicunda]*Publ. cf. Fn 176 n° 12 Concordances F-Pn 15123 **D-ddr-Bds 40098
414v–415	untexted	3	-	-
untexted - Appears on: 414v–415 Genres: textless Number of voices: 3 Voice: [no designation] Languages: none Voice Text: without text
415v–416	Vostre bruit et vostre grant fame	3	[G. DUFAY]	Du Fay, Guillaume (1397–1474)
Vostre bruit et vostre grant fame Du Fay, Guillaume (1397–1474) Appears on: 415v–416 Genres: Chanson, Rondeau Source Attribution: [G. DUFAY] Number of voices: 3 Voice: [no designation] Languages: French Voice Text: [Vostre bruit vostre gran fame] General Note [= Vostre bruit marionete] Publ. cf. Fn 176 n° 26
416v–417	Helas que pourra devenir	3	[CARON]	Caron, Firminus (ca. 1460–ca. 1475)
Helas que pourra devenir Caron, Firminus (ca. 1460–ca. 1475) Appears on: 416v–417 Genres: Chanson Source Attribution: [CARON] Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Ave sidus clarissimum/Der Seidenschwanz General Note [=Helas m'amour]* [= Der seyden schwantcz. Ave sydus]*Publ. cf. Bc 16 n° 110 Concordances US-Wc 25 **D-ddr-Bds 40098
417v–418	untexted	3	-	-
untexted - Appears on: 417v–418 Genres: textless Number of voices: 3 Voice: [no designation] Languages: none Voice Text: without text
418v–419	untexted	4	-	-
untexted - Appears on: 418v–419 Genres: textless Number of voices: 4 Voice: [no designation] Languages: none Voice Text: without text
419v–420	untexted	3	-	-
untexted - Appears on: 419v–420 Genres: textless Number of voices: 3 Voice: [no designation] Languages: none Voice Text: without text
420v–421	Ci dit on benedicite = Laudem demus parvulo	3	[A. BUSNOIS]	Busnoys, Antoine (ca. 1430–1492)
Ci dit on benedicite = Laudem demus parvulo Busnoys, Antoine (ca. 1430–1492) Appears on: 420v–421 Genres: Chanson, Contrafactum, Motet Source Attribution: [A. BUSNOIS] Number of voices: 3 Voice: [no designation] Languages: Latin, Italian Voice Text: [Chi dit benedicite] General Note [=Cy dit on benedicite]* [= Laudem demus párvula]**Publ. cf. Fn 229 n° 56 Concordances "D-ddr-Bds 40098
421v–422	Mort ou merci	3	[CARON]*	Caron, Firminus (ca. 1460–ca. 1475)
Mort ou merci Caron, Firminus (ca. 1460–ca. 1475) Appears on: 421v–422 Genres: Chanson Source Attribution: [CARON]* Number of voices: 3 Voice: [no designation] Languages: French Voice Text: [Mort ou merchi] General Note Publ. cf. Fn 229 n« 75 Concordances *F-Pu 15123
422v–423	untexted	3	-	-
untexted - Appears on: 422v–423 Genres: textless Number of voices: 3 Voice: [no designation] Languages: none Voice Text: without text
423v–424	O dulcis Jesu memoria	3	-	Anonymous
O dulcis Jesu memoria Anonymous Appears on: 423v–424 Genres: Motet Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: O dulcis Iesu memoria
424v–425	Se la face ay pale	4	[G. DUFAY] ?	Du Fay, Guillaume (1397–1474)
Se la face ay pale Du Fay, Guillaume (1397–1474) Appears on: 424v–425 Genres: Ballade, Chanson Source Attribution: [G. DUFAY] ? Number of voices: 4 Voice: [no designation] Languages: Italian Voice Text: Se 1aface [ay] pale. General Note this version is the same as that in the Schedel liederbuch, though with a second Ct & transposed down a 4th. Neither Ct matches that of Ox213/NY Boorman (nor that in Escorial Iv.a.24). PlanchartD considers neither of the Ct voices to be by Du Fay, but finds them both "spectacularly good" Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 14/15 (VII) (anon.). [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, VI (op. dub.
425	Ad magnificat ?	1	-	Anonymous
Ad magnificat ? Anonymous Appears on: 425 Genres: BVM, Canticle, Magnificat Number of voices: 1 Voice: [no designation] Languages: Latin Voice Text: Ad magnificat ? General Note lvx. seul'. Inach.
425	Agnus Dei Sig suld und heyl	1	-	Anonymous
Agnus Dei Sig suld und heyl Anonymous Appears on: 425 Genres: Agnus Dei, Mass Ordinary Number of voices: 1 Voice: [no designation] Languages: Latin Voice Text: Agnus dei Sig suld und heyl General Note lvx.seul'.Inach.

Composer	Compositions
Anonymous	Ad magnificat ? – 425 Adoretur beata trinitas - 1a pars (of 2): Adoretur beata trinitas / In ultimo lucente / Dies datur / Lilia nunc flores / Pacem Deus – 129v–130 Adoretur beata trinitas - 2a pars (of 2): In [nulleno?] / Pacem Deus / Rex dux noema / Haec dies / Collaudent – 130v–131 Agnus Dei Sig suld und heyl – 425 Alleluia. Virga Jesse floruit virgo Deum – 98v–99 Amavit eum Dominus – 92 Asperges me Domine isopo et mundabor – 20v–21 Assit herus rex sincerus – 148v Aurea luce – 182 Aurea luce / Sit trinitati – 175v Ave beatissima - 1a pars (of 2): Ave beatissima civitas – 352v–353 Ave beatissima - 2a pars (of 2): Tormentis Christo – 353v–354 Ave Maria gratia plena Dominus tecum – 97v–98v Ave maris stella – 396v–397 Ave maris stella – 176 Ave maris stella – 178v–179 Ave maris stella / Ave Katherina – 1 Ave mundi spes Maria / In Gottes Namen – 233v–234 Ave regina caelorum – 103v–105 Ave vivens hostia – 292v–293 Beata viscera Mariae virginis – 100v Benedicta sit sancta trinitas – 131v–132 Christe redemptor – 340v–341 Christe redemptor – 341v Christus surrexit – 183v Congaudent angelorum - 1a pars (of 2): Congaudent angelorum – 362v–363 Congaudent angelorum - 2a pars (of 2): Te libri virgo – 363v–364 Deus Deorum inclite – 149v–150 Ecce panis angelorum factus cibus – 184 Ecce panis angelorum factus cibus – 216v–217 Et in terra pax [Gloria] – 160v–162 Exultet caelum laudibus vos saecli justi judices – 374v–375 Felix namque es, sacra virgo Maria – 99v–100 Festum nunc celebre – 177v Gaude flore virginali - 1a pars (of 3): Gaude flore virginali – 170v–171 Gaude flore virginali - 2a pars (of 3): Gaude nexu voluntatis – 171v–172 Gaude flore virginali - 3a pars (of 3): Gaude virgo mater – 172v–173 Gaudent in caelis animae sanctorum – 91v–931v Gaude regina – 126v–127 Gaude visceribus – 197v–198 Gloria-Credo pair [Tr89-1]: Credo – 86v–89 Gloria-Credo pair [Tr89-1]: Gloria – 83v–86 Grates nunc omnes – 182v–183 Grates nunc omnes – 223v–224 Gregatim grex audet - 1a pars (of 2): Gregatim grex audet – 124v–125 Gregatim grex audet - 2a pars (of 2): Cessat Deus sedens – 125v–126 Haec dies quam fecit – 101v–102 Heya heya nun wie si grollen – 388v–389 Homo quidam fecit caenam magnam R. Venite comedite Vs. Gloria patri – 214v–216 Iste sanctus pro lege Dei – 90v Istorum est enim regnum caelorum – 91 Kyrie Deus creator omnium tu Theos (voces pares) – 114v–116 Kyrie eleison – 376v–377 Kyrie eleison – 11v–12 Kyrie fons bonitatis – 211v–212 Kyrie fons bonitatis – 391v–392 Kyrie fons bonitatis. – 212v–213 Kyrie-Gloria pair [Tr89-1]: Gloria – 235bv–238 Kyrie-Gloria pair [Tr89-1]: Kyrie eleison – 235av–235b Kyrie-Gloria pair [Tr89-2]: Gloria – 316v–318 Kyrie-Gloria pair [Tr89-2]: Kyrie eleison – 315v–316 Kyrie [Tro] magne Deus potentiae – 390v–391 Magnificat Duo: Quia fecit (voces pares) – 179 Magnificat octavi toni: Et exultavit [K.366] – 360v–361 Magnificat octavi toni: Et exultavit [K.382] – 173v–175 Magnificat octavi toni: Et exultavit [K.383] – 359–360 Magnificat Primi Toni: Et exultavit [K.130] – 41v–44 Magnificat primi toni: Et exultavit [K.155] – 394v–396 Magnificat quarti toni: Et exultavit [K.243] – 21v–25 Magnificat quinti toni: Et exultavit [K.275] – 207v–211 Magnificat quinti toni: Et exultavit [K.276] – 397v–398 Magnificat quinti toni: Et exultavit [K.289] – 398v–401v Magnificat sexti toni: Et exultavit [K.295] – 143v–145 Magnificat Sexti Toni: Et exultavit [K.306] – 44v–46 Magnificat Sexti Toni: Et exultavit [K.307] – 151v–153 Missa Ad fugam: Kyrie – 46v Missa Du coeur je souspier: Agnus Dei – 290v–292 Missa Du coeur je souspier: Et in terra pax [Gloria] – 284v–286 Missa Du coeur je souspier: Kyrie Orbis factor rex aeterne eleison. – 282v–284 Missa Du coeur je souspier. Patrem omnipotentem [Credo] – 286v–288 Missa Du coeur je souspier: Sanctus – 288v–290 Missa Fons bonitatis: Agnus Dei Qui tollis – 9v–10v Missa Fons bonitatis: Et in terra pax [Gloria] – 3v–5 Missa Fons bonitatis: Kyrie fons bonitatis – 1v–3 Missa Fons bonitatis: Patrem omnipotentem [Credo] – 5v–7 Missa Fons bonitatis: Sanctus – 7v–9 Missa Gross sehen: Agnus Dei – 39v–41 Missa Gross sehen: Et in terra pax [Gloria] – 28v–31 Missa Gross sehen: Kyrie – 26v–28 Missa Gross sehen: Patrem omnipotentem [Credo] – 31v–35 Missa Gross sehen: Sanctus – 35v–39 Missa Le serviteur [Tr89]: Agnus Dei – 159v–160 Missa Le serviteur [Tr89]: Et in terra pax [Gloria] – 154v–156 Missa Le serviteur [Tr89]: Kyrie eleison – 153v–154 Missa Le serviteur [Tr89]: Patrem omnipotentem [Credo] – 156v–158 Missa Le serviteur [Tr89]: Sanctus – 158v–159v Missa Mein herz: Et in terra pax [Gloria] – 409v–410 Missa Mein herz: Kyrie – 408v–409 Missa Mein herz: Patrem omnipotentem [Credo] – 410v–412 Missa Mein herz: Sanctus – 412v–414 Missa O rosa bella [II]: Agnus Dei – 338v–339 Missa O rosa bella [II]: Et in terra pax [Gloria] – 332v–334 Missa O rosa bella [II]: Kyrie rex virginum – 330v–332 Missa O rosa bella [II]: Patrem omnipotentem [Credo] – 334v–336 Missa O rosa bella [II]: Sanctus – 336v–338 Missa Quant che vendra: Et in terra pax [Gloria] – 320v–324 Missa Quant che vendra: Kyrie – 318v–320 Missa Quant che vendra: Patrem omnipotentem [Credo] – 324v–328 Missa Quant che vendra: Sanctus – 328v–330 Missa Te Deum laudamus: Agnus Dei – 79v–80v Missa Te Deum laudamus: Et in terra pax [Gloria] – 72v–74v Missa Te Deum laudamus: Kyrie – 71–72 Missa Te Deum laudamus: Patrem omnipotentem [Credo] – 74v–77 Missa Te Deum laudamus: Sanctus – 77v–79 Missa [Tr89-1] (voces pares): Agnus Dei – 113v–114 Missa [Tr89-1] (voces pares): Et in terra pax [Gloria] – 107v–109 Missa [Tr89-1] (voces pares): Patrem omnipotentem [Credo] – 109v–111 Missa [Tr89-1] (voces pares): Sanctus – 111v–113 Missa [Tr89-2]: Agnus Dei – 206–206v Missa [Tr89-2]: Et in terra pax [Gloria] – 200v–202 Missa [Tr89-2]: Kyrie – 199v–200 Missa [Tr89-2]: Patrem omnipotentem [Credo] – 202v–204 Missa [Tr89-2]: Sanctus – 204v–205v Missa [Tr89-3]: Agnus Dei – 280v–281v Missa [Tr89-3]: Et in terra pax [Gloria] – 274v–276 Missa [Tr89-3]: Kyrie – 273v–274 Missa [Tr89-3]: Patrem omnipotentem [Credo] – 276v–278 Missa [Tr89-3]: Sanctus – 278v–280 Novus annus adiit in quo Christus prodiit – 142v Novus annus hodie monet nos – 59 O beata infantia - 1a pars (of 2): O beata infantia – 193v–194 O beata infantia - 2a pars (of 2): O praesepe splendidum – 194v–195 Odas clangat - 1a pars (of 2): Odas clangat / Jesse produxit – 121v–123 Odas clangat - 2a pars (of 2): untexted – 121v–123 O dulcis Jesu memoria – 423v–424 O florens rosa mater Domini speciosa – 217v–218 O gloriosa et laudabilis – 227v–228 O lux beata trinitas – 179v–180 O sacrum manna - 1a pars (of 2): O sacrum manna / Ecce panis angelorum – 135v–136 O sacrum manna - 2a pars (of 2): Exorante pia – 136v–137 Pange lingua gloriosi corporis misterium – 222v Per pulchra Sion filia – 166v–168 Petrus apostolus - 1a pars (of 3): Petrus apostolus et Paulus doctor – 89v Petrus apostolus - 2a pars (of 3): Tradent enim vos in conciliis et in synagogis – 89v–90 Petrus apostolus - 3a pars (of 3): Estote fortes in bello et pugnate – 90 Plaudat laetitia – 181v–182 Prudentes virgines – 92v Puer natus est nobis – 224v–225 Quam pulchra es - 1a pars (of 2): Quam pulchra es – 218v–219 Quam pulchra es - 2a pars (of 2): Dilecte mi – 219v–220 Quem terra – 234v Qui caeli qui terrae - 1a pars (of 2): Qui caeli qui terrae – 364v–365 Qui caeli qui terrae - 2a pars (of 2): Et tremens – 365v Qui vult venire post me – 90v Quod chorus vatum – 178 Regina caeli - 1a pars (of 2): Regina caeli laetare alleluia – 127v–128 Regina caeli - 2a pars (of 2): Resurrexit sicut dixit – 128v–129 Regina caeli laetare alleluia – 100v–101 Regina caeli laetare alleluia (2p. Alleluia domina) – 189a–v191 Regis caelorum - 1a pars (of 3): Regis caelorum – 132v–133 Regis caelorum - 2a pars (of 3): Ut sacrum flamen – 133v–134 Regis caelorum - 3a pars (of 3): O quanta pietas – 134v–135 Resonet in laudibus cum jocundis plausibus – 225v–227 Rorate Caeli desuper et nubes pluant Vs: Caeli enarrant Et opera R. Sicut erat in principio – 184v–185 Sacerdos et pontifex – 91v–92 Salve festa dies toto venerabilis – 13 Salve festa dies toto venerabilis – 230v–231 Salve regina - 1a pars (of 2): Salve regina mater misericordiae – 191v–192 Salve regina - 1a pars (of 2): Salve regina mater misericordiae – 146v–147 Salve regina - 2a pars (of 2): Et Jesum benedictum – 147v–148 Salve regina - 2a pars (of 2): Et Jesum benedictum fructum – 192v–193 Salve regina mater misericordiae – 102v–103 Salve regina misericordiae – 356v–358v Salve sancta parens – 95v–96 Salve sancta parens – 185v–186 Salve sancta parens – 242v–243 Sancta genitrix = Der Fuchsschwanz – 243v–244 Sancti et justi in Domino – 91 Sanctorum meritis Hi sunt quos retinens – 375v–376 Sanctus – 139v–141 Sanctus – 187v–189 Sanctus – 244v–245 Sanctus – 116v–118 Sendliche pein hat mich verwundt. – 143 Similabo eum viro – 92v Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto – 241v–242 Terribilis est locus iste – 232v–233 Tu ne quaesieris - 1a pars (of 2): Tu ne quaesieris scire nephas quem mihi – 168v–169 Tu ne quaesieris - 2a pars (of 2): Quae nunc oppositis – 169v–170 untexted – 402v–403 untexted – 422v–423 untexted – 417v–418 untexted – 419v–420 untexted – 418v–419 untexted – 392v–394 untexted – 414v–415 untexted – 105v–106 Urbs beata Jerusalem Nova veniens – 231v–232 Ut queant laxis resonare fibris – 141v–142 Ut queant laxis resonare fibris – 180v–181 Veni creator – 177 Veni creator spiritus Qui paraclitus diceris – 339v–340 Veni redemptor gentium Non ex virili – 303v–304 Veni sancte spiritus et emitte caelitus – 213v–214 Veni sponsa Christi – 93 Victimae paschali laudes Agnus redemit oves Christus innocens – 361v–362 Vidi aquam egredientem de templo – 228v–229 Vidi aquam egredientem de templo – 229v–230 Viri Galilaei Quid admiramini aspicientes Vs: Omnes gentes plaudite Jubilate deo – 186v–187 Wunsch alles lustes. – 143 [No description] – 199v
Anonymous (previously ascr. to Du Fay)	Missa Caput: Agnus Dei – 254v–256 Missa Caput: Et in terra pax [Gloria] – 248v–250 Missa Caput: Kyrie Deus creator omnium – 246v–248 Missa Caput: Patrem omnipotentem [Credo] – 250v–252 Missa Caput: Sanctus – 252v–254
Atrio, Hermanus de (c1460)	In Maria vitae viam – 239v–240 Nouvellement ay – 238v–239
Barbingant, Pierre (c1445-60)	Der Pfauenschwanz = Ave virgo speciosa = O quam clara testimonia – 150v (?) Missa: Agnus Dei – 314v–315 (?) Missa: Et in terra pax [Gloria] – 307v–309 (?) Missa: Kyrie eleison – 306v–307 (?) Missa: Patrem omnipotentem [Credo] – 309v–312 (?) Missa: Sanctus – 312v–314
Basiron, Philippe (ca. 1449-1491)	O gloriosa mater - 1a pars (of 2): O gloriosa mater / Hilf und gib rat – 354v–355 O gloriosa mater - 2a pars (of 2): Mirifica celica gaudia / Hilf und gib rat – 355v–356
Bassere, Johannes (c1450)	Missa: Agnus Dei – 302v–303 Missa: Credo Patrem – 297v–300 Missa: Et in terra pax [Gloria] – 295v–297 Missa: Kyrie – 294v–295 Missa Sanctus – 300v–302
Bedingham, John (-ca. 1460)	(?) O rosa bella, o Deitatis cella – 119v–120
Breittinens, Andreas Gregorius	Levavi oculos meos - 1a pars (of 2): Levavi oculos meos – 220v–221 Levavi oculos meos - 2a pars (of 2): Deus custodit te – 221v–222
Busnoys, Antoine (ca. 1430-1492)	Ci dit on benedicite = Laudem demus parvulo – 420v–421 Mon seul et cele souvenir = Mon seul et sangle souvenir – 414v
Caron, Firminus (ca. 1460-ca. 1475)	Helas que pourra devenir – 416v–417 Missa Clemens et benigna: Agnus Dei – 387v–388 Missa Clemens et benigna: Et in terra pax [Gloria] – 379v–382 Missa Clemens et benigna: Kyrie – 378v–379 Missa Clemens et benigna: Patrem omnipotentem [Credo] – 382v–385 Missa Clemens et benigna: Sanctus – 385v–387 Mort ou merci – 421v–422
Clibano, Jacobus de	Credo / Patrem de village (quarti toni) – 404v–408
Cornago, Juan de	Ex ore tuo = Yerra con poco saber – 149
Domarto, Petrus de	(?) Missa Sine nomine (tone 5 irregular): Sanctus – 57v–58v
Du Fay, Guillaume (1397-1474)	(?) Ad cenam agni (2vv) – 377v Ad cenam agni (3vv) – 377v Magnificat 3 & 4 toni. Anima mea [K.747] – 165–166 (?) Missa Christus surrexit: Et in terra pax [Gloria] – 342v–344 (?) Missa Christus surrexit: Patrem omnipotentem [Credo] – 344v–346 (?) Missa Christus surrexit: Sanctus – 346v–349 Salve regina misericordiae (2p. Ad te clamamus; 3p. Eya ergo; 4p. Et Jhesum benedictum; 5p. O clemens; 6p. O pia; 7p. O dulcis)) – 349v–352 Se la face ay pale – 424v–425 Vostre bruit et vostre grant fame – 415v–416
Dunstaple, John (ca. 1390-1453)	(?) O rosa bella, o Deitatis cella – 119v–120
Flemmik	Sanctus Veni creator 'Srotyrzssyke' – 81v–82v
Forest	Anima mea - 1a pars (of 3): Anima mea liquefacta est – 195v–196 Anima mea - 2a pars (of 3): Tulerunt pallium meum – 196v–197 Anima mea - 3a pars (of 3): Filiae Jerusalem – 196v–197
Ghizeghem, Hayne van (ca. 1445-ca. 1497)	Amours amours trop me fiers de tes dars – 25v–26
Libert, Reginaldus	Benedicta et venerabilis – 96v–97
Martini, Johannes (ca. 1430-1497)	La martinella – 389v–390
Piret	(?) Alleluia. Vox de caelo – 64v–65 (?) Inclito Anthonio – 68v–69 (?) Missa Beati Anthonii: Agnus Dei – 70v (?) Missa Beati Anthonii: Et in terra pax [Gloria] – 60v–62 (?) Missa Beati Anthonii: Patrem omnipotentem [Credo] – 65v–68 (?) Missa Beati Anthonii: Sanctus – 69v–70 (?) Scitote quoniam – 59v–60 (?) Tronus eius sicut sol – 62v–64
Standley	(?) Quae est ista quae ascendit per desertum – 120v–121
Tallafangi, D. Andreas	untexted – 402
Tik, Henricus	Missa [de BMV]: Agnus Dei – 373v–374 Missa [de BMV]: Et in terra pax [Gloria] – 367v–369 Missa [de BMV]: Kyrie – 366v–367 Missa [de BMV]: Patrem omnipotentem [Credo] – 369v–371 Missa [de BMV]: Sanctus – 371v–373
Tinctoris, Johannes (ca. 1435-1511)	Missa Nos amis ('Wunsliche schone'): Et in terra pax [Gloria] – 163v–164v Missa Nos amis ('Wunsliche schone'): Kyrie eleison – 162v–163
Tourout (Touront), Johannes (ca. 1450-ca. 1475)	Compangant omnes in hoc festo corde = O generosa nata David quia te predixere – 123v–124 (?) Missa (3vv): Agnus Dei – 55v–56v (?) Missa (3vv): Et in terra pax [Gloria] – 48v–50 (?) Missa (3vv): Kyrie eleison – 47–48 (?) Missa (3vv): Patrem omnipotentem [Credo] – 50v–53 (?) Missa (3vv): Sanctus – 53v–55 Missa Monyel (Mon oeil): Agnus Dei – 271v–273 Missa Monyel (Mon oeil): Et in terra pax [Gloria] – 260v–263 Missa Monyel (Mon oeil): Kyrie – 258–260 Missa Monyel (Mon oeil): Patrem omnipotentem [Credo] – 263v–266 Missa Monyel (Mon oeil): Sanctus – 266v–271 Missa Sine nomine: Agnus Dei – 19v–20 Missa Sine nomine: Credo – 15v–17 Missa Sine nomine: Gloria – 13v–15 Missa Sine nomine: Sanctus – 17v–19 O castitatis lilium (= Advocata libera) – 145v–146 Recordare virgo mater - 1a pars (of 2): Recordare virgo mater dum steteris – 137v–138 Recordare virgo mater - 2a pars (of 2): Ab hac familia – 138v–139

Composition	Composers (? Uncertain)	Folios / Pages
Ad cenam agni (2vv)	Du Fay, Guillaume (1397–1474) (?)	377v
Ad cenam agni (3vv)	Du Fay, Guillaume (1397–1474)	377v
Ad magnificat ?	Anonymous	425
Adoretur beata trinitas - 1a pars (of 2): Adoretur beata trinitas / In ultimo lucente / Dies datur / Lilia nunc flores / Pacem Deus	Anonymous	129v–130
Adoretur beata trinitas - 2a pars (of 2): In [nulleno?] / Pacem Deus / Rex dux noema / Haec dies / Collaudent	Anonymous	130v–131
Agnus Dei Sig suld und heyl	Anonymous	425
Alleluia. Virga Jesse floruit virgo Deum	Anonymous	98v–99
Alleluia. Vox de caelo	Piret (?)	64v–65
Amavit eum Dominus	Anonymous	92
Amours amours trop me fiers de tes dars	Ghizeghem, Hayne van (ca. 1445–ca. 1497)	25v–26
Anima mea - 1a pars (of 3): Anima mea liquefacta est	Forest	195v–196
Anima mea - 2a pars (of 3): Tulerunt pallium meum	Forest	196v–197
Anima mea - 3a pars (of 3): Filiae Jerusalem	Forest	196v–197
Asperges me Domine isopo et mundabor	Anonymous	20v–21
Assit herus rex sincerus	Anonymous	148v
Aurea luce	Anonymous	182
Aurea luce / Sit trinitati	Anonymous	175v
Ave beatissima - 1a pars (of 2): Ave beatissima civitas	Anonymous	352v–353
Ave beatissima - 2a pars (of 2): Tormentis Christo	Anonymous	353v–354
Ave Maria gratia plena Dominus tecum	Anonymous	97v–98v
Ave maris stella	Anonymous	176
Ave maris stella	Anonymous	178v–179
Ave maris stella	Anonymous	396v–397
Ave maris stella / Ave Katherina	Anonymous	1
Ave mundi spes Maria / In Gottes Namen	Anonymous	233v–234
Ave regina caelorum	Anonymous	103v–105
Ave vivens hostia	Anonymous	292v–293
Beata viscera Mariae virginis	Anonymous	100v
Benedicta et venerabilis	Libert, Reginaldus	96v–97
Benedicta sit sancta trinitas	Anonymous	131v–132
Christe redemptor	Anonymous	340v–341
Christe redemptor	Anonymous	341v
Christus surrexit	Anonymous	183v
Ci dit on benedicite = Laudem demus parvulo	Busnoys, Antoine (ca. 1430–1492)	420v–421
Compangant omnes in hoc festo corde = O generosa nata David quia te predixere	Tourout (Touront), Johannes (ca. 1450–ca. 1475)	123v–124
Congaudent angelorum - 1a pars (of 2): Congaudent angelorum	Anonymous	362v–363
Congaudent angelorum - 2a pars (of 2): Te libri virgo	Anonymous	363v–364
Credo / Patrem de village (quarti toni)	Clibano, Jacobus de	404v–408
Der Pfauenschwanz = Ave virgo speciosa = O quam clara testimonia	Barbingant, Pierre (fl. c1445-60)	150v
Deus Deorum inclite	Anonymous	149v–150
Ecce panis angelorum factus cibus	Anonymous	184
Ecce panis angelorum factus cibus	Anonymous	216v–217
Et in terra pax [Gloria]	Anonymous	160v–162
Ex ore tuo = Yerra con poco saber	Cornago, Juan de	149
Exultet caelum laudibus vos saecli justi judices	Anonymous	374v–375
Felix namque es, sacra virgo Maria	Anonymous	99v–100
Festum nunc celebre	Anonymous	177v
Gaude flore virginali - 1a pars (of 3): Gaude flore virginali	Anonymous	170v–171
Gaude flore virginali - 2a pars (of 3): Gaude nexu voluntatis	Anonymous	171v–172
Gaude flore virginali - 3a pars (of 3): Gaude virgo mater	Anonymous	172v–173
Gaude regina	Anonymous	126v–127
Gaude visceribus	Anonymous	197v–198
Gaudent in caelis animae sanctorum	Anonymous	91v–931v
Gloria-Credo pair [Tr89-1]: Credo	Anonymous	86v–89
Gloria-Credo pair [Tr89-1]: Gloria	Anonymous	83v–86
Grates nunc omnes	Anonymous	182v–183
Grates nunc omnes	Anonymous	223v–224
Gregatim grex audet - 1a pars (of 2): Gregatim grex audet	Anonymous	124v–125
Gregatim grex audet - 2a pars (of 2): Cessat Deus sedens	Anonymous	125v–126
Haec dies quam fecit	Anonymous	101v–102
Helas que pourra devenir	Caron, Firminus (ca. 1460–ca. 1475)	416v–417
Heya heya nun wie si grollen	Anonymous	388v–389
Homo quidam fecit caenam magnam R. Venite comedite Vs. Gloria patri	Anonymous	214v–216
In Maria vitae viam	Atrio, Hermanus de (fl. c1460)	239v–240
Inclito Anthonio	Piret (?)	68v–69
Iste sanctus pro lege Dei	Anonymous	90v
Istorum est enim regnum caelorum	Anonymous	91
Kyrie [Tro] magne Deus potentiae	Anonymous	390v–391
Kyrie Deus creator omnium tu Theos (voces pares)	Anonymous	114v–116
Kyrie eleison	Anonymous	11v–12
Kyrie eleison	Anonymous	376v–377
Kyrie fons bonitatis	Anonymous	211v–212
Kyrie fons bonitatis	Anonymous	391v–392
Kyrie fons bonitatis.	Anonymous	212v–213
Kyrie-Gloria pair [Tr89-1]: Gloria	Anonymous	235bv–238
Kyrie-Gloria pair [Tr89-1]: Kyrie eleison	Anonymous	235av–235b
Kyrie-Gloria pair [Tr89-2]: Gloria	Anonymous	316v–318
Kyrie-Gloria pair [Tr89-2]: Kyrie eleison	Anonymous	315v–316
La martinella	Martini, Johannes (ca. 1430–1497)	389v–390
Levavi oculos meos - 1a pars (of 2): Levavi oculos meos	Breittinens, Andreas Gregorius	220v–221
Levavi oculos meos - 2a pars (of 2): Deus custodit te	Breittinens, Andreas Gregorius	221v–222
Magnificat 3 & 4 toni. Anima mea [K.747]	Du Fay, Guillaume (1397–1474)	165–166
Magnificat Duo: Quia fecit (voces pares)	Anonymous	179
Magnificat octavi toni: Et exultavit [K.366]	Anonymous	360v–361
Magnificat octavi toni: Et exultavit [K.382]	Anonymous	173v–175
Magnificat octavi toni: Et exultavit [K.383]	Anonymous	359–360
Magnificat Primi Toni: Et exultavit [K.130]	Anonymous	41v–44
Magnificat primi toni: Et exultavit [K.155]	Anonymous	394v–396
Magnificat quarti toni: Et exultavit [K.243]	Anonymous	21v–25
Magnificat quinti toni: Et exultavit [K.275]	Anonymous	207v–211
Magnificat quinti toni: Et exultavit [K.276]	Anonymous	397v–398
Magnificat quinti toni: Et exultavit [K.289]	Anonymous	398v–401v
Magnificat sexti toni: Et exultavit [K.295]	Anonymous	143v–145
Magnificat Sexti Toni: Et exultavit [K.306]	Anonymous	44v–46
Magnificat Sexti Toni: Et exultavit [K.307]	Anonymous	151v–153
Missa (3vv): Agnus Dei	Tourout (Touront), Johannes (ca. 1450–ca. 1475) (?)	55v–56v
Missa (3vv): Et in terra pax [Gloria]	Tourout (Touront), Johannes (ca. 1450–ca. 1475) (?)	48v–50
Missa (3vv): Kyrie eleison	Tourout (Touront), Johannes (ca. 1450–ca. 1475) (?)	47–48
Missa (3vv): Patrem omnipotentem [Credo]	Tourout (Touront), Johannes (ca. 1450–ca. 1475) (?)	50v–53
Missa (3vv): Sanctus	Tourout (Touront), Johannes (ca. 1450–ca. 1475) (?)	53v–55
Missa [de BMV]: Agnus Dei	Tik, Henricus	373v–374
Missa [de BMV]: Et in terra pax [Gloria]	Tik, Henricus	367v–369
Missa [de BMV]: Kyrie	Tik, Henricus	366v–367
Missa [de BMV]: Patrem omnipotentem [Credo]	Tik, Henricus	369v–371
Missa [de BMV]: Sanctus	Tik, Henricus	371v–373
Missa [Tr89-1] (voces pares): Agnus Dei	Anonymous	113v–114
Missa [Tr89-1] (voces pares): Et in terra pax [Gloria]	Anonymous	107v–109
Missa [Tr89-1] (voces pares): Patrem omnipotentem [Credo]	Anonymous	109v–111
Missa [Tr89-1] (voces pares): Sanctus	Anonymous	111v–113
Missa [Tr89-2]: Agnus Dei	Anonymous	206–206v
Missa [Tr89-2]: Et in terra pax [Gloria]	Anonymous	200v–202
Missa [Tr89-2]: Kyrie	Anonymous	199v–200
Missa [Tr89-2]: Patrem omnipotentem [Credo]	Anonymous	202v–204
Missa [Tr89-2]: Sanctus	Anonymous	204v–205v
Missa [Tr89-3]: Agnus Dei	Anonymous	280v–281v
Missa [Tr89-3]: Et in terra pax [Gloria]	Anonymous	274v–276
Missa [Tr89-3]: Kyrie	Anonymous	273v–274
Missa [Tr89-3]: Patrem omnipotentem [Credo]	Anonymous	276v–278
Missa [Tr89-3]: Sanctus	Anonymous	278v–280
Missa Ad fugam: Kyrie	Anonymous	46v
Missa Beati Anthonii: Agnus Dei	Piret (?)	70v
Missa Beati Anthonii: Et in terra pax [Gloria]	Piret (?)	60v–62
Missa Beati Anthonii: Patrem omnipotentem [Credo]	Piret (?)	65v–68
Missa Beati Anthonii: Sanctus	Piret (?)	69v–70
Missa Caput: Agnus Dei	Anonymous (previously ascr. to Du Fay)	254v–256
Missa Caput: Et in terra pax [Gloria]	Anonymous (previously ascr. to Du Fay)	248v–250
Missa Caput: Kyrie Deus creator omnium	Anonymous (previously ascr. to Du Fay)	246v–248
Missa Caput: Patrem omnipotentem [Credo]	Anonymous (previously ascr. to Du Fay)	250v–252
Missa Caput: Sanctus	Anonymous (previously ascr. to Du Fay)	252v–254
Missa Christus surrexit: Et in terra pax [Gloria]	Du Fay, Guillaume (1397–1474) (?)	342v–344
Missa Christus surrexit: Patrem omnipotentem [Credo]	Du Fay, Guillaume (1397–1474) (?)	344v–346
Missa Christus surrexit: Sanctus	Du Fay, Guillaume (1397–1474) (?)	346v–349
Missa Clemens et benigna: Agnus Dei	Caron, Firminus (ca. 1460–ca. 1475)	387v–388
Missa Clemens et benigna: Et in terra pax [Gloria]	Caron, Firminus (ca. 1460–ca. 1475)	379v–382
Missa Clemens et benigna: Kyrie	Caron, Firminus (ca. 1460–ca. 1475)	378v–379
Missa Clemens et benigna: Patrem omnipotentem [Credo]	Caron, Firminus (ca. 1460–ca. 1475)	382v–385
Missa Clemens et benigna: Sanctus	Caron, Firminus (ca. 1460–ca. 1475)	385v–387
Missa Du coeur je souspier. Patrem omnipotentem [Credo]	Anonymous	286v–288
Missa Du coeur je souspier: Agnus Dei	Anonymous	290v–292
Missa Du coeur je souspier: Et in terra pax [Gloria]	Anonymous	284v–286
Missa Du coeur je souspier: Kyrie Orbis factor rex aeterne eleison.	Anonymous	282v–284
Missa Du coeur je souspier: Sanctus	Anonymous	288v–290
Missa Fons bonitatis: Agnus Dei Qui tollis	Anonymous	9v–10v
Missa Fons bonitatis: Et in terra pax [Gloria]	Anonymous	3v–5
Missa Fons bonitatis: Kyrie fons bonitatis	Anonymous	1v–3
Missa Fons bonitatis: Patrem omnipotentem [Credo]	Anonymous	5v–7
Missa Fons bonitatis: Sanctus	Anonymous	7v–9
Missa Gross sehen: Agnus Dei	Anonymous	39v–41
Missa Gross sehen: Et in terra pax [Gloria]	Anonymous	28v–31
Missa Gross sehen: Kyrie	Anonymous	26v–28
Missa Gross sehen: Patrem omnipotentem [Credo]	Anonymous	31v–35
Missa Gross sehen: Sanctus	Anonymous	35v–39
Missa Le serviteur [Tr89]: Agnus Dei	Anonymous	159v–160
Missa Le serviteur [Tr89]: Et in terra pax [Gloria]	Anonymous	154v–156
Missa Le serviteur [Tr89]: Kyrie eleison	Anonymous	153v–154
Missa Le serviteur [Tr89]: Patrem omnipotentem [Credo]	Anonymous	156v–158
Missa Le serviteur [Tr89]: Sanctus	Anonymous	158v–159v
Missa Mein herz: Et in terra pax [Gloria]	Anonymous	409v–410
Missa Mein herz: Kyrie	Anonymous	408v–409
Missa Mein herz: Patrem omnipotentem [Credo]	Anonymous	410v–412
Missa Mein herz: Sanctus	Anonymous	412v–414
Missa Monyel (Mon oeil): Agnus Dei	Tourout (Touront), Johannes (ca. 1450–ca. 1475)	271v–273
Missa Monyel (Mon oeil): Et in terra pax [Gloria]	Tourout (Touront), Johannes (ca. 1450–ca. 1475)	260v–263
Missa Monyel (Mon oeil): Kyrie	Tourout (Touront), Johannes (ca. 1450–ca. 1475)	258–260
Missa Monyel (Mon oeil): Patrem omnipotentem [Credo]	Tourout (Touront), Johannes (ca. 1450–ca. 1475)	263v–266
Missa Monyel (Mon oeil): Sanctus	Tourout (Touront), Johannes (ca. 1450–ca. 1475)	266v–271
Missa Nos amis ('Wunsliche schone'): Et in terra pax [Gloria]	Tinctoris, Johannes (ca. 1435–1511)	163v–164v
Missa Nos amis ('Wunsliche schone'): Kyrie eleison	Tinctoris, Johannes (ca. 1435–1511)	162v–163
Missa O rosa bella [II]: Agnus Dei	Anonymous	338v–339
Missa O rosa bella [II]: Et in terra pax [Gloria]	Anonymous	332v–334
Missa O rosa bella [II]: Kyrie rex virginum	Anonymous	330v–332
Missa O rosa bella [II]: Patrem omnipotentem [Credo]	Anonymous	334v–336
Missa O rosa bella [II]: Sanctus	Anonymous	336v–338
Missa Quant che vendra: Et in terra pax [Gloria]	Anonymous	320v–324
Missa Quant che vendra: Kyrie	Anonymous	318v–320
Missa Quant che vendra: Patrem omnipotentem [Credo]	Anonymous	324v–328
Missa Quant che vendra: Sanctus	Anonymous	328v–330
Missa Sanctus	Bassere, Johannes (fl. c1450)	300v–302
Missa Sine nomine (tone 5 irregular): Sanctus	Domarto, Petrus de (?)	57v–58v
Missa Sine nomine: Agnus Dei	Tourout (Touront), Johannes (ca. 1450–ca. 1475)	19v–20
Missa Sine nomine: Credo	Tourout (Touront), Johannes (ca. 1450–ca. 1475)	15v–17
Missa Sine nomine: Gloria	Tourout (Touront), Johannes (ca. 1450–ca. 1475)	13v–15
Missa Sine nomine: Sanctus	Tourout (Touront), Johannes (ca. 1450–ca. 1475)	17v–19
Missa Te Deum laudamus: Agnus Dei	Anonymous	79v–80v
Missa Te Deum laudamus: Et in terra pax [Gloria]	Anonymous	72v–74v
Missa Te Deum laudamus: Kyrie	Anonymous	71–72
Missa Te Deum laudamus: Patrem omnipotentem [Credo]	Anonymous	74v–77
Missa Te Deum laudamus: Sanctus	Anonymous	77v–79
Missa: Agnus Dei	Bassere, Johannes (fl. c1450)	302v–303
Missa: Agnus Dei	Barbingant, Pierre (fl. c1445-60) (?)	314v–315
Missa: Credo Patrem	Bassere, Johannes (fl. c1450)	297v–300
Missa: Et in terra pax [Gloria]	Bassere, Johannes (fl. c1450)	295v–297
Missa: Et in terra pax [Gloria]	Barbingant, Pierre (fl. c1445-60) (?)	307v–309
Missa: Kyrie	Bassere, Johannes (fl. c1450)	294v–295
Missa: Kyrie eleison	Barbingant, Pierre (fl. c1445-60) (?)	306v–307
Missa: Patrem omnipotentem [Credo]	Barbingant, Pierre (fl. c1445-60) (?)	309v–312
Missa: Sanctus	Barbingant, Pierre (fl. c1445-60) (?)	312v–314
Mon seul et cele souvenir = Mon seul et sangle souvenir	Busnoys, Antoine (ca. 1430–1492)	414v
Mort ou merci	Caron, Firminus (ca. 1460–ca. 1475)	421v–422
Nouvellement ay	Atrio, Hermanus de (fl. c1460)	238v–239
Novus annus adiit in quo Christus prodiit	Anonymous	142v
Novus annus hodie monet nos	Anonymous	59
O beata infantia - 1a pars (of 2): O beata infantia	Anonymous	193v–194
O beata infantia - 2a pars (of 2): O praesepe splendidum	Anonymous	194v–195
O castitatis lilium (= Advocata libera)	Tourout (Touront), Johannes (ca. 1450–ca. 1475)	145v–146
O dulcis Jesu memoria	Anonymous	423v–424
O florens rosa mater Domini speciosa	Anonymous	217v–218
O gloriosa et laudabilis	Anonymous	227v–228
O gloriosa mater - 1a pars (of 2): O gloriosa mater / Hilf und gib rat	Basiron, Philippe (ca. 1449–1491)	354v–355
O gloriosa mater - 2a pars (of 2): Mirifica celica gaudia / Hilf und gib rat	Basiron, Philippe (ca. 1449–1491)	355v–356
O lux beata trinitas	Anonymous	179v–180
O rosa bella, o Deitatis cella	Bedingham, John (–ca. 1460) (?) Dunstaple, John (ca. 1390–1453) (?)	119v–120
O sacrum manna - 1a pars (of 2): O sacrum manna / Ecce panis angelorum	Anonymous	135v–136
O sacrum manna - 2a pars (of 2): Exorante pia	Anonymous	136v–137
Odas clangat - 1a pars (of 2): Odas clangat / Jesse produxit	Anonymous	121v–123
Odas clangat - 2a pars (of 2): untexted	Anonymous	121v–123
Pange lingua gloriosi corporis misterium	Anonymous	222v
Per pulchra Sion filia	Anonymous	166v–168
Petrus apostolus - 1a pars (of 3): Petrus apostolus et Paulus doctor	Anonymous	89v
Petrus apostolus - 2a pars (of 3): Tradent enim vos in conciliis et in synagogis	Anonymous	89v–90
Petrus apostolus - 3a pars (of 3): Estote fortes in bello et pugnate	Anonymous	90
Plaudat laetitia	Anonymous	181v–182
Prudentes virgines	Anonymous	92v
Puer natus est nobis	Anonymous	224v–225
Quae est ista quae ascendit per desertum	Standley (?)	120v–121
Quam pulchra es - 1a pars (of 2): Quam pulchra es	Anonymous	218v–219
Quam pulchra es - 2a pars (of 2): Dilecte mi	Anonymous	219v–220
Quem terra	Anonymous	234v
Qui caeli qui terrae - 1a pars (of 2): Qui caeli qui terrae	Anonymous	364v–365
Qui caeli qui terrae - 2a pars (of 2): Et tremens	Anonymous	365v
Qui vult venire post me	Anonymous	90v
Quod chorus vatum	Anonymous	178
Recordare virgo mater - 1a pars (of 2): Recordare virgo mater dum steteris	Tourout (Touront), Johannes (ca. 1450–ca. 1475)	137v–138
Recordare virgo mater - 2a pars (of 2): Ab hac familia	Tourout (Touront), Johannes (ca. 1450–ca. 1475)	138v–139
Regina caeli - 1a pars (of 2): Regina caeli laetare alleluia	Anonymous	127v–128
Regina caeli - 2a pars (of 2): Resurrexit sicut dixit	Anonymous	128v–129
Regina caeli laetare alleluia	Anonymous	100v–101
Regina caeli laetare alleluia (2p. Alleluia domina)	Anonymous	189a–v191
Regis caelorum - 1a pars (of 3): Regis caelorum	Anonymous	132v–133
Regis caelorum - 2a pars (of 3): Ut sacrum flamen	Anonymous	133v–134
Regis caelorum - 3a pars (of 3): O quanta pietas	Anonymous	134v–135
Resonet in laudibus cum jocundis plausibus	Anonymous	225v–227
Rorate Caeli desuper et nubes pluant Vs: Caeli enarrant Et opera R. Sicut erat in principio	Anonymous	184v–185
Sacerdos et pontifex	Anonymous	91v–92
Salve festa dies toto venerabilis	Anonymous	13
Salve festa dies toto venerabilis	Anonymous	230v–231
Salve regina - 1a pars (of 2): Salve regina mater misericordiae	Anonymous	146v–147
Salve regina - 1a pars (of 2): Salve regina mater misericordiae	Anonymous	191v–192
Salve regina - 2a pars (of 2): Et Jesum benedictum	Anonymous	147v–148
Salve regina - 2a pars (of 2): Et Jesum benedictum fructum	Anonymous	192v–193
Salve regina mater misericordiae	Anonymous	102v–103
Salve regina misericordiae	Anonymous	356v–358v
Salve regina misericordiae (2p. Ad te clamamus; 3p. Eya ergo; 4p. Et Jhesum benedictum; 5p. O clemens; 6p. O pia; 7p. O dulcis))	Du Fay, Guillaume (1397–1474)	349v–352
Salve sancta parens	Anonymous	95v–96
Salve sancta parens	Anonymous	185v–186
Salve sancta parens	Anonymous	242v–243
Sancta genitrix = Der Fuchsschwanz	Anonymous	243v–244
Sancti et justi in Domino	Anonymous	91
Sanctorum meritis Hi sunt quos retinens	Anonymous	375v–376
Sanctus	Anonymous	116v–118
Sanctus	Anonymous	139v–141
Sanctus	Anonymous	187v–189
Sanctus	Anonymous	244v–245
Sanctus Veni creator 'Srotyrzssyke'	Flemmik	81v–82v
Scitote quoniam	Piret (?)	59v–60
Se la face ay pale	Du Fay, Guillaume (1397–1474)	424v–425
Sendliche pein hat mich verwundt.	Anonymous	143
Similabo eum viro	Anonymous	92v
Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto	Anonymous	241v–242
Terribilis est locus iste	Anonymous	232v–233
Tronus eius sicut sol	Piret (?)	62v–64
Tu ne quaesieris - 1a pars (of 2): Tu ne quaesieris scire nephas quem mihi	Anonymous	168v–169
Tu ne quaesieris - 2a pars (of 2): Quae nunc oppositis	Anonymous	169v–170
untexted	-	105v–106
untexted	-	392v–394
untexted	Tallafangi, D. Andreas	402
untexted	-	402v–403
untexted	-	414v–415
untexted	-	417v–418
untexted	-	418v–419
untexted	-	419v–420
untexted	-	422v–423
Urbs beata Jerusalem Nova veniens	Anonymous	231v–232
Ut queant laxis resonare fibris	Anonymous	141v–142
Ut queant laxis resonare fibris	Anonymous	180v–181
Veni creator	Anonymous	177
Veni creator spiritus Qui paraclitus diceris	Anonymous	339v–340
Veni redemptor gentium Non ex virili	Anonymous	303v–304
Veni sancte spiritus et emitte caelitus	Anonymous	213v–214
Veni sponsa Christi	Anonymous	93
Victimae paschali laudes Agnus redemit oves Christus innocens	Anonymous	361v–362
Vidi aquam egredientem de templo	Anonymous	228v–229
Vidi aquam egredientem de templo	Anonymous	229v–230
Viri Galilaei Quid admiramini aspicientes Vs: Omnes gentes plaudite Jubilate deo	Anonymous	186v–187
Vostre bruit et vostre grant fame	Du Fay, Guillaume (1397–1474)	415v–416
Wunsch alles lustes.	Anonymous	143

Set: Trent Codices

Type: Linked by Origin or Contents

No images available

I-TRbc MS 1374 [87] (Trent 87)

No images available

I-TRbc MS 1375 [88] (Trent 88)

No images available

I-TRbc MS 1376 [89] (Trent 89)

No images available

I-TRbc MS 1377 [90] (Trent 90)

No images available

I-TRbc MS 1378 [91] (Trent 91)

No images available

I-TRbc MS 1379 [92] (Trent 92)

‡ denotes primary source study

Curtis, Gareth R K, and Andrew B Wathey. 1994. Fifteenth-Century English Liturgical Music: A List of the Surviving Repertory. Royal Musical Association Research Chronicle, 27: 1-69.

Staehelin, Martin. 1986. Trienter Codices und Humanismus. I codici musicali trentini a cento anni dalla loro riscoperta: Atti del convegno 'Laurence Feininger, la musicologia come missione', 158-69. Trent. Notes: physical description (partial); facsimile (partial); mention of MS; discussion.

Taruskin, Richard. 1986. Antoine Busnoys and the L'Homme armé Tradition. Journal of the American Musicological Society, 39: 255-93. Pages: 280,292-3. Notes: contents list (partial); mention of MS; discussion.

Ward, Tom Robert. 1986. The Office Hymns of the Trent Manuscripts. I codici musicali trentini a cento anni dalla loro riscoperta: Atti del convegno 'Laurence Feininger, la musicologia come missione', 112-29. Trent. Pages: l 16-20,123-4, 128. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Reynolds, Christopher Alan. 1981. The Origins of San Pietro B 80 and the Development of a Roman Sacred Repertory. Early Music History, 1: 257-304. Pages: 290-4,297-8, 300-2. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Perkins, Leeman L, and Howard Garey (editors). 1979. The Mellon Chansonnier. New Haven and London. Pages: I,15; II, 179-80,254-5,354-5. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.

Strohm, Reinhard. 1979. Die Missa super 'Nos amis' von Johannes Tinctoris. Die Musikforschung, 32: 34-51. Pages: 41,43-6. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Ward, Tom Robert. 1979. The Polyphonic Office Hymn from 1400 to 1520: A Descriptive Inventory. RMS, vol. 3. American Institute of Musicology. Notes: contents list (partial); concordances (partial); incipits (partial).

Burstyn, Shai. 1977. Early Fifteenth-Century Settings of Song of Songs Antiphons. Acta Musicologica, 49: 200-27. Pages: 220,223-4.

Spilsted, Gary. 1976. Toward the Genesis of the Trent Codices: New Directions and New Findings. Studies in Music from the University of Western Ontario, 1: 55-70. Notes: physical description; mention of MS; discussion.

Dangel-Hofmann, Frohmut. 1975. Der Mehrstimmige Introitus in Quellen des 15. Jahrhunderts. Würzburger Musikhistorische Beitrage, vol. 3. Tutzing. Pages: 138,204ff,269-72, passim. Notes: physical description; contents list; incipitsst of contents (partial); incipits (partial); transcription (partial); mention of MS; discussion.

Just, Martin. 1975. Der Mensuralkodex Mus. ms. 40021 der Staatsbibliothek Preussischer Kulturbesitz Berlin: Untersuchungen zum Repertoire einer deutschen Quelle des 15. Jahrhunderts. Würzburger Musikhistorische Beitrage, vol. 1. Tutzing. Pages: l, 184-8; II,67-8. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

White, Richard James. 1975. The Battre Section of Trent Codex 87. Indiana University, Unpublished Ph.D. dissertation. Pages: I,l-3. Notes: physical description; mention of MS; discussion.

Burstyn, Shai. 1972. Fifteenth-Century Polyphonic Settings of Verses from the Song of Songs. Columbia University, Unpublished Ph.D. dissertation. Pages: 177,189,218,289-95,329-33,404.

Planchart, Alejandro Enrique. 1972. Guillaume Dufay's Masses: Notes and Revisions. The Musical Quarterly, 58: 1-23. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Schmalz, Robert F, II. 1971. Selected Fifteenth Century Polyphonic Mass Ordinaries Based Upon Pre-existent German Material. University of Pittsburgh, Unpublished Ph.D. dissertation. Pages: 73-7,84,117-8, 120-38,245-64. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

[No Author] 1969-70. Codices Musicales Tridentini. Rome. Notes: facsimile.

Hamm, Charles E. 1969. Another Barbingant Mass. Essays in Musicology in Honor of Dragan Plamenac on His 70th Birthday, 83-90. Pittsburgh. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Ward, Tom Robert. 1969. The Polyphonic Office Hymn from the Late Fourteenth Century Until the Early Sixteenth Century. University of Pittsburgh, Unpublished Ph.D. dissertation. Pages: 94, 100-6, 158-61, 213ff, 564-6, 573-5. Notes: contents list (partial); concordances (partial); incipits (partial); transcription (partial); mention of MS; discussion.

Snow, Robert Joseph. 1968. The Manuscript Strahov D.G.IV.47. University of Illinois, Unpublished Ph.D. dissertation. Pages: 44,52,82-3,99-101,lll,127,155>157,489ff. Notes: contents list (partial); concordances (partial); incipits (partial); mention of MS; discussion.

Riemann, Hugo, Wilibald Gurlitt, and Hans Heinrich Eggebrecht (editors). 1967. Musik Lexikon: Zwölfte völlig neubearbeitete. 3 vols. Mainz. Pages: Sachteil 12. Aufl. Quellen, 772.

Loyan, Richard K (editor). 1967. Canons in the Trent Codices. Corpus mensurabilis musicae, vol. 38. Neuhausen nr. Stuttgart: American Institute of Musicology. Notes: contents list (partial); concordances (partial); transcriptions (partial); texts (partial); facsimile (partial); mention of MS; discussion.

Kanazawa, Masakata. 1966. Polyphonic music for Vespers in the fifteenth century. Harvard University, Ph.D. Dissertation, 2 vols. Pages: 1,183-7,197-202, passim; II, 119-22,144-50. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 170. Notes: contents list (partial); concordances (partial); incipits (partial).

Hamm, Charles E. 1964. A Chronology of the Works of Guillaume Dufay Based on a Study of Mensural Practice. Princeton. Pages: 128-9,135,165-6,171,173,178-9. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Planchart, Alejandro Enrique (editor). 1964. Missae Caput. Collegium Musicum, vol. 5. New Haven. Pages: l-52,158-9,166. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Damilano, Don Piero. 1963. Fonti musicali della lauda polifonica intorno alla metà del sec. XV. Collectanea Historiae Musicae III, Pages: 63 (dépouillement des Laudi).

Ficker, Rudolf von. 1960. The transition on the Continent. New Oxford History of Music, 3: 150ff. Pages: 150f.

Bukofzer, Manfred F. 1958. Changing Aspects of Medieval and Renaissance Music. The Musical Quarterly, 44: 1-18. Pages: passim.

Gottlieb, Louis Edward. 1958. The cyclic masses of Trent Codex 89. University of California, Los Angeles, Ph.D. Dissertation. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Schrade, Leo, and Milos Velimirovic (editors). 1955-68. Thirty chansons for three and four voices from Attaingnant's collection ed. by Albert Seay. Collegium musicum, vol. 2 & Vol 5: Guillaume Dufay, Johannes Ockeghem, Jacob Obrecht Missae Caput, ed. by A.A. Planchart. Yale Univ. Dpt. of music. Pages: 158ff (TRbc 88, 89, 90 et 93).

Disertori, Benvenuto. 1954. La frottola nella storia della musica. Monumenta N.I., Cremona, Instituta et monumenta, Serie I. 9ff. Pages: xvi-xvii. Notes: contents list (partial); transcriptions (partial); mention of MS; discussion.

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: Trienter Codices. II,1339; II1,951-2; VI.1023; XII,1171; XIII,666-73. Notes: physical description (partial); contents list (partial); facsimile (partial); mention of MS; discussion.

de Van, Guillaume, and Heinrich Besseler (editors). 1948-66. Guillaume Dufay: Opera Omnia. Corpus mensurabilis musicae, vol. 1. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: ll, V-VI, passim. Notes: contents list (partial); concordances (partial); transcriptions (partial); texts (partial); mention of MS; discussion.

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 38.

Apel, Willi. 1942. (4th ed., 1949). The Notation of Polyphonic Music 900-1600. Cambridge, Massachusetts. Pages: 110-1. Notes: contents list (partial); transcriptions (partial); facsimile (partial); mention of MS; discussion.

Stephan, Wolfgang. 1937. Die Burgundisch-Niederländische Motette zur Zeit Ockeghems. Kassel. Pages: 97f.

Blume, Friedrich (editor). 1929-. Das Chorwerk. Berlin/Wolfenbüttel. Pages: XIX, 4, 35-6; XLV, 11-2. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Lunelli, Renato. 1927. La patria dei codici musicali tridentini. Note D'Archivio per la Storia Musicale, 4: 116-28. Pages: 116ff. Notes: physical description; mention of MS; discussion.

Besseler, Heinrich. 1925. Studien zur Musik des Mittelalters: I. Neue Quellen des 14. und beginnenden 15. Jahrhunderts. Archiv für Musikwissenschaft, 7: 167-252.

Ficker, Rudolf von. 1924. Die frühen Messenkompositionen der Trienter Codices. Studien zur Musikwissenschaft, 11: 3ff.

Wolkan, Rudolf. 1921. Die Heimat der Trienter Musikhandschriften. Studien zur Musikwissenschaft, 8: 5-8. Pages: 4ff. Notes: physical description; mention of MS; discussion.

Schering, Arnold. 1914. Studien zur Musikgeschichte der Frührenaissance. Leipzig. Pages: 162,170-1. Notes: mention of MS; contents list (partial); transcription (partial).

Adler, Guido. 1909. Über Textlegung in den 'Trienter Codices'. Riemann-Festschrift. Gesammelte Studien Hugo Riemann zum sechzigsten Geburtstage, 51ff. Leipzig. Pages: 51ff.

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 14/15 (VII), p. XHIff; 38 (XIX), p. Vllff; DLCpITpFpDis, XIV/XV, XXII, XXXVIII, LII, LXI, LXXVI, passim.

Haberl, Franz Xavier. 1885-88. Bausteine für Musikgeschichte. 3 vols. Leipzig. Pages: I, 87ff.

Haberl, Franz Xavier. 1885. Wilhelm du Fay, Monographische Studie über dessen Leben und Werke. Vierteljahrsschrift für Musikwissenschaft, 1: 397-530. Pages: 487. Notes: physical description (partial); contents list (partial); mention of MS; discussion.

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description