I-TRbc MS 1376 [89] (Trent 89)

Museo Provinciale d'Arte, Castello del Buonconsiglio, Trent (Trento), Italy

manuscript of polyphony: c. 1460-80

Archive	Museo Provinciale d'Arte, Castello del Buonconsiglio, Trent (Trento), Italy (I-TRbc)
Shelfmark	MS 1376 [89] (Trent 89)
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Paper
Numbering System	Foliation
Measurements	310 x 210 mm
Other Identifiers	RISM: I-TRbc 89 CCM: TrentC 89 olim (Former shelfmark): Trent 89
Copyists	Wiser, Johannes Text and Music
External Links	online images of whole manuscript
Provenance	Italy
Contents	311 pieces from 25 composers

General Description

Composite of originally separate fascicles later bound together (KanP). Copied by severed scribes, including Johannes Wiser, rector of cathedral school at Trent 1459-65, later chaplain to Johannes Hinderbach, Bishop of Trent 1465-86. Copied in Trent. Transferred to Vienna in 1891, but returned to Trent following World War I.

DIAMM, 2017

Binding

Original covers of tooled leather over wooden boards.

DIAMM, 2017

Watermark

(1) three-peaked mountain surmounted by six-petalled flower; (2) ox head surmounted by six-petalled flower; (3) ox head surmounted by seven-petalled flower (same mark also appears in TrentC 88); (4) three-peaked mountain surmounted by seven-petalled flower (same mark also appears in TrentC 88). None in Briquet.

DIAMM, 2017

Notation

a few inked calligraphic initials. No description of music hand

DIAMM, 2017

Foliation

427 ff

DIAMM, 2017

Foliation

Modern foliation, 1-425 (one folio following f. 189 not numbered; '235' applied to two consecutive folios).

DIAMM, 2017

Decoration

A few inked calligraphic initials; no other decoration.

DIAMM, 2017

Surface

paper

DIAMM, 2017

RISM Description

RISM5

Ces 7 manuscrits, dont les 6 premiers ont été révélés par Haberl en 1885 (cf. Bibliographie), tandis que le 7e ne fut découvert qu'en 1920 (R. von Ficker, in DTÖ 61 (XXXI) VIff) consituent une véritable famille indissoluble en ce qu'ils présentent tant de caractères communs qu'il semble logique d'en donner d'abord une description d'ensemble pour préciser ensuite les particularités de chacun d'eux en même temps que le dépouillement de leur contenu.

Ils fournissent un énorme répertoire en grande partie religieux, sans pour cela que la musique profane soit complètement négligée, qui va de Loqueville à Isaac et Compère, couvrant 25OOff. avec 1870 pièces environ, qui peuvent se dater entre 1420 et 1480. En 1921, R. Wolkan (cf. Bibliographie) avait émis l'opinion que ces mss. copiés à Vienne sous l'impulsion de Johann Hinderbach (né en 1418), secrétaire à la chancellerie impériale, auraient suivi celui-ci à Trente où, en 1455, il avait été nommé prévôt à la cathédrale puis porté à l'évêché en 1465. E. Wellesz va plus loin en les déclarant copiés, à Vienne d'abord puis à Trente, sur ordre de Hinderbach pour sa bibliothèque personnelle qui devait ensuite être donnée au chapitre de la cathédrale (Grove's Dictionary, 5th ed,. 1954). Cependant, comme on ne trouve dans ces mss. aucune pièce de circonstance de la vie de l'empereur Friedrich III, alors que les allusions à des personnages tridentins, même peu célèbres, y sont évidentes et que l'un des copistes Johannes Wiser occupa diverses charges à Trente de 1459 à 1490, il est logique de penser qu'ils ont plutôt été copiés, sinon tous à Trente même, du moins dans l'Italie du nord (cf. Bibliographie, Lunelli). Il est possible aussi qu'ils aient été acquis (en tout cas les plus anciens) par l'évêque de Trente Alexander Masowien, alors en relation avec Amédée VIII de Savoie pour la chapelle duquel ils auraient été copiés (cf. WardTS, p. 144). — On peut diviser ces 7 mss. en deux groupes: d'une part 87 et 92 qui sont les plus anciens, d'autre part 88, 89, 90, 91 et 93 qui sont légèrement postérieurs, 91 étant le plus récent. Le même papier et le même scribe, qui inscrit son nom Puntschucherh au bas du f. 161 du ms 87 (mais s'agit-il d'un nom? Cf. Flotzinger, Bibliographie TRbc 87) se retrouvent pour la première partie du ms. 87 (f. 1—218) et la deuxième partie du ms. 92 (f. 144—239), la relation entre les deux mss. étant de plus soulignée par le fait qu'un Kyrie de Binchois au f. 56v du ms. 87 (n° 34) est accompagné d'une mention renvoyant pour Y Et in terra suivant au premier f. du ms. 92 (n° 2). Ces deux mss. ont certainement été copiés avant 1450 dans l'Italie du Nord, tandis que l'on peut fixer approximativement la date de compilation des cinq autres entre 1445 et 1480, le scribe Johannes Wiser en ayant copié la plus grande partie à Trente même.

Ms. 89

XVe s. 425 [= 426] ff. Papier, 310X210 mm. Foliotation ancienne. Le f. 235 chiffré 2 fois. Les ff. 11, 12v, 24, 57, 81, 83, 93v à 95, 106v, 107, 151, 176v, 198v, 207, 223, 235a, 238 240v, 241, 256v à 257v, 282, 293v, 294, 304v à 306, 342, 366, 378, 400, 404 sont blancs. Notation mesurée blanche. 8 portées par p. Au f. 199 poème sans musique. Aux ff. 245v-246, pièce sans texte copiée postérieurement sur une feuille collée sur les anciens feuillets blancs et portant: Contrabassus, Contratenoris au début de chacune des parties.

Ms. copié lui aussi par Johannes Wiser à la même époque que le précédent, ainsi que le confirment les dates de 3 pièces de circonstance: le n° 74 à l'occasion de la reddition de Bordeaux au roi Charles VII en juin 1451, le poème sans musique du f. 199 Clerus istius venerandus urbis . . . qui célèbre l'élection de Hinderbach à l'évéché de Trente en 1465 (facs.: DTÖ 14/15), et le n° 236 qui fait allusion à son successeur Georg II élu en 1486.

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Répertoire International des Sources Musicales

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

TRENT. Museo Provinciale d'Arte, Castello del Buon Consiglio. MS 89

1 plenary Mass, 19 Masses, 2 Kyrie-Gloria pairs, 1 Gloria-Credo pair, 9 Kyries, 2 Glorias, 1 Credo, 6 Sanctus, 1 Agnus fragment, 22 Mass Proper sections, 13 Magnificats, 1 Magnificat section, 26 office hymns, 2 processional hymns, 61 motets, 1 Latin/German sacred piece, 9 French secular pieces (8 without text), 3 German secular pieces, 2 Italian secular pieces (1 without text), 1 Latin secular piece, 9 textless pieces, 1 textless fragment = 193

(Barbingant)-1 + 1?, (Basiron?)-1, Bassere-1, Bedingham-(Dunstable)-1, (Busnois)-2, (Caron)-3, (N. Clibano)-1, (Cornago)-1, (Dufay)-4 + 4?, (Dux Burgensis)-1, (Flemmik)-1, (Forest?)-1, Hayne van Ghizeghem-1, Hermannus de Atrio-2, Martini/(Isaac) -1, Piret-1, (Sandley?)-1, Tallafangi-1, (Tinctoris)-1, Touront-4, anon-158

427 paper folios, 310 x 210. Composite of originally separate fascicles later bound together (KanP). Modern foliation, 1-425 (one folio following f. 189 not numbered; "235" applied to two consecutive folios). Blank staves only on ff. 11, 12', 24, 57, 81, 83, 93'-95, 106'-107, 118'-119, 151, 176', 189[b], 198', 207, 223, 235a, 238, 240'-241, 256'-257', 282, 293'-294, 304'-306, 342, 366, 378, 400, 404, 425'. Original covers of tooled leather over wooden boards. No index.

Copied by severed scribes, including Johannes Wiser, rector of cathedral school at Trent 1459-65, later chaplain to Johannes Hinderbach, Bishop of Trent 1465-86. A few inked calligraphic initials; no other decoration. Watermarks (none in Briquet): (1) three-peaked mountain surmounted by six-petalled flower; (2) ox head surmounted by six-petalled flower; (3) ox head surmounted by seven-petalled flower (same mark also appears in TrentC 88); (4) three-peaked mountain surmounted by seven-petalled flower (same mark also appears in TrentC 88).

Ca. 1460-80. Copied in Trent. Transferred to Vienna in 1891, but returned to Trent following World War I.

Vol 4

Composers: Change "(Busnois)-2" to "(Busnois)-2 + 1?"; change "Touront-4" to "Touront-5"; change "anon-158" to "anon-156."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1	Ave maris stella / Ave Katherina	-	Anonymous
Ave maris stella / Ave Katherina Anonymous Appears on: 1 Genres: Ave maris stella, BVM, Motet Voice: [no designation] Languages: Latin Voice Text: Ave maris stella/Ave Katherina Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 53 (XXVII).
1v–3	Missa Fons bonitatis: Kyrie fons bonitatis	-	Anonymous
Missa Fons bonitatis: Kyrie fons bonitatis Anonymous Appears on: 1v–3 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa Fons bonitatis] Kyrie fons bonitatis Item Bibliography Gottlieb, Louis Edward. 1958. The cyclic masses of Trent Codex 89. University of California, Los Angeles, Ph.D. Dissertation.
3v–5	Missa Fons bonitatis: Et in terra pax [Gloria]	-	Anonymous
Missa Fons bonitatis: Et in terra pax [Gloria] Anonymous Appears on: 3v–5 Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Missa Fons bonitatis. Gloria] Et in terra Item Bibliography Gottlieb, Louis Edward. 1958. The cyclic masses of Trent Codex 89. University of California, Los Angeles, Ph.D. Dissertation.
5v–7	Missa Fons bonitatis: Patrem omnipotentem [Credo]	-	Anonymous
Missa Fons bonitatis: Patrem omnipotentem [Credo] Anonymous Appears on: 5v–7 Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Missa Fons bonitatis. Credo] Patrem Item Bibliography Gottlieb, Louis Edward. 1958. The cyclic masses of Trent Codex 89. University of California, Los Angeles, Ph.D. Dissertation.
7v–9	Missa Fons bonitatis: Sanctus	-	Anonymous
Missa Fons bonitatis: Sanctus Anonymous Appears on: 7v–9 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: [Missa Fons bonitatis] Sanctus Item Bibliography Gottlieb, Louis Edward. 1958. The cyclic masses of Trent Codex 89. University of California, Los Angeles, Ph.D. Dissertation.
9v–10	Missa Fons bonitatis: Agnus Dei Qui tollis	-	Anonymous
Missa Fons bonitatis: Agnus Dei Qui tollis Anonymous Appears on: 9v–10 Genres: Agnus Dei, Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Missa Fons bonitatis. Agnus dei] Qui tollis Item Bibliography Gottlieb, Louis Edward. 1958. The cyclic masses of Trent Codex 89. University of California, Los Angeles, Ph.D. Dissertation.
11v–12	Kyrie eleison	-	Anonymous
Kyrie eleison Anonymous Appears on: 11v–12 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie
13	Salve festa dies toto venerabilis	-	Anonymous
Salve festa dies toto venerabilis Anonymous Appears on: 13 Genres: Hymn Voice: [no designation] Languages: Latin Voice Text: Salve festa dies toto venerabilis
13v–13	Missa Sine nomine: Gloria	-	Touront, Johannes (ca. 1450–ca. 1475)
Missa Sine nomine: Gloria Touront, Johannes (ca. 1450–ca. 1475) Appears on: 13v–13 Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Gloria] Et in terra
15v–17	Missa Sine nomine: Credo	-	Touront, Johannes (ca. 1450–ca. 1475)
Missa Sine nomine: Credo Touront, Johannes (ca. 1450–ca. 1475) Appears on: 15v–17 Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Credo] Patrem
17v–19	Missa Sine nomine: Sanctus	-	Touront, Johannes (ca. 1450–ca. 1475)
Missa Sine nomine: Sanctus Touront, Johannes (ca. 1450–ca. 1475) Appears on: 17v–19 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: Sanctus
19v–20	Missa Sine nomine: Agnus Dei	-	Touront, Johannes (ca. 1450–ca. 1475)
Missa Sine nomine: Agnus Dei Touront, Johannes (ca. 1450–ca. 1475) Appears on: 19v–20 Genres: Agnus Dei, Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Agnus dei
20v–21	Asperges me Domine isopo et mundabor	-	Anonymous
Asperges me Domine isopo et mundabor Anonymous Appears on: 20v–21 Genres: Asperges me, Motet Voice: [no designation] Languages: Latin Voice Text: [Asperges me] domine ysopo
21v–25	Magnificat quarti toni: Et exultavit [K.243]	-	Anonymous
Magnificat quarti toni: Et exultavit [K.243] Anonymous Appears on: 21v–25 Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Et exultavit General Note Versets pairs.
25v–26	Amours amours trop me fiers de tes dars	HAYNE	Ghizeghem, Hayne van (ca. 1445–ca. 1497)
Amours amours trop me fiers de tes dars Ghizeghem, Hayne van (ca. 1445–ca. 1497) Appears on: 25v–26 Genres: Chanson Source Attribution: HAYNE Voice: [no designation] Languages: French Voice Text: [Amours amours trop me fiers de tes dars] General Note Publ. cf. Bc 16 n° 20
26v–28	Missa Gross sehen: Kyrie	-	Anonymous
Missa Gross sehen: Kyrie Anonymous Appears on: 26v–28 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Greek Voice Text: Kirie General Note T: Notas duplicabunt ad unium. Item Bibliography Gottlieb, Louis Edward. 1958. The cyclic masses of Trent Codex 89. University of California, Los Angeles, Ph.D. Dissertation.
28v–31	Missa Gross sehen: Et in terra pax [Gloria]	-	Anonymous
Missa Gross sehen: Et in terra pax [Gloria] Anonymous Appears on: 28v–31 Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Gloria] Et in terra General Note T: in triplo crescere debet. Item Bibliography Gottlieb, Louis Edward. 1958. The cyclic masses of Trent Codex 89. University of California, Los Angeles, Ph.D. Dissertation.
31v–35	Missa Gross sehen: Patrem omnipotentem [Credo]	-	Anonymous
Missa Gross sehen: Patrem omnipotentem [Credo] Anonymous Appears on: 31v–35 Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Credo] Patrem General Note T:cantet si nota pausaque triplet. Item Bibliography Gottlieb, Louis Edward. 1958. The cyclic masses of Trent Codex 89. University of California, Los Angeles, Ph.D. Dissertation.
35v–39	Missa Gross sehen: Sanctus	-	Anonymous
Missa Gross sehen: Sanctus Anonymous Appears on: 35v–39 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: Sanctus General Note T: Notas triplabunt pausis Item Bibliography Gottlieb, Louis Edward. 1958. The cyclic masses of Trent Codex 89. University of California, Los Angeles, Ph.D. Dissertation.
39v–41	Missa Gross sehen: Agnus Dei	-	Anonymous
Missa Gross sehen: Agnus Dei Anonymous Appears on: 39v–41 Genres: Agnus Dei, Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Agnus dei Item Bibliography Gottlieb, Louis Edward. 1958. The cyclic masses of Trent Codex 89. University of California, Los Angeles, Ph.D. Dissertation.
41v–44	Magnificat Primi Toni: Et exultavit [K.130]	-	Anonymous
Magnificat Primi Toni: Et exultavit [K.130] Anonymous Appears on: 41v–44 Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Et exultavit General Note Versets pairs.
44v–46	Magnificat Sexti Toni: Et exultavit [K.306]	-	Anonymous
Magnificat Sexti Toni: Et exultavit [K.306] Anonymous Appears on: 44v–46 Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Et exultavit General Note Versets pairs.
46v	Missa Ad fugam: Kyrie	-	Anonymous
Missa Ad fugam: Kyrie Anonymous Appears on: 46v Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa Ad fugam] Kyrie General Note Pour la messe entière, cf. TRbc 91 n° 196-200 Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 38.
47–48	Kyrie eleison	TOURONT	Touront, Johannes (ca. 1450–ca. 1475)
Kyrie eleison Touront, Johannes (ca. 1450–ca. 1475) Appears on: 47–48 Genres: Kyrie eleison, Mass Ordinary Source Attribution: TOURONT Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie
48v–50	Et in terra pax [Gloria]	[TOURONT]?	Touront, Johannes (ca. 1450–ca. 1475) (?)
Et in terra pax [Gloria] Touront, Johannes (ca. 1450–ca. 1475) (?) Appears on: 48v–50 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: [TOURONT]? Voice: [no designation] Languages: Latin Voice Text: [Gloria] Et in terra
50v–53	Patrem omnipotentem [Credo]	[TOURONT] ?	Touront, Johannes (ca. 1450–ca. 1475) (?)
Patrem omnipotentem [Credo] Touront, Johannes (ca. 1450–ca. 1475) (?) Appears on: 50v–53 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: [TOURONT] ? Voice: [no designation] Languages: Latin Voice Text: [Credo] Patrem
53v–55	Sanctus	[TOURONT]?	Touront, Johannes (ca. 1450–ca. 1475) (?)
Sanctus Touront, Johannes (ca. 1450–ca. 1475) (?) Appears on: 53v–55 Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: [TOURONT]? Voice: [no designation] Languages: Latin Voice Text: Sanctus
55v–56v	Agnus Dei	[TOURONT]?	Touront, Johannes (ca. 1450–ca. 1475) (?)
Agnus Dei Touront, Johannes (ca. 1450–ca. 1475) (?) Appears on: 55v–56v Genres: Agnus Dei, Mass Ordinary Source Attribution: [TOURONT]? Voice: [no designation] Languages: Latin Voice Text: Agnus dei
57v–58v	Missa Sine nomine [B.80-7] (tone 5 irregular): Sanctus	-	Domarto, Petrus de (?)
Missa Sine nomine [B.80-7] (tone 5 irregular): Sanctus Domarto, Petrus de (?) Appears on: 57v–58v Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: Sanctus
59	Novus annus adiit in quo Christus prodiit	-	Anonymous
Novus annus adiit in quo Christus prodiit Anonymous Appears on: 59 Genres: Cantio Voice: [no designation] Languages: Latin Voice Text: Novus annus hodie
59v–60	Scitote quoniam	[PIRET] ?	Piret (?)
Scitote quoniam Piret (?) Appears on: 59v–60 Genres: Introit, Proper Source Attribution: [PIRET] ? Voice: [no designation] Languages: Latin Voice Text: Scitote quoniam Item Bibliography Gottlieb, Louis Edward. 1958. The cyclic masses of Trent Codex 89. University of California, Los Angeles, Ph.D. Dissertation.
60v–62	Missa Beati Anthonii: Et in terra pax [Gloria]	PIRET	Piret (?)
Missa Beati Anthonii: Et in terra pax [Gloria] Piret (?) Appears on: 60v–62 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: PIRET Voice: [no designation] Languages: Latin Voice Text: [Missa Beati Anthonii. Gloria] Et in terra Item Bibliography Gottlieb, Louis Edward. 1958. The cyclic masses of Trent Codex 89. University of California, Los Angeles, Ph.D. Dissertation.
62v–64	Tronus eius sicut sol	[PIRET] ?	Piret (?)
Tronus eius sicut sol Piret (?) Appears on: 62v–64 Genres: Motet Source Attribution: [PIRET] ? Voice: [no designation] Languages: Latin Voice Text: Tronus eius sicut sol Item Bibliography Gottlieb, Louis Edward. 1958. The cyclic masses of Trent Codex 89. University of California, Los Angeles, Ph.D. Dissertation.
64v–65	Alleluia. Vox de caelo	[PIRET] ?	Piret (?)
Alleluia. Vox de caelo Piret (?) Appears on: 64v–65 Genres: Motet Source Attribution: [PIRET] ? Voice: [no designation] Languages: Latin Voice Text: Alleluia Vox de coelo Item Bibliography Gottlieb, Louis Edward. 1958. The cyclic masses of Trent Codex 89. University of California, Los Angeles, Ph.D. Dissertation.
65v–68	Missa Beati Anthonii: Patrem omnipotentem [Credo]	[PIRET] ?	Piret (?)
Missa Beati Anthonii: Patrem omnipotentem [Credo] Piret (?) Appears on: 65v–68 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: [PIRET] ? Voice: [no designation] Languages: Latin Voice Text: [Missa Beati Anthonii. Credo] Patrem Item Bibliography Gottlieb, Louis Edward. 1958. The cyclic masses of Trent Codex 89. University of California, Los Angeles, Ph.D. Dissertation.
68v–69	Inclito Anthonio	[PIRET]?	Piret (?)
Inclito Anthonio Piret (?) Appears on: 68v–69 Genres: Motet Source Attribution: [PIRET]? Voice: [no designation] Languages: Latin Voice Text: Inclito Anthonio Item Bibliography Gottlieb, Louis Edward. 1958. The cyclic masses of Trent Codex 89. University of California, Los Angeles, Ph.D. Dissertation.
69v–70	Missa Beati Anthonii: Sanctus	[PIRET]?	Piret (?)
Missa Beati Anthonii: Sanctus Piret (?) Appears on: 69v–70 Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: [PIRET]? Voice: [no designation] Languages: Latin Voice Text: [Missa Beati Anthonii] Sanctus Item Bibliography Gottlieb, Louis Edward. 1958. The cyclic masses of Trent Codex 89. University of California, Los Angeles, Ph.D. Dissertation.
70v	Missa Beati Anthonii: Agnus Dei	[PIRET]?	Piret (?)
Missa Beati Anthonii: Agnus Dei Piret (?) Appears on: 70v Genres: Agnus Dei, Mass Ordinary Source Attribution: [PIRET]? Voice: [no designation] Languages: Latin Voice Text: [Missa Beati Anthonii] Agnus dei Item Bibliography Gottlieb, Louis Edward. 1958. The cyclic masses of Trent Codex 89. University of California, Los Angeles, Ph.D. Dissertation.
71–72	Missa Te Deum laudamus: Kyrie	-	Anonymous
Missa Te Deum laudamus: Kyrie Anonymous Appears on: 71–72 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa Te deum laudamus] Kyrie General Note T: Te deum laudamus. Item Bibliography Gottlieb, Louis Edward. 1958. The cyclic masses of Trent Codex 89. University of California, Los Angeles, Ph.D. Dissertation.
72v–74v	Missa Te Deum laudamus: Et in terra pax [Gloria]	-	Anonymous
Missa Te Deum laudamus: Et in terra pax [Gloria] Anonymous Appears on: 72v–74v Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Missa Te deum laudamus. Gloria] Et in terra General Note T: Te deum laudamus. Item Bibliography Gottlieb, Louis Edward. 1958. The cyclic masses of Trent Codex 89. University of California, Los Angeles, Ph.D. Dissertation.
74v–77	Missa Te Deum laudamus: Patrem omnipotentem [Credo]	-	Anonymous
Missa Te Deum laudamus: Patrem omnipotentem [Credo] Anonymous Appears on: 74v–77 Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Missa Te deum laudamus. Credo] Patrem General Note T: Te deum laudamus. Item Bibliography Gottlieb, Louis Edward. 1958. The cyclic masses of Trent Codex 89. University of California, Los Angeles, Ph.D. Dissertation.
77v–79	Missa Te Deum laudamus: Sanctus	-	Anonymous
Missa Te Deum laudamus: Sanctus Anonymous Appears on: 77v–79 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: [Missa Te deum laudamus] Sanctus General Note T: Te deum laudamus. Item Bibliography Gottlieb, Louis Edward. 1958. The cyclic masses of Trent Codex 89. University of California, Los Angeles, Ph.D. Dissertation.
79v–80v	Missa Te Deum laudamus: Agnus Dei	-	Anonymous
Missa Te Deum laudamus: Agnus Dei Anonymous Appears on: 79v–80v Genres: Agnus Dei, Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Missa Te deum laudamus] Agnus dei General Note T: Te deum laudamus. Item Bibliography Gottlieb, Louis Edward. 1958. The cyclic masses of Trent Codex 89. University of California, Los Angeles, Ph.D. Dissertation.
81v–82v	Sanctus Veni creator 'Srotyrzssyke'	-	Flemmik
Sanctus Veni creator 'Srotyrzssyke' Flemmik Appears on: 81v–82v Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: Sanctus
83v–86	Gloria-Credo pair [Tr89-1]: Gloria	-	Anonymous
Gloria-Credo pair [Tr89-1]: Gloria Anonymous Appears on: 83v–86 Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Gloria] Et in terra
86v–89	Gloria-Credo pair [Tr89-1]: Credo	-	Anonymous
Gloria-Credo pair [Tr89-1]: Credo Anonymous Appears on: 86v–89 Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Credo] Patrem
[-]	Tradent enim vos in conciliis et in synagogis	-	Anonymous
Tradent enim vos in conciliis et in synagogis Anonymous Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Tradent enim vos in conciliis et in synagogis
[-]	Estote fortes in bello et pugnate	-	Anonymous
Estote fortes in bello et pugnate Anonymous Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Estote fortes in bello et pugnate
89v–90	Petrus apostolus et Paulus doctor	-	Anonymous
Petrus apostolus et Paulus doctor Anonymous Appears on: 89v–90 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Petrus apostolus et Paulus doctor General Note Suivi de: [Tradent enim vos] in consilio . . .[Estote fortes in bello] et pugnate
89v–90	Petrus apostolus et Paulus doctor	-	Anonymous
Petrus apostolus et Paulus doctor Anonymous Appears on: 89v–90 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Petrus apostolus et Paulus doctor
89v–90	Petrus apostolus et Paulus doctor	-	Anonymous
Petrus apostolus et Paulus doctor Anonymous Appears on: 89v–90 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Petrus apostolus et Paulus doctor
90v–91	Iste sanctus - 1a pars (of 2): Iste sanctus pro lege Dei	-	Anonymous
Iste sanctus - 1a pars (of 2): Iste sanctus pro lege Dei Anonymous Appears on: 90v–91 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Iste sanctus pro lege dei
90v–91	Iste sanctus - 2a pars (of 2): Istorum est enim regnum caelorum	-	Anonymous
Iste sanctus - 2a pars (of 2): Istorum est enim regnum caelorum Anonymous Appears on: 90v–91 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Istorum est enim regnum caelorum
[-]	Qui vult venire post me	-	Anonymous
Qui vult venire post me Anonymous Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Qui vult venire post me
[-]	Sancti et justi in Domino	-	Anonymous
Sancti et justi in Domino Anonymous Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Sancti et iusti in domino
91v–93	Amavit eum Dominus	-	Anonymous
Amavit eum Dominus Anonymous Appears on: 91v–93 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Amavit eum dominus
91v–93	Gaudent in caelis animae sanctorum	-	Anonymous
Gaudent in caelis animae sanctorum Anonymous Appears on: 91v–93 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Gaudent in caelis animae sanctorum
[-]	Sacerdos et pontifex	-	Anonymous
Sacerdos et pontifex Anonymous Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Sacerdos et pontifex
91v–93	Prudentes virgines	-	Anonymous
Prudentes virgines Anonymous Appears on: 91v–93 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Prudentes virgines
91v–93	Similabo eum viro	-	Anonymous
Similabo eum viro Anonymous Appears on: 91v–93 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Similabo eum viro
91v–93	Veni sponsa Christi	-	Anonymous
Veni sponsa Christi Anonymous Appears on: 91v–93 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Veni sponsa Christi
95v–96	Salve sancta parens	-	Anonymous
Salve sancta parens Anonymous Appears on: 95v–96 Genres: Introit, Proper Voice: [no designation] Languages: Latin Voice Text: Salve sancta parens
96v–97v	Benedicta et venerabilis	-	Libert, Reginaldus
Benedicta et venerabilis Libert, Reginaldus Appears on: 96v–97v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Benedicta et venerabilis mater
97v–98v	Ave Maria gratia plena Dominus tecum	-	Anonymous
Ave Maria gratia plena Dominus tecum Anonymous Appears on: 97v–98v Genres: Ave Maria, Motet Voice: [no designation] Languages: Latin Voice Text: Ave Maria gratia plena
98v–99	Alleluia. Virga Jesse floruit virgo Deum	-	Anonymous
Alleluia. Virga Jesse floruit virgo Deum Anonymous Appears on: 98v–99 Genres: Alleluia, Proper Voice: [no designation] Languages: Latin Voice Text: Alleluia. Virga Iesse
99v–100	Felix namque es, sacra virgo Maria	-	Anonymous
Felix namque es, sacra virgo Maria Anonymous Appears on: 99v–100 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Felix namque es sacra virgo Maria
100v	Beata viscera Mariae virginis	-	Anonymous
Beata viscera Mariae virginis Anonymous Appears on: 100v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Beata viscera Mariae virginis
100v–101	Regina caeli laetare alleluia	-	Anonymous
Regina caeli laetare alleluia Anonymous Appears on: 100v–101 Genres: Motet, Regina caeli laetare Voice: [no designation] Languages: Latin Voice Text: Regina caeli laetare alleluia
101v–102	Haec dies quam fecit	-	Anonymous
Haec dies quam fecit Anonymous Appears on: 101v–102 Genres: Gradual, Motet Voice: [no designation] Languages: Latin Voice Text: Haec dies quam fecit dominus exultemus
102v–103	Salve regina mater misericordiae	-	Anonymous
Salve regina mater misericordiae Anonymous Appears on: 102v–103 Genres: BVM, Motet, Salve Regina Voice: [no designation] Languages: Latin Voice Text: Salve regina General Note Canon: Qui medio premis cantu tibi tempora premisIncipiosedem verticis atque pedem Sed binis refert brevibus qui psallere prefertEt dyapason eget carmina quisquis aget
103v–105	Ave regina caelorum	-	Anonymous
Ave regina caelorum Anonymous Appears on: 103v–105 Genres: BVM, Motet Voice: [no designation] Languages: Latin Voice Text: Ave regina caelorum
105v–106	untexted	-	-
untexted - Appears on: 105v–106 Genres: textless Voice: [no designation] Languages: none Voice Text: without text
107v–109	Missa [Tr89-1]: Et in terra pax [Gloria]	-	Anonymous
Missa [Tr89-1]: Et in terra pax [Gloria] Anonymous Appears on: 107v–109 Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Gloria] Et in terra
109v–111	Missa [Tr89-1]: Patrem omnipotentem [Credo]	-	Anonymous
Missa [Tr89-1]: Patrem omnipotentem [Credo] Anonymous Appears on: 109v–111 Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Credo] Patrem
111v–113	Missa [Tr89-1]: Sanctus	-	Anonymous
Missa [Tr89-1]: Sanctus Anonymous Appears on: 111v–113 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: Sanctus
113v–114	Missa [Tr89-1]: Agnus Dei	-	Anonymous
Missa [Tr89-1]: Agnus Dei Anonymous Appears on: 113v–114 Genres: Agnus Dei, Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Agnus dei
114v–116	Kyrie Deus creator omnium tu Theos eleison.	-	Anonymous
Kyrie Deus creator omnium tu Theos eleison. Anonymous Appears on: 114v–116 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: [Kyrie] Deus creator omnium tu Theos eleyson.
116v–118	Sanctus	-	Anonymous
Sanctus Anonymous Appears on: 116v–118 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: Sanctus
119v–120	O rosa bella, o Deitatis cella (= O quam suavis est domina)	[J. DUNSTABLE et J. BEDINGHAM]	Dunstaple, John (ca. 1390–1453) (?) Bedingham, John (–ca. 1460) (?)
O rosa bella, o Deitatis cella (= O quam suavis est domina) Dunstaple, John (ca. 1390–1453) (?) Bedingham, John (–ca. 1460) (?) Appears on: 119v–120 Genres: Motet Source Attribution: [J. DUNSTABLE et J. BEDINGHAM] Voice: [no designation] Languages: Latin Voice Text: O rosa bella. General Note Avec 3vx.suppl.: «Concordantiae 0 rosa bella cum aliis tribus ut posuit Bedingham et sine hiis non concordant.» Publ. cf. Mc 871 n° 81. Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 14/15 (VII)facs.
120v–121	Quae est ista quae ascendit per desertum	-	Standley (?)
Quae est ista quae ascendit per desertum Standley (?) Appears on: 120v–121 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Quae est ista quae ascendit per desertum Item Bibliography Feininger, Laurence K (editor). 1947-. Documenta Polyphoniae Liturgieae Sanctae Ecclesiae Romanae. Roma. Pages: IV, n° 1 (attrib. à Standley). [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 38 (avec facs.
121v–123	Odas clangat / Jesse produxit	-	Anonymous
Odas clangat / Jesse produxit Anonymous Appears on: 121v–123 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Odas clangat/Iesse produxit
121v–123	Odas clangat.	-	Anonymous
Odas clangat. Anonymous Appears on: 121v–123 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Odas clangat.
123v–124	Compangant omnes in hoc festo corde = O generosa nata David quia te predixere	-	Touront, Johannes (ca. 1450–ca. 1475)
Compangant omnes in hoc festo corde = O generosa nata David quia te predixere Touront, Johannes (ca. 1450–ca. 1475) Appears on: 123v–124 Genres: Contrafactum Voice: [no designation] Languages: Latin Voice Text: Compangant omnes [= O generosa nata]
124v–125	Gregatim grex audet - 1a pars (of 2): Gregatim grex audet	-	Anonymous
Gregatim grex audet - 1a pars (of 2): Gregatim grex audet Anonymous Appears on: 124v–125 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Gregatim grex audet Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 76 (XL).
124v–125	Gregatim grex audet - 2a pars (of 2): Cessat Deus sedens	-	Anonymous
Gregatim grex audet - 2a pars (of 2): Cessat Deus sedens Anonymous Appears on: 124v–125 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Cessat Deus sedens
125v–126	Cessat judeus sedes	-	Anonymous
Cessat judeus sedes Anonymous Appears on: 125v–126 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Cessat judeus sedes
127v–129	Gaude regina	-	Anonymous
Gaude regina Anonymous Appears on: 127v–129 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Gaude regina
127v–129	Regina caeli - 1a pars (of 2): Regina caeli laetare alleluia	-	Anonymous
Regina caeli - 1a pars (of 2): Regina caeli laetare alleluia Anonymous Appears on: 127v–129 Genres: Motet, Regina caeli laetare Voice: [no designation] Languages: Latin Voice Text: Regina caeli laetare alleluia
127v–129	Regina caeli - 2a pars (of 2): Resurrexit sicut dixit	-	Anonymous
Regina caeli - 2a pars (of 2): Resurrexit sicut dixit Anonymous Appears on: 127v–129 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Resurrexit sicut dixit
129v–131	In ultimo lucente - 1a pars (of 2): In ultimo lucente / Adoretur beata trinitas / Dies data / Lilia nunc flores / Pacem Deus	-	Anonymous
In ultimo lucente - 1a pars (of 2): In ultimo lucente / Adoretur beata trinitas / Dies data / Lilia nunc flores / Pacem Deus Anonymous Appears on: 129v–131 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: In ultimo lucente/Adoretur beata trinitas/Dies data/Lilia nunc flores/Pacem deus General Note Sup. 2us: In ultimo lucente junii . . .T: Pacem Deus reddidit.Ct lus: Lilia nunc flores
129v–131	In ultimo lucente - 2a pars (of 2): ? / Pacem Deus / Rex dux noema / Haec dies / Collaudent	-	Anonymous
In ultimo lucente - 2a pars (of 2): ? / Pacem Deus / Rex dux noema / Haec dies / Collaudent Anonymous Appears on: 129v–131 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: ?/Pacem deus/Rex dux noema/Hec dies/Collaudent
131v–132	Benedicta sit sancta trinitas	-	Anonymous
Benedicta sit sancta trinitas Anonymous Appears on: 131v–132 Genres: Introit, Proper Voice: [no designation] Languages: Latin Voice Text: Benedicta sit sancta trinitas General Note Canon en marge du Sup.: Primus novem secundus sex tertius quatuor solum in primis duabus figuris. Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 38 (avec facs.).
132v–135	Regis caelorum - 1a pars (of 3): Regis caelorum	-	Anonymous
Regis caelorum - 1a pars (of 3): Regis caelorum Anonymous Appears on: 132v–135 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Regis caelorum Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 38.
132v–135	Regis caelorum - 2a pars (of 3): Ut sacrum flamen	-	Anonymous
Regis caelorum - 2a pars (of 3): Ut sacrum flamen Anonymous Appears on: 132v–135 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Ut sacrum flamen Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 38.
132v–135	Regis caelorum - 3a pars (of 3): O quanda pietas	-	Anonymous
Regis caelorum - 3a pars (of 3): O quanda pietas Anonymous Appears on: 132v–135 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O quanta pietas Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 38.
135v–137	O sacrum manna - 1a pars (of 2): O sacrum manna / Ecce panis angelorum	-	Anonymous
O sacrum manna - 1a pars (of 2): O sacrum manna / Ecce panis angelorum Anonymous Appears on: 135v–137 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O sacrum manna/Ecce panis angelorum General Note T: Ecce panis angelorum Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 76 (XL).
135v–137	O sacrum manna - 2a pars (of 2): Exorante pia	-	Anonymous
O sacrum manna - 2a pars (of 2): Exorante pia Anonymous Appears on: 135v–137 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Exorante pia Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 76 (XL).
132v–135	Regis caelorum - 1a pars (of 3): Regis caelorum genitrix	-	Anonymous
Regis caelorum - 1a pars (of 3): Regis caelorum genitrix Anonymous Appears on: 132v–135 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Regis celorum genitrix Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 38.
132v–135	Regis caelorum - 2a pars (of 3): Ut sacrum flamen	-	Anonymous
Regis caelorum - 2a pars (of 3): Ut sacrum flamen Anonymous Appears on: 132v–135 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: 2a p.) Ut sacrum flamen Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 38.
132v–135	Regis caelorum - 3a pars (of 3): O quanta pieta	-	Anonymous
Regis caelorum - 3a pars (of 3): O quanta pieta Anonymous Appears on: 132v–135 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: 3a p.) O quanta pieta Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 38.
135v–137	O sacrum manna - 1a pars (of 2): O sacrum manna monstrans	-	Anonymous
O sacrum manna - 1a pars (of 2): O sacrum manna monstrans Anonymous Appears on: 135v–137 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O sacrum manna monstrans General Note T: Ecce panis angelorum Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 76, (XL).
135v–137	O sacrum manna - 2a pars (of 2): Exorante pia	-	Anonymous
O sacrum manna - 2a pars (of 2): Exorante pia Anonymous Appears on: 135v–137 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: 2a p.) Exorante pia General Note T: Ecce panis angelorum Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 76, (XL).
137v–139	Recordare virgo mater dum steteris	[TAURON]*	Touront, Johannes (ca. 1450–ca. 1475)
Recordare virgo mater dum steteris Touront, Johannes (ca. 1450–ca. 1475) Appears on: 137v–139 Genres: Offertory + prose, Proper Source Attribution: [TAURON]* Voice: [no designation] Languages: Latin Voice Text: Recordare virgo mater dum steteris
137v–139	Ab hac familia tu propitia	-	Anonymous
Ab hac familia tu propitia Anonymous Appears on: 137v–139 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Ab hac familia Concordances *CS-HK II.A.7
139v–141	Sanctus	-	Anonymous
Sanctus Anonymous Appears on: 139v–141 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: Sanctus
141v–142	Ut queant laxis resonare fibris	-	Anonymous
Ut queant laxis resonare fibris Anonymous Appears on: 141v–142 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Ut queant laxis
142v	Novus annus adiit in quo Christus prodiit	-	Anonymous
Novus annus adiit in quo Christus prodiit Anonymous Appears on: 142v Genres: Cantio Voice: [no designation] Languages: Latin Voice Text: Novus annus hodie
143	Wunsch alles lustes.	-	Anonymous
Wunsch alles lustes. Anonymous Appears on: 143 Genres: Song Voice: [no designation] Languages: German Voice Text: Wunsch alles lustes. Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 14/15 (VII).
143	Aliud. Sendliche pein hat mich verwundt.	-	Anonymous
Aliud. Sendliche pein hat mich verwundt. Anonymous Appears on: 143 Genres: Song Voice: [no designation] Languages: German Voice Text: Aliud. Sendliche pein hat mich verwundt. Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 14/15 (VII).
143v–145	Magnificat sexti toni: Et exultavit [K.295]	-	Anonymous
Magnificat sexti toni: Et exultavit [K.295] Anonymous Appears on: 143v–145 Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Et exultavit General Note Versets pairs.
145v–146	O castitatis lilium (= Advocata libera)	-	Touront, Johannes (ca. 1450–ca. 1475)
O castitatis lilium (= Advocata libera) Touront, Johannes (ca. 1450–ca. 1475) Appears on: 145v–146 Genres: Cantio Voice: [no designation] Languages: Latin Voice Text: O castitatis lilium
146v–148	Salve regina - 1a pars (of 2): Salve regina mater misericordiae	-	Anonymous
Salve regina - 1a pars (of 2): Salve regina mater misericordiae Anonymous Appears on: 146v–148 Genres: BVM, Motet, Salve Regina Voice: [no designation] Languages: Latin Voice Text: Salve regina Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 53 (XXVII).
146v–148	Salve regina - 2a pars (of 2): Et Jesum benedictum	-	Anonymous
Salve regina - 2a pars (of 2): Et Jesum benedictum Anonymous Appears on: 146v–148 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Et Jesum benedictum
148v	Assit herus rex sincerus	-	Anonymous
Assit herus rex sincerus Anonymous Appears on: 148v Genres: Ballade Voice: [no designation] Languages: Latin Voice Text: Assit herus rex sincerus
149	Ex ore tuo = Yerra con poco saber	[J. CORNAGO]	Cornago, Juan de
Ex ore tuo = Yerra con poco saber Cornago, Juan de Appears on: 149 Genres: Contrafactum Source Attribution: [J. CORNAGO] Voice: [no designation] Languages: Latin Voice Text: Ex ore tuo [= Yerra con poco saber] General Note Publ. cf. MC 871 n° 19
149v–150	Deus Deorum inclite	-	Anonymous
Deus Deorum inclite Anonymous Appears on: 149v–150 Genres: Ballade Voice: [no designation] Languages: Latin Voice Text: Deus deorum inclite
150v	Ave virgo speciosa = Der Pfauenschwanz = O quam clara testimonia	[J. BERBINGANT]*	Barbingant, Pierre (fl. c1445-60)
Ave virgo speciosa = Der Pfauenschwanz = O quam clara testimonia Barbingant, Pierre (fl. c1445-60) Appears on: 150v Genres: Contrafactum Source Attribution: [J. BERBINGANT]* Voice: [no designation] Languages: Latin Voice Text: O quam clara testimonia [= Der Pfauenschwanz] Concordances »CS-HK II.A.7 General Note (=Der pfobenswancz) Texted: 'O quam clara testimonia' Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 7, II.
151v–153	Magnificat Sexti Toni: Et exultavit [K.307]	-	Anonymous
Magnificat Sexti Toni: Et exultavit [K.307] Anonymous Appears on: 151v–153 Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Et exultavit General Note Versets pairs
153v–154	Missa Le serviteur [Tr89]: Kyrie eleison	-	Anonymous
Missa Le serviteur [Tr89]: Kyrie eleison Anonymous Appears on: 153v–154 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie
154v–156	Missa Le serviteur [Tr89]: Et in terra pax [Gloria]	-	Anonymous
Missa Le serviteur [Tr89]: Et in terra pax [Gloria] Anonymous Appears on: 154v–156 Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Gloria] Et in terra
156v–158	Missa Le serviteur [Tr89]: Patrem omnipotentem [Credo]	-	Anonymous
Missa Le serviteur [Tr89]: Patrem omnipotentem [Credo] Anonymous Appears on: 156v–158 Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Credo] Patrem
158v–159	Missa Le serviteur [Tr89]: Sanctus	-	Anonymous
Missa Le serviteur [Tr89]: Sanctus Anonymous Appears on: 158v–159 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: Sanctus
159v–160	Missa Le serviteur [Tr89]: Agnus Dei	-	Anonymous
Missa Le serviteur [Tr89]: Agnus Dei Anonymous Appears on: 159v–160 Genres: Agnus Dei, Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Agnus dei
160v–162	Et in terra pax [Gloria]	-	Anonymous
Et in terra pax [Gloria] Anonymous Appears on: 160v–162 Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Gloria] Et in terra
162v–163	Missa Nos amis ('Wunsliche schone'): Kyrie eleison	-	Tinctoris, Johannes (ca. 1435–1511)
Missa Nos amis ('Wunsliche schone'): Kyrie eleison Tinctoris, Johannes (ca. 1435–1511) Appears on: 162v–163 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie Item Bibliography Gottlieb, Louis Edward. 1958. The cyclic masses of Trent Codex 89. University of California, Los Angeles, Ph.D. Dissertation.
163v–164v	Missa Nos amis ('Wunsliche schone'): Et in terra pax [Gloria]	-	Tinctoris, Johannes (ca. 1435–1511)
Missa Nos amis ('Wunsliche schone'): Et in terra pax [Gloria] Tinctoris, Johannes (ca. 1435–1511) Appears on: 163v–164v Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Gloria] Et in terra Item Bibliography Gottlieb, Louis Edward. 1958. The cyclic masses of Trent Codex 89. University of California, Los Angeles, Ph.D. Dissertation.
165v–166	Magnificat 3 & 4 toni. Anima mea [K.747]	[G. DUFAY]	Du Fay, Guillaume (1397–1474)
Magnificat 3 & 4 toni. Anima mea [K.747] Du Fay, Guillaume (1397–1474) Appears on: 165v–166 Genres: BVM, Canticle, Magnificat Source Attribution: [G. DUFAY] Voice: [no designation] Languages: Latin Voice Text: Tercii et quarti toni. [Magnificat] Anima mea General Note Tous les versets. Publ. cf. Md 2269 n° 14
166v–168	Per pulchra Sion filia	-	Anonymous
Per pulchra Sion filia Anonymous Appears on: 166v–168 Genres: Cantio Voice: [no designation] Languages: Latin Voice Text: Per pulchra Sion filia
168v–170	Quae nunc oppositis - 1a pars (of 2): Quae nunc oppositis	-	Anonymous
Quae nunc oppositis - 1a pars (of 2): Quae nunc oppositis Anonymous Appears on: 168v–170 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Quae nunc oppositis
168v–170	Quae nunc oppositis - 2a pars (of 2): Tu ne quaesieris scire nephas quem mihi	-	Anonymous
Quae nunc oppositis - 2a pars (of 2): Tu ne quaesieris scire nephas quem mihi Anonymous Appears on: 168v–170 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Tu ne quaesieris scire nephas quem mihi Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 14/15 (VII).
170v–172	Gaude flore virginali - 1a pars (of 3): Gaude flore virginali	-	Anonymous
Gaude flore virginali - 1a pars (of 3): Gaude flore virginali Anonymous Appears on: 170v–172 Genres: Sequence Voice: [no designation] Languages: Latin Voice Text: Gaude flore virginali
170v–172	Gaude flore virginali - 2a pars (of 3): Gaude neque voluntate	-	Anonymous
Gaude flore virginali - 2a pars (of 3): Gaude neque voluntate Anonymous Appears on: 170v–172 Genres: Sequence Voice: [no designation] Languages: Latin Voice Text: Gaude neque voluntate
170v–172	Gaude flore virginali - 3a pars (of 3): Gaude virgo mater	-	Anonymous
Gaude flore virginali - 3a pars (of 3): Gaude virgo mater Anonymous Appears on: 170v–172 Genres: Sequence Voice: [no designation] Languages: Latin Voice Text: Gaude virgo mater
172v–173	Gaude virgo mater Christi	-	Anonymous
Gaude virgo mater Christi Anonymous Appears on: 172v–173 Genres: Marian antiphon Voice: [no designation] Languages: Latin Voice Text: Gaude virgo mater Christi
173v–175	Magnificat octavi toni: Et exultavit [K.382]	-	Anonymous
Magnificat octavi toni: Et exultavit [K.382] Anonymous Appears on: 173v–175 Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Et exultavit General Note Versets 2,5,7,9, 11,12.
175v	Aurea luce	-	Anonymous
Aurea luce Anonymous Appears on: 175v Genres: Hymn Voice: [no designation] Languages: Latin Voice Text: Aurea luce
176	Ave maris stella	-	Anonymous
Ave maris stella Anonymous Appears on: 176 Genres: Ave maris stella, BVM, Hymn Voice: [no designation] Languages: Latin Voice Text: Ave maris stella Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 53 (XXVII).
177	Veni creator	-	Anonymous
Veni creator Anonymous Appears on: 177 Genres: Hymn, Veni creator spiritus Voice: [no designation] Languages: Latin Voice Text: Veni creator Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 53 (XXVII).
177v	Festum nunc celebre	-	Anonymous
Festum nunc celebre Anonymous Appears on: 177v Genres: Hymn Voice: [no designation] Languages: Latin Voice Text: Festum nunc celebre
178	Quod chorus vatum	-	Anonymous
Quod chorus vatum Anonymous Appears on: 178 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Quod chorus
178v–179	Ave maris stella	-	Anonymous
Ave maris stella Anonymous Appears on: 178v–179 Genres: Ave maris stella, BVM, Hymn Voice: [no designation] Languages: Latin Voice Text: Ave maris stella Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 53 (XXVII).
179	Magnificat Duo: Quia fecit.	-	Anonymous
Magnificat Duo: Quia fecit. Anonymous Appears on: 179 Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Duo. Quia fecit. General Note 1 seul verset.
179v–180	O lux beata trinitas	-	Anonymous
O lux beata trinitas Anonymous Appears on: 179v–180 Genres: Hymn Voice: [no designation] Languages: Latin Voice Text: O lux beata trinitas
180v–181	Ut queant laxis resonare fibris	-	Anonymous
Ut queant laxis resonare fibris Anonymous Appears on: 180v–181 Genres: Hymn Voice: [no designation] Languages: Latin Voice Text: Ut queant laxis
181v–182	Plaudat laetitia	-	Anonymous
Plaudat laetitia Anonymous Appears on: 181v–182 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Plaudat laetitia
182v	Aurea luce	-	Anonymous
Aurea luce Anonymous Appears on: 182v Genres: Hymn Voice: [no designation] Languages: Latin Voice Text: Aurea luce
182v–183	Grates nunc omnes	-	Anonymous
Grates nunc omnes Anonymous Appears on: 182v–183 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Grates nunc omnes
183v	Christus surrexit	-	Anonymous
Christus surrexit Anonymous Appears on: 183v Genres: Cantio Voice: [no designation] Languages: Latin Voice Text: Christus surrexit
184	Ecce panis angelorum factus cibus	-	Anonymous
Ecce panis angelorum factus cibus Anonymous Appears on: 184 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Ecce panis angelorum factus cibus
184v–185	Rorate caeli desuper et nubes pluant Vs: Caeli enarrant gloriam Dei Et opera	-	Anonymous
Rorate caeli desuper et nubes pluant Vs: Caeli enarrant gloriam Dei Et opera Anonymous Appears on: 184v–185 Genres: Introit, Proper Voice: [no designation] Languages: Latin Voice Text: Rorate caeli desuper
185v–186	Salve sancta parens	-	Anonymous
Salve sancta parens Anonymous Appears on: 185v–186 Genres: Introit, Proper Voice: [no designation] Languages: Latin Voice Text: Salve sancta parens
186v–187	Viri Galilaei Quid admiramini aspicientes Vs: Omnes gentes plaudite Jubilate deo	-	Anonymous
Viri Galilaei Quid admiramini aspicientes Vs: Omnes gentes plaudite Jubilate deo Anonymous Appears on: 186v–187 Genres: Introit, Proper Voice: [no designation] Languages: Latin Voice Text: Viri Galilaei
187v–189	Sanctus	-	Anonymous
Sanctus Anonymous Appears on: 187v–189 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: Sanctus
189a–v191	Regina caeli laetare alleluia	-	Anonymous
Regina caeli laetare alleluia Anonymous Appears on: 189a–v191 Genres: Motet, Regina caeli laetare Voice: [no designation] Languages: Latin Voice Text: Regina caeli laetare alleluia
191v–193	Salve regina - 1a pars (of 2): Salve regina mater misericordiae	-	Anonymous
Salve regina - 1a pars (of 2): Salve regina mater misericordiae Anonymous Appears on: 191v–193 Genres: BVM, Motet, Salve Regina Voice: [no designation] Languages: Latin Voice Text: Salve regina General Note T: Le serviteur. Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 53 (XXVII).
191v–193	Salve regina - 2a pars (of 2): Et Jesum benedictum fructum	-	Anonymous
Salve regina - 2a pars (of 2): Et Jesum benedictum fructum Anonymous Appears on: 191v–193 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Et Jesum benedictum fructum
193v–195	O beata infantia - 1a pars (of 2): O beata infantia	-	Anonymous
O beata infantia - 1a pars (of 2): O beata infantia Anonymous Appears on: 193v–195 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O beata infantia
193v–195	O beata infantia - 2a pars (of 2): O praesepe splendidum	-	Anonymous
O beata infantia - 2a pars (of 2): O praesepe splendidum Anonymous Appears on: 193v–195 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O praesepe splendidum
195v–197	Anima mea - 1a pars (of 3): Anima mea liquefacta est	[J. FOREST]	Forest
Anima mea - 1a pars (of 3): Anima mea liquefacta est Forest Appears on: 195v–197 Genres: Motet Source Attribution: [J. FOREST] Voice: [no designation] Languages: Latin Voice Text: Anima mea liquefacta est Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 76 (XL).
195v–197	Anima mea - 3a pars (of 3): Filiae Jerusalem	-	Forest
Anima mea - 3a pars (of 3): Filiae Jerusalem Forest Appears on: 195v–197 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Filiae Jerusalem
197v–198	Gaude visceribus	-	Anonymous
Gaude visceribus Anonymous Appears on: 197v–198 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Gaude visceribus
199v–200	Missa [Tr89-2]: Kyrie	-	Anonymous
Missa [Tr89-2]: Kyrie Anonymous Appears on: 199v–200 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Missa] K[yrie] Item Bibliography Gottlieb, Louis Edward. 1958. The cyclic masses of Trent Codex 89. University of California, Los Angeles, Ph.D. Dissertation.
200v–202	Missa [Tr89-2]: Et in terra pax [Gloria]	-	Anonymous
Missa [Tr89-2]: Et in terra pax [Gloria] Anonymous Appears on: 200v–202 Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Missa. Gloria] Et in terra Item Bibliography Gottlieb, Louis Edward. 1958. The cyclic masses of Trent Codex 89. University of California, Los Angeles, Ph.D. Dissertation.
202v–204	Missa [Tr89-2]: Patrem omnipotentem [Credo]	-	Anonymous
Missa [Tr89-2]: Patrem omnipotentem [Credo] Anonymous Appears on: 202v–204 Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Missa. Credo] Patrem Item Bibliography Gottlieb, Louis Edward. 1958. The cyclic masses of Trent Codex 89. University of California, Los Angeles, Ph.D. Dissertation.
204v–205v	Missa [Tr89-2]: Sanctus	-	Anonymous
Missa [Tr89-2]: Sanctus Anonymous Appears on: 204v–205v Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: [Missa] Sanctus Item Bibliography Gottlieb, Louis Edward. 1958. The cyclic masses of Trent Codex 89. University of California, Los Angeles, Ph.D. Dissertation.
206–206v	Missa [Tr89-2]: Agnus Dei	-	Anonymous
Missa [Tr89-2]: Agnus Dei Anonymous Appears on: 206–206v Genres: Agnus Dei, Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Missa] Agnus dei Item Bibliography Gottlieb, Louis Edward. 1958. The cyclic masses of Trent Codex 89. University of California, Los Angeles, Ph.D. Dissertation.
207v–211	Magnificat quinti toni: Et exultavit [K.275]	-	Anonymous
Magnificat quinti toni: Et exultavit [K.275] Anonymous Appears on: 207v–211 Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Et exultavit General Note Versets pairs.
211v–212	Kyrie fons bonitatis	-	Anonymous
Kyrie fons bonitatis Anonymous Appears on: 211v–212 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie fons bonitatis
212v–213	Kyrie fons bonitatis.	-	Anonymous
Kyrie fons bonitatis. Anonymous Appears on: 212v–213 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie fons bonitatis.
213v–214	Veni sancte spiritus et emitte caelitus	-	Anonymous
Veni sancte spiritus et emitte caelitus Anonymous Appears on: 213v–214 Genres: Sequence, Veni sancte spiritus Voice: [no designation] Languages: Latin Voice Text: Veni sancte spiritus
214v–216	Homo quidam - 1a pars (of 2): Homo quidam fecit caenam magnam et misit	-	Anonymous
Homo quidam - 1a pars (of 2): Homo quidam fecit caenam magnam et misit Anonymous Appears on: 214v–216 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Homo quidam fecit cenam magnam et misit
214v–216	Homo quidam - 2a pars (of 2): Venite comedite	-	Anonymous
Homo quidam - 2a pars (of 2): Venite comedite Anonymous Appears on: 214v–216 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Venite comedite
216v–217	Ecce panis angelorum factus cibus	-	Anonymous
Ecce panis angelorum factus cibus Anonymous Appears on: 216v–217 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Ecce panis angelorum factus cibus Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 76 (XL).
217v–218	O florens rosa mater Domini speciosa	-	Anonymous
O florens rosa mater Domini speciosa Anonymous Appears on: 217v–218 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O florens rosa mater domini speciosa
218v–220	Quam pulchra es - 1a pars (of 2): Quam pulchra es	-	Anonymous
Quam pulchra es - 1a pars (of 2): Quam pulchra es Anonymous Appears on: 218v–220 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Quam pulchra es
218v–220	Quam pulchra es - 2a pars (of 2): Dilecte mi	-	Anonymous
Quam pulchra es - 2a pars (of 2): Dilecte mi Anonymous Appears on: 218v–220 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Dilecte mi
220v–222	Levavi oculos meos - 1a pars (of 2): Levavi oculos meos	-	Breittinens, Andreas Gregorius
Levavi oculos meos - 1a pars (of 2): Levavi oculos meos Breittinens, Andreas Gregorius Appears on: 220v–222 Genres: Psalm motet Voice: [no designation] Languages: Latin Voice Text: Levavi oculos meos
220v–222	Levavi oculos meos - 2a pars (of 2): Deus custodit te	-	Anonymous
Levavi oculos meos - 2a pars (of 2): Deus custodit te Anonymous Appears on: 220v–222 Genres: Psalm motet Voice: [no designation] Languages: Latin Voice Text: Deus custodit te
222v	Pange lingua gloriosi corporis misterium	-	Anonymous
Pange lingua gloriosi corporis misterium Anonymous Appears on: 222v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Pange lingua Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 53 (XXVII).
223v–224	Grates nunc omnes	-	Anonymous
Grates nunc omnes Anonymous Appears on: 223v–224 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Grates nunc omnes
224v–225	Puer natus est nobis - 1a pars (of 3): Puer natus est nobis	-	Du Fay, Guillaume (1397–1474) (?)
Puer natus est nobis - 1a pars (of 3): Puer natus est nobis Du Fay, Guillaume (1397–1474) (?) Appears on: 224v–225 Genres: Introit, Proper Voice: [no designation] Languages: Latin Voice Text: Puer natus est nobis
225v–227	Resonet in laudibus - 1a pars (of 2): Resonet in laudibus cum jocundis plausibus	-	Anonymous
Resonet in laudibus - 1a pars (of 2): Resonet in laudibus cum jocundis plausibus Anonymous Appears on: 225v–227 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Resonet in laudibus cum iocundis
225v–227	Resonet in laudibus - 2a pars (of 2): Magnum nomen Domini	-	Anonymous
Resonet in laudibus - 2a pars (of 2): Magnum nomen Domini Anonymous Appears on: 225v–227 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Magnum nomen Domini
227v–228	O gloriosa et laudabilis	-	Anonymous
O gloriosa et laudabilis Anonymous Appears on: 227v–228 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O gloriosa et laudabilis
228v–229	Vidi aquam egredientem de templo	-	Anonymous
Vidi aquam egredientem de templo Anonymous Appears on: 228v–229 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Vidi aquam egredientem
229v–230	Vidi aquam egredientem de templo	-	Anonymous
Vidi aquam egredientem de templo Anonymous Appears on: 229v–230 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Vidi aquam egredientem
230v–231	Salve festa dies toto venerabilis	-	Anonymous
Salve festa dies toto venerabilis Anonymous Appears on: 230v–231 Genres: Hymn Voice: [no designation] Languages: Latin Voice Text: Salve festa dies toto venerabilis
231–232	[Urbs beata Jerusalem] Nova veniens	-	Anonymous
[Urbs beata Jerusalem] Nova veniens Anonymous Appears on: 231–232 Genres: Hymn Voice: [no designation] Languages: Latin Voice Text: Nova veniens/Urbs beata
232v–233	Terribilis est locus iste	-	Anonymous
Terribilis est locus iste Anonymous Appears on: 232v–233 Genres: Introit, Proper Voice: [no designation] Languages: Latin Voice Text: Terribilis est locus iste
233v–234	Ave mundi spes Maria / In Gottes Namen	-	Anonymous
Ave mundi spes Maria / In Gottes Namen Anonymous Appears on: 233v–234 Genres: Ave Maria, Motet Voice: [no designation] Languages: Latin Voice Text: Ave mundi spes Maria/In Gottes Namen Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 14/15 (VII).
234v	Quem terra	-	Anonymous
Quem terra Anonymous Appears on: 234v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Quem terra
235av–235b	Kyrie-Gloria pair [Tr89-1]: Kyrie eleison	-	Anonymous
Kyrie-Gloria pair [Tr89-1]: Kyrie eleison Anonymous Appears on: 235av–235b Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie
235bv–237v	Kyrie-Gloria pair [Tr89-1]: Gloria	-	Anonymous
Kyrie-Gloria pair [Tr89-1]: Gloria Anonymous Appears on: 235bv–237v Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Gloria] Et in terra
238v–239	untexted	HERMANUS DE ATRIO	Atrio, Hermanus de (fl. c1460)
untexted Atrio, Hermanus de (fl. c1460) Appears on: 238v–239 Genres: textless Source Attribution: HERMANUS DE ATRIO Voice: [no designation] Languages: none Voice Text: without text Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 14/15 (VII).
239v–240	In Maria vite vitam	HERMANUS DE ATRIO	Atrio, Hermanus de (fl. c1460)
In Maria vite vitam Atrio, Hermanus de (fl. c1460) Appears on: 239v–240 Genres: Motet Source Attribution: HERMANUS DE ATRIO Voice: [no designation] Languages: Latin Voice Text: In Maria vite vitam
241v–242	Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto	-	Anonymous
Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto Anonymous Appears on: 241v–242 Genres: Introit, Proper Voice: [no designation] Languages: Latin Voice Text: Spiritus domini replevit
242v–243	Salve sancta parens (= Ecce advenit)	-	Anonymous
Salve sancta parens (= Ecce advenit) Anonymous Appears on: 242v–243 Genres: Introit, Proper Voice: [no designation] Languages: Latin Voice Text: Salve sancta parens
243v–244	Sancta genitrix = Der Fuchsschwanz	-	Anonymous
Sancta genitrix = Der Fuchsschwanz Anonymous Appears on: 243v–244 Genres: Contrafactum Voice: [no designation] Languages: Latin Voice Text: Sancta genitrix [= Der Fuchsschwanz]
244v–245	Sanctus	-	Anonymous
Sanctus Anonymous Appears on: 244v–245 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: Sanctus
246–248	Missa Caput: Kyrie Deus creator omnium	G.DUFAY	Anonymous (previously ascr. to Du Fay)
Missa Caput: Kyrie Deus creator omnium Anonymous (previously ascr. to Du Fay) Appears on: 246–248 Genres: Mass Ordinary, Troped Kyrie Source Attribution: G.DUFAY Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa] Caput. Kyrie Deus creator omnium eLeyson General Note T: Kyrie Caput. Publ. cf. La 238 n» 3 General Note Walker 1969 has argued (compellingly) for English origin of the entire Missa Caput. Item Bibliography Walker, Thomas. 1969. ‘A Severed Head: Notes on a Lost English Caput Mass’. Abstracts of Papers Read at the Thirty-Fifth Annual Meeting of the American Musicological Society, Saint Louis, 1969, American Musicological Society. Notes: Argues (compellingly) for English origin of the Missa Caput, overturning the attributions in Tr88 and Tr89 of the whole mass to ‘Duffay'. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 38 (XIX)facs.
248v–250	Missa Caput: Et in terra pax [Gloria]	[G. DUFAY]	Anonymous (previously ascr. to Du Fay)
Missa Caput: Et in terra pax [Gloria] Anonymous (previously ascr. to Du Fay) Appears on: 248v–250 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: [G. DUFAY] Voice: [no designation] Languages: Latin Voice Text: [Missa Caput. Gloria] Et in terra General Note T: Et in terra Caput.Publ. cf. La 238 n° 3 General Note Walker (1969) has argued (compellingly) for English origin of the entire Missa Caput. Item Bibliography Walker, Thomas. 1969. ‘A Severed Head: Notes on a Lost English Caput Mass’. Abstracts of Papers Read at the Thirty-Fifth Annual Meeting of the American Musicological Society, Saint Louis, 1969, American Musicological Society. Notes: Argues (compellingly) for English origin of the entire Missa Caput, overturning the attributions in Tr88 and Tr89 of the whole mass to ‘Duffay'. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 38 (XIX)facs.
250v–252	Missa Caput: Patrem omnipotentem [Credo]	[G. DUFAY]	Anonymous (previously ascr. to Du Fay)
Missa Caput: Patrem omnipotentem [Credo] Anonymous (previously ascr. to Du Fay) Appears on: 250v–252 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: [G. DUFAY] Voice: [no designation] Languages: Latin Voice Text: [Missa Caput. Credo] Patrem General Note T: Patrem Caput. Publ. cf. La 238 n° 3 General Note Walker (1969) has argued (compellingly) for English origin of the entire Missa Caput. Item Bibliography Walker, Thomas. 1969. ‘A Severed Head: Notes on a Lost English Caput Mass’. Abstracts of Papers Read at the Thirty-Fifth Annual Meeting of the American Musicological Society, Saint Louis, 1969, American Musicological Society. Notes: Argues (compellingly) for English origin of the entire Missa Caput, overturning the attributions in Tr88 and Tr89 of the whole mass to ‘Duffay'. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 38 (XIX)facs.
252v–254	Missa Caput: Sanctus	[G. DUFAY]	Anonymous (previously ascr. to Du Fay)
Missa Caput: Sanctus Anonymous (previously ascr. to Du Fay) Appears on: 252v–254 Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: [G. DUFAY] Voice: [no designation] Languages: Latin Voice Text: [Missa Caput] Sanctus General Note Publ. cf. La 238 n° 3 General Note Walker (1969) has argued (compellingly) for English origin of the entire Missa Caput. Item Bibliography Walker, Thomas. 1969. ‘A Severed Head: Notes on a Lost English Caput Mass’. Abstracts of Papers Read at the Thirty-Fifth Annual Meeting of the American Musicological Society, Saint Louis, 1969, American Musicological Society. Notes: Argues (compellingly) for English origin of the entire Missa Caput, overturning the attributions in Tr88 and Tr89 of the whole mass to ‘Duffay'. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 38(XIX)facs.
254v–256	Missa Caput: Agnus Dei	[G. DUFAY]	Anonymous (previously ascr. to Du Fay)
Missa Caput: Agnus Dei Anonymous (previously ascr. to Du Fay) Appears on: 254v–256 Genres: Agnus Dei, Mass Ordinary Source Attribution: [G. DUFAY] Voice: [no designation] Languages: Latin Voice Text: [Missa Caput] Agnus dei General Note Walker (1969) has argued (compellingly) for English origin of the entire Missa Caput. Item Bibliography Walker, Thomas. 1969. ‘A Severed Head: Notes on a Lost English Caput Mass’. Abstracts of Papers Read at the Thirty-Fifth Annual Meeting of the American Musicological Society, Saint Louis, 1969, American Musicological Society. Notes: Argues (compellingly) for English origin of the entire Missa Caput, overturning the attributions in Tr88 and Tr89 of the whole mass to ‘Duffay'. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 38(XIX)facs.
258–260	Missa Monyel: Kyrie	TORONT	Touront, Johannes (ca. 1450–ca. 1475)
Missa Monyel: Kyrie Touront, Johannes (ca. 1450–ca. 1475) Appears on: 258–260 Genres: Kyrie eleison, Mass Ordinary Source Attribution: TORONT Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa] Monyel. Kyrie General Note T: Kyrie Monyel.
260v–263	Missa Monyel: Et in terra pax [Gloria]	[TOURONT]	Touront, Johannes (ca. 1450–ca. 1475)
Missa Monyel: Et in terra pax [Gloria] Touront, Johannes (ca. 1450–ca. 1475) Appears on: 260v–263 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: [TOURONT] Voice: [no designation] Languages: Latin Voice Text: [Missa Monyel. Gloria] Et in terra General Note Ct 2us: Et in terra pax —> Monyel.
263v–266	Missa Monyel: Patrem omnipotentem [Credo]	[TOURONT]	Touront, Johannes (ca. 1450–ca. 1475)
Missa Monyel: Patrem omnipotentem [Credo] Touront, Johannes (ca. 1450–ca. 1475) Appears on: 263v–266 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: [TOURONT] Voice: [no designation] Languages: Latin Voice Text: [Missa Monyel. Credo] Patrem General Note T: Et ex patre Monyel.
266v–271	Missa Monyel: Sanctus	[TOURONT]	Touront, Johannes (ca. 1450–ca. 1475)
Missa Monyel: Sanctus Touront, Johannes (ca. 1450–ca. 1475) Appears on: 266v–271 Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: [TOURONT] Voice: [no designation] Languages: Latin Voice Text: [Missa Monyel] Sanctus General Note T: Monyel Sanctus.
271v–273	Missa Monyel: Agnus Dei	[TOURONT]	Touront, Johannes (ca. 1450–ca. 1475)
Missa Monyel: Agnus Dei Touront, Johannes (ca. 1450–ca. 1475) Appears on: 271v–273 Genres: Agnus Dei, Mass Ordinary Source Attribution: [TOURONT] Voice: [no designation] Languages: Latin Voice Text: [Missa Monyel] Agnus dei General Note T: Monyel miserere.
273v–274	Missa [Tr89-3]: Kyrie	-	Anonymous
Missa [Tr89-3]: Kyrie Anonymous Appears on: 273v–274 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa] Kyrie
274v–276	Missa [Tr89-3]: Et in terra pax [Gloria]	-	Anonymous
Missa [Tr89-3]: Et in terra pax [Gloria] Anonymous Appears on: 274v–276 Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Missa. Gloria] Et in terra
276v–278	Missa [Tr89-3]: Patrem omnipotentem [Credo]	-	Anonymous
Missa [Tr89-3]: Patrem omnipotentem [Credo] Anonymous Appears on: 276v–278 Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Missa. Credo] Patrem
278v–280	Missa [Tr89-3]: Sanctus	-	Anonymous
Missa [Tr89-3]: Sanctus Anonymous Appears on: 278v–280 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: [Missa] Sanctus
280v–281v	Missa [Tr89-3]: Agnus Dei	-	Anonymous
Missa [Tr89-3]: Agnus Dei Anonymous Appears on: 280v–281v Genres: Agnus Dei, Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Missa] Agnus dei
282v–284	Missa Du coeur je souspier: Kyrie Orbis factor rex aeterne eleison.	-	Anonymous
Missa Du coeur je souspier: Kyrie Orbis factor rex aeterne eleison. Anonymous Appears on: 282v–284 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa Du cuer je souspier. Kyrie] Orbis factor rex eterne eleyson. General Note T: Du cuer je souspier. A la fin du T: Canon totius misse. Teter cane prius plane iterum compositio dyapente constat sane pausis demptis initio. Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 120.
284v–286	Missa Du coeur je souspier: Et in terra pax [Gloria]	-	Anonymous
Missa Du coeur je souspier: Et in terra pax [Gloria] Anonymous Appears on: 284v–286 Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Missa Du cuer je souspier. Gloria] Et in terra General Note T: Du cuer je souspier. Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 120.
286v–288	Missa Du coeur je souspier. Patrem omnipotentem [Credo]	-	Anonymous
Missa Du coeur je souspier. Patrem omnipotentem [Credo] Anonymous Appears on: 286v–288 Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Missa Du cuer je souspier. Credo] Patrem General Note T: Du cuer. Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 120.
288v–290	Missa Du coeur je souspier: Sanctus	-	Anonymous
Missa Du coeur je souspier: Sanctus Anonymous Appears on: 288v–290 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: [Missa Du cuer je souspier] Sanctus General Note T: Du euer Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 120.
290v–292	Missa Du coeur je souspier: Agnus Dei	-	Anonymous
Missa Du coeur je souspier: Agnus Dei Anonymous Appears on: 290v–292 Genres: Agnus Dei, Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Missa Du cuer je souspier] Agnus dei General Note T: Du cuer. Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 120.
292v–293	Ave vivens hostia	-	Anonymous
Ave vivens hostia Anonymous Appears on: 292v–293 Genres: Cantio Voice: [no designation] Languages: Latin Voice Text: Ave vivens hostia
294v–295	Missa: Kyrie	JO. BASSERE	Bassere, Johannes (fl. c1450)
Missa: Kyrie Bassere, Johannes (fl. c1450) Appears on: 294v–295 Genres: Kyrie eleison, Mass Ordinary Source Attribution: JO. BASSERE Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa] Kyrie
295v–297	Missa: Et in terra pax [Gloria]	[JO. BASSERE]	Bassere, Johannes (fl. c1450)
Missa: Et in terra pax [Gloria] Bassere, Johannes (fl. c1450) Appears on: 295v–297 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: [JO. BASSERE] Voice: [no designation] Languages: Latin Voice Text: [Missa. Gloria] Et in terra
297v–300	Missa: Credo Patrem	[JO. BASSERE]	Bassere, Johannes (fl. c1450)
Missa: Credo Patrem Bassere, Johannes (fl. c1450) Appears on: 297v–300 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: [JO. BASSERE] Voice: [no designation] Languages: Latin Voice Text: [Missa.Credo] Patrem
300v–302	Missa Sanctus	[JO. BASSERE]	Bassere, Johannes (fl. c1450)
Missa Sanctus Bassere, Johannes (fl. c1450) Appears on: 300v–302 Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: [JO. BASSERE] Voice: [no designation] Languages: Latin Voice Text: [Missa] Sanctus
302v–303	Missa: Agnus Dei	[JO. BASSERE]	Bassere, Johannes (fl. c1450)
Missa: Agnus Dei Bassere, Johannes (fl. c1450) Appears on: 302v–303 Genres: Agnus Dei, Mass Ordinary Source Attribution: [JO. BASSERE] Voice: [no designation] Languages: Latin Voice Text: [Missa] Agnus dei
303v–304	[Veni redemptor gentium] Non ex virili, 2nd text: Procedens de thalamo	-	Anonymous
[Veni redemptor gentium] Non ex virili, 2nd text: Procedens de thalamo Anonymous Appears on: 303v–304 Genres: Hymn Voice: [no designation] Languages: Latin Voice Text: Non ex virili semine
306v–307	Missa [Tr89-4]: Kyrie	-	Anonymous
Missa [Tr89-4]: Kyrie Anonymous Appears on: 306v–307 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa] Kyrie General Note Attrib. à J. Barbingant par Hamm (cf. Bibliogr.)
307v–309	Missa [Tr89-4]: Et in terra pax [Gloria]	-	Anonymous
Missa [Tr89-4]: Et in terra pax [Gloria] Anonymous Appears on: 307v–309 Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Missa. Gloria] Et in terra General Note Attrib. à J. Barbingant par Hamm (cf. Bibliogr.)
309v–312	Missa [Tr89-4]: Patrem omnipotentem [Credo]	-	Anonymous
Missa [Tr89-4]: Patrem omnipotentem [Credo] Anonymous Appears on: 309v–312 Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Missa. Credo] Patrem General Note Attrib. à J. Barbingant par Hamm (cf. Bibliogr.)
312v–314	Missa [Tr89-4]: Sanctus	-	Anonymous
Missa [Tr89-4]: Sanctus Anonymous Appears on: 312v–314 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: [Missa] Sanctus General Note Attrib. à J. Barbingant par Hamm (cf. Bibliogr.) Item Bibliography Hamm, Charles E. 1960. The Manuscript San Pietro B 80. Revue Belge de Musicologie, 40-55.
314v–315	Missa [Tr89-4]: Agnus Dei	-	Anonymous
Missa [Tr89-4]: Agnus Dei Anonymous Appears on: 314v–315 Genres: Agnus Dei, Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Agnus dei General Note Attrib. à J. Barbingant par Hamm (cf. Bibliogr.) Item Bibliography Hamm, Charles E. 1960. The Manuscript San Pietro B 80. Revue Belge de Musicologie, 40-55.
315v–316	Kyrie-Gloria pair [Tr89-2]: Kyrie eleison	-	Anonymous
Kyrie-Gloria pair [Tr89-2]: Kyrie eleison Anonymous Appears on: 315v–316 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie
316v–318	Kyrie-Gloria pair [Tr89-2]: Gloria	-	Anonymous
Kyrie-Gloria pair [Tr89-2]: Gloria Anonymous Appears on: 316v–318 Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Gloria] Et in terra
318v–320	Missa Quant che vendra: Kyrie	-	Anonymous
Missa Quant che vendra: Kyrie Anonymous Appears on: 318v–320 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa Quant che vendra] Kyrie General Note T: Quant che vendra. Item Bibliography Gottlieb, Louis Edward. 1958. The cyclic masses of Trent Codex 89. University of California, Los Angeles, Ph.D. Dissertation.
320v–324	Missa Quant che vendra: Et in terra pax [Gloria]	-	Anonymous
Missa Quant che vendra: Et in terra pax [Gloria] Anonymous Appears on: 320v–324 Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Missa Quant che vendra. Gloria] Et in terra Item Bibliography Gottlieb, Louis Edward. 1958. The cyclic masses of Trent Codex 89. University of California, Los Angeles, Ph.D. Dissertation.
324v–328	Missa Quant che vendra: Patrem omnipotentem [Credo]	-	Anonymous
Missa Quant che vendra: Patrem omnipotentem [Credo] Anonymous Appears on: 324v–328 Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Missa Quant che vendra. Credo] Patrem Item Bibliography Gottlieb, Louis Edward. 1958. The cyclic masses of Trent Codex 89. University of California, Los Angeles, Ph.D. Dissertation.
328v–330	Missa Quant che vendra: Sanctus	-	Anonymous
Missa Quant che vendra: Sanctus Anonymous Appears on: 328v–330 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: [Missa Quant che vendra] Sanctus Item Bibliography Gottlieb, Louis Edward. 1958. The cyclic masses of Trent Codex 89. University of California, Los Angeles, Ph.D. Dissertation.
330v–332	Missa O rosa bella [III]: Kyrie	-	Anonymous
Missa O rosa bella [III]: Kyrie Anonymous Appears on: 330v–332 Genres: Mass Ordinary, Troped Kyrie Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa 0 rosa bella] Kyrie rex virginum amatör Deus General Note T:[O rosa bella] Item Bibliography Gottlieb, Louis Edward. 1958. The cyclic masses of Trent Codex 89. University of California, Los Angeles, Ph.D. Dissertation.
332v–334	Missa O rosa bella [III]: Et in terra pax [Gloria]	-	Anonymous
Missa O rosa bella [III]: Et in terra pax [Gloria] Anonymous Appears on: 332v–334 Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Missa O rosa bella. Gloria] Et in terra Item Bibliography Gottlieb, Louis Edward. 1958. The cyclic masses of Trent Codex 89. University of California, Los Angeles, Ph.D. Dissertation.
334v–336	Missa O rosa bella [III]. Patrem omnipotentem [Credo]	-	Anonymous
Missa O rosa bella [III]. Patrem omnipotentem [Credo] Anonymous Appears on: 334v–336 Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Missa O rosa bella. Credo] Patrem Item Bibliography Gottlieb, Louis Edward. 1958. The cyclic masses of Trent Codex 89. University of California, Los Angeles, Ph.D. Dissertation.
336v–338	Missa O rosa bella [III]: Sanctus	-	Anonymous
Missa O rosa bella [III]: Sanctus Anonymous Appears on: 336v–338 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: [Missa O rosa bella] Sanctus Item Bibliography Gottlieb, Louis Edward. 1958. The cyclic masses of Trent Codex 89. University of California, Los Angeles, Ph.D. Dissertation.
338v–339	Missa O rosa bella [III]: Agnus Dei	-	Anonymous
Missa O rosa bella [III]: Agnus Dei Anonymous Appears on: 338v–339 Genres: Agnus Dei, Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Missa O rosa bella] Agnus dei Item Bibliography Gottlieb, Louis Edward. 1958. The cyclic masses of Trent Codex 89. University of California, Los Angeles, Ph.D. Dissertation.
339v–340	Veni creator spiritus mentes tuorum	-	Anonymous
Veni creator spiritus mentes tuorum Anonymous Appears on: 339v–340 Genres: Motet, Veni creator spiritus Voice: [no designation] Languages: Latin Voice Text: Veni creator spiritus Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 53 (XXVII).
340v–341	Christe redemptor	-	Anonymous
Christe redemptor Anonymous Appears on: 340v–341 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Christe redemptor Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 53 (XXVII).
341v	Christe redemptor	-	Anonymous
Christe redemptor Anonymous Appears on: 341v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Christe redemptor Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 53 (XXVII).
342v–344	Missa Christus surrexit: Et in terra pax [Gloria]	-	Anonymous
Missa Christus surrexit: Et in terra pax [Gloria] Anonymous Appears on: 342v–344 Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Missa Christus surrexit. Gloria] Et in terra General Note T: Christus surrexit. Item Bibliography Feininger, Laurence K (editor). 1947-48. Series I: Ordinarium missae (1948) & Series II: Poprium missae (1947). Monumenta Polyphoniae Liturgicae Sanctae Ecclesiae Romanae. Rome. Pages: Ordinarium I, tom. 11,1 (attrib. à G. Dufay).
344v–346	Missa Christus surrexit: Patrem omnipotentem [Credo]	-	Anonymous
Missa Christus surrexit: Patrem omnipotentem [Credo] Anonymous Appears on: 344v–346 Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Missa Christus surrexit. [Credo] Patrem General Note T: Christus surrexit Item Bibliography Feininger, Laurence K (editor). 1947-48. Series I: Ordinarium missae (1948) & Series II: Poprium missae (1947). Monumenta Polyphoniae Liturgicae Sanctae Ecclesiae Romanae. Rome. Pages: Ordinarium I, tom. 11,1 (attrib. à G. Dufay).
346v–349	Missa Christus surrexit: Sanctus	-	Anonymous
Missa Christus surrexit: Sanctus Anonymous Appears on: 346v–349 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: [Missa Christus surrexit] Sanctus General Note T: Christus surrexit. Item Bibliography Feininger, Laurence K (editor). 1947-48. Series I: Ordinarium missae (1948) & Series II: Poprium missae (1947). Monumenta Polyphoniae Liturgicae Sanctae Ecclesiae Romanae. Rome. Pages: Ordinarium I, tom. 11,1 (attrib. à G. Dufay).
364v–349	Missa Christus surrexit: Agnus Dei	-	Anonymous
Missa Christus surrexit: Agnus Dei Anonymous Appears on: 364v–349 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: [Missa Christus surrexit] Sanctus General Note T: Christus surrexit Item Bibliography Feininger, Laurence K (editor). 1947-48. Series I: Ordinarium missae (1948) & Series II: Poprium missae (1947). Monumenta Polyphoniae Liturgicae Sanctae Ecclesiae Romanae. Rome. Pages: Ordinarium I, tom. II,I (attrib. a GDufay).
349v–352	Salve regina - 1a pars (of 3): Salve regina misericordiae	[G. DUFAY]*	Du Fay, Guillaume (1397–1474)
Salve regina - 1a pars (of 3): Salve regina misericordiae Du Fay, Guillaume (1397–1474) Appears on: 349v–352 Genres: BVM, Motet, Salve Regina Source Attribution: [G. DUFAY]* Voice: [no designation] Languages: Latin Voice Text: Salve regina Concordances D-brd-Mbs 3154 Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.* Graz and Vienna. Pages: 14/15 (VII).
349v–352	Salve regina - 2a pars (of 3): Eya ergo advocata	-	Du Fay, Guillaume (1397–1474)
Salve regina - 2a pars (of 3): Eya ergo advocata Du Fay, Guillaume (1397–1474) Appears on: 349v–352 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Eia ergo advocata
349v–352	Salve regina - 3a pars (of 3): Et Jhesum benedictum - O clemens, O pia	-	Du Fay, Guillaume (1397–1474)
Salve regina - 3a pars (of 3): Et Jhesum benedictum - O clemens, O pia Du Fay, Guillaume (1397–1474) Appears on: 349v–352 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O clemens
352v–354	Ave beatissima	-	Anonymous
Ave beatissima Anonymous Appears on: 352v–354 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Ave beatissima
[-]	Tormente Christe	-	Anonymous
Tormente Christe Anonymous Appears on: [-] Genres: Motet Voice: [no designation] Languages: Italian Voice Text: Tormente Christe
354v–356	O gloriosa mater - 1a pars (of 2): O gloriosa mater	-	Basiron, Philippe (ca. 1449–1491)
O gloriosa mater - 1a pars (of 2): O gloriosa mater Basiron, Philippe (ca. 1449–1491) Appears on: 354v–356 Genres: BVM, Motet, Salve Regina Voice: [no designation] Languages: Latin Voice Text: O gloriosa mater General Note T: Hilf und gib rat. Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 53 (XXVII).
354v–356	O gloriosa mater - 2a pars (of 2): Eia ergo / Gaude rosa	-	Basiron, Philippe (ca. 1449–1491)
O gloriosa mater - 2a pars (of 2): Eia ergo / Gaude rosa Basiron, Philippe (ca. 1449–1491) Appears on: 354v–356 Genres: BVM, Motet, Salve Regina Voice: [no designation] Languages: Latin Voice Text: Eia ergo/Gaude rosa General Note T: Hilf und gib rat. Concordances Strahov (112v-114) has 5th voice 'contratenor concordans cum omnibus' Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 53 (XXVII).
356v–358	Salve regina - 1a pars (of 3): Salve regina mater misericordiae	-	Anonymous
Salve regina - 1a pars (of 3): Salve regina mater misericordiae Anonymous Appears on: 356v–358 Genres: BVM, Motet, Salve Regina Voice: [no designation] Languages: Latin Voice Text: Salve regina Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 53 (XXVII).
356v–358	Salve regina - 2a pars (of 3): Ad te suspiramus	-	Anonymous
Salve regina - 2a pars (of 3): Ad te suspiramus Anonymous Appears on: 356v–358 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Ad te suspiramus
356v–358	Salve regina - 3a pars (of 3): O clemens	-	Anonymous
Salve regina - 3a pars (of 3): O clemens Anonymous Appears on: 356v–358 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O clemens
359–360	Magnificat octavi toni: Et exultavit [K.383]	-	Anonymous
Magnificat octavi toni: Et exultavit [K.383] Anonymous Appears on: 359–360 Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Et exultavit General Note Versets pairs.
360v–361	Magnificat octavi toni: Et exultavit [K.366]	-	Anonymous
Magnificat octavi toni: Et exultavit [K.366] Anonymous Appears on: 360v–361 Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: [Magnificat]Et exultavit General Note Versets pairs.
361v–362	Victimae paschali laudes immolent Christiani Agnus redemit oves Christus innocens	-	Anonymous
Victimae paschali laudes immolent Christiani Agnus redemit oves Christus innocens Anonymous Appears on: 361v–362 Genres: Sequence Voice: [no designation] Languages: Latin Voice Text: Victimae paschali laudes
362v–364	Congaudent angelorum - 1a pars (of 2): Congaudent angelorum	-	Anonymous
Congaudent angelorum - 1a pars (of 2): Congaudent angelorum Anonymous Appears on: 362v–364 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Congaudent angelorum
362v–364	Congaudent angelorum - 2a pars (of 2): Te libri virgo	-	Anonymous
Congaudent angelorum - 2a pars (of 2): Te libri virgo Anonymous Appears on: 362v–364 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Te libri virgo
364v–365v	Qui caeli qui terrae - 1a pars (of 2): Qui caeli qui terrae	-	Anonymous
Qui caeli qui terrae - 1a pars (of 2): Qui caeli qui terrae Anonymous Appears on: 364v–365v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Qui caeli qui terrae
364v–365v	Qui caeli qui terrae - 2a pars (of 2): Et tremens	-	Anonymous
Qui caeli qui terrae - 2a pars (of 2): Et tremens Anonymous Appears on: 364v–365v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Et tremens
366v–367	Missa [de BMV]: Kyrie	[H. TIK]	Tik, Henricus
Missa [de BMV]: Kyrie Tik, Henricus Appears on: 366v–367 Genres: Kyrie eleison, Mass Ordinary Source Attribution: [H. TIK] Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa] Kyrie
367v–369	Missa [de BMV]: Et in terra pax [Gloria]	[H. TIK]	Tik, Henricus
Missa [de BMV]: Et in terra pax [Gloria] Tik, Henricus Appears on: 367v–369 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: [H. TIK] Voice: [no designation] Languages: Latin Voice Text: [Missa. Gloria] Et in terra
369v–371	Missa [de BMV]: Patrem omnipotentem [Credo]	[H. TIK]	Tik, Henricus
Missa [de BMV]: Patrem omnipotentem [Credo] Tik, Henricus Appears on: 369v–371 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: [H. TIK] Voice: [no designation] Languages: Latin Voice Text: [Missa. Credo] Patrem
371v–373	Missa [de BMV]: Sanctus	[H. TIK]	Tik, Henricus
Missa [de BMV]: Sanctus Tik, Henricus Appears on: 371v–373 Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: [H. TIK] Voice: [no designation] Languages: Latin Voice Text: [Missa] Sanctus
373v–374	Missa [de BMV]: Agnus Dei	[H. TIK]	Tik, Henricus
Missa [de BMV]: Agnus Dei Tik, Henricus Appears on: 373v–374 Genres: Agnus Dei, Mass Ordinary Source Attribution: [H. TIK] Voice: [no designation] Languages: Latin Voice Text: [Missa]Agnus dei
374v–375	Exultet caelum laudibus vos saecli justi judices	-	Anonymous
Exultet caelum laudibus vos saecli justi judices Anonymous Appears on: 374v–375 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Exultet coelum laudibus
375v–376	Sanctorum meritis Hi sunt quos retinens	-	Anonymous
Sanctorum meritis Hi sunt quos retinens Anonymous Appears on: 375v–376 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Sanctorum meritis
376v–377	Kyrie eleison	-	Anonymous
Kyrie eleison Anonymous Appears on: 376v–377 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie
377v	Ad cenam agni (3vv)	[G. DUFAY]	Du Fay, Guillaume (1397–1474)
Ad cenam agni (3vv) Du Fay, Guillaume (1397–1474) Appears on: 377v Genres: Hymn Source Attribution: [G. DUFAY] Voice: [no designation] Languages: Latin Voice Text: Ad coenam agni General Note Publ. cf. MOe. X. 1. 11 n° 9
377v	Ad cenam agni (2vv)	[G. DUFAY]	Du Fay, Guillaume (1397–1474) (?)
Ad cenam agni (2vv) Du Fay, Guillaume (1397–1474) (?) Appears on: 377v Genres: Hymn Source Attribution: [G. DUFAY] Voice: [no designation] Languages: Latin Voice Text: Ad coenam agni General Note T: Ad cenam. FauLx bourdon Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, V (n° 176).
378v–379	Missa Clemens et benigna: Kyrie	[CARON]	Caron, Firminus (ca. 1460–ca. 1475)
Missa Clemens et benigna: Kyrie Caron, Firminus (ca. 1460–ca. 1475) Appears on: 378v–379 Genres: Kyrie eleison, Mass Ordinary Source Attribution: [CARON] Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa Clemens et benigna] Kyrie General Note Publ. cf. MOe M. 1. 13 n° 12
379v–382	Missa Clemens et benigna: Et in terra pax [Gloria]	[CARON]	Caron, Firminus (ca. 1460–ca. 1475)
Missa Clemens et benigna: Et in terra pax [Gloria] Caron, Firminus (ca. 1460–ca. 1475) Appears on: 379v–382 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: [CARON] Voice: [no designation] Languages: Latin Voice Text: [Missa Clemens et benigna. Gloria] Et in terra General Note T: Clemens et benigna. Publ. cf. MOe M. 1. 13 n» 12
382v–385	Missa Clemens et benigna: Patrem omnipotentem [Credo]	[CARON]	Caron, Firminus (ca. 1460–ca. 1475)
Missa Clemens et benigna: Patrem omnipotentem [Credo] Caron, Firminus (ca. 1460–ca. 1475) Appears on: 382v–385 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: [CARON] Voice: [no designation] Languages: Latin Voice Text: [Missa Clemens et benigna. Credo] Patrem General Note T: Patrem Clemens et benigna. Publ. cf. MOe M. 1. 13 n° 12
385v–387	Missa Clemens et benigna: Sanctus	[CARON]	Caron, Firminus (ca. 1460–ca. 1475)
Missa Clemens et benigna: Sanctus Caron, Firminus (ca. 1460–ca. 1475) Appears on: 385v–387 Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: [CARON] Voice: [no designation] Languages: Latin Voice Text: [Missa Clemens et benigna]Sanctus General Note T: Clemens et benigna. Publ. cf. MOe M. 1. 13 n° 12
387v–388	Missa Clemens et benigna: Agnus Dei	[CARON]	Caron, Firminus (ca. 1460–ca. 1475)
Missa Clemens et benigna: Agnus Dei Caron, Firminus (ca. 1460–ca. 1475) Appears on: 387v–388 Genres: Agnus Dei, Mass Ordinary Source Attribution: [CARON] Voice: [no designation] Languages: Latin Voice Text: [Missa Clemens et benigna] Agnus dei General Note Publ. cf. MOe 1. 13 n° 12
388v–389	Heya heya nun wie si grollen	-	Anonymous
Heya heya nun wie si grollen Anonymous Appears on: 388v–389 Genres: Song Voice: [no designation] Languages: German Voice Text: Heya heya nun wie si grollen General Note Publ. cf. Fn 229 n° 166
389v–390	La martinella	JOHANNES MARTINI	Martini, Johannes (ca. 1430–1497)
La martinella Martini, Johannes (ca. 1430–1497) Appears on: 389v–390 Genres: Italian secular Source Attribution: JOHANNES MARTINI Voice: [no designation] Languages: Italian Voice Text: [La martinella] General Note Publ. cf. Bc 16 n' 84
390v–391	Kyrie [Tro] magne Deus potentiae	-	Anonymous
Kyrie [Tro] magne Deus potentiae Anonymous Appears on: 390v–391 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie magne Deus
391v–392	Kyrie fons bonitatis	-	Anonymous
Kyrie fons bonitatis Anonymous Appears on: 391v–392 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie fons bonitatis
392v–394	untexted	-	-
untexted - Appears on: 392v–394 Genres: textless Voice: [no designation] Languages: none Voice Text: without text
394v–396	Magnificat primi toni: Et exultavit [K.155]	-	Anonymous
Magnificat primi toni: Et exultavit [K.155] Anonymous Appears on: 394v–396 Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: [Magnificat]Et exultavit General Note Versets pairs.
396v–397	Ave maris stella	-	Anonymous
Ave maris stella Anonymous Appears on: 396v–397 Genres: Ave maris stella, BVM, Motet Voice: [no designation] Languages: Latin Voice Text: Ave maris stella Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 53 (XXVII).
397v–398	Magnificat quinti toni: Et exultavit [K.276]	-	Anonymous
Magnificat quinti toni: Et exultavit [K.276] Anonymous Appears on: 397v–398 Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Et exultavit General Note Versets pairs.
398v–401v	Magnificat quinti toni: Et exultavit [K.289]	-	Anonymous
Magnificat quinti toni: Et exultavit [K.289] Anonymous Appears on: 398v–401v Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Et exultavit General Note Versets pairs.
402	untexted	D.ANDREAS TALAFANGI CALABRESE]	Tallafangi, D. Andreas
untexted Tallafangi, D. Andreas Appears on: 402 Genres: textless Source Attribution: D.ANDREAS TALAFANGI CALABRESE] Voice: [no designation] Languages: none Voice Text: without text Item Bibliography Disertori, Benvenuto. 1954. La frottola nella storia della musica. Monumenta N.I., Cremona, Instituta et monumenta, Serie I. 9ff.
402v–403	untexted	-	-
untexted - Appears on: 402v–403 Genres: textless Voice: [no designation] Languages: none Voice Text: without text Item Bibliography Disertori, Benvenuto. 1957. L'Unica composizione sicuramente strumentale nei codice Tridentini. Collectanea Historiae Musicae, 135ff. Florentiae. Pages: facs.
404v–408	Patrem omnipotentem [Credo]	-	Anonymous
Patrem omnipotentem [Credo] Anonymous Appears on: 404v–408 Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Credo] Patrem
408v–409	Missa Mein herz: Kyrie	-	Anonymous
Missa Mein herz: Kyrie Anonymous Appears on: 408v–409 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa] Kyrie
409v–410	Missa Mein herz: Et in terra pax [Gloria]	-	Anonymous
Missa Mein herz: Et in terra pax [Gloria] Anonymous Appears on: 409v–410 Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Missa. Gloria] Et in terra
410v–412	Missa Mein herz: Patrem omnipotentem [Credo]	-	Anonymous
Missa Mein herz: Patrem omnipotentem [Credo] Anonymous Appears on: 410v–412 Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Missa. Credo] Patrem
412v–414	Missa Mein herz: Sanctus	-	Anonymous
Missa Mein herz: Sanctus Anonymous Appears on: 412v–414 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: [Missa] Sanctus
414v	Mon seul et cele souvenir = Mon seul et sangle souvenir	[A. BUSNOIS]*	Busnoys, Antoine (ca. 1430–1492)
Mon seul et cele souvenir = Mon seul et sangle souvenir Busnoys, Antoine (ca. 1430–1492) Appears on: 414v Genres: Chanson Source Attribution: [A. BUSNOIS]* Voice: [no designation] Languages: French Voice Text: [Mon seul et cele souvenir] General Note [= Mon seul et sangle souvenir]* [=Ave rosa rubicunda]*Publ. cf. Fn 176 n° 12 Concordances F-Pn 15123 **D-ddr-Bds 40098
414v–415	untexted	-	-
untexted - Appears on: 414v–415 Genres: textless Voice: [no designation] Languages: none Voice Text: without text
415v–416	Vostre bruit et vostre grant fame	[G. DUFAY]	Du Fay, Guillaume (1397–1474)
Vostre bruit et vostre grant fame Du Fay, Guillaume (1397–1474) Appears on: 415v–416 Genres: Chanson, Rondeau Source Attribution: [G. DUFAY] Voice: [no designation] Languages: French Voice Text: [Vostre bruit vostre gran fame] General Note [= Vostre bruit marionete] Publ. cf. Fn 176 n° 26
416v–417	Helas que pourra devenir	[CARON]	Caron, Firminus (ca. 1460–ca. 1475)
Helas que pourra devenir Caron, Firminus (ca. 1460–ca. 1475) Appears on: 416v–417 Genres: Chanson Source Attribution: [CARON] Voice: [no designation] Languages: Latin Voice Text: Ave sidus clarissimum/Der Seidenschwanz General Note [=Helas m'amour]* [= Der seyden schwantcz. Ave sydus]*Publ. cf. Bc 16 n° 110 Concordances US-Wc 25 **D-ddr-Bds 40098
417v–418	untexted	-	-
untexted - Appears on: 417v–418 Genres: textless Voice: [no designation] Languages: none Voice Text: without text
418v–419	untexted	-	-
untexted - Appears on: 418v–419 Genres: textless Voice: [no designation] Languages: none Voice Text: without text
419v–420	untexted	-	-
untexted - Appears on: 419v–420 Genres: textless Voice: [no designation] Languages: none Voice Text: without text
420v–421	Ci dit on benedicite = Laudem demus parvulo	[A. BUSNOIS]	Busnoys, Antoine (ca. 1430–1492)
Ci dit on benedicite = Laudem demus parvulo Busnoys, Antoine (ca. 1430–1492) Appears on: 420v–421 Genres: Chanson, Contrafactum, Motet Source Attribution: [A. BUSNOIS] Voice: [no designation] Languages: Latin, Italian Voice Text: [Chi dit benedicite] General Note [=Cy dit on benedicite]* [= Laudem demus párvula]**Publ. cf. Fn 229 n° 56 Concordances "D-ddr-Bds 40098
421v–422	Mort ou merci	[CARON]*	Caron, Firminus (ca. 1460–ca. 1475)
Mort ou merci Caron, Firminus (ca. 1460–ca. 1475) Appears on: 421v–422 Genres: Chanson Source Attribution: [CARON]* Voice: [no designation] Languages: French Voice Text: [Mort ou merchi] General Note Publ. cf. Fn 229 n« 75 Concordances *F-Pu 15123
422v–423	untexted	-	-
untexted - Appears on: 422v–423 Genres: textless Voice: [no designation] Languages: none Voice Text: without text
423v–424	O dulcis Jesu memoria	-	Anonymous
O dulcis Jesu memoria Anonymous Appears on: 423v–424 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O dulcis Iesu memoria
424v–425	Se la face ay pale	[G. DUFAY] ?	Du Fay, Guillaume (1397–1474)
Se la face ay pale Du Fay, Guillaume (1397–1474) Appears on: 424v–425 Genres: Ballade, Chanson Source Attribution: [G. DUFAY] ? Voice: [no designation] Languages: Italian Voice Text: Se 1aface [ay] pale. General Note this version is the same as that in the Schedel liederbuch, though with a second Ct & transposed down a 4th. Neither Ct matches that of Ox213/NY Boorman (nor that in Escorial Iv.a.24). PlanchartD considers neither of the Ct voices to be by Du Fay, but finds them both "spectacularly good" Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, VI (op. dub. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 14/15 (VII) (anon.).
425	Ad magnificat ?	-	Anonymous
Ad magnificat ? Anonymous Appears on: 425 Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: Ad magnificat ? General Note lvx. seul'. Inach.
425	Agnus Dei Sig suld und heyl	-	Anonymous
Agnus Dei Sig suld und heyl Anonymous Appears on: 425 Genres: Agnus Dei, Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Agnus dei Sig suld und heyl General Note lvx.seul'.Inach.

Composer	Compositions
Anonymous	Ab hac familia tu propitia – 137v–139 Ad magnificat ? – 425 Agnus Dei Sig suld und heyl – 425 Aliud. Sendliche pein hat mich verwundt. – 143 Alleluia. Virga Jesse floruit virgo Deum – 98v–99 Amavit eum Dominus – 91v–93 Asperges me Domine isopo et mundabor – 20v–21 Assit herus rex sincerus – 148v Aurea luce – 182v Aurea luce – 175v Ave Maria gratia plena Dominus tecum – 97v–98v Ave beatissima – 352v–354 Ave maris stella – 396v–397 Ave maris stella – 176 Ave maris stella – 178v–179 Ave maris stella / Ave Katherina – 1 Ave mundi spes Maria / In Gottes Namen – 233v–234 Ave regina caelorum – 103v–105 Ave vivens hostia – 292v–293 Beata viscera Mariae virginis – 100v Benedicta sit sancta trinitas – 131v–132 Cessat judeus sedes – 125v–126 Christe redemptor – 341v Christe redemptor – 340v–341 Christus surrexit – 183v Congaudent angelorum - 1a pars (of 2): Congaudent angelorum – 362v–364 Congaudent angelorum - 2a pars (of 2): Te libri virgo – 362v–364 Deus Deorum inclite – 149v–150 Ecce panis angelorum factus cibus – 184 Ecce panis angelorum factus cibus – 216v–217 Estote fortes in bello et pugnate – [-] Et in terra pax [Gloria] – 160v–162 Exultet caelum laudibus vos saecli justi judices – 374v–375 Felix namque es, sacra virgo Maria – 99v–100 Festum nunc celebre – 177v Gaude flore virginali - 1a pars (of 3): Gaude flore virginali – 170v–172 Gaude flore virginali - 2a pars (of 3): Gaude neque voluntate – 170v–172 Gaude flore virginali - 3a pars (of 3): Gaude virgo mater – 170v–172 Gaude regina – 127v–129 Gaude virgo mater Christi – 172v–173 Gaude visceribus – 197v–198 Gaudent in caelis animae sanctorum – 91v–93 Gloria-Credo pair [Tr89-1]: Credo – 86v–89 Gloria-Credo pair [Tr89-1]: Gloria – 83v–86 Grates nunc omnes – 182v–183 Grates nunc omnes – 223v–224 Gregatim grex audet - 1a pars (of 2): Gregatim grex audet – 124v–125 Gregatim grex audet - 2a pars (of 2): Cessat Deus sedens – 124v–125 Haec dies quam fecit – 101v–102 Heya heya nun wie si grollen – 388v–389 Homo quidam - 1a pars (of 2): Homo quidam fecit caenam magnam et misit – 214v–216 Homo quidam - 2a pars (of 2): Venite comedite – 214v–216 In ultimo lucente - 1a pars (of 2): In ultimo lucente / Adoretur beata trinitas / Dies data / Lilia nunc flores / Pacem Deus – 129v–131 In ultimo lucente - 2a pars (of 2): ? / Pacem Deus / Rex dux noema / Haec dies / Collaudent – 129v–131 Iste sanctus - 1a pars (of 2): Iste sanctus pro lege Dei – 90v–91 Iste sanctus - 2a pars (of 2): Istorum est enim regnum caelorum – 90v–91 Kyrie Deus creator omnium tu Theos eleison. – 114v–116 Kyrie [Tro] magne Deus potentiae – 390v–391 Kyrie eleison – 11v–12 Kyrie eleison – 376v–377 Kyrie fons bonitatis – 391v–392 Kyrie fons bonitatis – 211v–212 Kyrie fons bonitatis. – 212v–213 Kyrie-Gloria pair [Tr89-1]: Gloria – 235bv–237v Kyrie-Gloria pair [Tr89-1]: Kyrie eleison – 235av–235b Kyrie-Gloria pair [Tr89-2]: Gloria – 316v–318 Kyrie-Gloria pair [Tr89-2]: Kyrie eleison – 315v–316 Levavi oculos meos - 2a pars (of 2): Deus custodit te – 220v–222 Magnificat Duo: Quia fecit. – 179 Magnificat Primi Toni: Et exultavit [K.130] – 41v–44 Magnificat Sexti Toni: Et exultavit [K.306] – 44v–46 Magnificat Sexti Toni: Et exultavit [K.307] – 151v–153 Magnificat octavi toni: Et exultavit [K.366] – 360v–361 Magnificat octavi toni: Et exultavit [K.382] – 173v–175 Magnificat octavi toni: Et exultavit [K.383] – 359–360 Magnificat primi toni: Et exultavit [K.155] – 394v–396 Magnificat quarti toni: Et exultavit [K.243] – 21v–25 Magnificat quinti toni: Et exultavit [K.275] – 207v–211 Magnificat quinti toni: Et exultavit [K.276] – 397v–398 Magnificat quinti toni: Et exultavit [K.289] – 398v–401v Magnificat sexti toni: Et exultavit [K.295] – 143v–145 Missa Ad fugam: Kyrie – 46v Missa Christus surrexit: Agnus Dei – 364v–349 Missa Christus surrexit: Et in terra pax [Gloria] – 342v–344 Missa Christus surrexit: Patrem omnipotentem [Credo] – 344v–346 Missa Christus surrexit: Sanctus – 346v–349 Missa Du coeur je souspier. Patrem omnipotentem [Credo] – 286v–288 Missa Du coeur je souspier: Agnus Dei – 290v–292 Missa Du coeur je souspier: Et in terra pax [Gloria] – 284v–286 Missa Du coeur je souspier: Kyrie Orbis factor rex aeterne eleison. – 282v–284 Missa Du coeur je souspier: Sanctus – 288v–290 Missa Fons bonitatis: Agnus Dei Qui tollis – 9v–10 Missa Fons bonitatis: Et in terra pax [Gloria] – 3v–5 Missa Fons bonitatis: Kyrie fons bonitatis – 1v–3 Missa Fons bonitatis: Patrem omnipotentem [Credo] – 5v–7 Missa Fons bonitatis: Sanctus – 7v–9 Missa Gross sehen: Agnus Dei – 39v–41 Missa Gross sehen: Et in terra pax [Gloria] – 28v–31 Missa Gross sehen: Kyrie – 26v–28 Missa Gross sehen: Patrem omnipotentem [Credo] – 31v–35 Missa Gross sehen: Sanctus – 35v–39 Missa Le serviteur [Tr89]: Agnus Dei – 159v–160 Missa Le serviteur [Tr89]: Et in terra pax [Gloria] – 154v–156 Missa Le serviteur [Tr89]: Kyrie eleison – 153v–154 Missa Le serviteur [Tr89]: Patrem omnipotentem [Credo] – 156v–158 Missa Le serviteur [Tr89]: Sanctus – 158v–159 Missa Mein herz: Et in terra pax [Gloria] – 409v–410 Missa Mein herz: Kyrie – 408v–409 Missa Mein herz: Patrem omnipotentem [Credo] – 410v–412 Missa Mein herz: Sanctus – 412v–414 Missa O rosa bella [III]. Patrem omnipotentem [Credo] – 334v–336 Missa O rosa bella [III]: Agnus Dei – 338v–339 Missa O rosa bella [III]: Et in terra pax [Gloria] – 332v–334 Missa O rosa bella [III]: Kyrie – 330v–332 Missa O rosa bella [III]: Sanctus – 336v–338 Missa Quant che vendra: Et in terra pax [Gloria] – 320v–324 Missa Quant che vendra: Kyrie – 318v–320 Missa Quant che vendra: Patrem omnipotentem [Credo] – 324v–328 Missa Quant che vendra: Sanctus – 328v–330 Missa Te Deum laudamus: Agnus Dei – 79v–80v Missa Te Deum laudamus: Et in terra pax [Gloria] – 72v–74v Missa Te Deum laudamus: Kyrie – 71–72 Missa Te Deum laudamus: Patrem omnipotentem [Credo] – 74v–77 Missa Te Deum laudamus: Sanctus – 77v–79 Missa [Tr89-1]: Agnus Dei – 113v–114 Missa [Tr89-1]: Et in terra pax [Gloria] – 107v–109 Missa [Tr89-1]: Patrem omnipotentem [Credo] – 109v–111 Missa [Tr89-1]: Sanctus – 111v–113 Missa [Tr89-2]: Agnus Dei – 206–206v Missa [Tr89-2]: Et in terra pax [Gloria] – 200v–202 Missa [Tr89-2]: Kyrie – 199v–200 Missa [Tr89-2]: Patrem omnipotentem [Credo] – 202v–204 Missa [Tr89-2]: Sanctus – 204v–205v Missa [Tr89-3]: Agnus Dei – 280v–281v Missa [Tr89-3]: Et in terra pax [Gloria] – 274v–276 Missa [Tr89-3]: Kyrie – 273v–274 Missa [Tr89-3]: Patrem omnipotentem [Credo] – 276v–278 Missa [Tr89-3]: Sanctus – 278v–280 Missa [Tr89-4]: Agnus Dei – 314v–315 Missa [Tr89-4]: Et in terra pax [Gloria] – 307v–309 Missa [Tr89-4]: Kyrie – 306v–307 Missa [Tr89-4]: Patrem omnipotentem [Credo] – 309v–312 Missa [Tr89-4]: Sanctus – 312v–314 Novus annus adiit in quo Christus prodiit – 59 Novus annus adiit in quo Christus prodiit – 142v O beata infantia - 1a pars (of 2): O beata infantia – 193v–195 O beata infantia - 2a pars (of 2): O praesepe splendidum – 193v–195 O dulcis Jesu memoria – 423v–424 O florens rosa mater Domini speciosa – 217v–218 O gloriosa et laudabilis – 227v–228 O lux beata trinitas – 179v–180 O sacrum manna - 1a pars (of 2): O sacrum manna / Ecce panis angelorum – 135v–137 O sacrum manna - 1a pars (of 2): O sacrum manna monstrans – 135v–137 O sacrum manna - 2a pars (of 2): Exorante pia – 135v–137 O sacrum manna - 2a pars (of 2): Exorante pia – 135v–137 Odas clangat / Jesse produxit – 121v–123 Odas clangat. – 121v–123 Pange lingua gloriosi corporis misterium – 222v Patrem omnipotentem [Credo] – 404v–408 Per pulchra Sion filia – 166v–168 Petrus apostolus et Paulus doctor – 89v–90 Petrus apostolus et Paulus doctor – 89v–90 Petrus apostolus et Paulus doctor – 89v–90 Plaudat laetitia – 181v–182 Prudentes virgines – 91v–93 Quae nunc oppositis - 1a pars (of 2): Quae nunc oppositis – 168v–170 Quae nunc oppositis - 2a pars (of 2): Tu ne quaesieris scire nephas quem mihi – 168v–170 Quam pulchra es - 1a pars (of 2): Quam pulchra es – 218v–220 Quam pulchra es - 2a pars (of 2): Dilecte mi – 218v–220 Quem terra – 234v Qui caeli qui terrae - 1a pars (of 2): Qui caeli qui terrae – 364v–365v Qui caeli qui terrae - 2a pars (of 2): Et tremens – 364v–365v Qui vult venire post me – [-] Quod chorus vatum – 178 Regina caeli - 1a pars (of 2): Regina caeli laetare alleluia – 127v–129 Regina caeli - 2a pars (of 2): Resurrexit sicut dixit – 127v–129 Regina caeli laetare alleluia – 189a–v191 Regina caeli laetare alleluia – 100v–101 Regis caelorum - 1a pars (of 3): Regis caelorum – 132v–135 Regis caelorum - 1a pars (of 3): Regis caelorum genitrix – 132v–135 Regis caelorum - 2a pars (of 3): Ut sacrum flamen – 132v–135 Regis caelorum - 2a pars (of 3): Ut sacrum flamen – 132v–135 Regis caelorum - 3a pars (of 3): O quanda pietas – 132v–135 Regis caelorum - 3a pars (of 3): O quanta pieta – 132v–135 Resonet in laudibus - 1a pars (of 2): Resonet in laudibus cum jocundis plausibus – 225v–227 Resonet in laudibus - 2a pars (of 2): Magnum nomen Domini – 225v–227 Rorate caeli desuper et nubes pluant Vs: Caeli enarrant gloriam Dei Et opera – 184v–185 Sacerdos et pontifex – [-] Salve festa dies toto venerabilis – 230v–231 Salve festa dies toto venerabilis – 13 Salve regina - 1a pars (of 2): Salve regina mater misericordiae – 146v–148 Salve regina - 1a pars (of 2): Salve regina mater misericordiae – 191v–193 Salve regina - 1a pars (of 3): Salve regina mater misericordiae – 356v–358 Salve regina - 2a pars (of 2): Et Jesum benedictum – 146v–148 Salve regina - 2a pars (of 2): Et Jesum benedictum fructum – 191v–193 Salve regina - 2a pars (of 3): Ad te suspiramus – 356v–358 Salve regina - 3a pars (of 3): O clemens – 356v–358 Salve regina mater misericordiae – 102v–103 Salve sancta parens – 185v–186 Salve sancta parens – 95v–96 Salve sancta parens (= Ecce advenit) – 242v–243 Sancta genitrix = Der Fuchsschwanz – 243v–244 Sancti et justi in Domino – [-] Sanctorum meritis Hi sunt quos retinens – 375v–376 Sanctus – 244v–245 Sanctus – 116v–118 Sanctus – 187v–189 Sanctus – 139v–141 Similabo eum viro – 91v–93 Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto – 241v–242 Terribilis est locus iste – 232v–233 Tormente Christe – [-] Tradent enim vos in conciliis et in synagogis – [-] Ut queant laxis resonare fibris – 180v–181 Ut queant laxis resonare fibris – 141v–142 Veni creator – 177 Veni creator spiritus mentes tuorum – 339v–340 Veni sancte spiritus et emitte caelitus – 213v–214 Veni sponsa Christi – 91v–93 Victimae paschali laudes immolent Christiani Agnus redemit oves Christus innocens – 361v–362 Vidi aquam egredientem de templo – 228v–229 Vidi aquam egredientem de templo – 229v–230 Viri Galilaei Quid admiramini aspicientes Vs: Omnes gentes plaudite Jubilate deo – 186v–187 Wunsch alles lustes. – 143 [Urbs beata Jerusalem] Nova veniens – 231–232 [Veni redemptor gentium] Non ex virili, 2nd text: Procedens de thalamo – 303v–304 untexted – 417v–418 untexted – 422v–423 untexted – 402v–403 untexted – 419v–420 untexted – 418v–419 untexted – 105v–106 untexted – 392v–394 untexted – 414v–415
Anonymous (previously ascr. to Du Fay)	Missa Caput: Agnus Dei – 254v–256 Missa Caput: Et in terra pax [Gloria] – 248v–250 Missa Caput: Kyrie Deus creator omnium – 246–248 Missa Caput: Patrem omnipotentem [Credo] – 250v–252 Missa Caput: Sanctus – 252v–254
Atrio, Hermanus de (fl. c1460)	In Maria vite vitam – 239v–240 untexted – 238v–239
Barbingant, Pierre (fl. c1445-60)	Ave virgo speciosa = Der Pfauenschwanz = O quam clara testimonia – 150v
Basiron, Philippe (ca. 1449–1491)	O gloriosa mater - 1a pars (of 2): O gloriosa mater – 354v–356 O gloriosa mater - 2a pars (of 2): Eia ergo / Gaude rosa – 354v–356
Bassere, Johannes (fl. c1450)	Missa Sanctus – 300v–302 Missa: Agnus Dei – 302v–303 Missa: Credo Patrem – 297v–300 Missa: Et in terra pax [Gloria] – 295v–297 Missa: Kyrie – 294v–295
Bedingham, John (–ca. 1460)	(?) O rosa bella, o Deitatis cella (= O quam suavis est domina) – 119v–120
Breittinens, Andreas Gregorius	Levavi oculos meos - 1a pars (of 2): Levavi oculos meos – 220v–222
Busnoys, Antoine (ca. 1430–1492)	Ci dit on benedicite = Laudem demus parvulo – 420v–421 Mon seul et cele souvenir = Mon seul et sangle souvenir – 414v
Caron, Firminus (ca. 1460–ca. 1475)	Helas que pourra devenir – 416v–417 Missa Clemens et benigna: Agnus Dei – 387v–388 Missa Clemens et benigna: Et in terra pax [Gloria] – 379v–382 Missa Clemens et benigna: Kyrie – 378v–379 Missa Clemens et benigna: Patrem omnipotentem [Credo] – 382v–385 Missa Clemens et benigna: Sanctus – 385v–387 Mort ou merci – 421v–422
Cornago, Juan de	Ex ore tuo = Yerra con poco saber – 149
Domarto, Petrus de	(?) Missa Sine nomine [B.80-7] (tone 5 irregular): Sanctus – 57v–58v
Du Fay, Guillaume (1397–1474)	(?) Ad cenam agni (2vv) – 377v Ad cenam agni (3vv) – 377v Magnificat 3 & 4 toni. Anima mea [K.747] – 165v–166 (?) Puer natus est nobis - 1a pars (of 3): Puer natus est nobis – 224v–225 Salve regina - 1a pars (of 3): Salve regina misericordiae – 349v–352 Salve regina - 2a pars (of 3): Eya ergo advocata – 349v–352 Salve regina - 3a pars (of 3): Et Jhesum benedictum - O clemens, O pia – 349v–352 Se la face ay pale – 424v–425 Vostre bruit et vostre grant fame – 415v–416
Dunstaple, John (ca. 1390–1453)	(?) O rosa bella, o Deitatis cella (= O quam suavis est domina) – 119v–120
Flemmik	Sanctus Veni creator 'Srotyrzssyke' – 81v–82v
Forest	Anima mea - 1a pars (of 3): Anima mea liquefacta est – 195v–197 Anima mea - 3a pars (of 3): Filiae Jerusalem – 195v–197
Ghizeghem, Hayne van (ca. 1445–ca. 1497)	Amours amours trop me fiers de tes dars – 25v–26
Libert, Reginaldus	Benedicta et venerabilis – 96v–97v
Martini, Johannes (ca. 1430–1497)	La martinella – 389v–390
Piret	(?) Alleluia. Vox de caelo – 64v–65 (?) Inclito Anthonio – 68v–69 (?) Missa Beati Anthonii: Agnus Dei – 70v (?) Missa Beati Anthonii: Et in terra pax [Gloria] – 60v–62 (?) Missa Beati Anthonii: Patrem omnipotentem [Credo] – 65v–68 (?) Missa Beati Anthonii: Sanctus – 69v–70 (?) Scitote quoniam – 59v–60 (?) Tronus eius sicut sol – 62v–64
Standley	(?) Quae est ista quae ascendit per desertum – 120v–121
Tallafangi, D. Andreas	untexted – 402
Tik, Henricus	Missa [de BMV]: Agnus Dei – 373v–374 Missa [de BMV]: Et in terra pax [Gloria] – 367v–369 Missa [de BMV]: Kyrie – 366v–367 Missa [de BMV]: Patrem omnipotentem [Credo] – 369v–371 Missa [de BMV]: Sanctus – 371v–373
Tinctoris, Johannes (ca. 1435–1511)	Missa Nos amis ('Wunsliche schone'): Et in terra pax [Gloria] – 163v–164v Missa Nos amis ('Wunsliche schone'): Kyrie eleison – 162v–163
Touront, Johannes (ca. 1450–ca. 1475)	(?) Agnus Dei – 55v–56v Compangant omnes in hoc festo corde = O generosa nata David quia te predixere – 123v–124 (?) Et in terra pax [Gloria] – 48v–50 Kyrie eleison – 47–48 Missa Monyel: Agnus Dei – 271v–273 Missa Monyel: Et in terra pax [Gloria] – 260v–263 Missa Monyel: Kyrie – 258–260 Missa Monyel: Patrem omnipotentem [Credo] – 263v–266 Missa Monyel: Sanctus – 266v–271 Missa Sine nomine: Agnus Dei – 19v–20 Missa Sine nomine: Credo – 15v–17 Missa Sine nomine: Gloria – 13v–13 Missa Sine nomine: Sanctus – 17v–19 O castitatis lilium (= Advocata libera) – 145v–146 (?) Patrem omnipotentem [Credo] – 50v–53 Recordare virgo mater dum steteris – 137v–139 (?) Sanctus – 53v–55

Composition	Composers (? Uncertain)	Folios / Pages
[Urbs beata Jerusalem] Nova veniens	Anonymous	231–232
[Veni redemptor gentium] Non ex virili, 2nd text: Procedens de thalamo	Anonymous	303v–304
Ab hac familia tu propitia	Anonymous	137v–139
Ad cenam agni (2vv)	Du Fay, Guillaume (1397–1474) (?)	377v
Ad cenam agni (3vv)	Du Fay, Guillaume (1397–1474)	377v
Ad magnificat ?	Anonymous	425
Agnus Dei	Touront, Johannes (ca. 1450–ca. 1475) (?)	55v–56v
Agnus Dei Sig suld und heyl	Anonymous	425
Aliud. Sendliche pein hat mich verwundt.	Anonymous	143
Alleluia. Virga Jesse floruit virgo Deum	Anonymous	98v–99
Alleluia. Vox de caelo	Piret (?)	64v–65
Amavit eum Dominus	Anonymous	91v–93
Amours amours trop me fiers de tes dars	Ghizeghem, Hayne van (ca. 1445–ca. 1497)	25v–26
Anima mea - 1a pars (of 3): Anima mea liquefacta est	Forest	195v–197
Anima mea - 3a pars (of 3): Filiae Jerusalem	Forest	195v–197
Asperges me Domine isopo et mundabor	Anonymous	20v–21
Assit herus rex sincerus	Anonymous	148v
Aurea luce	Anonymous	175v
Aurea luce	Anonymous	182v
Ave beatissima	Anonymous	352v–354
Ave Maria gratia plena Dominus tecum	Anonymous	97v–98v
Ave maris stella	Anonymous	176
Ave maris stella	Anonymous	178v–179
Ave maris stella	Anonymous	396v–397
Ave maris stella / Ave Katherina	Anonymous	1
Ave mundi spes Maria / In Gottes Namen	Anonymous	233v–234
Ave regina caelorum	Anonymous	103v–105
Ave virgo speciosa = Der Pfauenschwanz = O quam clara testimonia	Barbingant, Pierre (fl. c1445-60)	150v
Ave vivens hostia	Anonymous	292v–293
Beata viscera Mariae virginis	Anonymous	100v
Benedicta et venerabilis	Libert, Reginaldus	96v–97v
Benedicta sit sancta trinitas	Anonymous	131v–132
Cessat judeus sedes	Anonymous	125v–126
Christe redemptor	Anonymous	340v–341
Christe redemptor	Anonymous	341v
Christus surrexit	Anonymous	183v
Ci dit on benedicite = Laudem demus parvulo	Busnoys, Antoine (ca. 1430–1492)	420v–421
Compangant omnes in hoc festo corde = O generosa nata David quia te predixere	Touront, Johannes (ca. 1450–ca. 1475)	123v–124
Congaudent angelorum - 1a pars (of 2): Congaudent angelorum	Anonymous	362v–364
Congaudent angelorum - 2a pars (of 2): Te libri virgo	Anonymous	362v–364
Deus Deorum inclite	Anonymous	149v–150
Ecce panis angelorum factus cibus	Anonymous	184
Ecce panis angelorum factus cibus	Anonymous	216v–217
Estote fortes in bello et pugnate	Anonymous	[-]
Et in terra pax [Gloria]	Touront, Johannes (ca. 1450–ca. 1475) (?)	48v–50
Et in terra pax [Gloria]	Anonymous	160v–162
Ex ore tuo = Yerra con poco saber	Cornago, Juan de	149
Exultet caelum laudibus vos saecli justi judices	Anonymous	374v–375
Felix namque es, sacra virgo Maria	Anonymous	99v–100
Festum nunc celebre	Anonymous	177v
Gaude flore virginali - 1a pars (of 3): Gaude flore virginali	Anonymous	170v–172
Gaude flore virginali - 2a pars (of 3): Gaude neque voluntate	Anonymous	170v–172
Gaude flore virginali - 3a pars (of 3): Gaude virgo mater	Anonymous	170v–172
Gaude regina	Anonymous	127v–129
Gaude virgo mater Christi	Anonymous	172v–173
Gaude visceribus	Anonymous	197v–198
Gaudent in caelis animae sanctorum	Anonymous	91v–93
Gloria-Credo pair [Tr89-1]: Credo	Anonymous	86v–89
Gloria-Credo pair [Tr89-1]: Gloria	Anonymous	83v–86
Grates nunc omnes	Anonymous	182v–183
Grates nunc omnes	Anonymous	223v–224
Gregatim grex audet - 1a pars (of 2): Gregatim grex audet	Anonymous	124v–125
Gregatim grex audet - 2a pars (of 2): Cessat Deus sedens	Anonymous	124v–125
Haec dies quam fecit	Anonymous	101v–102
Helas que pourra devenir	Caron, Firminus (ca. 1460–ca. 1475)	416v–417
Heya heya nun wie si grollen	Anonymous	388v–389
Homo quidam - 1a pars (of 2): Homo quidam fecit caenam magnam et misit	Anonymous	214v–216
Homo quidam - 2a pars (of 2): Venite comedite	Anonymous	214v–216
In Maria vite vitam	Atrio, Hermanus de (fl. c1460)	239v–240
In ultimo lucente - 1a pars (of 2): In ultimo lucente / Adoretur beata trinitas / Dies data / Lilia nunc flores / Pacem Deus	Anonymous	129v–131
In ultimo lucente - 2a pars (of 2): ? / Pacem Deus / Rex dux noema / Haec dies / Collaudent	Anonymous	129v–131
Inclito Anthonio	Piret (?)	68v–69
Iste sanctus - 1a pars (of 2): Iste sanctus pro lege Dei	Anonymous	90v–91
Iste sanctus - 2a pars (of 2): Istorum est enim regnum caelorum	Anonymous	90v–91
Kyrie [Tro] magne Deus potentiae	Anonymous	390v–391
Kyrie Deus creator omnium tu Theos eleison.	Anonymous	114v–116
Kyrie eleison	Anonymous	11v–12
Kyrie eleison	Touront, Johannes (ca. 1450–ca. 1475)	47–48
Kyrie eleison	Anonymous	376v–377
Kyrie fons bonitatis	Anonymous	211v–212
Kyrie fons bonitatis	Anonymous	391v–392
Kyrie fons bonitatis.	Anonymous	212v–213
Kyrie-Gloria pair [Tr89-1]: Gloria	Anonymous	235bv–237v
Kyrie-Gloria pair [Tr89-1]: Kyrie eleison	Anonymous	235av–235b
Kyrie-Gloria pair [Tr89-2]: Gloria	Anonymous	316v–318
Kyrie-Gloria pair [Tr89-2]: Kyrie eleison	Anonymous	315v–316
La martinella	Martini, Johannes (ca. 1430–1497)	389v–390
Levavi oculos meos - 1a pars (of 2): Levavi oculos meos	Breittinens, Andreas Gregorius	220v–222
Levavi oculos meos - 2a pars (of 2): Deus custodit te	Anonymous	220v–222
Magnificat 3 & 4 toni. Anima mea [K.747]	Du Fay, Guillaume (1397–1474)	165v–166
Magnificat Duo: Quia fecit.	Anonymous	179
Magnificat octavi toni: Et exultavit [K.366]	Anonymous	360v–361
Magnificat octavi toni: Et exultavit [K.382]	Anonymous	173v–175
Magnificat octavi toni: Et exultavit [K.383]	Anonymous	359–360
Magnificat Primi Toni: Et exultavit [K.130]	Anonymous	41v–44
Magnificat primi toni: Et exultavit [K.155]	Anonymous	394v–396
Magnificat quarti toni: Et exultavit [K.243]	Anonymous	21v–25
Magnificat quinti toni: Et exultavit [K.275]	Anonymous	207v–211
Magnificat quinti toni: Et exultavit [K.276]	Anonymous	397v–398
Magnificat quinti toni: Et exultavit [K.289]	Anonymous	398v–401v
Magnificat sexti toni: Et exultavit [K.295]	Anonymous	143v–145
Magnificat Sexti Toni: Et exultavit [K.306]	Anonymous	44v–46
Magnificat Sexti Toni: Et exultavit [K.307]	Anonymous	151v–153
Missa [de BMV]: Agnus Dei	Tik, Henricus	373v–374
Missa [de BMV]: Et in terra pax [Gloria]	Tik, Henricus	367v–369
Missa [de BMV]: Kyrie	Tik, Henricus	366v–367
Missa [de BMV]: Patrem omnipotentem [Credo]	Tik, Henricus	369v–371
Missa [de BMV]: Sanctus	Tik, Henricus	371v–373
Missa [Tr89-1]: Agnus Dei	Anonymous	113v–114
Missa [Tr89-1]: Et in terra pax [Gloria]	Anonymous	107v–109
Missa [Tr89-1]: Patrem omnipotentem [Credo]	Anonymous	109v–111
Missa [Tr89-1]: Sanctus	Anonymous	111v–113
Missa [Tr89-2]: Agnus Dei	Anonymous	206–206v
Missa [Tr89-2]: Et in terra pax [Gloria]	Anonymous	200v–202
Missa [Tr89-2]: Kyrie	Anonymous	199v–200
Missa [Tr89-2]: Patrem omnipotentem [Credo]	Anonymous	202v–204
Missa [Tr89-2]: Sanctus	Anonymous	204v–205v
Missa [Tr89-3]: Agnus Dei	Anonymous	280v–281v
Missa [Tr89-3]: Et in terra pax [Gloria]	Anonymous	274v–276
Missa [Tr89-3]: Kyrie	Anonymous	273v–274
Missa [Tr89-3]: Patrem omnipotentem [Credo]	Anonymous	276v–278
Missa [Tr89-3]: Sanctus	Anonymous	278v–280
Missa [Tr89-4]: Agnus Dei	Anonymous	314v–315
Missa [Tr89-4]: Et in terra pax [Gloria]	Anonymous	307v–309
Missa [Tr89-4]: Kyrie	Anonymous	306v–307
Missa [Tr89-4]: Patrem omnipotentem [Credo]	Anonymous	309v–312
Missa [Tr89-4]: Sanctus	Anonymous	312v–314
Missa Ad fugam: Kyrie	Anonymous	46v
Missa Beati Anthonii: Agnus Dei	Piret (?)	70v
Missa Beati Anthonii: Et in terra pax [Gloria]	Piret (?)	60v–62
Missa Beati Anthonii: Patrem omnipotentem [Credo]	Piret (?)	65v–68
Missa Beati Anthonii: Sanctus	Piret (?)	69v–70
Missa Caput: Agnus Dei	Anonymous (previously ascr. to Du Fay)	254v–256
Missa Caput: Et in terra pax [Gloria]	Anonymous (previously ascr. to Du Fay)	248v–250
Missa Caput: Kyrie Deus creator omnium	Anonymous (previously ascr. to Du Fay)	246–248
Missa Caput: Patrem omnipotentem [Credo]	Anonymous (previously ascr. to Du Fay)	250v–252
Missa Caput: Sanctus	Anonymous (previously ascr. to Du Fay)	252v–254
Missa Christus surrexit: Agnus Dei	Anonymous	364v–349
Missa Christus surrexit: Et in terra pax [Gloria]	Anonymous	342v–344
Missa Christus surrexit: Patrem omnipotentem [Credo]	Anonymous	344v–346
Missa Christus surrexit: Sanctus	Anonymous	346v–349
Missa Clemens et benigna: Agnus Dei	Caron, Firminus (ca. 1460–ca. 1475)	387v–388
Missa Clemens et benigna: Et in terra pax [Gloria]	Caron, Firminus (ca. 1460–ca. 1475)	379v–382
Missa Clemens et benigna: Kyrie	Caron, Firminus (ca. 1460–ca. 1475)	378v–379
Missa Clemens et benigna: Patrem omnipotentem [Credo]	Caron, Firminus (ca. 1460–ca. 1475)	382v–385
Missa Clemens et benigna: Sanctus	Caron, Firminus (ca. 1460–ca. 1475)	385v–387
Missa Du coeur je souspier. Patrem omnipotentem [Credo]	Anonymous	286v–288
Missa Du coeur je souspier: Agnus Dei	Anonymous	290v–292
Missa Du coeur je souspier: Et in terra pax [Gloria]	Anonymous	284v–286
Missa Du coeur je souspier: Kyrie Orbis factor rex aeterne eleison.	Anonymous	282v–284
Missa Du coeur je souspier: Sanctus	Anonymous	288v–290
Missa Fons bonitatis: Agnus Dei Qui tollis	Anonymous	9v–10
Missa Fons bonitatis: Et in terra pax [Gloria]	Anonymous	3v–5
Missa Fons bonitatis: Kyrie fons bonitatis	Anonymous	1v–3
Missa Fons bonitatis: Patrem omnipotentem [Credo]	Anonymous	5v–7
Missa Fons bonitatis: Sanctus	Anonymous	7v–9
Missa Gross sehen: Agnus Dei	Anonymous	39v–41
Missa Gross sehen: Et in terra pax [Gloria]	Anonymous	28v–31
Missa Gross sehen: Kyrie	Anonymous	26v–28
Missa Gross sehen: Patrem omnipotentem [Credo]	Anonymous	31v–35
Missa Gross sehen: Sanctus	Anonymous	35v–39
Missa Le serviteur [Tr89]: Agnus Dei	Anonymous	159v–160
Missa Le serviteur [Tr89]: Et in terra pax [Gloria]	Anonymous	154v–156
Missa Le serviteur [Tr89]: Kyrie eleison	Anonymous	153v–154
Missa Le serviteur [Tr89]: Patrem omnipotentem [Credo]	Anonymous	156v–158
Missa Le serviteur [Tr89]: Sanctus	Anonymous	158v–159
Missa Mein herz: Et in terra pax [Gloria]	Anonymous	409v–410
Missa Mein herz: Kyrie	Anonymous	408v–409
Missa Mein herz: Patrem omnipotentem [Credo]	Anonymous	410v–412
Missa Mein herz: Sanctus	Anonymous	412v–414
Missa Monyel: Agnus Dei	Touront, Johannes (ca. 1450–ca. 1475)	271v–273
Missa Monyel: Et in terra pax [Gloria]	Touront, Johannes (ca. 1450–ca. 1475)	260v–263
Missa Monyel: Kyrie	Touront, Johannes (ca. 1450–ca. 1475)	258–260
Missa Monyel: Patrem omnipotentem [Credo]	Touront, Johannes (ca. 1450–ca. 1475)	263v–266
Missa Monyel: Sanctus	Touront, Johannes (ca. 1450–ca. 1475)	266v–271
Missa Nos amis ('Wunsliche schone'): Et in terra pax [Gloria]	Tinctoris, Johannes (ca. 1435–1511)	163v–164v
Missa Nos amis ('Wunsliche schone'): Kyrie eleison	Tinctoris, Johannes (ca. 1435–1511)	162v–163
Missa O rosa bella [III]. Patrem omnipotentem [Credo]	Anonymous	334v–336
Missa O rosa bella [III]: Agnus Dei	Anonymous	338v–339
Missa O rosa bella [III]: Et in terra pax [Gloria]	Anonymous	332v–334
Missa O rosa bella [III]: Kyrie	Anonymous	330v–332
Missa O rosa bella [III]: Sanctus	Anonymous	336v–338
Missa Quant che vendra: Et in terra pax [Gloria]	Anonymous	320v–324
Missa Quant che vendra: Kyrie	Anonymous	318v–320
Missa Quant che vendra: Patrem omnipotentem [Credo]	Anonymous	324v–328
Missa Quant che vendra: Sanctus	Anonymous	328v–330
Missa Sanctus	Bassere, Johannes (fl. c1450)	300v–302
Missa Sine nomine [B.80-7] (tone 5 irregular): Sanctus	Domarto, Petrus de (?)	57v–58v
Missa Sine nomine: Agnus Dei	Touront, Johannes (ca. 1450–ca. 1475)	19v–20
Missa Sine nomine: Credo	Touront, Johannes (ca. 1450–ca. 1475)	15v–17
Missa Sine nomine: Gloria	Touront, Johannes (ca. 1450–ca. 1475)	13v–13
Missa Sine nomine: Sanctus	Touront, Johannes (ca. 1450–ca. 1475)	17v–19
Missa Te Deum laudamus: Agnus Dei	Anonymous	79v–80v
Missa Te Deum laudamus: Et in terra pax [Gloria]	Anonymous	72v–74v
Missa Te Deum laudamus: Kyrie	Anonymous	71–72
Missa Te Deum laudamus: Patrem omnipotentem [Credo]	Anonymous	74v–77
Missa Te Deum laudamus: Sanctus	Anonymous	77v–79
Missa: Agnus Dei	Bassere, Johannes (fl. c1450)	302v–303
Missa: Credo Patrem	Bassere, Johannes (fl. c1450)	297v–300
Missa: Et in terra pax [Gloria]	Bassere, Johannes (fl. c1450)	295v–297
Missa: Kyrie	Bassere, Johannes (fl. c1450)	294v–295
Mon seul et cele souvenir = Mon seul et sangle souvenir	Busnoys, Antoine (ca. 1430–1492)	414v
Mort ou merci	Caron, Firminus (ca. 1460–ca. 1475)	421v–422
Novus annus adiit in quo Christus prodiit	Anonymous	59
Novus annus adiit in quo Christus prodiit	Anonymous	142v
O beata infantia - 1a pars (of 2): O beata infantia	Anonymous	193v–195
O beata infantia - 2a pars (of 2): O praesepe splendidum	Anonymous	193v–195
O castitatis lilium (= Advocata libera)	Touront, Johannes (ca. 1450–ca. 1475)	145v–146
O dulcis Jesu memoria	Anonymous	423v–424
O florens rosa mater Domini speciosa	Anonymous	217v–218
O gloriosa et laudabilis	Anonymous	227v–228
O gloriosa mater - 1a pars (of 2): O gloriosa mater	Basiron, Philippe (ca. 1449–1491)	354v–356
O gloriosa mater - 2a pars (of 2): Eia ergo / Gaude rosa	Basiron, Philippe (ca. 1449–1491)	354v–356
O lux beata trinitas	Anonymous	179v–180
O rosa bella, o Deitatis cella (= O quam suavis est domina)	Dunstaple, John (ca. 1390–1453) (?) Bedingham, John (–ca. 1460) (?)	119v–120
O sacrum manna - 1a pars (of 2): O sacrum manna / Ecce panis angelorum	Anonymous	135v–137
O sacrum manna - 1a pars (of 2): O sacrum manna monstrans	Anonymous	135v–137
O sacrum manna - 2a pars (of 2): Exorante pia	Anonymous	135v–137
O sacrum manna - 2a pars (of 2): Exorante pia	Anonymous	135v–137
Odas clangat / Jesse produxit	Anonymous	121v–123
Odas clangat.	Anonymous	121v–123
Pange lingua gloriosi corporis misterium	Anonymous	222v
Patrem omnipotentem [Credo]	Touront, Johannes (ca. 1450–ca. 1475) (?)	50v–53
Patrem omnipotentem [Credo]	Anonymous	404v–408
Per pulchra Sion filia	Anonymous	166v–168
Petrus apostolus et Paulus doctor	Anonymous	89v–90
Petrus apostolus et Paulus doctor	Anonymous	89v–90
Petrus apostolus et Paulus doctor	Anonymous	89v–90
Plaudat laetitia	Anonymous	181v–182
Prudentes virgines	Anonymous	91v–93
Puer natus est nobis - 1a pars (of 3): Puer natus est nobis	Du Fay, Guillaume (1397–1474) (?)	224v–225
Quae est ista quae ascendit per desertum	Standley (?)	120v–121
Quae nunc oppositis - 1a pars (of 2): Quae nunc oppositis	Anonymous	168v–170
Quae nunc oppositis - 2a pars (of 2): Tu ne quaesieris scire nephas quem mihi	Anonymous	168v–170
Quam pulchra es - 1a pars (of 2): Quam pulchra es	Anonymous	218v–220
Quam pulchra es - 2a pars (of 2): Dilecte mi	Anonymous	218v–220
Quem terra	Anonymous	234v
Qui caeli qui terrae - 1a pars (of 2): Qui caeli qui terrae	Anonymous	364v–365v
Qui caeli qui terrae - 2a pars (of 2): Et tremens	Anonymous	364v–365v
Qui vult venire post me	Anonymous	[-]
Quod chorus vatum	Anonymous	178
Recordare virgo mater dum steteris	Touront, Johannes (ca. 1450–ca. 1475)	137v–139
Regina caeli - 1a pars (of 2): Regina caeli laetare alleluia	Anonymous	127v–129
Regina caeli - 2a pars (of 2): Resurrexit sicut dixit	Anonymous	127v–129
Regina caeli laetare alleluia	Anonymous	100v–101
Regina caeli laetare alleluia	Anonymous	189a–v191
Regis caelorum - 1a pars (of 3): Regis caelorum	Anonymous	132v–135
Regis caelorum - 1a pars (of 3): Regis caelorum genitrix	Anonymous	132v–135
Regis caelorum - 2a pars (of 3): Ut sacrum flamen	Anonymous	132v–135
Regis caelorum - 2a pars (of 3): Ut sacrum flamen	Anonymous	132v–135
Regis caelorum - 3a pars (of 3): O quanda pietas	Anonymous	132v–135
Regis caelorum - 3a pars (of 3): O quanta pieta	Anonymous	132v–135
Resonet in laudibus - 1a pars (of 2): Resonet in laudibus cum jocundis plausibus	Anonymous	225v–227
Resonet in laudibus - 2a pars (of 2): Magnum nomen Domini	Anonymous	225v–227
Rorate caeli desuper et nubes pluant Vs: Caeli enarrant gloriam Dei Et opera	Anonymous	184v–185
Sacerdos et pontifex	Anonymous	[-]
Salve festa dies toto venerabilis	Anonymous	13
Salve festa dies toto venerabilis	Anonymous	230v–231
Salve regina - 1a pars (of 2): Salve regina mater misericordiae	Anonymous	146v–148
Salve regina - 1a pars (of 2): Salve regina mater misericordiae	Anonymous	191v–193
Salve regina - 1a pars (of 3): Salve regina mater misericordiae	Anonymous	356v–358
Salve regina - 1a pars (of 3): Salve regina misericordiae	Du Fay, Guillaume (1397–1474)	349v–352
Salve regina - 2a pars (of 2): Et Jesum benedictum	Anonymous	146v–148
Salve regina - 2a pars (of 2): Et Jesum benedictum fructum	Anonymous	191v–193
Salve regina - 2a pars (of 3): Ad te suspiramus	Anonymous	356v–358
Salve regina - 2a pars (of 3): Eya ergo advocata	Du Fay, Guillaume (1397–1474)	349v–352
Salve regina - 3a pars (of 3): Et Jhesum benedictum - O clemens, O pia	Du Fay, Guillaume (1397–1474)	349v–352
Salve regina - 3a pars (of 3): O clemens	Anonymous	356v–358
Salve regina mater misericordiae	Anonymous	102v–103
Salve sancta parens	Anonymous	95v–96
Salve sancta parens	Anonymous	185v–186
Salve sancta parens (= Ecce advenit)	Anonymous	242v–243
Sancta genitrix = Der Fuchsschwanz	Anonymous	243v–244
Sancti et justi in Domino	Anonymous	[-]
Sanctorum meritis Hi sunt quos retinens	Anonymous	375v–376
Sanctus	Touront, Johannes (ca. 1450–ca. 1475) (?)	53v–55
Sanctus	Anonymous	116v–118
Sanctus	Anonymous	139v–141
Sanctus	Anonymous	187v–189
Sanctus	Anonymous	244v–245
Sanctus Veni creator 'Srotyrzssyke'	Flemmik	81v–82v
Scitote quoniam	Piret (?)	59v–60
Se la face ay pale	Du Fay, Guillaume (1397–1474)	424v–425
Similabo eum viro	Anonymous	91v–93
Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto	Anonymous	241v–242
Terribilis est locus iste	Anonymous	232v–233
Tormente Christe	Anonymous	[-]
Tradent enim vos in conciliis et in synagogis	Anonymous	[-]
Tronus eius sicut sol	Piret (?)	62v–64
untexted	-	105v–106
untexted	Atrio, Hermanus de (fl. c1460)	238v–239
untexted	-	392v–394
untexted	Tallafangi, D. Andreas	402
untexted	-	402v–403
untexted	-	414v–415
untexted	-	417v–418
untexted	-	418v–419
untexted	-	419v–420
untexted	-	422v–423
Ut queant laxis resonare fibris	Anonymous	141v–142
Ut queant laxis resonare fibris	Anonymous	180v–181
Veni creator	Anonymous	177
Veni creator spiritus mentes tuorum	Anonymous	339v–340
Veni sancte spiritus et emitte caelitus	Anonymous	213v–214
Veni sponsa Christi	Anonymous	91v–93
Victimae paschali laudes immolent Christiani Agnus redemit oves Christus innocens	Anonymous	361v–362
Vidi aquam egredientem de templo	Anonymous	228v–229
Vidi aquam egredientem de templo	Anonymous	229v–230
Viri Galilaei Quid admiramini aspicientes Vs: Omnes gentes plaudite Jubilate deo	Anonymous	186v–187
Vostre bruit et vostre grant fame	Du Fay, Guillaume (1397–1474)	415v–416
Wunsch alles lustes.	Anonymous	143

Set: Trent Codices

Type: Linked by Origin or Contents

No images available

I-TRbc MS 1374 [87] (Trent 87)

No images available

I-TRbc MS 1375 [88] (Trent 88)

No images available

I-TRbc MS 1376 [89] (Trent 89)

No images available

I-TRbc MS 1377 [90] (Trent 90)

No images available

I-TRbc MS 1378 [91] (Trent 91)

No images available

I-TRbc MS 1379 [92] (Trent 92)

‡ denotes primary source study

Curtis, Gareth R K, and Andrew B Wathey. 1994. Fifteenth-Century English Liturgical Music: A List of the Surviving Repertory. Royal Musical Association Research Chronicle, 1-69.

Staehelin, Martin. 1986. Trienter Codices und Humanismus. I codici musicali trentini a cento anni dalla loro riscoperta: Atti del convegno 'Laurence Feininger, la musicologia come missione', 158-69. Trent. Notes: physical description (partial); facsimile (partial); mention of MS; discussion.

Taruskin, Richard. 1986. Antoine Busnoys and the L'Homme armé Tradition. Journal of the American Musicological Society, 255-93. Pages: 280,292-3. Notes: contents list (partial); mention of MS; discussion.

Ward, Tom Robert. 1986. The Office Hymns of the Trent Manuscripts. I codici musicali trentini a cento anni dalla loro riscoperta: Atti del convegno 'Laurence Feininger, la musicologia come missione', 112-29. Trent. Pages: l 16-20,123-4, 128. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Reynolds, Christopher Alan. 1981. The Origins of San Pietro B 80 and the Development of a Roman Sacred Repertory. Early Music History, 257-304. Pages: 290-4,297-8, 300-2. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Perkins, Leeman L, and Howard Garey (editors). 1979. The Mellon Chansonnier. New Haven and London. Pages: I,15; II, 179-80,254-5,354-5. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.

Strohm, Reinhard. 1979. Die Missa super 'Nos amis' von Johannes Tinctoris. Die Musikforschung, 34-51. Pages: 41,43-6. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Ward, Tom Robert. 1979. The Polyphonic Office Hymn from 1400 to 1520: A Descriptive Inventory. RMS. American Institute of Musicology. Notes: contents list (partial); concordances (partial); incipits (partial).

Burstyn, Shai. 1977. Early Fifteenth-Century Settings of Song of Songs Antiphons. Acta Musicologica, 200-27. Pages: 220,223-4.

Spilsted, Gary. 1976. Toward the Genesis of the Trent Codices: New Directions and New Findings. Studies in Music from the University of Western Ontario, 55-70. Notes: physical description; mention of MS; discussion.

Dangel-Hofmann, Frohmut. 1975. Der Mehrstimmige Introitus in Quellen des 15. Jahrhunderts. Würzburger Musikhistorische Beitrage. Tutzing. Pages: 138,204ff,269-72, passim. Notes: physical description; contents list; incipitsst of contents (partial); incipits (partial); transcription (partial); mention of MS; discussion.

Just, Martin. 1975. Der Mensuralkodex Mus. ms. 40021 der Staatsbibliothek Preussischer Kulturbesitz Berlin: Untersuchungen zum Repertoire einer deutschen Quelle des 15. Jahrhunderts. Würzburger Musikhistorische Beitrage. Tutzing. Pages: l, 184-8; II,67-8. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

White, Richard James. 1975. The Battre Section of Trent Codex 87. Indiana University, Unpublished Ph.D. dissertation. Pages: I,l-3. Notes: physical description; mention of MS; discussion.

Burstyn, Shai. 1972. Fifteenth-Century Polyphonic Settings of Verses from the Song of Songs. Columbia University, Unpublished Ph.D. dissertation. Pages: 177,189,218,289-95,329-33,404.

Planchart, Alejandro Enrique. 1972. Guillaume Dufay's Masses: Notes and Revisions. The Musical Quarterly, 1-23. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Schmalz, Robert F, II. 1971. Selected Fifteenth Century Polyphonic Mass Ordinaries Based Upon Pre-existent German Material. University of Pittsburgh, Unpublished Ph.D. dissertation. Pages: 73-7,84,117-8, 120-38,245-64. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

[No Author] 1969-70. Codices Musicales Tridentini. Rome. Notes: facsimile.

Hamm, Charles E. 1969. Another Barbingant Mass. Essays in Musicology in Honor of Dragan Plamenac on His 70th Birthday, 83-90. Pittsburgh. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Ward, Tom Robert. 1969. The Polyphonic Office Hymn from the Late Fourteenth Century Until the Early Sixteenth Century. University of Pittsburgh, Unpublished Ph.D. dissertation. Pages: 94, 100-6, 158-61, 213ff, 564-6, 573-5. Notes: contents list (partial); concordances (partial); incipits (partial); transcription (partial); mention of MS; discussion.

Snow, Robert Joseph. 1968. The Manuscript Strahov D.G.IV.47. University of Illinois, Unpublished Ph.D. dissertation. Pages: 44,52,82-3,99-101,lll,127,155>157,489ff. Notes: contents list (partial); concordances (partial); incipits (partial); mention of MS; discussion.

Riemann, Hugo, Wilibald Gurlitt, and Hans Heinrich Eggebrecht (editors). 1967. Musik Lexikon: Zwölfte völlig neubearbeitete. 3 vols. Mainz. Pages: Sachteil 12. Aufl. Quellen, 772.

Loyan, Richard K (editor). 1967. Canons in the Trent Codices. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Notes: contents list (partial); concordances (partial); transcriptions (partial); texts (partial); facsimile (partial); mention of MS; discussion.

Kanazawa, Masakata. 1966. Polyphonic music for Vespers in the fifteenth century. Harvard University, Ph.D. Dissertation, 2 vols. Pages: 1,183-7,197-202, passim; II, 119-22,144-50. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 170. Notes: contents list (partial); concordances (partial); incipits (partial).

Hamm, Charles E. 1964. A Chronology of the Works of Guillaume Dufay Based on a Study of Mensural Practice. Princeton. Pages: 128-9,135,165-6,171,173,178-9. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Planchart, Alejandro Enrique (editor). 1964. Missae Caput. Collegium Musicum. New Haven. Pages: l-52,158-9,166. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Damilano, Don Piero. 1963. Fonti musicali della lauda polifonica intorno alla metà del sec. XV. Collectanea Historiae Musicae III, Pages: 63 (dépouillement des Laudi).

Ficker, Rudolf von. 1960. The transition on the Continent. New Oxford History of Music, 150ff. Pages: 150f.

Bukofzer, Manfred F. 1958. Changing Aspects of Medieval and Renaissance Music. The Musical Quarterly, 1-18. Pages: passim.

Gottlieb, Louis Edward. 1958. The cyclic masses of Trent Codex 89. University of California, Los Angeles, Ph.D. Dissertation. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Schrade, Leo, and Milos Velimirovic (editors). 1955-68. Thirty chansons for three and four voices from Attaingnant's collection ed. by Albert Seay. Collegium musicum. Yale Univ. Dpt. of music. Pages: 158ff (TRbc 88, 89, 90 et 93).

Disertori, Benvenuto. 1954. La frottola nella storia della musica. Monumenta N.I., Cremona, Instituta et monumenta, Serie I. 9ff. Pages: xvi-xvii. Notes: contents list (partial); transcriptions (partial); mention of MS; discussion.

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: Trienter Codices. II,1339; II1,951-2; VI.1023; XII,1171; XIII,666-73. Notes: physical description (partial); contents list (partial); facsimile (partial); mention of MS; discussion.

de Van, Guillaume, and Heinrich Besseler (editors). 1948-66. Guillaume Dufay: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: ll, V-VI, passim. Notes: contents list (partial); concordances (partial); transcriptions (partial); texts (partial); mention of MS; discussion.

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 38.

Apel, Willi. 1942. (4th ed., 1949). The Notation of Polyphonic Music 900-1600. Cambridge, Massachusetts. Pages: 110-1. Notes: contents list (partial); transcriptions (partial); facsimile (partial); mention of MS; discussion.

Stephan, Wolfgang. 1937. Die Burgundisch-Niederländische Motette zur Zeit Ockeghems. Kassel. Pages: 97f.

Blume, Friedrich (editor). 1929-. Das Chorwerk. Berlin/Wolfenbüttel. Pages: XIX, 4, 35-6; XLV, 11-2. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Lunelli, Renato. 1927. La patria dei codici musicali tridentini. Note D'Archivio per la Storia Musicale, 116-28. Pages: 116ff. Notes: physical description; mention of MS; discussion.

Besseler, Heinrich. 1925. Studien zur Musik des Mittelalters: I. Neue Quellen des 14. und beginnenden 15. Jahrhunderts. Archiv für Musikwissenschaft, 167-252.

Ficker, Rudolf von. 1924. Die frühen Messenkompositionen der Trienter Codices. Studien zur Musikwissenschaft, 3ff.

Wolkan, Rudolf. 1921. Die Heimat der Trienter Musikhandschriften. Studien zur Musikwissenschaft, 5-8. Pages: 4ff. Notes: physical description; mention of MS; discussion.

Schering, Arnold. 1914. Studien zur Musikgeschichte der Frührenaissance. Leipzig. Pages: 162,170-1. Notes: mention of MS; contents list (partial); transcription (partial).

Adler, Guido. 1909. Über Textlegung in den 'Trienter Codices'. Riemann-Festschrift. Gesammelte Studien Hugo Riemann zum sechzigsten Geburtstage, 51ff. Leipzig. Pages: 51ff.

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 14/15 (VII), p. XHIff; 38 (XIX), p. Vllff; DLCpITpFpDis, XIV/XV, XXII, XXXVIII, LII, LXI, LXXVI, passim.

Haberl, Franz Xavier. 1885-88. Bausteine für Musikgeschichte. 3 vols. Leipzig. Pages: I, 87ff.

Haberl, Franz Xavier. 1885. Wilhelm du Fay, Monographische Studie über dessen Leben und Werke. Vierteljahrsschrift für Musikwissenschaft, 397-530. Pages: 487. Notes: physical description (partial); contents list (partial); mention of MS; discussion.

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description