| Archive | Museo Provinciale d'Arte, Castello del Buonconsiglio, Trento, Italy (I-TRbc) |
|---|---|
| Shelfmark | MS 1375 [88] (Trent 88) |
| Image Availability | DIAMM does not have images of this source. Please refer to the external links for image availability. |
| Surface | Paper |
| Numbering System | Foliation |
| Measurements | 310 x 210 mm |
| Other Identifiers |
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| Copyists |
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| External Links | |
| Provenance |
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| Contents | Contains 301 compositions, 154 from 21 composers, 147 are anonymous. |
Copied by several scribes, including Johannes Wiser, rector of cathedral school at Trent 1459-65, later chaplain to Johannes Hinderbach, Bishop of Trent 1465-86. Copied in Trent. Transferred to Vienna in 1891, but returned to Trent following World War I.
PlanchartD, following & amplifying Feininger (MPLSER), attributes a number of Office cycles preserved anonymously in the ms to Du Fay, proposing that they were written (variously) for the Order of the Golden Fleece, Cambrai or Savoy.
Original covers of tooled leather over wooden boards
(1) three-peaked mountain surmounted by seven-petalled flower (same mark also appears in TrentC 89); (2) ox head surmounted by seven-petalled flower (same mark also appears in TrentC 89); (3) two crescents (same mark also appears in TrentC 90). None in Briquet.
inked calligraphic initials on four ff., no other decoration. no description of music notation
Modern foliation, 1-422.
Inked calligraphic initials on ff. 411', 413', 414', 415'; no other decoration.
paper
RISM5
Ces 7 manuscrits, dont les 6 premiers ont été révélés par Haberl en 1885 (cf. Bibliographie), tandis que le 7e ne fut découvert qu'en 1920 (R. von Ficker, in DTÖ 61 (XXXI) VIff) consituent une véritable famille indissoluble en ce qu'ils présentent tant de caractères communs qu'il semble logique d'en donner d'abord une description d'ensemble pour préciser ensuite les particularités de chacun d'eux en même temps que le dépouillement de leur contenu.
Ils fournissent un énorme répertoire en grande partie religieux, sans pour cela que la musique profane soit complètement négligée, qui va de Loqueville à Isaac et Compère, couvrant 25OOff. avec 1870 pièces environ, qui peuvent se dater entre 1420 et 1480. En 1921, R. Wolkan (cf. Bibliographie) avait émis l'opinion que ces mss. copiés à Vienne sous l'impulsion de Johann Hinderbach (né en 1418), secrétaire à la chancellerie impériale, auraient suivi celui-ci à Trente où, en 1455, il avait été nommé prévôt à la cathédrale puis porté à l'évêché en 1465. E. Wellesz va plus loin en les déclarant copiés, à Vienne d'abord puis à Trente, sur ordre de Hinderbach pour sa bibliothèque personnelle qui devait ensuite être donnée au chapitre de la cathédrale (Grove's Dictionary, 5th ed,. 1954). Cependant, comme on ne trouve dans ces mss. aucune pièce de circonstance de la vie de l'empereur Friedrich III, alors que les allusions à des personnages tridentins, même peu célèbres, y sont évidentes et que l'un des copistes Johannes Wiser occupa diverses charges à Trente de 1459 à 1490, il est logique de penser qu'ils ont plutôt été copiés, sinon tous à Trente même, du moins dans l'Italie du nord (cf. Bibliographie, Lunelli). Il est possible aussi qu'ils aient été acquis (en tout cas les plus anciens) par l'évêque de Trente Alexander Masowien, alors en relation avec Amédée VIII de Savoie pour la chapelle duquel ils auraient été copiés (cf. WardTS, p. 144). — On peut diviser ces 7 mss. en deux groupes: d'une part 87 et 92 qui sont les plus anciens, d'autre part 88, 89, 90, 91 et 93 qui sont légèrement postérieurs, 91 étant le plus récent. Le même papier et le même scribe, qui inscrit son nom Puntschucherh au bas du f. 161 du ms 87 (mais s'agit-il d'un nom? Cf. Flotzinger, Bibliographie TRbc 87) se retrouvent pour la première partie du ms. 87 (f. 1—218) et la deuxième partie du ms. 92 (f. 144—239), la relation entre les deux mss. étant de plus soulignée par le fait qu'un Kyrie de Binchois au f. 56v du ms. 87 (n° 34) est accompagné d'une mention renvoyant pour Y Et in terra suivant au premier f. du ms. 92 (n° 2). Ces deux mss. ont certainement été copiés avant 1450 dans l'Italie du Nord, tandis que l'on peut fixer approximativement la date de compilation des cinq autres entre 1445 et 1480, le scribe Johannes Wiser en ayant copié la plus grande partie à Trente même.
Ms. 88
XVe s. 422ff. Papier, 310X210 mm. Foliotation ancienne, en chiffres arabes au haut des ff. Les ff. 39, 85, 93v, 94, 96v, 97, 106v à 109, 135, 141, 162, 168r et v., 216, 276, 329, 357, 362v, 363, 372, 375, 384, 386v, 410v sont blancs. Notation mesurée blanche. 8 portées par p.
Ce. ms. copié postérieurement au précédent, en grande partie par Johannes Wiser, fournit un répertoire très riche avec non seulement des «ordinaires» groupés le plus souvent en messes unitaires, mais aussi de nombreux «propres» de messes pour les principales fêtes de l'église. Les années d'activité de Wiser à Trente, entre 1459 et 1490, fournissent les dates extrêmes probables de la copie, confirmées par le n" 243 [452] dédié à Georg II successeur de Hinder-bach, mort en 1486, et par le fait que le Kyrie de la Musa Caput de Dufay, n° 19 [217] avait été copié «es nouveaulx Uvres» à la cathédrale de Cambrai par le scribe Simon Meslet en 1463 (cf. J. Houdoy, Histoire artistique de la cathédrale de Cambrai, Lille 1880, Genève 1972, p. 194).
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
TRENT. Museo Provinciale d'Arte, Castello del Buon Consiglio. MS 88
20 Masses, 2 Kyrie-Agnus pairs, 1 Gloria-Credo pair, 7 Kyries, 4 Glorias, 3 Sanctus, 2 Agnus, 98 Mass Proper sections (=16 cycles ordered by liturgical calendar + 10 sections not included in any cycle), 16 Magnificats, 1 Te Deum, 22 office hymns, 1 processional hymn, 32 motets, 1 Latin/ German sacred piece, 1 German sacred piece, 3 French secular pieces (1 with additional Latin motet text), 1 English? secular piece ("Agwillare habeth standiff") = 215 + 4 duplicates (including some pieces with same music but different texts) = 219
(Bedingham)-2, (Binchois)-1, (Binchois-anon)-1, (Bourgois)-1, Collis-1, Cornago-1, Domarto-1, Dufay-10 + 6?,* Dunstable-1, (Flemmik)-2, (Frye?)-2, Gaius-1, Ockeghem-1, Ockeghem/ (Faugues)-1, (Quadris)-1, (Ruby)-1, Sandley-1, Simon de Insula-1, Touront-2, anon-177
'Mass Proper sections ascribed to Dufay by Feininger (in MPLSER) not included in count of uncertain attributions, except for several works discussed in PlanDM. For further discussion of pieces in question, see HamCD, 131 f f.
422 paper folios, 310 x 210. Modern foliation, 1-422. Blank staves only on ff. 39, 85, 93'-94, 96'-97, 106'-109, 135, 141, 162, 168-168', 216, 276, 329, 357, 362'-363, 372, 375, 384, 386', 390, 398, 410'. Original covers of tooled leather over wooden boards. No index. Copied by several scribes, including Johannes Wiser, rector of cathedral school at Trent 1459-65, later chaplain to Johannes Hinderbach, Bishop of Trent 1465-86. Inked calligraphic initials on ff. 411', 413', 414', 415'; no other decoration. Watermarks (none in Briquet): (1) three-peaked mountain surmounted by seven-petalled flower (same mark also appears in TrentC 89); (2) ox head surmounted by seven-petalled flower (same mark also appears in TrentC 89); (3) two crescents (same mark also appears in TrentC 90).
Ca. 1460-5. Copied in Trent. Transferred to Vienna in 1891, but returned to Trent following World War I.
Vol 4
Composers: Change "Dufay-10 + 6?" to "Dufay-10 + 8?"; add "(Plummer?) -1"; change "anon-177" to "anon-174." In footnote, change last sentence to read: "For further discussion of pieces in question, see HamCD, 131 ff, and FallowsD."
The inventory could not be loaded.
Linked by Origin or Contents · 7 sources
‡ denotes primary source study
Christoffersen, Peter Woetmann (editor). 2018. Guillaume Du Fay, Missa Se la face ay pale. http://www.sacred.pwch.dk/(Accessed: 26-5-2020).
Planchart, Alejandro Enrique. 2018. Guillaume Du Fay. Cambridge: CUP. Pages: 501-549. Notes: discussion; transcriptions (partial); mention of MS; attribution of the Office cycles.
Gerber, Rebecca L. 2007. Sacred music from the Cathedral at Trent : Trent, Museo provinciale d'arte, codex 1375 (olim 88). Monuments of Renaissance Music, vol. XII. Chicago: University of Chicago Press.
Gabrielli, Giulia. 2005. Il canto fratto nei manoscritti della Fondazione Biblioteca S. Bernardino di Trento. Patrimonio storico e artistico del Trentino, vol. 28. Trento: Provincia Autonoma.
Curtis, Gareth R K, and Andrew B Wathey. 1994. Fifteenth-Century English Liturgical Music: A List of the Surviving Repertory. Royal Musical Association Research Chronicle, 27: 1-69.
Fallows, David. 1986. Dufay and the Mass Proper Cycles of Trent 88. I codici musicali trentini a cento anni dalla loro riscoperta: Atti del convegno 'Laurence Feininger, la musicologia come missione', 46-59. Trent. Notes: contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial); mention of MS; discussion.
Fallows, David. 1986. Songs in the Trent Codices: An Optimistic Handlist. I codici musicali trentini a cento anni dalla loro riscoperta: Atti del convegno 'Laurence Feininger, la musicologia come missione', 170-9. Trent. Notes: contents list (partial); concordances (partial).
Staehelin, Martin. 1986. Trienter Codices und Humanismus. I codici musicali trentini a cento anni dalla loro riscoperta: Atti del convegno 'Laurence Feininger, la musicologia come missione', 158-69. Trent. Notes: physical description (partial); facsimile (partial); mention of MS; discussion.
Burkholder, J Peter. 1985. Johannes Martini and the Imitation Mass of the Late Fifteenth Century. Journal of the American Musicological Society, 38: 470-523. Pages: 506-8,519-20. Notes: contents list (partial); concordances (partial); mention of MS; discussion.
Strohm, Reinhard. 1983. Quellenkritische Untersuchungen an der Missa 'Caput'. Datierung und Filiation von Musikhandschriften der Josquin-Zeit, Wolfenbütteler Forschungen, vol. 26. 153-76. Wiesbaden. Notes: contents list (partial); concordances (partial); mention of MS; discussion.
Planchart, Alejandro Enrique. 1981. Fifteenth-Century Masses: Notes on Performance and Chronology. Studi Musicali, 10: 3-29. Pages: 10,19-25,28-9. Notes: contents list (partial); concordances (partial); mention of MS; discussion.
Perkins, Leeman L, and Howard Garey (editors). 1979. The Mellon Chansonnier. New Haven and London. Pages: II, 179-80, 248-9. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.
Ward, Tom Robert. 1979. The Polyphonic Office Hymn from 1400 to 1520: A Descriptive Inventory. RMS, vol. 3. American Institute of Musicology. Notes: contents list (partial); concordances (partial); incipits (partial).
Burstyn, Shai. 1977. Early Fifteenth-Century Settings of Song of Songs Antiphons. Acta Musicologica, 49: 200-27. Pages: 221-3.
Planchart, Alejandro Enrique. 1976. Guillaume Dufay's Masses: A View of the Manuscript Traditions. Papers read at the Dufay Quincentenary Conference, Brooklyn College, December 6-7, 1974, 26-60,150-1. Brooklyn. Pages: 33-7,43,150. Notes: contents list (partial); transcriptions (partial); mention of MS; discussion.
Spilsted, Gary. 1976. Toward the Genesis of the Trent Codices: New Directions and New Findings. Studies in Music from the University of Western Ontario, 1: 55-70. Notes: physical description; mention of MS; discussion.
Dangel-Hofmann, Frohmut. 1975. Der Mehrstimmige Introitus in Quellen des 15. Jahrhunderts. Würzburger Musikhistorische Beitrage, vol. 3. Tutzing. Pages: 138,181ff,263-7, passim. Notes: physical description; contents list (partial); concordances (partial); incipits (partial); transcription (partial); mention of MS; discussion.
White, Richard James. 1975. The Battre Section of Trent Codex 87. Indiana University, Unpublished Ph.D. dissertation. Some publications wrong cite the title as 'The Battre Fascicle of the Trent Codex 87'. Pages: I,l-3. Notes: physical description; mention of MS; discussion.
Burstyn, Shai. 1972. Fifteenth-Century Polyphonic Settings of Verses from the Song of Songs. Columbia University, Unpublished Ph.D. dissertation. Pages: 189,207,210-8,273-4,310-28, 388,404-5,418-9. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.
Planchart, Alejandro Enrique. 1972. Guillaume Dufay's Masses: Notes and Revisions. The Musical Quarterly, 58: 1-23. Notes: contents list (partial); concordances (partial); mention of MS; discussion.
Schmalz, Robert F, II. 1971. Selected Fifteenth Century Polyphonic Mass Ordinaries Based Upon Pre-existent German Material. University of Pittsburgh, Unpublished Ph.D. dissertation. Pages: 65-73,153-68. Notes: contents list (partial); transcriptions (partial); mention of MS; discussion.
[No Author] 1969-70. Codices Musicales Tridentini. Rome. Notes: facsimile.
Bent, Margaret. 1969. The Old Hall Manuscript: A Paleographical Study. Cambridge University, Unpublished Ph.D. dissertation. Pages: 336-45. Notes: contents list (partial); transcriptions (partial); mention of MS; discussion.
Gerken, Robert E. 1969. The Polyphonic Cycles of the Proper of the Mass in the Trent Codex 88 and Jena Choirbooks 30 and 35. Indiana University, Unpublished Ph.D. dissertation. Pages: I,36-102. Notes: contents list (partial); transcriptions (partial); mention of MS; discussion.
Ward, Tom Robert. 1969. The Polyphonic Office Hymn from the Late Fourteenth Century Until the Early Sixteenth Century. University of Pittsburgh, Unpublished Ph.D. dissertation. Pages: 51, 94-100, 158-61, 224ff, 578-81. Notes: contents list (partial); concordances (partial); incipits (partial); transcription (partial); mention of MS; discussion.
Nitschke, Wolfgang. 1968. Studien zu den Cantus-Firmus-Messen Guillaume Dufays. Berliner Studien zur Musikwissenschaft, vol. 13. Berlin. Pages: I,59ff,347. Notes: contents list (partial); concordances (partial); mention of MS; discussion.
Snow, Robert Joseph. 1968. The Manuscript Strahov D.G.IV.47. University of Illinois, Unpublished Ph.D. dissertation. Pages: 44,46-7,49,52,82,102,112,127-8,490ff. Notes: contents list (partial); concordances (partial); mention of MS; discussion.
Riemann, Hugo, Wilibald Gurlitt, and Hans Heinrich Eggebrecht (editors). 1967. Musik Lexikon: Zwölfte völlig neubearbeitete. 3 vols. Mainz. Pages: Sachteil 12. Aufl. Quellen, 772.
Loyan, Richard K (editor). 1967. Canons in the Trent Codices. Corpus mensurabilis musicae, vol. 38. Neuhausen nr. Stuttgart: American Institute of Musicology. Notes: contents list (partial); transcriptions (partial); mention of MS; discussion.
Kanazawa, Masakata. 1966. Polyphonic music for Vespers in the fifteenth century. Harvard University, Ph.D. Dissertation, 2 vols. Pages: I,183-7,194-7, passim; II,108-18,136-43. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.
Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 170. Notes: contents list (partial); concordances (partial); incipits (partial).
Parris, Arthur. 1965. The sacred works of Gilles Binchois. Bryn Mawr College, Ph.D. Dissertation. Pages: I,81, 86,94; II,204-8. Notes: contents list (partial); concordances (partial); transcriptions (partial).
Hamm, Charles E. 1964. A Chronology of the Works of Guillaume Dufay Based on a Study of Mensural Practice. Princeton. Pages: 5l, 104,112,124,129,131ff,165-6,168-70. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.
Planchart, Alejandro Enrique (editor). 1964. Missae Caput. Collegium Musicum, vol. 5. New Haven. Pages: 158-9,166,174. Notes: contents list (partial); concordances (partial); mention of MS; discussion.
Harrison, Frank Llewellyn (editor). 1963-. Early English Church Music. London: Stainer & Bell. Pages: XXII, 1-7,29-34,110-63,169ff, 183ff. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.
Damilano, Don Piero. 1963. Fonti musicali della lauda polifonica intorno alla metà del sec. XV. Collectanea Historiae Musicae III, Pages: 63.
Ficker, Rudolf von. 1960. The transition on the Continent. New Oxford History of Music, 3: 150ff. Pages: 150 f.
Kenney, Sylvia W (editor). 1960. Walter Frye: Collected Works. Corpus mensurabilis musicae, vol. 19. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: xiii,21-4. Notes: contents list (partial); transcription (partial).
Schuetze, George C, Jr (editor). 1960. Faugues. No. I of Collected Works. The Collected Works of Faugues, vol. I. Brooklyn. Pages: 4-46. Notes: contents list (partial); transcription (partial).
Schuetze, George C, Jr. 1960. The Works of Guillaume Faugues. New York University, Unpublished Ph.D. dissertation. Pages: 3ff,12,186-227, passim. Notes: physical description; contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.
Schuetze, George C, Jr. 1960. An Introduction to Faugues. Musicological Studies, vol. 2. Brooklyn. Notes: contents list (partial); transcriptions (partial); mention of MS; discussion.
Stevenson, Robert. 1960. Spanish Music in the Age of Columbus. The Hague. Pages: 121-3. Notes: physical description (partial); contents list (partial); transcriptions (partial); mention of MS; discussion.
Schuetze, George C, Jr (editor). 1959. Opera Omnia Faugues. Publications of Mediaeval Musical Manuscripts, vol. 7. Brooklyn. Pages: i-ii,9-20. Notes: physical description (partial); contents list (partial); facsimile (partial).
Bukofzer, Manfred F. 1958. Changing Aspects of Medieval and Renaissance Music. The Musical Quarterly, 44: 1-18. Pages: passim.
Gottlieb, Louis Edward. 1958. The cyclic masses of Trent Codex 89. University of California, Los Angeles, Ph.D. Dissertation. Pages: I,192-202. Notes: physical description; mention of MS; discussion.
Schrade, Leo, and Milos Velimirovic (editors). 1955-68. Thirty chansons for three and four voices from Attaingnant's collection ed. by Albert Seay. Collegium musicum, vol. 2 & Vol 5: Guillaume Dufay, Johannes Ockeghem, Jacob Obrecht Missae Caput, ed. by A.A. Planchart. Yale Univ. Dpt. of music. Pages: 158ff (TRbc 88, 89, 90 et 93).
Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: article Trienter Codices.
de Van, Guillaume, and Heinrich Besseler (editors). 1948-66. Guillaume Dufay: Opera Omnia. Corpus mensurabilis musicae, vol. 1. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I-V, passim. Notes: contents list (partial); concordances (partial); transcriptions (partial); texts (partial); mention of MS; discussion.
Feininger, Laurence K (editor). 1947-48. Series I: Ordinarium missae (1948) & Series II: Proprium missae (1947). Monumenta Polyphoniae Liturgicae Sanctae Ecclesiae Romanae. Rome. Pages: Series I, II/l, iii,v,#II Series I, II/2, iii,vi,#VI Series II, I, passim. Notes: contents list (partial); concordances (partial); transcriptions (partial).
Plamenac, Dragan (editor). 1947-. Johannes Ockeghem: Collected Works. American Musicological Society. Pages: II,xi-ff. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.
[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 38.
Anglès, Higinio (editor). 1941-1971. Monumentos de la Mùsica Espanola. Madrid (later Barcelona, later Rome). Pages: I, 116.
Stephan, Wolfgang. 1937. Die Burgundisch-Niederländische Motette zur Zeit Ockeghems. Kassel. Pages: 97f.
Ficker, Rudolf von. 1936. Agwillare, A Piece of Late Gothic Minstrelsy. The Musical Quarterly, 22: 131-9. Notes: contents list (partial); transcriptions (partial); mention of MS; discussion.
Blume, Friedrich (editor). 1929-. Das Chorwerk. Berlin/Wolfenbüttel. Pages: XLV,6-7. Notes: contents list (partial); transcription (partial).
Lunelli, Renato. 1927. La patria dei codici musicali tridentini. Note D'Archivio per la Storia Musicale, 4: 116-28. Pages: 116ff. Notes: physical description; mention of MS; discussion.
Besseler, Heinrich. 1925. Studien zur Musik des Mittelalters: I. Neue Quellen des 14. und beginnenden 15. Jahrhunderts. Archiv für Musikwissenschaft, 7: 167-252. Pages: 239 f.
Ficker, Rudolf von. 1924. Die frühen Messenkompositionen der Trienter Codices. Studien zur Musikwissenschaft, 11: 3ff.
Wolkan, Rudolf. 1921. Die Heimat der Trienter Musikhandschriften. Studien zur Musikwissenschaft, 8: 5-8. Pages: 4 ff. Notes: physical description; mention of MS; discussion.
Adler, Guido. 1909. Über Textlegung in den 'Trienter Codices'. Riemann-Festschrift. Gesammelte Studien Hugo Riemann zum sechzigsten Geburtstage, 51ff. Leipzig. Pages: 51 ff.
Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: XIII ff.
Haberl, Franz Xavier. 1885-88. Bausteine für Musikgeschichte. 3 vols. Leipzig. Pages: I, 87ff.
Haberl, Franz Xavier. 1885. Wilhelm du Fay, Monographische Studie über dessen Leben und Werke. Vierteljahrsschrift für Musikwissenschaft, 1: 397-530. Pages: 486. Notes: physical description (partial); contents list (partial); mention of MS; discussion.
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NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description
NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description