I-TRbc MS 1374 [87] (Trent 87)

Museo Provinciale d'Arte, Castello del Buonconsiglio, Trento, Italy

manuscript of polyphony: 1430-40

Archive	Museo Provinciale d'Arte, Castello del Buonconsiglio, Trento, Italy (I-TRbc)
Shelfmark	MS 1374 [87] (Trent 87)
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Paper
Numbering System	Foliation
Measurements	310 x 210 mm
Other Identifiers	RISM: I-TRbc 87 CCM: TrentC 87 olim (Former shelfmark): Trent 87
Notations	black void mensural coloration in black full coloration in red
Copyists	? Battre, H. (fl. c1430-40) Text and Music Lupi (scribe), Johannes Text and Music
External Links	images
Provenance	Basel/Strasbourg, Switzerland? Ciney, Namur, Belgium? Venezia, Italy?
Contents	Contains 191 compositions, 123 from 29 composers, 68 are anonymous.

General Description

Composite of at least three originally separate manuscripts or portions of manuscripts: Part I = ff. 1-166 and 197-200 (once joined with new ff. 146-241 of TrentC 92); Part II = ff. 167-196 and 201-218 (once joined with new ff. 242-264 of TrentC 92); Part III = ff. 219-265. Some fascicles in each part may have been separately produced and independently used before being bound together, but all fascicles within each part generally interrelated by repertory, paper, and scribes. Main scribe of Part I identified by WrighT as Johannes Lupi, a musician and priest active in and around Trent between 1447 and his death in 1467; Lupi also copied ZwettlB s.s. and most of Part II of TrentC 92. Four additional scribes in Part I, one of whose hands also appears in Part II of TrentC 92; inscription 'Puntschucherh' on f. 161 is scribal explicit, not name of scribe (FlotzB). Ff. 167'-174 in Part II copied by a single scribe, whose hand is apparently unique to this section (HammMS). Part III possibly copied by H. Battre. Parts I-II possibly copied in Venice or vicinity (DTO), or perhaps in Basel-Strasbourg region (WrighCT). Part III copied in Ciney, Namur province (WhiBS). Parts I-II once formed portions of two separate manuscripts. Some gatherings from both former manuscripts now part of TrentC 92; about 1440, gatherings other than those incorporated into TrentC 92 were reordered and combined to form present Parts I-II by Johannes Lupi (see above), who may also have been responsible for joining present Part III to Parts I-II. Sometime after manuscript reached Trent, Pullois Mass (ff. 167'-174) probably added on staves originally left blank (all other folios in Part II have blank staves only). Manuscript transferred to Vienna in 1891, but returned to Trent following World War I.-

DIAMM, 2017

Binding

Original covers of tooled leather over wooden boards

DIAMM, 2017

Watermark

Part I: (1) resembles Briquet #11702 (two additional variants not in Briquet; same mark also appears in Part II of TrentC 92); (2) resembles Briquet #11882 (three additional variants not in Briquet; same mark also appears in Part II of TrentC 92); (3) three-peaked mountain in circle (not in Briquet; same mark also appears in Part II of TrentC 92); (4) generally resembles Briquet #7890; (5) resembles PiccardO XI, 99; (6) generally resembles Briquet #6387 (WrighCT). Watermark in Part II: three-peaked mountain surmounted by cross (not in Briquet; same mark also appears in Part III of TrentC 92). Watermarks in Part III: (1) Briquet #389; (2) Briquet #5955 (WhiBS).

DIAMM, 2017

Notation

black void mensural with black full coloration (red coloration on f. 239v only)

DIAMM, 2017

Ruling

red staves on ff. 155-166

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Foliation

265 ff

DIAMM, 2017

Foliation

Modern foliation, 1-265

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Decoration

Inked calligraphic initials.

DIAMM, 2017

Surface

paper

DIAMM, 2017

RISM Description

RISM 5

Ces 7 manuscrits, dont les 6 premiers ont été révélés par Haberl en 1885 (cf. Bibliographie), tandis que le 7e ne fut découvert qu'en 1920 (R. von Ficker, in DTÖ 61 (XXXI) VIff) consituent une véritable famille indissoluble en ce qu'ils présentent tant de caractères communs qu'il semble logique d'en donner d'abord une description d'ensemble pour préciser ensuite les particularités de chacun d'eux en même temps que le dépouillement de leur contenu.

Ils fournissent un énorme répertoire en grande partie religieux, sans pour cela que la musique profane soit complètement négligée, qui va de Loqueville à Isaac et Compère, couvrant 25OOff. avec 1870 pièces environ, qui peuvent se dater entre 1420 et 1480. En 1921, R. Wolkan (cf. Bibliographie) avait émis l'opinion que ces mss. copiés à Vienne sous l'impulsion de Johann Hinderbach (né en 1418), secrétaire à la chancellerie impériale, auraient suivi celui-ci à Trente où, en 1455, il avait été nommé prévôt à la cathédrale puis porté à l'évêché en 1465. E. Wellesz va plus loin en les déclarant copiés, à Vienne d'abord puis à Trente, sur ordre de Hinderbach pour sa bibliothèque personnelle qui devait ensuite être donnée au chapitre de la cathédrale (Grove's Dictionary, 5th ed,. 1954). Cependant, comme on ne trouve dans ces mss. aucune pièce de circonstance de la vie de l'empereur Friedrich III, alors que les allusions à des personnages tridentins, même peu célèbres, y sont évidentes et que l'un des copistes Johannes Wiser occupa diverses charges à Trente de 1459 à 1490, il est logique de penser qu'ils ont plutôt été copiés, sinon tous à Trente même, du moins dans l'Italie du nord (cf. Bibliographie, Lunelli). Il est possible aussi qu'ils aient été acquis (en tout cas les plus anciens) par l'évêque de Trente Alexander Masowien, alors en relation avec Amédée VIII de Savoie pour la chapelle duquel ils auraient été copiés (cf. WardTS, p. 144). — On peut diviser ces 7 mss. en deux groupes: d'une part 87 et 92 qui sont les plus anciens, d'autre part 88, 89, 90, 91 et 93 qui sont légèrement postérieurs, 91 étant le plus récent. Le même papier et le même scribe, qui inscrit son nom Puntschucherh au bas du f. 161 du ms 87 (mais s'agit-il d'un nom? Cf. Flotzinger, Bibliographie TRbc 87) se retrouvent pour la première partie du ms. 87 (f. 1—218) et la deuxième partie du ms. 92 (f. 144—239), la relation entre les deux mss. étant de plus soulignée par le fait qu'un Kyrie de Binchois au f. 56v du ms. 87 (n° 34) est accompagné d'une mention renvoyant pour Y Et in terra suivant au premier f. du ms. 92 (n° 2). Ces deux mss. ont certainement été copiés avant 1450 dans l'Italie du Nord, tandis que l'on peut fixer approximativement la date de compilation des cinq autres entre 1445 et 1480, le scribe Johannes Wiser en ayant copié la plus grande partie à Trente même.

Ms. 87

XVe s. 265ff. Papier, 310X210 mm. Foliotation ancienne en eh. arabes en haut à droite des ff. et une foliotation supplémentaire au bas à droite des ff. marquant le début de quelques-uns des cahiers. Les ff. 24r et v, 30, 37, 43v à 45, 48v à 50v, 59v à 60v, 73, 79, 85, 86v, 87, 96v, 106, 123r et v, 131v à 132v, 167, 174v à 196v, 201 à 218v, 246v, 247 sont blancs. Au f. 97, Agnus dei, lv. seul' sur 2 lignes rayées ensuite par le scribe. Notation mesurée blanche (notes rouges au f. 239v). 9 et 10 portées par p.

Ce ms. est constitué de la réunion de plusieurs cahiers copiés séparément et destinés à l'origine à rester indépendants, mais qui furent plus tard rassemblés et reliés pour former le volume actuel. La copie est pour la plus grande partie l'oeuvre d'un seul scribe (probablement Johannes Lupi), aidé parfois de quelques émules dont l'écriture est très voisine de la sienne. Seuls le 15e cahier (f. 167 à 174) et la «section Battre» (f. 219 à 265v) sont très nettement de mains différentes. Les motets de Dufay, Vassilissa ergo (n° 37) pour le départ de Cleophe Malatesta de Rimini en août 1420 et Ecclesie militantis (n° 53) pour l'élection du pape Eugène IV en mars 1431, peuvent servir d'indication pour une datation approximative du ms.

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Répertoire International des Sources Musicales

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

TRENT. Museo Provinciale d'Arte, Castello del Buon Consiglio. MS 87

2 Masses, 2 Gloria-Credo pairs, 18 Kyries, 15 Glorias, 13 Credos, 8 Sanctus, 7 Agnus, 10 Mass Proper sections, 12 Magnificats, 10 office hymns, 1 processional hymn, 39 motets, 3 Benedicamus dominos, 30 French secular pieces, 1 Latin secular piece, 1 Italian secular piece, 1 German secular piece, 9 textless pieces = 182+5 duplicates = 187

Battre-9 + 12?, Benet-2 + 1?, (Benet/Dunstable)-1, Binchois-18 + 1?, Bloym-1, Bourgois-2, Brassart-9 + 1?, Braxatoris-1, Brugis -1, (Ciconia)-1 + 1?, Dufay-32 + 1?, Dufay/(Limburgia)-1, Dunstable-5, (Forest)-1, Grossin-2, Grossin/(Binchois)-1, J. Legrant-1, R. Liebert-1, Ludovico da Rimini-2 + 1?, N. Merques [C. de MerquesJ-1, Poignare [Pugnare]-1, Power [Leonellus]-3, (Pullois)-1, Roullet-7, Spierinck-1, Tyling-1 + 1?, Velut-1, Verben-1, Zachara da Teramo-1, anon-54

265 paper folios, 310 x 210. Composite of at least three originally separate manuscripts or portions of manuscripts: Part I = ff. 1-166 and 197-200 (once joined with new ff. 146-241 of TrentC 92); Part II = ff. 167-196 and 201-218 (once joined with new ff. 242-264 of TrentC 92); Part III = ff. 219-265. Some fascicles in each part may have been separately produced and independently used before being bound together, but all fascicles within each part generally interrelated by repertory, paper, and scribes. Modern foliation, 1-265. Blank staves only on ff. 24-24', 30, 37, 43'-45, 48'-50', 59'-60', 73, 79, 85, 86'-87, 96', 106, 121, 123-123', 131'-132', 167, 174'-196', 201-218', 246'-247. Original covers of tooled leather over wooden boards. No index.

White mensural notation with black coloration (red coloration on f. 239' only); red staves on ff. 155-166. Main scribe of Part I identified by WrighT as Johannes Lupi, a musician and priest active in and around Trent between 1447 and his death in 1467; Lupi also copied ZwettlB s.s. and most of Part II of TrentC 92. Four additional scribes in Part I, one of whose hands also appears in Part II of TrentC 92; inscription "Puntschucherh" on f. 161 is scribal explicit, not name of scribe (FlotzB). Ff. 167'-174 in Part II copied by a single scribe, whose hand is apparently unique to this section (HammMS). Part III possibly copied by H. Battre. Inked calligraphic initials.

Watermarks in Part I: (1) resembles Briquet #11702 (two additional variants not in Briquet; same mark also appears in Part II of TrentC 92); (2) resembles Briquet #11882 (three additional variants not in Briquet; same mark also appears in Part II of TrentC 92); (3) three-peaked mountain in circle (not in Briquet; same mark also appears in Part II of TrentC 92); (4) generally resembles Briquet #7890; (5) resembles PiccardO XI, 99; (6) generally resembles Briquet #6387 (WrighCT). Watermark in Part II: three-peaked mountain surmounted by cross (not in Briquet; same mark also appears in Part III of TrentC 92). Watermarks in Part III: (1) Briquet #389; (2) Briquet #5955 (WhiBS).

Ca. 1430-40, with one addition ca. 1465. Parts I-II possibly copied in Venice or vicinity (DTO), or perhaps in Basel-Strasbourg region (WrighCT). Part III copied in Ciney, Namur province (WhiBS). Parts I-II once formed portions of two separate manuscripts. Some gatherings from both former manuscripts now part of TrentC 92; about 1440, gatherings other than those incorporated into TrentC 92 were reordered and combined to form present Parts I-II by Johannes Lupi (see above), who may also have been responsible for joining present Part III to Parts I-II. Sometime after manuscript reached Trent, Pullois Mass (ff. 167'-174) probably added on staves originally left blank (all other folios in Part II have blank staves only). Manuscript transferred to Vienna in 1891, but returned to Trent following World War I.

Italian, French and English composers represented by Mass propoer sections, magnificats, office hymns, motets and other sacred and secular French, Latin, Italian and German pieces. A composite of at least three originally separate MSS or portions of MSS.

Vol 4

Date: Ca. 1430-45, with additions to ca. 1465.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Number of voices	Source attribution	Composers (? Uncertain)
1–2	Missa Sancti Jacobi: Gloria	3	DUFAY	Du Fay, Guillaume (1397–1474)
Missa Sancti Jacobi: Gloria Du Fay, Guillaume (1397–1474) Appears on: 1–2 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: DUFAY Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c2 Voice Text: [Missa Sancti Jacobi. Gloria] Et in terra Voice: Tenor Languages: Latin Clef: c4 Voice Text: Et in terra Voice: Contratenor Languages: Latin Clef: c4 Voice Text: Et in terra General Note Publ. cf. AOs n» 60
2v–3	Et in terra pax [Gloria]	3	[GROSSEM]	Grossin, Estienne
Et in terra pax [Gloria] Grossin, Estienne Appears on: 2v–3 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: [GROSSEM] Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: c-dot Clef: c1 Voice Text: [Gloria] Et in terra Voice: Tenor Languages: Latin Clef: c3 Voice Text: Et in terra Voice: Contratenor Languages: Latin Clef: c4 Voice Text: [Et in terra] General Note Publ.cf. AOs n» 67
3v–4	Missa Alma Redemptoris Mater: Et in terra pax [Gloria]	3	[L. POWER]	Power, Leonel (–1445)
Missa Alma Redemptoris Mater: Et in terra pax [Gloria] Power, Leonel (–1445) Appears on: 3v–4 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: [L. POWER] Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c1 Voice Text: [Missa Alma redemptoris mater. Gloria] Et in terra Voice: [Tenor] Languages: none Clef: c3 Voice Text: untexted Voice: Contratenor Languages: none Clef: c3 Voice Text: untexted General Note T: Alma redemptoris mater]Publ. cf. AOs n° 162
4v–6	Missa Alma Redemptoris Mater: Patrem omnipotentem [Credo]	3	[L. POWER]	Power, Leonel (–1445)
Missa Alma Redemptoris Mater: Patrem omnipotentem [Credo] Power, Leonel (–1445) Appears on: 4v–6 Genres: Alma redemptoris mater, BVM, Credo (patrem omnipotentem), Mass Ordinary Source Attribution: [L. POWER] Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c1 Voice Text: [Missa Alma redemptoris mater. Credo] Patrem Voice: Tenor Languages: Latin Clef: c3 Voice Text: Alma Voice: Contratenor Languages: Latin Clef: c2 Voice Text: Patrem General Note T: Alma [redemptoris mater]Publ.cf.AOs n°163
6–7	Missa Alma Redemptoris Mater: Sanctus	3	[L. POWER]	Power, Leonel (–1445)
Missa Alma Redemptoris Mater: Sanctus Power, Leonel (–1445) Appears on: 6–7 Genres: Alma redemptoris mater, BVM, Mass Ordinary, Sanctus [& Benedictus] Source Attribution: [L. POWER] Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c1 Voice Text: [Missa Alma redemptoris mater] Sanctus Voice: Tenor Languages: Latin Clef: c3 Voice Text: Alma redemptoris mater Voice: Contratenor Languages: Latin Clef: c3 Voice Text: Sanctus General Note T: Aima redemptoris mater Publ. cf. AOs n° 164
7v–8v	Missa Alma Redemptoris Mater: Agnus Dei	3	[L.POWER]	Power, Leonel (–1445)
Missa Alma Redemptoris Mater: Agnus Dei Power, Leonel (–1445) Appears on: 7v–8v Genres: Agnus Dei, Alma redemptoris mater, BVM, Mass Ordinary Source Attribution: [L.POWER] Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c1 Voice Text: [Missa Alma redemptoris mater] Agnus dei Voice: Tenor Languages: Latin Clef: c3 Voice Text: Alma redemptoris mater Voice: Contratenor Languages: Latin Clef: c3 Voice Text: Agnus dei General Note [2e Agnus à 2vx]T: Aima redemptoris mater Publ. cf. AOs n" 165
8v–10	Patrem omnipotentem [Credo]	3	-	Anonymous
Patrem omnipotentem [Credo] Anonymous Appears on: 8v–10 Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 3 Voice: Tenor Languages: Latin Mensuration: o Clef: c4 Voice Text: [Credo] Patrem eyo porto Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Patrem Voice: Contratenor Languages: Latin Clef: c3 Voice Text: Patrem General Note T: Patrem eyo porto Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 61 (XXXI).
10v–12	Et in terra pax [Gloria] (iv/5)	4	G. DUFAY	Du Fay, Guillaume (1397–1474)
Et in terra pax [Gloria] (iv/5) Du Fay, Guillaume (1397–1474) Appears on: 10v–12 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: G. DUFAY Number of voices: 4 Voice: [no designation] Languages: Latin Clef: c1 Voice Text: [Gloria] Et in terra Voice: Tenor Languages: Latin Clef: c4 Voice Text: Et in terra Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Et in terra Voice: Contratenor Languages: Latin Clef: c4 Voice Text: Et in terra General Note Publ. cf. AOs n° 79
12v–15	Patrem omnipotentem [Credo] (iv/5)	4	G. DUFAY	Du Fay, Guillaume (1397–1474)
Patrem omnipotentem [Credo] (iv/5) Du Fay, Guillaume (1397–1474) Appears on: 12v–15 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: G. DUFAY Number of voices: 4 Voice: [no designation] Languages: Latin Clef: c1 Voice Text: [Credo] Patrem Voice: Tenor Languages: Latin Clef: c4 Voice Text: Patrem Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Patrem Voice: Contratenor Languages: Latin Clef: c4f2 Voice Text: Patrem General Note Publ. cf. AOs n° 84
15v–16v	Et in terra pax [Gloria] (iv/21)	3	G. DUFAY	Du Fay, Guillaume (1397–1474)
Et in terra pax [Gloria] (iv/21) Du Fay, Guillaume (1397–1474) Appears on: 15v–16v Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: G. DUFAY Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c4 Voice Text: [Gloria] Et in terra Voice: Tenor Languages: Latin Clef: c4 Voice Text: Et in terra Voice: Contratenor Languages: Latin Clef: c5 Voice Text: Et in terra General Note Publ. cf. Bc 15 n° 157 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
16	Rex gloriose martyrum	2	JO: ROLL: / JO. ROULLET	Roullet, Johannes
Rex gloriose martyrum Roullet, Johannes Appears on: 16 Genres: Motet Source Attribution: JO: ROLL: / JO. ROULLET Number of voices: 2 Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Rex gloriose martirum Voice: Tenor Languages: Latin Clef: c4 Voice Text: Tenor faulx bourdon General Note Tenor faulx bourdon
17–18v	Sanctus 'anglicanus'	3	-	Anonymous
Sanctus 'anglicanus' Anonymous Appears on: 17–18v Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Sanctus Voice: Contratenor Languages: Latin Mensuration: o Clef: c4 Voice Text: Sanctus Voice: Tenor Languages: Latin Mensuration: o Clef: c4 Voice Text: Sanctus General Note At foot of 16v, "Cantus sequens scilicet Sanctus est cantus Anglicanus"
18v–20	Agnus Dei	3	-	Anonymous
Agnus Dei Anonymous Appears on: 18v–20 Genres: Agnus Dei, Mass Ordinary Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: [Agnus dei] Qui tollis Voice: Contratenor Languages: Latin Mensuration: o Clef: c3 Voice Text: [Agnus dei] Qui tollis Voice: Tenor Languages: Latin Clef: c3 Voice Text: [Agnus dei] Qui tollis
20v–21	Sanctus	3	BLOYM	Blome
Sanctus Blome Appears on: 20v–21 Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: BLOYM Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Sanctus Voice: Contratenor Languages: Latin Clef: c4 Voice Text: Sanctus Voice: Tenor Languages: Latin Clef: c4 Voice Text: Sanctus
21v–22v	Agnus Dei	3	-	Anonymous
Agnus Dei Anonymous Appears on: 21v–22v Genres: Agnus Dei, Mass Ordinary Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: o Clef: c2 Voice Text: [Agnus dei] Qui tollis Voice: Tenor Languages: Latin Mensuration: o Clef: c4 Voice Text: Qui tollis Voice: Contratenor Languages: Latin Mensuration: o Clef: c4 Voice Text: Qui tollis
23–23v	Agnus Dei	3	[ANGLICUS = J. DUNSTABLE]	Dunstaple, John (ca. 1390–1453)
Agnus Dei Dunstaple, John (ca. 1390–1453) Appears on: 23–23v Genres: Agnus Dei, Mass Ordinary Source Attribution: [ANGLICUS = J. DUNSTABLE] Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c3 Voice Text: [Agnus dei] Qui tollis Voice: Contratenor Languages: Latin Clef: c5 Voice Text: Qui tollis Voice: Tenor Languages: Latin Clef: c5 Voice Text: Qui tollis Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 61 (XXXI).
25	Kyrie eleison	3	JO. BRAXATORIS	Braxatoris, W
Kyrie eleison Braxatoris, W Appears on: 25 Genres: Kyrie eleison, Mass Ordinary Source Attribution: JO. BRAXATORIS Number of voices: 3 Voice: [no designation] Languages: Greek Clef: c1 Voice Text: Kyrie Voice: Tenor Languages: Greek Clef: c4 Voice Text: Kyrie Voice: Contratenor Languages: Latin Clef: c4 Voice Text: Kyrie Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 35, I (op. dub.).
25v–27	Et in terra pax [Gloria] [Kaye 3a]	4	BINCHOIS	Binchois, Gilles (ca. 1400–1460)
Et in terra pax [Gloria] [Kaye 3a] Binchois, Gilles (ca. 1400–1460) Appears on: 25v–27 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: BINCHOIS Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: [Gloria. Et in terra pax] Hominibus Voice: Subcontra Languages: Latin Mensuration: o Clef: c3 Voice Text: Gratias agimus tibi Voice: Contratenor Languages: Latin Mensuration: o Clef: c3 Voice Text: Et in terra pax. Hominibus Voice: Tenor Languages: Latin Mensuration: o Clef: c4 Voice Text: Hominibus General Note Publ. cf. AOs n° 42
27v–29	Patrem omnipotentem [Credo] [Kaye 3b]	4	BINCHOIS	Binchois, Gilles (ca. 1400–1460)
Patrem omnipotentem [Credo] [Kaye 3b] Binchois, Gilles (ca. 1400–1460) Appears on: 27v–29 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: BINCHOIS Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: [Credo. Patrem omnipotentem] Factorem celi Voice: [no designation] Languages: Latin Mensuration: o Clef: c4 Voice Text: Factorem celi Voice: Subcontra Languages: Latin Mensuration: o Clef: c3 Voice Text: Patrem omnipotentem. Factorem celi Voice: Tenor Languages: Latin Mensuration: o Clef: c4 Voice Text: Patrem omnipotentem. Factorem celi General Note Publ. cf. AOs n° 125
30v–31	Patrem omnipotentem [Credo]	3	-	Anonymous
Patrem omnipotentem [Credo] Anonymous Appears on: 30v–31 Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c3 Voice Text: [Credo] Patrem Voice: Tenor Languages: Latin Clef: c4 Voice Text: Patrem Voice: Contratenor Languages: Latin Clef: c4 Voice Text: [Patrem]
31v–33	Missa Jacet granum: Et in terra [Gloria]	3	-	Benet, John (–ca. 1458) (?)
Missa Jacet granum: Et in terra [Gloria] Benet, John (–ca. 1458) (?) Appears on: 31v–33 Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c1 Voice Text: [Gloria] Et in terra Voice: Tenor Languages: Latin Clef: c3 Voice Text: Jacet granum Voice: Contratenor Languages: none Clef: c3 Voice Text: untexted General Note T: Jacet granum. Item Bibliography Wright, Peter. 1986. The Aosta-Trent Relationship Reconsidered. I codici musicali trentini a cento anni dalla loro riscoperta: Atti del convegno 'Laurence Feininger, la musicologia come missione', 138-57. Trent. Pages: 148. Notes: concordance with Aosta, according to Wright copied by Johannes Lupi from Aosta (C Goldberg).
33v–34	Sanctus [Kaye 8]	3	[G. BINCHOIS]*	Binchois, Gilles (ca. 1400–1460)
Sanctus [Kaye 8] Binchois, Gilles (ca. 1400–1460) Appears on: 33v–34 Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: [G. BINCHOIS]* Number of voices: 3 Voice: Tenor Languages: Latin Mensuration: o Clef: c3 Voice Text: Sanctus Voice: Contratenor Languages: Latin Mensuration: o Clef: c3 Voice Text: Sanctus Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: Sanctus Concordances *GB-Ob 60 Item Bibliography Kovarik, Edward. 1973. Mid-fifteenth-century polyphonic elaborations of the plainchant Ordinarium missae. Harvard University, Ph.D. Dissertation.
34	Eslongiés suy de vous belle mastresse	2-ex-1	-	Anonymous
Eslongiés suy de vous belle mastresse Anonymous Appears on: 34 Genres: Chanson Number of voices: 2-ex-1 Voice: [no designation] Languages: French Mensuration: cut-o Clef: c2 Voice Text: Eslongiés suy de vous belle mastresse General Note Canon: "Qui cupit accipiat cantus cantare tenorem / Istius minimas cantet simul semibreves / Sub diapason, sed in diatessaron sint tibi breves" Item Bibliography Bukofzer, Manfred F. 1948. Two mensuration canons. Musica Disciplina, 2: 165ff. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 38.
34v–36	Salve regina mater misericordiae (in 8 sections)	3	DUNSTABLE	Dunstaple, John (ca. 1390–1453)
Salve regina mater misericordiae (in 8 sections) Dunstaple, John (ca. 1390–1453) Appears on: 34v–36 Genres: BVM, Motet, Salve Regina Source Attribution: DUNSTABLE Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c1 Voice Text: SAlve regina misericordie Voice: Tenor Languages: Latin Clef: c4 Voice Text: Salve regina Voice: Contratenor Languages: Latin Clef: c4 Voice Text: Salve General Note Tr: Virgo mater ecclesie Publ. cf. MOe X.1.11 n° 83
36v	Kyrie pascale	3	SPIERINCK	Spierinck
Kyrie pascale Spierinck Appears on: 36v Genres: Kyrie eleison, Mass Ordinary Source Attribution: SPIERINCK Number of voices: 3 Voice: [no designation] Languages: Greek Mensuration: o Clef: c1 Voice Text: Kyrie pascale eleyson Voice: Tenor Languages: Greek Clef: c3 Voice Text: Kyrie eleyson Voice: Contratenor Languages: Latin Clef: c3 Voice Text: Kyrie eleyson
37v–39	Patrem omnipotentem [Credo]	3	LEONELLUS	Power, Leonel (–1445)
Patrem omnipotentem [Credo] Power, Leonel (–1445) Appears on: 37v–39 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: LEONELLUS Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c2 Voice Text: [Credo] Patrem omnipotentem Voice: Tenor Languages: Latin Clef: c4 Voice Text: Patrem Voice: Contratenor Languages: Latin Clef: c4 Voice Text: Patrem omnipotentem Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 61 (XXXI). Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music. London. Pages: VIII(op. dub.).
39v–43	Et in terra pax [Gloria] Tr. 'Spiritus et alme'	3	BURGOIS	Bourgois
Et in terra pax [Gloria] Tr. 'Spiritus et alme' Bourgois Appears on: 39v–43 Genres: Gloria (et in terra pax), Mass Ordinary, Troped Gloria Source Attribution: BURGOIS Number of voices: 3 Voice: Tenor Languages: Latin Clef: c4 Voice Text: Et in terra Voice: Contratenor Languages: Latin Clef: c4 Voice Text: Et in terra Voice: [no designation] Languages: Latin Clef: c2 Voice Text: [Gloria] Et in terra General Note [Tr: Spiritus et alme] Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 61 (XXXI).
45v–48	Magnificat quarti toni: Anima mea [K.619]	3	BINCHOIS	Binchois, Gilles (ca. 1400–1460)
Magnificat quarti toni: Anima mea [K.619] Binchois, Gilles (ca. 1400–1460) Appears on: 45v–48 Genres: BVM, Canticle, Magnificat Source Attribution: BINCHOIS Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: o Clef: c2 Voice Text: Quarti toni. Magnificat. Anima mea Voice: Tenor Languages: Latin Mensuration: o Clef: c4 Voice Text: Anima mea Voice: Contratenor Languages: Latin Mensuration: o Clef: c3 Voice Text: Anima mea Item Bibliography Parris, Arthur. 1965. The sacred works of Gilles Binchois. Bryn Mawr College, Ph.D. Dissertation. Marrocco, W. Thomas, and Nicholas Sandon (editors). 1977. Medieval Music. London.
51	Ave Maria gratia plena / Ave Maria gratia plena	4	JOHANNES BRASSART	Brassart, Johannes (ca. 1400–1455)
Ave Maria gratia plena / Ave Maria gratia plena Brassart, Johannes (ca. 1400–1455) Appears on: 51 Genres: Ave Maria, Motet Source Attribution: JOHANNES BRASSART Number of voices: 4 Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Aue maria gracia plena dominus tecum Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Aue maria gracia plena Voice: Tenor Languages: Latin Clef: c4 Voice Text: Aue maria gracia plena Voice: Contratenor Languages: none Clef: c4 Voice Text: untexted General Note Publ. cf. Bc 15 n° 229 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
51v–52	Et in terra pax [Gloria 'Ave regina celorum']	3	PUGNARE	Poignare, Barthelemy
Et in terra pax [Gloria 'Ave regina celorum'] Poignare, Barthelemy Appears on: 51v–52 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: PUGNARE Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c2 Voice Text: [Gloria] Et in terra Voice: Tenor Languages: Latin Clef: f3 Voice Text: Ave regina celorum Voice: Contratenor Languages: none Clef: c4 Voice Text: untexted General Note T: Ave regina celorum
52v–53v	Et in terra pax [Gloria] [BH1]	3	[J. CICONIA]	Ciconia, Johannes (ca. 1370–1412)
Et in terra pax [Gloria] [BH1] Ciconia, Johannes (ca. 1370–1412) Appears on: 52v–53v Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: [J. CICONIA] Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c1 Voice Text: [Gloria] Et in terra Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Et in terra Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Et in terra General Note Publ. cf. Bc 15 n° 71 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
53v–55v	Patrem omnipotentem [Credo] [BH2]	3	[J. CICONIA]	Ciconia, Johannes (ca. 1370–1412)
Patrem omnipotentem [Credo] [BH2] Ciconia, Johannes (ca. 1370–1412) Appears on: 53v–55v Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: [J. CICONIA] Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Patrem Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Patrem Voice: [no designation] Languages: Latin Voice Text: [Credo] Patrem General Note Publ. cf. Bc 15 n" 73 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
55v–56	Summe summi tu patris	4	EGIDIUS VELUT	Velut, Gilet
Summe summi tu patris Velut, Gilet Appears on: 55v–56 Genres: Motet Source Attribution: EGIDIUS VELUT Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: o Clef: c2 Voice Text: Svmme summi tu pater vnice Voice: Tenor Languages: Latin Clef: c4 Voice Text: Svmme summi Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Svmme summi tu mater filii Voice: Contratenor Languages: Latin Clef: c4 Voice Text: Svmme summi tu pater unice General Note 2e Sup.: Summa summi tu mater Filii … Publ. cf. Bc 15 n° 260 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
56v	Kyrie 'angelorum'	3	BINCHOIS	Binchois, Gilles (ca. 1400–1460)
Kyrie 'angelorum' Binchois, Gilles (ca. 1400–1460) Appears on: 56v Genres: Kyrie eleison, Mass Ordinary Source Attribution: BINCHOIS Number of voices: 3 Voice: [no designation] Languages: Greek Mensuration: cut-o Clef: c1 Voice Text: Kyrie [Angelorum] Voice: Tenor Languages: Greek Mensuration: cut-o Clef: c3 Voice Text: Kyrie Voice: Contratenor Languages: Greek Mensuration: cut-o Clef: c3 Voice Text: Kyrie General Note Mensurations cut-o, o, cut-o for the opening Kyrie; o, cut-o, o for the Christe; then 2 different settings for the final Kyrie the first with mensurations cut-o, cut-o and the second (to be sung between those two) in o. «Illud Kyrie compertinet ad Et in terra»[suivi du thème du n" 1366=Gloria Kaye 1a] Publ. cf. AOs n° 27
57	Benedicamus Domino (I)	3	DUFAY	Du Fay, Guillaume (1397–1474)
Benedicamus Domino (I) Du Fay, Guillaume (1397–1474) Appears on: 57 Genres: Benedicamus Domino, Motet Source Attribution: DUFAY Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Benedicamus domino Voice: Tenor Languages: Latin Clef: c3 Voice Text: Benedicamus domino Voice: Contratenor Languages: Latin Clef: c3 Voice Text: Benedicamus General Note Publ. cf. Bc 15 n° 89 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
57	Missa Sancti Jacobi: Communio - Vos qui secuti estis me	2	DUFAY	Du Fay, Guillaume (1397–1474)
Missa Sancti Jacobi: Communio - Vos qui secuti estis me Du Fay, Guillaume (1397–1474) Appears on: 57 Genres: Communion, Proper Source Attribution: DUFAY Number of voices: 2 Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Vos. Qui secuti estis me Voice: Tenor Languages: Latin Clef: c4 Voice Text: Qui secuti General Note (Post Communio]Publ. cf. Bc 15 n° 119 17 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
57v–58	Vasilissa ergo gaude	4	DUFAY	Du Fay, Guillaume (1397–1474)
Vasilissa ergo gaude Du Fay, Guillaume (1397–1474) Appears on: 57v–58 Genres: Motet Source Attribution: DUFAY Number of voices: 4 Voice: [no designation] Languages: Latin Clef: c2 Voice Text: VAssilissa ergo gaude Voice: Tenor Languages: Latin Clef: c4 Voice Text: Concipiuit rex decorem tuum Voice: [no designation] Languages: Latin Clef: c2 Voice Text: VAssilissa ergo gaude Voice: Contratenor Languages: none Clef: c4 Voice Text: untexted General Note T: Concupivit rex decorem tuum.Publ. cf. Bc 15 n° 244
58v	Kyrie feriale	3	BINCHOIS	Binchois, Gilles (ca. 1400–1460)
Kyrie feriale Binchois, Gilles (ca. 1400–1460) Appears on: 58v Genres: Kyrie eleison, Mass Ordinary Source Attribution: BINCHOIS Number of voices: 3 Voice: [no designation] Languages: Greek Mensuration: o Clef: c1 Voice Text: Feriale. Kyrie Voice: Tenor Languages: Greek Mensuration: o Clef: c3 Voice Text: [Kyrie] Voice: Contratenor Languages: Greek Mensuration: o Clef: c3 Voice Text: Kyrie Item Bibliography Parris, Arthur. 1965. The sacred works of Gilles Binchois. Bryn Mawr College, Ph.D. Dissertation. Marrocco, W. Thomas, and Nicholas Sandon (editors). 1977. Medieval Music. London.
59	Mon bien m'amour	3	-	Anonymous
Mon bien m'amour Anonymous Appears on: 59 Genres: Chanson Number of voices: 3 Voice: [no designation] Languages: French Clef: c3 Voice Text: Mon bien m'amour Voice: Tenor Languages: none Clef: f2 Voice Text: untexted Voice: Contratenor Languages: none Clef: f3 Voice Text: untexted
61–63	Isti sunt duae olivae Hi iecerunt	3	G. DUFAY	Du Fay, Guillaume (1397–1474)
Isti sunt duae olivae Hi iecerunt Du Fay, Guillaume (1397–1474) Appears on: 61–63 Genres: Sequence Source Attribution: G. DUFAY Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: Hy iecerunt fundamentum Voice: Tenor Languages: Latin Mensuration: o Clef: c3 Voice Text: Isti sunt duo olive (intonations texted, remainder untexted) Voice: Contratenor Languages: none Mensuration: o Clef: c3 Voice Text: untexted General Note [In festo sanctorum apostolorum Petri et Pauli] Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, V.
63v–65	Epiphaniam Domino canamus gloriosam	3	G.DUFAY	Du Fay, Guillaume (1397–1474)
Epiphaniam Domino canamus gloriosam Du Fay, Guillaume (1397–1474) Appears on: 63v–65 Genres: Sequence Source Attribution: G.DUFAY Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Qua prolem dei Voice: Tenor Languages: Latin Clef: c3 Voice Text: Epiphaniam domino (intonation) but verses untexted Voice: Contratenor Languages: none Clef: c3 Voice Text: untexted General Note In epiphania domini. Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, V.
65v–67v	Rex omnipotens die hodierna	3	G. DU FAY	Du Fay, Guillaume (1397–1474)
Rex omnipotens die hodierna Du Fay, Guillaume (1397–1474) Appears on: 65v–67v Genres: Sequence Source Attribution: G. DU FAY Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Mundo triumphali Voice: [no designation] Languages: Latin Clef: c3 Voice Text: REx omnipotens (intonations texted, remainder untexted) Voice: Contratenor Languages: none Clef: c3 Voice Text: untexted General Note In ascensione domini Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, V.
67v–69v	Laus tibi Christe	3	JOHANES ROULLET	Roullet, Johannes
Laus tibi Christe Roullet, Johannes Appears on: 67v–69v Genres: Sequence Source Attribution: JOHANES ROULLET Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: o Clef: c2 Voice Text: Celi terre maris Voice: Tenor Languages: Latin Mensuration: o Clef: c4 Voice Text: Laus tibi christe (intonations texted, with f3 clef; remainder untexted) Voice: Contratenor Languages: none Clef: c3 Voice Text: untexted General Note De sancta Maria Magdalena.
70–71v	Sacerdotem Christi	3	ROULLET	Roullet, Johannes
Sacerdotem Christi Roullet, Johannes Appears on: 70–71v Genres: Motet Source Attribution: ROULLET Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Atque illius nomen Voice: Tenor Languages: Latin Clef: c4 Voice Text: SAcerdotem cristi Martinum (intonations texted, c5 clef; remainder untexted) Voice: Contratenor Languages: none Clef: c4 Voice Text: untexted General Note De sancto Martino.
71v–72	Omnes sancti seraphim	3	JOHANES ROULLET	Roullet, Johannes
Omnes sancti seraphim Roullet, Johannes Appears on: 71v–72 Genres: Motet Source Attribution: JOHANES ROULLET Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: c1 Voice Text: Principatus potestates virtutes Voice: Tenor Languages: Latin Mensuration: cut-o Clef: c4 Voice Text: Omnes sancti seraphin (intonations texted, c5 clef; remainder untexted) Voice: Contratenor Languages: none Mensuration: cut-o Clef: c4 Voice Text: untexted General Note In festo omnium sanctorum.
72v	O beata beatorum martyrum	2	ROULLET	Roullet, Johannes
O beata beatorum martyrum Roullet, Johannes Appears on: 72v Genres: Motet Source Attribution: ROULLET Number of voices: 2 Voice: [no designation] Languages: Latin Clef: c1 Voice Text: O beata beatorum martirum sollempnia Voice: Tenor Languages: Latin Clef: c4 Voice Text: O beata faulx bourdon General Note Tenor faulx bourdon
73v–75	Lamberte vir inclite - In aetate	4	-	Brassart, Johannes (ca. 1400–1455)
Lamberte vir inclite - In aetate Brassart, Johannes (ca. 1400–1455) Appears on: 73v–75 Genres: Motet Number of voices: 4 Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Lamberte vir inclite Voice: Tenor Languages: Latin Clef: c4 Voice Text: In etate Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Lamberte vir inclite Voice: Contratenor Languages: Latin Clef: c4 Voice Text: In etate General Note T et Ct: In etate. Publ. cf. AOs n° 186
75v–77	Christi nutu sublimato (2p. Precemur christi adlethan)	4	[J. BRASSART]	Brassart, Johannes (ca. 1400–1455)
Christi nutu sublimato (2p. Precemur christi adlethan) Brassart, Johannes (ca. 1400–1455) Appears on: 75v–77 Genres: Motet Source Attribution: [J. BRASSART] Number of voices: 4 Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Christi nutu sublimato Voice: Tenor Languages: Latin Clef: c3 Voice Text: [Adultrina?] Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Christi nutu sublimato Voice: Contratenor Languages: none Clef: c4 Voice Text: untexted General Note Publ. cf. AOs n" 185
77v–78v	Te dignitas praesularis - O Martine (2p. Exaudire nos qui dignus es)	3	JO. BRASSART	Brassart, Johannes (ca. 1400–1455)
Te dignitas praesularis - O Martine (2p. Exaudire nos qui dignus es) Brassart, Johannes (ca. 1400–1455) Appears on: 77v–78v Genres: Motet Source Attribution: JO. BRASSART Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c1 Voice Text: TE dignitas presularis II: Exaudire nos qui dignus es Voice: [no designation] Languages: Latin Clef: c3 Voice Text: TE dignitas presularis II: Exaudire nos qui dignus es Voice: Contratenor Languages: Latin Clef: c3 Voice Text: TE dignitas II: Exaudire nos General Note Publ.cf.15n° 267
79v–81	Fortis cum quaevis actio	4	JO. BRASSART	Brassart, Johannes (ca. 1400–1455)
Fortis cum quaevis actio Brassart, Johannes (ca. 1400–1455) Appears on: 79v–81 Genres: Motet Source Attribution: JO. BRASSART Number of voices: 4 Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Fortis cum queuis actio Voice: [no designation] Languages: Latin Clef: c1 Voice Text: FOrtis cum queuis actio Voice: Tenor Languages: Latin Clef: c3 Voice Text: [untexted] ... regine Voice: Contratenor Languages: Latin Clef: c3 Voice Text: Nos decet ... Regine Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 14/15 (VII). [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 35, II.
81v–82v	Magnificat octavi toni: Et exultavit [K.379]	3	-	Anonymous
Magnificat octavi toni: Et exultavit [K.379] Anonymous Appears on: 81v–82v Genres: BVM, Canticle, Magnificat Number of voices: 3 Voice: Discantus Languages: Latin Clef: g2 Voice Text: 8i toni. Et exultavit Voice: Contratenor Languages: Latin Clef: c3 Voice Text: Et exultavit Voice: Tenor Languages: Latin Clef: c4 Voice Text: Magnificat. Et exultavit General Note Versets pairs Item Bibliography Marrocco, W. Thomas, and Nicholas Sandon (editors). 1977. The Oxford Anthology of Music: Medieval Music. London.
82v–84v	Magnificat: Et exultavit [K.220]	3	-	Anonymous
Magnificat: Et exultavit [K.220] Anonymous Appears on: 82v–84v Genres: BVM, Canticle, Magnificat Number of voices: 3 Voice: Discantus Languages: Latin Mensuration: o Clef: c1 Voice Text: Magnificat (intonation with c2 clef). Et exultavit spiritus meus Voice: Contratenor Languages: Latin Mensuration: o Clef: c3 Voice Text: Et exultavit Voice: Tenor Languages: Latin Mensuration: o Clef: c3 Voice Text: Et exultavit spiritus meus General Note Versets pairs
85v–86	Ecclesiae militantis / Sanctorum arbitrio / Bella canunt	4	G. DUFAY	Du Fay, Guillaume (1397–1474)
Ecclesiae militantis / Sanctorum arbitrio / Bella canunt Du Fay, Guillaume (1397–1474) Appears on: 85v–86 Genres: Motet Source Attribution: G. DUFAY Number of voices: 4 Voice: [no designation] Languages: Latin Clef: c2 Voice Text: ... Spiritus confinio det prece solemni Voice: Tenor Languages: Latin Clef: c4 Voice Text: ... Ecce nomen domini (c-dot, c, o; cut-c-dot, cut-c, cut-o mensurations) Voice: Tenor Languages: Latin Clef: c4 Voice Text: Gabriel (c-dot, c, o; cut-c-dot, cut-c, cut-o mensurations) Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Sanctorum arbitrio clericorum proprio General Note Mot.: Spiritus confinio Ct: Sanctorum arbitrio T I: Ecce nomen domini.T II: Gabriel General Note this opening contains: end of Cantus I and Tenor I & II (85v) and the beginning of Cantus II (86r); ff. 95v-96 (q.v.) contain the opening of Cantus I (95v), and the end of Cantus II & the Ct (96r). This exposes an error of binding in the ms: the piece is copied on the 2 external bifolia of a sexternion, the second of which was folded backwards in error. So the correct sequence is 95v/86r, 85v/96r -- though the piece still cannot then be performed from the copy as both openings need to be visible at once. Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 76 (XL). [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, I.
87v	Puisque me vois mis en oubli.	3	-	Anonymous
Puisque me vois mis en oubli. Anonymous Appears on: 87v Genres: Chanson Number of voices: 3 Voice: [no designation] Languages: French Clef: c1 Voice Text: Puis que ne [=me] vois mis en oubli. Voice: Tenor Languages: none Clef: c3 Voice Text: untexted Voice: Contratenor Languages: none Clef: c3 Voice Text: untexted Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 22 (XI).
87v–88	Mourir me voy il est pic de ma vie	3	LIBERT	Libert, Reginaldus (?) Libert, Gualterius (?)
Mourir me voy il est pic de ma vie Libert, Reginaldus (?) Libert, Gualterius (?) Appears on: 87v–88 Genres: Chanson Source Attribution: LIBERT Number of voices: 3 Voice: [no designation] Languages: French Clef: c1 Voice Text: Motre m'en voy [=Mourir me voy] il est Voice: Tenor Languages: none Clef: c3 Voice Text: untexted Voice: Contratenor Languages: none Clef: c3 Voice Text: untexted Concordances Concordance with Oxford 213, Nr. 161, which is fully texted, and has important variants, especially in the Contratenor, second half is completely different. (Information from C. Goldberg) Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 22 (XI). [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 11, III. Nicholson, Edward W. B, Stainer Sir John, Cécie Stainer, and John F. R. Stainer. 1898; reprinted as EBM I: 1966. Dufay and his Contemporaries: Fifty Compositions (Ranging from about A.D. 1400 to 1440) Transcribed from MS. Canonici misc. 213, in the Bodleian Library, Oxford, with an introduction by E.W.B. Nicholson, and a critical analysis of the music by Sir John Stainer. London.
88	L'amy de ma dame est venu	3	BINCHOIS	Binchois, Gilles (ca. 1400–1460)
L'amy de ma dame est venu Binchois, Gilles (ca. 1400–1460) Appears on: 88 Genres: Chanson Source Attribution: BINCHOIS Number of voices: 3 Voice: [no designation] Languages: French Clef: c1 Voice Text: L'amy de ma dame est venis Voice: Tenor Languages: none Clef: c4 Voice Text: untexted Voice: Contratenor Languages: none Clef: c4 Voice Text: untexted Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 14/15 (VII). Rehm, Wolfgang (editor). 1957) & Vol. VI: Mehrstimmige Lamentationen aus der ersten Hälfte des 16. Jahrhunderts, Massenkeil, G (ed.) (1965) & Vol. VII-VIII. Heinrich Isaac Messen, Staehelin, Martin (ed.) (1970-1973. Die Chansons von Gilles Binchois (1400-1460). Musikalische Denkmäler, vol. II. Pages: II.
88v–89	Kyrie 'duobus prius concinentibus'	3	-	Anonymous
Kyrie 'duobus prius concinentibus' Anonymous Appears on: 88v–89 Genres: Kyrie eleison, Mass Ordinary Number of voices: 3 Voice: Discantus Languages: Greek Mensuration: o Clef: c2 Voice Text: Kyrie duobus prius concinentibus eleyson Voice: Tenor Languages: Greek Mensuration: o Clef: c2 Voice Text: Kyrie et cantent duo eleyson Voice: Contratenor Languages: Latin Mensuration: c Clef: c4 Voice Text: Kyrie eleyson [other voices switch to c mensuration after opening duo] General Note opening for 2vv, then expands to 3vv
89v–90	Kyrie eleison	3	-	Anonymous
Kyrie eleison Anonymous Appears on: 89v–90 Genres: Kyrie eleison, Mass Ordinary Number of voices: 3 Voice: [no designation] Languages: Greek Clef: c2 Voice Text: Kyrie eleyson Voice: Tenor Languages: Greek Clef: c4 Voice Text: Kyrie eleyson Voice: Contratenor Languages: Greek Clef: c4 Voice Text: Kyrie eleyson
90v	Ce ne fut pas sans un grant desplaisir	3	-	Anonymous
Ce ne fut pas sans un grant desplaisir Anonymous Appears on: 90v Genres: Chanson Number of voices: 3 Voice: [no designation] Languages: French Clef: c2 Voice Text: Ce ne fut pas sans ung grant desplaisir Voice: [Tenor] Languages: French Clef: c4 Voice Text: Ce ne fut pas sans ung grant desplaisir Voice: Contratenor Languages: none Clef: c4 Voice Text: untexted Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 22 (XI).
91	Les mesdisans ont fait rapport	3	JO LEGRANT	Legrant, Johannes
Les mesdisans ont fait rapport Legrant, Johannes Appears on: 91 Genres: Chanson Source Attribution: JO LEGRANT Number of voices: 3 Voice: [no designation] Languages: French Clef: c1 Voice Text: Les mesdisans ont fait rapport Voice: Tenor Languages: none Clef: c3 Voice Text: untexted Voice: Contratenor Languages: none Clef: c3 Voice Text: untexted Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 22 (XI). [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 11, II. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 37.
91v	Se j'eusse un seul peu d'esperance	3	BINCHOIS	Binchois, Gilles (ca. 1400–1460)
Se j'eusse un seul peu d'esperance Binchois, Gilles (ca. 1400–1460) Appears on: 91v Genres: Chanson Source Attribution: BINCHOIS Number of voices: 3 Voice: [no designation] Languages: French Clef: c1 Voice Text: Se j'eusse un seul peu d'esperanche Voice: Tenor Languages: none Clef: c3 Voice Text: untexted Voice: Contratenor Languages: none Clef: c3 Voice Text: untexted Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 14/15 (VII). Blume, Friedrich, and Kurt Gude (editors). 1929-79. Das Chorwerk. Wolfenbüttel/Berlin. Pages: 22. Rehm, Wolfgang (editor). 1957) & Vol. VI: Mehrstimmige Lamentationen aus der ersten Hälfte des 16. Jahrhunderts, Massenkeil, G (ed.) (1965) & Vol. VII-VIII. Heinrich Isaac Messen, Staehelin, Martin (ed.) (1970-1973. Die Chansons von Gilles Binchois (1400-1460). Musikalische Denkmäler, vol. II. Pages: II.
91v	Chasse moi je vois devant	2-ex-1	-	Anonymous
Chasse moi je vois devant Anonymous Appears on: 91v Genres: Chanson, Fuga Number of voices: 2-ex-1 Voice: [no designation] Languages: French Clef: c4 Voice Text: Fuga. Casse moy je vois devant.. General Note signum on 7th breve, for 2nd voice to begin Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 38.
92	La doulce saison de may	2	-	Anonymous
La doulce saison de may Anonymous Appears on: 92 Genres: Chanson Number of voices: 2 Voice: [no designation] Languages: French Clef: c1 Voice Text: La douLce saison de may Voice: Tenor Languages: French Clef: c3 Voice Text: La douLce saison de may Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 14/15 (VII).
92	Benedicamus Domino	3	JO. ROLLET	Roullet, Johannes
Benedicamus Domino Roullet, Johannes Appears on: 92 Genres: Benedicamus Domino, Motet Source Attribution: JO. ROLLET Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Benedicamus domino Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Benedicamus domino Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Benedicamus domino
92v	Adieu mon amoureuse joye	3	BINCHOIS	Binchois, Gilles (ca. 1400–1460)
Adieu mon amoureuse joye Binchois, Gilles (ca. 1400–1460) Appears on: 92v Genres: Chanson Source Attribution: BINCHOIS Number of voices: 3 Voice: [no designation] Languages: French Clef: c2 Voice Text: Adieu mon amoureuse joye Voice: Tenor Languages: none Clef: c4 Voice Text: untexted Voice: Contratenor Languages: none Clef: c4 Voice Text: untexted Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 14/15 (VII);. Blume, Friedrich, and Kurt Gude (editors). 1929-79. Das Chorwerk. Wolfenbüttel/Berlin. Pages: 22. Rehm, Wolfgang (editor). 1957) & Vol. VI: Mehrstimmige Lamentationen aus der ersten Hälfte des 16. Jahrhunderts, Massenkeil, G (ed.) (1965) & Vol. VII-VIII. Heinrich Isaac Messen, Staehelin, Martin (ed.) (1970-1973. Die Chansons von Gilles Binchois (1400-1460). Musikalische Denkmäler, vol. II. Pages: II.
92v–93	Ay mi lasse lasse dolant / Jamais n'aray ne bon jour	3	-	Anonymous
Ay mi lasse lasse dolant / Jamais n'aray ne bon jour Anonymous Appears on: 92v–93 Genres: Chanson Number of voices: 3 Voice: [no designation] Languages: French Clef: c1 Voice Text: Ay my lasse lasse dolant Voice: Tenor Languages: French Clef: c3 Voice Text: Jamais n'aray ne bon jour Voice: Contratenor Languages: none Clef: c3 Voice Text: untexted General Note T: Jamais n'aray ne bon jour Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 22 (XI).
93v	Kyrie Jesu redemptor / De apostolis	2	G. DUFAY	Du Fay, Guillaume (1397–1474)
Kyrie Jesu redemptor / De apostolis Du Fay, Guillaume (1397–1474) Appears on: 93v Genres: Kyrie eleison, Mass Ordinary Source Attribution: G. DUFAY Number of voices: 2 Voice: [no designation] Languages: Greek Clef: c1 Voice Text: De apostolis. Kyrie eleyson Voice: Tenor Languages: Greek Clef: c4 Voice Text: kyrie faulx bourdon General Note Tenor Kyrie fauLx bourdon Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 61 (XXXI). [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, IV.
94	Kyrie De martyribus / In diebus Dominicis / Orbis factor	3	G. DUFAY	Du Fay, Guillaume (1397–1474)
Kyrie De martyribus / In diebus Dominicis / Orbis factor Du Fay, Guillaume (1397–1474) Appears on: 94 Genres: Kyrie eleison, Mass Ordinary Source Attribution: G. DUFAY Number of voices: 3 Voice: [no designation] Languages: Greek Clef: c1 Voice Text: De martiribus. Kyrie Voice: Tenor Languages: Greek Clef: c4 Voice Text: Kyrie Voice: Contratenor Languages: Greek Clef: c4 Voice Text: Kyrie General Note [ou In diebus dominicis ou Orbis factor]Publ. cf. AOs n° 29
94v–95	Kyrie Magne Deus / In summis festivitatibus	3	G. DUFAY	Du Fay, Guillaume (1397–1474)
Kyrie Magne Deus / In summis festivitatibus Du Fay, Guillaume (1397–1474) Appears on: 94v–95 Genres: Kyrie eleison, Mass Ordinary Source Attribution: G. DUFAY Number of voices: 3 Voice: [no designation] Languages: Greek Clef: c1 Voice Text: Kyrie in summis festivitatibus. Kyrie eleyson Voice: [no designation] Languages: Greek Clef: c1 Voice Text: Kyrie magne deus eleyson Voice: Tenor Languages: Greek Clef: c4 Voice Text: [Kyrie] General Note Sup. II: Kyrie magne Deus eleyson. Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, IV.
95v–96	Ecclesiae militantis / Sanctorum arbitrio / Bella canunt	4	G. DUFAY	Du Fay, Guillaume (1397–1474)
Ecclesiae militantis / Sanctorum arbitrio / Bella canunt Du Fay, Guillaume (1397–1474) Appears on: 95v–96 Genres: Motet Source Attribution: G. DUFAY Number of voices: 4 Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Ecclesiae militantis Voice: [no designation] Languages: Latin Clef: c2 Voice Text: ... unitas det celi fulgorem Voice: Contratenor Languages: Latin Mensuration: cut-o Clef: c4 Voice Text: Bella canunt gentes Voice: Tenor Languages: none Clef: c4 Voice Text: Canon: "Signa in principio Bella canunt gentes usque ad secundum Bella et semper incipiendo" (Sing from Bella canunt till the second Bella and then from the beginning again (3 times)" (3 mesuration signs cut-o, c-dot-3, cut-o) General Note this opening contains: opening of Cantus I (95v), end of Cantus II & the Ct (96r); ff. 85v-86 (q.v.) contain the end of Cantus I and Tenor I & II; and the beginning of Cantus II. This exposes an error of binding in the ms: the piece is copied on the 2 external bifolia of a sexternion, the second of which was folded backwards in error. So the correct sequence is 95v/86r, 85v/96r -- though the piece still cannot then be performed from the copy as both openings need to be visible at once.
97	Agnus Dei (fragment)	1	-	Anonymous
Agnus Dei (fragment) Anonymous Appears on: 97 Genres: Agnus Dei, Mass Ordinary Number of voices: 1 Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Agnus dei General Note 2 staves, partly crossed through
97v–98v	Sanctus Genitor summi fìlii	3	JO. BRASSART	Brassart, Johannes (ca. 1400–1455)
Sanctus Genitor summi fìlii Brassart, Johannes (ca. 1400–1455) Appears on: 97v–98v Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: JO. BRASSART Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Sanctus Genitor summi fìlii Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Sanctus Genitor summi fìlii Voice: Tenor Languages: Latin Clef: c4 Voice Text: Sanctus Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 35, I.
99	Kyrie	2	JO. ROLLET	Roullet, Johannes
Kyrie Roullet, Johannes Appears on: 99 Genres: Kyrie eleison, Mass Ordinary Source Attribution: JO. ROLLET Number of voices: 2 Voice: Tenor Languages: Greek Clef: c4 Voice Text: Kyrie faulx bourdon Voice: [no designation] Languages: Greek Clef: c1 Voice Text: Kyrie General Note Tenor Kyrie faulx bourdon General Note 1st Kyrie is repeated under 3 menurations (o, cut-o, o); Christe the same (cut-o, o, cut-o); final Kyrie has 2 musical settings, the first wth 2 mensurations (o, cut-o) and the second with o mensuration.
99v–100	Et in terra pax [Gloria]	3	JO. BRASSART	Brassart, Johannes (ca. 1400–1455)
Et in terra pax [Gloria] Brassart, Johannes (ca. 1400–1455) Appears on: 99v–100 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: JO. BRASSART Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: c1 Voice Text: [Gloria] Et in terra pax hominibus Voice: Tenor Languages: Latin Mensuration: cut-o Clef: c3 Voice Text: Et in terra Voice: Contratenor Languages: Latin Mensuration: cut-o Clef: c3 Voice Text: Et in terra Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 35, I.
100v–101v	Patrem omnipotentem [Credo]	3	JO. BRASSART	Brassart, Johannes (ca. 1400–1455)
Patrem omnipotentem [Credo] Brassart, Johannes (ca. 1400–1455) Appears on: 100v–101v Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: JO. BRASSART Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: c1 Voice Text: [Credo] Patrem Voice: Tenor Languages: Latin Clef: c3 Voice Text: Patrem Voice: Contratenor Languages: Latin Clef: c3 Voice Text: [Patrem] Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 35, I.
101v–102	Kyrie Jesu redemptor / De apostolis	2	G. DUFAY	Du Fay, Guillaume (1397–1474)
Kyrie Jesu redemptor / De apostolis Du Fay, Guillaume (1397–1474) Appears on: 101v–102 Genres: Kyrie eleison, Mass Ordinary Source Attribution: G. DUFAY Number of voices: 2 Voice: [no designation] Languages: Greek Clef: c1 Voice Text: Kyrie eleyson Voice: Tenor Languages: Latin Clef: c4 Voice Text: Kyrie faulx bourdon eleyson General Note Faulx bourdon de apostolis Publ. cf. TR 87 n° 67T: Kyrie faux bourdon
102v–103	Kyrie 'apostolorum' / 'de martyribus'	3	BINCHOIS	Binchois, Gilles (ca. 1400–1460)
Kyrie 'apostolorum' / 'de martyribus' Binchois, Gilles (ca. 1400–1460) Appears on: 102v–103 Genres: Kyrie eleison, Mass Ordinary Source Attribution: BINCHOIS Number of voices: 3 Voice: [no designation] Languages: Greek Mensuration: o Clef: c2 Voice Text: Apostolorum. Kyrie Voice: Tenor Languages: Latin Mensuration: o Clef: c4 Voice Text: Kyrie eleyson Voice: Contratenor Languages: Latin Clef: c4 Voice Text: Kyrie eleyson General Note [ou De martyribus]Publ. cf. AOs n° 22
103v–104v	Sanctus	3	[J. BENNET / J. DUNSTABLE / L. POWER]	Power, Leonel (–1445) (?) Benet, John (–ca. 1458) (?) Dunstaple, John (ca. 1390–1453) (?)
Sanctus Power, Leonel (–1445) (?) Benet, John (–ca. 1458) (?) Dunstaple, John (ca. 1390–1453) (?) Appears on: 103v–104v Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: [J. BENNET / J. DUNSTABLE / L. POWER] Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Sanctus Voice: Tenor Languages: Latin Clef: c4 Voice Text: Sanctus Voice: Contratenor Languages: Latin Clef: c4 Voice Text: Sanctus General Note Publ. cf. AOs n° 145
105–105v	Sanctus	3	-	Power, Leonel (–1445)
Sanctus Power, Leonel (–1445) Appears on: 105–105v Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Sanctus Voice: Tenor Languages: Latin Clef: c4 Voice Text: Sanctus Voice: Contratenor Languages: none Clef: c4 Voice Text: untexted
106v–107	Agnus Dei	3	[J. BENNET / L. POWER]	Power, Leonel (–1445) (?) Benet, John (–ca. 1458) (?)
Agnus Dei Power, Leonel (–1445) (?) Benet, John (–ca. 1458) (?) Appears on: 106v–107 Genres: Agnus Dei, Mass Ordinary Source Attribution: [J. BENNET / L. POWER] Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Agnus dei Voice: Tenor Languages: Latin Clef: c4 Voice Text: Agnus dei Voice: Contratenor Languages: Latin Clef: c4 Voice Text: Agnus dei General Note Publ. cf. AOs a" 154
107v–108	Agnus Dei	3	-	Anonymous
Agnus Dei Anonymous Appears on: 107v–108 Genres: Agnus Dei, Mass Ordinary Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c3 Voice Text: [Agnus dei] Qui tollis Voice: Tenor Languages: Latin Clef: f4 Voice Text: Agnus dei. Qui tollis Voice: Contratenor Languages: Latin Clef: f3 Voice Text: Qui tollis
108–108v	Agnus Dei	3	-	Anonymous
Agnus Dei Anonymous Appears on: 108–108v Genres: Agnus Dei, Mass Ordinary Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Aliud Agnus. Agnus dei Voice: Tenor Languages: Latin Mensuration: o Clef: c3 Voice Text: Agnus dei Voice: Contratenor Languages: Latin Mensuration: o Clef: c3 Voice Text: Agnus dei
109	Qui latuit in virgine / Du bist mein Hort	3	[G. DUFAY]*	Du Fay, Guillaume (1397–1474) (?)
Qui latuit in virgine / Du bist mein Hort Du Fay, Guillaume (1397–1474) (?) Appears on: 109 Genres: Contrafactum Source Attribution: [G. DUFAY]* Number of voices: 3 Voice: [no designation] Languages: none Mensuration: o Clef: c2 Voice Text: untexted. Trebulus per diminutionem. Voice: Contratenor Languages: German Clef: c1 Voice Text: Du pist mein hort. Per diminutionem Voice: Tenor Languages: none Mensuration: c-dot Clef: c4 Voice Text: untexted. Sicut jacet General Note Ct: Du pist mein Hort. Concordances D-brd-Mbs 3232 Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae.* The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, I (op. dub.).
109v–110v	Magnificat octavi toni: Et exultavit spiritus meus [K.385]	3	-	Anonymous
Magnificat octavi toni: Et exultavit spiritus meus [K.385] Anonymous Appears on: 109v–110v Genres: BVM, Canticle, Magnificat Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c2 Voice Text: [Magnificat anima mea dominum] Et exultavit Voice: Tenor Languages: none Clef: c4 Voice Text: untexted Voice: Contratenor Languages: none Clef: c4 Voice Text: untexted General Note Versets pairs
110v–111	Magnificat Sexti Toni: Et exultavit [K.301]	2	-	Anonymous
Magnificat Sexti Toni: Et exultavit [K.301] Anonymous Appears on: 110v–111 Genres: BVM, Canticle, Magnificat Number of voices: 2 Voice: [no designation] Languages: Latin Clef: c4 Voice Text: [Magnificat] 6i toni. Et exultavit Voice: Tenor Languages: Latin Clef: c4 Voice Text: Et exultavit faulx bourdon General Note Tenor faulx bourdon.Versets pairs.
111v–112	Magnificat Quinti Toni: Et exultavit [K.274]	2	-	Anonymous
Magnificat Quinti Toni: Et exultavit [K.274] Anonymous Appears on: 111v–112 Genres: BVM, Canticle, Magnificat Number of voices: 2 Voice: [no designation] Languages: Latin Clef: c1 Voice Text: [Magnificat] 6ti [toni] Et exultavit Voice: Tenor Languages: Latin Clef: c4 Voice Text: Faulx bourdon. Et exultavit General Note Tenor faulx bourdon.Versets pairs.
112v–113	Magnificat quarti toni: Et exultavit [K.240]	2	-	Anonymous
Magnificat quarti toni: Et exultavit [K.240] Anonymous Appears on: 112v–113 Genres: BVM, Canticle, Magnificat Number of voices: 2 Voice: [no designation] Languages: Latin Clef: c1 Voice Text: [Magnificat] Et exultavit Voice: Tenor Languages: none Clef: c4 Voice Text: untexted General Note Tenor faulx bourdon.Versets pairs.
113v–114	O proles Hispaniae - 1a pars (of 2): O proles Hispaniae / O sidus Hispaniae	4	G. DUFFAY	Du Fay, Guillaume (1397–1474)
O proles Hispaniae - 1a pars (of 2): O proles Hispaniae / O sidus Hispaniae Du Fay, Guillaume (1397–1474) Appears on: 113v–114 Genres: Motet Source Attribution: G. DUFFAY Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: c1 Voice Text: O proles ÿspanie Voice: Tenor Languages: Latin Mensuration: cut-o Clef: c3 Voice Text: O proles ÿspanie Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: c4 Voice Text: O Sidus ÿspanie Voice: Contratenor Languages: Latin Clef: c4 Voice Text: O proles General Note Publ. cf. MOe X.1.11 n° 64Ct I: O sidus yspanie
114v–115	O proles Hispaniae - 2a pars (of 2): O Christi patrocinium / Doctor veritatis	4	G. DUFFAY	Du Fay, Guillaume (1397–1474)
O proles Hispaniae - 2a pars (of 2): O Christi patrocinium / Doctor veritatis Du Fay, Guillaume (1397–1474) Appears on: 114v–115 Genres: Motet Source Attribution: G. DUFFAY Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: O Christi patrocinium Voice: [Tenor] Languages: Latin Mensuration: o Clef: c3 Voice Text: O Christi patrocinium Voice: [no designation] Languages: Latin Mensuration: o Clef: c3 Voice Text: Doctor veritatis Voice: Contratenor secundus Languages: none Mensuration: o Clef: c3 Voice Text: untexted General Note Publ. cf. MOe X.1.11 n° 64Ct I: O sidus yspanie
115v–117	Si quaeris miracula	3	DUFAY	Du Fay, Guillaume (1397–1474)
Si quaeris miracula Du Fay, Guillaume (1397–1474) Appears on: 115v–117 Genres: Motet, Responsory Source Attribution: DUFAY Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c1 Voice Text: SI. Queris miracula Voice: Tenor Languages: Latin Clef: c3 Voice Text: Queris miracula Voice: Contratenor Languages: none Clef: c3 Voice Text: [Queris] Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, V.
117v–118	A.....	3	-	Anonymous
A..... Anonymous Appears on: 117v–118 Genres: Motet, textless Number of voices: 3 Voice: Treble Languages: none Clef: c2 Voice Text: A... [initial only]. Trebulus per diminutionem. Voice: Contratenor Languages: none Clef: c4 Voice Text: untexted. Per diminutionem Voice: Tenor Languages: none Clef: c4 Voice Text: untexted
118	untexted	3	-	-
untexted - Appears on: 118 Genres: textless Number of voices: 3 Voice: [no designation] Languages: none Clef: c2 Voice Text: untexted Voice: Contratenor Languages: none Clef: c4 Voice Text: untexted Voice: Tenor Languages: none Clef: c4 Voice Text: untexted Item Bibliography Hamm, Charles E. 1960. A Group of Anonymous English Pieces in Trent 87. Music and Letters, 41: 211-5.
118v	Quant je remire.	3	BURGOIS	Bourgois
Quant je remire. Bourgois Appears on: 118v Genres: Chanson Source Attribution: BURGOIS Number of voices: 3 Voice: Treble Languages: French Clef: c1 Voice Text: Quant je remire [text incipit only] Voice: Contratenor Languages: none Clef: c3 Voice Text: untexted Voice: Tenor Languages: none Clef: c3 Voice Text: untexted Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 22 (XI).
119	untexted	3	-	-
untexted - Appears on: 119 Genres: textless Number of voices: 3 Voice: Treble Languages: none Clef: c2 Voice Text: untexted Voice: Contratenor Languages: none Clef: c4 Voice Text: untexted Voice: Tenor Languages: none Clef: c4 Voice Text: untexted
119	untexted	3	-	-
untexted - Appears on: 119 Genres: textless Number of voices: 3 Voice: Treble Languages: none Clef: c2 Voice Text: untexted Voice: Contratenor Languages: none Clef: c4 Voice Text: untexted Voice: Tenor Languages: none Clef: c4 Voice Text: untexted
119v–120	Donnés I'assault	3	DUFAY	Du Fay, Guillaume (1397–1474)
Donnés I'assault Du Fay, Guillaume (1397–1474) Appears on: 119v–120 Genres: Chanson, Rondeau Source Attribution: DUFAY Number of voices: 3 Voice: [no designation] Languages: French Clef: c1 Voice Text: Donnes Iassault Voice: Tenor Languages: none Clef: c3 Voice Text: untexted Voice: Contratenor Languages: none Clef: c3 Voice Text: untexted Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 22 (XI). [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, VI. Perkins, Leeman L. 1977. The Mellon Chansonnier. New Haven.
120v	untexted	3	-	-
untexted - Appears on: 120v Genres: textless Number of voices: 3 Voice: Discantus Languages: none Clef: c2 Voice Text: untexted Voice: Contratenor Languages: none Clef: c4 Voice Text: untexted Voice: Tenor Languages: none Clef: c4 Voice Text: untexted
121v–122v	Gaude virgo quae de caelis	3	-	Anonymous
Gaude virgo quae de caelis Anonymous Appears on: 121v–122v Genres: Motet Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Gaude virgo Voice: Contratenor Languages: Latin Clef: c4 Voice Text: gaude Virgo Voice: Tenor Languages: Latin Clef: c4 Voice Text: Gaude virgo que de celis General Note T: Gaude virgo que de celis
124–125	Asperges me Domine (I)	3	[BINCHOIS]	Binchois, Gilles (ca. 1400–1460)
Asperges me Domine (I) Binchois, Gilles (ca. 1400–1460) Appears on: 124–125 Genres: Asperges me, Motet Source Attribution: [BINCHOIS] Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: o Clef: f2 Voice Text: Asperges me Domine ysopo Voice: Tenor Languages: Latin Mensuration: o Clef: f4 Voice Text: Domine ysopo Voice: Contratenor Languages: Latin Mensuration: o Clef: f4 Voice Text: Domine ysopo General Note f. 124v-125, all voices have 2 mensurations, o / cut-o. The section on f.124, with text only in the upper voice, is the third section in Aosta (the repeat of Asperges me domine ysopo) which is omitted on 12v-125
125v	Veni dilecte mi	3	G. DUFAY [ou J. DE LYMBURGIA]	Lymburgia, Johannes de Du Fay, Guillaume (1397–1474) (?)
Veni dilecte mi Lymburgia, Johannes de Du Fay, Guillaume (1397–1474) (?) Appears on: 125v Genres: Motet Source Attribution: G. DUFAY [ou J. DE LYMBURGIA] Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Veni dilecte mi apprehendam Voice: Tenor Languages: Latin Clef: c4 Voice Text: Veni dilecte mi apprehendam Voice: Contratenor Languages: Latin Clef: c4 Voice Text: Veni dilecte mi General Note Publ. cf. AOs n° 153
126	Kyrie eleison	3	DUNSTABL	Dunstaple, John (ca. 1390–1453)
Kyrie eleison Dunstaple, John (ca. 1390–1453) Appears on: 126 Genres: Kyrie eleison, Mass Ordinary Source Attribution: DUNSTABL Number of voices: 3 Voice: [no designation] Languages: Greek Mensuration: o Clef: c1 Voice Text: Kyrie Voice: Tenor Languages: Greek Mensuration: o Clef: c3 Voice Text: Kyrie Voice: Contratenor Languages: Greek Mensuration: o Clef: c3 Voice Text: Kyrie Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 61 (XXXI). Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music. London. Pages: VIII.
126v–127	Ave regina caelorum	3	[J. FOREST]	Forest
Ave regina caelorum Forest Appears on: 126v–127 Genres: BVM, Motet Source Attribution: [J. FOREST] Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Ave regina celorum Voice: Tenor Languages: none Clef: c3 Voice Text: untexted Voice: Contratenor Languages: none Clef: c3 Voice Text: untexted
127v	Kyrie 'de beata Maria' / 'de domina'	3	BINCHOIS	Binchois, Gilles (ca. 1400–1460)
Kyrie 'de beata Maria' / 'de domina' Binchois, Gilles (ca. 1400–1460) Appears on: 127v Genres: Kyrie eleison, Mass Ordinary Source Attribution: BINCHOIS Number of voices: 3 Voice: [no designation] Languages: Greek Clef: c2 Voice Text: De domina. Kyrie Voice: Tenor Languages: Greek Clef: c4 Voice Text: Kyrie Voice: Contratenor Languages: Greek Clef: c4 Voice Text: Kyrie General Note Kyrie I & Christe only. Publ. cf. AOs n° 54
128	Kyrie feriale	3	BINCHOIS	Binchois, Gilles (ca. 1400–1460)
Kyrie feriale Binchois, Gilles (ca. 1400–1460) Appears on: 128 Genres: Kyrie eleison, Mass Ordinary Source Attribution: BINCHOIS Number of voices: 3 Voice: [no designation] Languages: Greek Voice Text: [Feriale] K(yrie] General Note Publ. cf. TR 87 n° 38
128v–129	Sancta Maria succurre miseris	3	[J.DUNSTABLE]	Dunstaple, John (ca. 1390–1453)
Sancta Maria succurre miseris Dunstaple, John (ca. 1390–1453) Appears on: 128v–129 Genres: Motet Source Attribution: [J.DUNSTABLE] Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Sancta maria succurre miseris Voice: Tenor Languages: Latin Clef: c3 Voice Text: Sancta maria Voice: Contratenor Languages: Latin Clef: c3 Voice Text: [Sancta Maria] General Note Here anonymous; Publ. cf. AOs n" 148
129v	Kyrie breve 'in simplici die'	3	BINCHOIS	Binchois, Gilles (ca. 1400–1460)
Kyrie breve 'in simplici die' Binchois, Gilles (ca. 1400–1460) Appears on: 129v Genres: Kyrie eleison, Mass Ordinary Source Attribution: BINCHOIS Number of voices: 3 Voice: [no designation] Languages: Greek Mensuration: cut-c Clef: c1 Voice Text: Kyrie Voice: Tenor Languages: Greek Mensuration: cut-c Clef: c4 Voice Text: Kyrie Voice: Contratenor Languages: Greek Mensuration: cut-c Clef: c3 Voice Text: Kyrie General Note Publ. cf. AOs n° 56
130–131	Kyrie Deus creator omnium	4-ex-3	JOHANES BENET	Benet, John (–ca. 1458)
Kyrie Deus creator omnium Benet, John (–ca. 1458) Appears on: 130–131 Genres: Kyrie eleison, Mass Ordinary Source Attribution: JOHANES BENET Number of voices: 4-ex-3 Voice: [no designation] Languages: Latin, Greek Clef: c2 Voice Text: [Kyrie] Deus creator omnium Voice: Contratenor Languages: none Clef: c4 Voice Text: untexted Voice: Tenor Languages: Latin Clef: c4 Voice Text: Deus creator General Note The piece has four voices as the upper voice is treated as a 2 ex 1 canon. The entrance distance varies. The capital S on f. 130v-131r was probably meant for another piece conceived earlier for this place, but the music is the Christe and Kyrie of this piece, though texts are lacking. Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 38.
133	En piece / Onques je n'eusse pensé	3	-	Anonymous
En piece / Onques je n'eusse pensé Anonymous Appears on: 133 Genres: Chanson Number of voices: 3 Voice: [no designation] Languages: French Clef: c2 Voice Text: En piesse [sic pour: onques] je n'eusse pensé Voice: Tenor Languages: none Clef: c4 Voice Text: untexted Voice: Contratenor Languages: none Clef: c4 Voice Text: untexted General Note f. 133r, "Oncques" je neussse pense: the original reads clearly and most convincingly "en piesse" (variant of en piece) meaning "for a certain time". The difference is important. "Onques" meaning "in the past" as a finished time span, "en piesse" opening the time for the rest of the text. (C. Goldberg) Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 22 (XI) Corrigenda.
133v	Vous soyez la tres bien venue	3	C. DE MERQUES	Merques, Nicolas (?)
Vous soyez la tres bien venue Merques, Nicolas (?) Appears on: 133v Genres: Chanson Source Attribution: C. DE MERQUES Number of voices: 3 Voice: [no designation] Languages: French Clef: c1 Voice Text: Vos soyes la tres bien venue Voice: Tenor Languages: French Clef: c4 Voice Text: [Vos soyes] Voice: Contratenor Languages: none Clef: c3 Voice Text: untexted General Note Publ. cf. Bu 2216 n° 87
133v–134	Protegat nos divina majestas	3	-	Anonymous
Protegat nos divina majestas Anonymous Appears on: 133v–134 Genres: Motet Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c1 Voice Text: PRotegat nos divina maiestas Voice: Tenor Languages: none Clef: c1 Voice Text: untexted Voice: Contratenor Languages: none Clef: c1 Voice Text: untexted
134	Faites muguet vrais amorans	3	-	Anonymous
Faites muguet vrais amorans Anonymous Appears on: 134 Genres: Chanson Number of voices: 3 Voice: [no designation] Languages: French Clef: c1 Voice Text: Faites vinguet [sic pour: muguet] vrays amorans. Voice: Tenor Languages: none Clef: c3 Voice Text: untexted Voice: Contratenor Languages: none Clef: c3 Voice Text: untexted Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 22 (XI).
134v	Puisque celle qui me tient en prison.	3	G. DUFAY	Du Fay, Guillaume (1397–1474)
Puisque celle qui me tient en prison. Du Fay, Guillaume (1397–1474) Appears on: 134v Genres: Chanson, Rondeau Source Attribution: G. DUFAY Number of voices: 3 Voice: [no designation] Languages: French Clef: c3 Voice Text: Puisque celle qui me tient en prison. Voice: Tenor Languages: none Clef: f3 Voice Text: untexted Voice: Contratenor Languages: none Clef: f3 Voice Text: untexted Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 22, (XI). [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, VI.
134v–135	Se mesdisans devoyent crever d'ire	3	-	Anonymous
Se mesdisans devoyent crever d'ire Anonymous Appears on: 134v–135 Genres: Chanson Number of voices: 3 Voice: [no designation] Languages: French Clef: c2 Voice Text: Se mesdisans devoyent crever d'ire. Voice: Tenor Languages: none Clef: c4 Voice Text: untexted Voice: Contratenor Languages: none Clef: c4 Voice Text: untexted Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 22 (XI).
135	Se la belle n'a le voloir	3	BINCHOIS	Binchois, Gilles (ca. 1400–1460)
Se la belle n'a le voloir Binchois, Gilles (ca. 1400–1460) Appears on: 135 Genres: Chanson Source Attribution: BINCHOIS Number of voices: 3 Voice: [no designation] Languages: French Clef: c2 Voice Text: Se la belle n'a le voloít. Voice: Tenor Languages: none Clef: f3 Voice Text: untexted Voice: Contratenor Languages: none Clef: c4 Voice Text: untexted Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 14/15 (Fil. Blume, Friedrich, and Kurt Gude (editors). 1929-79. Das Chorwerk. Wolfenbüttel/Berlin. Pages: 22. Rehm, Wolfgang (editor). 1957) & Vol. VI: Mehrstimmige Lamentationen aus der ersten Hälfte des 16. Jahrhunderts, Massenkeil, G (ed.) (1965) & Vol. VII-VIII. Heinrich Isaac Messen, Staehelin, Martin (ed.) (1970-1973. Die Chansons von Gilles Binchois (1400-1460). Musikalische Denkmäler, vol. II. Pages: II.
135v	Mon bien m'amour	3	G. DUFAY	Du Fay, Guillaume (1397–1474)
Mon bien m'amour Du Fay, Guillaume (1397–1474) Appears on: 135v Genres: Chanson, Rondeau Source Attribution: G. DUFAY Number of voices: 3 Voice: [no designation] Languages: French Clef: c1 Voice Text: Mon bien m'amour Voice: Tenor Languages: none Clef: c3 Voice Text: untexted Voice: Contratenor Languages: none Clef: c3 Voice Text: untexted Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 22 (XI). [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, VI.
135v–136	Je me recommande humblement	3	BINCHOIS	Binchois, Gilles (ca. 1400–1460)
Je me recommande humblement Binchois, Gilles (ca. 1400–1460) Appears on: 135v–136 Genres: Chanson Source Attribution: BINCHOIS Number of voices: 3 Voice: [no designation] Languages: French Clef: c1 Voice Text: Je me recommande humblement Voice: Tenor Languages: none Clef: c3 Voice Text: untexted Voice: Contratenor Languages: none Clef: c3 Voice Text: untexted Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 22 (XI). Rehm, Wolfgang (editor). 1957) & Vol. VI: Mehrstimmige Lamentationen aus der ersten Hälfte des 16. Jahrhunderts, Massenkeil, G (ed.) (1965) & Vol. VII-VIII. Heinrich Isaac Messen, Staehelin, Martin (ed.) (1970-1973. Die Chansons von Gilles Binchois (1400-1460). Musikalische Denkmäler, vol. II. Pages: II.
136	Je ne suis plus tel que souloye	3	DUFAY	Du Fay, Guillaume (1397–1474)
Je ne suis plus tel que souloye Du Fay, Guillaume (1397–1474) Appears on: 136 Genres: Chanson Source Attribution: DUFAY Number of voices: 3 Voice: [no designation] Languages: French Clef: c1 Voice Text: Je ne suy plus ceux que soloye Voice: Tenor Languages: none Clef: c3 Voice Text: untexted Voice: Contratenor Languages: none Clef: c3 Voice Text: untexted Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 15/15 (VII). [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 37. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, VI.
136v	Belle que vous ay je mesfait	3	DUFAY	Du Fay, Guillaume (1397–1474)
Belle que vous ay je mesfait Du Fay, Guillaume (1397–1474) Appears on: 136v Genres: Chanson, Rondeau Source Attribution: DUFAY Number of voices: 3 Voice: [no designation] Languages: French Clef: c1 Voice Text: Belle que vous ay je mesfait Voice: Tenor Languages: none Clef: c3 Voice Text: untexted Voice: Contratenor Languages: none Clef: c3 Voice Text: untexted Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 22 (XI). [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, VI.
136v–137	Je n'ai doubte fors que des envieux	3	DUFAY	Du Fay, Guillaume (1397–1474)
Je n'ai doubte fors que des envieux Du Fay, Guillaume (1397–1474) Appears on: 136v–137 Genres: Chanson, Rondeau Source Attribution: DUFAY Number of voices: 3 Voice: [no designation] Languages: French Clef: c1 Voice Text: Je nay doubte fors que des envieux Voice: Tenor Languages: none Clef: c3 Voice Text: untexted Voice: Contratenor Languages: none Clef: c4 Voice Text: untexted Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 22, XI. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, VI.
137v	Ce jour le doibt aussi fait la saison	3	[G. DUFAY]*	Du Fay, Guillaume (1397–1474)
Ce jour le doibt aussi fait la saison Du Fay, Guillaume (1397–1474) Appears on: 137v Genres: Chanson Source Attribution: [G. DUFAY]* Number of voices: 3 Voice: [no designation] Languages: French Clef: c1 Voice Text: Le jour se doit ossy fait la saison. Et le. Voice: Tenor Languages: none Clef: c4 Voice Text: untexted Voice: Contratenor Languages: none Clef: c4 Voice Text: untexted
138–139	Sanctus	3	JO. DUMSTABL	Dunstaple, John (ca. 1390–1453)
Sanctus Dunstaple, John (ca. 1390–1453) Appears on: 138–139 Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: JO. DUMSTABL Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Sanctus Voice: Tenor Languages: Latin Clef: c5 Voice Text: Sanctus Voice: Contratenor Languages: Latin Clef: c5 Voice Text: Sanctus General Note Publ. cf. AOs n° 98
139v–140	Agnus Dei	3	ANGLICUS [= J.DUNSTABLE]	Dunstaple, John (ca. 1390–1453)
Agnus Dei Dunstaple, John (ca. 1390–1453) Appears on: 139v–140 Genres: Agnus Dei, Mass Ordinary Source Attribution: ANGLICUS [= J.DUNSTABLE] Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c3 Voice Text: [Agnus dei] Qui tollis Voice: Tenor Languages: Latin Clef: c5 Voice Text: Agnus dei qui tollis Voice: Contratenor Languages: Latin Clef: c5 Voice Text: Qui tollis General Note Publ. cf. TR 87 n° 16
140	J'aime bien celui qui s'en va	3	-	Fontaine, Pierre (ca. 1380–ca. 1450)
J'aime bien celui qui s'en va Fontaine, Pierre (ca. 1380–ca. 1450) Appears on: 140 Genres: Chanson Number of voices: 3 Voice: [no designation] Languages: French Clef: c4 Voice Text: Je me. Voice: Tenor Languages: none Clef: f4 Voice Text: untexted Voice: Contratenor Languages: none Clef: f4 Voice Text: untexted Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 22 (XI).
140v	Gloria laus et honor - 1a pars (of 2): Gloria laus et honor	3	BINCHOIS	Binchois, Gilles (ca. 1400–1460)
Gloria laus et honor - 1a pars (of 2): Gloria laus et honor Binchois, Gilles (ca. 1400–1460) Appears on: 140v Genres: Hymn Source Attribution: BINCHOIS Number of voices: 3 Voice: [no designation] Languages: Latin Clef: f3 Voice Text: Gloria laus et honor Voice: Tenor Languages: Latin Clef: f5 Voice Text: Gloria laus Voice: Contratenor Languages: Latin Clef: f5 Voice Text: gloria laus
140v–141	Gloria laus et honor - 2a pars (of 2): Israel es tu rex	2	-	Binchois, Gilles (ca. 1400–1460)
Gloria laus et honor - 2a pars (of 2): Israel es tu rex Binchois, Gilles (ca. 1400–1460) Appears on: 140v–141 Genres: Hymn Number of voices: 2 Voice: [no designation] Languages: Latin Mensuration: o Clef: c4 Voice Text: Israhel es tu rex Voice: [no designation] Languages: Latin Mensuration: o Clef: f4 Voice Text: Israhel es tu rex General Note 2a pars: duo Item Bibliography Parris, Arthur. 1965. The sacred works of Gilles Binchois. Bryn Mawr College, Ph.D. Dissertation. Marrocco, W. Thomas, and Nicholas Sandon (editors). 1977. Medieval Music. London.
141v–142v	Missa Jacet granum: Et in terra [Gloria]	3	-	Benet, John (–ca. 1458) (?)
Missa Jacet granum: Et in terra [Gloria] Benet, John (–ca. 1458) (?) Appears on: 141v–142v Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c1 Voice Text: [Gloria] Et in terra pax hominibus Voice: Contratenor Languages: Latin Clef: c3 Voice Text: Et in terra Voice: Tenor Languages: Latin Clef: c3 Voice Text: Et in terra General Note [Jacet granum] Item Bibliography Wright, Peter. 1986. The Aosta-Trent Relationship Reconsidered. I codici musicali trentini a cento anni dalla loro riscoperta: Atti del convegno 'Laurence Feininger, la musicologia come missione', 138-57. Trent. Pages: 148. Notes: concordance with Aosta, according to Wright copied by Johannes Lupi from Aosta (C Goldberg).
143	fragments / sketches (at least five different voices)	-	-	-
fragments / sketches (at least five different voices) - Appears on: 143 Genres: textless Voice: [no designation] Languages: none Voice Text: untexted
143v–144	O flos fragrans	3	BRASSART	Brassart, Johannes (ca. 1400–1455)
O flos fragrans Brassart, Johannes (ca. 1400–1455) Appears on: 143v–144 Genres: Motet Source Attribution: BRASSART Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c1 Voice Text: O flos flagrans iam vernalis Voice: Tenor Languages: Latin Clef: c3 Voice Text: O flos Voice: Contratenor Languages: none Clef: c3 Voice Text: untexted Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 35, II (avec facs.)cf. Bc 15 n° 264.
144v–145	Sancta Maria non est tibi similis	3	-	Anonymous
Sancta Maria non est tibi similis Anonymous Appears on: 144v–145 Genres: Motet Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Sancta Maria non est tibi similis Voice: Tenor Languages: Latin Clef: c4 Voice Text: Sancta maria Voice: Contratenor Languages: Latin Clef: c4 Voice Text: [Sancta maria]
145v–146	Beata mater et innupta (2p. Gloriosa regina mundi 3p. Intercede pro nobis)	3	JO. DUNSTABLE (crossed out) - BINCHOIS	Binchois, Gilles (ca. 1400–1460) (?) Dunstaple, John (ca. 1390–1453)
Beata mater et innupta (2p. Gloriosa regina mundi 3p. Intercede pro nobis) Binchois, Gilles (ca. 1400–1460) (?) Dunstaple, John (ca. 1390–1453) Appears on: 145v–146 Genres: Motet Source Attribution: JO. DUNSTABLE (crossed out) - BINCHOIS Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c2 Voice Text: BEata mater et innvpta virgo Voice: Tenor Languages: none Clef: c4 Voice: Contratenor Languages: none Clef: c4 General Note Publ. cf. AOs n° 196
146	Inter natos mulierum (I)	3	BINCHOIS	Binchois, Gilles (ca. 1400–1460)
Inter natos mulierum (I) Binchois, Gilles (ca. 1400–1460) Appears on: 146 Genres: Motet Source Attribution: BINCHOIS Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c1 Voice Text: [Inter natos] Mulierum non surrexit Voice: Tenor Languages: Latin Clef: f2 Voice Text: Inter natos. Mulierum non surrexit Voice: Contratenor Languages: Latin Clef: c3 Voice Text: Mulierum non surrexit General Note (version 1) Item Bibliography Parris, Arthur. 1965. The sacred works of Gilles Binchois. Bryn Mawr College, Ph.D. Dissertation. Marrocco, W. Thomas, and Nicholas Sandon (editors). 1977. Medieval Music. London.
146v–148	Kyrie Deus creator omnium / Alma redemptoris	3	-	Anonymous
Kyrie Deus creator omnium / Alma redemptoris Anonymous Appears on: 146v–148 Genres: Kyrie eleison, Mass Ordinary, Troped Kyrie Number of voices: 3 Voice: [no designation] Languages: Latin, Greek Clef: f4 Voice Text: [Kyrie] Deus creator omnium Voice: Tenor Languages: Latin Clef: f3 Voice Text: Alma redemptoris Voice: [no designation] Languages: Latin, Greek Clef: c3 Voice Text: [Kyrie] Deus creator omnium General Note T: Alma redemptoris.
148v–149v	Et in terra pax [Gloria] 'Alma redemptoris'	3	-	Anonymous
Et in terra pax [Gloria] 'Alma redemptoris' Anonymous Appears on: 148v–149v Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c3 Voice Text: [Gloria] Et in terra Voice: Tenor Languages: Latin Clef: f3 Voice Text: Alma redemptoris Voice: [no designation] Languages: Latin Clef: f3 Voice Text: [Gloria] Et in terra General Note T: Alma redemptoris.
150–151v	Et in terra pax [Gloria] [Kaye 17]	3	G. BINCHOIS	Binchois, Gilles (ca. 1400–1460)
Et in terra pax [Gloria] [Kaye 17] Binchois, Gilles (ca. 1400–1460) Appears on: 150–151v Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: G. BINCHOIS Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c1 Voice Text: [Gloria] Et in terra Voice: Tenor Languages: none Clef: c4 Voice Text: untexted Voice: Contratenor Languages: none Clef: c4 Voice Text: untexted General Note Publ. cf. AOs n° 45
151v–153v	Missa Sancti Jacobi: Credo	3	DUFAY	Du Fay, Guillaume (1397–1474)
Missa Sancti Jacobi: Credo Du Fay, Guillaume (1397–1474) Appears on: 151v–153v Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: DUFAY Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c2 Voice Text: [Missa Sancti Jacobi. Credo] Patrem omnipotentem Voice: Tenor Languages: Latin Clef: c4 Voice Text: Patrem Voice: Contratenor Languages: Latin Clef: c4 Voice Text: Patrem General Note Publ. cf. AOs n° 88. Missing the 'Amen' in T/Ct?
153v–154	Bien doy servir de volonte entiere	3	DUFAY	Du Fay, Guillaume (1397–1474)
Bien doy servir de volonte entiere Du Fay, Guillaume (1397–1474) Appears on: 153v–154 Genres: Chanson Source Attribution: DUFAY Number of voices: 3 Voice: [no designation] Languages: French Clef: c2 Voice Text: Bien doy servir de volente entiere / Qui velu a de sa grace planne. Voice: Tenor Languages: French Clef: c4 Voice Text: Bien doy Voice: Contratenor Languages: none Clef: c4 Voice Text: untexted Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 22 (XI). [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, VI.
154v	Ave Regina caelorum (1)	3	G. DUFAY	Du Fay, Guillaume (1397–1474)
Ave Regina caelorum (1) Du Fay, Guillaume (1397–1474) Appears on: 154v Genres: BVM, Motet Source Attribution: G. DUFAY Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Ave regina caelorum Voice: Tenor Languages: Latin Clef: c4 Voice Text: Ave regina Voice: Contratenor Languages: none Clef: c4 Voice Text: untexted General Note Publ. cf. Bc 15 n° 225 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
155–156	Patrem omnipotentem [Credo]	3	GROSSIN	Grossin, Estienne
Patrem omnipotentem [Credo] Grossin, Estienne Appears on: 155–156 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: GROSSIN Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: c-dot Clef: c1 Voice Text: [Credo] Patrem Voice: Tenor Languages: Latin Mensuration: c-dot Clef: c4 Voice Text: Patrem Voice: Contratenor Languages: Latin Mensuration: c-dot Clef: c4 Voice Text: Patrem General Note Publ. cf. AOs n° 83
156v–157	Las aymy quand je pense bien per my	2	-	Anonymous
Las aymy quand je pense bien per my Anonymous Appears on: 156v–157 Genres: Chanson Number of voices: 2 Voice: [no designation] Languages: French Clef: c1 Voice Text: Las aymy quand je pense bien per my Voice: Contratenor Languages: none Clef: c4 Voice Text: untexted Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 22 (XI). [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 38.
157	Unum pulcrum	2	LUDVUCUS DE ARIMINO	Arimino, Ludvicus de (fl. c1435)
Unum pulcrum Arimino, Ludvicus de (fl. c1435) Appears on: 157 Genres: Motet Source Attribution: LUDVUCUS DE ARIMINO Number of voices: 2 Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Unum pulcrum. untexted. Voice: [no designation] Languages: none Clef: c4 Voice Text: untexted Item Bibliography Disertori, Benvenuto. 1954. La frottola nella storia della musica. Monumenta N.I., Cremona, Instituta et monumenta, Serie I. 9ff. Pages: (Nimis palcrum).
157v–158	Anima mea liquefacta est	3	DUFAY	Du Fay, Guillaume (1397–1474)
Anima mea liquefacta est Du Fay, Guillaume (1397–1474) Appears on: 157v–158 Genres: Motet Source Attribution: DUFAY Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Anima mea liquefacta est Voice: Tenor Languages: Latin Clef: f3 Voice Text: Anima mea liquefacta est Voice: Contratenor Languages: Latin Clef: c3 Voice Text: Anima mea liquefacta est General Note Publ. cf. Bc 15 n° 235 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
158v–160	Elisabeth Zachariae magnum virum genuit	4	-	Benoit (de Sirede) (?) Du Fay, Guillaume (1397–1474) (?)
Elisabeth Zachariae magnum virum genuit Benoit (de Sirede) (?) Du Fay, Guillaume (1397–1474) (?) Appears on: 158v–160 Genres: Motet Number of voices: 4 Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Elizabet zacharie magnum virum genuit Voice: [no designation] Languages: Latin Clef: c1 Voice Text: [E]lizabet zacharie magnum virum genuit Voice: Tenor Languages: Latin Clef: c3 Voice Text: Elizabeth Voice: Contratenor Languages: none Clef: c4 Voice Text: untexted General Note Not in Besseler or Planchart's Du Fay editions. HammCD proposed Du Fay as the author; AllsenFL suggested either Dufay or a close imitator.. Similar to Du Fay's style but (PlanchartD concludes) clumsy in places and lacking Du Fay's melodic invention: he proposes Benoit Sirede as the composer. Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 76:16-18. Hamm, Charles E. 1964. A Chronology of the Works of Guillaume Dufay Based on a Study of Mensural Practice. Princeton. Pages: 70-73. Planchart, Alejandro Enrique. 2018. Guillaume Du Fay. Cambridge: CUP. Pages: 386-388. Allsen, Jon Michael (editor). 1997. Four Late Isorhythmic Motets. Antico Edition, vol. 35. Newton Abbot.
160v–161, 158	Salve cara Deo	3	LUDBICUS DE ARIMINO	Arimino, Ludvicus de (fl. c1435)
Salve cara Deo Arimino, Ludvicus de (fl. c1435) Appears on: 160v–161, 158 Genres: Motet Source Attribution: LUDBICUS DE ARIMINO Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Salve cara deo Voice: Tenor Languages: Latin Clef: c3 Voice Text: Salve cara deo Voice: Contratenor Languages: English Clef: c3 Voice Text: Salve cara deo [f. 158] Layout Ct. is on f. 158: "Contratenorem invenies circa Anima mea huius sexterni in secundo folio a sinistris" [though on the right, as bound] Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 76 (XL). Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 14/15 (VII). Disertori, Benvenuto. 1942. L'Epistola all'Italia del Petrarca musicata nei Codici Tridentini. Rivista Musicale Italiana, 46/2: 65-78.
161v–162	Gentile alma benigna	3	-	Anonymous
Gentile alma benigna Anonymous Appears on: 161v–162 Genres: Italian secular Number of voices: 3 Voice: [no designation] Languages: Italian Clef: c2 Voice Text: Gentile alma benigna Voice: Tenor Languages: none Clef: c4 Voice Text: untexted Voice: Contratenor Languages: none Clef: c4 Voice Text: untexted General Note At top where composer's name would normally be is written "lb" Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 22, (XI).
162	Statuit ei Dominus	3	-	Anonymous
Statuit ei Dominus Anonymous Appears on: 162 Genres: Introit, Proper Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Statuit ei. Dominus Voice: Tenor Languages: Latin Clef: c4 Voice Text: Dominus Voice: Contratenor Languages: Latin Clef: c4 Voice Text: Domi
162v–164	Patrem omnipotentem [Credo]	3	-	Anonymous
Patrem omnipotentem [Credo] Anonymous Appears on: 162v–164 Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: o Clef: c3 Voice Text: [Credo] Patrem Voice: [no designation] Languages: Latin Mensuration: o Clef: c3 Voice Text: Patrem Voice: [no designation] Languages: Latin Mensuration: o Clef: c4 Voice Text: Patrem Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: (XXXI) sous 1e nom de Georgius a Brugis.
164	Iste confessor Domini / Iste confessor Domini / Iste confessor Domini	3	-	Anonymous
Iste confessor Domini / Iste confessor Domini / Iste confessor Domini Anonymous Appears on: 164 Genres: Hymn Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Jste confessor Voice: [no designation] Languages: Latin Clef: f3 Voice Text: Jste confessor Voice: [no designation] Languages: Latin Clef: f3 Voice Text: Jste confessor
164v–165	Patrem omnipotentem [Credo], du vilage (Dominicale)	4	ZACH. DE TERAMO	Zacara da Teramo, Antonio (ca. 1350–ca. 1413)
Patrem omnipotentem [Credo], du vilage (Dominicale) Zacara da Teramo, Antonio (ca. 1350–ca. 1413) Appears on: 164v–165 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: ZACH. DE TERAMO Number of voices: 4 Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Dominicale. [Credo] Patrem [de vilage] Voice: Tenor Languages: Latin Clef: c3 Voice Text: Patrem Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Patrem Voice: Contratenor Languages: Latin Clef: c3 Voice Text: Patrem General Note Publ. cf. Bc 15 n° 84 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
165v–166	O domina gloriosa	3	JO. VERBEN	Verben, Johannes
O domina gloriosa Verben, Johannes Appears on: 165v–166 Genres: Motet Source Attribution: JO. VERBEN Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: c1 Voice Text: O domina gloriosa Voice: Tenor Languages: none Clef: c3 Voice Text: untexted Voice: Contratenor Languages: none Clef: c3 Voice Text: untexted Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: DTÖ 76 (XL).
166v	Festum nunc celebre	3	[G. DUFAY ?]*	Du Fay, Guillaume (1397–1474) (?)
Festum nunc celebre Du Fay, Guillaume (1397–1474) (?) Appears on: 166v Genres: Hymn Source Attribution: [G. DUFAY ?]* Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c1 Voice Text: festum nunc celebre Voice: Tenor Languages: none Clef: c4 Voice Text: untexted Voice: Contratenor Languages: none Clef: c4 Voice Text: untexted Concordances D-brd-Mbs 3232 Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae.* The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, V (op. dub.).
166v	Liesse m'a mandé salut	3	GROSSIN [ou G. BINCHOIS*]	Binchois, Gilles (ca. 1400–1460) (?) Grossin, Estienne (?) Du Fay, Guillaume (1397–1474) (?)
Liesse m'a mandé salut Binchois, Gilles (ca. 1400–1460) (?) Grossin, Estienne (?) Du Fay, Guillaume (1397–1474) (?) Appears on: 166v Genres: Chanson Source Attribution: GROSSIN [ou G. BINCHOIS] Number of voices:* 3 Voice: [no designation] Languages: French Clef: c1 Voice Text: [L]Yesse m'a mandé. Voice: Tenor Languages: none Clef: c4 Voice Text: untexted Voice: Contratenor Languages: none Clef: c4 Voice Text: untexted Concordances Publ. cf. Bu 2216 n° 19/17; *GB-Ob 213
167v–168	Missa Sine nomine: Kyrie eleison	3	[J.PYLLOIS]	Pullois, Johannes
Missa Sine nomine: Kyrie eleison Pullois, Johannes Appears on: 167v–168 Genres: Kyrie eleison, Mass Ordinary Source Attribution: [J.PYLLOIS] Number of voices: 3 Voice: [no designation] Languages: Greek Mensuration: o Clef: c2 Voice Text: Kyrie eleyson Voice: Tenor Languages: Greek Mensuration: o Clef: f3 Voice Text: Kyrie eleyson Voice: Contratenor Languages: Greek Mensuration: o Clef: f3 Voice Text: Kyrie eleyson Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 41.
168v–170	Missa Sine nomine: Et in terra pax [Gloria]	3	[J.PYLLOIS]	Pullois, Johannes
Missa Sine nomine: Et in terra pax [Gloria] Pullois, Johannes Appears on: 168v–170 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: [J.PYLLOIS] Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: o Clef: c2 Voice Text: [Gloria] Et in terra Voice: Tenor Languages: Latin Clef: f3 Voice Text: Et in terra Voice: Contratenor Languages: Latin Clef: f3 Voice Text: Et in terra Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 41. Marrocco, W. Thomas, and Nicholas Sandon (editors). 1977. The Oxford Anthology of Music: Medieval Music. London.
170v–172	Missa Sine nomine: Patrem omnipotentem [Credo]	3	[J.PYLLOIS]	Pullois, Johannes
Missa Sine nomine: Patrem omnipotentem [Credo] Pullois, Johannes Appears on: 170v–172 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: [J.PYLLOIS] Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: [Credo] Patrem omnipotentem Voice: Tenor Languages: Latin Mensuration: o Clef: c4 Voice Text: Patrem Voice: Contratenor Languages: Latin Mensuration: o Clef: c4 Voice Text: Patrem General Note transposed (in F not D) Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 41.
172v–173	Missa Sine nomine: Sanctus	3	[J.PYLLOIS]	Pullois, Johannes
Missa Sine nomine: Sanctus Pullois, Johannes Appears on: 172v–173 Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: [J.PYLLOIS] Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Sanctus Voice: Tenor Languages: Latin Clef: f3 Voice Text: Sanctus Voice: Contratenor Languages: Latin Clef: f3 Voice Text: Sanctus Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 41 (attrib. à J. Pyllois).
173v–174	Missa Sine nomine: Agnus Dei	3	[J.PYLLOIS]	Pullois, Johannes
Missa Sine nomine: Agnus Dei Pullois, Johannes Appears on: 173v–174 Genres: Agnus Dei, Mass Ordinary Source Attribution: [J.PYLLOIS] Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Agnus dei qui tollis Voice: Tenor Languages: Latin Clef: f3 Voice Text: Agnus dei Voice: Contratenor Languages: Latin Clef: f3 Voice Text: Agnus dei Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 41.
174v–196v	blank staves	-	-	-
blank staves Appears on: 174v–196v
197–198	Regina caeli laetare alleluia (2p. Resurrexit sicut)	3	JO BRASSART	Brassart, Johannes (ca. 1400–1455)
Regina caeli laetare alleluia (2p. Resurrexit sicut) Brassart, Johannes (ca. 1400–1455) Appears on: 197–198 Genres: Motet, Regina caeli laetare Source Attribution: JO BRASSART Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Letare Alleluia Voice: Tenor Languages: Latin Clef: c3 Voice: Contratenor Languages: Latin Clef: c3 Voice Text: Regina celi Item Bibliography Brassart, Johannes. 1960. Sechs Motetten, Hrsg. von Keith E. Mixter. Graz. Musik alter Meister, vol. XIII. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 35, II.
198v–199	untexted (Tandernaken?)	3	TYLING ?	Tyling (fl. c1450-75) (?)
untexted (Tandernaken?) Tyling (fl. c1450-75) (?) Appears on: 198v–199 Genres: textless Source Attribution: TYLING ? Number of voices: 3 Voice: Treble Languages: none Clef: c2 Voice Text: untexted Voice: [no designation] Languages: none Clef: c4 Voice Text: untexted Voice: [no designation] Languages: none Clef: c4 Voice Text: untexted General Note T sur le thème du Tandernaken
199v–200	untexted	3	-	-
untexted - Appears on: 199v–200 Genres: textless Number of voices: 3 Voice: Treble Languages: none Clef: c2 Voice Text: untexted Voice: Tenor Languages: none Clef: c3 Voice Text: untexted Voice: Contratenor Languages: none Clef: c4 Voice Text: untexted
200v	Sacris solemniis	3	JO. BRASSART	Brassart, Johannes (ca. 1400–1455)
Sacris solemniis Brassart, Johannes (ca. 1400–1455) Appears on: 200v Genres: Motet Source Attribution: JO. BRASSART Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Sacris solemniis Voice: Tenor Languages: Latin Clef: c4 Voice Text: Sacri solemniis Voice: Contratenor Languages: none Clef: c4 Voice Text: untexted Item Bibliography Brassart, Johannes. 1960. Sechs Motetten, Hrsg. von Keith E. Mixter. Graz. Musik alter Meister, vol. XIII. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 35, II.
201–218v	blank staves	-	-	-
blank staves Appears on: 201–218v
219	In natali Domini Vs. Virgo mater peperit	3	-	Anonymous
In natali Domini Vs. Virgo mater peperit Anonymous Appears on: 219 Genres: Lauda Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c2 Voice Text: IN natale domini Voice: [no designation] Languages: Latin Clef: c4 Voice Text: IN natale domini Voice: [no designation] Languages: Latin Clef: c4 Voice Text: IN natale domini General Note Publ. cf. Bc 15 n° 180 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
219v–220	Conditor alme siderum	5, making 2 or 3 3vv motets	-	Anonymous
Conditor alme siderum Anonymous Appears on: 219v–220 Genres: Hymn Number of voices: 5, making 2 or 3 3vv motets Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Conditor alme syderum Voice: Tenor Languages: none Clef: c4 Voice Text: untexted Voice: Contratenor Languages: Latin Clef: c4 Voice Text: Conditor alme syderum Voice: Tenor Languages: Latin Clef: c4 Voice Text: Conditor Voice: Contratenor Languages: none Clef: c4 Voice Text: Contra super tenorem jam stantem. untexted General Note 5vv copied, making 2 versions each sharing the Ct of the first motet. Beside the Ct on f. 219v "Accipe contratenor precedentem super tenorem sequentem [also on f. 219v] in dyapason et habebis motetum." On f.220 there is another Ct., the 5th voice, annotated "Contra super tenorem jam stantem", perhaps making a third version?
220	Conditor alme siderum	3	-	Anonymous
Conditor alme siderum Anonymous Appears on: 220 Genres: Hymn Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Conditor Alme syderum Voice: Tenor Languages: none Clef: c3 Voice: Contratenor Languages: none Clef: c4 Voice Text: untexted
220v–221	Veni creator spiritus	4	H. BATTRE	Battre, H. (fl. c1430-40)
Veni creator spiritus Battre, H. (fl. c1430-40) Appears on: 220v–221 Genres: Hymn, Veni creator spiritus Source Attribution: H. BATTRE Number of voices: 4 Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Veni creator spiritus Voice: Tenor Languages: none Clef: f3 Voice Text: untexted Voice: Tenor Languages: none Clef: f3 Voice Text: Tenor alius cum omnibus aliis Voice: Contratenor Languages: Latin Clef: c3 Voice Text: Vwni creator spiritus Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 53 (XXVII).
221–221v	Magnificat primi toni: Et exultavit [K.128]	2	-	Anonymous
Magnificat primi toni: Et exultavit [K.128] Anonymous Appears on: 221–221v Genres: BVM, Canticle, Magnificat Number of voices: 2 Voice: [no designation] Languages: Latin Clef: c2 Voice Text: [Magnificat] Et exultavit Voice: [no designation] Languages: Latin Clef: f3 Voice Text: Et exultavit General Note Versets pairs.
222	Stirps regia vita	3	H. BATTRE	Battre, H. (fl. c1430-40)
Stirps regia vita Battre, H. (fl. c1430-40) Appears on: 222 Genres: Motet Source Attribution: H. BATTRE Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Stirps regia Voice: Tenor Languages: none Clef: c4 Voice Text: untexted Voice: Contratenor Languages: none Clef: c4 Voice Text: untexted Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 76 (XL).
222v	Benedicamus Domino	3	-	Battre, H. (fl. c1430-40) (?)
Benedicamus Domino Battre, H. (fl. c1430-40) (?) Appears on: 222v Genres: Benedicamus Domino, Motet Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Benedicamus domino Alleluya Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Benedicamus domino Alleluya Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Benedicamus domino Alleluya
223–224v	Et in terra pax [Gloria]	3	-	Anonymous
Et in terra pax [Gloria] Anonymous Appears on: 223–224v Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c2 Voice Text: [Gloria] Et in terra Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Et in terra Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Et in terra
225–225v	Magnificat Secundi Toni: Et exultavit [K.192]	2	-	Anonymous
Magnificat Secundi Toni: Et exultavit [K.192] Anonymous Appears on: 225–225v Genres: BVM, Canticle, Magnificat Number of voices: 2 Voice: [no designation] Languages: Latin Clef: c2 Voice Text: [Magnificat] Secundi toni. Et exultavit Voice: [no designation] Languages: Latin Clef: f3 Voice Text: Et exultavit General Note Versets pairs.
225v–226v	Magnificat Quarti Toni: Et exultavit [K.241]	3	-	Anonymous
Magnificat Quarti Toni: Et exultavit [K.241] Anonymous Appears on: 225v–226v Genres: BVM, Canticle, Magnificat Number of voices: 3 Voice: [no designation] Languages: Latin Clef: g2 Voice Text: [Magnificat] Quarti toni. Et exultavit Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Et exultavit Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Et exultavit General Note Versets pairs.
226v–228	Magnificat Sexti Toni: Et exultavit [K.302]	3	-	Anonymous
Magnificat Sexti Toni: Et exultavit [K.302] Anonymous Appears on: 226v–228 Genres: BVM, Canticle, Magnificat Number of voices: 3 Voice: [no designation] Languages: Latin Clef: g2 Voice Text: [Magnificat] Sexti toni.Et exultavit Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Et exultavit Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Et exultavit General Note Versets pairs.
228–228v	Magnificat octavi toni: Et exultavit [K.380]	2	-	Anonymous
Magnificat octavi toni: Et exultavit [K.380] Anonymous Appears on: 228–228v Genres: BVM, Canticle, Magnificat Number of voices: 2 Voice: [no designation] Languages: Latin Clef: c1 Voice Text: [Magnificat] Octavi toni. Et exultavit Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Et exultavit General Note Versets pairs.
229–230	Kyrie 'angelorum'	3	[BINCHOIS]	Binchois, Gilles (ca. 1400–1460)
Kyrie 'angelorum' Binchois, Gilles (ca. 1400–1460) Appears on: 229–230 Genres: Kyrie eleison, Mass Ordinary Source Attribution: [BINCHOIS] Number of voices: 3 Voice: [no designation] Languages: Greek Clef: c1 Voice Text: Kyrie [Angelorum] Voice: Tenor Languages: Greek Clef: c3 Voice Text: Kyrie eleyson Voice: Contratenor Languages: Greek Clef: c2 Voice Text: Kyrie eleyson General Note Publ. cf. AOs n° 27
230v–231	O sacrum convivium in quo Christus sumitur	3	-	Battre, H. (fl. c1430-40)
O sacrum convivium in quo Christus sumitur Battre, H. (fl. c1430-40) Appears on: 230v–231 Genres: Motet Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c1 Voice Text: O sacrum conviuium Voice: Tenor Languages: none Clef: c3 Voice Text: untexted Voice: Contratenor Languages: none Clef: c3 Voice Text: untexted General Note At end of Cantus, "Reincipe si volueris usque ad punctum ante in quo" - an optional repeat of all but the final 'alleluya'. Similarly at end of Tenor"Reincipe si volueris usque ad punctum" and of Contratenor "Reincipe et dic usque ad punctum organicum"
231v–232	Inter amoenitatis tripudia	3	-	Anonymous
Inter amoenitatis tripudia Anonymous Appears on: 231v–232 Genres: Motet Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Iter amenitatis tripudia Voice: [no designation] Languages: Latin Clef: c2 Voice Text: O livor anxie Voice: Tenor Languages: none Clef: c4 Voice Text: untexted General Note Ct: O livor anxie … Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 76 (XL).
232v–235	Patrem omnipotentem [Credo]	3	-	Anonymous
Patrem omnipotentem [Credo] Anonymous Appears on: 232v–235 Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: c Clef: c1 Voice Text: [Credo] Patrem omnipotentem Voice: Tenor Languages: Latin Mensuration: c Clef: c3 Voice Text: Patrem ... factorem Voice: Contratenor Languages: none Clef: c3 Voice Text: untexted Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 61 (XXXI).
235v–238	Patrem omnipotentem [Credo]	3	-	Anonymous
Patrem omnipotentem [Credo] Anonymous Appears on: 235v–238 Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c1 Voice Text: [Credo] Patrem omnipotentem Voice: Tenor Languages: Latin Clef: c4 Voice Text: Patrem omnipotentem Voice: Contratenor Languages: Latin Clef: c4 Voice Text: omnipotentem Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 61 (XXXI).
238v–240	Et in terra pax [Gloria]	3	-	Anonymous
Et in terra pax [Gloria] Anonymous Appears on: 238v–240 Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c1 Voice Text: [Gloria] Et in terra - faulx bourdon Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Bonae voluntatis Voice: Tenor Languages: Latin Clef: c4 Voice Text: duo domine rex ... Qui tollis peccata mundi General Note Mostly in 2vv but in some sections a Tenor is added. Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 61 (XXXI).
240v	Kyrie	3	-	Battre, H. (fl. c1430-40) (?)
Kyrie Battre, H. (fl. c1430-40) (?) Appears on: 240v Genres: Kyrie eleison, Mass Ordinary Number of voices: 3 Voice: Discantus Languages: Greek Mensuration: c Clef: c1 Voice Text: Kyrie eleyson Voice: Contratenor Languages: Greek Mensuration: c Clef: c1 Voice Text: Kyrie eleyson Voice: Tenor Languages: Greek Mensuration: c Clef: c4 Voice Text: Kyrie eleyson General Note incomplete; Kyrie I and Christe (end of T missing with loss of following page); presumably Kyrie II was on the facing page now lost Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 61 (XXXI).
241	Quem proclamat ecclesia	2 of 3	-	Anonymous
Quem proclamat ecclesia Anonymous Appears on: 241 Genres: Motet Number of voices: 2 of 3 Voice: [no designation] Languages: Latin Clef: c1 Voice Text: ... quem proclamat ecclesia Voice: Tenor Languages: Latin Clef: c4 Voice Text: ... quem proclamat ecclesia General Note incomplete: loss of preceding page with Cantus and beginning of Contratenor. Though complete, the first part of the Tenor is untexted.
241v–242	O quam glorifica	4	-	Anonymous
O quam glorifica Anonymous Appears on: 241v–242 Genres: Hymn Number of voices: 4 Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: O quam glorifica Voice: Tenor Languages: Latin Mensuration: o Clef: c4 Voice Text: O quam glorifica Voice: [no designation] Languages: Latin Clef: c1 Voice Text: O quam glorifica Voice: [no designation] Languages: none Clef: c4 Voice Text: untexted
242v	Iste confessor	3	-	Anonymous
Iste confessor Anonymous Appears on: 242v Genres: Motet Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Iste confessor Voice: Tenor Languages: none Clef: c4 Voice Text: untexted Voice: Contratenor Languages: none Clef: c4 Voice Text: untexted
243–244	Sanctus.	3	-	Anonymous
Sanctus. Anonymous Appears on: 243–244 Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c1 Voice Text: San[ctus]. Voice: Tenor Languages: Latin Clef: c3 Voice Text: San[ctus] Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Sanctus
244v–245	Agnus Dei	4	H. BATTRE	Battre, H. (fl. c1430-40)
Agnus Dei Battre, H. (fl. c1430-40) Appears on: 244v–245 Genres: Agnus Dei, Mass Ordinary Source Attribution: H. BATTRE Number of voices: 4 Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Agnus dei qui tollis Voice: Tenor Languages: none Clef: c3 Voice Text: untexted Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Agnus dei qui tollis Voice: Tenor Languages: Latin Clef: c3 Voice Text: Agnus Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 61 (XXXI).
245v–246	Patrem omnipotentem [Credo]	3	-	Anonymous
Patrem omnipotentem [Credo] Anonymous Appears on: 245v–246 Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: c Clef: c1 Voice Text: [Credo] Patrem Voice: [no designation] Languages: Latin Mensuration: c Clef: c1 Voice Text: Patrem Voice: [no designation] Languages: Latin Mensuration: c Clef: c1 Voice Text: Patrem General Note incomplete or short version: ends at "...descendit de celis"
247v–249	Et in terra pax [Gloria]	3	H.BATTRE	Battre, H. (fl. c1430-40)
Et in terra pax [Gloria] Battre, H. (fl. c1430-40) Appears on: 247v–249 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: H.BATTRE Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c1 Voice Text: [Gloria] Et in terra pax hominibus Voice: Tenor Languages: Latin Clef: c3 Voice Text: Et in terra Voice: Contratenor Languages: Latin Clef: c3 Voice Text: Et in terra General Note Tr: Altissime au 1er Jesu Christe (?) Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 61 (XXXI).
249v–251	Patrem omnipotentem [Credo]	3	[G. DUFAY]	Du Fay, Guillaume (1397–1474)
Patrem omnipotentem [Credo] Du Fay, Guillaume (1397–1474) Appears on: 249v–251 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: [G. DUFAY] Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c2 Voice Text: [Credo] Patrem omnipotentem Voice: Tenor Languages: Latin Clef: c4 Voice Text: Patrem Voice: Contratenor Languages: Latin Clef: c4 Voice Text: Patrem General Note Publ. cf. AOs n° 33
251v–252	Chomos Condrosi	3-ex-2	H. BATTRE	Battre, H. (fl. c1430-40)
Chomos Condrosi Battre, H. (fl. c1430-40) Appears on: 251v–252 Genres: Motet Source Attribution: H. BATTRE Number of voices: 3-ex-2 Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Chomos Condrosi Voice: Contratenor Languages: none Clef: c4 Voice Text: untexted General Note Tenor derived by canon: "Motetus iste de se facit tenorem fugando tria tempora et accipiendo in diazeugumenon." Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 76 (XL). [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 38.
252v–253	Incipit in saeculo	3	-	Anonymous
Incipit in saeculo Anonymous Appears on: 252v–253 Genres: Motet Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c1 Voice Text: INcipit in seculo Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Incipit in seculo Voice: [no designation] Languages: none Clef: c4 Voice Text: untexted Item Bibliography Tischler, Hans. 1971. A Three-Part Rondellus in Trent MS 87. Journal of the American Musicological Society, 24: 449-57.
253v–256	Et in terra pax [Gloria]	4	-	Anonymous
Et in terra pax [Gloria] Anonymous Appears on: 253v–256 Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 4 Voice: [no designation] Languages: Latin Clef: c1 Voice Text: [Gloria]. Et in terra Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Et in terra Voice: Tenor Languages: Latin Clef: c4 Voice Text: Laudamus te Voice: Contratenor Languages: Latin Clef: c4 Voice Text: Laudamus te General Note Faulx bourdon.
256v–258	Et in terra pax [Gloria]	3	-	Anonymous
Et in terra pax [Gloria] Anonymous Appears on: 256v–258 Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c1 Voice Text: [Gloria] Et in terra pax hominibus Voice: Tenor Languages: Latin Clef: c3 Voice Text: Et in terra Voice: Contratenor Languages: Latin Clef: c3 Voice Text: Et in terra
258v–259, 260	Gaudens exulta tu Ceunacum	4	H.BATTRE	Battre, H. (fl. c1430-40)
Gaudens exulta tu Ceunacum Battre, H. (fl. c1430-40) Appears on: 258v–259, 260 Genres: Motet Source Attribution: H.BATTRE Number of voices: 4 Voice: [no designation] Languages: Latin Clef: c1 Voice Text: GAudens exulta tu ceunacum Voice: Tenor Languages: none Clef: c3 Voice Text: untexted Voice: Contratenor Languages: none Clef: c3 Voice Text: untexted Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Gaudens exulta tu ceunacum Layout f. 260 folds out from f. 259 to make a three-page spread 258v-259-260 (the next opening being 260v-259v-261) Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 76 (XL).
260v, 259v, 261	Dulcissime frater	3	H.BATTRE	Battre, H. (fl. c1430-40)
Dulcissime frater Battre, H. (fl. c1430-40) Appears on: 260v, 259v, 261 Genres: Motet Source Attribution: H.BATTRE Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Dulcissime frater Voice: Tenor Languages: Latin Clef: c3 Voice Text: Dulcissime frater Voice: Contratenor Languages: Latin Clef: c3 Voice Text: Dulcissime frater. Layout f. 260 folds out from f. 259 to make a three-page spread 258v-259-260 (the next opening being 260v-259v-261) Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 76 (XL).
261v–262	Jacob autem genuit De qua natus est Jesus	3	H.BATTRE	Battre, H. (fl. c1430-40)
Jacob autem genuit De qua natus est Jesus Battre, H. (fl. c1430-40) Appears on: 261v–262 Genres: Motet Source Attribution: H.BATTRE Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c1 Voice Text: [Jacob autem genuit] De qua natus est Jhesus Voice: Tenor Languages: none Clef: c4 Voice Text: untexted Voice: Contratenor Languages: none Clef: c4 Voice Text: untexted Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 76 (XL).
262v–264	Gaude virgo mater Christi	3	H.BATTRE	Battre, H. (fl. c1430-40)
Gaude virgo mater Christi Battre, H. (fl. c1430-40) Appears on: 262v–264 Genres: Motet Source Attribution: H.BATTRE Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c2 Voice Text: GAude virgo mater christi Voice: Tenor Languages: Latin Clef: c4 Voice Text: GAude virgo mater christi Voice: Contratenor Languages: none Clef: c4 Voice Text: untexted General Note Voicing info below is for all verses except 2nd: in 2nd verse all voices are in c2 clef Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 76 (XL).
265	Tantam gratiam laeti	3	-	Anonymous
Tantam gratiam laeti Anonymous Appears on: 265 Genres: Motet Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: Tantam gratiam laeti Voice: Tenor Languages: none Mensuration: o Clef: c4 Voice Text: untexted Voice: Contratenor Languages: none Mensuration: o Clef: c4 Voice Text: untexted
265v	Ei occuramus	3	-	Anonymous
Ei occuramus Anonymous Appears on: 265v Genres: Motet Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Ei occuramus Voice: Tenor Languages: none Clef: c4 Voice Text: untexted Voice: Contratenor Languages: none Clef: c4 Voice Text: untexted

Composer	Compositions
Anonymous	A..... – 117v–118 Agnus Dei – 108–108v Agnus Dei – 21v–22v Agnus Dei – 18v–20 Agnus Dei – 107v–108 Agnus Dei (fragment) – 97 Ay mi lasse lasse dolant / Jamais n'aray ne bon jour – 92v–93 Ce ne fut pas sans un grant desplaisir – 90v Chasse moi je vois devant – 91v Conditor alme siderum – 219v–220 Conditor alme siderum – 220 Ei occuramus – 265v En piece / Onques je n'eusse pensé – 133 Eslongiés suy de vous belle mastresse – 34 Et in terra pax [Gloria] – 238v–240 Et in terra pax [Gloria] – 256v–258 Et in terra pax [Gloria] – 223–224v Et in terra pax [Gloria] – 253v–256 Et in terra pax [Gloria] 'Alma redemptoris' – 148v–149v Faites muguet vrais amorans – 134 fragments / sketches (at least five different voices) – 143 Gaude virgo quae de caelis – 121v–122v Gentile alma benigna – 161v–162 Incipit in saeculo – 252v–253 In natali Domini Vs. Virgo mater peperit – 219 Inter amoenitatis tripudia – 231v–232 Iste confessor – 242v Iste confessor Domini / Iste confessor Domini / Iste confessor Domini – 164 Kyrie Deus creator omnium / Alma redemptoris – 146v–148 Kyrie 'duobus prius concinentibus' – 88v–89 Kyrie eleison – 89v–90 La doulce saison de may – 92 Las aymy quand je pense bien per my – 156v–157 Magnificat: Et exultavit [K.220] – 82v–84v Magnificat octavi toni: Et exultavit [K.379] – 81v–82v Magnificat octavi toni: Et exultavit [K.380] – 228–228v Magnificat octavi toni: Et exultavit spiritus meus [K.385] – 109v–110v Magnificat primi toni: Et exultavit [K.128] – 221–221v Magnificat quarti toni: Et exultavit [K.240] – 112v–113 Magnificat Quarti Toni: Et exultavit [K.241] – 225v–226v Magnificat Quinti Toni: Et exultavit [K.274] – 111v–112 Magnificat Secundi Toni: Et exultavit [K.192] – 225–225v Magnificat Sexti Toni: Et exultavit [K.301] – 110v–111 Magnificat Sexti Toni: Et exultavit [K.302] – 226v–228 Mon bien m'amour – 59 O quam glorifica – 241v–242 Patrem omnipotentem [Credo] – 30v–31 Patrem omnipotentem [Credo] – 235v–238 Patrem omnipotentem [Credo] – 162v–164 Patrem omnipotentem [Credo] – 232v–235 Patrem omnipotentem [Credo] – 8v–10 Patrem omnipotentem [Credo] – 245v–246 Protegat nos divina majestas – 133v–134 Puisque me vois mis en oubli. – 87v Quem proclamat ecclesia – 241 Sancta Maria non est tibi similis – 144v–145 Sanctus. – 243–244 Sanctus 'anglicanus' – 17–18v Se mesdisans devoyent crever d'ire – 134v–135 Statuit ei Dominus – 162 Tantam gratiam laeti – 265 untexted – 118 untexted – 119 untexted – 199v–200 untexted – 119 untexted – 120v [No description] – 201–218v [No description] – 174v–196v
Arimino, Ludvicus de (c1435)	Salve cara Deo – 160v–161, 158 Unum pulcrum – 157
Battre, H. (c1430-40)	Agnus Dei – 244v–245 (?) Benedicamus Domino – 222v Chomos Condrosi – 251v–252 Dulcissime frater – 260v, 259v, 261 Et in terra pax [Gloria] – 247v–249 Gaudens exulta tu Ceunacum – 258v–259, 260 Gaude virgo mater Christi – 262v–264 Jacob autem genuit De qua natus est Jesus – 261v–262 (?) Kyrie – 240v O sacrum convivium in quo Christus sumitur – 230v–231 Stirps regia vita – 222 Veni creator spiritus – 220v–221
Benet, John (-ca. 1458)	(?) Agnus Dei – 106v–107 Kyrie Deus creator omnium – 130–131 (?) Missa Jacet granum: Et in terra [Gloria] – 31v–33 (?) Missa Jacet granum: Et in terra [Gloria] – 141v–142v (?) Sanctus – 103v–104v
Benoit (de Sirede)	(?) Elisabeth Zachariae magnum virum genuit – 158v–160
Binchois, Gilles (ca. 1400-1460)	Adieu mon amoureuse joye – 92v Asperges me Domine (I) – 124–125 (?) Beata mater et innupta (2p. Gloriosa regina mundi 3p. Intercede pro nobis) – 145v–146 Et in terra pax [Gloria] [Kaye 17] – 150–151v Et in terra pax [Gloria] [Kaye 3a] – 25v–27 Gloria laus et honor - 1a pars (of 2): Gloria laus et honor – 140v Gloria laus et honor - 2a pars (of 2): Israel es tu rex – 140v–141 Inter natos mulierum (I) – 146 Je me recommande humblement – 135v–136 Kyrie 'angelorum' – 56v Kyrie 'angelorum' – 229–230 Kyrie 'apostolorum' / 'de martyribus' – 102v–103 Kyrie breve 'in simplici die' – 129v Kyrie 'de beata Maria' / 'de domina' – 127v Kyrie feriale – 128 Kyrie feriale – 58v L'amy de ma dame est venu – 88 (?) Liesse m'a mandé salut – 166v Magnificat quarti toni: Anima mea [K.619] – 45v–48 Patrem omnipotentem [Credo] [Kaye 3b] – 27v–29 Sanctus [Kaye 8] – 33v–34 Se j'eusse un seul peu d'esperance – 91v Se la belle n'a le voloir – 135
Blome	Sanctus – 20v–21
Bourgois	Et in terra pax [Gloria] Tr. 'Spiritus et alme' – 39v–43 Quant je remire. – 118v
Brassart, Johannes (ca. 1400-1455)	Ave Maria gratia plena / Ave Maria gratia plena – 51 Christi nutu sublimato (2p. Precemur christi adlethan) – 75v–77 Et in terra pax [Gloria] – 99v–100 Fortis cum quaevis actio – 79v–81 Lamberte vir inclite - In aetate – 73v–75 O flos fragrans – 143v–144 Patrem omnipotentem [Credo] – 100v–101v Regina caeli laetare alleluia (2p. Resurrexit sicut) – 197–198 Sacris solemniis – 200v Sanctus Genitor summi fìlii – 97v–98v Te dignitas praesularis - O Martine (2p. Exaudire nos qui dignus es) – 77v–78v
Braxatoris, W	Kyrie eleison – 25
Ciconia, Johannes (ca. 1370-1412)	Et in terra pax [Gloria] [BH1] – 52v–53v Patrem omnipotentem [Credo] [BH2] – 53v–55v
Du Fay, Guillaume (1397-1474)	Anima mea liquefacta est – 157v–158 Ave Regina caelorum (1) – 154v Belle que vous ay je mesfait – 136v Benedicamus Domino (I) – 57 Bien doy servir de volonte entiere – 153v–154 Ce jour le doibt aussi fait la saison – 137v Donnés I'assault – 119v–120 Ecclesiae militantis / Sanctorum arbitrio / Bella canunt – 95v–96 Ecclesiae militantis / Sanctorum arbitrio / Bella canunt – 85v–86 (?) Elisabeth Zachariae magnum virum genuit – 158v–160 Epiphaniam Domino canamus gloriosam – 63v–65 Et in terra pax [Gloria] (iv/21) – 15v–16v Et in terra pax [Gloria] (iv/5) – 10v–12 (?) Festum nunc celebre – 166v Isti sunt duae olivae Hi iecerunt – 61–63 Je n'ai doubte fors que des envieux – 136v–137 Je ne suis plus tel que souloye – 136 Kyrie De martyribus / In diebus Dominicis / Orbis factor – 94 Kyrie Jesu redemptor / De apostolis – 93v Kyrie Jesu redemptor / De apostolis – 101v–102 Kyrie Magne Deus / In summis festivitatibus – 94v–95 (?) Liesse m'a mandé salut – 166v Missa Sancti Jacobi: Communio - Vos qui secuti estis me – 57 Missa Sancti Jacobi: Credo – 151v–153v Missa Sancti Jacobi: Gloria – 1–2 Mon bien m'amour – 135v O proles Hispaniae - 1a pars (of 2): O proles Hispaniae / O sidus Hispaniae – 113v–114 O proles Hispaniae - 2a pars (of 2): O Christi patrocinium / Doctor veritatis – 114v–115 Patrem omnipotentem [Credo] – 249v–251 Patrem omnipotentem [Credo] (iv/5) – 12v–15 Puisque celle qui me tient en prison. – 134v (?) Qui latuit in virgine / Du bist mein Hort – 109 Rex omnipotens die hodierna – 65v–67v Si quaeris miracula – 115v–117 Vasilissa ergo gaude – 57v–58 (?) Veni dilecte mi – 125v
Dunstaple, John (ca. 1390-1453)	Agnus Dei – 139v–140 Agnus Dei – 23–23v Beata mater et innupta (2p. Gloriosa regina mundi 3p. Intercede pro nobis) – 145v–146 Kyrie eleison – 126 Salve regina mater misericordiae (in 8 sections) – 34v–36 Sancta Maria succurre miseris – 128v–129 (?) Sanctus – 103v–104v Sanctus – 138–139
Fontaine, Pierre (ca. 1380-ca. 1450)	J'aime bien celui qui s'en va – 140
Forest	Ave regina caelorum – 126v–127
Grossin, Estienne	Et in terra pax [Gloria] – 2v–3 (?) Liesse m'a mandé salut – 166v Patrem omnipotentem [Credo] – 155–156
Legrant, Johannes	Les mesdisans ont fait rapport – 91
Libert, Gualterius	(?) Mourir me voy il est pic de ma vie – 87v–88
Libert, Reginaldus	(?) Mourir me voy il est pic de ma vie – 87v–88
Lymburgia, Johannes de	Veni dilecte mi – 125v
Merques, Nicolas	(?) Vous soyez la tres bien venue – 133v
Poignare, Barthelemy	Et in terra pax [Gloria 'Ave regina celorum'] – 51v–52
Power, Leonel (-1445)	(?) Agnus Dei – 106v–107 Missa Alma Redemptoris Mater: Agnus Dei – 7v–8v Missa Alma Redemptoris Mater: Et in terra pax [Gloria] – 3v–4 Missa Alma Redemptoris Mater: Patrem omnipotentem [Credo] – 4v–6 Missa Alma Redemptoris Mater: Sanctus – 6–7 Patrem omnipotentem [Credo] – 37v–39 (?) Sanctus – 103v–104v Sanctus – 105–105v
Pullois, Johannes	Missa Sine nomine: Agnus Dei – 173v–174 Missa Sine nomine: Et in terra pax [Gloria] – 168v–170 Missa Sine nomine: Kyrie eleison – 167v–168 Missa Sine nomine: Patrem omnipotentem [Credo] – 170v–172 Missa Sine nomine: Sanctus – 172v–173
Roullet, Johannes	Benedicamus Domino – 92 Kyrie – 99 Laus tibi Christe – 67v–69v O beata beatorum martyrum – 72v Omnes sancti seraphim – 71v–72 Rex gloriose martyrum – 16 Sacerdotem Christi – 70–71v
Spierinck	Kyrie pascale – 36v
Tyling (c1450-75)	(?) untexted (Tandernaken?) – 198v–199
Velut, Gilet	Summe summi tu patris – 55v–56
Verben, Johannes	O domina gloriosa – 165v–166
Zacara da Teramo, Antonio (ca. 1350-ca. 1413)	Patrem omnipotentem [Credo], du vilage (Dominicale) – 164v–165

Composition	Composers (? Uncertain)	Folios / Pages
A.....	Anonymous	117v–118
Adieu mon amoureuse joye	Binchois, Gilles (ca. 1400–1460)	92v
Agnus Dei	Anonymous	18v–20
Agnus Dei	Anonymous	21v–22v
Agnus Dei	Dunstaple, John (ca. 1390–1453)	23–23v
Agnus Dei	Power, Leonel (–1445) (?) Benet, John (–ca. 1458) (?)	106v–107
Agnus Dei	Anonymous	107v–108
Agnus Dei	Anonymous	108–108v
Agnus Dei	Dunstaple, John (ca. 1390–1453)	139v–140
Agnus Dei	Battre, H. (fl. c1430-40)	244v–245
Agnus Dei (fragment)	Anonymous	97
Anima mea liquefacta est	Du Fay, Guillaume (1397–1474)	157v–158
Asperges me Domine (I)	Binchois, Gilles (ca. 1400–1460)	124–125
Ave Maria gratia plena / Ave Maria gratia plena	Brassart, Johannes (ca. 1400–1455)	51
Ave regina caelorum	Forest	126v–127
Ave Regina caelorum (1)	Du Fay, Guillaume (1397–1474)	154v
Ay mi lasse lasse dolant / Jamais n'aray ne bon jour	Anonymous	92v–93
Beata mater et innupta (2p. Gloriosa regina mundi 3p. Intercede pro nobis)	Binchois, Gilles (ca. 1400–1460) (?) Dunstaple, John (ca. 1390–1453)	145v–146
Belle que vous ay je mesfait	Du Fay, Guillaume (1397–1474)	136v
Benedicamus Domino	Roullet, Johannes	92
Benedicamus Domino	Battre, H. (fl. c1430-40) (?)	222v
Benedicamus Domino (I)	Du Fay, Guillaume (1397–1474)	57
Bien doy servir de volonte entiere	Du Fay, Guillaume (1397–1474)	153v–154
Ce jour le doibt aussi fait la saison	Du Fay, Guillaume (1397–1474)	137v
Ce ne fut pas sans un grant desplaisir	Anonymous	90v
Chasse moi je vois devant	Anonymous	91v
Chomos Condrosi	Battre, H. (fl. c1430-40)	251v–252
Christi nutu sublimato (2p. Precemur christi adlethan)	Brassart, Johannes (ca. 1400–1455)	75v–77
Conditor alme siderum	Anonymous	219v–220
Conditor alme siderum	Anonymous	220
Donnés I'assault	Du Fay, Guillaume (1397–1474)	119v–120
Dulcissime frater	Battre, H. (fl. c1430-40)	260v, 259v, 261
Ecclesiae militantis / Sanctorum arbitrio / Bella canunt	Du Fay, Guillaume (1397–1474)	85v–86
Ecclesiae militantis / Sanctorum arbitrio / Bella canunt	Du Fay, Guillaume (1397–1474)	95v–96
Ei occuramus	Anonymous	265v
Elisabeth Zachariae magnum virum genuit	Benoit (de Sirede) (?) Du Fay, Guillaume (1397–1474) (?)	158v–160
En piece / Onques je n'eusse pensé	Anonymous	133
Epiphaniam Domino canamus gloriosam	Du Fay, Guillaume (1397–1474)	63v–65
Eslongiés suy de vous belle mastresse	Anonymous	34
Et in terra pax [Gloria 'Ave regina celorum']	Poignare, Barthelemy	51v–52
Et in terra pax [Gloria]	Grossin, Estienne	2v–3
Et in terra pax [Gloria]	Brassart, Johannes (ca. 1400–1455)	99v–100
Et in terra pax [Gloria]	Anonymous	223–224v
Et in terra pax [Gloria]	Anonymous	238v–240
Et in terra pax [Gloria]	Battre, H. (fl. c1430-40)	247v–249
Et in terra pax [Gloria]	Anonymous	253v–256
Et in terra pax [Gloria]	Anonymous	256v–258
Et in terra pax [Gloria] 'Alma redemptoris'	Anonymous	148v–149v
Et in terra pax [Gloria] (iv/21)	Du Fay, Guillaume (1397–1474)	15v–16v
Et in terra pax [Gloria] (iv/5)	Du Fay, Guillaume (1397–1474)	10v–12
Et in terra pax [Gloria] [BH1]	Ciconia, Johannes (ca. 1370–1412)	52v–53v
Et in terra pax [Gloria] [Kaye 17]	Binchois, Gilles (ca. 1400–1460)	150–151v
Et in terra pax [Gloria] [Kaye 3a]	Binchois, Gilles (ca. 1400–1460)	25v–27
Et in terra pax [Gloria] Tr. 'Spiritus et alme'	Bourgois	39v–43
Faites muguet vrais amorans	Anonymous	134
Festum nunc celebre	Du Fay, Guillaume (1397–1474) (?)	166v
Fortis cum quaevis actio	Brassart, Johannes (ca. 1400–1455)	79v–81
fragments / sketches (at least five different voices)	-	143
Gaude virgo mater Christi	Battre, H. (fl. c1430-40)	262v–264
Gaude virgo quae de caelis	Anonymous	121v–122v
Gaudens exulta tu Ceunacum	Battre, H. (fl. c1430-40)	258v–259, 260
Gentile alma benigna	Anonymous	161v–162
Gloria laus et honor - 1a pars (of 2): Gloria laus et honor	Binchois, Gilles (ca. 1400–1460)	140v
Gloria laus et honor - 2a pars (of 2): Israel es tu rex	Binchois, Gilles (ca. 1400–1460)	140v–141
In natali Domini Vs. Virgo mater peperit	Anonymous	219
Incipit in saeculo	Anonymous	252v–253
Inter amoenitatis tripudia	Anonymous	231v–232
Inter natos mulierum (I)	Binchois, Gilles (ca. 1400–1460)	146
Iste confessor	Anonymous	242v
Iste confessor Domini / Iste confessor Domini / Iste confessor Domini	Anonymous	164
Isti sunt duae olivae Hi iecerunt	Du Fay, Guillaume (1397–1474)	61–63
J'aime bien celui qui s'en va	Fontaine, Pierre (ca. 1380–ca. 1450)	140
Jacob autem genuit De qua natus est Jesus	Battre, H. (fl. c1430-40)	261v–262
Je me recommande humblement	Binchois, Gilles (ca. 1400–1460)	135v–136
Je n'ai doubte fors que des envieux	Du Fay, Guillaume (1397–1474)	136v–137
Je ne suis plus tel que souloye	Du Fay, Guillaume (1397–1474)	136
Kyrie	Roullet, Johannes	99
Kyrie	Battre, H. (fl. c1430-40) (?)	240v
Kyrie 'angelorum'	Binchois, Gilles (ca. 1400–1460)	56v
Kyrie 'angelorum'	Binchois, Gilles (ca. 1400–1460)	229–230
Kyrie 'apostolorum' / 'de martyribus'	Binchois, Gilles (ca. 1400–1460)	102v–103
Kyrie 'de beata Maria' / 'de domina'	Binchois, Gilles (ca. 1400–1460)	127v
Kyrie 'duobus prius concinentibus'	Anonymous	88v–89
Kyrie breve 'in simplici die'	Binchois, Gilles (ca. 1400–1460)	129v
Kyrie De martyribus / In diebus Dominicis / Orbis factor	Du Fay, Guillaume (1397–1474)	94
Kyrie Deus creator omnium	Benet, John (–ca. 1458)	130–131
Kyrie Deus creator omnium / Alma redemptoris	Anonymous	146v–148
Kyrie eleison	Braxatoris, W	25
Kyrie eleison	Anonymous	89v–90
Kyrie eleison	Dunstaple, John (ca. 1390–1453)	126
Kyrie feriale	Binchois, Gilles (ca. 1400–1460)	58v
Kyrie feriale	Binchois, Gilles (ca. 1400–1460)	128
Kyrie Jesu redemptor / De apostolis	Du Fay, Guillaume (1397–1474)	93v
Kyrie Jesu redemptor / De apostolis	Du Fay, Guillaume (1397–1474)	101v–102
Kyrie Magne Deus / In summis festivitatibus	Du Fay, Guillaume (1397–1474)	94v–95
Kyrie pascale	Spierinck	36v
L'amy de ma dame est venu	Binchois, Gilles (ca. 1400–1460)	88
La doulce saison de may	Anonymous	92
Lamberte vir inclite - In aetate	Brassart, Johannes (ca. 1400–1455)	73v–75
Las aymy quand je pense bien per my	Anonymous	156v–157
Laus tibi Christe	Roullet, Johannes	67v–69v
Les mesdisans ont fait rapport	Legrant, Johannes	91
Liesse m'a mandé salut	Binchois, Gilles (ca. 1400–1460) (?) Grossin, Estienne (?) Du Fay, Guillaume (1397–1474) (?)	166v
Magnificat octavi toni: Et exultavit [K.379]	Anonymous	81v–82v
Magnificat octavi toni: Et exultavit [K.380]	Anonymous	228–228v
Magnificat octavi toni: Et exultavit spiritus meus [K.385]	Anonymous	109v–110v
Magnificat primi toni: Et exultavit [K.128]	Anonymous	221–221v
Magnificat quarti toni: Anima mea [K.619]	Binchois, Gilles (ca. 1400–1460)	45v–48
Magnificat quarti toni: Et exultavit [K.240]	Anonymous	112v–113
Magnificat Quarti Toni: Et exultavit [K.241]	Anonymous	225v–226v
Magnificat Quinti Toni: Et exultavit [K.274]	Anonymous	111v–112
Magnificat Secundi Toni: Et exultavit [K.192]	Anonymous	225–225v
Magnificat Sexti Toni: Et exultavit [K.301]	Anonymous	110v–111
Magnificat Sexti Toni: Et exultavit [K.302]	Anonymous	226v–228
Magnificat: Et exultavit [K.220]	Anonymous	82v–84v
Missa Alma Redemptoris Mater: Agnus Dei	Power, Leonel (–1445)	7v–8v
Missa Alma Redemptoris Mater: Et in terra pax [Gloria]	Power, Leonel (–1445)	3v–4
Missa Alma Redemptoris Mater: Patrem omnipotentem [Credo]	Power, Leonel (–1445)	4v–6
Missa Alma Redemptoris Mater: Sanctus	Power, Leonel (–1445)	6–7
Missa Jacet granum: Et in terra [Gloria]	Benet, John (–ca. 1458) (?)	31v–33
Missa Jacet granum: Et in terra [Gloria]	Benet, John (–ca. 1458) (?)	141v–142v
Missa Sancti Jacobi: Communio - Vos qui secuti estis me	Du Fay, Guillaume (1397–1474)	57
Missa Sancti Jacobi: Credo	Du Fay, Guillaume (1397–1474)	151v–153v
Missa Sancti Jacobi: Gloria	Du Fay, Guillaume (1397–1474)	1–2
Missa Sine nomine: Agnus Dei	Pullois, Johannes	173v–174
Missa Sine nomine: Et in terra pax [Gloria]	Pullois, Johannes	168v–170
Missa Sine nomine: Kyrie eleison	Pullois, Johannes	167v–168
Missa Sine nomine: Patrem omnipotentem [Credo]	Pullois, Johannes	170v–172
Missa Sine nomine: Sanctus	Pullois, Johannes	172v–173
Mon bien m'amour	Anonymous	59
Mon bien m'amour	Du Fay, Guillaume (1397–1474)	135v
Mourir me voy il est pic de ma vie	Libert, Reginaldus (?) Libert, Gualterius (?)	87v–88
O beata beatorum martyrum	Roullet, Johannes	72v
O domina gloriosa	Verben, Johannes	165v–166
O flos fragrans	Brassart, Johannes (ca. 1400–1455)	143v–144
O proles Hispaniae - 1a pars (of 2): O proles Hispaniae / O sidus Hispaniae	Du Fay, Guillaume (1397–1474)	113v–114
O proles Hispaniae - 2a pars (of 2): O Christi patrocinium / Doctor veritatis	Du Fay, Guillaume (1397–1474)	114v–115
O quam glorifica	Anonymous	241v–242
O sacrum convivium in quo Christus sumitur	Battre, H. (fl. c1430-40)	230v–231
Omnes sancti seraphim	Roullet, Johannes	71v–72
Patrem omnipotentem [Credo]	Anonymous	8v–10
Patrem omnipotentem [Credo]	Anonymous	30v–31
Patrem omnipotentem [Credo]	Power, Leonel (–1445)	37v–39
Patrem omnipotentem [Credo]	Brassart, Johannes (ca. 1400–1455)	100v–101v
Patrem omnipotentem [Credo]	Grossin, Estienne	155–156
Patrem omnipotentem [Credo]	Anonymous	162v–164
Patrem omnipotentem [Credo]	Anonymous	232v–235
Patrem omnipotentem [Credo]	Anonymous	235v–238
Patrem omnipotentem [Credo]	Anonymous	245v–246
Patrem omnipotentem [Credo]	Du Fay, Guillaume (1397–1474)	249v–251
Patrem omnipotentem [Credo] (iv/5)	Du Fay, Guillaume (1397–1474)	12v–15
Patrem omnipotentem [Credo] [BH2]	Ciconia, Johannes (ca. 1370–1412)	53v–55v
Patrem omnipotentem [Credo] [Kaye 3b]	Binchois, Gilles (ca. 1400–1460)	27v–29
Patrem omnipotentem [Credo], du vilage (Dominicale)	Zacara da Teramo, Antonio (ca. 1350–ca. 1413)	164v–165
Protegat nos divina majestas	Anonymous	133v–134
Puisque celle qui me tient en prison.	Du Fay, Guillaume (1397–1474)	134v
Puisque me vois mis en oubli.	Anonymous	87v
Quant je remire.	Bourgois	118v
Quem proclamat ecclesia	Anonymous	241
Qui latuit in virgine / Du bist mein Hort	Du Fay, Guillaume (1397–1474) (?)	109
Regina caeli laetare alleluia (2p. Resurrexit sicut)	Brassart, Johannes (ca. 1400–1455)	197–198
Rex gloriose martyrum	Roullet, Johannes	16
Rex omnipotens die hodierna	Du Fay, Guillaume (1397–1474)	65v–67v
Sacerdotem Christi	Roullet, Johannes	70–71v
Sacris solemniis	Brassart, Johannes (ca. 1400–1455)	200v
Salve cara Deo	Arimino, Ludvicus de (fl. c1435)	160v–161, 158
Salve regina mater misericordiae (in 8 sections)	Dunstaple, John (ca. 1390–1453)	34v–36
Sancta Maria non est tibi similis	Anonymous	144v–145
Sancta Maria succurre miseris	Dunstaple, John (ca. 1390–1453)	128v–129
Sanctus	Blome	20v–21
Sanctus	Power, Leonel (–1445) (?) Benet, John (–ca. 1458) (?) Dunstaple, John (ca. 1390–1453) (?)	103v–104v
Sanctus	Power, Leonel (–1445)	105–105v
Sanctus	Dunstaple, John (ca. 1390–1453)	138–139
Sanctus 'anglicanus'	Anonymous	17–18v
Sanctus [Kaye 8]	Binchois, Gilles (ca. 1400–1460)	33v–34
Sanctus Genitor summi fìlii	Brassart, Johannes (ca. 1400–1455)	97v–98v
Sanctus.	Anonymous	243–244
Se j'eusse un seul peu d'esperance	Binchois, Gilles (ca. 1400–1460)	91v
Se la belle n'a le voloir	Binchois, Gilles (ca. 1400–1460)	135
Se mesdisans devoyent crever d'ire	Anonymous	134v–135
Si quaeris miracula	Du Fay, Guillaume (1397–1474)	115v–117
Statuit ei Dominus	Anonymous	162
Stirps regia vita	Battre, H. (fl. c1430-40)	222
Summe summi tu patris	Velut, Gilet	55v–56
Tantam gratiam laeti	Anonymous	265
Te dignitas praesularis - O Martine (2p. Exaudire nos qui dignus es)	Brassart, Johannes (ca. 1400–1455)	77v–78v
untexted	-	118
untexted	-	119
untexted	-	119
untexted	-	120v
untexted	-	199v–200
untexted (Tandernaken?)	Tyling (fl. c1450-75) (?)	198v–199
Unum pulcrum	Arimino, Ludvicus de (fl. c1435)	157
Vasilissa ergo gaude	Du Fay, Guillaume (1397–1474)	57v–58
Veni creator spiritus	Battre, H. (fl. c1430-40)	220v–221
Veni dilecte mi	Lymburgia, Johannes de Du Fay, Guillaume (1397–1474) (?)	125v
Vous soyez la tres bien venue	Merques, Nicolas (?)	133v

Set: Trent Codices

Type: Linked by Origin or Contents

No images available

I-TRbc MS 1374 [87] (Trent 87)

No images available

I-TRbc MS 1375 [88] (Trent 88)

No images available

I-TRbc MS 1376 [89] (Trent 89)

No images available

I-TRbc MS 1377 [90] (Trent 90)

No images available

I-TRbc MS 1378 [91] (Trent 91)

No images available

I-TRbc MS 1379 [92] (Trent 92)

No images available

I-TRcap MS BL [Trent 93] (Trent 93)

‡ denotes primary source study

Bent, Margaret. 2004. Divisi and a versi in early fifteenth-century mass movements. Antonio Zacara da Teramo e il suo tempo, edited by Margaret Bent, 95-137. Lucca: LIM.

Bent, Margaret. 1996. The early use of the sign Ø. Early Music, 24/2: 199-225.

Curtis, Gareth R K, and Andrew B Wathey. 1994. Fifteenth-Century English Liturgical Music: A List of the Surviving Repertory. Royal Musical Association Research Chronicle, 27: 1-69.

Fallows, David. 1986. Songs in the Trent Codices: An Optimistic Handlist. I codici musicali trentini a cento anni dalla loro riscoperta: Atti del convegno 'Laurence Feininger, la musicologia come missione', 170-9. Trent. Notes: contents list (partial); concordances (partial); facsimile (partial).

Ward, Tom Robert. 1986. The Office Hymns of the Trent Manuscripts. I codici musicali trentini a cento anni dalla loro riscoperta: Atti del convegno 'Laurence Feininger, la musicologia come missione', 112-29. Trent. Pages: 113ff, 119, 122. Notes: contents list (partial); facsimile (partial); mention of MS; discussion.

Wright, Peter. 1986. The Related Parts of Trent, Museo Provinciale d'Arte, Mss. 87 (1374) and 92 (1379): A Paleographical and Text-Critical Study. University of Nottingham, Ph.D. dissertation. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.

Wright, Peter. 1986. The Aosta-Trent Relationship Reconsidered. I codici musicali trentini a cento anni dalla loro riscoperta: Atti del convegno 'Laurence Feininger, la musicologia come missione', 138-57. Trent. Notes: contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial); mention of MS; discussion.

Bent, Margaret. 1981. Some Criteria for Establishing Relationships Between Sources of Late-Medieval Polyphony. Music in Medieval and Early Modem Europe: Patronage, Sources and Texts, edited by Margaret Bent, 295-317. Cambridge: Cambridge University Press. Pages: 303.

Curtis, Gareth R K. 1981. Jean Pullois and the Cyclic Mass-Or a Case of Mistaken Identity? Music and Letters, 62: 41-59. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Hamm, Charles E, and Herbert Kellman (editors). 1979-1988. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies, vol. 1-5. 5 vols. Neuhausen nr. Stuttgart: American Institute of Musicology, Hänssler Verlag. Pages: III, 222-3.

Perkins, Leeman L, and Howard Garey (editors). 1979. The Mellon Chansonnier. New Haven and London. Pages: II, 179-80, 396-7. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.

Ward, Tom Robert. 1979. The Polyphonic Office Hymn from 1400 to 1520: A Descriptive Inventory. RMS, vol. 3. American Institute of Musicology. Notes: contents list (partial); concordances (partial); incipits (partial).

Cobin, Marian W. 1978. The Aosta Manuscript: A Central Source of Early Fifteenth-Century Sacred Polyphony. New York University, Unpublished Ph.D. dissertation. Pages: I, 103ff, 152-70,336-54, passim. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.

Cox, Bobby Wayne. 1977. The Motets of MS Bologna, Civico Museo Bibliografico Musicale, Q 15. North Texas State University, Ph.D. dissertation. Pages: 1,32,157-61,191-4,243-8,254-6. Notes: contents list (partial); concordances (partial); transcriptions (partial); texts (partial); mention of MS; discussion.

Spilsted, Gary. 1976. Toward the Genesis of the Trent Codices: New Directions and New Findings. Studies in Music from the University of Western Ontario, 1: 55-70. Notes: physical description; mention of MS; discussion.

Dangel-Hofmann, Frohmut. 1975. Der Mehrstimmige Introitus in Quellen des 15. Jahrhunderts. Würzburger Musikhistorische Beitrage, vol. 3. Tutzing. Pages: 138,221, passim. Notes: physical description; contents list; incipitsst of contents (partial); incipits (partial); mention of MS; discussion.

Flotzinger, Rudolf. 1975. Buntschucherh-Explicit. Festschrift Walter Senn zum 70. Geburtstag, 89-92. Munich and Salzburg. Notes: physical description; mention of MS; discussion.

White, Richard James. 1975. The Battre Section of Trent Codex 87. Indiana University, Unpublished Ph.D. dissertation. Notes: contents list (partial); concordances (partial); transcriptions (partial); texts (partial); mention of MS; discussion.

Etheridge, Jerry Haller. 1972. The Works of Johannes de Lymburgia. Indiana University, Ph.D. diss. Pages: VI, ii; II, xxxiv. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Tischler, Hans. 1971. A Three-Part Rondellus in Trent MS 87. Journal of the American Musicological Society, 24: 449-57. Notes: contents list (partial); transcriptions (partial); mention of MS; discussion.

Bent, Margaret, Ian D Bent, and Brian Trowell (editors). 1970. John Dunstable complete works. Musica Britannica, vol. VIII. London. Pages: VIII [rev. ed.], 1,31-3,140-2, 183ff. Notes: contents list (partial); concordances (partial); transcriptions (partial).

[No Author] 1969-70. Codices Musicales Tridentini. Rome. Pages: DpLpCpFpDis.

Feininger, Laurence K. 1969. II Codice 87 del Castello del Buonconsiglio di Trento. Quadrivium, 10/2: 49-80. Notes: contents list; incipits.

Ward, Tom Robert. 1969. The Polyphonic Office Hymn from the Late Fourteenth Century Until the Early Sixteenth Century. University of Pittsburgh, Unpublished Ph.D. dissertation. Pages: 33-42,288fr, passim. Notes: contents list (partial); concordances (partial); incipits (partial); mention of MS; discussion.

Nitschke, Wolfgang. 1968. Studien zu den Cantus-Firmus-Messen Guillaume Dufays. Berliner Studien zur Musikwissenschaft, vol. 13. Berlin. Pages: I, 30ff, passim. Notes: contents list (partial); mention of MS; discussion.

Riemann, Hugo, Wilibald Gurlitt, and Hans Heinrich Eggebrecht (editors). 1967. Musik Lexikon: Zwölfte völlig neubearbeitete. 3 vols. Mainz. Pages: Sachteil 12. Aufl. Quellen, 772.

Göllner, Theodor. 1967. Notationsfragmente aus einer Organistenwerkstatt des 15. Jahrhunderts. Archiv für Musikwissenschaft, 24: 170-7. Pages: 172, Abb. 2a. Notes: contents list (partial); concordances (partial); facsimile (partial).

Gülke, Peter (editor). 1967. Johannis Pullois: Opera Omnia. Corpus mensurabilis musicae, vol. 41. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: xiv-xv, 1-8,13-23. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Loyan, Richard K (editor). 1967. Canons in the Trent Codices. Corpus mensurabilis musicae, vol. 38. Neuhausen nr. Stuttgart: American Institute of Musicology. Notes: contents list (partial); transcription (partial); texts (partial); mention of MS; discussion.

Kanazawa, Masakata. 1966. Polyphonic music for Vespers in the fifteenth century. Harvard University, Ph.D. Dissertation, 2 vols. Pages: I,94-107, passim; II,13,62-4,70-6. Notes: physical description; contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 170. Notes: contents list (partial); concordances (partial); incipits (partial).

Mixter, Keith E (editor). 1965-71. Johannis Brassart: Opera Omnia. Corpus mensurabilis musicae, vol. 35. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I,xii-xiii,xviii,xxv,xxviii,31-5,56-66; II,xiii-xxi,5-7,39-43. Notes: contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial).

Parris, Arthur. 1965. The sacred works of Gilles Binchois. Bryn Mawr College, Ph.D. Dissertation. Pages: I,ii,81-6,94; II,89ff, passim. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Hamm, Charles E. 1964. A Chronology of the Works of Guillaume Dufay Based on a Study of Mensural Practice. Princeton. Pages: 4-5,26-7,49-55,66-73,79-86,92-5, 101,117-9,165-78. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Planchart, Alejandro Enrique (editor). 1964. Missae Caput. Collegium Musicum, vol. 5. New Haven. Pages: 158ff (TRbc 88, 89, 90 et 93).

Damilano, Don Piero. 1963. Fonti musicali della lauda polifonica intorno alla metà del sec. XV. Collectanea Historiae Musicae III, Pages: 63.

Hamm, Charles E. 1962. Manuscript Structure in the Dufay Era. Acta Musicologica, 34: 166-84. Pages: 166,168-74,183. Notes: physical description (partial); contents list (partial); mention of MS; discussion.

Kulleseid, Eleanor Ransom. 1962. The Sacred Music of Gilles Binchois. Columbia University, Unpublished Master's thesis. Pages: 118ff, passim. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Trowell, Brian. 1961. Anonymous English Pieces in Trent 87. Music and Letters, 42: 96-7. Pages: [disputes some conclusions of HamG]. Notes: physical description; mention of MS; discussion.

Ficker, Rudolf von. 1960. The transition on the Continent. New Oxford History of Music, 3: 150ff. Pages: 150f.

Hamm, Charles E. 1960. A Group of Anonymous English Pieces in Trent 87. Music and Letters, 41: 211-5. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Bukofzer, Manfred F. 1958. Changing Aspects of Medieval and Renaissance Music. The Musical Quarterly, 44: 1-18. Pages: passim.

Gottlieb, Louis Edward. 1958. The cyclic masses of Trent Codex 89. University of California, Los Angeles, Ph.D. Dissertation. Pages: I,192-202. Notes: physical description; mention of MS; discussion.

Schmitz, Arnold (editor). 1955-. Musikalische Denkmäler. Mainz. Pages: II,20,62ff. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Federhofer, Hellmut (editor). 1954-. Musik Alter Meister. Graz. Pages: XIII,viii,x,4-10. Notes: contents list (partial); transcription (partial); texts (partial).

Westrup, Jack A (editor). 1954-. New Oxford History of Music. London, New York, and Toronto. Pages: III, 150-1, 219. Notes: physical description; mention of MS; discussion.

Disertori, Benvenuto. 1954. La frottola nella storia della musica. Monumenta N.I., Cremona, Instituta et monumenta, Serie I. 9ff. Pages: xv-xvi. Notes: contents list (partial); transcriptions (partial); mention of MS; discussion.

Besseler, Heinrich. 1950; Reprinted: 1974. Bourdon und Fauxbourdon, Studien zum Ursprung der niederländischen Musik. Leipzig.

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: I,707; II,1337; VI.1022; XIII,666-73. Notes: physical description (partial); contents list (partial); facsimile (partial); mention of MS; discussion.

de Van, Guillaume, and Heinrich Besseler (editors). 1948-66. Guillaume Dufay: Opera Omnia. Corpus mensurabilis musicae, vol. 1. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I-II, IV-VI, passim. Notes: contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial); transcription; exts of pieces (partial); mention of MS; discussion.

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 38.

Stephan, Wolfgang. 1937. Die Burgundisch-Niederländische Motette zur Zeit Ockeghems. Kassel.

Lunelli, Renato. 1927. La patria dei codici musicali tridentini. Note D'Archivio per la Storia Musicale, 4: 116-28. Notes: physical description; mention of MS; discussion.

Besseler, Heinrich. 1925. Studien zur Musik des Mittelalters: I. Neue Quellen des 14. und beginnenden 15. Jahrhunderts. Archiv für Musikwissenschaft, 7: 167-252. Pages: 239f.

Ficker, Rudolf von. 1924. Die frühen Messenkompositionen der Trienter Codices. Studien zur Musikwissenschaft, 11: 3ff.

Wolkan, Rudolf. 1921. Die Heimat der Trienter Musikhandschriften. Studien zur Musikwissenschaft, 8: 5-8. Notes: physical description; mention of MS; discussion.

Adler, Guido. 1909. Über Textlegung in den 'Trienter Codices'. Riemann-Festschrift. Gesammelte Studien Hugo Riemann zum sechzigsten Geburtstage, 51ff. Leipzig. Pages: 51ff.

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 14/15 (VII), p. XIIIff; 38 (XIX), p. VIIff.

Haberl, Franz Xavier. 1885-88. Bausteine für Musikgeschichte. 3 vols. Leipzig. Pages: I, 87ff.

Haberl, Franz Xavier. 1885. Wilhelm du Fay, Monographische Studie über dessen Leben und Werke. Vierteljahrsschrift für Musikwissenschaft, 1: 397-530. Pages: 484-6. Notes: physical description (partial); contents list (partial); mention of MS; discussion.

Public Comments

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Clemens Goldberg

Friday, 22 May, 2026

119v-120r, Dufay Donnes lassault: this is the only 3 voices version and poses less problems then the 4 voices versions. I seems to me that this is the original version.

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Clemens Goldberg

Monday, 25 May, 2026

f. 133r, "Oncques" je neussse pense: the original reads clearly and most convincingly "en piesse" (variant of en piece) meaning "for a certain time". The difference is important. "Onques" meaning "in the past" as a finished time span, "en piesse" opening the time for the rest of the text.

Clemens Goldberg

Monday, 25 May, 2026

Benet, Kyrie Deus creator (f.130r): the piece has four voices as the upper voice is treated as a 2 ex 1 canon. The entrance distance varies. The capital S on f. 130v-131r was probably meant for another piece conceived earlier for this place, but the music is the Christe and Kyrie of this piece, though texts are lacking.

Clemens Goldberg

Sunday, 24 May, 2026

Merged Asperges f. 124 with the following piece, of which it is a part in other sources

Clemens Goldberg

Monday, 18 May, 2026

f. 109r: Du pist mein Hort: added concordance with the Latin contrafactum Qui latuit in virgine in St. Emmeram

Clemens Goldberg

Monday, 18 May, 2026

105r-105v, Sanctus, Leonel Power: added concordance with Aosta f. 257v-258r

Clemens Goldberg

Friday, 15 May, 2026

added missing concordance with Aosta (f.194v-195r) for Sanctus f.103v-104v

Clemens Goldberg

Sunday, 10 May, 2026

Added missing concordance for "Mourir me voy" (Libert) f. 87v-88r, also in Oxford 213, Nr. 161, where it is fully texted. Important variants, especially in the Contratenor, second half is completely different.

Clemens Goldberg

Thursday, 2 April, 2026

143r is not a single piece but at least five different voices - either separate fragmens or as a sort of sketch.

Clemens Goldberg

Friday, 27 March, 2026

Merged the 3 copies of Dunstaple's Agnus (Tr 87 f. 23v & 139v and Tr 92 209v) as one composition

Clemens Goldberg

Tuesday, 24 March, 2026

18v-20r, Agnus, is connected to the preceding Sanctus.

Clemens Goldberg

Tuesday, 24 March, 2026

f. 17r, Sanctus: the piece is labelled on the foregoing page as "anglicanus" thus providing a hint of authorship

Clemens Goldberg

Tuesday, 24 March, 2026

All pieces from 16r to 22v are shown as 2vv, but all are in fact in 3vv!

Clemens Goldberg

Saturday, 27 May, 2023

Corrected title of Binchois' "L'amy de ma dame est venu"

Peter Urquhart

Thursday, 26 November, 2020

Distinguished the scribe of Trent 87 from the later composer.

Karen Cook

Monday, 12 March, 2018

Fixed broken image links.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description