I-TRbc MS 1379 [92] (Trent 92)

Museo Provinciale d'Arte, Castello del Buonconsiglio, Trent (Trento), Italy

manuscript of polyphony: c. 1430-45

Archive	Museo Provinciale d'Arte, Castello del Buonconsiglio, Trent (Trento), Italy (I-TRbc)
Shelfmark	MS 1379 [92] (Trent 92)
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Mixed Paper and Parchment
Numbering System	Foliation
Measurements	310 x 210 mm
Other Identifiers	RISM: I-TRbc 92 CCM: TrentC 92 olim (Former shelfmark): Trent 92
Notations	black void mensural coloration in black full coloration in red full
Copyists	Lupi, Johannes (ca. 1506–1539) Text and Music ? Merques, Nicolas Text and Music
Relationships	? Amadeus VIII (1383–1451) (owner)
External Links	online images of manuscript
Provenance	Switzerland
Contents	224 pieces from 30 composers

General Description

Composite of at least three originally separate manuscripts or sections of manuscripts: Part I = new ff. 2-145; Partii = new ff. 146-241 (once joined with ff. 1-166 and 197-200 of TrentC 87); Part III [blank staves only] = new ff. 242-264 (once joined with ff. 167-196 and 201-218 of TrentC 87). Some fascicles in each part may have been separately produced and independently used before being bound together, but all fascicles within each part generally interrelated by repertory, paper, and scribes. Part I copied by one main scribe, identified by Wright (unpublished) as perhaps Nicole Merques; five or six other scribes made later additions on openings left blank by main scribe (WrdS). Main scribe of Part II identified by WrighT as Johannes Lupi, a musician and priest active in and around Trent between 1447 and his death in 1467; Lupi also wrote ZwettlB s.s. and most of Part I of TrentC 87. Two additional scribes in Part II, one of whose hands also appears in Part I of TrentC 87. Part I closely related to sections II-III of AostaS D19 by repertory and watermarks, but not by common scribes (CobinA, WrdS). Part I copied in Basel-Strasbourg region; repertory probably in use at chapels connected with Council of Basel (1431-49) and court of antipope Felix V, the former Amadeus VIII, Duke of Savoy (WrdS). Parts II-III possibly originated in Venice or vicinity (DTO), or perhaps in Basel-Strasbourg region (WrighCT); once formed portions of two separate manuscripts. Some gatherings from both former manuscripts now part of TrentC 87; about 1440, gatherings other than those incorporated into TrentC 87 were reordered, combined with Part I, supplied with new index, and rebound to form present TrentC 92. Johannes Lupi (see above) was responsible for ordering gatherings in present form and preparing new index (WrighT). Manuscript transferred from Trent to Vienna in 1891, but returned to Trent following World War I.

DIAMM, 2017

Binding

Original covers of tooled leather over wooden boards.

DIAMM, 2017

Watermark

Part I: (1) resembles Briquet #12993-4 (also found in sections II-III of AostaS D19); (2) resembles PiccardO VII, 525-6 (also found in sections II-III of AostaS D19); (3) resembles Briquet #3867-9 (new ff. 112'-121 only). Part II: (1) resembles Briquet #11702 (one additional variant not in Briquet); (2) resembles Briquet #11882 (two additional variants not in Briquet); (3) three-peaked mountain in circle (not in Briquet). All Part II marks also appear in Part I of TrentC 87. Watermark in Part HI: three-peaked mountain surmounted by cross (not in Briquet; same mark also appears in Part II of TrentC 87.

DIAMM, 2017

Notation

black void mensural with black full and red coloration

DIAMM, 2017

Foliation

Modern foliation, 1-264, on lower right rectos; earlier (partly original) foliation, 1-262, on upper right rectos (first two folios not numbered).

DIAMM, 2017

Foliation

263 ff

DIAMM, 2017

Decoration

Inked Gothic initials in Part I; inked calligraphic initials in Part II

DIAMM, 2017

Index

Incomplete original index of Part I on new f. 2 groups pieces alphabetically by first letter of text, with subgrouping under each letter by order of appearance; some omissions and discrepancies in ordering reflect later additions to original layer. Original index on parchment folio at beginning includes copy of first index, but also lists pieces in Part II.

DIAMM, 2017

Surface

i parchment + 263 paper

DIAMM, 2017

RISM Description

RISM 5

Ces 7 manuscrits, dont les 6 premiers ont été révélés par Haberl en 1885 (cf. Bibliographie), tandis que le 7e ne fut découvert qu'en 1920 (R. von Ficker, in DTÖ 61 (XXXI) VIff) consituent une véritable famille indissoluble en ce qu'ils présentent tant de caractères communs qu'il semble logique d'en donner d'abord une description d'ensemble pour préciser ensuite les particularités de chacun d'eux en même temps que le dépouillement de leur contenu.

Ils fournissent un énorme répertoire en grande partie religieux, sans pour cela que la musique profane soit complètement négligée, qui va de Loqueville à Isaac et Compère, couvrant 25OOff. avec 1870 pièces environ, qui peuvent se dater entre 1420 et 1480. En 1921, R. Wolkan (cf. Bibliographie) avait émis l'opinion que ces mss. copiés à Vienne sous l'impulsion de Johann Hinderbach (né en 1418), secrétaire à la chancellerie impériale, auraient suivi celui-ci à Trente où, en 1455, il avait été nommé prévôt à la cathédrale puis porté à l'évêché en 1465. E. Wellesz va plus loin en les déclarant copiés, à Vienne d'abord puis à Trente, sur ordre de Hinderbach pour sa bibliothèque personnelle qui devait ensuite être donnée au chapitre de la cathédrale (Grove's Dictionary, 5th ed,. 1954). Cependant, comme on ne trouve dans ces mss. aucune pièce de circonstance de la vie de l'empereur Friedrich III, alors que les allusions à des personnages tridentins, même peu célèbres, y sont évidentes et que l'un des copistes Johannes Wiser occupa diverses charges à Trente de 1459 à 1490, il est logique de penser qu'ils ont plutôt été copiés, sinon tous à Trente même, du moins dans l'Italie du nord (cf. Bibliographie, Lunelli). Il est possible aussi qu'ils aient été acquis (en tout cas les plus anciens) par l'évêque de Trente Alexander Masowien, alors en relation avec Amédée VIII de Savoie pour la chapelle duquel ils auraient été copiés (cf. WardTS, p. 144). — On peut diviser ces 7 mss. en deux groupes: d'une part 87 et 92 qui sont les plus anciens, d'autre part 88, 89, 90, 91 et 93 qui sont légèrement postérieurs, 91 étant le plus récent. Le même papier et le même scribe, qui inscrit son nom Puntschucherh au bas du f. 161 du ms 87 (mais s'agit-il d'un nom? Cf. Flotzinger, Bibliographie TRbc 87) se retrouvent pour la première partie du ms. 87 (f. 1—218) et la deuxième partie du ms. 92 (f. 144—239), la relation entre les deux mss. étant de plus soulignée par le fait qu'un Kyrie de Binchois au f. 56v du ms. 87 (n° 34) est accompagné d'une mention renvoyant pour Y Et in terra suivant au premier f. du ms. 92 (n° 2). Ces deux mss. ont certainement été copiés avant 1450 dans l'Italie du Nord, tandis que l'on peut fixer approximativement la date de compilation des cinq autres entre 1445 et 1480, le scribe Johannes Wiser en ayant copié la plus grande partie à Trente même.

Ms. 92

XVe s. 239 [= 240]ff., Papier (1er fol. limin. parchemin) 310X210 mm. Foliotation ancienne en ch. arabes (avec quelques ch. romains et quelques lacunes). Les ff. llv, 16v, 17, 31v, 32, 46, 49v, 50, 53, 73v, 74, 75v à 77, 84v à 85v, 94, 109v, 112v, 113,114v, 115. 130v, 131,153, 156, 159, 161, 164, 191v, 192, 234 à 236, 240 sont blancs. Notation mesurée blanche. 7 à 10 portées par p. Aux 2ff. limin. n. ch., tables du ms. par ordre alphabétique d'incipit.

Ce ms. est, avec TRbc 87, le plus ancien de la série. Une première partie, qui comprend les 144 premiers ff., formait autrefois un ms. indépendant composé de la réunion de 12 cahiers dont des adjonctions postérieures ont détruit l'unité primitive. Le scribe principal (on peut en distinguer 6) semble avoir élaboré un plan pour chaque cahier qui devait réunir des oeuvres de même genre, et projeté de les relier ensemble. Les index permettent de rétablir plus ou moins la constitution du ms., 1e premier ne mentionnant que les 144 premiers ff., tandis que l'autre en est la copie à laquelle on a ajouté le reste du ms., copié, semble-t-il à la même époque que la première partie, car le répertoire des deux parties présente une certaine unité avec prépondérance donnée (en tenant compte des identifications et des doubles attributions) à Dufay avec 47 pièces, Binchois avec 27 et Dunstable avec 22, et une majorité de musique sacrée avec seulement 4 chansons dans TR92 I (n°s 102, 103, 104, 105) et 2 dans TR92 II (n' 169, 175, 218) dont aucune ne figure dans les index. On peut dater le n° 16 écrit pour la consécration de Sa. Maria del Fiore à Florence en 1436 et aussi le n° 26 destiné à saluer la paix conclue entre le pape Eugène IV et l'empereur Sigismond en 1433; mais, ici les noms Eugenius et Sigismundus ont été nettement grattés, ce dernier étant remplacé par la lettre IV, ce qui laisse supposer que la copie est un peu postérieure à la date de la paix, soit même après la mort des deux souverains (respectivement 1447 et 1437). Ward émet l'hypothèse que le ms. aurait été copié dans la région Bâle-Strasbourg pour l'usage de la chapelle du duc de Savoie Amédée VIII (antipape Felix V), le répertoire étant celui de cette chapelle et de la chapelle conciliaire (Concile de Bâle). (Cf. Bibliographie)

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Répertoire International des Sources Musicales

Census Catalogue of Music Description

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TRENT. Museo Provinciale d'Arte, Castello del Buon Consiglio.

MS 92

1 Kyrie-Gloria pair, 3 Gloria-Credo pairs, 1 Credo-Sanctus pair, 1 Sanctus-Agnus pair, 13 Kyries (1 incomplete), 25 Glorias, 14 Credos, 16 Sanctus (1 incomplete), 17 Agnus, 24 Mass Proper sections (some grouped with Ordinary sections in cycles), 2 Magnificats, 26 office hymns, 1 processional hymn, 54 motets, 1 Benedicamus domino, 8 French secular pieces, 1 Latin secular piece = 208 + 9 duplicates = 217

Andreas-1, Anglia-1, Benet-2 + 1?, (Benet/Dunstable)-1, Binchois-24, Binchois/(Ja. de Clibano)-1, Binchois [Winchois]/ (Sandley)-1, Bloym-1, Bodoil-1, Bourgois-1, Brassart-2, (Brassart/ Dusart)-1, Driffelde-1, Dufay-41 + 4?, (Dufay/Dunstable)-1, Dufay-anon-1, Dunstable-18 + 2?, Dunstable/(Power)-1, G. Duponte-1, (Dusart)-2, Forest-2, (Grenon)-1, (Grossin)-1, G. Legrant [Legrant]-1, R. Liebert-13, Limburgia-1, Ja. Maioris -1, Markham-1, N. Merques [C. Merques; N. Merques; Merques] -16, (Plummer)-1, Power [Leonellus]-? + 1?, Power/(Dunstable) -4, Soursby [Sorbi]-1, Vide-1, anon-46

i parchment + 263 paper folios, 310 x 210. Composite of at least three originally separate manuscripts or sections of manuscripts: Part I = new ff. 2-145; Partii = new ff. 146-241 (once joined with ff. 1-166 and 197-200 of TrentC 87); Part III [blank staves only] = new ff. 242-264 (once joined with ff. 167-196 and 201-218 of TrentC 87). Some fascicles in each part may have been separately produced and independently used before being bound together, but all fascicles within each part generally interrelated by repertory, paper, and scribes. Modern foliation, 1-264, on lower right rectos; earlier (partly original) foliation, 1-262, on upper right rectos (first two folios not numbered). Blank staves only on new ff. 13', 18'-19, 33'-34, 48, 51'-52, 55, 75'-76, 77'-79, 86'-87', 96, 111', 114'-115, 116'-117, 132'-133, 155, 158, 161, 163, 166, 193'-194, 236-238, 242-264'. Original covers of tooled leather over wooden boards.

White mensural notation with black and red coloration (red notes in Part I only). Part I copied by one main scribe; five or six other scribes made later additions on openings left blank by main scribe (WrdS). Main scribe of Part II identified by WrighT as Johannes Lupi, a musician and priest active in and around Trent between 1447 and his death in 1467; Lupi also wrote ZwettlB s.s. and most of Part I of TrentC 87. Two additional scribes in Part II, one of whose hands also appears in Part I of TrentC 87. Inked Gothic initials in Part I; inked calligraphic initials in Part II.

Watermarks in Part I: (1) resembles Briquet #12993-4 (also found in sections II-III of AostaS D19); (2) resembles PiccardO VII, 525-6 (also found in sections II-III of AostaS D19); (3) resembles Briquet #3867-9 (new ff. 112'-121 only). Watermarks in Part II: (1) resembles Briquet #11702 (one additional variant not in Briquet); (2) resembles Briquet #11882 (two additional variants not in Briquet); (3) three-peaked mountain in circle (not in Briquet). All Part II marks also appear in Part I of TrentC 87. Watermark in Part HI: three-peaked mountain surmounted by cross (not in Briquet; same mark also appears in Part II of TrentC 87.

Part I closely related to sections II-III of AostaS D19 by repertory and watermarks, but not by common scribes (CobinA, WrdS).

Ca. 1430-40. Part I copied in Basel-Strasbourg region; repertory probably in use at chapels connected with Council of Basel (1431-49) and court of antipope Felix V, the former Amadeus VIII, Duke of Savoy (WrdS). Parts II-III possibly originated in Venice or vicinity (DTO), or perhaps in Basel-Strasbourg region (WrighCT); once formed portions of two separate manuscripts. Some gatherings from both former manuscripts now part of TrentC 87; about 1440, gatherings other than those incorporated into TrentC 87 were reordered, combined with Part I, supplied with new index, and rebound to form present TrentC 92. Johannes Lupi (see above) was responsible for ordering gatherings in present form and preparing new index (WrighT). Manuscript transferred from Trent to Vienna in 1891, but returned to Trent following World War I.

Vol 4

Date: Ca. 1430-45, with additions to early 1450's (see WrighAT).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
limin. v–1	Puer natus est nobis - 1a pars (of 3): Puer natus est nobis	-	Du Fay, Guillaume (1397–1474) (?)
Puer natus est nobis - 1a pars (of 3): Puer natus est nobis Du Fay, Guillaume (1397–1474) (?) Appears on: limin. v–1 Genres: Introit, Proper Voice: [no designation] Languages: Latin Voice Text: Puer natus est nobis
1v–3	Et in terra pax [Gloria] [Kaye 1a]	BINCHOIS	Binchois, Gilles (ca. 1400–1460)
Et in terra pax [Gloria] [Kaye 1a] Binchois, Gilles (ca. 1400–1460) Appears on: 1v–3 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: BINCHOIS Voice: [no designation] Languages: Latin Voice Text: [Gloria] Et in terra General Note Publ. cf. Bc 15 n° 120 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
3v–6	Patrem omnipotentem [Credo] [Kaye 1b]	(BINCHOIS)	Binchois, Gilles (ca. 1400–1460)
Patrem omnipotentem [Credo] [Kaye 1b] Binchois, Gilles (ca. 1400–1460) Appears on: 3v–6 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: (BINCHOIS) Voice: [no designation] Languages: Latin Voice Text: [Credo] Patrem General Note Publ. cf. Bc 15 n° 121 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
6v–7	Sanctus	DUFAY	Du Fay, Guillaume (1397–1474)
Sanctus Du Fay, Guillaume (1397–1474) Appears on: 6v–7 Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: DUFAY Voice: [no designation] Languages: Latin Voice Text: Sanctus General Note Index originally had 'Liebert', but replaced by 'Dufay' Publ. cf. Bc 15 n° 104 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
7v–8	Agnus Dei [Kaye 7b]	BINCHOIS	Binchois, Gilles (ca. 1400–1460)
Agnus Dei [Kaye 7b] Binchois, Gilles (ca. 1400–1460) Appears on: 7v–8 Genres: Agnus Dei, Mass Ordinary Source Attribution: BINCHOIS Voice: [no designation] Languages: Latin Voice Text: Agnus dei General Note Publ. cf. AOs n° 131
8v–9	Et in terra pax [Gloria]	LEONELL [ou J.DUNSTABLE]	Dunstaple, John (ca. 1390–1453) (?) Power, Leonel (–1445) (?)
Et in terra pax [Gloria] Dunstaple, John (ca. 1390–1453) (?) Power, Leonel (–1445) (?) Appears on: 8v–9 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: LEONELL [ou J.DUNSTABLE] Voice: [no designation] Languages: Latin Voice Text: [Gloria] Et in terra General Note Publ. cf. AOs n° 195
9v–11	Magnificat octavi toni: Anima mea [K.750]	[G. DUFAY]	Du Fay, Guillaume (1397–1474)
Magnificat octavi toni: Anima mea [K.750] Du Fay, Guillaume (1397–1474) Appears on: 9v–11 Genres: BVM, Canticle, Magnificat Source Attribution: [G. DUFAY] Voice: [no designation] Languages: Latin Voice Text: [Magnificat] anima mea General Note Publ. cf. Fn 112bis n° 23
12	In medio ecclesiae - 1a pars (of 2): In medio ecclesiae	-	Anonymous
In medio ecclesiae - 1a pars (of 2): In medio ecclesiae Anonymous Appears on: 12 Genres: Introit, Proper Voice: [no designation] Languages: Latin Voice Text: In medio ecclesiae General Note Tenor per faulx bourdon.
12v–13	Kyrie faulx bourdon	(MERQUES)	Merques, Nicolas
Kyrie faulx bourdon Merques, Nicolas Appears on: 12v–13 Genres: Kyrie eleison, Mass Ordinary Source Attribution: (MERQUES) Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie faulx bourdon
13	Verbum caro factum est de virgine Maria	-	Anonymous
Verbum caro factum est de virgine Maria Anonymous Appears on: 13 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Verbum caro factum est de virgine Maria General Note Tenor verbum faulx bourdon.
13v–15	Et in terra pax [Gloria] (iv/5)	DUFAY	Du Fay, Guillaume (1397–1474)
Et in terra pax [Gloria] (iv/5) Du Fay, Guillaume (1397–1474) Appears on: 13v–15 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: DUFAY Voice: [no designation] Languages: Latin Voice Text: [Gloria] Et in terra General Note Publ. cf. AOs n° 79
14	O lux beata	DUFAY	Du Fay, Guillaume (1397–1474)
O lux beata Du Fay, Guillaume (1397–1474) Appears on: 14 Genres: Hymn Source Attribution: DUFAY Voice: [no designation] Languages: Latin Voice Text: O lux beata General Note Publ. cf. Bc 15 a" 300 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
15v–16	Patrem omnipotentem [Credo] (iv/5)	DUFAY	Du Fay, Guillaume (1397–1474)
Patrem omnipotentem [Credo] (iv/5) Du Fay, Guillaume (1397–1474) Appears on: 15v–16 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: DUFAY Voice: [no designation] Languages: Latin Voice Text: [Credo] Patrem General Note Incompl. Publ. cf. AOs n° 84
17v–18	Magnificat sexti toni: Anima mea [K.749]	BINCHOIS erased	Binchois, Gilles (ca. 1400–1460) (?) Du Fay, Guillaume (1397–1474) Dunstaple, John (ca. 1390–1453) (?)
Magnificat sexti toni: Anima mea [K.749] Binchois, Gilles (ca. 1400–1460) (?) Du Fay, Guillaume (1397–1474) Dunstaple, John (ca. 1390–1453) (?) Appears on: 17v–18 Genres: BVM, Canticle, Magnificat Source Attribution: BINCHOIS erased Voice: [no designation] Languages: Latin Voice Text: [Magnificat] anima mea General Note Tous les versets 3 vx. Concordances *D-brd-Mbs
18v–19	Sanctus	-	Anonymous
Sanctus Anonymous Appears on: 18v–19 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: Sanctus General Note [Tr:Jacet granum]
21v–23	Nuper rosarum flores	G. DUFAY	Du Fay, Guillaume (1397–1474)
Nuper rosarum flores Du Fay, Guillaume (1397–1474) Appears on: 21v–23 Genres: Motet Source Attribution: G. DUFAY Voice: [no designation] Languages: Latin Voice Text: Nuper rosarum flores General Note T 1 et 2: Terribilis est Locus iste. Publ. cf. MOe X.l.ll n° 70
23v–24	Victimae paschali laudes immolent Christiani Agnus redemit oves Christus innocens	DUFAY	Du Fay, Guillaume (1397–1474)
Victimae paschali laudes immolent Christiani Agnus redemit oves Christus innocens Du Fay, Guillaume (1397–1474) Appears on: 23v–24 Genres: Sequence Source Attribution: DUFAY Voice: [no designation] Languages: Latin Voice Text: Victimae paschali laudes Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, V.
24	Kyrie Lux et origo (or Pascale)	[G. DUFAY]	Du Fay, Guillaume (1397–1474)
Kyrie Lux et origo (or Pascale) Du Fay, Guillaume (1397–1474) Appears on: 24 Genres: Kyrie eleison, Mass Ordinary Source Attribution: [G. DUFAY] Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie [Lux et origo] General Note Publ. cf. AOs n° 23
24v–25	Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto	-	Anonymous
Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto Anonymous Appears on: 24v–25 Genres: Introit, Proper Voice: [no designation] Languages: Latin Voice Text: Spiritus domini replevit
25	Veni creator spiritus mentes tuorum	BINCHOIS	Binchois, Gilles (ca. 1400–1460)
Veni creator spiritus mentes tuorum Binchois, Gilles (ca. 1400–1460) Appears on: 25 Genres: Hymn, Veni creator spiritus Source Attribution: BINCHOIS Voice: [no designation] Languages: Latin Voice Text: Veni creator spiritus General Note Faulx bourdon. Item Bibliography Marrocco, W. Thomas, and Nicholas Sandon (editors). 1977. The Oxford Anthology of Music: Medieval Music. London. Parris, Arthur. 1965. The sacred works of Gilles Binchois. Bryn Mawr College, Ph.D. Dissertation. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 53 (XXVII).
25v–26v	Et in terra pax [Gloria] [Kaye 3a]	BINCHOIS	Binchois, Gilles (ca. 1400–1460)
Et in terra pax [Gloria] [Kaye 3a] Binchois, Gilles (ca. 1400–1460) Appears on: 25v–26v Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: BINCHOIS Voice: [no designation] Languages: Latin Voice Text: [Gloria. Et in terra pax] hominibus General Note Publ. cf. AOs n° 42
27	Kyrie 'Cunctipotens genitor'	DUFAY	Du Fay, Guillaume (1397–1474)
Kyrie 'Cunctipotens genitor' Du Fay, Guillaume (1397–1474) Appears on: 27 Genres: Kyrie eleison, Mass Ordinary Source Attribution: DUFAY Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie [Cunctipotens genitor] General Note T:Faulx bourdon. Kyrie . Publ. cf. AOs n° 20
27v–30	Patrem omnipotentem [Credo] [Kaye 3b]	BINCHOIS	Binchois, Gilles (ca. 1400–1460) Binchois, Gilles (ca. 1400–1460)
Patrem omnipotentem [Credo] [Kaye 3b] Binchois, Gilles (ca. 1400–1460) Binchois, Gilles (ca. 1400–1460) Appears on: 27v–30 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: BINCHOIS Voice: [no designation] Languages: Latin Voice Text: [Credo. Patrem omnipotentem] Factorem celi et terre General Note Publ. cf. AOs n° 125. This copy (only) has a much shorter 'Amen' than the other 3 copies.
30	Veni creator spiritus	DUFAY	Du Fay, Guillaume (1397–1474)
Veni creator spiritus Du Fay, Guillaume (1397–1474) Appears on: 30 Genres: Hymn, Veni creator spiritus Source Attribution: DUFAY Voice: [no designation] Languages: Latin Voice Text: [Veni creator spiritus] Qui paraclitus diceris General Note Publ. cf. Bc 15 n° 299 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
30v–31	Sanctus [Kaye 7a]	BINCHOIS	Binchois, Gilles (ca. 1400–1460)
Sanctus [Kaye 7a] Binchois, Gilles (ca. 1400–1460) Appears on: 30v–31 Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: BINCHOIS Voice: [no designation] Languages: Latin Voice Text: Sanctus General Note Publ. cf. AOs n° 130
32v–34	Supremum est mortalibus bonum II: O sancta pax	DUFAY	Du Fay, Guillaume (1397–1474)
Supremum est mortalibus bonum II: O sancta pax Du Fay, Guillaume (1397–1474) Appears on: 32v–34 Genres: Motet Source Attribution: DUFAY Voice: [no designation] Languages: Latin Voice Text: Supremum est mortalibus bonum General Note Publ. cf. Bc 15 n° 168 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
34v–35	Et in terra pax [Gloria] [Kaye 54]	BINCHOIS[ou J.DE CLIBANO]	Binchois, Gilles (ca. 1400–1460) (?) Clibano, Jacobus de (?)
Et in terra pax [Gloria] [Kaye 54] Binchois, Gilles (ca. 1400–1460) (?) Clibano, Jacobus de (?) Appears on: 34v–35 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: BINCHOIS[ou J.DE CLIBANO] Voice: [no designation] Languages: Latin Voice Text: [Gloria] Et in terra General Note Publ. cf. AOs n° 117
35v–36	Ave virgo quae de caelis	DUFAY	Du Fay, Guillaume (1397–1474)
Ave virgo quae de caelis Du Fay, Guillaume (1397–1474) Appears on: 35v–36 Genres: Motet Source Attribution: DUFAY Voice: [no designation] Languages: Latin Voice Text: Ave virgo quae de caelis Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, I. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 53 (XXVII).
36v–37v	Sancti spiritus assit nobis gratia	-	Du Fay, Guillaume (1397–1474) (?) Merques, Nicolas (?)
Sancti spiritus assit nobis gratia Du Fay, Guillaume (1397–1474) (?) Merques, Nicolas (?) Appears on: 36v–37v Genres: Sequence Voice: [no designation] Languages: Latin Voice Text: Sancti spiritus assit nobis gratia General Note Attrib. à G. Dufay par Ch. Hamm (cf. Bibliogr.); a re-working of Dufay's Rex omnipotens perhaps instead made by Nicole Merques (Wright, unpublished)
38	Benedicta sit sancta trinitas	-	Anonymous
Benedicta sit sancta trinitas Anonymous Appears on: 38 Genres: Introit, Proper Voice: [no designation] Languages: Latin Voice Text: Benedicta sit sancta trinitas
38v	Kyrie De martyribus / In diebus Dominicis / Orbis factor	[G. DUFAY]	Du Fay, Guillaume (1397–1474)
Kyrie De martyribus / In diebus Dominicis / Orbis factor Du Fay, Guillaume (1397–1474) Appears on: 38v Genres: Kyrie eleison, Mass Ordinary Source Attribution: [G. DUFAY] Voice: [no designation] Languages: Latin, Greek Voice Text: In diebus dominicis. Kyrie [Orbis factor ou de martyribus] General Note Publ. cf. AOs n° 29
39–40	Gloria Rex saeculorum. Et in terra	LEONELLUS [ou J.DUNSTABLE]	Power, Leonel (–1445) (?) Dunstaple, John (ca. 1390–1453) (?)
Gloria Rex saeculorum. Et in terra Power, Leonel (–1445) (?) Dunstaple, John (ca. 1390–1453) (?) Appears on: 39–40 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: LEONELLUS [ou J.DUNSTABLE] Voice: [no designation] Languages: Latin Voice Text: [Gloria Rex seculorum] Et in terra General Note Publ. cf. AOs n° 40
40–41v	Patrem omnipotentem [Credo] [Kaye 18]	(BINCHOIS)	Binchois, Gilles (ca. 1400–1460)
Patrem omnipotentem [Credo] [Kaye 18] Binchois, Gilles (ca. 1400–1460) Appears on: 40–41v Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: (BINCHOIS) Voice: [no designation] Languages: Latin Voice Text: [Credo] Patrem Item Bibliography Marrocco, W. Thomas, and Nicholas Sandon (editors). 1977. Medieval Music. London. Parris, Arthur. 1965. The sacred works of Gilles Binchois. Bryn Mawr College, Ph.D. Dissertation.
42–42v	Sanctus [Kaye 5a]	BINCHOIS	Binchois, Gilles (ca. 1400–1460)
Sanctus [Kaye 5a] Binchois, Gilles (ca. 1400–1460) Appears on: 42–42v Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: BINCHOIS Voice: [no designation] Languages: Latin Voice Text: Sanctus General Note Publ. cf. AOs n° 114
42v–43	Agnus Dei [Kaye 5b]	[G. BINCHOIS]	Binchois, Gilles (ca. 1400–1460) Clibano, Jacobus de (?)
Agnus Dei [Kaye 5b] Binchois, Gilles (ca. 1400–1460) Clibano, Jacobus de (?) Appears on: 42v–43 Genres: Agnus Dei, Mass Ordinary Source Attribution: [G. BINCHOIS] Voice: [no designation] Languages: Latin Voice Text: Agnus dei General Note Publ. cf. AOs n" 115
43v–44	Cibavit eos ex adipe	-	Anonymous
Cibavit eos ex adipe Anonymous Appears on: 43v–44 Genres: Introit, Proper Voice: [no designation] Languages: Latin Voice Text: Cibavit eos ex adipe
44	Kyrie eleison	-	Anonymous
Kyrie eleison Anonymous Appears on: 44 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie General Note [Entièrement barré]Attrib. à Merques par Ward (cf. Bibliogr.)
44v–45v	Et in terra pax [Gloria]	LEONELLUS	Power, Leonel (–1445)
Et in terra pax [Gloria] Power, Leonel (–1445) Appears on: 44v–45v Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: LEONELLUS Voice: [no designation] Languages: Latin Voice Text: [Gloria] Et in terra General Note Publ. cf. AOs n° 156
46v–48	Patrem omnipotentem [Credo]	LEONELLUS	Power, Leonel (–1445)
Patrem omnipotentem [Credo] Power, Leonel (–1445) Appears on: 46v–48 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: LEONELLUS Voice: [no designation] Languages: Latin Voice Text: [Credo] Patrem General Note T: Rex secuLorum. Item Bibliography Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music. London. Pages: VIII (attrib. à J. Dunstable).
48v–49	Sanctus	LEONELLUS	Power, Leonel (–1445)
Sanctus Power, Leonel (–1445) Appears on: 48v–49 Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: LEONELLUS Voice: [no designation] Languages: Latin Voice Text: Sanctus General Note T: Sanctus Rex seculorum.Publ. cf. TRbc 90 n° 203
50v–51	Salve sancta parens - 1a pars (of 3): Salve sancta parens	REGINALDUS LIEBERT	Libert, Reginaldus
Salve sancta parens - 1a pars (of 3): Salve sancta parens Libert, Reginaldus Appears on: 50v–51 Genres: Introit, Proper Source Attribution: REGINALDUS LIEBERT Voice: [no designation] Languages: Latin Voice Text: Salve sancta parens Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 11, III. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 53 (XXVII).
51v–52v	Kyrie eleison	[LIEBERT]	Libert, Reginaldus
Kyrie eleison Libert, Reginaldus Appears on: 51v–52v Genres: Kyrie eleison, Mass Ordinary Source Attribution: [LIEBERT] Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 11, III.
53v–54	Et in terra pax [Gloria]	R. LIEBERT	Libert, Reginaldus
Et in terra pax [Gloria] Libert, Reginaldus Appears on: 53v–54 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: R. LIEBERT Voice: [no designation] Languages: Latin Voice Text: [Gloria] Et in terra Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 11, III.
54v–56	Benedicta et venerabilis	-	Libert, Reginaldus
Benedicta et venerabilis Libert, Reginaldus Appears on: 54v–56 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Benedicta et venerabilis Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 11, III (attrib. à R. Liebert);. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 53 (XXVII).
56–57	Alleluia. Ora pro nobis	-	Libert, Reginaldus
Alleluia. Ora pro nobis Libert, Reginaldus Appears on: 56–57 Genres: Alleluia, Proper Voice: [no designation] Languages: Latin Voice Text: Alleluia. Ora pro nobis Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 11, III (attrib. à R. Liebert). Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 53 (XXVII).
47v–48	Ave mundi gaudium	-	Libert, Reginaldus
Ave mundi gaudium Libert, Reginaldus Appears on: 47v–48 Genres: Sequence Voice: [no designation] Languages: Latin Voice Text: Ave mundi gaudium Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 11, III (attrib. à R.Liebert);. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 53 (XXVII).
58	Jesu redemptor saeculi	-	Libert, Reginaldus
Jesu redemptor saeculi Libert, Reginaldus Appears on: 58 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Iesu redemptor saeculi
58v	Dei genitrix mater	-	Libert, Reginaldus
Dei genitrix mater Libert, Reginaldus Appears on: 58v Genres: Tract Voice: [no designation] Languages: Latin Voice Text: Dei genitrix mater Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 11, III (attrib. à R. Liebert). Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 53 (XXVII).
59–61	Patrem omnipotentem [Credo]	(LIEBERT)	Libert, Reginaldus
Patrem omnipotentem [Credo] Libert, Reginaldus Appears on: 59–61 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: (LIEBERT) Voice: [no designation] Languages: Latin Voice Text: [Credo] Patrem Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 11, III. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: (XXVII).
60	Pange lingua gloriosi corporis misterium	N. MERQUES	Merques, Nicolas
Pange lingua gloriosi corporis misterium Merques, Nicolas Appears on: 60 Genres: Motet Source Attribution: N. MERQUES Voice: [no designation] Languages: Latin Voice Text: Pange lingua gloriosi General Note Tenor per faulx bourdon. Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 53 (XXVII).
61	Conditor alme siderum	DUFAY	Du Fay, Guillaume (1397–1474)
Conditor alme siderum Du Fay, Guillaume (1397–1474) Appears on: 61 Genres: Hymn Source Attribution: DUFAY Voice: [no designation] Languages: Latin Voice Text: [Conditor alme siderum] Qui condolens interitum [sic] mortis General Note Tenor per faulx bourdon. Publ. cf. Bc 15 n- 293 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
61v–62	Ave Maria gratia plena Dominus tecum	-	Libert, Reginaldus
Ave Maria gratia plena Dominus tecum Libert, Reginaldus Appears on: 61v–62 Genres: Ave Maria, Motet, Offertory Voice: [no designation] Languages: Latin Voice Text: Ave Maria gratia plena Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 11, III (attrib. à R. Liebert);. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 53 (XXVII).
62v–63	Sanctus	R. LIEBERT	Libert, Reginaldus
Sanctus Libert, Reginaldus Appears on: 62v–63 Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: R. LIEBERT Voice: [no designation] Languages: Latin Voice Text: Sanctus Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 11, III. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 53 (XXVII).
63v–64	Agnus Dei	(LIEBERT)	Libert, Reginaldus
Agnus Dei Libert, Reginaldus Appears on: 63v–64 Genres: Agnus Dei, Mass Ordinary Source Attribution: (LIEBERT) Voice: [no designation] Languages: Latin Voice Text: Agnus dei Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 11, III. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 53 (XXVII).
63v–64	Beata viscera Mariae virginis	-	Libert, Reginaldus
Beata viscera Mariae virginis Libert, Reginaldus Appears on: 63v–64 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Beata viscera Mariae virginis Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 11, III (attrib. à R. Liebert);. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 53 (XXVII).
64v	Kyrie Cum Jubilo in festis B.M.V. ou De domina	(DUFAY)	Du Fay, Guillaume (1397–1474)
Kyrie Cum Jubilo in festis B.M.V. ou De domina Du Fay, Guillaume (1397–1474) Appears on: 64v Genres: Kyrie eleison, Mass Ordinary Source Attribution: (DUFAY) Voice: [no designation] Languages: Latin, Greek Voice Text: (Kyrie de domina) Kyrie eleyson General Note Publ. cf. Bc 15 n» 96[ou Kyrie cum jubilo infestis B.M.V.] Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
65–66	Et in terra pax [Gloria] 'Spiritus et alme'	DUFAY	Du Fay, Guillaume (1397–1474)
Et in terra pax [Gloria] 'Spiritus et alme' Du Fay, Guillaume (1397–1474) Appears on: 65–66 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: DUFAY Voice: [no designation] Languages: Latin Voice Text: [Gloria] Et in terra General Note Tr: Spiritus et alme … Publ. cf. Bc 15 n° 136 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
66v–67	Letabundus exultet fidelis	-	Du Fay, Guillaume (1397–1474)
Letabundus exultet fidelis Du Fay, Guillaume (1397–1474) Appears on: 66v–67 Genres: Sequence Voice: [no designation] Languages: Latin Voice Text: Laetabundus exultet General Note Publ. cf. Bc 15 n» 316 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
67v–68v	Mittit ad virginem	-	Merques, Nicolas (?) Du Fay, Guillaume (1397–1474) (?)
Mittit ad virginem Merques, Nicolas (?) Du Fay, Guillaume (1397–1474) (?) Appears on: 67v–68v Genres: Sequence Voice: [no designation] Languages: Latin Voice Text: Mittit ad virginem General Note Attrib. à G. Dufay parCh.Hamm (cf. Bibliogr.); Wright (unpublished) suggests that Nicole Merques may be the author
68v–69	Laetabundus exultet	-	Du Fay, Guillaume (1397–1474) (?)
Laetabundus exultet Du Fay, Guillaume (1397–1474) (?) Appears on: 68v–69 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Laetabundus exultet General Note Attrib. à G. Dufay par Ch. Hamm (cf. Bibliogr.)
69v–71	Et in terra pax [Gloria]	JO. DUNSTAPLE	Dunstaple, John (ca. 1390–1453)
Et in terra pax [Gloria] Dunstaple, John (ca. 1390–1453) Appears on: 69v–71 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: JO. DUNSTAPLE Voice: [no designation] Languages: Latin Voice Text: [Gloria] Et in terra General Note Publ. cf. AOs n° 149
71v–73	Patrem omnipotentem [Credo]	-	Anonymous
Patrem omnipotentem [Credo] Anonymous Appears on: 71v–73 Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Credo] Patrem General Note Publ. cf. TRbc 90 n° 166
72	Vexilla regis prodeunt	[G. DUFAY]	Du Fay, Guillaume (1397–1474)
Vexilla regis prodeunt Du Fay, Guillaume (1397–1474) Appears on: 72 Genres: Motet Source Attribution: [G. DUFAY] Voice: [no designation] Languages: Latin Voice Text: Vexilla regis prodeunt General Note Anonymous; down a fourth) Publ. cf. MC 871 n° 41
74v–75	Et in terra pax [Gloria]	LEGRANT	Legrant, Guillaume
Et in terra pax [Gloria] Legrant, Guillaume Appears on: 74v–75 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: LEGRANT Voice: [no designation] Languages: Latin Voice Text: [Gloria] Et in terra General Note Publ. cf. AOs n" 59
77v–78	Da pacem Domine in diebus nostris	C. MERQUES	Merques, Nicolas
Da pacem Domine in diebus nostris Merques, Nicolas Appears on: 77v–78 Genres: Motet Source Attribution: C. MERQUES Voice: [no designation] Languages: Latin Voice Text: Da pacem domine in diebus nostris
78	Pange lingua gloriosi corporis misterium	-	Anonymous
Pange lingua gloriosi corporis misterium Anonymous Appears on: 78 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Pange lingua gloriosi … Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: (XXVII) (3e vx. considérée comme le Sup.).
78v–79	Et in terra pax [Gloria] [Kaye 2a]	BINCHOIS	Binchois, Gilles (ca. 1400–1460)
Et in terra pax [Gloria] [Kaye 2a] Binchois, Gilles (ca. 1400–1460) Appears on: 78v–79 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: BINCHOIS Voice: [no designation] Languages: Latin Voice Text: [Gloria] Et in terra General Note Publ. cf. AOs n° 36
79v–82	Patrem omnipotentem [Credo] 'Anglicus'	J. BODOIL	Bodoil, Jo. Anglia, Robertus de (fl. 1454-74) (?)
Patrem omnipotentem [Credo] 'Anglicus' Bodoil, Jo. Anglia, Robertus de (fl. 1454-74) (?) Appears on: 79v–82 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: J. BODOIL Voice: [no designation] Languages: Latin Voice Text: [Credo] Patrem General Note Publ. cf. AOs n° 126
82v–83	Sanctus	BENET	Benet, John (–ca. 1458)
Sanctus Benet, John (–ca. 1458) Appears on: 82v–83 Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: BENET Voice: [no designation] Languages: Latin Voice Text: Sanctus
83v–84	Et in terra pax [Gloria] [Kaye 16]	BINCHOIS	Binchois, Gilles (ca. 1400–1460)
Et in terra pax [Gloria] [Kaye 16] Binchois, Gilles (ca. 1400–1460) Appears on: 83v–84 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: BINCHOIS Voice: [no designation] Languages: Latin Voice Text: [Gloria] Et in terra Item Bibliography Parris, Arthur. 1965. The sacred works of Gilles Binchois. Bryn Mawr College, Ph.D. Dissertation. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 61.
86	Sanctus [Kaye 6a]	BINCHOIS	Binchois, Gilles (ca. 1400–1460)
Sanctus [Kaye 6a] Binchois, Gilles (ca. 1400–1460) Appears on: 86 Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: BINCHOIS Voice: [no designation] Languages: Latin Voice Text: Sanctus General Note Publ. cf. AOs n" 112
86	Deo gratias	BINCHOIS	Binchois, Gilles (ca. 1400–1460)
Deo gratias Binchois, Gilles (ca. 1400–1460) Appears on: 86 Genres: Deo gratias, Mass Ordinary, Motet Source Attribution: BINCHOIS Voice: [no designation] Languages: Latin Voice Text: Deo gratias Item Bibliography Marrocco, W. Thomas, and Nicholas Sandon (editors). 1977. Medieval Music. London. Parris, Arthur. 1965. The sacred works of Gilles Binchois. Bryn Mawr College, Ph.D. Dissertation.
86v–87	Kyrie eleison	R. LIEBERT	Libert, Reginaldus
Kyrie eleison Libert, Reginaldus Appears on: 86v–87 Genres: Kyrie eleison, Mass Ordinary Source Attribution: R. LIEBERT Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 11, III.
87	Audi benigne conditor	MERQUES	Merques, Nicolas
Audi benigne conditor Merques, Nicolas Appears on: 87 Genres: Motet Source Attribution: MERQUES Voice: [no designation] Languages: Latin Voice Text: Audi benigne conditor
87v–90	Patrem omnipotentem [Credo] 'Aversi' [Kaye 19]	BINCHOIS	Binchois, Gilles (ca. 1400–1460)
Patrem omnipotentem [Credo] 'Aversi' [Kaye 19] Binchois, Gilles (ca. 1400–1460) Appears on: 87v–90 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: BINCHOIS Voice: [no designation] Languages: Latin Voice Text: [Credo] Patrem Item Bibliography Marrocco, W. Thomas, and Nicholas Sandon (editors). 1977. Medieval Music. London. Parris, Arthur. 1965. The sacred works of Gilles Binchois. Bryn Mawr College, Ph.D. Dissertation. Borren, Charles van den (editor). 1932; 2nd rev. edn., London, 1962. Polyphonia sacra: A Continental Miscellany of the Fifteenth Century. Nashdom Abbey, Burnham, Bucks., and London: Plainsong and Mediaeval Music Society.
90	Beata nobis gaudia	BINCHOIS	Binchois, Gilles (ca. 1400–1460)
Beata nobis gaudia Binchois, Gilles (ca. 1400–1460) Appears on: 90 Genres: Motet Source Attribution: BINCHOIS Voice: [no designation] Languages: Latin Voice Text: Beata nobis gaudia Item Bibliography Marrocco, W. Thomas, and Nicholas Sandon (editors). 1977. Medieval Music. London. Parris, Arthur. 1965. The sacred works of Gilles Binchois. Bryn Mawr College, Ph.D. Dissertation.
90v–91	Sanctus [Kaye 4a]	BINCHOIS	Binchois, Gilles (ca. 1400–1460)
Sanctus [Kaye 4a] Binchois, Gilles (ca. 1400–1460) Appears on: 90v–91 Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: BINCHOIS Voice: [no designation] Languages: Latin Voice Text: Sanctus General Note Publ. cf. AOs n° 127
91v–92	Et in terra pax [Gloria]	DUFAY	Du Fay, Guillaume (1397–1474)
Et in terra pax [Gloria] Du Fay, Guillaume (1397–1474) Appears on: 91v–92 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: DUFAY Voice: [no designation] Languages: Latin Voice Text: [Gloria] Et in terra Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, IV.
92v–93	Asperges me Domine (I)	[G. BINCHOIS]	Binchois, Gilles (ca. 1400–1460)
Asperges me Domine (I) Binchois, Gilles (ca. 1400–1460) Appears on: 92v–93 Genres: Asperges me, Motet Source Attribution: [G. BINCHOIS] Voice: [no designation] Languages: Latin Voice Text: Asperges me Domine hysopo General Note [Version II] Publ. cf. Bc 15 n° 110 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
92v–93	Asperges me Domine (II)	-	Binchois, Gilles (ca. 1400–1460)
Asperges me Domine (II) Binchois, Gilles (ca. 1400–1460) Appears on: 92v–93 Genres: Asperges me, Motet
93v	Kyrie 'angelorum'	BINCHOIS	Binchois, Gilles (ca. 1400–1460)
Kyrie 'angelorum' Binchois, Gilles (ca. 1400–1460) Appears on: 93v Genres: Kyrie eleison, Mass Ordinary Source Attribution: BINCHOIS Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie [Angelorum] General Note Publ. cf. AOs n° 27
94v–95	Agnus Dei	LEONELLI	Power, Leonel (–1445) (?) Benet, John (–ca. 1458) (?)
Agnus Dei Power, Leonel (–1445) (?) Benet, John (–ca. 1458) (?) Appears on: 94v–95 Genres: Agnus Dei, Mass Ordinary Source Attribution: LEONELLI Voice: [no designation] Languages: Latin Voice Text: Agnus dei General Note T: Rex seculorum Agnus dei. Item Bibliography Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music. London. Pages: VIII (attrib. à J. Dunstable).
95v–96	Agnus Dei [Kaye 7b]	BINCHOIS	Binchois, Gilles (ca. 1400–1460)
Agnus Dei [Kaye 7b] Binchois, Gilles (ca. 1400–1460) Appears on: 95v–96 Genres: Agnus Dei, Mass Ordinary Source Attribution: BINCHOIS Voice: [no designation] Languages: Latin Voice Text: Agnus dei General Note Publ. cf. AOs n' 131
96	Christe redemptor omnium/conserva (v/24b)	DUFAY	Du Fay, Guillaume (1397–1474)
Christe redemptor omnium/conserva (v/24b) Du Fay, Guillaume (1397–1474) Appears on: 96 Genres: Hymn Source Attribution: DUFAY Voice: [no designation] Languages: Latin Voice Text: [Christe redemptor omnium] Beata quoque agmina General Note Publ. cf. Bc 15 n" 306 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
96v–97	Ave regina caelorum	[J. DUNSTABLE]	Dunstaple, John (ca. 1390–1453)
Ave regina caelorum Dunstaple, John (ca. 1390–1453) Appears on: 96v–97 Genres: BVM, Motet Source Attribution: [J. DUNSTABLE] Voice: [no designation] Languages: Latin Voice Text: [Ave] regina celorum … Voice: [no designation] Languages: Latin Voice Text: [Ave] regina celorum … Voice: [no designation] Languages: Latin Voice Text: [Ave] regina celorum … General Note Publ. cf. Fn 112bis n° 26
97v	Ave maris stella	-	Anonymous
Ave maris stella Anonymous Appears on: 97v Genres: Ave maris stella, BVM, Motet Voice: [no designation] Languages: Latin Voice Text: Ave maris stella Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 50, I. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 53 (XXVII) (sous le nom de Leonel).
98	Agnus Dei	[J. BENET ou L. POWER]	Benet, John (–ca. 1458) (?) Power, Leonel (–1445) (?)
Agnus Dei Benet, John (–ca. 1458) (?) Power, Leonel (–1445) (?) Appears on: 98 Genres: Agnus Dei, Mass Ordinary Source Attribution: [J. BENET ou L. POWER] Voice: [no designation] Languages: Latin Voice Text: Agnus dei General Note [= 2e et 3e Agnus seul1] Publ. cf. AOs n° 154
98v–100v	Lauda Sion salvatorem	G. DUFAY	Du Fay, Guillaume (1397–1474)
Lauda Sion salvatorem Du Fay, Guillaume (1397–1474) Appears on: 98v–100v Genres: Sequence Source Attribution: G. DUFAY Voice: [no designation] Languages: Latin Voice Text: Lauda Sion salvatorem Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, V.
100v–101v	Veni sancte spiritus et emitte caelitus (v/6)	DUFAY	Du Fay, Guillaume (1397–1474)
Veni sancte spiritus et emitte caelitus (v/6) Du Fay, Guillaume (1397–1474) Appears on: 100v–101v Genres: Sequence Source Attribution: DUFAY Voice: [no designation] Languages: Latin Voice Text: Veni sancte spiritus Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, V. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 53 (XXVII).
101v–102	Kyrie eleison	MERQUES	Merques, Nicolas
Kyrie eleison Merques, Nicolas Appears on: 101v–102 Genres: Kyrie eleison, Mass Ordinary Source Attribution: MERQUES Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie
102	Agnus Dei [Kaye 6b]	BINCHOIS	Binchois, Gilles (ca. 1400–1460)
Agnus Dei [Kaye 6b] Binchois, Gilles (ca. 1400–1460) Appears on: 102 Genres: Agnus Dei, Mass Ordinary Source Attribution: BINCHOIS Voice: [no designation] Languages: Latin Voice Text: Agnus dei General Note Publ. cf. AOs n° 113
102v	Salve sancta parens [= Virgo prudentissima]	[L. POWER]	Power, Leonel (–1445)
Salve sancta parens [= Virgo prudentissima] Power, Leonel (–1445) Appears on: 102v Genres: Motet Source Attribution: [L. POWER] Voice: [no designation] Languages: Latin Voice Text: Virgo prudentissima quo progrederis General Note [= Salve sancta parens] Cf. I-MOe MS {alpha}.X.1.11 (Modena B; ModB), f. 112v
103	Statuit ei Dominus	-	Anonymous
Statuit ei Dominus Anonymous Appears on: 103 Genres: Introit, Proper Voice: [no designation] Languages: Latin Voice Text: Statuit ei dominus
103v–104	Victimae paschali laudes immolent Christiani Agnus redemit oves Christus innocens	JA. MAIORIS	Maioris, Ja
Victimae paschali laudes immolent Christiani Agnus redemit oves Christus innocens Maioris, Ja Appears on: 103v–104 Genres: Sequence Source Attribution: JA. MAIORIS Voice: [no designation] Languages: Latin Voice Text: Victimae paschali laudes
104v–105	Tota pulchra es amica mea et macula	FOREST	Forest
Tota pulchra es amica mea et macula Forest Appears on: 104v–105 Genres: Motet Source Attribution: FOREST Voice: [no designation] Languages: Latin Voice Text: Tota pulchra es amica mea et macula General Note Publ. cf. MOe X.1.11 n° 98 Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: XL.
105v–106v	Patrem omnipotentem [Credo]	ANGLICANUS	Dunstaple, John (ca. 1390–1453)
Patrem omnipotentem [Credo] Dunstaple, John (ca. 1390–1453) Appears on: 105v–106v Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: ANGLICANUS Voice: [no designation] Languages: Latin Voice Text: [Credo] Patrem
106v–107	Gloria Domine fili unigenite - Et in terra	JO. DUNSTAPLE	Dunstaple, John (ca. 1390–1453)
Gloria Domine fili unigenite - Et in terra Dunstaple, John (ca. 1390–1453) Appears on: 106v–107 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: JO. DUNSTAPLE Voice: [no designation] Languages: Latin Voice Text: [Gloria Domine fili unigenite] Et in terra General Note Publ. cf. TRbc 90 n° 135
107v–108v	Patrem omnipotentem [Credo]	DUNSTAPLE	Dunstaple, John (ca. 1390–1453)
Patrem omnipotentem [Credo] Dunstaple, John (ca. 1390–1453) Appears on: 107v–108v Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: DUNSTAPLE Voice: [no designation] Languages: Latin Voice Text: [Credo] Patrem General Note Publ. cf. Bc 15 n° 24 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
108v–109	Sub tuam protectionem	[J. DUNSTABLE]	Dunstaple, John (ca. 1390–1453)
Sub tuam protectionem Dunstaple, John (ca. 1390–1453) Appears on: 108v–109 Genres: Motet Source Attribution: [J. DUNSTABLE] Voice: [no designation] Languages: Latin Voice Text: Sub tuam protectionem General Note Publ. cf. AOs n° 160
110	Gloria laus et honor	-	Anonymous
Gloria laus et honor Anonymous Appears on: 110 Genres: Hymn Voice: [no designation] Languages: Latin Voice Text: Gloria laus et honor
110v–111	Quam pulchra es et quam decora	DUNSTAPLE	Dunstaple, John (ca. 1390–1453) (?) Egidius (?)
Quam pulchra es et quam decora Dunstaple, John (ca. 1390–1453) (?) Egidius (?) Appears on: 110v–111 Genres: Motet Source Attribution: DUNSTAPLE Voice: [no designation] Languages: Latin Voice Text: Quam pulchra es et quam decora General Note Publ. cf. AOs n° 138
111	Kyrie eleison	-	Anonymous
Kyrie eleison Anonymous Appears on: 111 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie
111v	De cette joyeuse advenue	-	Anonymous
De cette joyeuse advenue Anonymous Appears on: 111v Genres: Chanson Voice: [no designation] Languages: French Voice Text: De ceste joyeuse advenue Item Bibliography Kemp, Walter H. 1972. The Burgundian Chanson in the Fifteenth Century, with special reference to the Anonymous Chansons in the MS Escorial V. III. 24 and Related Sources. Oxford University, Unpublished Ph.D. dissertation. Pages: (attrib. à Binchois). Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 22 (XI).
111v	Adieu mes tres belles amours	[G. BINCHOIS]*	Binchois, Gilles (ca. 1400–1460)
Adieu mes tres belles amours Binchois, Gilles (ca. 1400–1460) Appears on: 111v Genres: Rondeau Source Attribution: [G. BINCHOIS]* Voice: [no designation] Languages: French Voice Text: Adieu mes tres bielles amours General Note [= Ave corpus Christi]* Concordances D-brd-Mbs 3232a Item Bibliography Marrocco, W. Thomas, and Nicholas Sandon (editors). 1977. Medieval Music.* London. Parris, Arthur. 1965. The sacred works of Gilles Binchois. Bryn Mawr College, Ph.D. Dissertation. Rehm, Wolfgang (editor). 1957) & Vol. VI: Mehrstimmige Lamentationen aus der ersten Hälfte des 16. Jahrhunderts, Massenkeil, G (ed.) (1965) & Vol. VII-VIII. Heinrich Isaac Messen, Staehelin, Martin (ed.) (1970-1973. Die Chansons von Gilles Binchois (1400-1460). Musikalische Denkmäler. Pages: II.
112	Adieu ma tres belle maistresse	-	Binchois, Gilles (ca. 1400–1460) (?)
Adieu ma tres belle maistresse Binchois, Gilles (ca. 1400–1460) (?) Appears on: 112 Genres: Chanson, Rondeau Voice: [no designation] Languages: French Voice Text: Adieu ma tres bielle mestresse General Note [= Deo gratias]* Concordances *D-brd-Mbs 3232a
112	Laudo vinum	-	Anonymous
Laudo vinum Anonymous Appears on: 112 Genres: Cantio Voice: [no designation] Languages: Latin Voice Text: Laudo vinum Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 22 (XI).
113v–114	Patrem omnipotentem [Credo]	(ANGLICANUS)	Dunstaple, John (ca. 1390–1453)
Patrem omnipotentem [Credo] Dunstaple, John (ca. 1390–1453) Appears on: 113v–114 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: (ANGLICANUS) Voice: [no designation] Languages: Latin Voice Text: [Credo] Patrem General Note T: [Alma redemptoris] Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 61 (XXXI).
115v–116	Patrem omnipotentem [Credo]	[FOREST]	Forest
Patrem omnipotentem [Credo] Forest Appears on: 115v–116 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: [FOREST] Voice: [no designation] Languages: Latin Voice Text: [Credo] Patrem Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 61 (XXXI).
116v–118	Et in terra pax [Gloria]	-	Anonymous
Et in terra pax [Gloria] Anonymous Appears on: 116v–118 Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Gloria] Et in terra General Note [= no 147] Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 61 (XXXI).
11l8v–120	Missa Sancti Jacobi: Credo	DUFAY	Du Fay, Guillaume (1397–1474)
Missa Sancti Jacobi: Credo Du Fay, Guillaume (1397–1474) Appears on: 11l8v–120 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: DUFAY Voice: [no designation] Languages: Latin Voice Text: [Missa Sancti Jacobi. Credo] Patrem. Concordances Publ. cf. AOs n° 88. The final section (Et unam sanctam' onwards) has been replaced with the final section of the Gloria (cf. Q15)
119	Benedicamus in laude	-	Anonymous
Benedicamus in laude Anonymous Appears on: 119 Genres: Benedicamus Domino, Motet Voice: [no designation] Languages: Latin Voice Text: Benedicamus in laude
120v–121	Et in terra pax [Gloria]	DUFAY	Du Fay, Guillaume (1397–1474)
Et in terra pax [Gloria] Du Fay, Guillaume (1397–1474) Appears on: 120v–121 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: DUFAY Voice: [no designation] Languages: Latin Voice Text: [Gloria] Et in terra Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: Ibis, IV. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 61 (XXXI).
121v	Et in terra pax [Gloria]	(GRENON)	Grenon, Nicolas
Et in terra pax [Gloria] Grenon, Nicolas Appears on: 121v Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: (GRENON) Voice: [no designation] Languages: Latin Voice Text: [Gloria] Et in terra
122	Nativitas gloriosae virginis Marie	-	Merques, Nicolas
Nativitas gloriosae virginis Marie Merques, Nicolas Appears on: 122 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Nativitas gloriosae virginis Marie General Note Tenor per faulx bourdon.attrib. à N. de Merques par Ward (cf. Bibliogr.
122v–123	Et in terra pax [Gloria] [Kaye 17]	[G. BINCHOIS]	Binchois, Gilles (ca. 1400–1460)
Et in terra pax [Gloria] [Kaye 17] Binchois, Gilles (ca. 1400–1460) Appears on: 122v–123 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: [G. BINCHOIS] Voice: [no designation] Languages: Latin Voice Text: [Gloria] Et in terra General Note Publ. cf. AOs n° 45
123	Ut queant laxis resonare fibris	-	Anonymous
Ut queant laxis resonare fibris Anonymous Appears on: 123 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Ut queant laxis resonare General Note Tenor faulx bourdon.
123v–125	Imera dat hodierno	[E. GROSSIN DE PARIS]	Grossin, Estienne
Imera dat hodierno Grossin, Estienne Appears on: 123v–125 Genres: Motet Source Attribution: [E. GROSSIN DE PARIS] Voice: [no designation] Languages: Latin Voice Text: Imera dat hodierno General Note Publ. cf. Bc 15 n» 203 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
125v–126	Missa sine nomine (Resvelliés vous): Et in terra pax [Gloria]	DUFAY	Du Fay, Guillaume (1397–1474)
Missa sine nomine (Resvelliés vous): Et in terra pax [Gloria] Du Fay, Guillaume (1397–1474) Appears on: 125v–126 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: DUFAY Voice: [no designation] Languages: Latin Voice Text: [Missa sine nomine.Gloria] Et in terra General Note Incomplete & largely untexted; lacks 'Qui sedes' to end. Publ. cf. AOs n° 34
126v	Vidi turbam - 1a pars (of 2): Vidi turbam	-	Merques, Nicolas
Vidi turbam - 1a pars (of 2): Vidi turbam Merques, Nicolas Appears on: 126v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Et omnes angeli
126v	Vidi turbam- 2a pars (of 2): Et omnes angeli	MERQUES	Merques, Nicolas
Vidi turbam- 2a pars (of 2): Et omnes angeli Merques, Nicolas Appears on: 126v Genres: Motet Source Attribution: MERQUES Voice: [no designation] Languages: Latin Voice Text: Vidi turbam
127	Benedicite Dominum - 1a pars (of 2): Benedicite Dominum	-	Merques, Nicolas
Benedicite Dominum - 1a pars (of 2): Benedicite Dominum Merques, Nicolas Appears on: 127 Genres: Introit Voice: [no designation] Languages: Latin Voice Text: Benedicite dominum General Note Tenor per faulx bourdon.Attrib. à N. de Merques par Ward (cf. Bibliogr.)
127	Benedicite Dominum - 2a pars (of 2): Redemisti nos	-	Merques, Nicolas
Benedicite Dominum - 2a pars (of 2): Redemisti nos Merques, Nicolas Appears on: 127 Genres: Introit, Proper Voice: [no designation] Languages: Latin Voice Text: Redemisti nos General Note Attrib. à N. de Merques par Ward (cf. Bibliogr.)
127v–128	Sanctus	(ANGLICANUS) [= SORBI]	Soursby
Sanctus Soursby Appears on: 127v–128 Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: (ANGLICANUS) [= SORBI] Voice: [no designation] Languages: Latin Voice Text: Sanctus General Note Publ. cf. TRbc n° 196
128v–130	Et in terra pax [Gloria]	-	Anonymous
Et in terra pax [Gloria] Anonymous Appears on: 128v–130 Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Gloria] Et in terra
130	Kyrie eleison	-	Anonymous
Kyrie eleison Anonymous Appears on: 130 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie
131v–132	Gaudeamus omnes - 1a pars (of 2): Gaudeamus omnes in Domino	-	Anonymous
Gaudeamus omnes - 1a pars (of 2): Gaudeamus omnes in Domino Anonymous Appears on: 131v–132 Genres: Introit, Proper Voice: [no designation] Languages: Latin Voice Text: Gaudeamus omnes in domino
132	Te lucis ante terminum rerum creator	-	Anonymous
Te lucis ante terminum rerum creator Anonymous Appears on: 132 Genres: Te lucis ante terminum Voice: [no designation] Languages: Latin Voice Text: Te lucis ante terminum rerum creator
132v–133	Ave regina / Ave regina	[L. POWER]	Power, Leonel (–1445)
Ave regina / Ave regina Power, Leonel (–1445) Appears on: 132v–133 Genres: BVM, Motet Source Attribution: [L. POWER] Voice: [no designation] Languages: Latin Voice Text: Ave regina caelorum General Note Publ. cf. AOs n° 146
133v–134	O admirabile commercium creator generis	-	Anonymous
O admirabile commercium creator generis Anonymous Appears on: 133v–134 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O admirabile commercium creator generis
134	Christe redemptor omnium . Tu lumen tu splendor (Christmas setting)	DUFAY	Du Fay, Guillaume (1397–1474)
Christe redemptor omnium . Tu lumen tu splendor (Christmas setting) Du Fay, Guillaume (1397–1474) Appears on: 134 Genres: Motet Source Attribution: DUFAY Voice: [no designation] Languages: Latin Voice Text: [Christe redemptor omnium] Tu lumen tu splendor General Note Tenor faulx bourdon. Publ. cf. Bc 15 n° 295 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
134v–135	Regali ex progenie Maria exorta refulget	-	Anonymous
Regali ex progenie Maria exorta refulget Anonymous Appears on: 134v–135 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Regali ex progenie Maria exorta refulget General Note T: Sancta Maria virgo . . .
135	Annue Christe saeculorum Domine	-	Anonymous
Annue Christe saeculorum Domine Anonymous Appears on: 135 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Annue Criste seculorum domine
135v–136	Salve mater misericordiae	G. DUPONT	Du Pont, Jacques
Salve mater misericordiae Du Pont, Jacques Appears on: 135v–136 Genres: Motet Source Attribution: G. DUPONT Voice: [no designation] Languages: Latin Voice Text: Salve mater misericordiae
136	O quam glorifica	-	Anonymous
O quam glorifica Anonymous Appears on: 136 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O quam glorifica
136v–137	Hac clara die / Nova effera	-	Anonymous
Hac clara die / Nova effera Anonymous Appears on: 136v–137 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Hac clara die/Nova effera General Note T: Nova efferens gaudia . . . Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 76 (XL).
137	Ut queant laxis resonare fibris	MERQUES	Merques, Nicolas
Ut queant laxis resonare fibris Merques, Nicolas Appears on: 137 Genres: Motet Source Attribution: MERQUES Voice: [no designation] Languages: Latin Voice Text: Ut queant laxis
137v–138	Specialis virgo / Salve parens	[J. DUNSTABLE]	Dunstaple, John (ca. 1390–1453)
Specialis virgo / Salve parens Dunstaple, John (ca. 1390–1453) Appears on: 137v–138 Genres: Motet Source Attribution: [J. DUNSTABLE] Voice: [no designation] Languages: Latin Voice Text: Specialis virgo/Salve parens General Note T: Salve parens inclita. Publ. cf. MOe X 1.11 n° 81
138	Christe redemptor omnium [Tr.1501]	-	Anonymous
Christe redemptor omnium [Tr.1501] Anonymous Appears on: 138 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Christe redemptor omnium Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 53 (XXVII).
138v–139	Sancta Maria succurre miseris	[J. DUNSTABLE]	Dunstaple, John (ca. 1390–1453)
Sancta Maria succurre miseris Dunstaple, John (ca. 1390–1453) Appears on: 138v–139 Genres: Motet Source Attribution: [J. DUNSTABLE] Voice: [no designation] Languages: Latin Voice Text: Sancta Maria succurre miseris General Note Here anonymous; Publ. cf. AOs no 148
139	A solis ortus cardine ad usque terrae	BINCHOIS	Binchois, Gilles (ca. 1400–1460)
A solis ortus cardine ad usque terrae Binchois, Gilles (ca. 1400–1460) Appears on: 139 Genres: Motet Source Attribution: BINCHOIS Voice: [no designation] Languages: Latin Voice Text: A solis ortus cardine General Note Publ. cf. AOs n" 141
139v–140v	Crux fidelis	JO. DUNSTAPLE	Dunstaple, John (ca. 1390–1453)
Crux fidelis Dunstaple, John (ca. 1390–1453) Appears on: 139v–140v Genres: Motet Source Attribution: JO. DUNSTAPLE Voice: [no designation] Languages: Latin Voice Text: Crux fidelis General Note Publ. cf. MOeX.l.lln-96
140v–141	Mater ora filium	[L. POWER]	Power, Leonel (–1445)
Mater ora filium Power, Leonel (–1445) Appears on: 140v–141 Genres: Motet Source Attribution: [L. POWER] Voice: [no designation] Languages: Latin Voice Text: Mater ora filium General Note Publ. cf. MOe X.l.ll n° 109
141v–142	O sanctissime praesul / O Christi pietas	-	Anonymous
O sanctissime praesul / O Christi pietas Anonymous Appears on: 141v–142 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O sanctissime praesul/O Christi pietas General Note T: O Christi pietas Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 76 (XL).
142v–143	Regina caeli laetare alleluia	[L. POWER]	Power, Leonel (–1445)
Regina caeli laetare alleluia Power, Leonel (–1445) Appears on: 142v–143 Genres: Motet, Regina caeli laetare Source Attribution: [L. POWER] Voice: [no designation] Languages: Latin Voice Text: Regina caeli laetare alleluia General Note Publ. cf. TRbc 90 n° 354
143	Regali ex progenie Maria exorta refulget	N. DE MERQUES	Merques, Nicolas
Regali ex progenie Maria exorta refulget Merques, Nicolas Appears on: 143 Genres: Motet Source Attribution: N. DE MERQUES Voice: [no designation] Languages: Latin Voice Text: Regali ex progenie Maria exorta refulget General Note Tenor per faulx bourdon
143v	Hymnus omnibus sanctis	-	Merques, Nicolas (?)
Hymnus omnibus sanctis Merques, Nicolas (?) Appears on: 143v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Hymnus omnibus sanctis General Note Attrib. à N. de Merques par Ward (cf. Bibliogr.)
144	Kyrie eleison (iv/19)	DUFAY	Du Fay, Guillaume (1397–1474) (?) Binchois, Gilles (ca. 1400–1460) (?)
Kyrie eleison (iv/19) Du Fay, Guillaume (1397–1474) (?) Binchois, Gilles (ca. 1400–1460) (?) Appears on: 144 Genres: Kyrie eleison, Mass Ordinary Source Attribution: DUFAY Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie General Note Publ. cf. TRbc 90 tf 108
144v–146	Et in terra pax [Gloria]	G. DU FAY	Du Fay, Guillaume (1397–1474)
Et in terra pax [Gloria] Du Fay, Guillaume (1397–1474) Appears on: 144v–146 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: G. DU FAY Voice: [no designation] Languages: Latin Voice Text: [Gloria] Et in terra Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, IV.
147–149	Et in terra pax [Gloria]	-	Anonymous
Et in terra pax [Gloria] Anonymous Appears on: 147–149 Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Gloria] Et in terra Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 61 (XXXI).
149v–150	Et in terra pax [Gloria] 'in galli cantu'	G. DUFAY	Du Fay, Guillaume (1397–1474)
Et in terra pax [Gloria] 'in galli cantu' Du Fay, Guillaume (1397–1474) Appears on: 149v–150 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: G. DUFAY Voice: [no designation] Languages: Latin Voice Text: Galli cantu [Gloria] Et in terra General Note Publ. cf. Bc 15 n° 137 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
150v–151	Missa Dominicale minus: Et in terra pax [Gloria]	G. DUFAY	Du Fay, Guillaume (1397–1474)
Missa Dominicale minus: Et in terra pax [Gloria] Du Fay, Guillaume (1397–1474) Appears on: 150v–151 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: G. DUFAY Voice: [no designation] Languages: Latin Voice Text: Dominicale minus.[Gloria] Et in terra Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, IV.
151v–152v	Et in terra pax [Gloria]	(ANGLICANUS)	Dunstaple, John (ca. 1390–1453)
Et in terra pax [Gloria] Dunstaple, John (ca. 1390–1453) Appears on: 151v–152v Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: (ANGLICANUS) Voice: [no designation] Languages: Latin Voice Text: [Gloria] Et in terra Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 61 (XXXI).
153v–154	Et in terra pax [Gloria]	-	Anonymous
Et in terra pax [Gloria] Anonymous Appears on: 153v–154 Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: (Gloria) Et in terra
154v–155v	Patrem omnipotentem [Credo]	BLOYM	Blome
Patrem omnipotentem [Credo] Blome Appears on: 154v–155v Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: BLOYM Voice: [no designation] Languages: Latin Voice Text: [Credo] Patrem
156v–158	Patrem omnipotentem [Credo]	RICARDUS MARKHAM	Markham, Ricardus
Patrem omnipotentem [Credo] Markham, Ricardus Appears on: 156v–158 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: RICARDUS MARKHAM Voice: [no designation] Languages: Latin Voice Text: [Credo] Patrem Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 61 (XXXI).
159v–162	Et in terra pax [Gloria]	DUNSTAPLE	Dunstaple, John (ca. 1390–1453)
Et in terra pax [Gloria] Dunstaple, John (ca. 1390–1453) Appears on: 159v–162 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: DUNSTAPLE Voice: [no designation] Languages: Latin Voice Text: [Gloria] Et in terra Item Bibliography Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music. London. Pages: VIII. Feininger, Laurence K (editor). 1947-. Documenta Polyphoniae Liturgieae Sanctae Ecclesiae Romanae. Roma. Pages: I n° 8. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 61 (XXXI).
162v–165	Patrem omnipotentem [Credo]	DUNSTABEL	Dunstaple, John (ca. 1390–1453)
Patrem omnipotentem [Credo] Dunstaple, John (ca. 1390–1453) Appears on: 162v–165 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: DUNSTABEL Voice: [no designation] Languages: Latin Voice Text: [Credo] Patrem Item Bibliography Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music. London. Pages: VIII. Feininger, Laurence K (editor). 1947-. Documenta Polyphoniae Liturgieae Sanctae Ecclesiae Romanae. Roma. Pages: I n° 8. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 61 (XXXI).
165v–167v	Et in terra pax [Gloria]	BENET	Benet, John (–ca. 1458)
Et in terra pax [Gloria] Benet, John (–ca. 1458) Appears on: 165v–167v Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: BENET Voice: [no designation] Languages: Latin Voice Text: [Gloria] Et in terra Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 61 (XXXI).
168–169	Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto	DUNSTAPL	Dunstaple, John (ca. 1390–1453)
Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto Dunstaple, John (ca. 1390–1453) Appears on: 168–169 Genres: Introit, Proper Source Attribution: DUNSTAPL Voice: [no designation] Languages: Latin Voice Text: Spiritus domini replevit General Note Publ. cf. MOe X.I.11 n° 119
168v	O crux gloriosa	[J. BRASSART ou SARTO]	Dunstaple, John (ca. 1390–1453)
O crux gloriosa Dunstaple, John (ca. 1390–1453) Appears on: 168v Genres: Motet Source Attribution: [J. BRASSART ou SARTO] Voice: [no designation] Languages: Latin Voice Text: O crux gloriosa General Note Publ. cf. AOs n° 8
169v–171	Alma redemptoris mater (IJD22)	LEONEL [ou J.DUNSTABLE]	Power, Leonel (–1445) (?) Dunstaple, John (ca. 1390–1453) (?)
Alma redemptoris mater (IJD22) Power, Leonel (–1445) (?) Dunstaple, John (ca. 1390–1453) (?) Appears on: 169v–171 Genres: Alma redemptoris mater, BVM, Motet Source Attribution: LEONEL [ou J.DUNSTABLE] Voice: [no designation] Languages: Latin Voice Text: Alma redemptoris mater General Note Ascribed to Leonel; Publ. cf. AOs n° 157
171v–172	Ave regina / Ave regina	[L. POWER]	Power, Leonel (–1445)
Ave regina / Ave regina Power, Leonel (–1445) Appears on: 171v–172 Genres: BVM, Motet Source Attribution: [L. POWER] Voice: [no designation] Languages: Latin Voice Text: Ave regina celorum General Note Publ. cf. AOs n° 146
172v–173	Quam pulchra es	[J. PYAMOUR]	Pyamor, John
Quam pulchra es Pyamor, John Appears on: 172v–173 Genres: Motet Source Attribution: [J. PYAMOUR] Voice: [no designation] Languages: Latin Voice Text: Quam pulchra es General Note Publ. cf. MOe X.I.11 n° 92
173v–174	Gaude Dei genitrix	-	Anonymous
Gaude Dei genitrix Anonymous Appears on: 173v–174 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Gaude dei genitrix
174v–175	O quam mirabilis progenies	[J. SARTO]	Sarto, Johannes de
O quam mirabilis progenies Sarto, Johannes de Appears on: 174v–175 Genres: Motet Source Attribution: [J. SARTO] Voice: [no designation] Languages: Latin Voice Text: O quam mirabilis General Note Publ. cf. Bc 15 n° 276 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
175v–176	Ave mater o Maria	[J. SARTO]	Sarto, Johannes de
Ave mater o Maria Sarto, Johannes de Appears on: 175v–176 Genres: Ave Maria, Motet Source Attribution: [J. SARTO] Voice: [no designation] Languages: Latin Voice Text: Ave mater o Maria
176v–177	Ave mater nostri redemptoris	JO. DE LYNBURGIA	Lymburgia, Johannes de
Ave mater nostri redemptoris Lymburgia, Johannes de Appears on: 176v–177 Genres: Motet Source Attribution: JO. DE LYNBURGIA Voice: [no designation] Languages: Latin Voice Text: Ave mater nostri redemptoris General Note Publ. cf. Bc 15 n° 265 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
177v–178	Benedicta es caelorum regina	DE ANGLIA	Anglia, Robertus de (fl. 1454-74) (?) Power, Leonel (–1445) (?)
Benedicta es caelorum regina Anglia, Robertus de (fl. 1454-74) (?) Power, Leonel (–1445) (?) Appears on: 177v–178 Genres: Motet Source Attribution: DE ANGLIA Voice: [no designation] Languages: Latin Voice Text: Benedicta es caelorum regina General Note Publ. cf. Bc 15 n- 185 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
178v–179	Alma redemptoris mater II: Tu que genuisti natura mirante III: Virgo prius	DUFAY	Du Fay, Guillaume (1397–1474)
Alma redemptoris mater II: Tu que genuisti natura mirante III: Virgo prius Du Fay, Guillaume (1397–1474) Appears on: 178v–179 Genres: Alma redemptoris mater, BVM, Motet Source Attribution: DUFAY Voice: [no designation] Languages: Latin Voice Text: Alma redemptoris mater (2) General Note Publ. cf. MOe X.l.ll n» 61
179v	Cibavit eos ex adipe	[J]O. BRASSART	Brassart, Johannes (ca. 1400–1455)
Cibavit eos ex adipe Brassart, Johannes (ca. 1400–1455) Appears on: 179v Genres: Introit, Proper Source Attribution: [J]O. BRASSART Voice: [no designation] Languages: Latin Voice Text: Cibavit eos ex adipe General Note Publ. cf. AOs n' 10
180	Franc coeur gentil	DUFAY	Du Fay, Guillaume (1397–1474)
Franc coeur gentil Du Fay, Guillaume (1397–1474) Appears on: 180 Genres: Chanson, Rondeau Source Attribution: DUFAY Voice: [no designation] Languages: French Voice Text: Fran cuer gentilx.[=Qui Deus natus de virgine] Item Bibliography Kultzen, Brigitte. 1956. Der Codex Escorial IV.a.24: Übertragung, Katalog, Historische Einordnung einer Chansonsammlung aus der zweiten Hälfte des 15. Jahrhunderts. University of Hamburg, Unpublished Ph.D. dissertation. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, VI. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 22 (XI).
180v–181	Speciosa facta es	[J. DUNSTABLE]	Dunstaple, John (ca. 1390–1453)
Speciosa facta es Dunstaple, John (ca. 1390–1453) Appears on: 180v–181 Genres: Motet Source Attribution: [J. DUNSTABLE] Voice: [no designation] Languages: Latin Voice Text: Speciosa facta es General Note Publ. cf. MOe X.l.ll n° 99
181v–182	Mater ora filium	[L. POWER]	Power, Leonel (–1445)
Mater ora filium Power, Leonel (–1445) Appears on: 181v–182 Genres: Motet Source Attribution: [L. POWER] Voice: [no designation] Languages: Latin Voice Text: Mater ora filium General Note Publ. cf. MOe X.l.ll n° 109
182v–184	Veni sancte spiritus / Veni creator spiritus mentes / Mentes tuorum visita	J. DUNSTABL	Dunstaple, John (ca. 1390–1453)
Veni sancte spiritus / Veni creator spiritus mentes / Mentes tuorum visita Dunstaple, John (ca. 1390–1453) Appears on: 182v–184 Genres: Motet, Veni creator spiritus, Veni sancte spiritus Source Attribution: J. DUNSTABL Voice: [no designation] Languages: Latin Voice Text: Veni sancte spiritus/Veni creator General Note T et Ct: Veni creator spiritus mentes tuorum visita . . .Publ. cf. AOs n' 194
184v–186	Preco praeeminentiae / Praecursor praemittitur / Inter natos mulierum	[J. DUNSTABLE]	Dunstaple, John (ca. 1390–1453)
Preco praeeminentiae / Praecursor praemittitur / Inter natos mulierum Dunstaple, John (ca. 1390–1453) Appears on: 184v–186 Genres: Motet Source Attribution: [J. DUNSTABLE] Voice: [no designation] Languages: Latin Voice Text: Preco praeeminentiae/Praecursor praemittitur/Inter natos mulierum General Note [Sup.2]:Precursor premittitur populum . . .T: Inter natos [mulierum]Publ. cf. MOe X.l.ll n" 125
186v–187	Castrum pudicitiae / Virgo viget / Benedicamus	MERQUES	Merques, Nicolas
Castrum pudicitiae / Virgo viget / Benedicamus Merques, Nicolas Appears on: 186v–187 Genres: Motet Source Attribution: MERQUES Voice: [no designation] Languages: Latin Voice Text: Castrum pudicitiae/Virgo viget/Benedicamus General Note T —» Benedicamus domino. Ct —» Virgo viget melius Publ. cf. Aos n» 193
187v–188	Fortune qui mains coeur abas	BOURGOIS	Bourgois
Fortune qui mains coeur abas Bourgois Appears on: 187v–188 Genres: Chanson Source Attribution: BOURGOIS Voice: [no designation] Languages: French Voice Text: Fortune qui mains cuer abas General Note [2 versions]Contr.concordans cum alto et sine alio Contr.concordans cum alio Contratenor concordans per se
188v–190	Patrem omnipotentem [Credo]	FOREST	Forest
Patrem omnipotentem [Credo] Forest Appears on: 188v–190 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: FOREST Voice: [no designation] Languages: Latin Voice Text: [Credo] Patrem Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 61 (XXXI).
190v–191	Sancta Maria non est tibi similis	[J. DUNSTABLE]	Dunstaple, John (ca. 1390–1453)
Sancta Maria non est tibi similis Dunstaple, John (ca. 1390–1453) Appears on: 190v–191 Genres: Motet Source Attribution: [J. DUNSTABLE] Voice: [no designation] Languages: Latin Voice Text: Sancta Maria non est tibi similis General Note Publ. cf. MOe X.l.ll n° 114
192v–193	Veni sancte spiritus et emitte caelitus	DUNSTABLE	Dunstaple, John (ca. 1390–1453)
Veni sancte spiritus et emitte caelitus Dunstaple, John (ca. 1390–1453) Appears on: 192v–193 Genres: Motet, Veni sancte spiritus Source Attribution: DUNSTABLE Voice: [no designation] Languages: Latin Voice Text: Veni sancte spiritus General Note Ct:Consolator optime dulcis hospes anime . . .T: Sancti spiritus assit nobis gratia.A la fin: «Et dicitur primo directe, /2°subverte lineam 3" Reverte remittendo ter-ciam partem et copies dyapenthe, si vishabere tenorem»Suivi d'un Tenor ad longum, sans texte.Publ. cf. MOe X.l.ll n° 127
193v–195	Salve mater salvatoris vas electum	LEONEL[ou J.DUNSTABLE]	Dunstaple, John (ca. 1390–1453)
Salve mater salvatoris vas electum Dunstaple, John (ca. 1390–1453) Appears on: 193v–195 Genres: Motet Source Attribution: LEONEL[ou J.DUNSTABLE] Voice: [no designation] Languages: Latin Voice Text: Salve mater salvatoris General Note Here ascr. to Lenolel; Publ. cf. MOe X.l.ll n° 116
195v	Virgo praefulgens	WINCHOIS [ou STANDLEY]	Standley Binchois, Gilles (ca. 1400–1460) (?)
Virgo praefulgens Standley Binchois, Gilles (ca. 1400–1460) (?) Appears on: 195v Genres: Motet Source Attribution: WINCHOIS [ou STANDLEY] Voice: [no designation] Languages: Latin Voice Text: Virgo praefulgens General Note Sup. seul'Publ. cf. MOe X.l.ll n° 128
195v–196	Agnus Dei	BRASSART	Brassart, Johannes (ca. 1400–1455)
Agnus Dei Brassart, Johannes (ca. 1400–1455) Appears on: 195v–196 Genres: Agnus Dei, Mass Ordinary Source Attribution: BRASSART Voice: [no designation] Languages: Latin Voice Text: Agnus dei Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 35, I.
196v–197	Agnus Dei [Kaye 7b]	BINCHOIS	Binchois, Gilles (ca. 1400–1460)
Agnus Dei [Kaye 7b] Binchois, Gilles (ca. 1400–1460) Appears on: 196v–197 Genres: Agnus Dei, Mass Ordinary Source Attribution: BINCHOIS Voice: [no designation] Languages: Latin Voice Text: [Agnus dei] Qui tollis General Note Publ. cf. AOs n° 131
197v–198	Agnus Dei [Kaye 21]	BINCHOIS	Binchois, Gilles (ca. 1400–1460)
Agnus Dei [Kaye 21] Binchois, Gilles (ca. 1400–1460) Appears on: 197v–198 Genres: Agnus Dei, Mass Ordinary Source Attribution: BINCHOIS Voice: [no designation] Languages: Latin Voice Text: [Agnus dei] qui tollis Item Bibliography Marrocco, W. Thomas, and Nicholas Sandon (editors). 1977. Medieval Music. London. Parris, Arthur. 1965. The sacred works of Gilles Binchois. Bryn Mawr College, Ph.D. Dissertation.
198v–199	Agnus Dei	-	Anonymous
Agnus Dei Anonymous Appears on: 198v–199 Genres: Agnus Dei, Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Agnus dei
199v–200v	Sanctus	-	Anonymous
Sanctus Anonymous Appears on: 199v–200v Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: Sanctus
200v–202	Sanctus	SORBI	Soursby
Sanctus Soursby Appears on: 200v–202 Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: SORBI Voice: [no designation] Languages: Latin Voice Text: Sanctus General Note Publ. cf. TRbc 90 n° 196
202v–203v	Agnus Dei	DRIFFELDE	Driffelde, Robert
Agnus Dei Driffelde, Robert Appears on: 202v–203v Genres: Agnus Dei, Mass Ordinary Source Attribution: DRIFFELDE Voice: [no designation] Languages: Latin Voice Text: Agnus dei General Note T: Eructavit cor meum
204–204v	Patrem omnipotentem [Credo]	[ANGLICANUS]	Dunstaple, John (ca. 1390–1453)
Patrem omnipotentem [Credo] Dunstaple, John (ca. 1390–1453) Appears on: 204–204v Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: [ANGLICANUS] Voice: [no designation] Languages: Latin Voice Text: [Credo] Patrem
205–205v	Et in terra pax [Gloria]	-	Anonymous
Et in terra pax [Gloria] Anonymous Appears on: 205–205v Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Gloria] Et in terra General Note Publ. cf. TRbc 90 n' 132
205v–207	Patrem omnipotentem [Credo]	-	Anonymous
Patrem omnipotentem [Credo] Anonymous Appears on: 205v–207 Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Credo] Patrem Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 61 (XXXI).
207v–208	Agnus Dei	DUNSTABL	Dunstaple, John (ca. 1390–1453)
Agnus Dei Dunstaple, John (ca. 1390–1453) Appears on: 207v–208 Genres: Agnus Dei, Mass Ordinary Source Attribution: DUNSTABL Voice: [no designation] Languages: Latin Voice Text: [Agnus dei] qui tollis peccata General Note Publ. cf. TRbc 87 n° 16
208	Kyrie feriale	BINCHOIS	Binchois, Gilles (ca. 1400–1460)
Kyrie feriale Binchois, Gilles (ca. 1400–1460) Appears on: 208 Genres: Kyrie eleison, Mass Ordinary Source Attribution: BINCHOIS Voice: [no designation] Languages: Latin, Greek Voice Text: Feriale. Kyrie General Note Publ. cf. TRbc 87 n° 38
208v–210	Agnus Dei custos et pastor animi	[G. DUFAY?]	Du Fay, Guillaume (1397–1474) (?)
Agnus Dei custos et pastor animi Du Fay, Guillaume (1397–1474) (?) Appears on: 208v–210 Genres: Agnus Dei, Mass Ordinary Source Attribution: [G. DUFAY?] Voice: [no designation] Languages: Latin Voice Text: [Agnus dei] custos et pastor animi General Note the scribe links this Agnus to Du Fay's Sanctus Papale a few folios later; but Bockholdt1960 & PlanchartD reject the implied attribution to Du Fay. Item Bibliography Bockholdt, Rudolf. 1960. Die frühen Messenkompositionen von Guillaume Dufay. Tutzing. Pages: 98-102. Notes: rejects (implied) attribution to Du Fay. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, IV. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 14/15 (VII).
210v–211v	Sanctus	MAGISTER.ANDREAS	Andreas, Magister Phillipotus (fl. late 14th century)
Sanctus Andreas, Magister Phillipotus (fl. late 14th century) Appears on: 210v–211v Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: MAGISTER.ANDREAS Voice: [no designation] Languages: Latin Voice Text: Sanctus
212–213	Sanctus	[J. DUNSTABLE]	Dunstaple, John (ca. 1390–1453)
Sanctus Dunstaple, John (ca. 1390–1453) Appears on: 212–213 Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: [J. DUNSTABLE] Voice: [no designation] Languages: Latin Voice Text: Sanctus General Note «Agnus hujus ab an[teriori] in 6° folio» [n 191] Item Bibliography Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music. London. Pages: VIII (op. dub.
213v–215	Sanctus 'Papale' Ave verum corpus	G. DUFAY	Du Fay, Guillaume (1397–1474)
Sanctus 'Papale' Ave verum corpus Du Fay, Guillaume (1397–1474) Appears on: 213v–215 Genres: Mass Ordinary, Sanctus [& Benedictus], Troped Sanctus Source Attribution: G. DUFAY Voice: [no designation] Languages: Latin Voice Text: Papale. [Sanctus] Ave verum, corpus natum General Note f. 214v: «Agnus hujus ab an[teriori] in 5°folio» [n° 193]. Publ. cf. Bc 15 n" 106 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
215–215v	Salve mater salvatoris vas electum	L. POWER ou J. DUNSTAPLE	Dunstaple, John (ca. 1390–1453)
Salve mater salvatoris vas electum Dunstaple, John (ca. 1390–1453) Appears on: 215–215v Genres: Motet Source Attribution: L. POWER ou J. DUNSTAPLE Voice: [no designation] Languages: Latin Voice Text: ou J. DUNSTABLE] Salve mater salvatoris General Note Ascr. Anonymous; different CT to earlier version (fols 193b-95). Publ. cf. MOe X. 1.11 n" 116
216–217	Sanctus	G. DUFAY	Du Fay, Guillaume (1397–1474)
Sanctus Du Fay, Guillaume (1397–1474) Appears on: 216–217 Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: G. DUFAY Voice: [no designation] Languages: Latin Voice Text: Sanctus Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, IV.
217v–218	Agnus Dei	DUFAY	Du Fay, Guillaume (1397–1474)
Agnus Dei Du Fay, Guillaume (1397–1474) Appears on: 217v–218 Genres: Agnus Dei, Mass Ordinary Source Attribution: DUFAY Voice: [no designation] Languages: Latin Voice Text: [Agnus dei] qui tollis Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, IV.
218	Qui son coeur met a dame trop amour.	JA. VIDE	Vide, Jacobus
Qui son coeur met a dame trop amour. Vide, Jacobus Appears on: 218 Genres: Motet Source Attribution: JA. VIDE Voice: [no designation] Languages: French Voice Text: Qui son cuer met a dame trop amour. Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 22, (XI).
218v–219	Sanctus	G. DUFAY	Du Fay, Guillaume (1397–1474)
Sanctus Du Fay, Guillaume (1397–1474) Appears on: 218v–219 Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: G. DUFAY Voice: [no designation] Languages: Latin Voice Text: Sanctus General Note Publ. cf. Bc 15 n» 104 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
219v–220	Agnus Dei	(G. DUFAY)	Du Fay, Guillaume (1397–1474)
Agnus Dei Du Fay, Guillaume (1397–1474) Appears on: 219v–220 Genres: Agnus Dei, Mass Ordinary Source Attribution: (G. DUFAY) Voice: [no designation] Languages: Latin Voice Text: [Agnus dei] qui tollis General Note Publ. cf. Bc 15 n» 105 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
220v–222	Sanctus	-	Anonymous
Sanctus Anonymous Appears on: 220v–222 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: Sanctus
222–223	Agnus Dei	-	Anonymous
Agnus Dei Anonymous Appears on: 222–223 Genres: Agnus Dei, Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Agnus dei
223v–224v	Sanctus	-	Anonymous
Sanctus Anonymous Appears on: 223v–224v Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: Sanctus
225–226	Missa Fuit homo missus a Deo: Agnus Dei	-	Anonymous
Missa Fuit homo missus a Deo: Agnus Dei Anonymous Appears on: 225–226 Genres: Agnus Dei, Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Missa Fuit homo missus] Agnus dei Item Bibliography Feininger, Laurence K (editor). 1947-. Documenta Polyphoniae Liturgieae Sanctae Ecclesiae Romanae. Roma. Pages: I n° 9 (attrib. à Leonel).
226v–227	Sanctus	LEONEL (BENET)	Benet, John (–ca. 1458) (?) Dunstaple, John (ca. 1390–1453) (?) Power, Leonel (–1445) (?)
Sanctus Benet, John (–ca. 1458) (?) Dunstaple, John (ca. 1390–1453) (?) Power, Leonel (–1445) (?) Appears on: 226v–227 Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: LEONEL (BENET) Voice: [no designation] Languages: Latin Voice Text: Sanctus
227v–226	Je languis en piteux martire - 1a pars (of 3): Je languis en piteux martire	DUFAY	Dunstaple, John (ca. 1390–1453) (?) Du Fay, Guillaume (1397–1474) (?)
Je languis en piteux martire - 1a pars (of 3): Je languis en piteux martire Dunstaple, John (ca. 1390–1453) (?) Du Fay, Guillaume (1397–1474) (?) Appears on: 227v–226 Genres: Ballade, Chanson Source Attribution: DUFAY Voice: [no designation] Languages: French Voice Text: En languis en piteux martire Voice: [no designation] Languages: French Voice Text: En languis en piteux martire Voice: [no designation] Languages: French Voice Text: En languis en piteux martire Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, VI. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 22 (XI) = Ci languis.
227v & 226	Je languis en piteux martire - 2a pars (of 3):De bien amer tant me destresse	Dufay	Dunstaple, John (ca. 1390–1453) (?) Du Fay, Guillaume (1397–1474) (?)
Je languis en piteux martire - 2a pars (of 3):De bien amer tant me destresse Dunstaple, John (ca. 1390–1453) (?) Du Fay, Guillaume (1397–1474) (?) Appears on: 227v & 226 Genres: Ballade, Chanson Source Attribution: Dufay Voice: [no designation] Languages: French Voice Text: De bien amer tant me destresse Voice: [no designation] Languages: French Voice Text: De bien amer tant me destresse Voice: [no designation] Languages: French Voice Text: De bien amer tant me destresse Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, VI. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 22 (XI) = Ci languis.
227v & 226	Je languis en piteux martire - 3a pars (of 3):Dites le faire le condire sic pour ou l'escondire	Dufay	Dunstaple, John (ca. 1390–1453) (?) Du Fay, Guillaume (1397–1474) (?)
Je languis en piteux martire - 3a pars (of 3):Dites le faire le condire sic pour ou l'escondire Dunstaple, John (ca. 1390–1453) (?) Du Fay, Guillaume (1397–1474) (?) Appears on: 227v & 226 Genres: Ballade, Chanson Source Attribution: Dufay Voice: [no designation] Languages: French Voice Text: Dictes le faire le condire (sic pour ou l'escondire] Voice: [no designation] Languages: French Voice Text: Dictes le faire le condire (sic pour ou l'escondire] Voice: [no designation] Languages: French Voice Text: Dictes le faire le condire (sic pour ou l'escondire] Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, VI. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 22 (XI) = Ci languis.
228	Sancta Maria	-	Anonymous
Sancta Maria Anonymous Appears on: 228 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Sancta Maria
228v–229v	Salve regina mater misericordiae	-	Anonymous
Salve regina mater misericordiae Anonymous Appears on: 228v–229v Genres: BVM, Motet, Salve Regina Voice: [no designation] Languages: Latin Voice Text: Salve regina Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 53 (XXVII).
230–231	Regina caeli laetare alleluia	-	Anglia, Robertus de (fl. 1454-74) (?)
Regina caeli laetare alleluia Anglia, Robertus de (fl. 1454-74) (?) Appears on: 230–231 Genres: Motet, Regina caeli laetare Voice: [no designation] Languages: Latin Voice Text: Regina caeli laetare alleluia
231v–233v	Salve regina mater misericordiae	DUNSTABLE [ou L. POWER]	Dunstaple, John (ca. 1390–1453) (?) Power, Leonel (–1445) (?)
Salve regina mater misericordiae Dunstaple, John (ca. 1390–1453) (?) Power, Leonel (–1445) (?) Appears on: 231v–233v Genres: BVM, Motet, Salve Regina Source Attribution: DUNSTABLE [ou L. POWER] Voice: [no designation] Languages: Latin Voice Text: Salve regina General Note Tr: Virgo mater ecclesie Publ. cf. AOs n° 152
236v	Pange lingua gloriosi corporis misterium	-	Anonymous
Pange lingua gloriosi corporis misterium Anonymous Appears on: 236v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Pange lingua gloriosi Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, V (Dufay op. dub.). Blume, Friedrich, and Kurt Gude (editors). 1929-79. Das Chorwerk. Wolfenbüttel/Berlin. Pages: 49. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 53 (XXVII).
236v	Ave maris stella	DUFAY	Du Fay, Guillaume (1397–1474) (?)
Ave maris stella Du Fay, Guillaume (1397–1474) (?) Appears on: 236v Genres: Hymn Source Attribution: DUFAY Voice: [no designation] Languages: none Voice Text: without text General Note Tenor super ave maris stella Dufay sine faulx bourdon. T and Ct differentfrom other sources. Du Fay's hymn has two performance options: with fauxbourdon, or with alternative contratenor. Q15, ModB and CS15 offer the latter option; Q15 again, MuEm (St Emmeram) and BU 2216 offer the faulxbourdon version. Here in Tr90 another alternative Ct & T (not by Du Fay?) are offered to go with Du Fay's Cantus. Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, V (op. dub.). Blume, Friedrich, and Kurt Gude (editors). 1929-79. Das Chorwerk. Wolfenbüttel/Berlin. Pages: 49.
237	Christe redemptor omnium/conserva (v/24b)	[DUFAY]	Du Fay, Guillaume (1397–1474)
Christe redemptor omnium/conserva (v/24b) Du Fay, Guillaume (1397–1474) Appears on: 237 Genres: Hymn Source Attribution: [DUFAY] Voice: [no designation] Languages: Latin Voice Text: [Christe redemptor omnium] Beata quoque General Note Publ. cf. Bc 15 n° 306 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
237v	Sanctorum meritis Hi sunt quos retinens	DUFAY	Du Fay, Guillaume (1397–1474)
Sanctorum meritis Hi sunt quos retinens Du Fay, Guillaume (1397–1474) Appears on: 237v Genres: Hymn Source Attribution: DUFAY Voice: [no designation] Languages: Latin Voice Text: Plurimorum martirum [Sanctorum meritis ]hy sunt quos retinens General Note Publ. cf. Bc 15 n° 312 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
238	Iste confessor (Qui pius prudens)	G. DUFAY	Du Fay, Guillaume (1397–1474)
Iste confessor (Qui pius prudens) Du Fay, Guillaume (1397–1474) Appears on: 238 Genres: Motet Source Attribution: G. DUFAY Voice: [no designation] Languages: Latin Voice Text: Unius confessoris [Iste confessor domini] qui pius prudens humilis General Note Publ. cf. Bc 15 n" 313 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
238v	Hostis Herodes impie	G. DUFAY	Du Fay, Guillaume (1397–1474)
Hostis Herodes impie Du Fay, Guillaume (1397–1474) Appears on: 238v Genres: Hymn Source Attribution: G. DUFAY Voice: [no designation] Languages: Latin Voice Text: [Hostis Herodes impie] ibant magi quam viderant stellam General Note Publ. cf. AOs n' 161
238v–239	Pange lingua gloriosi corporis misterium	DUFAY	Du Fay, Guillaume (1397–1474)
Pange lingua gloriosi corporis misterium Du Fay, Guillaume (1397–1474) Appears on: 238v–239 Genres: Hymn Source Attribution: DUFAY Voice: [no designation] Languages: Latin Voice Text: [Pange lingua gloriosi] nobis datus nobis natus General Note Publ. cf. Bc 15 no 302 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
239v	Ut queant Iaxis (Nuntius celso veniens)	[G. DUFAY]	Du Fay, Guillaume (1397–1474) (?)
Ut queant Iaxis (Nuntius celso veniens) Du Fay, Guillaume (1397–1474) (?) Appears on: 239v Genres: Motet Source Attribution: [G. DUFAY] Voice: [no designation] Languages: Latin Voice Text: Ut queant laxis] nuntius celso veniens General Note Publ. cf. Bc 15 n° 308 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.

Composer	Compositions
Andreas, Magister Phillipotus (fl. late 14th century)	Sanctus – 210v–211v
Anglia, Robertus de (fl. 1454-74)	(?) Benedicta es caelorum regina – 177v–178 (?) Patrem omnipotentem [Credo] 'Anglicus' – 79v–82 (?) Regina caeli laetare alleluia – 230–231
Anonymous	Agnus Dei – 222–223 Agnus Dei – 198v–199 Annue Christe saeculorum Domine – 135 Ave maris stella – 97v Benedicamus in laude – 119 Benedicta sit sancta trinitas – 38 Christe redemptor omnium [Tr.1501] – 138 Cibavit eos ex adipe – 43v–44 De cette joyeuse advenue – 111v Et in terra pax [Gloria] – 116v–118 Et in terra pax [Gloria] – 205–205v Et in terra pax [Gloria] – 153v–154 Et in terra pax [Gloria] – 128v–130 Et in terra pax [Gloria] – 147–149 Gaude Dei genitrix – 173v–174 Gaudeamus omnes - 1a pars (of 2): Gaudeamus omnes in Domino – 131v–132 Gloria laus et honor – 110 Hac clara die / Nova effera – 136v–137 In medio ecclesiae - 1a pars (of 2): In medio ecclesiae – 12 Kyrie eleison – 44 Kyrie eleison – 111 Kyrie eleison – 130 Laudo vinum – 112 Missa Fuit homo missus a Deo: Agnus Dei – 225–226 O admirabile commercium creator generis – 133v–134 O quam glorifica – 136 O sanctissime praesul / O Christi pietas – 141v–142 Pange lingua gloriosi corporis misterium – 236v Pange lingua gloriosi corporis misterium – 78 Patrem omnipotentem [Credo] – 71v–73 Patrem omnipotentem [Credo] – 205v–207 Regali ex progenie Maria exorta refulget – 134v–135 Salve regina mater misericordiae – 228v–229v Sancta Maria – 228 Sanctus – 18v–19 Sanctus – 199v–200v Sanctus – 220v–222 Sanctus – 223v–224v Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto – 24v–25 Statuit ei Dominus – 103 Te lucis ante terminum rerum creator – 132 Ut queant laxis resonare fibris – 123 Verbum caro factum est de virgine Maria – 13
Benet, John (–ca. 1458)	(?) Agnus Dei – 94v–95 (?) Agnus Dei – 98 Et in terra pax [Gloria] – 165v–167v Sanctus – 82v–83 (?) Sanctus – 226v–227
Binchois, Gilles (ca. 1400–1460)	A solis ortus cardine ad usque terrae – 139 (?) Adieu ma tres belle maistresse – 112 Adieu mes tres belles amours – 111v Agnus Dei [Kaye 21] – 197v–198 Agnus Dei [Kaye 5b] – 42v–43 Agnus Dei [Kaye 6b] – 102 Agnus Dei [Kaye 7b] – 95v–96 Agnus Dei [Kaye 7b] – 196v–197 Agnus Dei [Kaye 7b] – 7v–8 Asperges me Domine (I) – 92v–93 Asperges me Domine (II) – 92v–93 Beata nobis gaudia – 90 Deo gratias – 86 Et in terra pax [Gloria] [Kaye 16] – 83v–84 Et in terra pax [Gloria] [Kaye 17] – 122v–123 Et in terra pax [Gloria] [Kaye 1a] – 1v–3 Et in terra pax [Gloria] [Kaye 2a] – 78v–79 Et in terra pax [Gloria] [Kaye 3a] – 25v–26v (?) Et in terra pax [Gloria] [Kaye 54] – 34v–35 Kyrie 'angelorum' – 93v (?) Kyrie eleison (iv/19) – 144 Kyrie feriale – 208 (?) Magnificat sexti toni: Anima mea [K.749] – 17v–18 Patrem omnipotentem [Credo] 'Aversi' [Kaye 19] – 87v–90 Patrem omnipotentem [Credo] [Kaye 18] – 40–41v Patrem omnipotentem [Credo] [Kaye 1b] – 3v–6 Patrem omnipotentem [Credo] [Kaye 3b] – 27v–30 Patrem omnipotentem [Credo] [Kaye 3b] – 27v–30 Sanctus [Kaye 4a] – 90v–91 Sanctus [Kaye 5a] – 42–42v Sanctus [Kaye 6a] – 86 Sanctus [Kaye 7a] – 30v–31 Veni creator spiritus mentes tuorum – 25 (?) Virgo praefulgens – 195v
Blome	Patrem omnipotentem [Credo] – 154v–155v
Bodoil, Jo.	Patrem omnipotentem [Credo] 'Anglicus' – 79v–82
Bourgois	Fortune qui mains coeur abas – 187v–188
Brassart, Johannes (ca. 1400–1455)	Agnus Dei – 195v–196 Cibavit eos ex adipe – 179v
Clibano, Jacobus de	(?) Agnus Dei [Kaye 5b] – 42v–43 (?) Et in terra pax [Gloria] [Kaye 54] – 34v–35
Driffelde, Robert	Agnus Dei – 202v–203v
Du Fay, Guillaume (1397–1474)	Agnus Dei – 217v–218 Agnus Dei – 219v–220 (?) Agnus Dei custos et pastor animi – 208v–210 Alma redemptoris mater II: Tu que genuisti natura mirante III: Virgo prius – 178v–179 (?) Ave maris stella – 236v Ave virgo quae de caelis – 35v–36 Christe redemptor omnium . Tu lumen tu splendor (Christmas setting) – 134 Christe redemptor omnium/conserva (v/24b) – 96 Christe redemptor omnium/conserva (v/24b) – 237 Conditor alme siderum – 61 Et in terra pax [Gloria] – 144v–146 Et in terra pax [Gloria] – 120v–121 Et in terra pax [Gloria] – 91v–92 Et in terra pax [Gloria] 'Spiritus et alme' – 65–66 Et in terra pax [Gloria] 'in galli cantu' – 149v–150 Et in terra pax [Gloria] (iv/5) – 13v–15 Franc coeur gentil – 180 Hostis Herodes impie – 238v Iste confessor (Qui pius prudens) – 238 (?) Je languis en piteux martire - 1a pars (of 3): Je languis en piteux martire – 227v–226 (?) Je languis en piteux martire - 2a pars (of 3):De bien amer tant me destresse – 227v & 226 (?) Je languis en piteux martire - 3a pars (of 3):Dites le faire le condire sic pour ou l'escondire – 227v & 226 Kyrie 'Cunctipotens genitor' – 27 Kyrie Cum Jubilo in festis B.M.V. ou De domina – 64v Kyrie De martyribus / In diebus Dominicis / Orbis factor – 38v Kyrie Lux et origo (or Pascale) – 24 (?) Kyrie eleison (iv/19) – 144 (?) Laetabundus exultet – 68v–69 Lauda Sion salvatorem – 98v–100v Letabundus exultet fidelis – 66v–67 Magnificat octavi toni: Anima mea [K.750] – 9v–11 Magnificat sexti toni: Anima mea [K.749] – 17v–18 Missa Dominicale minus: Et in terra pax [Gloria] – 150v–151 Missa Sancti Jacobi: Credo – 11l8v–120 Missa sine nomine (Resvelliés vous): Et in terra pax [Gloria] – 125v–126 (?) Mittit ad virginem – 67v–68v Nuper rosarum flores – 21v–23 O lux beata – 14 Pange lingua gloriosi corporis misterium – 238v–239 Patrem omnipotentem [Credo] (iv/5) – 15v–16 (?) Puer natus est nobis - 1a pars (of 3): Puer natus est nobis – limin. v–1 (?) Sancti spiritus assit nobis gratia – 36v–37v Sanctorum meritis Hi sunt quos retinens – 237v Sanctus – 216–217 Sanctus – 218v–219 Sanctus – 6v–7 Sanctus 'Papale' Ave verum corpus – 213v–215 Supremum est mortalibus bonum II: O sancta pax – 32v–34 (?) Ut queant Iaxis (Nuntius celso veniens) – 239v Veni creator spiritus – 30 Veni sancte spiritus et emitte caelitus (v/6) – 100v–101v Vexilla regis prodeunt – 72 Victimae paschali laudes immolent Christiani Agnus redemit oves Christus innocens – 23v–24
Du Pont, Jacques	Salve mater misericordiae – 135v–136
Dunstaple, John (ca. 1390–1453)	Agnus Dei – 207v–208 (?) Alma redemptoris mater (IJD22) – 169v–171 Ave regina caelorum – 96v–97 Crux fidelis – 139v–140v (?) Et in terra pax [Gloria] – 8v–9 Et in terra pax [Gloria] – 69v–71 Et in terra pax [Gloria] – 151v–152v Et in terra pax [Gloria] – 159v–162 Gloria Domine fili unigenite - Et in terra – 106v–107 (?) Gloria Rex saeculorum. Et in terra – 39–40 (?) Je languis en piteux martire - 1a pars (of 3): Je languis en piteux martire – 227v–226 (?) Je languis en piteux martire - 2a pars (of 3):De bien amer tant me destresse – 227v & 226 (?) Je languis en piteux martire - 3a pars (of 3):Dites le faire le condire sic pour ou l'escondire – 227v & 226 (?) Magnificat sexti toni: Anima mea [K.749] – 17v–18 O crux gloriosa – 168v Patrem omnipotentem [Credo] – 162v–165 Patrem omnipotentem [Credo] – 107v–108v Patrem omnipotentem [Credo] – 105v–106v Patrem omnipotentem [Credo] – 204–204v Patrem omnipotentem [Credo] – 113v–114 Preco praeeminentiae / Praecursor praemittitur / Inter natos mulierum – 184v–186 (?) Quam pulchra es et quam decora – 110v–111 Salve mater salvatoris vas electum – 193v–195 Salve mater salvatoris vas electum – 215–215v (?) Salve regina mater misericordiae – 231v–233v Sancta Maria non est tibi similis – 190v–191 Sancta Maria succurre miseris – 138v–139 Sanctus – 212–213 (?) Sanctus – 226v–227 Specialis virgo / Salve parens – 137v–138 Speciosa facta es – 180v–181 Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto – 168–169 Sub tuam protectionem – 108v–109 Veni sancte spiritus / Veni creator spiritus mentes / Mentes tuorum visita – 182v–184 Veni sancte spiritus et emitte caelitus – 192v–193
Egidius	(?) Quam pulchra es et quam decora – 110v–111
Forest	Patrem omnipotentem [Credo] – 115v–116 Patrem omnipotentem [Credo] – 188v–190 Tota pulchra es amica mea et macula – 104v–105
Grenon, Nicolas	Et in terra pax [Gloria] – 121v
Grossin, Estienne	Imera dat hodierno – 123v–125
Legrant, Guillaume	Et in terra pax [Gloria] – 74v–75
Libert, Reginaldus	Agnus Dei – 63v–64 Alleluia. Ora pro nobis – 56–57 Ave Maria gratia plena Dominus tecum – 61v–62 Ave mundi gaudium – 47v–48 Beata viscera Mariae virginis – 63v–64 Benedicta et venerabilis – 54v–56 Dei genitrix mater – 58v Et in terra pax [Gloria] – 53v–54 Jesu redemptor saeculi – 58 Kyrie eleison – 51v–52v Kyrie eleison – 86v–87 Patrem omnipotentem [Credo] – 59–61 Salve sancta parens - 1a pars (of 3): Salve sancta parens – 50v–51 Sanctus – 62v–63
Lymburgia, Johannes de	Ave mater nostri redemptoris – 176v–177
Maioris, Ja	Victimae paschali laudes immolent Christiani Agnus redemit oves Christus innocens – 103v–104
Markham, Ricardus	Patrem omnipotentem [Credo] – 156v–158
Merques, Nicolas	Audi benigne conditor – 87 Benedicite Dominum - 1a pars (of 2): Benedicite Dominum – 127 Benedicite Dominum - 2a pars (of 2): Redemisti nos – 127 Castrum pudicitiae / Virgo viget / Benedicamus – 186v–187 Da pacem Domine in diebus nostris – 77v–78 (?) Hymnus omnibus sanctis – 143v Kyrie eleison – 101v–102 Kyrie faulx bourdon – 12v–13 (?) Mittit ad virginem – 67v–68v Nativitas gloriosae virginis Marie – 122 Pange lingua gloriosi corporis misterium – 60 Regali ex progenie Maria exorta refulget – 143 (?) Sancti spiritus assit nobis gratia – 36v–37v Ut queant laxis resonare fibris – 137 Vidi turbam - 1a pars (of 2): Vidi turbam – 126v Vidi turbam- 2a pars (of 2): Et omnes angeli – 126v
Power, Leonel (–1445)	(?) Agnus Dei – 98 (?) Agnus Dei – 94v–95 (?) Alma redemptoris mater (IJD22) – 169v–171 Ave regina / Ave regina – 132v–133 Ave regina / Ave regina – 171v–172 (?) Benedicta es caelorum regina – 177v–178 Et in terra pax [Gloria] – 44v–45v (?) Et in terra pax [Gloria] – 8v–9 (?) Gloria Rex saeculorum. Et in terra – 39–40 Mater ora filium – 140v–141 Mater ora filium – 181v–182 Patrem omnipotentem [Credo] – 46v–48 Regina caeli laetare alleluia – 142v–143 (?) Salve regina mater misericordiae – 231v–233v Salve sancta parens [= Virgo prudentissima] – 102v Sanctus – 48v–49 (?) Sanctus – 226v–227
Pyamor, John	Quam pulchra es – 172v–173
Sarto, Johannes de	Ave mater o Maria – 175v–176 O quam mirabilis progenies – 174v–175
Soursby	Sanctus – 127v–128 Sanctus – 200v–202
Standley	Virgo praefulgens – 195v
Vide, Jacobus	Qui son coeur met a dame trop amour. – 218

Composition	Composers (? Uncertain)	Folios / Pages
A solis ortus cardine ad usque terrae	Binchois, Gilles (ca. 1400–1460)	139
Adieu ma tres belle maistresse	Binchois, Gilles (ca. 1400–1460) (?)	112
Adieu mes tres belles amours	Binchois, Gilles (ca. 1400–1460)	111v
Agnus Dei	Libert, Reginaldus	63v–64
Agnus Dei	Power, Leonel (–1445) (?) Benet, John (–ca. 1458) (?)	94v–95
Agnus Dei	Benet, John (–ca. 1458) (?) Power, Leonel (–1445) (?)	98
Agnus Dei	Brassart, Johannes (ca. 1400–1455)	195v–196
Agnus Dei	Anonymous	198v–199
Agnus Dei	Driffelde, Robert	202v–203v
Agnus Dei	Dunstaple, John (ca. 1390–1453)	207v–208
Agnus Dei	Du Fay, Guillaume (1397–1474)	217v–218
Agnus Dei	Du Fay, Guillaume (1397–1474)	219v–220
Agnus Dei	Anonymous	222–223
Agnus Dei [Kaye 21]	Binchois, Gilles (ca. 1400–1460)	197v–198
Agnus Dei [Kaye 5b]	Binchois, Gilles (ca. 1400–1460) Clibano, Jacobus de (?)	42v–43
Agnus Dei [Kaye 6b]	Binchois, Gilles (ca. 1400–1460)	102
Agnus Dei [Kaye 7b]	Binchois, Gilles (ca. 1400–1460)	7v–8
Agnus Dei [Kaye 7b]	Binchois, Gilles (ca. 1400–1460)	95v–96
Agnus Dei [Kaye 7b]	Binchois, Gilles (ca. 1400–1460)	196v–197
Agnus Dei custos et pastor animi	Du Fay, Guillaume (1397–1474) (?)	208v–210
Alleluia. Ora pro nobis	Libert, Reginaldus	56–57
Alma redemptoris mater (IJD22)	Power, Leonel (–1445) (?) Dunstaple, John (ca. 1390–1453) (?)	169v–171
Alma redemptoris mater II: Tu que genuisti natura mirante III: Virgo prius	Du Fay, Guillaume (1397–1474)	178v–179
Annue Christe saeculorum Domine	Anonymous	135
Asperges me Domine (I)	Binchois, Gilles (ca. 1400–1460)	92v–93
Asperges me Domine (II)	Binchois, Gilles (ca. 1400–1460)	92v–93
Audi benigne conditor	Merques, Nicolas	87
Ave Maria gratia plena Dominus tecum	Libert, Reginaldus	61v–62
Ave maris stella	Anonymous	97v
Ave maris stella	Du Fay, Guillaume (1397–1474) (?)	236v
Ave mater nostri redemptoris	Lymburgia, Johannes de	176v–177
Ave mater o Maria	Sarto, Johannes de	175v–176
Ave mundi gaudium	Libert, Reginaldus	47v–48
Ave regina / Ave regina	Power, Leonel (–1445)	132v–133
Ave regina / Ave regina	Power, Leonel (–1445)	171v–172
Ave regina caelorum	Dunstaple, John (ca. 1390–1453)	96v–97
Ave virgo quae de caelis	Du Fay, Guillaume (1397–1474)	35v–36
Beata nobis gaudia	Binchois, Gilles (ca. 1400–1460)	90
Beata viscera Mariae virginis	Libert, Reginaldus	63v–64
Benedicamus in laude	Anonymous	119
Benedicite Dominum - 1a pars (of 2): Benedicite Dominum	Merques, Nicolas	127
Benedicite Dominum - 2a pars (of 2): Redemisti nos	Merques, Nicolas	127
Benedicta es caelorum regina	Anglia, Robertus de (fl. 1454-74) (?) Power, Leonel (–1445) (?)	177v–178
Benedicta et venerabilis	Libert, Reginaldus	54v–56
Benedicta sit sancta trinitas	Anonymous	38
Castrum pudicitiae / Virgo viget / Benedicamus	Merques, Nicolas	186v–187
Christe redemptor omnium . Tu lumen tu splendor (Christmas setting)	Du Fay, Guillaume (1397–1474)	134
Christe redemptor omnium [Tr.1501]	Anonymous	138
Christe redemptor omnium/conserva (v/24b)	Du Fay, Guillaume (1397–1474)	96
Christe redemptor omnium/conserva (v/24b)	Du Fay, Guillaume (1397–1474)	237
Cibavit eos ex adipe	Anonymous	43v–44
Cibavit eos ex adipe	Brassart, Johannes (ca. 1400–1455)	179v
Conditor alme siderum	Du Fay, Guillaume (1397–1474)	61
Crux fidelis	Dunstaple, John (ca. 1390–1453)	139v–140v
Da pacem Domine in diebus nostris	Merques, Nicolas	77v–78
De cette joyeuse advenue	Anonymous	111v
Dei genitrix mater	Libert, Reginaldus	58v
Deo gratias	Binchois, Gilles (ca. 1400–1460)	86
Et in terra pax [Gloria]	Dunstaple, John (ca. 1390–1453) (?) Power, Leonel (–1445) (?)	8v–9
Et in terra pax [Gloria]	Power, Leonel (–1445)	44v–45v
Et in terra pax [Gloria]	Libert, Reginaldus	53v–54
Et in terra pax [Gloria]	Dunstaple, John (ca. 1390–1453)	69v–71
Et in terra pax [Gloria]	Legrant, Guillaume	74v–75
Et in terra pax [Gloria]	Du Fay, Guillaume (1397–1474)	91v–92
Et in terra pax [Gloria]	Anonymous	116v–118
Et in terra pax [Gloria]	Du Fay, Guillaume (1397–1474)	120v–121
Et in terra pax [Gloria]	Grenon, Nicolas	121v
Et in terra pax [Gloria]	Anonymous	128v–130
Et in terra pax [Gloria]	Du Fay, Guillaume (1397–1474)	144v–146
Et in terra pax [Gloria]	Anonymous	147–149
Et in terra pax [Gloria]	Dunstaple, John (ca. 1390–1453)	151v–152v
Et in terra pax [Gloria]	Anonymous	153v–154
Et in terra pax [Gloria]	Dunstaple, John (ca. 1390–1453)	159v–162
Et in terra pax [Gloria]	Benet, John (–ca. 1458)	165v–167v
Et in terra pax [Gloria]	Anonymous	205–205v
Et in terra pax [Gloria] 'in galli cantu'	Du Fay, Guillaume (1397–1474)	149v–150
Et in terra pax [Gloria] 'Spiritus et alme'	Du Fay, Guillaume (1397–1474)	65–66
Et in terra pax [Gloria] (iv/5)	Du Fay, Guillaume (1397–1474)	13v–15
Et in terra pax [Gloria] [Kaye 16]	Binchois, Gilles (ca. 1400–1460)	83v–84
Et in terra pax [Gloria] [Kaye 17]	Binchois, Gilles (ca. 1400–1460)	122v–123
Et in terra pax [Gloria] [Kaye 1a]	Binchois, Gilles (ca. 1400–1460)	1v–3
Et in terra pax [Gloria] [Kaye 2a]	Binchois, Gilles (ca. 1400–1460)	78v–79
Et in terra pax [Gloria] [Kaye 3a]	Binchois, Gilles (ca. 1400–1460)	25v–26v
Et in terra pax [Gloria] [Kaye 54]	Binchois, Gilles (ca. 1400–1460) (?) Clibano, Jacobus de (?)	34v–35
Fortune qui mains coeur abas	Bourgois	187v–188
Franc coeur gentil	Du Fay, Guillaume (1397–1474)	180
Gaude Dei genitrix	Anonymous	173v–174
Gaudeamus omnes - 1a pars (of 2): Gaudeamus omnes in Domino	Anonymous	131v–132
Gloria Domine fili unigenite - Et in terra	Dunstaple, John (ca. 1390–1453)	106v–107
Gloria laus et honor	Anonymous	110
Gloria Rex saeculorum. Et in terra	Power, Leonel (–1445) (?) Dunstaple, John (ca. 1390–1453) (?)	39–40
Hac clara die / Nova effera	Anonymous	136v–137
Hostis Herodes impie	Du Fay, Guillaume (1397–1474)	238v
Hymnus omnibus sanctis	Merques, Nicolas (?)	143v
Imera dat hodierno	Grossin, Estienne	123v–125
In medio ecclesiae - 1a pars (of 2): In medio ecclesiae	Anonymous	12
Iste confessor (Qui pius prudens)	Du Fay, Guillaume (1397–1474)	238
Je languis en piteux martire - 1a pars (of 3): Je languis en piteux martire	Dunstaple, John (ca. 1390–1453) (?) Du Fay, Guillaume (1397–1474) (?)	227v–226
Je languis en piteux martire - 2a pars (of 3):De bien amer tant me destresse	Dunstaple, John (ca. 1390–1453) (?) Du Fay, Guillaume (1397–1474) (?)	227v & 226
Je languis en piteux martire - 3a pars (of 3):Dites le faire le condire sic pour ou l'escondire	Dunstaple, John (ca. 1390–1453) (?) Du Fay, Guillaume (1397–1474) (?)	227v & 226
Jesu redemptor saeculi	Libert, Reginaldus	58
Kyrie 'angelorum'	Binchois, Gilles (ca. 1400–1460)	93v
Kyrie 'Cunctipotens genitor'	Du Fay, Guillaume (1397–1474)	27
Kyrie Cum Jubilo in festis B.M.V. ou De domina	Du Fay, Guillaume (1397–1474)	64v
Kyrie De martyribus / In diebus Dominicis / Orbis factor	Du Fay, Guillaume (1397–1474)	38v
Kyrie eleison	Anonymous	44
Kyrie eleison	Libert, Reginaldus	51v–52v
Kyrie eleison	Libert, Reginaldus	86v–87
Kyrie eleison	Merques, Nicolas	101v–102
Kyrie eleison	Anonymous	111
Kyrie eleison	Anonymous	130
Kyrie eleison (iv/19)	Du Fay, Guillaume (1397–1474) (?) Binchois, Gilles (ca. 1400–1460) (?)	144
Kyrie faulx bourdon	Merques, Nicolas	12v–13
Kyrie feriale	Binchois, Gilles (ca. 1400–1460)	208
Kyrie Lux et origo (or Pascale)	Du Fay, Guillaume (1397–1474)	24
Laetabundus exultet	Du Fay, Guillaume (1397–1474) (?)	68v–69
Lauda Sion salvatorem	Du Fay, Guillaume (1397–1474)	98v–100v
Laudo vinum	Anonymous	112
Letabundus exultet fidelis	Du Fay, Guillaume (1397–1474)	66v–67
Magnificat octavi toni: Anima mea [K.750]	Du Fay, Guillaume (1397–1474)	9v–11
Magnificat sexti toni: Anima mea [K.749]	Binchois, Gilles (ca. 1400–1460) (?) Du Fay, Guillaume (1397–1474) Dunstaple, John (ca. 1390–1453) (?)	17v–18
Mater ora filium	Power, Leonel (–1445)	140v–141
Mater ora filium	Power, Leonel (–1445)	181v–182
Missa Dominicale minus: Et in terra pax [Gloria]	Du Fay, Guillaume (1397–1474)	150v–151
Missa Fuit homo missus a Deo: Agnus Dei	Anonymous	225–226
Missa Sancti Jacobi: Credo	Du Fay, Guillaume (1397–1474)	11l8v–120
Missa sine nomine (Resvelliés vous): Et in terra pax [Gloria]	Du Fay, Guillaume (1397–1474)	125v–126
Mittit ad virginem	Merques, Nicolas (?) Du Fay, Guillaume (1397–1474) (?)	67v–68v
Nativitas gloriosae virginis Marie	Merques, Nicolas	122
Nuper rosarum flores	Du Fay, Guillaume (1397–1474)	21v–23
O admirabile commercium creator generis	Anonymous	133v–134
O crux gloriosa	Dunstaple, John (ca. 1390–1453)	168v
O lux beata	Du Fay, Guillaume (1397–1474)	14
O quam glorifica	Anonymous	136
O quam mirabilis progenies	Sarto, Johannes de	174v–175
O sanctissime praesul / O Christi pietas	Anonymous	141v–142
Pange lingua gloriosi corporis misterium	Merques, Nicolas	60
Pange lingua gloriosi corporis misterium	Anonymous	78
Pange lingua gloriosi corporis misterium	Anonymous	236v
Pange lingua gloriosi corporis misterium	Du Fay, Guillaume (1397–1474)	238v–239
Patrem omnipotentem [Credo]	Power, Leonel (–1445)	46v–48
Patrem omnipotentem [Credo]	Libert, Reginaldus	59–61
Patrem omnipotentem [Credo]	Anonymous	71v–73
Patrem omnipotentem [Credo]	Dunstaple, John (ca. 1390–1453)	105v–106v
Patrem omnipotentem [Credo]	Dunstaple, John (ca. 1390–1453)	107v–108v
Patrem omnipotentem [Credo]	Dunstaple, John (ca. 1390–1453)	113v–114
Patrem omnipotentem [Credo]	Forest	115v–116
Patrem omnipotentem [Credo]	Blome	154v–155v
Patrem omnipotentem [Credo]	Markham, Ricardus	156v–158
Patrem omnipotentem [Credo]	Dunstaple, John (ca. 1390–1453)	162v–165
Patrem omnipotentem [Credo]	Forest	188v–190
Patrem omnipotentem [Credo]	Dunstaple, John (ca. 1390–1453)	204–204v
Patrem omnipotentem [Credo]	Anonymous	205v–207
Patrem omnipotentem [Credo] 'Anglicus'	Bodoil, Jo. Anglia, Robertus de (fl. 1454-74) (?)	79v–82
Patrem omnipotentem [Credo] 'Aversi' [Kaye 19]	Binchois, Gilles (ca. 1400–1460)	87v–90
Patrem omnipotentem [Credo] (iv/5)	Du Fay, Guillaume (1397–1474)	15v–16
Patrem omnipotentem [Credo] [Kaye 18]	Binchois, Gilles (ca. 1400–1460)	40–41v
Patrem omnipotentem [Credo] [Kaye 1b]	Binchois, Gilles (ca. 1400–1460)	3v–6
Patrem omnipotentem [Credo] [Kaye 3b]	Binchois, Gilles (ca. 1400–1460) Binchois, Gilles (ca. 1400–1460)	27v–30
Preco praeeminentiae / Praecursor praemittitur / Inter natos mulierum	Dunstaple, John (ca. 1390–1453)	184v–186
Puer natus est nobis - 1a pars (of 3): Puer natus est nobis	Du Fay, Guillaume (1397–1474) (?)	limin. v–1
Quam pulchra es	Pyamor, John	172v–173
Quam pulchra es et quam decora	Dunstaple, John (ca. 1390–1453) (?) Egidius (?)	110v–111
Qui son coeur met a dame trop amour.	Vide, Jacobus	218
Regali ex progenie Maria exorta refulget	Anonymous	134v–135
Regali ex progenie Maria exorta refulget	Merques, Nicolas	143
Regina caeli laetare alleluia	Power, Leonel (–1445)	142v–143
Regina caeli laetare alleluia	Anglia, Robertus de (fl. 1454-74) (?)	230–231
Salve mater misericordiae	Du Pont, Jacques	135v–136
Salve mater salvatoris vas electum	Dunstaple, John (ca. 1390–1453)	193v–195
Salve mater salvatoris vas electum	Dunstaple, John (ca. 1390–1453)	215–215v
Salve regina mater misericordiae	Anonymous	228v–229v
Salve regina mater misericordiae	Dunstaple, John (ca. 1390–1453) (?) Power, Leonel (–1445) (?)	231v–233v
Salve sancta parens - 1a pars (of 3): Salve sancta parens	Libert, Reginaldus	50v–51
Salve sancta parens [= Virgo prudentissima]	Power, Leonel (–1445)	102v
Sancta Maria	Anonymous	228
Sancta Maria non est tibi similis	Dunstaple, John (ca. 1390–1453)	190v–191
Sancta Maria succurre miseris	Dunstaple, John (ca. 1390–1453)	138v–139
Sancti spiritus assit nobis gratia	Du Fay, Guillaume (1397–1474) (?) Merques, Nicolas (?)	36v–37v
Sanctorum meritis Hi sunt quos retinens	Du Fay, Guillaume (1397–1474)	237v
Sanctus	Du Fay, Guillaume (1397–1474)	6v–7
Sanctus	Anonymous	18v–19
Sanctus	Power, Leonel (–1445)	48v–49
Sanctus	Libert, Reginaldus	62v–63
Sanctus	Benet, John (–ca. 1458)	82v–83
Sanctus	Soursby	127v–128
Sanctus	Anonymous	199v–200v
Sanctus	Soursby	200v–202
Sanctus	Andreas, Magister Phillipotus (fl. late 14th century)	210v–211v
Sanctus	Dunstaple, John (ca. 1390–1453)	212–213
Sanctus	Du Fay, Guillaume (1397–1474)	216–217
Sanctus	Du Fay, Guillaume (1397–1474)	218v–219
Sanctus	Anonymous	220v–222
Sanctus	Anonymous	223v–224v
Sanctus	Benet, John (–ca. 1458) (?) Dunstaple, John (ca. 1390–1453) (?) Power, Leonel (–1445) (?)	226v–227
Sanctus 'Papale' Ave verum corpus	Du Fay, Guillaume (1397–1474)	213v–215
Sanctus [Kaye 4a]	Binchois, Gilles (ca. 1400–1460)	90v–91
Sanctus [Kaye 5a]	Binchois, Gilles (ca. 1400–1460)	42–42v
Sanctus [Kaye 6a]	Binchois, Gilles (ca. 1400–1460)	86
Sanctus [Kaye 7a]	Binchois, Gilles (ca. 1400–1460)	30v–31
Specialis virgo / Salve parens	Dunstaple, John (ca. 1390–1453)	137v–138
Speciosa facta es	Dunstaple, John (ca. 1390–1453)	180v–181
Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto	Anonymous	24v–25
Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto	Dunstaple, John (ca. 1390–1453)	168–169
Statuit ei Dominus	Anonymous	103
Sub tuam protectionem	Dunstaple, John (ca. 1390–1453)	108v–109
Supremum est mortalibus bonum II: O sancta pax	Du Fay, Guillaume (1397–1474)	32v–34
Te lucis ante terminum rerum creator	Anonymous	132
Tota pulchra es amica mea et macula	Forest	104v–105
Ut queant Iaxis (Nuntius celso veniens)	Du Fay, Guillaume (1397–1474) (?)	239v
Ut queant laxis resonare fibris	Anonymous	123
Ut queant laxis resonare fibris	Merques, Nicolas	137
Veni creator spiritus	Du Fay, Guillaume (1397–1474)	30
Veni creator spiritus mentes tuorum	Binchois, Gilles (ca. 1400–1460)	25
Veni sancte spiritus / Veni creator spiritus mentes / Mentes tuorum visita	Dunstaple, John (ca. 1390–1453)	182v–184
Veni sancte spiritus et emitte caelitus	Dunstaple, John (ca. 1390–1453)	192v–193
Veni sancte spiritus et emitte caelitus (v/6)	Du Fay, Guillaume (1397–1474)	100v–101v
Verbum caro factum est de virgine Maria	Anonymous	13
Vexilla regis prodeunt	Du Fay, Guillaume (1397–1474)	72
Victimae paschali laudes immolent Christiani Agnus redemit oves Christus innocens	Du Fay, Guillaume (1397–1474)	23v–24
Victimae paschali laudes immolent Christiani Agnus redemit oves Christus innocens	Maioris, Ja	103v–104
Vidi turbam - 1a pars (of 2): Vidi turbam	Merques, Nicolas	126v
Vidi turbam- 2a pars (of 2): Et omnes angeli	Merques, Nicolas	126v
Virgo praefulgens	Standley Binchois, Gilles (ca. 1400–1460) (?)	195v

Set: Trent Codices

Type: Linked by Origin or Contents

No images available

I-TRbc MS 1374 [87] (Trent 87)

No images available

I-TRbc MS 1375 [88] (Trent 88)

No images available

I-TRbc MS 1376 [89] (Trent 89)

No images available

I-TRbc MS 1377 [90] (Trent 90)

No images available

I-TRbc MS 1378 [91] (Trent 91)

No images available

I-TRbc MS 1379 [92] (Trent 92)

‡ denotes primary source study

Bent, Margaret. 2013. The Trent 92 and Aosta indexes in context. I codici musicali trentini del quattrocento: Nuove scoperte, nuove edizioni e nuovi strumenti informatici, edited by Margaret Bent, 63-81. Lucca: LIM.

Wright, Peter. 2009. (unpublished paper). Notes: identifies Nicole Merques as probable scribe of Part I; and also possible composer of the setting of Sancti Spiritus attributed to Dufay by Hamm, and perhaps also of Mittit ad virginem (found also in Q15).

Bent, Margaret. 2004. Divisi and a versi in early fifteenth-century mass movements. Antonio Zacara da Teramo e il suo tempo, edited by Margaret Bent, 95-137. Lucca: LIM.

Bent, Margaret. 1996. The early use of the sign Ø. Early Music, 199-225.

Curtis, Gareth R K, and Andrew B Wathey. 1994. Fifteenth-Century English Liturgical Music: A List of the Surviving Repertory. Royal Musical Association Research Chronicle, 1-69.

Fallows, David. 1986. Songs in the Trent Codices: An Optimistic Handlist. I codici musicali trentini a cento anni dalla loro riscoperta: Atti del convegno 'Laurence Feininger, la musicologia come missione', 170-9. Trent. Notes: contents list (partial); concordances (partial).

Ward, Tom Robert. 1986. The Office Hymns of the Trent Manuscripts. I codici musicali trentini a cento anni dalla loro riscoperta: Atti del convegno 'Laurence Feininger, la musicologia come missione', 112-29. Trent. Pages: l 13ff, 122-3,126. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Wright, Peter. 1986. The Related Parts of Trent, Museo Provinciale d'Arte, Mss. 87 (1374) and 92 (1379): A Paleographical and Text-Critical Study. University of Nottingham, Ph.D. dissertation. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.

Wright, Peter. 1986. The Aosta-Trent Relationship Reconsidered. I codici musicali trentini a cento anni dalla loro riscoperta: Atti del convegno 'Laurence Feininger, la musicologia come missione', 138-57. Trent. Notes: contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial); mention of MS; discussion.

Wright, Peter. 1982. The Compilation of Trent 87<sup>1</sup> and 92<sup>2</sup>. Early Music History, 237-71. Notes: physical description (partial); contents list (partial); concordances (partial); facsimile (partial); mention of MS; discussion.

Ward, Tom Robert. 1979. The Polyphonic Office Hymn from 1400 to 1520: A Descriptive Inventory. RMS. American Institute of Musicology. Notes: contents list (partial); concordances (partial); incipits (partial).

Cobin, Marian W. 1978. The Aosta Manuscript: A Central Source of Early Fifteenth-Century Sacred Polyphony. New York University, Unpublished Ph.D. dissertation. Pages: I,103ff, 152-70,336-54, passim. Notes: physical description; contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial); mention of MS; discussion.

Cox, Bobby Wayne. 1977. The Motets of MS Bologna, Civico Museo Bibliografico Musicale, Q 15. North Texas State University, Ph.D. dissertation. Pages: I,32,34-9,59-62,80-1,280-1. Notes: contents list (partial); concordances (partial); transcriptions (partial); texts (partial); mention of MS; discussion.

Spilsted, Gary. 1976. Toward the Genesis of the Trent Codices: New Directions and New Findings. Studies in Music from the University of Western Ontario, 55-70. Notes: physical description; mention of MS; discussion.

Dangel-Hofmann, Frohmut. 1975. Der Mehrstimmige Introitus in Quellen des 15. Jahrhunderts. Würzburger Musikhistorische Beitrage. Tutzing. Pages: 146-9,181 ff, passim.

Ward, Tom Robert. 1975. The Structure of the Manuscript Trent 92-1. Musica Disciplina, 127-47. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.

White, Richard James. 1975. The Battre Section of Trent Codex 87. Indiana University, Unpublished Ph.D. dissertation. Pages: I,l-4. Notes: physical description; mention of MS; discussion.

Bent, Margaret, Ian D Bent, and Brian Trowell (editors). 1970. John Dunstable complete works. Musica Britannica. London. Pages: VIII [rev. ed.], xxv,16-23,33-40,49-57,165-8,183ff. Notes: contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial); mention of MS; discussion.

[No Author] 1969-70. Codices Musicales Tridentini. Rome. Notes: facsimile.

Hamm, Charles E (editor). 1969-. Leonel Power: Complete Works. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I,xxi, xxiii-xxv, 5, 9-11, 25-7. Notes: mention of MS; contents list (partial); concordances (partial); transcriptions (partial).

Ward, Tom Robert. 1969. The Polyphonic Office Hymn from the Late Fourteenth Century Until the Early Sixteenth Century. University of Pittsburgh, Unpublished Ph.D. dissertation. Pages: 33-42,224ff,516-7,531-2, passim. Notes: contents list (partial); concordances (partial); incipits (partial); transcription (partial); mention of MS; discussion.

Hamm, Charles E. 1968. A Catalogue of Anonymous English Music in Fifteenth-Century Continental Manuscripts. Musica Disciplina, 47-76. Pages: 51,65ff. Notes: mention of MS; contents list (partial); concordances (partial).

Nitschke, Wolfgang. 1968. Studien zu den Cantus-Firmus-Messen Guillaume Dufays. Berliner Studien zur Musikwissenschaft. Berlin. Pages: I,22ff, passim. Notes: contents list (partial); mention of MS; discussion.

Riemann, Hugo, Wilibald Gurlitt, and Hans Heinrich Eggebrecht (editors). 1967. Musik Lexikon: Zwölfte völlig neubearbeitete. 3 vols. Mainz. Pages: Sachteil 12. Aufl. Quellen, 772.

Kanazawa, Masakata. 1966. Polyphonic music for Vespers in the fifteenth century. Harvard University, Ph.D. Dissertation, 2 vols. Pages: I, 94-107, passim. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 171. Notes: contents list (partial); concordances (partial); incipits (partial).

Mixter, Keith E (editor). 1965-71. Johannis Brassart: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I,xii-xiii, xviii,xx-xxi,xxv,39-41. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Hamm, Charles E. 1964. A Chronology of the Works of Guillaume Dufay Based on a Study of Mensural Practice. Princeton. Pages: 165-75, passim. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Damilano, Don Piero. 1963. Fonti musicali della lauda polifonica intorno alla metà del sec. XV. Collectanea Historiae Musicae III, Pages: 63 (dépouillement des Laudi).

Hamm, Charles E. 1962. Manuscript Structure in the Dufay Era. Acta Musicologica, 166-84. Pages: 166,168,173-5,183. Notes: contents list (partial); mention of MS; discussion.

Kulleseid, Eleanor Ransom. 1962. The Sacred Music of Gilles Binchois. Columbia University, Unpublished Master's thesis. Pages: 118ff, passim. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Ficker, Rudolf von. 1960. The transition on the Continent. New Oxford History of Music, 150ff. Pages: 150f.

Bukofzer, Manfred F. 1958. Changing Aspects of Medieval and Renaissance Music. The Musical Quarterly, 1-18. Pages: passim.

Gottlieb, Louis Edward. 1958. The cyclic masses of Trent Codex 89. University of California, Los Angeles, Ph.D. Dissertation. Pages: I, 192-202. Notes: physical description; mention of MS; discussion.

Reaney, Gilbert (editor). 1955-83. Early Fifteenth-Century Music. Corpus mensurabilis musicae. Rome: American Institute of Musicology. Pages: II, xxxi-xxxii; III, xvi-xxii, 64-96, VII,xv,8-9. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Schrade, Leo, and Milos Velimirovic (editors). 1955-68. Thirty chansons for three and four voices from Attaingnant's collection ed. by Albert Seay. Collegium musicum. Yale Univ. Dpt. of music. Pages: 158ff (TRbc 88, 89, 90 et 93).

Westrup, Jack A (editor). 1954-. New Oxford History of Music. London, New York, and Toronto. Pages: III,81,150-1,219. Notes: physical description; mention of MS; discussion.

Besseler, Heinrich. 1950; Reprinted: 1974. Bourdon und Fauxbourdon, Studien zum Ursprung der niederländischen Musik. Leipzig. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: Trienter Codices; II,1337; VI,1021-2; XIII.666-73. Notes: physical description (partial); contents list (partial); mention of MS; discussion.

de Van, Guillaume, and Heinrich Besseler (editors). 1948-66. Guillaume Dufay: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: l-II, IV-VI, passim. Notes: contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial); texts (partial).

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 38.

Apel, Willi. 1942. (4th ed., 1949). The Notation of Polyphonic Music 900-1600. Cambridge, Massachusetts. Pages: 102,104-7. Notes: facsimile (partial); mention of MS; discussion.

Stephan, Wolfgang. 1937. Die Burgundisch-Niederländische Motette zur Zeit Ockeghems. Kassel. Pages: 97f.

Blume, Friedrich (editor). 1929-. Das Chorwerk. Berlin/Wolfenbüttel. Pages: XIX,4,10-2,14-6,19-20. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Lunelli, Renato. 1927. La patria dei codici musicali tridentini. Note D'Archivio per la Storia Musicale, 116-28. Pages: 116ff. Notes: physical description; mention of MS; discussion.

Besseler, Heinrich. 1925. Studien zur Musik des Mittelalters: I. Neue Quellen des 14. und beginnenden 15. Jahrhunderts. Archiv für Musikwissenschaft, 167-252. Pages: 239f.

Ficker, Rudolf von. 1924. Die frühen Messenkompositionen der Trienter Codices. Studien zur Musikwissenschaft, 3ff.

Wolkan, Rudolf. 1921. Die Heimat der Trienter Musikhandschriften. Studien zur Musikwissenschaft, 5-8. Pages: 4ff. Notes: physical description; mention of MS; discussion.

Ficker, Rudolf von. 1920. Die Kolorierungstechnik der Trienter Messen. Studien zur Musikwissenschaft, 5-47. Notes: contents list (partial); mention of MS; discussion.

Adler, Guido. 1909. Über Textlegung in den 'Trienter Codices'. Riemann-Festschrift. Gesammelte Studien Hugo Riemann zum sechzigsten Geburtstage, 51ff. Leipzig. Pages: 51ff.

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 14/15 (VII), p. XIIIff, 38 (XIX), p. Vllff XIV/XV, XXII, LII, LXI, LXXVI, passim. Notes: physical description; contents list; concordances (partial); inventory; transcription (partial); facsimile (partial); mention of MS; discussion.

Haberl, Franz Xavier. 1885-88. Bausteine für Musikgeschichte. 3 vols. Leipzig. Pages: I, 87ff; I, 94ff.

Haberl, Franz Xavier. 1885. Wilhelm du Fay, Monographische Studie über dessen Leben und Werke. Vierteljahrsschrift für Musikwissenschaft, 397-530. Pages: 490-3. Notes: physical description (partial); contents list (partial); mention of MS; discussion.

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Jeremy Hayter

Wednesday, 7 November, 2018

Amy Farnell

Wednesday, 27 June, 2018

Updated url - new link should lead to online images of the whole MS

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description