Bukofzer, Manfred F

Bukofzer, Manfred F. 1960. Popular and Secular Music in England (to c. 1470). New Oxford History of Music, edited by Dom Anselm Hughes and Gerald Abraham,  London: Oxford University Press.

Bukofzer, Manfred F. 1958. Changing Aspects of Medieval and Renaissance Music. The Musical Quarterly, 44: 1-18.

Bukofzer, Manfred F. 1957. Three Unknown Italian Chansons of the Fifteenth Century. Collectanea Historiae Musicae II,  Firenze.

Bukofzer, Manfred F. 1956. The Unidentified Tenors in the Ms. La Clayette. Annales Musicologiques, 4: .

Bukofzer, Manfred F. 1954. John Dunstable: A Quincentenary Report. The Musical Quarterly, 40: 29-49.

Bent, Margaret, Ian D Bent, Manfred F Bukofzer, and Brian Trowell (eds.) 1953, 2d revised ed. prepared by Margaret Bent, Ian Bent & Brian Trowell. 1970. John Dunstable: Complete Works. Musica Britannica.  London: Stainer and Bell.

Bukofzer, Manfred F. 1952. Fauxbourdon Revisited. The Musical Quarterly, 38: 22-47.

Bukofzer, Manfred F. 1951. Caput Redivivum: A New Source for Dufay's Missa Caput. Journal of the American Musicological Society, 4: 97-110.

Bukofzer, Manfred F. 1950. Two fourteenth century motets on St. Edmund. Studies in Medieval and Renaissance Music, 17–33. New York: W. W. Norton & Co..

Bukofzer, Manfred F. 1950. The beginnings of choral polyphony. Studies in Medieval and Renaissance Music, 176ff. New York: W. W. Norton and Co..

Bukofzer, Manfred F. 1950. Studies in Medieval and Renaissance Music.

Bukofzer, Manfred F. 1950. A Polyphonic basse dance of the Renaissance. Studies in Medieval and Renaissance Music, 190ff. New York: W. W. Norton and Co..

Bukofzer, Manfred F. 1949-79. Gymel. Die Musik in Geschichte und Gegenwart, 1st Edition, 5: col.1143.

Bukofzer, Manfred F. 1949. Some Sources of 15th Century English Music1949. Renaissance News, 2, No. 4 (Winter): 65-67.

Bukofzer, Manfred F. 1948-9. The Music of the Old Hall Manuscript. The Musical Quarterly, 34 (512ff) & 35 (36ff): .

Bukofzer, Manfred F. 1948. Two mensuration canons. Musica Disciplina, 2: 165ff.

Bukofzer, Manfred F, and Bertram Schofield. 1946), 509-36; XXXIII (1947. A Newly Discovered 15th-century Manuscript of the English Chapel Royal. The Musical Quarterly, 32: 38-51.

Bukofzer, Manfred F. 1946. The Beginnings of Polyphonic Choral Music. Papers of the American Musicological Society, for 1940: 23-34.

Bukofzer, Manfred F. 1944. "Sumer is icumen in": A Revision. .

Bukofzer, Manfred F. 1942. An Unknown Chansonnier of the 15th Century (the Mellon Chansonnier). The Musical Quarterly, 28: 14-49.

Bukofzer, Manfred F. 1942. An unknown chansonnier of the 15th century (The Mellon Chansonnier). The Musical Quarterly, 28: 14ff.

Bukofzer, Manfred F. 1940. Popular Polyphony in the Middle Ages. The Musical Quarterly, 26: 31-49.

Bukofzer, Manfred F. 1938-39. John Dunstable and the Music of His Time. Proceedings of the Royal Musical Association, 45: 19-43.

Bukofzer, Manfred F. 1938. The first English chanson on the continent. Music and Letters, 14: 119ff.

Bukofzer, Manfred F. 1936. Über Leben und Werke von Dunstable. Acta Musicologica, 8: 102-19.

Bukofzer, Manfred F. 1936. The First Motet with English Words. Music and Letters, 17: .

Bukofzer, Manfred F. 1936. Geschichte des englischen Diskants und des Fauxbourdons nach den theoretischen Quellen. Sammlung Musikwissenschaftlicher Abhandlungen.  Strasbourg.

Bukofzer, Manfred F. 1935. The Gymel. The Earliest Form of English Polyphony. Music and Letters, 16: 77ff.