Bukofzer, Manfred F

Bukofzer, Manfred F. 1960. Popular and Secular Music in England (to c. 1470). New Oxford History of Music, edited by Dom Anselm Hughes and Gerald Abraham,  London: Oxford University Press.

Bukofzer, Manfred F. 1958. Changing Aspects of Medieval and Renaissance Music. The Musical Quarterly, 44: 1-18.

Bukofzer, Manfred F. 1957. Three Unknown Italian Chansons of the Fifteenth Century. Collectanea Historiae Musicae II,  Firenze.

Bukofzer, Manfred F. 1956. The Unidentified Tenors in the Ms. La Clayette. Annales Musicologiques, 4: .

Bukofzer, Manfred F. 1954. John Dunstable: A Quincentenary Report. The Musical Quarterly, 40: 29-49.

Bent, Margaret, Ian D Bent, Manfred F Bukofzer, and Brian Trowell (eds.) 1953, 2d revised ed. prepared by Margaret Bent, Ian Bent & Brian Trowell. 1970. John Dunstable: Complete Works. Musica Britannica.  London: Stainer and Bell.

Bukofzer, Manfred F. 1952. Fauxbourdon Revisited. The Musical Quarterly, 38: 22-47.

Bukofzer, Manfred F. 1951. Caput Redivivum: A New Source for Dufay's Missa Caput. Journal of the American Musicological Society, 4: 97-110.

Bukofzer, Manfred F. 1950. Studies in Medieval and Renaissance Music.

Bukofzer, Manfred F. 1950. Two fourteenth century motets on St. Edmund. Studies in Medieval and Renaissance Music, 17–33. New York: W. W. Norton & Co..

Bukofzer, Manfred F. 1950. The beginnings of choral polyphony. Studies in Medieval and Renaissance Music, 176ff. New York: W. W. Norton and Co..

Bukofzer, Manfred F. 1950. A Polyphonic basse dance of the Renaissance. Studies in Medieval and Renaissance Music, 190ff. New York: W. W. Norton and Co..

Bukofzer, Manfred F. 1949-79. Gymel. Die Musik in Geschichte und Gegenwart, 1st Edition, 5: col.1143.

Bukofzer, Manfred F. 1949. Some Sources of 15th Century English Music1949. Renaissance News, 2, No. 4 (Winter): 65-67.

Bukofzer, Manfred F. 1948-9. The Music of the Old Hall Manuscript. The Musical Quarterly, 34 (512ff) & 35 (36ff): .

Bukofzer, Manfred F. 1948. Two mensuration canons. Musica Disciplina, 2: 165ff.

Bukofzer, Manfred F, and Bertram Schofield. 1946), 509-36; XXXIII (1947. A Newly Discovered 15th-century Manuscript of the English Chapel Royal. The Musical Quarterly, 32: 38-51.

Bukofzer, Manfred F. 1946. The Beginnings of Polyphonic Choral Music. Papers of the American Musicological Society, for 1940: 23-34.

Bukofzer, Manfred F. 1944. "Sumer is icumen in": A Revision. .

Bukofzer, Manfred F. 1942. An unknown chansonnier of the 15th century (The Mellon Chansonnier). The Musical Quarterly, 28: 14ff.

Bukofzer, Manfred F. 1942. An Unknown Chansonnier of the 15th Century (the Mellon Chansonnier). The Musical Quarterly, 28: 14-49.

Bukofzer, Manfred F. 1940. Popular Polyphony in the Middle Ages. The Musical Quarterly, 26: 31-49.

Bukofzer, Manfred F. 1938-39. John Dunstable and the Music of His Time. Proceedings of the Royal Musical Association, 45: 19-43.

Bukofzer, Manfred F. 1938. The first English chanson on the continent. Music and Letters, 14: 119ff.

Bukofzer, Manfred F. 1936. The First Motet with English Words. Music and Letters, 17: .

Bukofzer, Manfred F. 1936. Geschichte des englischen Diskants und des Fauxbourdons nach den theoretischen Quellen. Sammlung Musikwissenschaftlicher Abhandlungen.  Strasbourg.

Bukofzer, Manfred F. 1936. Über Leben und Werke von Dunstable. Acta Musicologica, 8: 102-19.

Bukofzer, Manfred F. 1935. The Gymel. The Earliest Form of English Polyphony. Music and Letters, 16: 77ff.