Strohm, Reinhard. None. Strohm ?
Strohm, Reinhard. None. Strohm ?
Strohm, Reinhard. 2018. Studies on a Global History of Music: A Balzan Musicology Project. SOAS Studies in Music Series. Routledge.
Strohm, Reinhard. 2010. Imitative Counterpoint in Mid-Fifteenth-Century English Mass Settings. Essays on the History of English Music: sources, style, performance, historiography, edited by Emma Hornby and David Maw, Woodbridge: Boydell.
Strohm, Reinhard. 2008. The Lucca Choirbook: Lucca, Archivio di Stato, MS 238; Lucca, Archivio Arcivescovile, MS 97; Pisa, Archivio Arcivescovile, Biblioteca Maffi, Cartella 11/III, facs. ed. with an introduction and inventory. Late Medieval and Early Renaissance Music in Facsimile. Chicago and London: University of Chicago Press.
Strohm, Reinhard. 2008. John Hothby, the Lucca Choirbook - and Further Dragon's Heads? Acta Musicologica, 80: 59–66.
Strohm, Reinhard (ed.) 2007. Mass Settings from the Lucca Choirbook. Early English Church Music. Stainer and Bell.
Strohm, Reinhard (ed.) 2007. Fifteenth-Century Liturgical Music, VI: Mass Settings from the Lucca Choir Book. Early English Church Music. London: Stainer and Bell for the British Academy.
Strohm, Reinhard. 2005. De plus en plus : numbers, Binchois and Ockeghem. Citation and Authority in Medieval and Renaissance Musical Culture: Learning from the Learned. Essays in Honour of Margaret Bent, Studies in Medieval and Renaissance Music. edited by Elizabeth Eva Leach and Suzannah Clark, Woodbridge, Suffolk: Boydell and Brewer.
Strohm, Reinhard. 1998. Zur Entstehung der Trienter Codices: Philologie und Kulturgeschichte. Gestalt und Entstehung musikalischer Quellen im 15. und 16. Jahrhundert, edited by Martin Staehelin, 11-20. Wiesbaden.
Strohm, Reinhard, and Peter Wright. 1996. European cathedral music and the Trent codices. I codici musicali trentini. Nuove scoperte e nuovi orientamenti della ricerca. Atti del Convegno internazionale, Trento, Castello del Buonconsiglio,24 settembre 1994, 15-29. Trento, Provincia autonoma : Servizio per i beni librari e archivistici.
Strohm, Reinhard. 1993. The Rise of European Music 1380-1500. Cambridge.
Strohm, Reinhard. 1992. Magister Egardus and other Italo-Flemish Contacts. L'Ars Nova italiana del Trecento, 6: 41-68.
Strohm, Reinhard. 1990. Einheit und Funktion früher Messzyklen. Festschrift Rudolf Bockholdt zum 60. Geburtstag, edited by N. Dubowy and S. Meyer-Eller, 141-60. Pfaffenhofen.
Strohm, Reinhard. 1989. Filippotto da Caserta, ovvero i Francesi in Lombardia. In cantu et in sermone: For Nino Pirrotta, edited by Fabrizio Della Seta and Franco Piperno, 65-74. Florence.
Strohm, Reinhard. 1985. Music in Late Medieval Bruges. Oxford.
Strohm, Reinhard. 1984. Native and Foreign Polyphony in Late Medieval Austria. Musica disciplina, 38: 205-30.
Strohm, Reinhard. 1984. The Ars nova fragments of Gent. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 34: .
Strohm, Reinhard. 1983. Zur Datierung des Codex St: Emmeram (Clm 14274): ein Zwischenbericht. Datierung und Filiation von Musikhandschriften der Josquin-Zeit, Wolfenbütteler Forschungen. 229-38. Wiesbaden.
Strohm, Reinhard. 1983. Quellenkritische Untersuchungen an der Missa 'Caput'. Datierung und Filiation von Musikhandschriften der Josquin-Zeit, Wolfenbütteler Forschungen. 153-76. Wiesbaden.
Strohm, Reinhard. 1981. European Politics and the Distribution of Music in the Early Fifteenth Century. Early Music History, 1: 305-23.
Strohm, Reinhard. 1979. Die Missa super 'Nos amis' von Johannes Tinctoris. Die Musikforschung, 32: 34-51.
Strohm, Reinhard. 1968. Ein unbekanntes Chorbuch des 15. Jahrhunderts. Die Musikforschung, 21: 40ff.
Strohm, Reinhard. 1967. Ein Zeugnis früher Mehrstimmigkeit in Italien. Festschrift Bruno Stäblein zum 70 Geburtstag,
Strohm, Reinhard. 1966. Neue Quellen zur liturgischen Mehrstimmigkeit des Mittelalters in Italien. Revista Italiana di Musicologia, 1: 77-87.
Strohm, Reinhard. 1965. Ein englischer Ordinariumsatz des 14. Jahrhunderts in Italien. Die Musikforschung, 18: ??.
Strohm, Reinhard. 1949-79. Trienter Kodizes. Die Musik in Geschichte und Gegenwart, 2nd Edition (Sachteil), 9: col.801-812.