I-TRbc MS 1377 [90] (Trent 90)

Museo Provinciale d'Arte, Castello del Buonconsiglio, Trent (Trento), Italy

manuscript of polyphony: c. 1460

Archive Museo Provinciale d'Arte, Castello del Buonconsiglio, Trent (Trento), Italy (I-TRbc)
Shelfmark MS 1377 [90] (Trent 90)
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 310 x 210 mm
Other Identifiers
  • RISM: I-TRbc 90
  • CCM: TrentC 90
  • olim (Former shelfmark): Trent 90
Copyists
External Links
Provenance
  • Italy
Contents 359 pieces from 37 composers
General Description

Copied by several scribes, including Johannes Wiser (inscription on f. 265': 'Scriptum notatum per Johannem Wiser'), rector of cathedral school at Trent 1459-65, later chaplain to Johannes Hinderbach, Bishop of Trent 1465-86. Gatherings 1-24, 27-28, and 33-39 contain Mass Ordinary and Proper settings (Asperges, Introits, Kyries, Glorias, Credos, and Sanctus/Agnus mostly grouped in separate sections in gatherings 1-24, with composite Masses and some separate Ordinary sections in gatherings 27-28 and 33-39); remaining gatherings contain Vespers music, French secular pieces, and other works, with occasional grouping of pieces by genre. Repertory in gatherings 1-24 essentially concordant with, and probably copied from gatherings 1-30 of TrentM 93 (BentSC). Copied in Trent. Transferred to Vienna in 1891, but returned to Trent following World War I.

DIAMM, 2017
Binding

Original covers of tooled leather over wooden boards.

DIAMM, 2017
Watermark

(1) resembles Briquet #14726; (2) resembles Briquet #15877; (3) two crescents (not in Briquet; same mark also appears in first two gatherings of TrentC 88).

DIAMM, 2017
Notation

not defined

DIAMM, 2017
Foliation

466 ff

DIAMM, 2017
Foliation

Modern foliation, 1-465 ('194' applied to two consecutive folios).

DIAMM, 2017
Decoration

No initials or decoration.

DIAMM, 2017
Surface

paper

DIAMM, 2017
RISM Description

RISM5

Ces 7 manuscrits, dont les 6 premiers ont été révélés par Haberl en 1885 (cf. Bibliographie), tandis que le 7e ne fut découvert qu'en 1920 (R. von Ficker, in DTÖ 61 (XXXI) VIff) consituent une véritable famille indissoluble en ce qu'ils présentent tant de caractères communs qu'il semble logique d'en donner d'abord une description d'ensemble pour préciser ensuite les particularités de chacun d'eux en même temps que le dépouillement de leur contenu.

Ils fournissent un énorme répertoire en grande partie religieux, sans pour cela que la musique profane soit complètement négligée, qui va de Loqueville à Isaac et Compère, couvrant 25OOff. avec 1870 pièces environ, qui peuvent se dater entre 1420 et 1480. En 1921, R. Wolkan (cf. Bibliographie) avait émis l'opinion que ces mss. copiés à Vienne sous l'impulsion de Johann Hinderbach (né en 1418), secrétaire à la chancellerie impériale, auraient suivi celui-ci à Trente où, en 1455, il avait été nommé prévôt à la cathédrale puis porté à l'évêché en 1465. E. Wellesz va plus loin en les déclarant copiés, à Vienne d'abord puis à Trente, sur ordre de Hinderbach pour sa bibliothèque personnelle qui devait ensuite être donnée au chapitre de la cathédrale (Grove's Dictionary, 5th ed,. 1954). Cependant, comme on ne trouve dans ces mss. aucune pièce de circonstance de la vie de l'empereur Friedrich III, alors que les allusions à des personnages tridentins, même peu célèbres, y sont évidentes et que l'un des copistes Johannes Wiser occupa diverses charges à Trente de 1459 à 1490, il est logique de penser qu'ils ont plutôt été copiés, sinon tous à Trente même, du moins dans l'Italie du nord (cf. Bibliographie, Lunelli). Il est possible aussi qu'ils aient été acquis (en tout cas les plus anciens) par l'évêque de Trente Alexander Masowien, alors en relation avec Amédée VIII de Savoie pour la chapelle duquel ils auraient été copiés (cf. WardTS, p. 144). — On peut diviser ces 7 mss. en deux groupes: d'une part 87 et 92 qui sont les plus anciens, d'autre part 88, 89, 90, 91 et 93 qui sont légèrement postérieurs, 91 étant le plus récent. Le même papier et le même scribe, qui inscrit son nom Puntschucherh au bas du f. 161 du ms 87 (mais s'agit-il d'un nom? Cf. Flotzinger, Bibliographie TRbc 87) se retrouvent pour la première partie du ms. 87 (f. 1—218) et la deuxième partie du ms. 92 (f. 144—239), la relation entre les deux mss. étant de plus soulignée par le fait qu'un Kyrie de Binchois au f. 56v du ms. 87 (n° 34) est accompagné d'une mention renvoyant pour Y Et in terra suivant au premier f. du ms. 92 (n° 2). Ces deux mss. ont certainement été copiés avant 1450 dans l'Italie du Nord, tandis que l'on peut fixer approximativement la date de compilation des cinq autres entre 1445 et 1480, le scribe Johannes Wiser en ayant copié la plus grande partie à Trente même.

Ms. 90

1452-1458. 465 [= 466]ff. Papier 310X210 mm. Foliotation ancienne. Le f. 194 chiffré deux fois. Les ff. 19, 48, 74, 84v, 88, 94, 123, 140, 144, 147, 163, 167v, 168, 175, 180, 183, 190, 194bv, 199r et v, 205, 237, 248, 270, 274, 386, 399 sont blancs. Notation mesurée blanche. 8 portées par p.

Ms. probablement copié comme TRbc 88, 89 et 91 par Johannes Wiser dont la signature figure au f. 465v (facs.: DTÖ 14/15 [VII]). A part quelques messes unitaires dans la dernière partie, le copiste a classé les sections de la messe par genres, n'hésitant pas à séparer ainsi les différentes parties d'un même office. (n°8 74 à 206). Il a de même, au début du ms., groupé les motets (hymnes, antiennes, introits) suivant l'identité des paroles (n™ 1 à 73). Le n° 360 est un hommage à l'évêque Georg II qui succéda à Hinderbach en 1486.

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

TRENT. Museo Provinciale d'Arte, Castello del Buon Consiglio. MS 90

6 Masses, 1 Gloria-Credo pair, 6 Sanctus-Agnus pairs, 40 Kyries, 45 Glorias, 26 Credos, 17 Sanctus, 5 Agnus (1 fragmentary), 65 Mass Proper sections, 14 Magnificats, 3 psalms, 7 office hymns, 1 processional hymn, 42 motets, 1 Benedicamus domino, 2 German sacred pieces, 25 French secular pieces (some without text; others have additional Latin motet texts in this source), 5 Italian secular pieces, 3 German secular pieces, 15 textless pieces = 329 + 4 duplicates = 333

(Anglia)-1, C. Anthony-3, Bedingham [Bedingham Langensteiss; BenigunJ-4, (Bedingham/Dunstable-anon)-1, (Bedingham/Frye)-1, Benet-2 + 1?, (Binchois)-9, (Binchois/Dufay)-1, (Binchois/Dunstable)-1, (Brassart)-8, (Brassart/Dusart)-1, Brolo [Bartholomeus de Bruollis VenetusJ-1, Collis-1, Constans-2, Cousin-1, Dufay-19 + 4?, (Dufay/Dunstable)-1, (Dufay/H. Lantins)-1, (Dunstable)-2 + 1?, Dunstable/(Benet)-1, Dunstable/(Power)-1, (Dunstable/ Power)-2, (Feraguti)-1, (Forest)-1 + 1?, (Forest/Plummer)-1, (Frye)-2, Gaius-1, Hert-1, Joye-1, L. Krafft-1, J. Legrant-1, (Loqueville)-1, Ockeghem-1, (Plummer)-2 + 1?, Power [Leonell AnglicusJ-4, Pullois-13 +1?, Pullois/(Braxatoris)-1, Ruby [W. de RougeJ-1, (Soursby)-1, Walterus de Salice-1, (P. Wilhelmi)-1, anon-220

466 paper folios, 310 x 210. Modern foliation, 1-465 ("194" applied to two consecutive folios). Blank staves only on ff. 19, 48, 74, 84', 88, 94, 123, 131, 140, 144, 147, 163, 167'-168, 175, 180, 183, 190, 194b', 199-199', 205, 237, 248', 258'-259, 270', 274, 386, 399. Original covers of tooled leather over wooden boards. No index.

Copied by several scribes, including Johannes Wiser (inscription on f. 265': "Scriptum notatum per Johannem Wiser"), rector of cathedral school at Trent 1459-65, later chaplain to Johannes Hinderbach, Bishop of Trent 1465-86. No initials or decoration. Watermarks: (1) resembles Briquet #14726; (2) resembles Briquet #15877; (3) two crescents (not in Briquet; same mark also appears in first two gatherings of TrentC 88).

Gatherings 1-24, 27-28, and 33-39 contain Mass Ordinary and Proper settings (Asperges, Introits, Kyries, Glorias, Credos, and Sanctus/Agnus mostly grouped in separate sections in gatherings 1-24, with composite Masses and some separate Ordinary sections in gatherings 27-28 and 33-39); remaining gatherings contain Vespers music, French secular pieces, and other works, with occasional grouping of pieces by genre. Repertory in gatherings 1-24 essentially concordant with, and probably copied from gatherings 1-30 of TrentM 93 (BentSC).

Ca. 1460. Copied in Trent. Transferred to Vienna in 1891, but returned to Trent following World War I.

Vol 4

Contents: Change "65 Mass Proper sections" to "66 Mass Proper sections (1 incomplete and without text)"; change "15 textless pieces" to "14 textless pieces."

Composers: Change "Dufay-19 + 4?" to "Dufay-19 + 5?"; change "anon-220" to "anon-219."

Physical: Watermarks: (1) PiccardO XII, 255; (2) PiccardO XII, 254/257; (3) PiccardO XIII, 37; (4) PiccardT II, 326; (5) PiccardT II, 327; (6) scorpion with letter "S"; (7) PiccardO XII, 177; (8) PiccardO XIII, 246; (9) PiccardO XIII, 247; (10) PiccardO XII, 253; (11) two crescents surmounted by star (SaundersD).

Date: Ca. 1452-9 (SaundersD).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1 Christe redemptor omnium . Tu lumen tu splendor (Christmas setting) -
Appears on: 1
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Christe redemptor omnium
General Note

Publ. cf. Bc 15 n° 306

Item Bibliography

Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.

1 Qui tollis peccata mundi miserere nobis. - Anonymous
Appears on: 1
Genres: Agnus Dei, Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Qui tollis peccata mundi miserere nobis.
General Note

Sans clé lvx. seul'

1v Asperges me Domine isopo et mundabor - Anonymous
Appears on: 1v
Genres: Asperges me, Motet
Voice: [no designation]
Languages: Latin
Voice Text: Asperges me Domine hysopo
2 Asperges me Domine isopo et mundabor - Anonymous
Appears on: 2
Genres: Asperges me, Motet
Voice: [no designation]
Languages: Latin
Voice Text: Asperges me Domine hysopo
2v–3 Asperges me Domine (I) -
Appears on: 2v–3
Genres: Asperges me, Motet
3v–4 Asperges me Domine (II) -
Appears on: 3v–4
Genres: Asperges me, Motet
4v–5 Vidi aquam egredientem de templo - Anonymous
Appears on: 4v–5
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Vidi aquam egredientem
5v–6 Vidi aquam egredientem de templo - Anonymous
Appears on: 5v–6
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Vidi aquam egredientem
6v–7 Vidi aquam egredientem de templo - Anonymous
Appears on: 6v–7
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Vidi aquam egredientem
7v–8 Dominus dixit ad me filius meus - Anonymous
Appears on: 7v–8
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Dominus dixit ad me
8v–9 Puer natus est nobis - Anonymous
Appears on: 8v–9
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Puer natus est nobis
9v–10 Puer natus est nobis - 1a pars (of 3): Puer natus est nobis -
Appears on: 9v–10
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Puer natus est nobis
10v–11 Ecce advenit dominator Dominus - Anonymous
Appears on: 10v–11
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Ecce advenit dominator
11v–12 Resurrexi et adhuc tecum sum - Anonymous
Appears on: 11v–12
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Resurrexi et adhuc tecum sum
12v–13 Resurrexi et adhuc tecum sum - Anonymous
Appears on: 12v–13
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Resurrexi et adhuc tecum sum
13v–14 Resurrexi et adhuc tecum sum - Anonymous
Appears on: 13v–14
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Resurrexi et adhuc tecum sum
14v Resurrexi et adhuc tecum sum - Anonymous
Appears on: 14v
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Resurrexi et adhuc tecum sum
15 Resurrexi et adhuc tecum sum - Anonymous
Appears on: 15
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Resurrexi et adhuc tecum sum
15v–16 Resurrexi et adhuc tecum sum - Anonymous
Appears on: 15v–16
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Resurrexi et adhuc tecum sum
16v–17 Resurrexi et adhuc tecum sum - Anonymous
Appears on: 16v–17
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Resurrexi et adhuc tecum sum
17v–18v Resurrexi et adhuc tecum sum - Anonymous
Appears on: 17v–18v
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Resurrexi et adhuc tecum sum
19v Viri Galilaei Quid admiramini aspicientes Vs: Omnes gentes plaudite Jubilate deo - Anonymous
Appears on: 19v
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Viri Galilaei
20 Viri Galilaei Quid admiramini aspicientes Vs: Omnes gentes plaudite Jubilate deo - Anonymous
Appears on: 20
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Viri Galilaei
20v–21 Viri Galilaei Quid admiramini aspicientes Vs: Omnes gentes plaudite Jubilate deo - Anonymous
Appears on: 20v–21
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Viri Galilaei
21v–22 Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto - Anonymous
Appears on: 21v–22
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Spiritus domini replevit
22v–23 Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto - Anonymous
Appears on: 22v–23
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Spiritus domini replevit
23–24v Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto - Anonymous
Appears on: 23–24v
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Spiritus domini replevit
24v Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto - Anonymous
Appears on: 24v
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Spiritus domini replevit
25v Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto - Anonymous
Appears on: 25v
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Spiritus domini replevit
25v–26 Benedicta sit sancta trinitas - Anonymous
Appears on: 25v–26
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Benedicta sit sancta trinitas
26v–27 Benedicta sit sancta trinitas - 1a pars (of 2): Benedicta sit sancta trinitas -
Appears on: 26v–27
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Benedicta sit sancta trinitas
General Note

Publ. cf. TRbc 88 n° 71

27v–28 Benedicta sit sancta trinitas - Anonymous
Appears on: 27v–28
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Benedicta sit sancta trinitas
28v–29 Nos autem gloriari oportet [J. BRASSART]
Appears on: 28v–29
Genres: Introit, Proper
Source Attribution: [J. BRASSART]
Voice: [no designation]
Languages: Latin
Voice Text: Nos autem gloriari
General Note

Publ. cf. AOs n° 15

29v–30 Cibavit eos ex adipe - Anonymous
Appears on: 29v–30
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Cibavit eos ex adipe
30v–31 Cibavit eos ex adipe - Anonymous
Appears on: 30v–31
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Cibavit eos ex adipe
31v–32 Cibavit eos ex adipe [J. BRASSART]
Appears on: 31v–32
Genres: Introit, Proper
Source Attribution: [J. BRASSART]
Voice: [no designation]
Languages: Latin
Voice Text: Cibavit eos ex adipe
General Note

Publ. cf. AOs n° 10

32v–33 Terribilis est locus iste - Anonymous
Appears on: 32v–33
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Terribilis est locus iste
33v Terribilis est locus iste - Anonymous
Appears on: 33v
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Terribilis est locus iste
34 Terribilis est locus iste - Anonymous
Appears on: 34
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Terribilis est locus iste
34v–35 Terribilis est locus iste - Anonymous
Appears on: 34v–35
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Terribilis est locus iste
35v–36 Mihi autem nimis -
Appears on: 35v–36
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Mihi autem nimis
General Note

Publ. cf. TRbc 88 n° 77

36v–37 Mihi autem nimis - Anonymous

Mihi autem nimis

Anonymous
Appears on: 36v–37
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Mihi autem nimis
37v–38 Mihi autem nimis - Anonymous

Mihi autem nimis

Anonymous
Appears on: 37v–38
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Mihi autem nimis
38v–39 In medio ecclesiae -
Appears on: 38v–39
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: In medio ecclesiae
General Note

Publ. cf. TRbc 88 n° 124

39v–40 In medio ecclesiae - Anonymous

In medio ecclesiae

Anonymous
Appears on: 39v–40
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: In medio ecclesiae
40v–41 De ventre matris meae vocavit me Dominus - Anonymous
Appears on: 40v–41
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: De ventre matris
41v–42 De ventre matris meae vocavit me Dominus - Anonymous
Appears on: 41v–42
Genres: Introit
Voice: [no designation]
Languages: Latin
Voice Text: De ventre matris
42v–43 Nunc scio vere quia misit Dominus - Anonymous
Appears on: 42v–43
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Domine probasti me
43v–44 Et enim sederunt principes [Tr.1641] - Anonymous
Appears on: 43v–44
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Etenim sederunt principes
44v Et enim sederunt principes [Tr.1641] - Anonymous
Appears on: 44v
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Etenim sederunt principes
45 Intret in conspectu tuo - Anonymous
Appears on: 45
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Intret in conspectu tuo
45 Confessio et pulchritudo - Anonymous
Appears on: 45
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Confessio et pulchritudo
46 Sapientiam sanctorum narrent populi [J. BRASSART]
Appears on: 46
Genres: Introit, Proper
Source Attribution: [J. BRASSART]
Voice: [no designation]
Languages: Latin
Voice Text: Sapientiam sanctorum
General Note

Publ. cf. AOs n° 14

46v–47 Statuit ei Dominus - Anonymous

Statuit ei Dominus

Anonymous
Appears on: 46v–47
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Statuit ei dominus
47v Statuit ei Dominus - Anonymous

Statuit ei Dominus

Anonymous
Appears on: 47v
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Statuit ei dominus
48v–49 Statuit ei Dominus - Anonymous

Statuit ei Dominus

Anonymous
Appears on: 48v–49
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Statuit ei dominus
49v–50 Os justi meditabitur - Anonymous
Appears on: 49v–50
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Os iusti meditabitur
50 Os justi meditabitur - Anonymous
Appears on: 50
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Os iusti meditabitur
50v–51 Loquebar de testimoniis - Anonymous
Appears on: 50v–51
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Loquebar de testimoniis
51v–52 Dilexisti justitiam et odisti J. BRASSART]
Appears on: 51v–52
Genres: Introit, Proper
Source Attribution: J. BRASSART]
Voice: [no designation]
Languages: Latin
Voice Text: Dilexisti iustitiam
General Note

Publ. cf. AOs n° 16

52v–53 Gaudeamus omnes in Domino - Anonymous
Appears on: 52v–53
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Gaudeamus omnes in domino
53v–54 Gaudeamus omnes in Domino [J. SARTO]
Appears on: 53v–54
Genres: Introit, Proper
Source Attribution: [J. SARTO]
Voice: [no designation]
Languages: Latin
Voice Text: Gaudeamus omnes in domino
General Note

Publ.cf.AOs n° 11

54v–55 Gaudeamus omnes in Domino - Anonymous
Appears on: 54v–55
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Gaudeamus omnes in domino
55v–56 Gaudeamus omnes in Domino - Anonymous
Appears on: 55v–56
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Gaudeamus omnes in domino
56v–57 Rorate caeli desuper et nubes pluant Vs: Caeli enarrant gloriam Dei Et opera - Anonymous
Appears on: 56v–57
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Rorate caeli desuper
57v Rorate caeli desuper et nubes pluant Vs: Caeli enarrant gloriam Dei Et opera - Anonymous
Appears on: 57v
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Rorate caeli desuper
58 Terribilis est locus iste - Anonymous
Appears on: 58
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Terribilis est locus iste
58v–59 Vultum tuum deprecabuntur - Anonymous
Appears on: 58v–59
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Vultum tuum deprecabuntur
59v–60 Suscepimus Deus misericordiam tuam in medio Vs: Magnus Dominus In civitate Dei nostri - Anonymous
Appears on: 59v–60
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Suscepimus deus
60v–61 Suscepimus Deus misericordiam tuam in medio Vs: Magnus Dominus In civitate Dei nostri - Anonymous
Appears on: 60v–61
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Suscepimus deus
61v–62 Salve sancta parens [J. BRASSART]
Appears on: 61v–62
Genres: Introit, Proper
Source Attribution: [J. BRASSART]
Voice: [no designation]
Languages: Latin
Voice Text: Salve sancta parens
General Note

Publ. cf. AOs n° 9

62v–63 Salve sancta parens (free fauxbourdon) [G. BINCHOIS]
Appears on: 62v–63
Genres: Fauxbourdon/faburden, Motet
Source Attribution: [G. BINCHOIS]
Voice: [no designation]
Languages: Latin
Voice Text: Salve sancta parens
General Note

Publ. cf. AOs n° 2

63v Salve sancta parens - Anonymous
Appears on: 63v
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Salve sancta parens
64 Kyrie fons bonitatis - Anonymous
Appears on: 64
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie fons bonitatis
General Note

T: Fauxbourdon.

64v–65 Kyrie 'fons bonitatis' [G. DUFAY]
Appears on: 64v–65
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [G. DUFAY]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie fons bonitatis
General Note

Publ. cf. Bc 15 tf 99

Item Bibliography

Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.

65v–66 Kyrie fons bonitatis, Virginitatis amator -
Appears on: 65v–66
Genres: Mass Ordinary, Troped Kyrie
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie fons bonitatis / Kyrie sacerdos sume
66v–67 Kyrie fons bonitatis - Anonymous
Appears on: 66v–67
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie fons bonitatis
67v Kyrie [Tro] magne Deus potentiae - Anonymous
Appears on: 67v
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie magne Deus potentie
68 Kyrie [Tro] magne Deus potentiae - Anonymous
Appears on: 68
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie magne Deus potentie
68v–69 Kyrie eleison - Anonymous

Kyrie eleison

Anonymous
Appears on: 68v–69
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie
69v Missa Sancti Jacobi: Kyrie [G. DUFAY]
Appears on: 69v
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [G. DUFAY]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa Sancti Jacobi] Kyrie
General Note

Dernier chorus seul1 des Kyrie I et II et duChriste.Publ. cf. AOs n" 18

70 Kyrie eleison - Anonymous

Kyrie eleison

Anonymous
Appears on: 70
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie

Item Bibliography

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: 61 (XXXI).

70v–71 Kyrie 'cunctipotens' [G. BINCHOIS]
Appears on: 70v–71
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [G. BINCHOIS]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie
General Note

Publ.cf. Bu 2216 a' 23

71v Kyrie eleison - Anonymous

Kyrie eleison

Anonymous
Appears on: 71v
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie
72 Kyrie Angelicum - Anonymous

Kyrie Angelicum

Anonymous
Appears on: 72
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Angelicum. Kyrie

Item Bibliography

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: 61 (XXXI).

72v–73 Missa Sancti Antonii Viennensis: Kyrie DUFFAY
Appears on: 72v–73
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: DUFFAY
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa Sancti Antonii Viennensis] Kyrie
General Note

The scribe links this to the other sections of the mass with the annotation: "et in terra et totum officium quaere post missam Bedingham" (for the Gloria [Et in terra] and the whole mass, look after the mass by Bedingham)

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, II.

74v Kyrie Pascale -
Appears on: 74v
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Pascale. Kyrie
74v–75 Kyrie eleison - Anonymous

Kyrie eleison

Anonymous
Appears on: 74v–75
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie
75–75v Kyrie Lux et origo (or Pascale) [G. DUFAY]
Appears on: 75–75v
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [G. DUFAY]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Aliud pascale. Kyrie [Lux et origo]
General Note

Publ. cf. AOs n° 23

76 Christus surrexit - Anonymous

Christus surrexit

Anonymous
Appears on: 76
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Christus surrexit
76v–77 Kyrie pascale - Anonymous

Kyrie pascale

Anonymous
Appears on: 76v–77
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Pascale. Kyrie
General Note

[=no 111]

77v Missa De apostolis: Kyrie [J. BRASSART]
Appears on: 77v
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [J. BRASSART]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: De appostolis fabord. Kyrie
General Note

Publ. cf. AOs n' 21

78 Kyrie de apostolis - aliud [i.e. another] - Anonymous
Appears on: 78
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Da apostolis aliud. Kyrie
78v–79 Missa De apostolis: Kyrie - Anonymous
Appears on: 78v–79
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Latin, Greek
Voice Text: De apostolis. Kyrie
79 Missa De apostolis: Kyrie - Anonymous
Appears on: 79
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [De apostolis] Kyrie
80 Missa De martiribus faubourdon: Kyrie - Anonymous
Appears on: 80
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Latin, Greek
Voice Text: De martiribus fabourd. Kyrie
80v–81 Kyrie 'apostolorum' / 'de martyribus' [G. BINCHOIS]
Appears on: 80v–81
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [G. BINCHOIS]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: De martiribus [ou Apostolorum] Kyrie
General Note

Publ. cf. AOs n° 22

81v–82 Kyrie De martyribus / In diebus Dominicis / Orbis factor DUFFAY
Appears on: 81v–82
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: DUFFAY
Voice: [no designation]
Languages: Latin, Greek
Voice Text: De martiribus [ou In diebus dominicis ou Orbis factor] Kyrie
General Note

Publ. cf. AOs n° 29

82v–83 Missa De confessoribus. Kyrie - Anonymous
Appears on: 82v–83
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Latin, Greek
Voice Text: De confessoribus. Kyrie
83v Kyrie eleison - Anonymous

Kyrie eleison

Anonymous
Appears on: 83v
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie
84 Missa De virginibus. Kyrie - Anonymous
Appears on: 84
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [De virginibus] Kyrie
85 Kyrie Cum Jubilo in festis B.M.V. ou De domina [G. DUFAY]
Appears on: 85
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [G. DUFAY]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Kyrie Cum Jubilo in festis B.M.V. ou De domina][Kyrie chorus] Kyrie
General Note

Publ. cf. Bc 15 n° 96

Item Bibliography

Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.

85v–86 Kyrie eleison - Anonymous

Kyrie eleison

Anonymous
Appears on: 85v–86
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie
86v Kyrie eleison - Anonymous

Kyrie eleison

Anonymous
Appears on: 86v
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie
87–87v Kyrie eleison - Anonymous

Kyrie eleison

Anonymous
Appears on: 87–87v
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie
88v–89 Kyrie eleison - Anonymous

Kyrie eleison

Anonymous
Appears on: 88v–89
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie
89v–90 Kyrie 'angelorum' [G. BINCHOIS]
Appears on: 89v–90
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [G. BINCHOIS]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie [angelorum]
General Note

Publ. cf. AOs n° 27

90v–91 Kyrie eleison (iv/19) [G. DUFAY]
Appears on: 90v–91
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [G. DUFAY]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, IV.

91v–92 Kyrie eleison - Anonymous

Kyrie eleison

Anonymous
Appears on: 91v–92
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie

Item Bibliography

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: (XXXI).

92v–93 Missa Tube: Kyrie [J. COUSIN]
Appears on: 92v–93
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [J. COUSIN]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa Tube] Kyrie tube. Kyrie

Item Bibliography

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: 120.

93v Kyrie eleison - Anonymous

Kyrie eleison

Anonymous
Appears on: 93v
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Kyrie]
General Note

[=no 91]

94v–95 Kyrie eleison - Anonymous

Kyrie eleison

Anonymous
Appears on: 94v–95
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie
Concordances

Strahov f.60v & 64v

95v–96 Kyrie eleison - Anonymous

Kyrie eleison

Anonymous
Appears on: 95v–96
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie
96v–98 Missa Caput: Et in terra pax [Gloria] [G. DUFAY]
Appears on: 96v–98
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: [G. DUFAY]
Voice: [no designation]
Languages: Latin
Voice Text: [Missa Caput. Gloria] Et in terra
General Note

T: Caput.Publ. cf. La 238 n° 3

98v–100 Missa Salve sancta parens: Et in terra pax [Gloria] - Anonymous
Appears on: 98v–100
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Missa Salve sancta parens. Gloria] Et in terra
General Note

T: Gratias agimus tibi. Salve sancta parens.

100v–103 Missa Quem malignus spiritus: Et in terra pax [Gloria] - Anonymous
Appears on: 100v–103
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Missa Quem malignus spiritus. Gloria] Et in terra
General Note

T: Quem malignus spiritus et in terra.

103v–105 Missa Fuit homo missus a Deo: Et in terra pax [Gloria] - Anonymous
Appears on: 103v–105
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Missa Fuit homo missus a Deo. Gloria] Et in terra
General Note

T: Fuit homo missus a Deo.

Item Bibliography

Feininger, Laurence K (editor). 1947-. Documenta Polyphoniae Liturgieae Sanctae Ecclesiae Romanae.  Roma. Pages: I, n° 9 (attrib. à Leonel).

105v–108 Missa Sine nomine: Et in terra pax [Gloria] PYLOIS
Appears on: 105v–108
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: PYLOIS
Voice: [no designation]
Languages: Latin
Voice Text: [Missa.Gloria] Et in terra
General Note

Publ. cf. TRbc 87 n° 149

108v–110 Missa O quam suavis: Et in terra pax [Gloria] - Anonymous
Appears on: 108v–110
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Missa O quam suavis Gloria] Et in terra
110v–112 Gloria Rex saeculorum. Et in terra [J. DUNSTABLE ou L. POWER]
Appears on: 110v–112
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: [J. DUNSTABLE ou L. POWER]
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria Rex seculorum] Et in terra
General Note

Publ. cf. AOs n° 40

Item Bibliography

Besseler, Heinrich, and Peter Gülke. 1973. Musik des Mittelalters und der Renaissance. Lfg. 5. Schriftbild der mehrstimmigen Musik. Musikgeschichte in Bildern.  Leipzig. Pages: III/5.

112v–114 Alma redemptoris mater (IJD22) [L. POWER]
Appears on: 112v–114
Genres: Alma redemptoris mater, BVM, Motet
Source Attribution: [L. POWER]
Voice: [no designation]
Languages: Latin
Voice Text: [Missa Alma redemptoris. Gloria] Et in terra
General Note

T: Alma redemptoris [mater].Publ. cf. AOs n° 162

114v–116 Gloria Viri galilei. Et in terra - Anonymous
Appears on: 114v–116
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria Viri galilei] Et in terra
General Note

T: Et in terra. Viri Galüei.

116v–118 Et in terra pax [Gloria] [J. BENET]*
Appears on: 116v–118
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: [J. BENET]*
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Et in terra
Concordances

*D-brd-Mbs 14274

118v–120 Et in terra pax [Gloria] [BONNET]
Appears on: 118v–120
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: [BONNET]
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Et in terra
General Note

Publ. cf. AOs n° 155

120v–122 Gloria O preclara stella maris. Et in terra - Anonymous
Appears on: 120v–122
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria O preclara stella maris] Et in terra
General Note

T: Et in terra. O preclara stella maris.

123v–125 Missa Jacet granum: Et in terra [Gloria] -
Appears on: 123v–125
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria Jacet granum] Et in terra
General Note

T: Jacet granum oppressum palca.

125v–127 Gloria Paratur nobis. Et in terra - Anonymous
Appears on: 125v–127
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria. Paratur nobis] Et in terra
General Note

T: Et in terra. Paratur nobis.

127v–129 Et in terra pax [Gloria] - Anonymous
Appears on: 127v–129
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Et in terra
129v–130v Et in terra pax [Gloria] - Anonymous
Appears on: 129v–130v
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Et in terra

Item Bibliography

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: 61 (XXXI).

131v–132 Et in terra pax [Gloria] 'ad modum tubae' DUFAY
Appears on: 131v–132
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: DUFAY
Voice: [no designation]
Languages: Latin
Voice Text: Fuga duorum temporum. [Gloria ad modum tube]Et in terra
General Note

Publ.cf. AOs n° 78

132v–134 Et in terra pax [Gloria] - Anonymous
Appears on: 132v–134
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Et in terra
134v–135 Et in terra pax [Gloria] - Anonymous
Appears on: 134v–135
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Et in terra

Item Bibliography

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: 61 (XXXI).

135v–137 Gloria Ecce Maria - Et in terra - Anonymous
Appears on: 135v–137
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria Ecce Maria] Et in terra
General Note

T: Ecce Maria genuit nobis salvatorem.

137v–139v Gloria Cuius maledictione - Et in terra - Anonymous
Appears on: 137v–139v
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria Cujus maledictione] Et in terra
General Note

T: Et in terra. Cujus maledictione.

140v–141 Gloria Domine fili unigenite - Et in terra [J. DUNSTABLE]
Appears on: 140v–141
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: [J. DUNSTABLE]
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria Domine fili unigenite] Et in terra
General Note

T: Domine fili unigenite …

Item Bibliography

Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music.  London. Pages: VIII.

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: 61 (XXXI).

141v–142 Et in terra pax [Gloria] (iv/3.1) [G. DUFAY* ou H. DE LANTINS][
Appears on: 141v–142
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: [G. DUFAY* ou H. DE LANTINS][
Voice: [no designation]
Languages: Latin
Voice Text: Gloria] Et in terra
General Note

Publ. cf. AOs n° 32

Concordances

*GB-Ob 213

142v–143 Et in terra pax [Gloria] [J.FOREST* ou H.DE LANTINS]
Forest (?)
Appears on: 142v–143
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: [J.FOREST* ou H.DE LANTINS]
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Et in terra
Concordances

*D-brd-Mbs 3232

143v–145 Et in terra pax [Gloria] [J.DUNSTABLE ou L. POWER]
Appears on: 143v–145
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: [J.DUNSTABLE ou L. POWER]
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Et in terra
General Note

Publ. cf. AOs n» 195

145v–146 Et in terra pax [Gloria] [J. BRASSART]
Appears on: 145v–146
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: [J. BRASSART]
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Et in terra
General Note

Publ. cf. AOs n° 45

147v–148 Gloria-Credo 'Herdo': Gloria - Anonymous
Appears on: 147v–148
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria Herdo] Et in terra
General Note

T: Herdo herdo herdo herdo.

148v–150v Gloria Alma redemptoris mater - Et in terra - Anonymous
Appears on: 148v–150v
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria. Alma redemptoris mater] Et in terra
General Note

T et Ct: Alma redemptoris mater quepervia

151–152 Et in terra pax [Gloria] 'Spiritus et alme' [G. DUFAY]
Appears on: 151–152
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: [G. DUFAY]
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Et in terra
General Note

Tr: Spiritus et alme … Publ. cf. Bc 15 n° 136

Item Bibliography

Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.

152v–154 Gloria Spiritus alme - Anonymous
Appears on: 152v–154
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Et in terra
General Note

Tr: Spiritus et alme

154v–156 Et in terra pax [Gloria] (6vv) - Anonymous
Appears on: 154v–156
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Et in terra
General Note

Canon: Tenores unus post alium X temporibus fugant et superius similiter. Contratenores X temporibus fugando ut supra.

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 38.

156v–157v Et in terra pax [Gloria] - Anonymous
Appears on: 156v–157v
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Et in terra
158 Et in terra pax [Gloria] - Anonymous
Appears on: 158
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Et in terra
General Note

Hic tenor fugat discantum per unum tempus et incipit discantus.

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 38.

158v–160 Gloria-Credo pair 'Dixerunt discipuli': Gloria - Anonymous
Appears on: 158v–160
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria Dixerunt discipuli] Et in terra
General Note

T: Et in terra pax. Dixerunt discipuli.

160v–162v Gloria-Credo pair 'O patris sapientia': Gloria - Anonymous
Appears on: 160v–162v
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria O patris sapientia] Et in terra
General Note

T: Et in terra pax.O patris sapientia Veritas divina.

163v–165 Et in terra pax [Gloria] - Anonymous
Appears on: 163v–165
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Et in terra
165v–166 Missa sine nomine (Resvelliés vous): Et in terra pax [Gloria] [G. DUFAY]
Appears on: 165v–166
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: [G. DUFAY]
Voice: [no designation]
Languages: Latin
Voice Text: [Missa Sine nomine.Gloria] Et in terra
General Note

Incomplete & largely untexted; lacks 'Qui sedes' to end. Publ. cf. AOs n° 34

166v–167 Et in terra pax [Gloria] - Anonymous
Appears on: 166v–167
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Et in terra
168v–170 Missa Caput: Patrem omnipotentem [Credo] [G. DUFAY]
Appears on: 168v–170
Genres: Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: [G. DUFAY]
Voice: [no designation]
Languages: Latin
Voice Text: [Missa Caput. Credo] Patrem
General Note

T: Caput.Publ. cf. La 238 n° 3

170v–172 Missa Salve sancta parens: Patrem omnipotentem [Credo] - Anonymous
Appears on: 170v–172
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Missa Salve saneta parens. Credo] Patrem
General Note

T: Et in unum dominum. [Salve] sancta parens.

172v–174v Missa Quem malignus spiritus: Patrem omnipotentem [Credo] - Anonymous
Appears on: 172v–174v
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Missa Quem malìgnus spiritus.Credo] Patrem
General Note

T: Patrem. Quem malignus spiritus.

175v–177 Missa Fuit homo missus a Deo: Patrem omnipotentem [Credo] - Anonymous
Appears on: 175v–177
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Missa Fuit homo missus a Deo. Credo] Patrem
General Note

T: Patrem. Fuit homo.

Item Bibliography

Feininger, Laurence K (editor). 1947-. Documenta Polyphoniae Liturgieae Sanctae Ecclesiae Romanae.  Roma. Pages: I, n" 9 (attrib. à Leonel).

177v–179v Missa Sine nomine: Patrem omnipotentem [Credo] PYLOIS
Appears on: 177v–179v
Genres: Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: PYLOIS
Voice: [no designation]
Languages: Latin
Voice Text: [Credo] Patrem
General Note

also at 225v-227r, a third higher

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 41.

180v–182v Missa O quam suavis: Patrem omnipotentem [Credo] - Anonymous
Appears on: 180v–182v
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Missa O quam suavis. Credo] Patrem
General Note

T: Patrem O quam suavis est.

183v–186 Patrem omnipotentem [Credo] [J. BRASSART]
Appears on: 183v–186
Genres: Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: [J. BRASSART]
Voice: [no designation]
Languages: Latin
Voice Text: [Credo] Patrem
General Note

Publ. cf. AOs n° 41

186v–188 Patrem omnipotentem [Credo] -
Appears on: 186v–188
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Credo] Patrem
188v–189v Patrem omnipotentem [Credo] [J. BENET]*
Appears on: 188v–189v
Genres: Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: [J. BENET]*
Voice: [no designation]
Languages: Latin
Voice Text: [Credo] Patrem
Concordances

*D-brd-Mbs 14274

190v–193 Patrem omnipotentem [Credo] (iv/5) [G. DUFAY]
Appears on: 190v–193
Genres: Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: [G. DUFAY]
Voice: [no designation]
Languages: Latin
Voice Text: [Credo] Patrem
General Note

Publ. cf. AOs n° 84

193v–195 Patrem omnipotentem [Credo] [L. POWER]
Appears on: 193v–195
Genres: Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: [L. POWER]
Voice: [no designation]
Languages: Latin
Voice Text: [Credo] Patrem
General Note

Publ. cf. TRbc 87 n° 26

195v–197 Patrem omnipotentem [Credo] - Anonymous
Appears on: 195v–197
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Credo] Patrem
197v–198v Gloria-Credo 'Herdo': Credo - Anonymous
Appears on: 197v–198v
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Credo Herdo] Patrem
General Note

T: Herdo herdo herdo.

200–202 Patrem omnipotentem [Credo] [G. DUFAY]
Appears on: 200–202
Genres: Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: [G. DUFAY]
Voice: [no designation]
Languages: Latin
Voice Text: [Credo] Patrem
General Note

Publ. cf. AOs n» 33

202v–204v Patrem omnipotentem [Credo] -
Appears on: 202v–204v
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Credo] Patrem

Item Bibliography

Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music.  London. Pages: VIII le éd. (attrib. à J. Dunstable).

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: 61 (XXXI).

205v–207 Patrem omnipotentem [Credo] [DE ANGLIA]
Appears on: 205v–207
Genres: Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: [DE ANGLIA]
Voice: [no designation]
Languages: Latin
Voice Text: [Credo] Patrem
207v–209 Patrem omnipotentem [Credo] - Anonymous
Appears on: 207v–209
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Credo] Patrem
209v–212 Patrem omnipotentem [Credo] - Anonymous
Appears on: 209v–212
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Credo] Patrem
212v–213 Patrem omnipotentem [Credo] [R. DE LOQUEVILLE]
Appears on: 212v–213
Genres: Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: [R. DE LOQUEVILLE]
Voice: [no designation]
Languages: Latin
Voice Text: [Credo] Patrem
General Note

Publ. cf. AOs n° 90

213v–216 Missa Laetare Jerusalem. Patrem omnipotentem [Credo] - Anonymous
Appears on: 213v–216
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Credo.Letare Jerusalem] Patrem
General Note

T: Patrem. Letare Jerusalem et conventum facite.

216v–219 Gloria-Credo pair 'Dixerunt discipuli': Credo - Anonymous
Appears on: 216v–219
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Credo Dixerunt discipuli] Patrem
General Note

T: Patrem. Dixerunt discipuli.

219v–221 Credo Homo quidam - Anonymous

Credo Homo quidam

Anonymous
Appears on: 219v–221
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Credo Homo quidam] Patrem
General Note

T: Patrem. Homo quidam fecit.

221v–223 Gloria-Credo pair 'O patris sapientia': Credo - Anonymous
Appears on: 221v–223
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Credo O patris sapientia] Patrem
General Note

T: O patris sapientia.

223v–225 Patrem omnipotentem [Credo] - Anonymous
Appears on: 223v–225
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Credo] Patrem
225v–227 Missa Sine nomine: Patrem omnipotentem [Credo] (J.PYLLOIS]
Appears on: 225v–227
Genres: Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: (J.PYLLOIS]
Voice: [no designation]
Languages: Latin
Voice Text: Credo] Patrem
General Note

[incompl.] Publ. cf. TRbc 87 n° 150 Transposed to F; also at 177v-179v, a third lower (in D)

227v–228 Christ ist erstanden -
Appears on: 227v–228
Genres: Hymn, Motet, Sacred Song
Voice: [no designation]
Languages: German
Voice Text: Crist ist erstanden.

Item Bibliography

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: 14/15 (VII).

228v–230 Missa Caput: Sanctus [G. DUFAY]
Appears on: 228v–230
Genres: Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: [G. DUFAY]
Voice: [no designation]
Languages: Latin
Voice Text: [Missa Caput] Sanctus
General Note

T lus: Sanctus Caput. Publ. cf. La 238 n° 3

230v–232 Missa Salve sancta parens: Sanctus - Anonymous
Appears on: 230v–232
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: [Missa Salve sancta parens] Sanctus
General Note

T: Salve sancta parens.

232v–234 Missa Salve sancta parens: Agnus Dei - Anonymous
Appears on: 232v–234
Genres: Agnus Dei, Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Missa Salve sancta parens] Agnus dei
General Note

T: Qui tollis sancta parens.

Item Bibliography

Marrocco, W. Thomas, and Nicholas Sandon (editors). 1977. The Oxford Anthology of Music: Medieval Music.  London.

234v–236 Missa Quem malignus spiritus: Sanctus - Anonymous
Appears on: 234v–236
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: [Missa Quem malignus spiritus] Sanctus
General Note

T: Quem malignus.

237v–239 Missa Quem malignus spiritus: Agnus Dei - Anonymous
Appears on: 237v–239
Genres: Agnus Dei, Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Missa Quem malignus spiritus Agnus Dei
General Note

T: Quem malignus spiritus.

239v–241 Missa Fuit homo missus a Deo: Sanctus - Anonymous
Appears on: 239v–241
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: [Missa Fuit homo missus a Deo] Sanctus
General Note

T: Sanctus. Fuit homo missus.

Item Bibliography

Feininger, Laurence K (editor). 1947-. Documenta Polyphoniae Liturgieae Sanctae Ecclesiae Romanae.  Roma. Pages: I, n" 9 (attrib. à Leonel).

241v–242v Missa Sine nomine: Sanctus -
Appears on: 241v–242v
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: [Missa] Sanctus
General Note

Publ. cf. TRbc 87 n° 151 (attrib. à J. Pyllois dans CMM41)

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 41.

243–244 Missa Sine nomine: Agnus Dei [J. PYLLOIS]
Appears on: 243–244
Genres: Agnus Dei, Mass Ordinary
Source Attribution: [J. PYLLOIS]
Voice: [no designation]
Languages: Latin
Voice Text: [Missa]Agnus dei
General Note

Publ. cf. TRbc 87 n° 152

244v–246 Missa O quam suavis: Sanctus - Anonymous
Appears on: 244v–246
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: [Missa O quam suavis] Sanctus
General Note

T: Sanctus. O quam suavis.

246v–248 Sanctus - Anonymous

Sanctus

Anonymous
Appears on: 246v–248
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus
249–250 Sanctus BENET
Appears on: 249–250
Genres: Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: BENET
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus
General Note

T: Sanctus. Jacet granum.

250v–254 Missa Anthoni / Missa Avecu: Sanctus - Anonymous
Appears on: 250v–254
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus
254v–246 Sanctus DUMPSTABL [ou J.BENET ou L. POWER]
Appears on: 254v–246
Genres: Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: DUMPSTABL [ou J.BENET ou L. POWER]
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus
General Note

Publ. cf. AOs n» 145

256v–257 Agnus Dei [J. BENETou L. POWER]
Appears on: 256v–257
Genres: Agnus Dei, Mass Ordinary
Source Attribution: [J. BENETou L. POWER]
Voice: [no designation]
Languages: Latin
Voice Text: Agnus Dei
General Note

Publ. cf. AOs n° 154

258–260 Sanctus - Anonymous

Sanctus

Anonymous
Appears on: 258–260
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus
General Note

T: Sanctus. Regnum mundi.

260v–261 Sanctus - Anonymous

Sanctus

Anonymous
Appears on: 260v–261
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus
262–263 Agnus Dei - Anonymous

Agnus Dei

Anonymous
Appears on: 262–263
Genres: Agnus Dei, Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Agnus dei
263v–264 Sanctus - Anonymous

Sanctus

Anonymous
Appears on: 263v–264
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus
265–266v Sanctus [SORBI]
Appears on: 265–266v
Genres: Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: [SORBI]
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus

Item Bibliography

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: 61 (XXXI).

267 Sanctus [Kaye 4a] [G. BINCHOIS]
Appears on: 267
Genres: Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: [G. BINCHOIS]
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus
General Note

Publ. cf. AOs n» 127

267v–268 Agnus Dei [Kaye 4b] [G. BINCHOIS]
Appears on: 267v–268
Genres: Agnus Dei, Mass Ordinary
Source Attribution: [G. BINCHOIS]
Voice: [no designation]
Languages: Latin
Voice Text: Agnus dei
General Note

Publ. cf. AOs n° 128

268v–269 Sanctus Benedictus Marie fìlius - Anonymous
Appears on: 268v–269
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus [Benedictus] Marie fìlius
269v–270 Agnus Dei - Anonymous

Agnus Dei

Anonymous
Appears on: 269v–270
Genres: Agnus Dei, Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Agnus dei
272 Missa Jacet granum: Sanctus -
Appears on: 272
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus [Jacet granum]
General Note

T: Sanctus: Jacet granum.

272v–273v Agnus Dei 'Paratur nobis' - Anonymous
Appears on: 272v–273v
Genres: Agnus Dei, Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Agnus dei
274v–275v Sanctus Rex saeculorum LEONELL
Appears on: 274v–275v
Genres: Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: LEONELL
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus [Rex seculorum]

Item Bibliography

Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music.  London. Pages: VIII (attrib. à J. Dunstable).

276–276v Agnus Dei [rex saeculorum] -
Appears on: 276–276v
Genres: Agnus Dei, Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Agnus dei
277–279v Sanctus 'Papale' Ave verum corpus [G. DUFAY]
Appears on: 277–279v
Genres: Mass Ordinary, Sanctus [& Benedictus], Troped Sanctus
Source Attribution: [G. DUFAY]
Voice: [no designation]
Languages: Latin
Voice Text: [Sanctus] Ave verum corpus natum de Maria virgine.
General Note

Publ. cf. Bc 15 n° 106

Item Bibliography

Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.

280–282 Sanctus -
Appears on: 280–282
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus
General Note

[Benedictus] Marie fìlius qui venit

282v Nesciens virgo / Parle qui parler - Anonymous
Appears on: 282v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Nesciens virgo/Parle qui parler

Item Bibliography

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: 22 (XI).

283 Altissimi Dei filius - Anonymous
Appears on: 283
Genres: Contrafactum
Voice: [no designation]
Languages: Latin
Voice Text: Altissimi dei filius
283v–284 Sancta Maria succurre [= So ys emprentid] -
Appears on: 283v–284
Genres: Contrafactum, Motet
Voice: [no designation]
Languages: Latin
Voice Text: Sancta Maria succurre [= Soys emprentid]
Concordances

*US-Wc 25 **US-NH

General Note

[=Suis (soyez) aprentis en amours]* [= So ys emprentid my remembrance]** [= Pour une suis desconforté]Publ. cf. Fn 176 n° 43

Item Bibliography

Besseler, Heinrich, and Peter Gülke. 1973. Musik des Mittelalters und der Renaissance. Lfg. 5. Schriftbild der mehrstimmigen Musik. Musikgeschichte in Bildern.  Leipzig. Pages: III/5 facs.

284v Ibo mihi ad montem -
Appears on: 284v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Ibo mihi ad montem

Item Bibliography

Scott, Ann Besser. 1972. Ibo michi ad montem mirre: a new motet by Plummer? The Musical Quarterly, 543ff. Pages: (attrib. à J. Plummer).

284v–285 Veni de libano -
Appears on: 284v–285
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Veni de Libano
285v untexted - -
Appears on: 285v
Genres: textless
Voice: [no designation]
Languages: none
Voice Text: without text
General Note

Publ. cf. PAVu 362 n» 1

286v Terriblement suis fortunée - Anonymous
Appears on: 286v
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Terriblement [suis fortunée]
General Note

[entièrement barré]

286v–287v Victimae paschali laudes immolent Christiani Agnus redemit oves Christus innocens PYLLOIS
Appears on: 286v–287v
Genres: Sequence
Source Attribution: PYLLOIS
Voice: [no designation]
Languages: Latin
Voice Text: Victimae paschali laudes

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 41.

288 Salva nos Domine vigilantes custodi nos DUFAY
Appears on: 288
Genres: Motet
Source Attribution: DUFAY
Voice: [no designation]
Languages: Latin
Voice Text: Salva nos domine

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, V.

288v–290 Magnificat primi toni: Et exultavit [K.131] - Anonymous
Appears on: 288v–290
Genres: BVM, Canticle, Magnificat
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat]. Primi toni.Et exultavit
General Note

Versets pairs

290v–291 Se belle BENIGUN[= ANGLICUM*= BEDYNGHAM?]
Appears on: 290v–291
Genres: Secular
Source Attribution: BENIGUN[= ANGLICUM*= BEDYNGHAM?]
Voice: [no designation]
Languages: French
Voice Text: [Se belle]*
Concordances

*D-brd-Mbs 352b EDM38

290v–291 untexted - -
Appears on: 290v–291
Genres: textless
Voice: [no designation]
Languages: none
Voice Text: without text
291v–292 Alleluia. Anthoni compar inclite [1a pars] -
Appears on: 291v–292
Genres: Alleluia, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Anthoni compar inclite
292–293 Avertissiez vostre doulx euil - Anonymous
Appears on: 292–293
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: [Avertissiez vostre doulx euil]*
General Note

T:[Averte óculos] En marge: Bis his vicibus canitur se. prima quaterne sit similis recte dissimiles relique que per diapason discernuntur dyapente ducte prudenter ordine retrogradendo.Ct:Ut cancer graditur in cont.quem tenebis

Concordances

*E-E IVa 24

Item Bibliography

Kultzen, Brigitte. 1956. Der Codex Escorial IV.a.24: Übertragung, Katalog, Historische Einordnung einer Chansonsammlung aus der zweiten Hälfte des 15. Jahrhunderts. University of Hamburg, Unpublished Ph.D. dissertation.

292v–293 Magnificat Sexti Toni: Et exultavit [K.308] - Anonymous
Appears on: 292v–293
Genres: BVM, Canticle, Magnificat
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat] Sexti toni. Et exultavit
General Note

Versets pairs.

293v–294 Victimae paschali laudes immolent Christiani Agnus redemit oves Christus innocens - Anonymous
Appears on: 293v–294
Genres: Sequence
Voice: [no designation]
Languages: Latin
Voice Text: Victimae paschali laudes
294v–294 Mein Herz in staten treuen. - Anonymous
Appears on: 294v–294
Genres: Song
Voice: [no designation]
Languages: German
Voice Text: Mein hertz in staten trewen.

Item Bibliography

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: 22 (XI).

295 untexted JOYE
Appears on: 295
Genres: textless
Source Attribution: JOYE
Voice: [no designation]
Languages: none
Voice Text: without text

Item Bibliography

Marrocco, W. Thomas, and Nicholas Sandon (editors). 1977. Medieval Music.  London.

295v–295 Terribilis est locus iste LUDOVICUS KRAFFT
Appears on: 295v–295
Genres: Introit, Proper
Source Attribution: LUDOVICUS KRAFFT
Voice: [no designation]
Languages: Latin
Voice Text: Terribilis est locus iste
296 Se ung peu desperance avoye PYLLOIS
Appears on: 296
Genres: Chanson
Source Attribution: PYLLOIS
Voice: [no designation]
Languages: French
Voice Text: [Se un peu d'esp√(c)rance avais]*
Concordances

*F-Pn 15123

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 41.

296v Resone unice genito / Puisque fortune PYLLOIS
Appears on: 296v
Genres: Motet
Source Attribution: PYLLOIS
Voice: [no designation]
Languages: Italian
Voice Text: Resone unice genito/Puisque fortune
General Note

T: Puisque fortune.

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 41.

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: 22 (XI).

297 Pour prison PYLLOIS
Appears on: 297
Genres: Chanson
Source Attribution: PYLLOIS
Voice: [no designation]
Languages: Latin
Voice Text: Pour prison.

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 41.

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: 14/15 (VII).

297v untexted W. DE SALICE
Appears on: 297v
Genres: textless
Source Attribution: W. DE SALICE
Voice: [no designation]
Languages: none
Voice Text: without text
298 Las je ne puis oir nouvelle = Unicus Dei filius JO. LEGRAJVT
Appears on: 298
Source Attribution: JO. LEGRAJVT
Voice: [no designation]
Languages: Latin
Voice Text: Unicus Dei filius
General Note

T: Las je ne [puis]

Item Bibliography

Kultzen, Brigitte. 1956. Der Codex Escorial IV.a.24: Übertragung, Katalog, Historische Einordnung einer Chansonsammlung aus der zweiten Hälfte des 15. Jahrhunderts. University of Hamburg, Unpublished Ph.D. dissertation. Pages: II.

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 11, II.

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: 22 (XI);.

298v–299 Ave regina caelorum I [W. FRYE]*
Appears on: 298v–299
Genres: BVM
Source Attribution: [W. FRYE]*
Voice: [no designation]
Languages: Latin
Voice Text: Ave regina caelorum
General Note

Publ. cf. Fn 112bis n° 27

Concordances

*D-brd-Mbs 3232

299v–300 Dicant nunc Judaei - Anonymous

Dicant nunc Judaei

Anonymous
Appears on: 299v–300
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Dicant nunc Iudaei
300v Les larmes JO. PYLLOIS
Appears on: 300v
Genres: Chanson
Source Attribution: JO. PYLLOIS
Voice: [no designation]
Languages: French
Voice Text: Les larmes.

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 41.

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: 22 (XI).

301 Quelque langage que je die PYLLOIS
Appears on: 301
Genres: Chanson
Source Attribution: PYLLOIS
Voice: [no designation]
Languages: French
Voice Text: Queque langage.

Item Bibliography

Kultzen, Brigitte. 1956. Der Codex Escorial IV.a.24: Übertragung, Katalog, Historische Einordnung einer Chansonsammlung aus der zweiten Hälfte des 15. Jahrhunderts. University of Hamburg, Unpublished Ph.D. dissertation.

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 41.

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: 22 (XI.

301v De ma dame = O pastor aeterne = O beata Maria filia Dei -
Appears on: 301v
Genres: Chanson, Contrafactum, Motet, Rondeau
Voice: [no designation]
Languages: French
Voice Text: De ma dame.
General Note

[=O beata Maria]*

Concordances

*D-brd-Mbs 3232

Item Bibliography

Kultzen, Brigitte. 1956. Der Codex Escorial IV.a.24: Übertragung, Katalog, Historische Einordnung einer Chansonsammlung aus der zweiten Hälfte des 15. Jahrhunderts. University of Hamburg, Unpublished Ph.D. dissertation.

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 41 (attrib. à J. Pyllois).

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: Pyllois); DTÖ 22 (XI).

302 Je ne puis plus -
Appears on: 302
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Je ne puis.

Item Bibliography

Kultzen, Brigitte. 1956. Der Codex Escorial IV.a.24: Übertragung, Katalog, Historische Einordnung einer Chansonsammlung aus der zweiten Hälfte des 15. Jahrhunderts. University of Hamburg, Unpublished Ph.D. dissertation. Pages: (avec variantes).

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: (attrib. à J. Pyllois).

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: 22 (XI);.

302v La douleur est dure. - Anonymous
Appears on: 302v
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: La douleur est dure.

Item Bibliography

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: 22 (XI).

303 Adieu quitte le demeurant de ma vie DUFFAY
Appears on: 303
Genres: Chanson, Rondeau
Source Attribution: DUFFAY
Voice: [no designation]
Languages: French
Voice Text: Adyeu quitte le demeurant de ma vie.

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, VI.

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: 22 (XI).

303v–304 La bonté du Saint Esprit [J. PYLLOIS]*
Appears on: 303v–304
Genres: Chanson
Source Attribution: [J. PYLLOIS]*
Voice: [no designation]
Languages: French
Voice Text: La bont√(c) [du Saint Esprit]
Concordances

. *E-E IVa 24

Item Bibliography

Kultzen, Brigitte. 1956. Der Codex Escorial IV.a.24: Übertragung, Katalog, Historische Einordnung einer Chansonsammlung aus der zweiten Hälfte des 15. Jahrhunderts. University of Hamburg, Unpublished Ph.D. dissertation.

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 41.

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: 22 (XI);.

304 Globus igneus = Quelque chose a venir JO. PYLLOYS
Appears on: 304
Genres: Contrafactum
Source Attribution: JO. PYLLOYS
Voice: [no designation]
Languages: Latin
Voice Text: Globus igneus [= Quelque cose]
General Note

[=Quelque cose]*

Concordances

*E-E rVa 24

Item Bibliography

Kultzen, Brigitte. 1956. Der Codex Escorial IV.a.24: Übertragung, Katalog, Historische Einordnung einer Chansonsammlung aus der zweiten Hälfte des 15. Jahrhunderts. University of Hamburg, Unpublished Ph.D. dissertation.

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 41.

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: 22 (XI).

304v untexted - -
Appears on: 304v
Genres: textless
Voice: [no designation]
Languages: none
Voice Text: without text
305 La merchi dieu et ma dame. - Anonymous
Appears on: 305
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: La merchi dieu et ma dame.

Item Bibliography

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: 22 (XI).

305v–307 Salve regina mater misericordiae - Anonymous
Appears on: 305v–307
Genres: BVM, Motet, Salve Regina
Voice: [no designation]
Languages: Latin
Voice Text: Salve regina
General Note

Tr: Virgo mater ecclesiePubl. cf. Fn 112bis n° 32

307v untexted - -
Appears on: 307v
Genres: textless
Voice: [no designation]
Languages: none
Voice Text: without text
307v–308 Par desplaisir tout plain d'anoy - Anonymous
Appears on: 307v–308
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: [Par desplaisir tout plain d'anoy]*
Concordances

*E-E IVa 24

Item Bibliography

Kultzen, Brigitte. 1956. Der Codex Escorial IV.a.24: Übertragung, Katalog, Historische Einordnung einer Chansonsammlung aus der zweiten Hälfte des 15. Jahrhunderts. University of Hamburg, Unpublished Ph.D. dissertation.

308v–309 So ys emprentid [W. FRYE** ou BEDINGHAM]
Appears on: 308v–309
Genres: Chanson
Source Attribution: [W. FRYE** ou BEDINGHAM]
Voice: [no designation]
Languages: Latin
Voice Text: [= Soys emprentid]
General Note

[= suis (soyez) aprentis en amours]* [= So ysemprentid in my remembrance]** [= Pour une suis desconforté]Publ. cf. Fn 176 n° 43

Concordances

*US-Wc 25 **US-NH

309v–310 Descendi in ortum meum ut viderem [J. PLUMMER]
Appears on: 309v–310
Genres: Motet
Source Attribution: [J. PLUMMER]
Voice: [no designation]
Languages: Latin
Voice Text: Descendi in hortum meum
General Note

Publ. cf. MOe X 1.11 n° 105

310v–311 Missa Soyes emprentid: Kyrie W. DE ROUGE
Appears on: 310v–311
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: W. DE ROUGE
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa Soyez emprentid] Kyrie

Item Bibliography

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: 120 (avec facs.).

311v–313 Missa Soyes emprentid: Et in terra pax [Gloria] [W. DE ROUGE]
Appears on: 311v–313
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: [W. DE ROUGE]
Voice: [no designation]
Languages: Latin
Voice Text: [Missa Soyez emprentid.Gloria] Et in terra

Item Bibliography

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: 120.

313v–315 Missa Soyes emprentid: Credo [Patrem omnipotentem [W. DE ROUGE]
Appears on: 313v–315
Genres: Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: [W. DE ROUGE]
Voice: [no designation]
Languages: Latin
Voice Text: [Missa Soyez emprentid.Credo] Patrem

Item Bibliography

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: 120.

315v–317 Missa Soyes emprentid: Sanctus [W. DE ROUGE]
Appears on: 315v–317
Genres: Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: [W. DE ROUGE]
Voice: [no designation]
Languages: Latin
Voice Text: [Missa Soyez emprentid] Sanctus

Item Bibliography

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: 120.

317v–318 Missa Soyes emprentid: Agnus Dei [W. DE ROUGE]
Appears on: 317v–318
Genres: Agnus Dei, Mass Ordinary
Source Attribution: [W. DE ROUGE]
Voice: [no designation]
Languages: Latin
Voice Text: [Missa Soyez emprentid] Agnus dei

Item Bibliography

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: 120.

318v–321 Missa Anthoni / Missa Avecu: Et in terra pax [Gloria] - Anonymous
Appears on: 318v–321
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Et in terra
321v–324 Missa Anthoni / Missa Avecu: Patrem omnipotentem [Credo] - Anonymous
Appears on: 321v–324
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Credo] Patrem
324v–326v Salve regina mater misericordiae - Anonymous
Appears on: 324v–326v
Genres: BVM, Motet, Salve Regina
Voice: [no designation]
Languages: Latin
Voice Text: Salve regina

Item Bibliography

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: 53 (XXVII).

327–328 Magnificat quarti toni: Et exultavit [K.244] - Anonymous
Appears on: 327–328
Genres: BVM, Canticle, Magnificat
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat] 4i toni. Et exultavit
General Note

Versets pairs.

328v–329 Magnificat secundi toni: Anima mea [K.617] [G. BINCHOIS]
Appears on: 328v–329
Genres: BVM, Canticle, Magnificat
Source Attribution: [G. BINCHOIS]
Voice: [no designation]
Languages: Latin
Voice Text: Magnificat] Et exultavit
General Note

Versets pairs.Publ. cf. Fn 112bis n° 21

330 [Urbs beata Jerusalem] Nova veniens - Anonymous
Appears on: 330
Genres: Hymn
Voice: [no designation]
Languages: Latin
Voice Text: Nova veniens/Urbs beata
330v–331v Magnificat sexti toni: Anima mea [K.749] [G. DUFAY ou J. DUNSTABLE* ou G. BINCHOIS]
Appears on: 330v–331v
Genres: BVM, Canticle, Magnificat
Source Attribution: [G. DUFAY ou J. DUNSTABLE* ou G. BINCHOIS]
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat] 6i toni. Et exultavit
General Note

Versets pairs.Publ. cf. Bc 15 n° 162

Concordances

*D-brd-Mbs 3232

332–333 Magnificat Primi Toni: Et exultavit [K.132] - Anonymous
Appears on: 332–333
Genres: BVM, Canticle, Magnificat
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat] Primi toni. Et exultavit
General Note

Versets pairs

333v Magnificat secundi toni: Et exultavit [K.193] - Anonymous
Appears on: 333v
Genres: BVM, Canticle, Magnificat
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat] Et exultavit
General Note

Versets pairs.

334v Pange lingua gloriosa - Anonymous
Appears on: 334v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Pange lingua gloriosa

Item Bibliography

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: 53(XXVII).

334v–335 Anima mea - 1a pars (of 3): Anima mea liquefacta est FOREST in agone composuit
Appears on: 334v–335
Genres: Motet
Source Attribution: FOREST in agone composuit
Voice: [no designation]
Languages: Latin
Voice Text: Anima mea liquefacta est
General Note

Publ. cf. TRbc 89 n° 127

335v–337 Beata Dei genitrix (2p. Subveni clamantibus 3p. Sola sine exemplo) [G.BINCHOIS ou J.DUNSTABLE]
Appears on: 335v–337
Genres: Motet
Source Attribution: [G.BINCHOIS ou J.DUNSTABLE]
Voice: [no designation]
Languages: Latin
Voice Text: Beata dei genitrix Maria
General Note

PAscr. anonymous; ubl. cf. AOs n" 121

337v–338 Qualis est dilectus meus / O pulcherima mulierum [J.PLUMMER ou J. FOREST*]
Forest (?)
Appears on: 337v–338
Genres: Motet
Source Attribution: [J.PLUMMER ou J. FOREST*]
Voice: [no designation]
Languages: Latin
Voice Text: Qualis est dilectus meus
General Note

Anonymous, Publ. cf. MOe X.l.ll n° 107

Concordances

*GB-Lbm 57950

338v–340 Tota pulchra es amica mea et macula [J. PLUMMER]
Appears on: 338v–340
Genres: Motet
Source Attribution: [J. PLUMMER]
Voice: [no designation]
Languages: Latin
Voice Text: Tota pulchra es amica mea
General Note

Here anonymous; Publ. cf. MOe X.l.ll n» 120

340v–341 Sancta Maria succurre miseris [J.DUNSTABLE]
Appears on: 340v–341
Genres: Motet
Source Attribution: [J.DUNSTABLE]
Voice: [no designation]
Languages: Latin
Voice Text: Sancta Maria succurre miseris
General Note

Here anonymous; Publ. cf. AOs n' 148

341v–342 Alma redemptoris mater [J. FOREST]
Appears on: 341v–342
Genres: Alma redemptoris mater, BVM, Motet
Source Attribution: [J. FOREST]
Voice: [no designation]
Languages: Latin
Voice Text: Alma redemptoris mater
General Note

Publ. cf. AOs n° 147

342v Quam pulchra es -
Appears on: 342v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Quam pulchra es
344 Ave maris stella / Ave Katherina - Anonymous
Appears on: 344
Genres: Ave maris stella, BVM, Motet
Voice: [no designation]
Languages: Latin
Voice Text: Ave maris stella
General Note

Publ. cf. TRbc 89 n- 1

Concordances

Tr.89, 1r as here 'Ave maris stella' Strahov 276r 'Ave Katherina'

344v So lang so mir in meinem sijnn PYLLOIS [ou W. BRAXATORIS*]
Appears on: 344v
Genres: Song
Source Attribution: PYLLOIS [ou W. BRAXATORIS*]
Voice: [no designation]
Languages: German
Voice Text: So lang so mir in meinem sijnn
Concordances

*E-E rVa 24

Item Bibliography

Kultzen, Brigitte. 1956. Der Codex Escorial IV.a.24: Übertragung, Katalog, Historische Einordnung einer Chansonsammlung aus der zweiten Hälfte des 15. Jahrhunderts. University of Hamburg, Unpublished Ph.D. dissertation.

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 41.

Blume, Friedrich, and Kurt Gude (editors). 1929-79. Das Chorwerk.  Wolfenbüttel/Berlin. Pages: 45.

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: 22 (XI).

345 So lang so mir in meinem sijnn PYLLOIS [ou W. BRAXATORIS*]
Appears on: 345
Genres: Song
Source Attribution: PYLLOIS [ou W. BRAXATORIS*]
Voice: [no designation]
Languages: German
Voice Text: So lang so mir in meinem sijnn
345v untexted CONSTANS
Appears on: 345v
Genres: textless
Source Attribution: CONSTANS
Voice: [no designation]
Languages: none
Voice Text: without text

Item Bibliography

Marrocco, W. Thomas, and Nicholas Sandon (editors). 1977. Medieval Music.  London.

346 So lieb geschieht. - Anonymous

So lieb geschieht.

Anonymous
Appears on: 346
Genres: Song
Voice: [no designation]
Languages: German
Voice Text: So lieb geschieht.

Item Bibliography

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: 14/15 (VII).

346v–348 In exitu Israel de Aegypto domus Jacob [G.BINCHOIS]
Appears on: 346v–348
Genres: Benedicamus Domino
Source Attribution: [G.BINCHOIS]
Voice: [no designation]
Languages: Latin
Voice Text: In exitu Israel de Aegypto domus Iacob
General Note

Publ. cf. Fn 112bis n° 1

348v–349 Missa [de BMV]: Sanctus [H. TIK]
Appears on: 348v–349
Genres: Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: [H. TIK]
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus
350–351 Virgo mater ecclesiae - Anonymous
Appears on: 350–351
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Virgo mater ecclesiae

Item Bibliography

Cattin, Giulio. 1978. Virgo Mater Ecclesiae: Un Tropo alla Salve Regina nelle Fonti Monodiche e Polifoniche dei Sec. XIV-XV. L'Ars Nova Italiana del Trecento IV,

352v–352 Je ne vis oncques la pareille de vous [G.BINCHOIS* ou G. DUFAY]
Appears on: 352v–352
Genres: Chanson
Source Attribution: [G.BINCHOIS* ou G. DUFAY]
Voice: [no designation]
Languages: French
Voice Text: Je ne vis onques la pareille de vous • •
General Note

Publ. cf. Fn 176 n° 34

Concordances

*F-Pn 57

353 N'esse pas bien pour dragier - Anonymous
Appears on: 353
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Nesse pas bien pour dragier

Item Bibliography

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: 22 (XI).

353v Tresoriere de plaisir amoureux - Anonymous
Appears on: 353v
Genres: Rondeau
Voice: [no designation]
Languages: French
Voice Text: Tressorier de Plasio. [sic pour: Tr√(c)sorierede plaisir amoureux]
General Note

[=Sancta Maria]*

Concordances

*D-brd-Mbs 3232

Item Bibliography

Kultzen, Brigitte. 1956. Der Codex Escorial IV.a.24: Übertragung, Katalog, Historische Einordnung einer Chansonsammlung aus der zweiten Hälfte des 15. Jahrhunderts. University of Hamburg, Unpublished Ph.D. dissertation.

354 Gloria laus et honor - Anonymous
Appears on: 354
Genres: Hymn
Voice: [no designation]
Languages: Latin
Voice Text: Gloria laus et honor
354v–356 Et in terra pax [Gloria] - Anonymous
Appears on: 354v–356
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Et in terra
356 untexted - -
Appears on: 356
Genres: textless
Voice: [no designation]
Languages: none
Voice Text: without text
357 untexted - -
Appears on: 357
Genres: textless
Voice: [no designation]
Languages: none
Voice Text: without text
357v Canon retrograde untexted - -
Appears on: 357v
Genres: Canon, textless
Voice: Canon
Languages: none

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 38.

358 En un gent = Virgo verbo concepit - Anonymous
Appears on: 358
Genres: Contrafactum
Voice: [no designation]
Languages: French
Voice Text: Virgo verbo concepit [= En ung gent]
358v Le serviteur hault guerdonné assovy [G. DUFAY ?]
Appears on: 358v
Genres: Chanson, Rondeau
Source Attribution: [G. DUFAY ?]
Voice: [no designation]
Languages: Latin
Voice Text: Superno nunc emittitur [= Le serviteur]
General Note

[=1 sol tuo servitor]*Publ. cf. Fr 2794 n° 19

Concordances

*F-Pn 15123

359–362 Et in terra pax [Gloria] HAINRICUS COLLIS
Appears on: 359–362
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: HAINRICUS COLLIS
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Et in terra
361v–362 O rosa bella, o Deitatis cella (= O quam suavis est domina) [J. DUNSTABLE]
Appears on: 361v–362
Genres: Motet
Source Attribution: [J. DUNSTABLE]
Voice: [no designation]
Languages: Latin
Voice Text: O rosa bella
General Note

[avec 3vx. ajoutées à la chanson originale, différentes de celles de Bedingham]«Secundus contratenor concordans cum ceteris vocibus» Publ. cf. MC 871 n° 81

362v–363 O rosa bella - Anonymous

O rosa bella

Anonymous
Appears on: 362v–363
Genres: Italian secular
Voice: [no designation]
Languages: Latin
Voice Text: O rosa bella.
Concordances

The setting at 362-363, or that at 369, is concordant with settings in the Schedelsches Liederbuch (Cgm. 810), Perugia MS 431 (G20) and Munich Clm 5023 - - to be checked

Item Bibliography

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: 14/15 (VII).

363v–364 untexted - -
Appears on: 363v–364
Genres: textless
Voice: [no designation]
Languages: none
Voice Text: without text
364 Ave maris stella - Anonymous

Ave maris stella

Anonymous
Appears on: 364
Genres: Ave maris stella, BVM, Hymn
Voice: [no designation]
Languages: Latin
Voice Text: Ave maris stella

Item Bibliography

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: 53 (XXVII).

364v O beate Sebastiane - Anonymous

O beate Sebastiane

Anonymous
Appears on: 364v
Genres: Ballade
Voice: [no designation]
Languages: Latin
Voice Text: O beate Sebastiane
365 Craindre vous vueil doulce damme de pris G.DUFFAY
Appears on: 365
Genres: Chanson, Rondeau
Source Attribution: G.DUFFAY
Voice: [no designation]
Languages: French
Voice Text: Craindre vous vueil
General Note

[= Regina celi]* [=Bone pastor]**

Concordances

*SA-Csa 12 **D-brd-Mbs 3232

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, VI.

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: 14/15 (VII).

365v–366 Jube Domine - Anonymous

Jube Domine

Anonymous
Appears on: 365v–366
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Iube domine
366v–368v Salve regina mater misericordiae DUNSTAPLE [ou L.POWER]
Appears on: 366v–368v
Genres: BVM, Motet, Salve Regina
Source Attribution: DUNSTAPLE [ou L.POWER]
Voice: [no designation]
Languages: Latin
Voice Text: Salve regina
General Note

Tr: Virgo mater.Publ. cf. AOs n' 152

369 Diana lux serena JO. GAIUS
Appears on: 369
Genres: Motet
Source Attribution: JO. GAIUS
Voice: [no designation]
Languages: Latin
Voice Text: Diana lux serena
369v O rosa bella - Anonymous

O rosa bella

Anonymous
Appears on: 369v
Genres: Italian secular
Voice: [no designation]
Languages: Latin
Voice Text: O rosa bella
General Note

Publ. cf. PEco 431 n« 57

Concordances

The setting at 362-363, or that at 369, is concordant with settings in the Schedelsches Liederbuch (Cgm. 810), Perugia MS 431 (G20) and Munich Clm 5023 - - to be checked

370–370v Magnificat sexti toni: Et exultavit [K.309] - Anonymous
Appears on: 370–370v
Genres: BVM, Canticle, Magnificat
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat] Sexti toni. Et exultavit
General Note

Versets pairs.

371 Se mon flagolet joli - Anonymous
Appears on: 371
Genres: Secular
Voice: [no designation]
Languages: French
Voice Text: Se mon flagolet joli]*
Concordances

*E-E IV. a 24

Item Bibliography

Kultzen, Brigitte. 1956. Der Codex Escorial IV.a.24: Übertragung, Katalog, Historische Einordnung einer Chansonsammlung aus der zweiten Hälfte des 15. Jahrhunderts. University of Hamburg, Unpublished Ph.D. dissertation.

371v–372 Ave regina caelorum II - 1a pars (of 2): Ave regina caelorum W. FRYE]*
Appears on: 371v–372
Genres: BVM, Motet
Source Attribution: W. FRYE]*
Voice: [no designation]
Languages: Latin
Voice Text: Ave regina caelorum
General Note

Publ. cf. Fn 112bis n" 27

Concordances

*D-brd-Mbs 3232

372v–373 Ave regina caelorum II - 2a pars (of 2): Gaude virgo gloriosa [W. FRYE]*
Appears on: 372v–373
Genres: BVM, Motet
Source Attribution: [W. FRYE]*
Voice: [no designation]
Languages: Latin
Voice Text: Gaude virgo gloriosa
General Note

[=0 florens rosa mater domini]*

Concordances

*D-brd-Mbs 3232

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 19.

373v–374 Magnificat secundi toni: Et exultavit [K.194] - Anonymous
Appears on: 373v–374
Genres: BVM, Canticle, Magnificat
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat] Et exultavit
General Note

Versets pairs.

375 Christ ist erstanden - Anonymous
Appears on: 375
Genres: Hymn, Motet, Sacred Song
Voice: [no designation]
Languages: German
Voice Text: Crist ist erstanden

Item Bibliography

Blume, Friedrich, and Kurt Gude (editors). 1929-79. Das Chorwerk.  Wolfenbüttel/Berlin. Pages: 45.

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: 14/15 (VII).

375v–376 Magnificat: Et exultavit spiritus meus CRISTOFFERUS ANTHONY
Appears on: 375v–376
Genres: BVM, Canticle, Magnificat
Source Attribution: CRISTOFFERUS ANTHONY
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat] Et exultavit
General Note

Versets pairs.

376v Ut queant laxis resonare fibris CRISTOFFERUS ANTHONY
Appears on: 376v
Genres: Motet
Source Attribution: CRISTOFFERUS ANTHONY
Voice: [no designation]
Languages: Latin
Voice Text: Ut queant laxis
377 Lucis creator optime - Anonymous
Appears on: 377
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Lucis creator optime
377v–378 Magnificat secundi toni: Et exultavit spiritus meus [K.763] [B. FERRAGUT]
Appears on: 377v–378
Genres: BVM, Magnificat
Source Attribution: [B. FERRAGUT]
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat]Et exultavit
General Note

Versets pairs.

378v–379 Magnificat octavi toni: Et exultavit [K.384] - Anonymous
Appears on: 378v–379
Genres: BVM, Canticle, Magnificat
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat]Et exultavit
General Note

Versets pairs.

379v–382 In exitu Israel de Aegypto domus Jacob - Anonymous
Appears on: 379v–382
Genres: Psalm
Voice: [no designation]
Languages: Latin
Voice Text: In exitu Israel de Aegypto domus Iacob
382 In exitu Israel de Aegypto domus Jacob - Anonymous
Appears on: 382
Genres: Psalm
Voice: [no designation]
Languages: Latin
Voice Text: In exitu Israel de Aegypto domus Iacob
General Note

T: In exitu. Faulx bourdon.

382v–383 Magnificat: Et exultavit [K.221] - Anonymous
Appears on: 382v–383
Genres: BVM, Canticle, Magnificat
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat] Et exultavit
General Note

Versets pairs.

383v–385 Missa Deuil angoisseux: Gloria. Et in terra BEDINGHAM LANGENSTEISS
Appears on: 383v–385
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: BEDINGHAM LANGENSTEISS
Voice: [no designation]
Languages: Latin
Voice Text: [Missa Deuil angoisseux.Gloria] Et in terra
General Note

Publ. cf. TRbc 88 n° 16

386v–389 Missa Deuil angoisseux: Patrem omnipotentem [Credo] [J.BEDINGHAM]
Appears on: 386v–389
Genres: Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: [J.BEDINGHAM]
Voice: [no designation]
Languages: Latin
Voice Text: [Missa Deuil angoisseux. Credo] Patrem
General Note

T: Patrem. Duel angoisseux. Publ. cf. TRbc 88 n° 17

389v–392 Sanctus-Agnus pair: Sanctus -
Appears on: 389v–392
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus
392v–395 Sanctus-Agnus pair: Agnus Dei -
Appears on: 392v–395
Genres: Agnus Dei, Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Agnus dei
395v–398v Missa Sancti Antonii Viennensis: Gloria. Et in terra [G. DUFAY]
Appears on: 395v–398v
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: [G. DUFAY]
Voice: [no designation]
Languages: Latin
Voice Text: [Missa Sancti Antonii Viennensis.Gloria] Et in terra

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, II.

399v–403 Missa Sancti Antonii Viennensis: Patrem omnipotentem [Credo] [G. DUFAY]
Appears on: 399v–403
Genres: Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: [G. DUFAY]
Voice: [no designation]
Languages: Latin
Voice Text: [Missa Sancti Antonii Viennensis. Credo] Patrem,

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, II.

403v–405 Missa Sancti Antonii Viennensis: Sanctus [G. DUFAY]
Appears on: 403v–405
Genres: Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: [G. DUFAY]
Voice: [no designation]
Languages: Latin
Voice Text: [Missa Sancti Antonii Viennensis] Sanctus

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, II.

405v–406 Missa Sancti Antonii Viennensis: Agnus Dei [G. DUFAY]
Appears on: 405v–406
Genres: Agnus Dei, Mass Ordinary
Source Attribution: [G. DUFAY]
Voice: [no designation]
Languages: Latin
Voice Text: [Missa Sancti Antonii Viennensis] Agnus dei

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, II.

406v–408 Et in terra pax [Gloria] BARTHOLOMEUS DE BRUOLLIS VENETUS
Appears on: 406v–408
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: BARTHOLOMEUS DE BRUOLLIS VENETUS
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Et in terra

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 11,V;.

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: 61 (XXXI).

408v–409 Et in terra pax [Gloria] PYLLOYS
Appears on: 408v–409
Genres: Gloria (et in terra pax), Mass Ordinary, Offertory
Source Attribution: PYLLOYS
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Et in terra
General Note

Fuga.

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 41.

409v–410 Missa [Tr90-1]: Kyrie eleison - Anonymous
Appears on: 409v–410
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie
410v–414 Missa [Tr90-1]: Et in terra pax [Gloria] - Anonymous
Appears on: 410v–414
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Et in terra
414v–416 Missa [Tr90-1]: Patrem omnipotentem [Credo] - Anonymous
Appears on: 414v–416
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Credo] Patrem
416v–418 Missa [Tr90-1]: Sanctus - Anonymous
Appears on: 416v–418
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus
418v–419v Missa [Tr90-1]: Agnus Dei - Anonymous
Appears on: 418v–419v
Genres: Agnus Dei, Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Agnus dei] Qui tollis peccata
420 Alleluia DUFFAY
Appears on: 420
Genres: Alleluia, Proper
Source Attribution: DUFFAY
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia
General Note

Publ. cf. TRbc 88 n° 67

420v–421 Missa O rosa bella [III]: Kyrie - Anonymous
Appears on: 420v–421
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Officium super O rosa bella. Kyrie
421v–423 Missa O rosa bella [III]: Et in terra pax [Gloria] - Anonymous
Appears on: 421v–423
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Missa O rosa bella.Gloria] Et in terra
423v–426 Missa O rosa bella [III]. Patrem omnipotentem [Credo] - Anonymous
Appears on: 423v–426
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Missa O rosa bella.Credo] Patrem
426v–427 Missa O rosa bella [III]: Sanctus - Anonymous
Appears on: 426v–427
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: [Missa O rosa bella] Sanctus
427v–428 Missa O rosa bella [III]: Agnus Dei - Anonymous
Appears on: 427v–428
Genres: Agnus Dei, Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Missa O rosa bella] Agnus dei
428v–430 Patrem omnipotentem [Credo] - Anonymous
Appears on: 428v–430
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Credo. Patrem omnipotentem] Factorem celi
430v–432 Gloria Angelicum - Anonymous

Gloria Angelicum

Anonymous
Appears on: 430v–432
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Angelicum. [Gloria] Et in terra
432v–434 Sanctus CRISTOFFERUS ANTHONY
Appears on: 432v–434
Genres: Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: CRISTOFFERUS ANTHONY
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus
434v–436 Flos de spina procreatur et flos flore fecundatur [J. PYLLOIS]*
Appears on: 434v–436
Genres: Motet
Source Attribution: [J. PYLLOIS]*
Voice: [no designation]
Languages: Latin
Voice Text: Flos de spina procreatur
436v–438 Missa Tube: Et in terra pax [Gloria] COUSIN
Appears on: 436v–438
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: COUSIN
Voice: [no designation]
Languages: Latin
Voice Text: Missa tube. [Gloria] Et in terra

Item Bibliography

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: 120.

438v–441 Missa Tube: Patrem omnipotentem [Credo] [COUSIN]
Appears on: 438v–441
Genres: Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: [COUSIN]
Voice: [no designation]
Languages: Latin
Voice Text: [Missa tube. Credo] Patrem

Item Bibliography

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: 120.

441v–443 Missa Tube: Sanctus [COUSIN]
Appears on: 441v–443
Genres: Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: [COUSIN]
Voice: [no designation]
Languages: Latin
Voice Text: [Missa tube] Sanctus

Item Bibliography

Marrocco, W. Thomas, and Nicholas Sandon (editors). 1977. The Oxford Anthology of Music: Medieval Music.  London.

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: 120.

443v–444 Missa Tube: Agnus Dei [COUSIN]
Appears on: 443v–444
Genres: Agnus Dei, Mass Ordinary
Source Attribution: [COUSIN]
Voice: [no designation]
Languages: Latin
Voice Text: [Missa tube] Agnus dei

Item Bibliography

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: 120.

444v–445 O rosa bella HERT
Appears on: 444v–445
Genres: Italian secular
Source Attribution: HERT
Voice: [no designation]
Languages: insufficient
Voice Text: O rosa bella.

Item Bibliography

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: 14/15 (VII).

445 discantus super O rosa bella. OCKEGHEM
Appears on: 445
Genres: Song
Source Attribution: OCKEGHEM
Voice: [no designation]
Languages: Latin
Voice Text: Alius discantus super O rosa bella.

Item Bibliography

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: 14/15 (VII.

445v–447 Et in terra pax [Gloria] -
Appears on: 445v–447
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Et in terra
447v–448 Missa La belle se siet: Kyrie - Anonymous
Appears on: 447v–448
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa La belle se siet au pie de la tour] Kyrie
General Note

T: Kyrie. La belle se siet au pie de la tour

448v–451 Missa La belle se siet: Et in terra pax [Gloria] - Anonymous
Appears on: 448v–451
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Missa La belle se siet. Gloria] Et in terra
General Note

T: Gracias.La belle se siet au pie de la tour

451v Missa La belle se siet: Patrem omnipotentem [Credo] - Anonymous
Appears on: 451v
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Missa La belle se siet. Credo] Patrem
454v–456 Missa La belle se siet: Sanctus - Anonymous
Appears on: 454v–456
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: [Missa La belle se siet] Sanctus
General Note

T: Dominus Deus. La belle se siet au pie

456v–457 Missa La belle se siet: Agnus Dei - Anonymous
Appears on: 456v–457
Genres: Agnus Dei, Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Missa La belle se siet] Agnus dei
General Note

T: Qui tollis. La belle se siet au pie de la tour.

458 Sub tuum praesidium confugimus - Anonymous
Appears on: 458
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Sub tuum praesidium
.458v–458v Regina caeli laetare alleluia LEONELL ANGLICUS
Appears on: .458v–458v
Genres: Motet, Regina caeli laetare
Source Attribution: LEONELL ANGLICUS
Voice: [no designation]
Languages: Latin
Voice Text: Regina caeli laetare

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 50, I.

459v–460 Benedicamus Domino (I) DUFFAY
Appears on: 459v–460
Genres: Benedicamus Domino, Motet
Source Attribution: DUFFAY
Voice: [no designation]
Languages: Latin
Voice Text: Benedicamus domino
General Note

Publ. cf. Bc 15 n° 89

Item Bibliography

Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.

460v–461 Kyrie Angelicum - Anonymous

Kyrie Angelicum

Anonymous
Appears on: 460v–461
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Angelicum. Kyrie

Item Bibliography

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: 61 (XXXI).

461v–462 Superno nunc emittitur = Le serviteur BEDINGHAM
Appears on: 461v–462
Genres: Contrafactum
Source Attribution: BEDINGHAM
Voice: [no designation]
Languages: Latin
Voice Text: Superno nunc emittitur [=Le serviteur]

Item Bibliography

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: 14/15 (VII).

462v–463 Beata es (= Grant temps ai eu et desire) BEDINGHAM
Appears on: 462v–463
Genres: Contrafactum
Source Attribution: BEDINGHAM
Voice: [no designation]
Languages: Latin
Voice Text: Beata es [=Grant temps ay eu et desire=Myn hertis lust]
General Note

[= Mijn hertis lust]*Publ. cf. Fn 176 n» 44

Concordances

*US-NH

463v Pour l amour qui est en vous = Imperitante octaviano - Anonymous
Appears on: 463v
Genres: Contrafactum
Voice: [no designation]
Languages: Latin
Voice Text: Imperitante octaviano [=Pour l amour qui est en vous]

Item Bibliography

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: 14/15 (VII) (avec facs.).

463v Sola virgo -
Appears on: 463v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Sola virgo
464 Virtute = Helas mon coeur, ellas mon coeur amours me fit - Anonymous
Appears on: 464
Genres: Contrafactum
Voice: [no designation]
Languages: French
Voice Text: Virtute [=Helas mon cuer, ellas mon cuer amours me fit]

Item Bibliography

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: 14/15 (VII).

464v–465 Nesciens mater virgo virum - Anonymous
Appears on: 464v–465
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Nesciens mater virgo virum
Composer Compositions
Anglia, Robertus de (fl. 1454-74)
Anonymous
Anonymous (previously ascr. to Du Fay)
Anthonii, Cristofferus (fl. c1440-70)
Bedingham, John (–ca. 1460)
Benet, John (–ca. 1458)
Binchois, Gilles (ca. 1400–1460)
Bonnet, Pierre
Brassart, Johannes (ca. 1400–1455)
Braxatoris, W
Breuwe, Constans
Brollo, Bartolomeo
Collis, Hainricus
Du Fay, Guillaume (1397–1474)
Dunstaple, John (ca. 1390–1453)
Escatefer dit Cousin, Jean
Feragut, Beltrame
Forest
Frye, Walter (–ca. 1475)
Gaius, Jo.
Grudencz, Petrus Wilhelmi de (1392–ca. 1480)
Hert
Joye, Gilles
Krafft, Ludovicus
Lantins, Hugo de (fl. 1420-30)
Legrant, Johannes
Loqueville, Richard (–1418)
Ockeghem, Jean de (ca. 1410–1497)
Plummer, John (ca. 1410–ca. 1484)
Power, Leonel (–1445)
Pullois, Johannes
Rouge, Guillaume le
Roullet, Johannes
Salice, W de
Sarto, Johannes de
Soursby
Tik, Henricus
Composition Composers (? Uncertain) Folios / Pages
[Urbs beata Jerusalem] Nova veniens Anonymous 330
Adieu quitte le demeurant de ma vie 303
Agnus Dei 256v–257
Agnus Dei Anonymous 262–263
Agnus Dei Anonymous 269v–270
Agnus Dei 'Paratur nobis' Anonymous 272v–273v
Agnus Dei [Kaye 4b] 267v–268
Agnus Dei [rex saeculorum] 276–276v
Alleluia 420
Alleluia. Anthoni compar inclite [1a pars] 291v–292
Alma redemptoris mater 341v–342
Alma redemptoris mater (IJD22) 112v–114
Altissimi Dei filius Anonymous 283
Anima mea - 1a pars (of 3): Anima mea liquefacta est 334v–335
Asperges me Domine (I) 2v–3
Asperges me Domine (II) 3v–4
Asperges me Domine isopo et mundabor Anonymous 1v
Asperges me Domine isopo et mundabor Anonymous 2
Ave maris stella Anonymous 364
Ave maris stella / Ave Katherina Anonymous 344
Ave regina caelorum I 298v–299
Ave regina caelorum II - 1a pars (of 2): Ave regina caelorum 371v–372
Ave regina caelorum II - 2a pars (of 2): Gaude virgo gloriosa 372v–373
Avertissiez vostre doulx euil Anonymous 292–293
Beata Dei genitrix (2p. Subveni clamantibus 3p. Sola sine exemplo) 335v–337
Beata es (= Grant temps ai eu et desire) 462v–463
Benedicamus Domino (I) 459v–460
Benedicta sit sancta trinitas Anonymous 25v–26
Benedicta sit sancta trinitas Anonymous 27v–28
Benedicta sit sancta trinitas - 1a pars (of 2): Benedicta sit sancta trinitas 26v–27
Canon retrograde untexted - 357v
Christ ist erstanden 227v–228
Christ ist erstanden Anonymous 375
Christe redemptor omnium . Tu lumen tu splendor (Christmas setting) 1
Christus surrexit Anonymous 76
Cibavit eos ex adipe Anonymous 29v–30
Cibavit eos ex adipe Anonymous 30v–31
Cibavit eos ex adipe 31v–32
Confessio et pulchritudo Anonymous 45
Craindre vous vueil doulce damme de pris 365
Credo Homo quidam Anonymous 219v–221
De ma dame = O pastor aeterne = O beata Maria filia Dei 301v
De ventre matris meae vocavit me Dominus Anonymous 40v–41
De ventre matris meae vocavit me Dominus Anonymous 41v–42
Descendi in ortum meum ut viderem 309v–310
Diana lux serena 369
Dicant nunc Judaei Anonymous 299v–300
Dilexisti justitiam et odisti 51v–52
discantus super O rosa bella. 445
Dominus dixit ad me filius meus Anonymous 7v–8
Ecce advenit dominator Dominus Anonymous 10v–11
En un gent = Virgo verbo concepit Anonymous 358
Et enim sederunt principes [Tr.1641] Anonymous 43v–44
Et enim sederunt principes [Tr.1641] Anonymous 44v
Et in terra pax [Gloria] 116v–118
Et in terra pax [Gloria] 118v–120
Et in terra pax [Gloria] Anonymous 127v–129
Et in terra pax [Gloria] Anonymous 129v–130v
Et in terra pax [Gloria] Anonymous 132v–134
Et in terra pax [Gloria] Anonymous 134v–135
Et in terra pax [Gloria]
Forest (?)
142v–143
Et in terra pax [Gloria] 143v–145
Et in terra pax [Gloria] 145v–146
Et in terra pax [Gloria] Anonymous 156v–157v
Et in terra pax [Gloria] Anonymous 158
Et in terra pax [Gloria] Anonymous 163v–165
Et in terra pax [Gloria] Anonymous 166v–167
Et in terra pax [Gloria] Anonymous 354v–356
Et in terra pax [Gloria] 359–362
Et in terra pax [Gloria] 406v–408
Et in terra pax [Gloria] 408v–409
Et in terra pax [Gloria] 445v–447
Et in terra pax [Gloria] 'ad modum tubae' 131v–132
Et in terra pax [Gloria] 'Spiritus et alme' 151–152
Et in terra pax [Gloria] (6vv) Anonymous 154v–156
Et in terra pax [Gloria] (iv/3.1) 141v–142
Flos de spina procreatur et flos flore fecundatur 434v–436
Gaudeamus omnes in Domino Anonymous 52v–53
Gaudeamus omnes in Domino 53v–54
Gaudeamus omnes in Domino Anonymous 54v–55
Gaudeamus omnes in Domino Anonymous 55v–56
Globus igneus = Quelque chose a venir 304
Gloria Alma redemptoris mater - Et in terra Anonymous 148v–150v
Gloria Angelicum Anonymous 430v–432
Gloria Cuius maledictione - Et in terra Anonymous 137v–139v
Gloria Domine fili unigenite - Et in terra 140v–141
Gloria Ecce Maria - Et in terra Anonymous 135v–137
Gloria laus et honor Anonymous 354
Gloria O preclara stella maris. Et in terra Anonymous 120v–122
Gloria Paratur nobis. Et in terra Anonymous 125v–127
Gloria Rex saeculorum. Et in terra 110v–112
Gloria Spiritus alme Anonymous 152v–154
Gloria Viri galilei. Et in terra Anonymous 114v–116
Gloria-Credo 'Herdo': Credo Anonymous 197v–198v
Gloria-Credo 'Herdo': Gloria Anonymous 147v–148
Gloria-Credo pair 'Dixerunt discipuli': Credo Anonymous 216v–219
Gloria-Credo pair 'Dixerunt discipuli': Gloria Anonymous 158v–160
Gloria-Credo pair 'O patris sapientia': Credo Anonymous 221v–223
Gloria-Credo pair 'O patris sapientia': Gloria Anonymous 160v–162v
Ibo mihi ad montem 284v
In exitu Israel de Aegypto domus Jacob 346v–348
In exitu Israel de Aegypto domus Jacob Anonymous 379v–382
In exitu Israel de Aegypto domus Jacob Anonymous 382
In medio ecclesiae 38v–39
In medio ecclesiae Anonymous 39v–40
Intret in conspectu tuo Anonymous 45
Je ne puis plus 302
Je ne vis oncques la pareille de vous 352v–352
Jube Domine Anonymous 365v–366
Kyrie 'angelorum' 89v–90
Kyrie 'apostolorum' / 'de martyribus' 80v–81
Kyrie 'cunctipotens' 70v–71
Kyrie 'fons bonitatis' 64v–65
Kyrie [Tro] magne Deus potentiae Anonymous 67v
Kyrie [Tro] magne Deus potentiae Anonymous 68
Kyrie Angelicum Anonymous 72
Kyrie Angelicum Anonymous 460v–461
Kyrie Cum Jubilo in festis B.M.V. ou De domina 85
Kyrie de apostolis - aliud [i.e. another] Anonymous 78
Kyrie De martyribus / In diebus Dominicis / Orbis factor 81v–82
Kyrie eleison Anonymous 68v–69
Kyrie eleison Anonymous 70
Kyrie eleison Anonymous 71v
Kyrie eleison Anonymous 74v–75
Kyrie eleison Anonymous 83v
Kyrie eleison Anonymous 85v–86
Kyrie eleison Anonymous 86v
Kyrie eleison Anonymous 87–87v
Kyrie eleison Anonymous 88v–89
Kyrie eleison Anonymous 91v–92
Kyrie eleison Anonymous 93v
Kyrie eleison Anonymous 94v–95
Kyrie eleison Anonymous 95v–96
Kyrie eleison (iv/19) 90v–91
Kyrie fons bonitatis Anonymous 64
Kyrie fons bonitatis Anonymous 66v–67
Kyrie fons bonitatis, Virginitatis amator 65v–66
Kyrie Lux et origo (or Pascale) 75–75v
Kyrie Pascale 74v
Kyrie pascale Anonymous 76v–77
La bonté du Saint Esprit 303v–304
La douleur est dure. Anonymous 302v
La merchi dieu et ma dame. Anonymous 305
Las je ne puis oir nouvelle = Unicus Dei filius 298
Le serviteur hault guerdonné assovy 358v
Les larmes 300v
Loquebar de testimoniis Anonymous 50v–51
Lucis creator optime Anonymous 377
Magnificat octavi toni: Et exultavit [K.384] Anonymous 378v–379
Magnificat primi toni: Et exultavit [K.131] Anonymous 288v–290
Magnificat Primi Toni: Et exultavit [K.132] Anonymous 332–333
Magnificat quarti toni: Et exultavit [K.244] Anonymous 327–328
Magnificat secundi toni: Anima mea [K.617] 328v–329
Magnificat secundi toni: Et exultavit [K.193] Anonymous 333v
Magnificat secundi toni: Et exultavit [K.194] Anonymous 373v–374
Magnificat secundi toni: Et exultavit spiritus meus [K.763] 377v–378
Magnificat sexti toni: Anima mea [K.749] 330v–331v
Magnificat Sexti Toni: Et exultavit [K.308] Anonymous 292v–293
Magnificat sexti toni: Et exultavit [K.309] Anonymous 370–370v
Magnificat: Et exultavit [K.221] Anonymous 382v–383
Magnificat: Et exultavit spiritus meus 375v–376
Mein Herz in staten treuen. Anonymous 294v–294
Mihi autem nimis 35v–36
Mihi autem nimis Anonymous 36v–37
Mihi autem nimis Anonymous 37v–38
Missa [de BMV]: Sanctus 348v–349
Missa [Tr90-1]: Agnus Dei Anonymous 418v–419v
Missa [Tr90-1]: Et in terra pax [Gloria] Anonymous 410v–414
Missa [Tr90-1]: Kyrie eleison Anonymous 409v–410
Missa [Tr90-1]: Patrem omnipotentem [Credo] Anonymous 414v–416
Missa [Tr90-1]: Sanctus Anonymous 416v–418
Missa Anthoni / Missa Avecu: Et in terra pax [Gloria] Anonymous 318v–321
Missa Anthoni / Missa Avecu: Patrem omnipotentem [Credo] Anonymous 321v–324
Missa Anthoni / Missa Avecu: Sanctus Anonymous 250v–254
Missa Caput: Et in terra pax [Gloria] 96v–98
Missa Caput: Patrem omnipotentem [Credo] 168v–170
Missa Caput: Sanctus 228v–230
Missa De apostolis: Kyrie 77v
Missa De apostolis: Kyrie Anonymous 78v–79
Missa De apostolis: Kyrie Anonymous 79
Missa De confessoribus. Kyrie Anonymous 82v–83
Missa De martiribus faubourdon: Kyrie Anonymous 80
Missa De virginibus. Kyrie Anonymous 84
Missa Deuil angoisseux: Gloria. Et in terra 383v–385
Missa Deuil angoisseux: Patrem omnipotentem [Credo] 386v–389
Missa Fuit homo missus a Deo: Et in terra pax [Gloria] Anonymous 103v–105
Missa Fuit homo missus a Deo: Patrem omnipotentem [Credo] Anonymous 175v–177
Missa Fuit homo missus a Deo: Sanctus Anonymous 239v–241
Missa Jacet granum: Et in terra [Gloria] 123v–125
Missa Jacet granum: Sanctus 272
Missa La belle se siet: Agnus Dei Anonymous 456v–457
Missa La belle se siet: Et in terra pax [Gloria] Anonymous 448v–451
Missa La belle se siet: Kyrie Anonymous 447v–448
Missa La belle se siet: Patrem omnipotentem [Credo] Anonymous 451v
Missa La belle se siet: Sanctus Anonymous 454v–456
Missa Laetare Jerusalem. Patrem omnipotentem [Credo] Anonymous 213v–216
Missa O quam suavis: Et in terra pax [Gloria] Anonymous 108v–110
Missa O quam suavis: Patrem omnipotentem [Credo] Anonymous 180v–182v
Missa O quam suavis: Sanctus Anonymous 244v–246
Missa O rosa bella [III]. Patrem omnipotentem [Credo] Anonymous 423v–426
Missa O rosa bella [III]: Agnus Dei Anonymous 427v–428
Missa O rosa bella [III]: Et in terra pax [Gloria] Anonymous 421v–423
Missa O rosa bella [III]: Kyrie Anonymous 420v–421
Missa O rosa bella [III]: Sanctus Anonymous 426v–427
Missa Quem malignus spiritus: Agnus Dei Anonymous 237v–239
Missa Quem malignus spiritus: Et in terra pax [Gloria] Anonymous 100v–103
Missa Quem malignus spiritus: Patrem omnipotentem [Credo] Anonymous 172v–174v
Missa Quem malignus spiritus: Sanctus Anonymous 234v–236
Missa Salve sancta parens: Agnus Dei Anonymous 232v–234
Missa Salve sancta parens: Et in terra pax [Gloria] Anonymous 98v–100
Missa Salve sancta parens: Patrem omnipotentem [Credo] Anonymous 170v–172
Missa Salve sancta parens: Sanctus Anonymous 230v–232
Missa Sancti Antonii Viennensis: Agnus Dei 405v–406
Missa Sancti Antonii Viennensis: Gloria. Et in terra 395v–398v
Missa Sancti Antonii Viennensis: Kyrie 72v–73
Missa Sancti Antonii Viennensis: Patrem omnipotentem [Credo] 399v–403
Missa Sancti Antonii Viennensis: Sanctus 403v–405
Missa Sancti Jacobi: Kyrie 69v
Missa sine nomine (Resvelliés vous): Et in terra pax [Gloria] 165v–166
Missa Sine nomine: Agnus Dei 243–244
Missa Sine nomine: Et in terra pax [Gloria] 105v–108
Missa Sine nomine: Patrem omnipotentem [Credo] 177v–179v
Missa Sine nomine: Patrem omnipotentem [Credo] 225v–227
Missa Sine nomine: Sanctus 241v–242v
Missa Soyes emprentid: Agnus Dei 317v–318
Missa Soyes emprentid: Credo [Patrem omnipotentem 313v–315
Missa Soyes emprentid: Et in terra pax [Gloria] 311v–313
Missa Soyes emprentid: Kyrie 310v–311
Missa Soyes emprentid: Sanctus 315v–317
Missa Tube: Agnus Dei 443v–444
Missa Tube: Et in terra pax [Gloria] 436v–438
Missa Tube: Kyrie 92v–93
Missa Tube: Patrem omnipotentem [Credo] 438v–441
Missa Tube: Sanctus 441v–443
N'esse pas bien pour dragier Anonymous 353
Nesciens mater virgo virum Anonymous 464v–465
Nesciens virgo / Parle qui parler Anonymous 282v
Nos autem gloriari oportet 28v–29
Nunc scio vere quia misit Dominus Anonymous 42v–43
O beate Sebastiane Anonymous 364v
O rosa bella Anonymous 362v–363
O rosa bella Anonymous 369v
O rosa bella 444v–445
O rosa bella, o Deitatis cella (= O quam suavis est domina) 361v–362
Os justi meditabitur Anonymous 49v–50
Os justi meditabitur Anonymous 50
Pange lingua gloriosa Anonymous 334v
Par desplaisir tout plain d'anoy Anonymous 307v–308
Patrem omnipotentem [Credo] 183v–186
Patrem omnipotentem [Credo] 186v–188
Patrem omnipotentem [Credo] 188v–189v
Patrem omnipotentem [Credo] 193v–195
Patrem omnipotentem [Credo] Anonymous 195v–197
Patrem omnipotentem [Credo] 200–202
Patrem omnipotentem [Credo] 202v–204v
Patrem omnipotentem [Credo] 205v–207
Patrem omnipotentem [Credo] Anonymous 207v–209
Patrem omnipotentem [Credo] Anonymous 209v–212
Patrem omnipotentem [Credo] 212v–213
Patrem omnipotentem [Credo] Anonymous 223v–225
Patrem omnipotentem [Credo] Anonymous 428v–430
Patrem omnipotentem [Credo] (iv/5) 190v–193
Pour l amour qui est en vous = Imperitante octaviano Anonymous 463v
Pour prison 297
Puer natus est nobis Anonymous 8v–9
Puer natus est nobis - 1a pars (of 3): Puer natus est nobis 9v–10
Qualis est dilectus meus / O pulcherima mulierum
Forest (?)
337v–338
Quam pulchra es 342v
Quelque langage que je die 301
Qui tollis peccata mundi miserere nobis. Anonymous 1
Regina caeli laetare alleluia .458v–458v
Resone unice genito / Puisque fortune 296v
Resurrexi et adhuc tecum sum Anonymous 11v–12
Resurrexi et adhuc tecum sum Anonymous 12v–13
Resurrexi et adhuc tecum sum Anonymous 13v–14
Resurrexi et adhuc tecum sum Anonymous 14v
Resurrexi et adhuc tecum sum Anonymous 15
Resurrexi et adhuc tecum sum Anonymous 15v–16
Resurrexi et adhuc tecum sum Anonymous 16v–17
Resurrexi et adhuc tecum sum Anonymous 17v–18v
Rorate caeli desuper et nubes pluant Vs: Caeli enarrant gloriam Dei Et opera Anonymous 56v–57
Rorate caeli desuper et nubes pluant Vs: Caeli enarrant gloriam Dei Et opera Anonymous 57v
Salva nos Domine vigilantes custodi nos 288
Salve regina mater misericordiae Anonymous 305v–307
Salve regina mater misericordiae Anonymous 324v–326v
Salve regina mater misericordiae 366v–368v
Salve sancta parens 61v–62
Salve sancta parens Anonymous 63v
Salve sancta parens (free fauxbourdon) 62v–63
Sancta Maria succurre [= So ys emprentid] 283v–284
Sancta Maria succurre miseris 340v–341
Sanctus Anonymous 246v–248
Sanctus 249–250
Sanctus 254v–246
Sanctus Anonymous 258–260
Sanctus Anonymous 260v–261
Sanctus Anonymous 263v–264
Sanctus 265–266v
Sanctus 280–282
Sanctus 432v–434
Sanctus 'Papale' Ave verum corpus 277–279v
Sanctus [Kaye 4a] 267
Sanctus Benedictus Marie fìlius Anonymous 268v–269
Sanctus Rex saeculorum 274v–275v
Sanctus-Agnus pair: Agnus Dei 392v–395
Sanctus-Agnus pair: Sanctus 389v–392
Sapientiam sanctorum narrent populi 46
Se belle 290v–291
Se mon flagolet joli Anonymous 371
Se ung peu desperance avoye 296
So lang so mir in meinem sijnn 344v
So lang so mir in meinem sijnn 345
So lieb geschieht. Anonymous 346
So ys emprentid 308v–309
Sola virgo 463v
Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto Anonymous 21v–22
Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto Anonymous 22v–23
Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto Anonymous 23–24v
Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto Anonymous 24v
Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto Anonymous 25v
Statuit ei Dominus Anonymous 46v–47
Statuit ei Dominus Anonymous 47v
Statuit ei Dominus Anonymous 48v–49
Sub tuum praesidium confugimus Anonymous 458
Superno nunc emittitur = Le serviteur 461v–462
Suscepimus Deus misericordiam tuam in medio Vs: Magnus Dominus In civitate Dei nostri Anonymous 59v–60
Suscepimus Deus misericordiam tuam in medio Vs: Magnus Dominus In civitate Dei nostri Anonymous 60v–61
Terribilis est locus iste Anonymous 32v–33
Terribilis est locus iste Anonymous 33v
Terribilis est locus iste Anonymous 34
Terribilis est locus iste Anonymous 34v–35
Terribilis est locus iste Anonymous 58
Terribilis est locus iste 295v–295
Terriblement suis fortunée Anonymous 286v
Tota pulchra es amica mea et macula 338v–340
Tresoriere de plaisir amoureux Anonymous 353v
untexted - 285v
untexted - 290v–291
untexted 295
untexted 297v
untexted - 304v
untexted - 307v
untexted 345v
untexted - 356
untexted - 357
untexted - 363v–364
Ut queant laxis resonare fibris 376v
Veni de libano 284v–285
Victimae paschali laudes immolent Christiani Agnus redemit oves Christus innocens 286v–287v
Victimae paschali laudes immolent Christiani Agnus redemit oves Christus innocens Anonymous 293v–294
Vidi aquam egredientem de templo Anonymous 4v–5
Vidi aquam egredientem de templo Anonymous 5v–6
Vidi aquam egredientem de templo Anonymous 6v–7
Virgo mater ecclesiae Anonymous 350–351
Viri Galilaei Quid admiramini aspicientes Vs: Omnes gentes plaudite Jubilate deo Anonymous 19v
Viri Galilaei Quid admiramini aspicientes Vs: Omnes gentes plaudite Jubilate deo Anonymous 20
Viri Galilaei Quid admiramini aspicientes Vs: Omnes gentes plaudite Jubilate deo Anonymous 20v–21
Virtute = Helas mon coeur, ellas mon coeur amours me fit Anonymous 464
Vultum tuum deprecabuntur Anonymous 58v–59

Set: Trent Codices

Type: Linked by Origin or Contents

No images available

I-TRbc MS 1374 [87] (Trent 87)

No images available

I-TRbc MS 1375 [88] (Trent 88)

No images available

I-TRbc MS 1376 [89] (Trent 89)

No images available

I-TRbc MS 1377 [90] (Trent 90)

No images available

I-TRbc MS 1378 [91] (Trent 91)

No images available

I-TRbc MS 1379 [92] (Trent 92)

denotes primary source study

Curtis, Gareth R K, and Andrew B Wathey. 1994. Fifteenth-Century English Liturgical Music: A List of the Surviving Repertory. Royal Musical Association Research Chronicle, 1-69.

Bent, Margaret. 1986. Trent 93 and Trent 90: Johannes Wiser at Work. I codici musicali trentini a cento anni dalla loro riscoperta: Atti del convegno 'Laurence Feininger, la musicologia come missione', edited by Margaret Bent, 84-111. Trent. Notes: physical description (partial); contents list (partial); concordances (partial); facsimile (partial); mention of MS; discussion.

Cattin, Giulio. 1986. Testi Tropati nei Codici Trentini. I codici musicali trentini a cento anni dalla loro riscoperta: Atti del convegno 'Laurence Feininger, la musicologia come missione',  Trent. Notes: contents list (partial); concordances (partial).

Fallows, David. 1986. Songs in the Trent Codices: An Optimistic Handlist. I codici musicali trentini a cento anni dalla loro riscoperta: Atti del convegno 'Laurence Feininger, la musicologia come missione', 170-9. Trent. Notes: contents list (partial); concordances (partial).

Fallows, David. 1986. Dufay and the Mass Proper Cycles of Trent 88. I codici musicali trentini a cento anni dalla loro riscoperta: Atti del convegno 'Laurence Feininger, la musicologia come missione', 46-59. Trent. Pages: (46,48,50. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Saunders, Suparmi Elizabeth. 1986. The Dating of Trent 93 and Trent 90. I codici musicali trentini a cento anni dalla loro riscoperta: Atti del convegno 'Laurence Feininger, la musicologia come missione', 60-82. Trent. Notes: physical description (partial); contents list (partial); mention of MS; discussion.

Staehelin, Martin. 1986. Trienter Codices und Humanismus. I codici musicali trentini a cento anni dalla loro riscoperta: Atti del convegno 'Laurence Feininger, la musicologia come missione', 158-69. Trent. Notes: physical description (partial); mention of MS; discussion.

Strohm, Reinhard. 1985. Music in Late Medieval Bruges.  Oxford. Pages: 137,140-1, 193-4. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Staehelin, Martin. 1983. Bemerkungen zum Verhältnis von Werkcharacter und Filiation in der Musik der Renaissance. Datierung und Filiation von Musikhandschriften der Josquin-Zeit, Wolfenbütteler Forschungen. 199-215. Wiesbaden. Pages: 203,212. Notes: contents list (partial); concordances (partial); facsimile (partial); mention of MS; discussion.

Strohm, Reinhard. 1983. Quellenkritische Untersuchungen an der Missa 'Caput'. Datierung und Filiation von Musikhandschriften der Josquin-Zeit, Wolfenbütteler Forschungen. 153-76. Wiesbaden. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Bent, Margaret. 1981. Some Criteria for Establishing Relationships Between Sources of Late-Medieval Polyphony. Music in Medieval and Early Modem Europe: Patronage, Sources and Texts, edited by Margaret Bent, 295-317. Cambridge: Cambridge University Press. Pages: 297-8,311,314. Notes: physical description; mention of MS; discussion.

Curtis, Gareth R K. 1981. Jean Pullois and the Cyclic Mass-Or a Case of Mistaken Identity? Music and Letters, 41-59. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Planchart, Alejandro Enrique. 1981. Fifteenth-Century Masses: Notes on Performance and Chronology. Studi Musicali, 3-29. Pages: 10,19-25,29. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Perkins, Leeman L, and Howard Garey (editors). 1979. The Mellon Chansonnier.  New Haven and London. Pages: II, 179-80,370-2,385. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.

Ward, Tom Robert. 1979. The Polyphonic Office Hymn from 1400 to 1520: A Descriptive Inventory. RMS.  American Institute of Musicology. Notes: contents list (partial); concordances (partial); incipits (partial).

Cattin, Giulio. 1978. Virgo Mater Ecclesiae: Un Tropo alla Salve Regina nelle Fonti Monodiche e Polifoniche dei Sec. XIV-XV. L'Ars Nova Italiana del Trecento IV, Pages: 155-6,161,165-75. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Cobin, Marian W. 1978. The Aosta Manuscript: A Central Source of Early Fifteenth-Century Sacred Polyphony. New York University, Unpublished Ph.D. dissertation. Pages: I,103ff,173-8,335-54. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Burstyn, Shai. 1977. Early Fifteenth-Century Settings of Song of Songs Antiphons. Acta Musicologica, 200-27. Pages: 215-6,219. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Spilsted, Gary. 1976. Toward the Genesis of the Trent Codices: New Directions and New Findings. Studies in Music from the University of Western Ontario, 55-70. Notes: physical description; mention of MS; discussion.

Černý, Jaromír. 1975. Petrus Wilhelmi de Grudencz: Neznámy Skladatel Doby Dufayovy v Ceskych Pramenech. Hudební Veda, 195-238. Pages: 232. Notes: contents list (partial); concordances (partial); incipits (partial).

Dangel-Hofmann, Frohmut. 1975. Der Mehrstimmige Introitus in Quellen des 15. Jahrhunderts. Würzburger Musikhistorische Beitrage.  Tutzing. Pages: 138,146-9,181ff,251-8, passim. Notes: physical description; contents list (partial); concordances (partial); contents list (partial); transcriptions (partial); mention of MS; discussion.

White, Richard James. 1975. The Battre Section of Trent Codex 87. Indiana University, Unpublished Ph.D. dissertation. Pages: I,l-2. Notes: physical description; mention of MS; discussion.

Burstyn, Shai. 1972. Fifteenth-Century Polyphonic Settings of Verses from the Song of Songs. Columbia University, Unpublished Ph.D. dissertation. Pages: 168,285-8,334-43,403-4, passim. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Planchart, Alejandro Enrique. 1972. Guillaume Dufay's Masses: Notes and Revisions. The Musical Quarterly, 1-23. Pages: 9ff. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Scott, Ann Besser. 1972. Ibo Michi ad Montern Mirre: A New Motet by Plummer? The Musical Quarterly, 543-56. Notes: contents list (partial); transcriptions (partial); facsimile (partial); mention of MS; discussion.

Ward, Tom Robert. 1972. The Polyphonic Office Hymn and the Liturgy of Fifteenth Century Italy. Musica Disciplina, 161-88. Pages: 1-16,122-4,129. Notes: contents list (partial); concordances (partial); facsimile (partial); mention of MS; discussion.

Bent, Margaret, Ian D Bent, and Brian Trowell (editors). 1970. John Dunstable complete works. Musica Britannica.  London. Pages: VIII [rev. ed.], 183ff. Notes: contents list (partial); concordances (partial).

[No Author] 1969-70. Codices Musicales Tridentini.  Rome. Notes: facsimile.

Hamm, Charles E (editor). 1969-. Leonel Power: Complete Works. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I,xxii,xxiv,38-40. Notes: mention of MS; contents list (partial); concordances (partial); transcriptions (partial).

Ward, Tom Robert. 1969. The Polyphonic Office Hymn from the Late Fourteenth Century Until the Early Sixteenth Century. University of Pittsburgh, Unpublished Ph.D. dissertation. Pages: 94,106-8,158-61,251ff. Notes: contents list (partial); concordances (partial); incipits (partial); mention of MS; discussion.

Riemann, Hugo, Wilibald Gurlitt, and Hans Heinrich Eggebrecht (editors). 1967. Musik Lexikon: Zwölfte völlig neubearbeitete. 3 vols. Mainz. Pages: Sachteil 12. Aufl. Quellen, 772.

Gülke, Peter (editor). 1967. Johannis Pullois: Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: xiv-xix,8-13,24-6,32,36-7,40,49. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Loyan, Richard K (editor). 1967. Canons in the Trent Codices. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Notes: contents list (partial); concordances (partial); transcriptions (partial); Discussion of the MS.

Maas, Chris J. 1967. Geschiedenis van het meerstemmig Magnificat tot omstreeks 1525.  Groningen. Pages: concerne le n° 258 [1040].

Kanazawa, Masakata. 1966. Polyphonic music for Vespers in the fifteenth century. Harvard University, Ph.D. Dissertation, 2 vols. Pages: 183-90, passim. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts.  Tutzing. Pages: 171. Notes: contents list (partial); concordances (partial); incipits (partial).

Mixter, Keith E (editor). 1965-71. Johannis Brassart: Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I, viii-ix, xii, xviii, xx-xxvi. Notes: contents list (partial); concordances (partial).

Parris, Arthur. 1965. The sacred works of Gilles Binchois. Bryn Mawr College, Ph.D. Dissertation. Pages: I,ii,81-7,94; II,14-7,111-4,214-6. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Hamm, Charles E. 1964. A Chronology of the Works of Guillaume Dufay Based on a Study of Mensural Practice.  Princeton. Pages: 26-7,53,65,103-13,125,132-3,165ff. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Kenney, Sylvia W. 1964. Walter Frye and the Contenance Angloise.  New Haven and London. Pages: 53,63-6, 73, 78-81,178. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Harrison, Frank Llewellyn (editor). 1963-. Early English Church Music.  London: Stainer & Bell. Pages: VIII,172; XXII, x-xi,8-28,44-109,169ff. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Damilano, Don Piero. 1963. Fonti musicali della lauda polifonica intorno alla metà del sec. XV. Collectanea Historiae Musicae III, Pages: 63 (dépouillement des Laudi).

Kulleseid, Eleanor Ransom. 1962. The Sacred Music of Gilles Binchois. Columbia University, Unpublished Master's thesis. Pages: 137,150-3. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Ficker, Rudolf von. 1960. The transition on the Continent. New Oxford History of Music, 150ff. Pages: 150f.

Kenney, Sylvia W (editor). 1960. Walter Frye: Collected Works. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: viii-ix, 10-2,14-6. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Bukofzer, Manfred F. 1958. Changing Aspects of Medieval and Renaissance Music. The Musical Quarterly, 1-18. Pages: passim.

Gottlieb, Louis Edward. 1958. The cyclic masses of Trent Codex 89. University of California, Los Angeles, Ph.D. Dissertation. Pages: I,192-202. Notes: physical description; mention of MS; discussion.

Reaney, Gilbert (editor). 1955-83. Early Fifteenth-Century Music. Corpus mensurabilis musicae.  Rome: American Institute of Musicology. Pages: II,xxxviii; III,ix; V,xxii, 79-83. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Schrade, Leo, and Milos Velimirovic (editors). 1955-68. Thirty chansons for three and four voices from Attaingnant's collection ed. by Albert Seay. Collegium musicum.  Yale Univ. Dpt. of music. Pages: 158ff TRbc 88, 89, 90 et 93).

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik.  Kassel. Pages: II, 1339; XIII,666-73. Notes: physical description (partial); contents list (partial); mention of MS; discussion.

de Van, Guillaume, and Heinrich Besseler (editors). 1948-66. Guillaume Dufay: Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: II, IV-VI, passim. Notes: contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial); mention of MS; discussion.

Feininger, Laurence K (editor). 1947-48. Series I: Ordinarium missae (1948) & Series II: Poprium missae (1947). Monumenta Polyphoniae Liturgicae Sanctae Ecclesiae Romanae.  Rome. Pages: Series I, II/1,iii,#I; Series II, I, passim. Notes: contents list (partial); concordances (partial); transcriptions (partial).

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 38.

Stephan, Wolfgang. 1937. Die Burgundisch-Niederländische Motette zur Zeit Ockeghems.  Kassel. Pages: 97f.

Blume, Friedrich (editor). 1929-. Das Chorwerk.  Berlin/Wolfenbüttel. Pages: XIX, 4, 18, 24-5; XLV, 5-6,12-3. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Lunelli, Renato. 1927. La patria dei codici musicali tridentini. Note D'Archivio per la Storia Musicale, 116-28. Pages: 116ff. Notes: physical description; mention of MS; discussion.

Besseler, Heinrich. 1925. Studien zur Musik des Mittelalters: I. Neue Quellen des 14. und beginnenden 15. Jahrhunderts. Archiv für Musikwissenschaft, 167-252. Pages: 239-40. Notes: contents list (partial); concordances (partial).

Ficker, Rudolf von. 1924. Die frühen Messenkompositionen der Trienter Codices. Studien zur Musikwissenschaft, 3ff.

Wolkan, Rudolf. 1921. Die Heimat der Trienter Musikhandschriften. Studien zur Musikwissenschaft, 5-8. Pages: 4ff.

Adler, Guido. 1909. Über Textlegung in den 'Trienter Codices'. Riemann-Festschrift. Gesammelte Studien Hugo Riemann zum sechzigsten Geburtstage, 51ff. Leipzig. Pages: 51ff.

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: XIV/XV, XXII, LII, LXI, LXXVI, passim. Notes: physical description; contents list; concordances (partial); inventory; transcription (partial); facsimile (partial); mention of MS; discussion.

Haberl, Franz Xavier. 1885-88. Bausteine für Musikgeschichte. 3 vols. Leipzig. Pages: I, 87ff.

Haberl, Franz Xavier. 1885. Wilhelm du Fay, Monographische Studie über dessen Leben und Werke. Vierteljahrsschrift für Musikwissenschaft, 397-530. Pages: 488-9. Notes: physical description (partial); contents list (partial); mention of MS; discussion.

This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.

No comments have been made.

Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description