GB-Lcm MS 2035 [Altus]

Royal College of Music, London, England

partbook: Early 17th century

Archive	Royal College of Music, London, England (GB-Lcm)
Shelfmark	MS 2035 [Altus]
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Paper
Numbering System	Foliation
Measurements	127 x 210 mm
Relationships	Sacred Harmonic Society (owner) Paston, Edward (1550–1630) (patron)
External Links	Images of whole manuscript
Provenance	Norfolk, England
Contents	Contains 62 compositions from 13 composers.

General Description

An Altus (and Tenor) partbook from a set of three volumes. Music copied by two scribes, both employed by Edward Paston (see BrettEP for list of other books in the same hand and for discussion of related manuscripts from Paston's circle). Repertory consists mainly of three-voice sections extracted from larger works; see also LonRC 2036. All attributions in Bassus book. Many pieces have text incipits only. Roughly drawn barlines added to many pieces by later hand. Many pieces at the beginning of the book are repeated later, in different keys & with different clefs. Originated in the household of Edward Paston (1550-1630) of Norfolk, a country gentleman and collector of music. Owned in 19th century by Sacred Harmonic Society of London. Library of latter purchased for newly founded Royal College of Music in 1883.

DIAMM, 2025

Binding

Discantus has original buff limp vellum covers, inscribed 'Cantus/Trium Vocum'; other books have modern covers of dark blue pasteboard

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Foliation

Original ink foliation in each book, 1-48

DIAMM, 2017

Decoration

No initials or decoration

DIAMM, 2017

Index

Original index on front flyleaves of Bassus book; pieces grouped alphabetically by first letter of text, with subgrouping under each letter by order of appearance

DIAMM, 2017

Surface

paper

DIAMM, 2017

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1	Conserva me Domine (extract: opening duo)	-	Parsley [Percely], Osbert
Conserva me Domine (extract: opening duo) Parsley [Percely], Osbert Appears on: 1 Genres: Motet Voice: Altus Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Conserva me Domine, Quoniam speravi in te
1v	Exsurge Domine (extract: opening duo)	-	Wood, John
Exsurge Domine (extract: opening duo) Wood, John Appears on: 1v Genres: Motet Voice: Altus Languages: Latin Clef: c2 Voice Text: Exurge Domine: dissipentur inimici
2	Singularis privilegii	-	Sheppard, John (ca. 1515–1558)
Singularis privilegii Sheppard, John (ca. 1515–1558) Appears on: 2 Genres: Antiphon Voice: Altus Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: [Singularis] Locupletata, singularis gratia plenitudine
2v	Ave Dei patris filia (extract: opening trio)	-	Taverner, John
Ave Dei patris filia (extract: opening trio) Taverner, John Appears on: 2v Genres: Motet Voice: Altus Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Ave Dei patris ...
3	Lamentations (I) a5 - (extract: Peccatum peccavit)	-	White, Robert (ca. 1538–1574)
Lamentations (I) a5 - (extract: Peccatum peccavit) White, Robert (ca. 1538–1574) Appears on: 3 Genres: Lamentations Voice: Altus Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Peccatum peccavit Jerusalem
3v	Gaude plurimum - 1a pars (of 3): Gaude plurimum	-	Taverner, John
Gaude plurimum - 1a pars (of 3): Gaude plurimum Taverner, John Appears on: 3v Genres: Motet Voice: Altus Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Gaude plurimum salvatoris nostri Mater ...Gaude Maria virgo, Divinitus hanc tibi
4–4v	Gaude plurimum - 2a pars (of 3): Gaude Maria, Jesu mater	-	Taverner, John
Gaude plurimum - 2a pars (of 3): Gaude Maria, Jesu mater Taverner, John Appears on: 4–4v Genres: Motet Voice: Altus Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Gaude Maria Jesu Mater
5	Salve intemerata virgo - 1a pars (of 5): Salve intemerata virgo Maria	-	Tallis, Thomas (ca. 1505–1585)
Salve intemerata virgo - 1a pars (of 5): Salve intemerata virgo Maria Tallis, Thomas (ca. 1505–1585) Appears on: 5 Genres: Motet General Note tacet in this pars, so no music, just "salve intemerata tacet" written in middle of page
5v	Salve intemerata virgo - 2a pars (of 5): Annae mulieris	-	Tallis, Thomas (ca. 1505–1585)
Salve intemerata virgo - 2a pars (of 5): Annae mulieris Tallis, Thomas (ca. 1505–1585) Appears on: 5v Genres: Motet Voice: Altus Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: [Ave mulieris] Sic a spiritu sancto
6	Salve intemerata virgo - 4a pars (of 5): Per haec nos	-	Tallis, Thomas (ca. 1505–1585)
Salve intemerata virgo - 4a pars (of 5): Per haec nos Tallis, Thomas (ca. 1505–1585) Appears on: 6 Genres: Motet Voice: Altus Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Per hec nos Tibi virgo
6v, 6a_v	Salve intemerata virgo - 3a pars (of 5): Tu nimirum	-	Tallis, Thomas (ca. 1505–1585)
Salve intemerata virgo - 3a pars (of 5): Tu nimirum Tallis, Thomas (ca. 1505–1585) Appears on: 6v, 6a_v Genres: Motet Voice: Altus Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Tu nimirum ... Voice: Tenor Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Tu nimirum ... General Note A single Tenor page (6a) is inserted, with the Tenor of "Tu nimirum" on the verso (both Altus & Tenor are in c2 clef).
7	Ave Dei patris filia: (opening trio)	-	Tallis, Thomas (ca. 1505–1585)
Ave Dei patris filia: (opening trio) Tallis, Thomas (ca. 1505–1585) Appears on: 7 Genres: Motet Voice: Altus Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Ave Dei patris filia Nobilissima
7v	Anima Christi (extract, from beginning to Salva me)	-	Parsons 'of Wells', William
Anima Christi (extract, from beginning to Salva me) Parsons 'of Wells', William Appears on: 7v Genres: Motet Voice: Altus Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Anima Christi, Sanctifica me
8	Manus tuae - 1a pars (of 2): Manus tuae fecerunt me	-	White, Robert (ca. 1538–1574)
Manus tuae - 1a pars (of 2): Manus tuae fecerunt me White, Robert (ca. 1538–1574) Appears on: 8 Genres: Motet Voice: Altus Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Manus tuae fecerunt me
8v	Missa Gloria tibi Trinitas: Gloria (extract: Qui tollis peccata I)	-	Taverner, John
Missa Gloria tibi Trinitas: Gloria (extract: Qui tollis peccata I) Taverner, John Appears on: 8v Genres: Gloria (et in terra pax), Mass Ordinary Voice: Altus Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Qui tollis peccata mundi
9	Magnificat O bone Jesu (excerpt): [Et exultavit] In Deo	-	Fayrfax, Robert (1464–1521)
Magnificat O bone Jesu (excerpt): [Et exultavit] In Deo Fayrfax, Robert (1464–1521) Appears on: 9 Genres: BVM, Canticle, Magnificat Voice: Altus Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: In Deo
9	Magnificat O bone Jesu (excerpt): [Fecit potentiam Dispersit] Superbos	-	Fayrfax, Robert (1464–1521)
Magnificat O bone Jesu (excerpt): [Fecit potentiam Dispersit] Superbos Fayrfax, Robert (1464–1521) Appears on: 9 Genres: BVM, Canticle, Magnificat Voice: Altus Languages: Latin Clef: c1 Voice Text: Superbos
9v–10	Gaude gloriosa Dei mater (extract: opening trio, Gaude gloriosa Dei mater)	-	Tallis, Thomas (ca. 1505–1585)
Gaude gloriosa Dei mater (extract: opening trio, Gaude gloriosa Dei mater) Tallis, Thomas (ca. 1505–1585) Appears on: 9v–10 Genres: Motet Voice: Altus Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Gaude gloriosa Dei mater
10v–11	Ave Dei patris filia: (trio, Ave Domini filia)	-	Tallis, Thomas (ca. 1505–1585)
Ave Dei patris filia: (trio, Ave Domini filia) Tallis, Thomas (ca. 1505–1585) Appears on: 10v–11 Genres: Motet Voice: Altus Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Ave Domini filia singulariter
11v–12	Manus tuae - 1a pars (of 2): Manus tuae fecerunt me	-	White, Robert (ca. 1538–1574)
Manus tuae - 1a pars (of 2): Manus tuae fecerunt me White, Robert (ca. 1538–1574) Appears on: 11v–12 Genres: Motet Voice: Altus Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Manus tuae fecerunt me et plasmaverunt me
12v	Cantate Domino (arrangement of opening trio of 'Exaudiat te Dominus')	-	White, Robert (ca. 1538–1574)
Cantate Domino (arrangement of opening trio of 'Exaudiat te Dominus') White, Robert (ca. 1538–1574) Appears on: 12v Genres: Motet Voice: Altus Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Cantate Domino ...
13v	The Mean Mass: Credo (extract: Et incarnatus)	-	Taverner, John
The Mean Mass: Credo (extract: Et incarnatus) Taverner, John Appears on: 13v Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: Altus Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Et incarnatus ...
14	Missa Corona spinea,: Gloria (extract: Et in terra pax)	-	Taverner, John
Missa Corona spinea,: Gloria (extract: Et in terra pax) Taverner, John Appears on: 14 Genres: Gloria (et in terra pax), Mass Ordinary Voice: Altus Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Et in terra pax hominibus
14v	Missa Corona spinea: Credo (extract: opening )	-	Taverner, John
Missa Corona spinea: Credo (extract: opening ) Taverner, John Appears on: 14v Genres: Credo (patrem omnipotentem), Mass Ordinary General Note tacet in this pars, so no music, just the text "Patrem tacet" in middle of page
15	Missa Corona spinea: Credo (extract: Crucifixus)	-	Taverner, John
Missa Corona spinea: Credo (extract: Crucifixus) Taverner, John Appears on: 15 Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: Altus Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Crucifixus etiam pro nobis
15v	Eructavit cor meum (extract: Audi filia)	-	Mundy, William (ca. 1528–ca. 1591)
Eructavit cor meum (extract: Audi filia) Mundy, William (ca. 1528–ca. 1591) Appears on: 15v Genres: Motet Voice: Altus Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Audi filia ...
16	Eructavit cor meum (extract: opening duo)	-	Mundy, William (ca. 1528–ca. 1591)
Eructavit cor meum (extract: opening duo) Mundy, William (ca. 1528–ca. 1591) Appears on: 16 Genres: Motet Voice: Altus Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Eructavit cor meum verbum bonum
16v–17	Miserere mei Deus (extract: Cor mundum)	-	Mundy, William (ca. 1528–ca. 1591)
Miserere mei Deus (extract: Cor mundum) Mundy, William (ca. 1528–ca. 1591) Appears on: 16v–17 Genres: Motet Voice: Altus Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Cor mundum ...
17v–18	Miserere mei Deus (extract: Purifica me)	-	Mundy, William (ca. 1528–ca. 1591)
Miserere mei Deus (extract: Purifica me) Mundy, William (ca. 1528–ca. 1591) Appears on: 17v–18 Genres: Motet Voice: Altus Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Purifica me ...
18v–19	Vox Patris caelestis (extract: Surge propera)	-	Mundy, William (ca. 1528–ca. 1591)
Vox Patris caelestis (extract: Surge propera) Mundy, William (ca. 1528–ca. 1591) Appears on: 18v–19 Genres: Motet Voice: Altus Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Surge propera ...
19v–20	Miserere mei Deus (extract: Quoniam praevaricationes)	-	Mundy, William (ca. 1528–ca. 1591)
Miserere mei Deus (extract: Quoniam praevaricationes) Mundy, William (ca. 1528–ca. 1591) Appears on: 19v–20 Genres: Motet Voice: Altus Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: [Quoniam] Tibi soli peccavi
20v–21	Ave Dei patris filia: Ave plena gratia	-	Tallis, Thomas (ca. 1505–1585)
Ave Dei patris filia: Ave plena gratia Tallis, Thomas (ca. 1505–1585) Appears on: 20v–21 Genres: Motet General Note tacet in this pars, so no music copied; "Ave plena tacet" written in middle of each page
21v	Ave Dei patris filia (extract, opening trio)	-	Fayrfax, Robert (1464–1521)
Ave Dei patris filia (extract, opening trio) Fayrfax, Robert (1464–1521) Appears on: 21v Genres: Motet Voice: Altus Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Ave dei patris filia nobilissima
22	Ave Dei patris filia (extract: opening trio)	-	Taverner, John
Ave Dei patris filia (extract: opening trio) Taverner, John Appears on: 22 Genres: Motet Voice: Altus Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Ave dei patris ...
22v–23	Sospitati dedit aegros (extract: Sospitati dedit (opening))	-	Taverner, John
Sospitati dedit aegros (extract: Sospitati dedit (opening)) Taverner, John Appears on: 22v–23 Genres: Motet Voice: Altus Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Sospitati dedit aegros
23	Missa Gloria tibi Trinitas: Gloria (extract: Quoniam tu solus)	-	Taverner, John
Missa Gloria tibi Trinitas: Gloria (extract: Quoniam tu solus) Taverner, John Appears on: 23 Genres: Gloria (et in terra pax), Mass Ordinary Voice: Altus Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: [Quoniam] Tu solus
23v	Agnus Dei	-	Taverner, John
Agnus Dei Taverner, John Appears on: 23v Genres: Agnus Dei, Mass Ordinary Voice: Altus Languages: French Mensuration: cut-c Clef: c2 Voice Text: Agnus dei
24	Cunctis diebus quibus nunc milito	-	Byrd, William (ca. 1540–1623)
Cunctis diebus quibus nunc milito Byrd, William (ca. 1540–1623) Appears on: 24 Genres: Motet Voice: Altus Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Cunctis diebus ...
24v	Ave rosa sine spinis (extract: opening duo)	-	Tallis, Thomas (ca. 1505–1585)
Ave rosa sine spinis (extract: opening duo) Tallis, Thomas (ca. 1505–1585) Appears on: 24v Genres: Motet Voice: Altus Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Ave Rosa ...
25	Conserva me Domine (extract: Benedicam Domino)	-	Parsley [Percely], Osbert
Conserva me Domine (extract: Benedicam Domino) Parsley [Percely], Osbert Appears on: 25 Genres: Motet Voice: Altus Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Benedicam ...
25v	Conserva me Domine (extract: Multiplicatae sunt infirmitates)	-	Parsley [Percely], Osbert
Conserva me Domine (extract: Multiplicatae sunt infirmitates) Parsley [Percely], Osbert Appears on: 25v Genres: Motet Voice: Altus Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Multiplicati ...
26	Exsurge Domine (extract: Esto pater / Quorum perturbatae)	-	Wood, John
Exsurge Domine (extract: Esto pater / Quorum perturbatae) Wood, John Appears on: 26 Genres: Antiphon Voice: Altus Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Esto pater ...
26v–27	Exsurge Domine (extract: v4, Verbi tui fulminibus)	-	Wood, John
Exsurge Domine (extract: v4, Verbi tui fulminibus) Wood, John Appears on: 26v–27 Genres: Motet Voice: Altus Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Verbi tui ...
27v–28	Miserere mei Deus (extract: Docebo praevaricatores)	-	Mundy, William (ca. 1528–ca. 1591)
Miserere mei Deus (extract: Docebo praevaricatores) Mundy, William (ca. 1528–ca. 1591) Appears on: 27v–28 Genres: Motet Voice: Altus Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Docebo praevaricatores, vias tuas
28v–29	Vox patris caelestis (extract: opening duo)	-	Mundy, William (ca. 1528–ca. 1591)
Vox patris caelestis (extract: opening duo) Mundy, William (ca. 1528–ca. 1591) Appears on: 28v–29 Genres: Motet Voice: Altus Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Vox patris celestis ad sacram virginem Mariam
29v–30	Miserere mei Deus (extract: Miserere mei)	-	Mundy, William (ca. 1528–ca. 1591)
Miserere mei Deus (extract: Miserere mei) Mundy, William (ca. 1528–ca. 1591) Appears on: 29v–30 Genres: Motet Voice: Altus Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Miserere ...
30v–31	Illustrissima omnium (fr. 1 from a lost antiphon)	-	Sheppard, John (ca. 1515–1558)
Illustrissima omnium (fr. 1 from a lost antiphon) Sheppard, John (ca. 1515–1558) Appears on: 30v–31 Genres: Antiphon Voice: Altus Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Illustrissima omnium Immo et beatissima foeminarum
31v–32	Igitur, O Jesu bone (fr. 3 from a lost antiphon)	-	Sheppard, John (ca. 1515–1558)
Igitur, O Jesu bone (fr. 3 from a lost antiphon) Sheppard, John (ca. 1515–1558) Appears on: 31v–32 Genres: Antiphon Voice: Altus Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Igitur o Jhesu ...
32v	[unidentified mass]: Domine Deus rex caelestis	-	Tye, Christopher (ca. 1505–ca. 1573)
[unidentified mass]: Domine Deus rex caelestis Tye, Christopher (ca. 1505–ca. 1573) Appears on: 32v Genres: Gloria (et in terra pax), Mass Ordinary Voice: Altus Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: D[omi]ne deus Caelestis pater Magnus
33	Ave dei patris filia - 1a pars (of 7): Ave dei patris filia	-	Johnson (I), Robert (ca. 1500–ca. 1560)
Ave dei patris filia - 1a pars (of 7): Ave dei patris filia Johnson (I), Robert (ca. 1500–ca. 1560) Appears on: 33 Genres: Motet Voice: Altus Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Ave dei patris filia nobilissima
33v–34	Singularis privilegii	-	Sheppard, John (ca. 1515–1558)
Singularis privilegii Sheppard, John (ca. 1515–1558) Appears on: 33v–34 Genres: Antiphon Voice: Altus Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: [Singularis] Locupletata, singularis gratia plenitudine
34v–35	Exsurge Domine (extract: opening duo)	-	Wood, John
Exsurge Domine (extract: opening duo) Wood, John Appears on: 34v–35 Genres: Motet Voice: Altus Languages: Latin Clef: c3 Voice Text: Exurge D[omi]ne ut dissipentur inimici
35v–36	Miserere mei Deus (extract: Purifica me)	-	Mundy, William (ca. 1528–ca. 1591)
Miserere mei Deus (extract: Purifica me) Mundy, William (ca. 1528–ca. 1591) Appears on: 35v–36 Genres: Motet Voice: Altus Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Purifica me ...
36v	Exsurge Domine (extract: v3, Perfice illud quod in nobis)	-	Wood, John
Exsurge Domine (extract: v3, Perfice illud quod in nobis) Wood, John Appears on: 36v Genres: Motet Voice: Altus Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Perfice illud quod in nobis incepisti
37	Lamentations (I) a5 - (extract: Peccatum peccavit)	-	White, Robert (ca. 1538–1574)
Lamentations (I) a5 - (extract: Peccatum peccavit) White, Robert (ca. 1538–1574) Appears on: 37 Genres: Lamentations Voice: Altus Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Paccatum paccavit Jerusalem
37v–38v	Gaude plurimum - 1a pars (of 3): Gaude plurimum	-	Taverner, John
Gaude plurimum - 1a pars (of 3): Gaude plurimum Taverner, John Appears on: 37v–38v Genres: Motet Voice: Altus Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Gaude plurimum salvatoris nostri Mater ... Gaude Maria virgo, Divinitus hanc tibi
39	Gaude plurimum - 2a pars (of 3): Gaude Maria, Jesu mater	-	Taverner, John
Gaude plurimum - 2a pars (of 3): Gaude Maria, Jesu mater Taverner, John Appears on: 39 Genres: Motet Voice: Altus Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Gaude Maria Jesu Mater
39v	Salve intemerata virgo - 1a pars (of 5): Salve intemerata virgo Maria	-	Tallis, Thomas (ca. 1505–1585)
Salve intemerata virgo - 1a pars (of 5): Salve intemerata virgo Maria Tallis, Thomas (ca. 1505–1585) Appears on: 39v Genres: Motet General Note tacet in this pars, so no music; "text "Salve intemerata tacet" in middle of page
39v–40	Salve intemerata virgo - 2a pars (of 5): Annae mulieris	-	Tallis, Thomas (ca. 1505–1585)
Salve intemerata virgo - 2a pars (of 5): Annae mulieris Tallis, Thomas (ca. 1505–1585) Appears on: 39v–40 Genres: Motet Voice: Altus Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: [Ave mulieris] Sic a spiritu sancto tum sanctificata
40v	Salve intemerata virgo - 4a pars (of 5): Per haec nos	-	Tallis, Thomas (ca. 1505–1585)
Salve intemerata virgo - 4a pars (of 5): Per haec nos Tallis, Thomas (ca. 1505–1585) Appears on: 40v Genres: Motet Voice: Altus Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: [Per haec nos] Tibi virgo et mater Maria
41	Missa Gloria tibi Trinitas: Gloria (extract: Qui tollis peccata II)	-	Taverner, John
Missa Gloria tibi Trinitas: Gloria (extract: Qui tollis peccata II) Taverner, John Appears on: 41 Genres: Gloria (et in terra pax), Mass Ordinary Voice: Altus Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Qui tollis peccata mundi
41v–42	Ave dei patris filia - 5a pars (of 7): Ave Domini filia	-	Johnson (I), Robert (ca. 1500–ca. 1560)
Ave dei patris filia - 5a pars (of 7): Ave Domini filia Johnson (I), Robert (ca. 1500–ca. 1560) Appears on: 41v–42 Genres: Motet Voice: Altus Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Ave domini fillia singulariter General Note Copyist began texting "Favus distillans" before crissing out the text incipit and replacing it with the correct words
42v–43	Vox Patris caelestis (extract: Favus distillans)	-	Mundy, William (ca. 1528–ca. 1591)
Vox Patris caelestis (extract: Favus distillans) Mundy, William (ca. 1528–ca. 1591) Appears on: 42v–43 Genres: Motet Voice: Altus Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Favus distillans labia tua ex corde
43v	Ave rosa sine spinis: (extract: Maria stella)	-	Tallis, Thomas (ca. 1505–1585)
Ave rosa sine spinis: (extract: Maria stella) Tallis, Thomas (ca. 1505–1585) Appears on: 43v Genres: Motet Voice: Altus Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Maria stella ...
44	Ave Dei patris filia (extract: Esto nobis via)	-	Taverner, John
Ave Dei patris filia (extract: Esto nobis via) Taverner, John Appears on: 44 Genres: Motet Voice: Altus Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Esto nobis ...
44v	Ave rosa sine spinis (extract: Dominus tecum)	-	Tallis, Thomas (ca. 1505–1585)
Ave rosa sine spinis (extract: Dominus tecum) Tallis, Thomas (ca. 1505–1585) Appears on: 44v Genres: Motet Voice: Altus Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Dominus tecum miro pacto verbo
45	Missa Gloria tibi Trinitas: Sanctus (extract: Gloria tua)	-	Taverner, John
Missa Gloria tibi Trinitas: Sanctus (extract: Gloria tua) Taverner, John Appears on: 45 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: Altus Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Gloria tua
45v	Sospitati dedit aegros (extract: Ergo laudes Nicholae concinat)	-	Taverner, John
Sospitati dedit aegros (extract: Ergo laudes Nicholae concinat) Taverner, John Appears on: 45v Genres: Motet Voice: Altus Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Ergo laudes Nicholao concinet
46	Missa Gloria tibi Trinitas: Credo (extract: Crucifixus)	-	Taverner, John
Missa Gloria tibi Trinitas: Credo (extract: Crucifixus) Taverner, John Appears on: 46 Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: Altus Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: Crucifixus ...
46v–47	Missa Dum complerentur: Credo (extract: Crucifixus)	-	Victoria, Tomas Luis de (1548–1611)
Missa Dum complerentur: Credo (extract: Crucifixus) Victoria, Tomas Luis de (1548–1611) Appears on: 46v–47 Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: Altus Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Crucifixus ...
47v	Salve sancta parens - 2a pars (of 2): Eructavit cor meum	-	Byrd, William (ca. 1540–1623)
Salve sancta parens - 2a pars (of 2): Eructavit cor meum Byrd, William (ca. 1540–1623) Appears on: 47v Genres: Motet Voice: Altus Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Eructavit ...
47v–48	Suscepimus Deus - 2a pars (of 2): Magnus Dominus	-	Byrd, William (ca. 1540–1623)
Suscepimus Deus - 2a pars (of 2): Magnus Dominus Byrd, William (ca. 1540–1623) Appears on: 47v–48 Genres: Motet Voice: Altus Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Magnis D[omi]n[u]s
48v	Rorate caeli - 2a pars (of 2): Benedixisti Domine	-	Byrd, William (ca. 1540–1623)
Rorate caeli - 2a pars (of 2): Benedixisti Domine Byrd, William (ca. 1540–1623) Appears on: 48v Genres: Motet Voice: Altus Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Benedixisti ...

Composer	Compositions
Byrd, William (ca. 1540-1623)	Cunctis diebus quibus nunc milito – 24 Rorate caeli - 2a pars (of 2): Benedixisti Domine – 48v Salve sancta parens - 2a pars (of 2): Eructavit cor meum – 47v Suscepimus Deus - 2a pars (of 2): Magnus Dominus – 47v–48
Fayrfax, Robert (1464-1521)	Ave Dei patris filia (extract, opening trio) – 21v Magnificat O bone Jesu (excerpt): [Et exultavit] In Deo – 9 Magnificat O bone Jesu (excerpt): [Fecit potentiam Dispersit] Superbos – 9
Johnson (I), Robert (ca. 1500-ca. 1560)	Ave dei patris filia - 1a pars (of 7): Ave dei patris filia – 33 Ave dei patris filia - 5a pars (of 7): Ave Domini filia – 41v–42
Mundy, William (ca. 1528-ca. 1591)	Eructavit cor meum (extract: Audi filia) – 15v Eructavit cor meum (extract: opening duo) – 16 Miserere mei Deus (extract: Cor mundum) – 16v–17 Miserere mei Deus (extract: Docebo praevaricatores) – 27v–28 Miserere mei Deus (extract: Miserere mei) – 29v–30 Miserere mei Deus (extract: Purifica me) – 17v–18 Miserere mei Deus (extract: Purifica me) – 35v–36 Miserere mei Deus (extract: Quoniam praevaricationes) – 19v–20 Vox Patris caelestis (extract: Favus distillans) – 42v–43 Vox Patris caelestis (extract: Surge propera) – 18v–19 Vox patris caelestis (extract: opening duo) – 28v–29
Parsley [Percely], Osbert	Conserva me Domine (extract: Benedicam Domino) – 25 Conserva me Domine (extract: Multiplicatae sunt infirmitates) – 25v Conserva me Domine (extract: opening duo) – 1
Parsons 'of Wells', William	Anima Christi (extract, from beginning to Salva me) – 7v
Sheppard, John (ca. 1515-1558)	Igitur, O Jesu bone (fr. 3 from a lost antiphon) – 31v–32 Illustrissima omnium (fr. 1 from a lost antiphon) – 30v–31 Singularis privilegii – 33v–34 Singularis privilegii – 2
Tallis, Thomas (ca. 1505-1585)	Ave Dei patris filia: (opening trio) – 7 Ave Dei patris filia: Ave plena gratia – 20v–21 Ave Dei patris filia: (trio, Ave Domini filia) – 10v–11 Ave rosa sine spinis (extract: Dominus tecum) – 44v Ave rosa sine spinis (extract: opening duo) – 24v Ave rosa sine spinis: (extract: Maria stella) – 43v Gaude gloriosa Dei mater (extract: opening trio, Gaude gloriosa Dei mater) – 9v–10 Salve intemerata virgo - 1a pars (of 5): Salve intemerata virgo Maria – 39v Salve intemerata virgo - 1a pars (of 5): Salve intemerata virgo Maria – 5 Salve intemerata virgo - 2a pars (of 5): Annae mulieris – 5v Salve intemerata virgo - 2a pars (of 5): Annae mulieris – 39v–40 Salve intemerata virgo - 3a pars (of 5): Tu nimirum – 6v, 6a_v Salve intemerata virgo - 4a pars (of 5): Per haec nos – 40v Salve intemerata virgo - 4a pars (of 5): Per haec nos – 6
Taverner, John	Agnus Dei – 23v Ave Dei patris filia (extract: Esto nobis via) – 44 Ave Dei patris filia (extract: opening trio) – 22 Ave Dei patris filia (extract: opening trio) – 2v Gaude plurimum - 1a pars (of 3): Gaude plurimum – 37v–38v Gaude plurimum - 1a pars (of 3): Gaude plurimum – 3v Gaude plurimum - 2a pars (of 3): Gaude Maria, Jesu mater – 39 Gaude plurimum - 2a pars (of 3): Gaude Maria, Jesu mater – 4–4v Missa Corona spinea,: Gloria (extract: Et in terra pax) – 14 Missa Corona spinea: Credo (extract: Crucifixus) – 15 Missa Corona spinea: Credo (extract: opening ) – 14v Missa Gloria tibi Trinitas: Credo (extract: Crucifixus) – 46 Missa Gloria tibi Trinitas: Gloria (extract: Qui tollis peccata I) – 8v Missa Gloria tibi Trinitas: Gloria (extract: Qui tollis peccata II) – 41 Missa Gloria tibi Trinitas: Gloria (extract: Quoniam tu solus) – 23 Missa Gloria tibi Trinitas: Sanctus (extract: Gloria tua) – 45 Sospitati dedit aegros (extract: Ergo laudes Nicholae concinat) – 45v Sospitati dedit aegros (extract: Sospitati dedit (opening)) – 22v–23 The Mean Mass: Credo (extract: Et incarnatus) – 13v
Tye, Christopher (ca. 1505-ca. 1573)	[unidentified mass]: Domine Deus rex caelestis – 32v
Victoria, Tomas Luis de (1548-1611)	Missa Dum complerentur: Credo (extract: Crucifixus) – 46v–47
White, Robert (ca. 1538-1574)	Cantate Domino (arrangement of opening trio of 'Exaudiat te Dominus') – 12v Lamentations (I) a5 - (extract: Peccatum peccavit) – 37 Lamentations (I) a5 - (extract: Peccatum peccavit) – 3 Manus tuae - 1a pars (of 2): Manus tuae fecerunt me – 8 Manus tuae - 1a pars (of 2): Manus tuae fecerunt me – 11v–12
Wood, John	Exsurge Domine (extract: v3, Perfice illud quod in nobis) – 36v Exsurge Domine (extract: Esto pater / Quorum perturbatae) – 26 Exsurge Domine (extract: opening duo) – 1v Exsurge Domine (extract: opening duo) – 34v–35 Exsurge Domine (extract: v4, Verbi tui fulminibus) – 26v–27

Composition	Composers (? Uncertain)	Folios / Pages
[unidentified mass]: Domine Deus rex caelestis	Tye, Christopher (ca. 1505–ca. 1573)	32v
Agnus Dei	Taverner, John	23v
Anima Christi (extract, from beginning to Salva me)	Parsons 'of Wells', William	7v
Ave Dei patris filia (extract: Esto nobis via)	Taverner, John	44
Ave Dei patris filia (extract, opening trio)	Fayrfax, Robert (1464–1521)	21v
Ave Dei patris filia (extract: opening trio)	Taverner, John	2v
Ave Dei patris filia (extract: opening trio)	Taverner, John	22
Ave dei patris filia - 1a pars (of 7): Ave dei patris filia	Johnson (I), Robert (ca. 1500–ca. 1560)	33
Ave dei patris filia - 5a pars (of 7): Ave Domini filia	Johnson (I), Robert (ca. 1500–ca. 1560)	41v–42
Ave Dei patris filia: (opening trio)	Tallis, Thomas (ca. 1505–1585)	7
Ave Dei patris filia: Ave plena gratia	Tallis, Thomas (ca. 1505–1585)	20v–21
Ave Dei patris filia: (trio, Ave Domini filia)	Tallis, Thomas (ca. 1505–1585)	10v–11
Ave rosa sine spinis (extract: Dominus tecum)	Tallis, Thomas (ca. 1505–1585)	44v
Ave rosa sine spinis (extract: opening duo)	Tallis, Thomas (ca. 1505–1585)	24v
Ave rosa sine spinis: (extract: Maria stella)	Tallis, Thomas (ca. 1505–1585)	43v
Cantate Domino (arrangement of opening trio of 'Exaudiat te Dominus')	White, Robert (ca. 1538–1574)	12v
Conserva me Domine (extract: Benedicam Domino)	Parsley [Percely], Osbert	25
Conserva me Domine (extract: Multiplicatae sunt infirmitates)	Parsley [Percely], Osbert	25v
Conserva me Domine (extract: opening duo)	Parsley [Percely], Osbert	1
Cunctis diebus quibus nunc milito	Byrd, William (ca. 1540–1623)	24
Eructavit cor meum (extract: Audi filia)	Mundy, William (ca. 1528–ca. 1591)	15v
Eructavit cor meum (extract: opening duo)	Mundy, William (ca. 1528–ca. 1591)	16
Exsurge Domine (extract: v3, Perfice illud quod in nobis)	Wood, John	36v
Exsurge Domine (extract: Esto pater / Quorum perturbatae)	Wood, John	26
Exsurge Domine (extract: opening duo)	Wood, John	1v
Exsurge Domine (extract: opening duo)	Wood, John	34v–35
Exsurge Domine (extract: v4, Verbi tui fulminibus)	Wood, John	26v–27
Gaude gloriosa Dei mater (extract: opening trio, Gaude gloriosa Dei mater)	Tallis, Thomas (ca. 1505–1585)	9v–10
Gaude plurimum - 1a pars (of 3): Gaude plurimum	Taverner, John	3v
Gaude plurimum - 1a pars (of 3): Gaude plurimum	Taverner, John	37v–38v
Gaude plurimum - 2a pars (of 3): Gaude Maria, Jesu mater	Taverner, John	4–4v
Gaude plurimum - 2a pars (of 3): Gaude Maria, Jesu mater	Taverner, John	39
Igitur, O Jesu bone (fr. 3 from a lost antiphon)	Sheppard, John (ca. 1515–1558)	31v–32
Illustrissima omnium (fr. 1 from a lost antiphon)	Sheppard, John (ca. 1515–1558)	30v–31
Lamentations (I) a5 - (extract: Peccatum peccavit)	White, Robert (ca. 1538–1574)	3
Lamentations (I) a5 - (extract: Peccatum peccavit)	White, Robert (ca. 1538–1574)	37
Magnificat O bone Jesu (excerpt): [Et exultavit] In Deo	Fayrfax, Robert (1464–1521)	9
Magnificat O bone Jesu (excerpt): [Fecit potentiam Dispersit] Superbos	Fayrfax, Robert (1464–1521)	9
Manus tuae - 1a pars (of 2): Manus tuae fecerunt me	White, Robert (ca. 1538–1574)	8
Manus tuae - 1a pars (of 2): Manus tuae fecerunt me	White, Robert (ca. 1538–1574)	11v–12
Miserere mei Deus (extract: Cor mundum)	Mundy, William (ca. 1528–ca. 1591)	16v–17
Miserere mei Deus (extract: Docebo praevaricatores)	Mundy, William (ca. 1528–ca. 1591)	27v–28
Miserere mei Deus (extract: Miserere mei)	Mundy, William (ca. 1528–ca. 1591)	29v–30
Miserere mei Deus (extract: Purifica me)	Mundy, William (ca. 1528–ca. 1591)	17v–18
Miserere mei Deus (extract: Purifica me)	Mundy, William (ca. 1528–ca. 1591)	35v–36
Miserere mei Deus (extract: Quoniam praevaricationes)	Mundy, William (ca. 1528–ca. 1591)	19v–20
Missa Corona spinea,: Gloria (extract: Et in terra pax)	Taverner, John	14
Missa Corona spinea: Credo (extract: Crucifixus)	Taverner, John	15
Missa Corona spinea: Credo (extract: opening )	Taverner, John	14v
Missa Dum complerentur: Credo (extract: Crucifixus)	Victoria, Tomas Luis de (1548–1611)	46v–47
Missa Gloria tibi Trinitas: Credo (extract: Crucifixus)	Taverner, John	46
Missa Gloria tibi Trinitas: Gloria (extract: Qui tollis peccata I)	Taverner, John	8v
Missa Gloria tibi Trinitas: Gloria (extract: Qui tollis peccata II)	Taverner, John	41
Missa Gloria tibi Trinitas: Gloria (extract: Quoniam tu solus)	Taverner, John	23
Missa Gloria tibi Trinitas: Sanctus (extract: Gloria tua)	Taverner, John	45
Rorate caeli - 2a pars (of 2): Benedixisti Domine	Byrd, William (ca. 1540–1623)	48v
Salve intemerata virgo - 1a pars (of 5): Salve intemerata virgo Maria	Tallis, Thomas (ca. 1505–1585)	5
Salve intemerata virgo - 1a pars (of 5): Salve intemerata virgo Maria	Tallis, Thomas (ca. 1505–1585)	39v
Salve intemerata virgo - 2a pars (of 5): Annae mulieris	Tallis, Thomas (ca. 1505–1585)	5v
Salve intemerata virgo - 2a pars (of 5): Annae mulieris	Tallis, Thomas (ca. 1505–1585)	39v–40
Salve intemerata virgo - 3a pars (of 5): Tu nimirum	Tallis, Thomas (ca. 1505–1585)	6v, 6a_v
Salve intemerata virgo - 4a pars (of 5): Per haec nos	Tallis, Thomas (ca. 1505–1585)	6
Salve intemerata virgo - 4a pars (of 5): Per haec nos	Tallis, Thomas (ca. 1505–1585)	40v
Salve sancta parens - 2a pars (of 2): Eructavit cor meum	Byrd, William (ca. 1540–1623)	47v
Singularis privilegii	Sheppard, John (ca. 1515–1558)	2
Singularis privilegii	Sheppard, John (ca. 1515–1558)	33v–34
Sospitati dedit aegros (extract: Ergo laudes Nicholae concinat)	Taverner, John	45v
Sospitati dedit aegros (extract: Sospitati dedit (opening))	Taverner, John	22v–23
Suscepimus Deus - 2a pars (of 2): Magnus Dominus	Byrd, William (ca. 1540–1623)	47v–48
The Mean Mass: Credo (extract: Et incarnatus)	Taverner, John	13v
Vox Patris caelestis (extract: Favus distillans)	Mundy, William (ca. 1528–ca. 1591)	42v–43
Vox patris caelestis (extract: opening duo)	Mundy, William (ca. 1528–ca. 1591)	28v–29
Vox Patris caelestis (extract: Surge propera)	Mundy, William (ca. 1528–ca. 1591)	18v–19

Set: Paston Manuscripts

Type: Linked by Origin or Contents

GB-CF MS D/DP Z6/1

GB-CF MS D/DP Z6/2

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Altus]

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Discantus]

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Medius]

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Tenor]

No images available

No images available

No images available

No images available

GB-Lbl Add. MS 29246 (Paston MS)

GB-Lbl Add. MS 29247 (Paston MS)

No images available

No images available

No images available

No images available

No images available

No images available

No images available

No images available

No images available

No images available

No images available

No images available

No images available

No images available

No images available

No images available

No images available

No images available

No images available

No images available

No images available

No images available

No images available

No images available

No images available

GB-Lbl Madrigal Society G. 9

No images available

GB-Lbl Madrigal Society G. 10

No images available

GB-Lbl Madrigal Society G. 11

No images available

GB-Lbl Madrigal Society G. 12

No images available

GB-Lbl Madrigal Society G. 13

No images available

GB-Lbl Madrigal Society G. 14

No images available

GB-Lbl Madrigal Society G. 15

No images available

GB-Lbl Madrigal Society G. 16

No images available

GB-Lbl Madrigal Society G. 17

No images available

GB-Lbl Madrigal Society G. 18

No images available

GB-Lbl Madrigal Society G. 19

No images available

GB-Lbl Madrigal Society G. 20

No images available

GB-Lbl Madrigal Society G. 21

No images available

GB-Lbl Madrigal Society G. 22

No images available

GB-Lbl Madrigal Society G. 23

No images available

GB-Lbl Madrigal Society G. 24

No images available

GB-Lbl Madrigal Society G. 25

No images available

GB-Lbl Madrigal Society G. 26

No images available

GB-Lbl Madrigal Society G. 27

No images available

GB-Lcm MS 2035 [Altus]

No images available

GB-Lcm MS 2035 [Bassus]

No images available

GB-Lcm MS 2035 [Discantus]

No images available

GB-Lcm MS 2036 [Altus]

No images available

GB-Lcm MS 2036 [Bassus]

No images available

GB-Lcm MS 2036 [Discantus]

No images available

GB-Lcm MS 2041

GB-Ob MS. Tenbury 341

GB-Ob MS. Tenbury 342

GB-Ob MS. Tenbury 343

GB-Ob MS. Tenbury 344

No images available

GB-Ob MS. Tenbury 349

No images available

GB-Ob MS. Tenbury 350

No images available

GB-Ob MS. Tenbury 351

No images available

GB-Ob MS. Tenbury 352

No images available

GB-Ob MS. Tenbury 353

No images available

GB-Ob MS. Tenbury 354

No images available

GB-Ob MS. Tenbury 355

No images available

GB-Ob MS. Tenbury 356

No images available

GB-Ob MS. Tenbury 357

No images available

GB-Ob MS. Tenbury 358

No images available

GB-Ob MS. Tenbury 359

No images available

GB-Ob MS. Tenbury 360

No images available

GB-Ob MS. Tenbury 361

No images available

GB-Ob MS. Tenbury 362

No images available

GB-Ob MS. Tenbury 363

No images available

GB-Ob MS. Tenbury 369

No images available

GB-Ob MS. Tenbury 370

No images available

GB-Ob MS. Tenbury 371

No images available

GB-Ob MS. Tenbury 372

No images available

GB-Ob MS. Tenbury 373

No images available

GB-Ob MS. Tenbury 374

No images available

GB-Ob MS. Tenbury 375

No images available

GB-Ob MS. Tenbury 376

No images available

GB-Ob MS. Tenbury 377

No images available

GB-Ob MS. Tenbury 378

No images available

GB-Ob MS. Tenbury 1469 (Harmsworth Manuscript)

No images available

GB-Ob MS. Tenbury 1470 (Harmsworth Manuscript)

No images available

GB-Ob MS. Tenbury 1471 (Harmsworth Manuscript)

No images available

US-Ws V.a. 405

No images available

US-Ws V.a. 406

No images available

US-Ws V.a. 407

Set: MS 2035

Type: Partbooks

No images available

GB-Lcm MS 2035 [Altus]

No images available

GB-Lcm MS 2035 [Bassus]

No images available

GB-Lcm MS 2035 [Discantus]

‡ denotes primary source study

Bray, Roger W. 1969. The Interpretation of Musica Ficta in English Music, C. 1490-C. 1580 [dissertation]. Oxford University, Unpublished Ph.D. dissertation. Pages: I, 142, 171ff; II, 62ff. Notes: transcription (partial); mention of MS; discussion.

Warren, Edwin B. 1969. Life and Works of Robert Fayrfax. Musicological Studies and Documents, vol. 22. American Institute of Musicology. Pages: 54, 60, 123. Notes: mention of MS; contents list (partial); concordances (partial).

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 145. Notes: contents list (partial); concordances (partial); incipits (partial).

Brett, Philip. 1964-68. Edward Paston (1550-1630): A Norfolk Gentleman and His Musical Collection. Transactions of the Cambridge Bibliographical Society, 4: 51-69. Pages: 69. Notes: mention of MS.

Lamont, Herbert Harry. 1963. John Shepherd: His Life and Music. University of Southern California, Unpublished Ph.D. dissertation. Pages: I, 115-6, 223-6. Notes: physical description (partial); contents list (partial); concordances (partial).

Brett, Philip, and Thurston Dart. 1960. Songs by William Byrd in Manuscripts at Harvard. Harvard Library Bulletin, 14: 343-65. Pages: 346-7, 365. Notes: mention of MS.

Westrup, Jack A (editor). 1954-. New Oxford History of Music. London, New York, and Toronto. Pages: IV, 479-80. Notes: transcription (partial).

Squire, W Barclay. 1930c. Catalogue of the Manuscripts in the Library of the Royal College of Music. Notes: physical description.

Fellowes, Edmund H (editor). 1923-48. Tudor Church Music. London, Oxford et al. Pages: I, lx-lxiii; III, xvii-xx, 60, 133; V, xx, xxii, xxvii; VI, xxvii-xxix; X, 235. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial).

Husk, W H. 1872. Catalogue of the Library of The Sacred Harmonic Society. London. Pages: 203-4. Notes: physical description (partial); contents list.

This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.

No comments have been made.