Click an entry to see more information about that item.
Folio / Pages | Composition / Item title | Source attribution | Composers (? Uncertain) |
---|---|---|---|
2–2v | index | - | - |
index
Appears on:
2–2v
|
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3 | Prostrate, O Lord, I lie | Mr Birde | |
Appears on:
3
Genres:
Anthem
Source Attribution:
Mr Birde
|
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3 | Even from the depth unto thee | Mr Birde | |
Appears on:
3
Genres:
Anthem
Source Attribution:
Mr Birde
|
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3v | Compel the Hawke | Mr Birde | |
Appears on:
3v
Genres:
Consort song
Source Attribution:
Mr Birde
|
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4 | Ben ho da maledir | Ph: de Monte | |
Appears on:
4
Genres:
Tablature
Source Attribution:
Ph: de Monte
|
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4v | Unir non puo | Ph: de Monte | |
Appears on:
4v
Genres:
Tablature
Source Attribution:
Ph: de Monte
|
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4v–5 | Voi sette occhi | Ph: de Monte | |
Appears on:
4v–5
Genres:
Tablature
Source Attribution:
Ph: de Monte
|
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5v | De si cocente | Phi: Monte | |
Appears on:
5v
Genres:
Tablature
Source Attribution:
Phi: Monte
|
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5v–6 | Se le longue | Phi: de Monte | |
Appears on:
5v–6
Genres:
Tablature
Source Attribution:
Phi: de Monte
|
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6v | Aupres de vous | Alfonsus | |
Appears on:
6v
Genres:
Chanson
Source Attribution:
Alfonsus
|
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7 | Quell' augellin che canta | Luca Marenzo | |
Appears on:
7
Genres:
Madrigal (Italian)
Source Attribution:
Luca Marenzo
General NoteTitle: 'Quell Angelin' (sic) |
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7v–8 | Se lungi dal mio sol | Alfonsus | |
Appears on:
7v–8
Genres:
Madrigal (Italian)
Source Attribution:
Alfonsus
General Notetext: 'Si longe' (sic) |
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8 | Farewell false love | Mr Birde | |
Appears on:
8
Genres:
Consort song
Source Attribution:
Mr Birde
|
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8v–9 | O sacrum convivium in quo Christus sumitur | Mr Tallis | |
Appears on:
8v–9
Genres:
Motet
Source Attribution:
Mr Tallis
|
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9 | Mihi autem nimis honorati sunt | Mister Tallis | |
Appears on:
9
Genres:
Motet
Source Attribution:
Mister Tallis
|
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9v | Salvator mundi (I) | Mr. Tallis | |
Appears on:
9v
Genres:
Motet
Source Attribution:
Mr. Tallis
|
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9v–10 | How long shall mine enemies | Mr. Tallis | |
Appears on:
9v–10
Genres:
Anthem
Source Attribution:
Mr. Tallis
|
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10v–11 | Absterge Domine | Mr. Tallis | |
Appears on:
10v–11
Source Attribution:
Mr. Tallis
|
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11v | [Christe qui lux es (III)] Precamur sancte Domine | Mr. Whight | |
Appears on:
11v
Genres:
Motet
Source Attribution:
Mr. Whight
|
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12 | O salutaris hostia | Mr. Tallis | |
Appears on:
12
Genres:
Motet
Source Attribution:
Mr. Tallis
|
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12v–13 | Dum transisset sabbatum, Maria Magdalene / Aromata emerunt | Master Tallis | |
Appears on:
12v–13
Genres:
Motet
Source Attribution:
Master Tallis
|
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13–14 | De Lamentatione Jeremiae (C64) | Alphonsus | |
Appears on:
13–14
Genres:
Lamentations, Motet
Source Attribution:
Alphonsus
General Notetitle: 'Lamentatio' |
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14v–15 | Apparebit in finem | Mr. Birde | |
Appears on:
14v–15
Genres:
Motet
Source Attribution:
Mr. Birde
|
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15 | Farewell false love | Mr. Birde | |
Appears on:
15
Genres:
Consort song
Source Attribution:
Mr. Birde
|
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15v–16 | Audivi vocem de caelo | Mr. Birde | |
Appears on:
15v–16
Genres:
Motet
Source Attribution:
Mr. Birde
|
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16 | Deh poi che era ne' fati | Luca Marenzo | |
Appears on:
16
Genres:
Madrigal (Italian)
Source Attribution:
Luca Marenzo
|
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16v–17 | Domine tu jurasti | Mr. Birde | |
Appears on:
16v–17
Genres:
Motet
Source Attribution:
Mr. Birde
|
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17v | Remember Lord (= Blame I confess) | Mr Birde | |
Appears on:
17v
Genres:
Anthem, Contrafactum
Source Attribution:
Mr Birde
|
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18r | Vide domine afflictionem - 1a pars (of 2): Vide domine afflictionem nostram et in tempore | Mr Birde | |
Appears on:
18r
Genres:
Motet
Source Attribution:
Mr Birde
|
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18v–19 | Vide domine afflictionem - 2a pars (of 2): Sed veni domine et noli tardare | Mr Birde | |
Appears on:
18v–19
Genres:
Motet
Source Attribution:
Mr Birde
|
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19 | Haec dicit Dominus - 1a pars (of 2): Haec dicit Dominus vox in excelsis | Mr Birde | |
Appears on:
19
Genres:
Motet
Source Attribution:
Mr Birde
|
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19v–20 | Haec dicit Dominus - 2a pars (of 2): Haec dicit Dominus quiescat vox | Mr Birde | |
Appears on:
19v–20
Genres:
Motet
Source Attribution:
Mr Birde
|
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20 | Constant Penelope | Mr Birde | |
Appears on:
20
Genres:
Consort song
Source Attribution:
Mr Birde
|
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20v–21 | Vigilate nescitis enim | Mr Birde | |
Appears on:
20v–21
Source Attribution:
Mr Birde
|
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21v–22 | Domine secundum multitudinem dolorum meum | - | |
Appears on:
21v–22
Genres:
Motet
|
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22 | Tribulationes civitatum - 1a pars (of 3): Tribulationes civitatum | Mr Birde | |
Appears on:
22
Genres:
Motet
Source Attribution:
Mr Birde
|
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22v–23 | Tribulationes civitatum - 2a pars (of 3): Timor et hebitudo | Mr Birde | |
Appears on:
22v–23
Genres:
Motet
Source Attribution:
Mr Birde
|
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23v | Tribulationes civitatum - 3a pars (of 3): Nos enim pro peccatis | Mr Birde | |
Appears on:
23v
Genres:
Motet
Source Attribution:
Mr Birde
|
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24 | Ambitious Love has forced me to aspire | Mr Birde | |
Appears on:
24
Genres:
Consort song
Source Attribution:
Mr Birde
|
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24v | All as a sea | Mr Birde | |
Appears on:
24v
Genres:
Consort song
Source Attribution:
Mr Birde
|
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24v–25 | Ne irascaris - 1a pars (of 2): Ne irascaris Domine | Mr Birde | |
Appears on:
24v–25
Genres:
Motet
Source Attribution:
Mr Birde
|
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25v–26 | Ne irascaris - 2a pars (of 2): Civitatis sancti tui | Mr Birde | |
Appears on:
25v–26
Genres:
Motet
Source Attribution:
Mr Birde
|
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26 | Mors tua - 1a pars (of 2): Mors tua, mors Christi | Orlando | |
Appears on:
26
Genres:
Motet, Tablature
Source Attribution:
Orlando
|
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26v | Mors tua - 2a pars (of 2): Quicquid erit tandem mea spes est unica Christus | - | |
Appears on:
26v
Genres:
Motet, Tablature
|
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27 | [Salve] festa dies | Geo: Langeus | |
Appears on:
27
Genres:
Tablature
Source Attribution:
Geo: Langeus
|
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27v | Domine Jesu Christe, pastor bone | Orlando | |
Appears on:
27v
Genres:
Motet
Source Attribution:
Orlando
|
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28 | Quoties diem illum | Georgius Langeus | |
Appears on:
28
Genres:
Motet
Source Attribution:
Georgius Langeus
|
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28v–29 | Nigra sum - 1a pars (of 2): Nigra sum sed formosa | Criquillon | |
Appears on:
28v–29
Genres:
Motet
Source Attribution:
Criquillon
|
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29v–30 | Nigra sum - 2a pars (of 2): Posuerunt me custodem in vinis | - | |
Appears on:
29v–30
Genres:
Motet
|
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30v–31 | Domine quis habitabit - 1a pars (of 2): Domine quis habitabit | Mr Tallis | |
Appears on:
30v–31
Genres:
Motet
Source Attribution:
Mr Tallis
|
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31v–32 | Domine quis habitabit - 2a pars (of 2): Ad nihillum deductus | - | |
Appears on:
31v–32
Genres:
Motet
|
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32v–33 | In voluntate tua | - | Anonymous |
In voluntate tuaAnonymous
Appears on:
32v–33
Genres:
Motet
|
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33 | [fragment] | Mr Birde | |
Appears on:
33
Genres:
Tablature
Source Attribution:
Mr Birde
General NoteA single line. "What pleasure" crossed through, and that piece begun on the following line |
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33 | What pleasure have great Princes | Mr Birde | |
Appears on:
33
Genres:
Consort song
Source Attribution:
Mr Birde
|
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33v–34 | Peccavi super numerum | Mr Byrde | |
Appears on:
33v–34
Genres:
Motet
Source Attribution:
Mr Byrde
|
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34v | Alma redemptoris (5vv) - 1a pars (of 2): Alma redemptoris mater | Ludo: Victoria | |
Appears on:
34v
Genres:
Motet
Source Attribution:
Ludo: Victoria
|
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35 | Alma redemptoris (5vv) - 2a pars (of 2): Tu que genuisti natura mirante | - | |
Appears on:
35
Genres:
Motet
|
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35v | Beati qui habitant | Phi: de Monte | |
Appears on:
35v
Genres:
Motet
Source Attribution:
Phi: de Monte
|
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35v–36 | Je ne me puis tenir d'aimer 29.11 | Josquin * Je ne me puis | |
Appears on:
35v–36
Genres:
Chanson
Source Attribution:
Josquin * Je ne me puis
|
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36v | Pour vous aimer | - | |
Appears on:
36v
Genres:
Chanson
|
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37 | Pour un plaisir = A nouber | - | |
Appears on:
37
General Notetitled as the 'Secunda pars' of the preceding, but actually van Wilder's chanson |
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37v | Quando mi miri con quessi occhi ladri | Hero: Conversi | |
Appears on:
37v
Genres:
Madrigal (Italian)
Source Attribution:
Hero: Conversi
|
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37v–38 | Di questa bionda e vaga treccia | Alex: Striggio | |
Appears on:
37v–38
Genres:
Madrigal (Italian)
Source Attribution:
Alex: Striggio
|
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38v | Elle s'en va de moi la mieux aimée | Orlando | |
Appears on:
38v
Genres:
Chanson
Source Attribution:
Orlando
|
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38v–39 | Le rossignol plaisant et gracieulx | Orlando | |
Appears on:
38v–39
Genres:
Chanson
Source Attribution:
Orlando
|
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39v–40 | Le rossignol plaisant et gratieux | Alphonsus | |
Appears on:
39v–40
Genres:
Madrigal
Source Attribution:
Alphonsus
|
|||
40 | Le corps | - | Anonymous |
Le corpsAnonymous
Appears on:
40
Genres:
Tablature
|
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40v | Pis ne me peult venir que j'ai jusques ici | Criquillon | |
Appears on:
40v
Genres:
Chanson
Source Attribution:
Criquillon
|
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40v–41 | Cy je ne plais | - | Anonymous |
Cy je ne plaisAnonymous
Appears on:
40v–41
Genres:
Chanson
|
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41v–42 | Ce vostre beaute | Mr Phillipps | |
Appears on:
41v–42
Genres:
none
Source Attribution:
Mr Phillipps
Voice:
[no designation]
Languages:
French
Voice Text:
Ce vostre brut
|
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42 | Dormend' un giorno a Baia a l'ombr' Amore | Archadelt | |
Appears on:
42
Genres:
Madrigal (Italian)
Source Attribution:
Archadelt
|
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42v | Madonna [se volete?] | Gior: vespa | |
Appears on:
42v
Genres:
Madrigal (Italian)
Source Attribution:
Gior: vespa
|
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42v–43 | Io son ferito ahi lasso e chi mi diede | Jhon Palestina | |
Appears on:
42v–43
Genres:
Madrigal (Italian)
Source Attribution:
Jhon Palestina
|
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43 | Vestiva i colli - 1a pars (of 2): Vestiva i colli e le campagn'intorno | Gran: Palestina | |
Appears on:
43
Genres:
Madrigal (Italian)
Source Attribution:
Gran: Palestina
|
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43v | Vestiva i colli - 2a pars (of 2): Cosi le chiome mie soavemente | - | |
Appears on:
43v
Genres:
Madrigal (Italian)
|
|||
43v–44 | Les nimphes | Alfonsus | |
Appears on:
43v–44
Genres:
Tablature
Source Attribution:
Alfonsus
|
|||
44v | Lombany [L'homme banni de sa plaisance?] | Mr Phillips * Le home banni | |
Appears on:
44v
Source Attribution:
Mr Phillips * Le home banni
|
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45 | Du mal que j'ay | Mr Phillipps | |
Appears on:
45
Genres:
Chanson
Source Attribution:
Mr Phillipps
|
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45v–46 | Fac cum servo tuo | Mr Birde | |
Appears on:
45v–46
Genres:
Motet
Source Attribution:
Mr Birde
|
|||
46 | Arise O Lord - 1a pars (of 2): Arise O Lord why sleepest thou | Mr Byrde | |
Appears on:
46
Genres:
Anthem
Source Attribution:
Mr Byrde
|
|||
46v | Arise O Lord - 2a pars (of 2): Help us, O God | - | |
Appears on:
46v
Genres:
Anthem
|
|||
46v–47 | Memento Domine | Mr Birde | |
Appears on:
46v–47
Genres:
Motet
Source Attribution:
Mr Birde
|
|||
47v | O Lord give ear unto my prayer (6vv) (= Memento homo) | Mr Birde | |
Appears on:
47v
Genres:
Anthem
Source Attribution:
Mr Birde
|
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48 | Amor me accende | Phi: de Monte | |
Appears on:
48
Genres:
Madrigal (Italian)
Source Attribution:
Phi: de Monte
|
|||
48v | Como vago augeli | Phi: de Monte | |
Appears on:
48v
Genres:
Madrigal
Source Attribution:
Phi: de Monte
|
|||
49 | Amincia [=Amiamci] poi che - 1a pars (of 2): Amincia poi che | Phi: de Monte | |
Appears on:
49
Genres:
Madrigal
Source Attribution:
Phi: de Monte
|
|||
49v | Amincia [=Amiamci] poi che - 2a pars (of 2): | - | |
Appears on:
49v
Genres:
Madrigal (Italian)
|
|||
50 | Bruna sei tu | - | |
Appears on:
50
Genres:
Madrigal (Italian)
|
|||
50v | Se voi sette | Alfonsus | |
Appears on:
50v
Genres:
Madrigal (Italian)
Source Attribution:
Alfonsus
|
|||
51 | Memento homo quod cinis es | Mr Byrde | |
Appears on:
51
Source Attribution:
Mr Byrde
|
|||
51v–52 | Aspice Domine quia facta est (6vv) | Mr Birde | |
Appears on:
51v–52
Genres:
Motet
Source Attribution:
Mr Birde
Concordancesslightly different from the version at f. 68v |
|||
52v–53 | Attollite portas | - | |
Appears on:
52v–53
Genres:
Psalm
Concordancesalso copied at f. 69v |
|||
53v | O lux beata trinitas - 1a pars (of 3): O lux beata trinitas et principalis | Mr Birde | |
Appears on:
53v
Genres:
Motet
Source Attribution:
Mr Birde
Concordancesslightly different from the version at f. 68 |
|||
53v–54 | Infelix ego omnium - 1a pars (of 3): Infelix ego omnium | Mr Birde | |
Appears on:
53v–54
Genres:
Motet
Source Attribution:
Mr Birde
|
|||
54v | Infelix ego omnium - 2a pars (of 3): Quid igitur faciam | - | |
Appears on:
54v
Genres:
Motet
|
|||
54v–55 | Infelix ego omnium - 3a pars (of 3): Ad te igitur | - | |
Appears on:
54v–55
Genres:
Motet
|
|||
55v | Domine da nobis - 1a pars (of 2): Domine da nobis auxilium de tribulatione | Criquillon | |
Appears on:
55v
Genres:
Motet
Source Attribution:
Criquillon
|
|||
56 | Domine da nobis - 2a pars (of 2): Tibi subiecta sit amica mea | - | |
Appears on:
56
Genres:
Motet
|
|||
56v | Jesu nostra redemptio - 1a pars (of 4): Jesu nostra redemptio amor et desiderium | Orlando | |
Appears on:
56v
Genres:
Motet
Source Attribution:
Orlando
|
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56v–57 | Jesu nostra redemptio - 2a pars (of 4): Inferni claustra penetrans tuos | - | |
Appears on:
56v–57
Genres:
Motet
|
|||
57 | Jesu nostra redemptio - 3a pars (of 4): Ipsa te cogat pietas ut mala | - | |
Appears on:
57
Genres:
Motet
|
|||
57v | Dolce amorose | Jhon Ferretti | |
Appears on:
57v
Genres:
Madrigal (Italian)
Source Attribution:
Jhon Ferretti
|
|||
58 | Tirsi in ira - 1a pars (of 2): Tirsi in ira di Filii | Hipp: Sabino | |
Appears on:
58
Genres:
Madrigal (Italian)
Source Attribution:
Hipp: Sabino
|
|||
58v | Tirsi in ira - 2a pars (of 2): Et secca o gran pieta | - | |
Appears on:
58v
Genres:
Madrigal (Italian)
|
|||
58v–59 | Cum natus esset - 1a pars (of 3): Cum natus esset Jesus in Bethlehem Juda | Orlando | |
Appears on:
58v–59
Genres:
Motet
Source Attribution:
Orlando
|
|||
59v–60 | Cum natus esset - 2a pars (of 3): Et illi dixerunt ei | - | |
Appears on:
59v–60
Genres:
Motet
|
|||
60 | Como havera | Ph: de monte | |
Appears on:
60
Genres:
Madrigal (Italian)
Source Attribution:
Ph: de monte
|
|||
60v | Peccata mea - 1a pars (of 2): Peccata mea sicut sagittae infixa sunt | Gombert | |
Appears on:
60v
Genres:
Motet
Source Attribution:
Gombert
|
|||
61 | Peccata mea - 2a pars (of 2): Quoniam iniquitatem meam ego cognosco | - | |
Appears on:
61
Genres:
Motet
|
|||
61v | Ecco che io - 1a pars (of 7) | Ph: de Monte | |
Appears on:
61v
Genres:
Madrigal (Italian)
Source Attribution:
Ph: de Monte
|
|||
61v–62 | Ecco che io - 2a pars (of 7) | - | |
Appears on:
61v–62
Genres:
Madrigal (Italian)
|
|||
62 | Ecco che io - 3a pars (of 7) | - | |
Appears on:
62
Genres:
Madrigal (Italian)
|
|||
62v | Ecco che io - 4a pars (of 7) | - | |
Appears on:
62v
Genres:
Madrigal (Italian)
|
|||
62v–63 | Ecco che io - 5a pars (of 7) | - | |
Appears on:
62v–63
Genres:
Madrigal (Italian)
|
|||
63 | Ecco che io - 6a pars (of 7) | - | |
Appears on:
63
Genres:
Madrigal (Italian)
|
|||
63v | Ecco che io - 7a pars (of 7) | - | |
Appears on:
63v
Genres:
Madrigal (Italian)
|
|||
63v–64 | Pater noster | - | Anonymous |
Pater nosterAnonymous
Appears on:
63v–64
Genres:
Pater noster, Tablature
|
|||
64v | Anni nostri sicut aranea | Orlando | |
Appears on:
64v
Genres:
Madrigal (Italian)
Source Attribution:
Orlando
|
|||
64v–65 | Pierides maesto - 1a pars (of 2): Pierides maesto suffundite | Jo: Meiland | |
Appears on:
64v–65
Genres:
Motet
Source Attribution:
Jo: Meiland
|
|||
65 | Pierides maesto - 2a pars (of 2): Fovit hic Aonidas | - | |
Appears on:
65
Genres:
Motet
|
|||
65v | La dolce vista a me si dolcemente | Phi: de monte | |
Appears on:
65v
Genres:
Madrigal (Italian)
Source Attribution:
Phi: de monte
|
|||
65v–66 | In te Domine speravi (6vv) - 1a pars (of 2): In te Domine speravi non confundar | Orlando | |
Appears on:
65v–66
Genres:
Motet
Source Attribution:
Orlando
|
|||
66v–67 | In te Domine speravi (6vv) - 2a pars (of 2): Quoniam fortitudo mea et refugium | - | |
Appears on:
66v–67
Genres:
Motet
|
|||
67 | Il piu forte di Roma | Phi: de monte | |
Appears on:
67
Genres:
Madrigal (Italian)
Source Attribution:
Phi: de monte
|
|||
67v–68 | In principio erat verbum - 1a pars (of 3): In principio erat verbum | Orlando | |
Appears on:
67v–68
Genres:
Motet
Source Attribution:
Orlando
|
|||
68r | O lux beata trinitas - 1a pars (of 3): O lux beata trinitas et principalis | Mr Birde | |
Appears on:
68r
Genres:
Motet
Source Attribution:
Mr Birde
Concordancesslightly different from the version at f. 53v |
|||
68v | O lux beata trinitas - 2a pars (of 3): Te mane laudum carmine te deprecamur | - | |
Appears on:
68v
Genres:
Motet
General Notelisted by its title rather than as 'secunda pars' |
|||
68v–69 | Aspice Domine quia facta est (6vv) | Mr Birde | |
Appears on:
68v–69
Genres:
Motet
Source Attribution:
Mr Birde
Concordancesslightly different from the version at f. 51v |
|||
69v–70 | Attollite portas | Mr Birde | |
Appears on:
69v–70
Genres:
Psalm
Source Attribution:
Mr Birde
Concordancesalso copied at f. 52v |
|||
70v | In principio erat verbum - 3a pars (of 3): In propria venit | - | |
Appears on:
70v
Genres:
Motet
|
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71 | In propria venit, 2a pars [=In principio erat verbum, 2a [3a] pars?] | - | |
Appears on:
71
Genres:
Motet
General Notepossibly the otherwise missing 2a pars of 'In principio erat verbum'? |
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71v | Decantabat populus Israel alleluia (7vv) | Orlando | |
Appears on:
71v
Genres:
Motet
Source Attribution:
Orlando
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71v–72 | Suscipe quaeso Domine - 1a pars (of 2): Suscipe quaeso Domine vocem confitentis | Mr Tallis | |
Appears on:
71v–72
Genres:
Motet
Source Attribution:
Mr Tallis
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72v–73 | Suscipe quaeso Domine - 2a pars (of 2): Si enim iniquitates recordaberis | - | |
Appears on:
72v–73
Genres:
Motet
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73 | Salve regina (6vv, LV 724) | Orlando | |
Appears on:
73
Genres:
Motet, Salve Regina
Source Attribution:
Orlando
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73v–74 | Ego flos campi et lilium convalium | Clemens non papa | |
Appears on:
73v–74
Genres:
Motet
Source Attribution:
Clemens non papa
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74 | Haec dies | Pevernage | |
Appears on:
74
Genres:
Motet
Source Attribution:
Pevernage
|
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74v | Gloria tibi trinitas aequalis una Deitas | Francis: de Rivolo | |
Appears on:
74v
Genres:
Motet
Source Attribution:
Francis: de Rivolo
|
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74v–75 | Andreas Christi famulus - 1a pars (of 2): Andreas Christi famulus | Criquillon | |
Appears on:
74v–75
Genres:
Motet
Source Attribution:
Criquillon
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75v | Andreas Christi famulus - 2a pars (of 2): Dilexit Andream Dominus | - | |
Appears on:
75v
Genres:
Motet
General NoteAt end, inscription: "Tota laus Deo. Post finem omnia vanitas. Sic vos non vobis mellificatis apes" |
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76 | Mine eyes with fervency | Mr Birde | |
Appears on:
76
Genres:
Anthem
Source Attribution:
Mr Birde
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76 | Crowned with flowers ... I saw fair Amarillis | Ph: de Monte | |
Appears on:
76
Genres:
Tablature
Source Attribution:
Ph: de Monte
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76v | Crowned with flowers - 1a pars (of 2): Crowned with flowers and lilies | Mr Birde | |
Appears on:
76v
Genres:
Madrigal (English)
Source Attribution:
Mr Birde
|
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77 | O sweet deceit - 1a pars (of 2): O sweet deceit in speech contained | Mr Birde | |
Appears on:
77
Genres:
Madrigal (English)
Source Attribution:
Mr Birde
|
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77v | O sweet deceit - 2a pars (of 2): Like Harpias vile | - | |
Appears on:
77v
Genres:
Madrigal (English)
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