GB-Lbl Add. MS 29247 (Paston MS)

British Library, London, England

Lute intabulations: after 1611

Archive British Library, London, England (GB-Lbl)
Shelfmark Add. MS 29247 (Paston MS)
Surface Paper
Numbering System Foliation
Format Oblong 4º
Notations
  • lute tablature
Relationships
External Links
Contents 145 pieces from 28 composers
General Description

Contains Lute intabulations of (or accompaniments to) anthems, madrigals, and motets, generally arranged according to the number of voices for which they were originally written. Volume Two of two (the first being Add. MS 29246). In this volume pieces for 5 voices (nos. 1-72) and for 6 voices (nos. 73 to end).

DIAMM, 2019
Binding

contemporary blind-tooled calf

DIAMM, 2017
Ownership

One of the Paston MSS, compiled at the behest of Edward Paston.

Belonged in the 19th century to Joseph Warren. It was purchased by the British Library from a sale of Puttick and Simpson on 28 June 1872.

DIAMM, 2019
Foliation

Original foliation to 74 in ink; modern foliation to 77, in pencil

DIAMM, 2017
Index

There is an index on both sides of fol. 2

DIAMM, 2017

50r

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
2–2v index - -

index

Appears on: 2–2v
3 Prostrate, O Lord, I lie Mr Birde
Appears on: 3
Genres: Anthem
Source Attribution: Mr Birde
3 Even from the depth unto thee Mr Birde
Appears on: 3
Genres: Anthem
Source Attribution: Mr Birde
3v Compel the Hawke Mr Birde
Appears on: 3v
Genres: Consort song
Source Attribution: Mr Birde
4 Ben ho da maledir Ph: de Monte
Appears on: 4
Genres: Tablature
Source Attribution: Ph: de Monte
4v Unir non puo Ph: de Monte
Appears on: 4v
Genres: Tablature
Source Attribution: Ph: de Monte
4v–5 Voi sette occhi Ph: de Monte
Appears on: 4v–5
Genres: Tablature
Source Attribution: Ph: de Monte
5v De si cocente Phi: Monte
Appears on: 5v
Genres: Tablature
Source Attribution: Phi: Monte
5v–6 Se le longue Phi: de Monte
Appears on: 5v–6
Genres: Tablature
Source Attribution: Phi: de Monte
6v Aupres de vous Alfonsus
Appears on: 6v
Genres: Chanson
Source Attribution: Alfonsus
7 Quell' augellin che canta Luca Marenzo
Appears on: 7
Genres: Madrigal (Italian)
Source Attribution: Luca Marenzo
General Note

Title: 'Quell Angelin' (sic)

7v–8 Se lungi dal mio sol Alfonsus
Appears on: 7v–8
Genres: Madrigal (Italian)
Source Attribution: Alfonsus
General Note

text: 'Si longe' (sic)

8 Farewell false love Mr Birde
Appears on: 8
Genres: Consort song
Source Attribution: Mr Birde
8v–9 O sacrum convivium in quo Christus sumitur Mr Tallis
Appears on: 8v–9
Genres: Motet
Source Attribution: Mr Tallis
9 Mihi autem nimis honorati sunt Mister Tallis
Appears on: 9
Genres: Motet
Source Attribution: Mister Tallis
9v Salvator mundi (I) Mr. Tallis
Appears on: 9v
Genres: Motet
Source Attribution: Mr. Tallis
9v–10 How long shall mine enemies Mr. Tallis
Appears on: 9v–10
Genres: Anthem
Source Attribution: Mr. Tallis
10v–11 Absterge Domine Mr. Tallis
Appears on: 10v–11
Source Attribution: Mr. Tallis
11v [Christe qui lux es (III)] Precamur sancte Domine Mr. Whight
Appears on: 11v
Genres: Motet
Source Attribution: Mr. Whight
12 O salutaris hostia Mr. Tallis
Appears on: 12
Genres: Motet
Source Attribution: Mr. Tallis
12v–13 Dum transisset sabbatum, Maria Magdalene / Aromata emerunt Master Tallis
Appears on: 12v–13
Genres: Motet
Source Attribution: Master Tallis
13–14 De Lamentatione Jeremiae (C64) Alphonsus
Appears on: 13–14
Genres: Lamentations, Motet
Source Attribution: Alphonsus
General Note

title: 'Lamentatio'

14v–15 Apparebit in finem Mr. Birde
Appears on: 14v–15
Genres: Motet
Source Attribution: Mr. Birde
15 Farewell false love Mr. Birde
Appears on: 15
Genres: Consort song
Source Attribution: Mr. Birde
15v–16 Audivi vocem de caelo Mr. Birde
Appears on: 15v–16
Genres: Motet
Source Attribution: Mr. Birde
16 Deh poi che era ne' fati Luca Marenzo
Appears on: 16
Genres: Madrigal (Italian)
Source Attribution: Luca Marenzo
16v–17 Domine tu jurasti Mr. Birde
Appears on: 16v–17
Genres: Motet
Source Attribution: Mr. Birde
17v Remember Lord (= Blame I confess) Mr Birde
Appears on: 17v
Genres: Anthem, Contrafactum
Source Attribution: Mr Birde
18r Vide domine afflictionem - 1a pars (of 2): Vide domine afflictionem nostram et in tempore Mr Birde
Appears on: 18r
Genres: Motet
Source Attribution: Mr Birde
18v–19 Vide domine afflictionem - 2a pars (of 2): Sed veni domine et noli tardare Mr Birde
Appears on: 18v–19
Genres: Motet
Source Attribution: Mr Birde
19 Haec dicit Dominus - 1a pars (of 2): Haec dicit Dominus vox in excelsis Mr Birde
Appears on: 19
Genres: Motet
Source Attribution: Mr Birde
19v–20 Haec dicit Dominus - 2a pars (of 2): Haec dicit Dominus quiescat vox Mr Birde
Appears on: 19v–20
Genres: Motet
Source Attribution: Mr Birde
20 Constant Penelope Mr Birde
Appears on: 20
Genres: Consort song
Source Attribution: Mr Birde
20v–21 Vigilate nescitis enim Mr Birde
Appears on: 20v–21
Source Attribution: Mr Birde
21v–22 Domine secundum multitudinem dolorum meum -
Appears on: 21v–22
Genres: Motet
22 Tribulationes civitatum - 1a pars (of 3): Tribulationes civitatum Mr Birde
Appears on: 22
Genres: Motet
Source Attribution: Mr Birde
22v–23 Tribulationes civitatum - 2a pars (of 3): Timor et hebitudo Mr Birde
Appears on: 22v–23
Genres: Motet
Source Attribution: Mr Birde
23v Tribulationes civitatum - 3a pars (of 3): Nos enim pro peccatis Mr Birde
Appears on: 23v
Genres: Motet
Source Attribution: Mr Birde
24 Ambitious Love has forced me to aspire Mr Birde
Appears on: 24
Genres: Consort song
Source Attribution: Mr Birde
24v All as a sea Mr Birde
Appears on: 24v
Genres: Consort song
Source Attribution: Mr Birde
24v–25 Ne irascaris - 1a pars (of 2): Ne irascaris Domine Mr Birde
Appears on: 24v–25
Genres: Motet
Source Attribution: Mr Birde
25v–26 Ne irascaris - 2a pars (of 2): Civitatis sancti tui Mr Birde
Appears on: 25v–26
Genres: Motet
Source Attribution: Mr Birde
26 Mors tua - 1a pars (of 2): Mors tua, mors Christi Orlando
Appears on: 26
Genres: Motet, Tablature
Source Attribution: Orlando
26v Mors tua - 2a pars (of 2): Quicquid erit tandem mea spes est unica Christus -
Appears on: 26v
Genres: Motet, Tablature
27 [Salve] festa dies Geo: Langeus
Appears on: 27
Genres: Tablature
Source Attribution: Geo: Langeus
27v Domine Jesu Christe, pastor bone Orlando
Appears on: 27v
Genres: Motet
Source Attribution: Orlando
28 Quoties diem illum Georgius Langeus
Appears on: 28
Genres: Motet
Source Attribution: Georgius Langeus
28v–29 Nigra sum - 1a pars (of 2): Nigra sum sed formosa Criquillon
Appears on: 28v–29
Genres: Motet
Source Attribution: Criquillon
29v–30 Nigra sum - 2a pars (of 2): Posuerunt me custodem in vinis -
Appears on: 29v–30
Genres: Motet
30v–31 Domine quis habitabit - 1a pars (of 2): Domine quis habitabit Mr Tallis
Appears on: 30v–31
Genres: Motet
Source Attribution: Mr Tallis
31v–32 Domine quis habitabit - 2a pars (of 2): Ad nihillum deductus -
Appears on: 31v–32
Genres: Motet
32v–33 In voluntate tua - Anonymous

In voluntate tua

Anonymous
Appears on: 32v–33
Genres: Motet
33 [fragment] Mr Birde
Appears on: 33
Genres: Tablature
Source Attribution: Mr Birde
General Note

A single line. "What pleasure" crossed through, and that piece begun on the following line

33 What pleasure have great Princes Mr Birde
Appears on: 33
Genres: Consort song
Source Attribution: Mr Birde
33v–34 Peccavi super numerum Mr Byrde
Appears on: 33v–34
Genres: Motet
Source Attribution: Mr Byrde
34v Alma redemptoris (5vv) - 1a pars (of 2): Alma redemptoris mater Ludo: Victoria
Appears on: 34v
Genres: Motet
Source Attribution: Ludo: Victoria
35 Alma redemptoris (5vv) - 2a pars (of 2): Tu que genuisti natura mirante -
Appears on: 35
Genres: Motet
35v Beati qui habitant Phi: de Monte
Appears on: 35v
Genres: Motet
Source Attribution: Phi: de Monte
35v–36 Je ne me puis tenir d'aimer 29.11 Josquin * Je ne me puis
Appears on: 35v–36
Genres: Chanson
Source Attribution: Josquin * Je ne me puis
36v Pour vous aimer -
Appears on: 36v
Genres: Chanson
37 Pour un plaisir = A nouber -
Appears on: 37
General Note

titled as the 'Secunda pars' of the preceding, but actually van Wilder's chanson

37v Quando mi miri con quessi occhi ladri Hero: Conversi
Appears on: 37v
Genres: Madrigal (Italian)
Source Attribution: Hero: Conversi
37v–38 Di questa bionda e vaga treccia Alex: Striggio
Appears on: 37v–38
Genres: Madrigal (Italian)
Source Attribution: Alex: Striggio
38v Elle s'en va de moi la mieux aimée Orlando
Appears on: 38v
Genres: Chanson
Source Attribution: Orlando
38v–39 Le rossignol plaisant et gracieulx Orlando
Appears on: 38v–39
Genres: Chanson
Source Attribution: Orlando
39v–40 Le rossignol plaisant et gratieux Alphonsus
Appears on: 39v–40
Genres: Madrigal
Source Attribution: Alphonsus
40 Le corps - Anonymous

Le corps

Anonymous
Appears on: 40
Genres: Tablature
40v Pis ne me peult venir que j'ai jusques ici Criquillon
Appears on: 40v
Genres: Chanson
Source Attribution: Criquillon
40v–41 Cy je ne plais - Anonymous

Cy je ne plais

Anonymous
Appears on: 40v–41
Genres: Chanson
41v–42 Ce vostre beaute Mr Phillipps
Appears on: 41v–42
Genres: none
Source Attribution: Mr Phillipps
Voice: [no designation]
Languages: French
Voice Text: Ce vostre brut
42 Dormend' un giorno a Baia a l'ombr' Amore Archadelt
Appears on: 42
Genres: Madrigal (Italian)
Source Attribution: Archadelt
42v Madonna [se volete?] Gior: vespa
Appears on: 42v
Genres: Madrigal (Italian)
Source Attribution: Gior: vespa
42v–43 Io son ferito ahi lasso e chi mi diede Jhon Palestina
Appears on: 42v–43
Genres: Madrigal (Italian)
Source Attribution: Jhon Palestina
43 Vestiva i colli - 1a pars (of 2): Vestiva i colli e le campagn'intorno Gran: Palestina
Appears on: 43
Genres: Madrigal (Italian)
Source Attribution: Gran: Palestina
43v Vestiva i colli - 2a pars (of 2): Cosi le chiome mie soavemente -
Appears on: 43v
Genres: Madrigal (Italian)
43v–44 Les nimphes Alfonsus
Appears on: 43v–44
Genres: Tablature
Source Attribution: Alfonsus
44v Lombany [L'homme banni de sa plaisance?] Mr Phillips * Le home banni
Appears on: 44v
Source Attribution: Mr Phillips * Le home banni
45 Du mal que j'ay Mr Phillipps
Appears on: 45
Genres: Chanson
Source Attribution: Mr Phillipps
45v–46 Fac cum servo tuo Mr Birde
Appears on: 45v–46
Genres: Motet
Source Attribution: Mr Birde
46 Arise O Lord - 1a pars (of 2): Arise O Lord why sleepest thou Mr Byrde
Appears on: 46
Genres: Anthem
Source Attribution: Mr Byrde
46v Arise O Lord - 2a pars (of 2): Help us, O God -
Appears on: 46v
Genres: Anthem
46v–47 Memento Domine Mr Birde
Appears on: 46v–47
Genres: Motet
Source Attribution: Mr Birde
47v O Lord give ear unto my prayer (6vv) (= Memento homo) Mr Birde
Appears on: 47v
Genres: Anthem
Source Attribution: Mr Birde
48 Amor me accende Phi: de Monte
Appears on: 48
Genres: Madrigal (Italian)
Source Attribution: Phi: de Monte
48v Como vago augeli Phi: de Monte
Appears on: 48v
Genres: Madrigal
Source Attribution: Phi: de Monte
49 Amincia [=Amiamci] poi che - 1a pars (of 2): Amincia poi che Phi: de Monte
Appears on: 49
Genres: Madrigal
Source Attribution: Phi: de Monte
49v Amincia [=Amiamci] poi che - 2a pars (of 2): -
Appears on: 49v
Genres: Madrigal (Italian)
50 Bruna sei tu -
Appears on: 50
Genres: Madrigal (Italian)
50v Se voi sette Alfonsus
Appears on: 50v
Genres: Madrigal (Italian)
Source Attribution: Alfonsus
51 Memento homo quod cinis es Mr Byrde
Appears on: 51
Source Attribution: Mr Byrde
51v–52 Aspice Domine quia facta est (6vv) Mr Birde
Appears on: 51v–52
Genres: Motet
Source Attribution: Mr Birde
Concordances

slightly different from the version at f. 68v

52v–53 Attollite portas -
Appears on: 52v–53
Genres: Psalm
Concordances

also copied at f. 69v

53v O lux beata trinitas - 1a pars (of 3): O lux beata trinitas et principalis Mr Birde
Appears on: 53v
Genres: Motet
Source Attribution: Mr Birde
Concordances

slightly different from the version at f. 68

53v–54 Infelix ego omnium - 1a pars (of 3): Infelix ego omnium Mr Birde
Appears on: 53v–54
Genres: Motet
Source Attribution: Mr Birde
54v Infelix ego omnium - 2a pars (of 3): Quid igitur faciam -
Appears on: 54v
Genres: Motet
54v–55 Infelix ego omnium - 3a pars (of 3): Ad te igitur -
Appears on: 54v–55
Genres: Motet
55v Domine da nobis - 1a pars (of 2): Domine da nobis auxilium de tribulatione Criquillon
Appears on: 55v
Genres: Motet
Source Attribution: Criquillon
56 Domine da nobis - 2a pars (of 2): Tibi subiecta sit amica mea -
Appears on: 56
Genres: Motet
56v Jesu nostra redemptio - 1a pars (of 4): Jesu nostra redemptio amor et desiderium Orlando
Appears on: 56v
Genres: Motet
Source Attribution: Orlando
56v–57 Jesu nostra redemptio - 2a pars (of 4): Inferni claustra penetrans tuos -
Appears on: 56v–57
Genres: Motet
57 Jesu nostra redemptio - 3a pars (of 4): Ipsa te cogat pietas ut mala -
Appears on: 57
Genres: Motet
57v Dolce amorose Jhon Ferretti
Appears on: 57v
Genres: Madrigal (Italian)
Source Attribution: Jhon Ferretti
58 Tirsi in ira - 1a pars (of 2): Tirsi in ira di Filii Hipp: Sabino
Appears on: 58
Genres: Madrigal (Italian)
Source Attribution: Hipp: Sabino
58v Tirsi in ira - 2a pars (of 2): Et secca o gran pieta -
Appears on: 58v
Genres: Madrigal (Italian)
58v–59 Cum natus esset - 1a pars (of 3): Cum natus esset Jesus in Bethlehem Juda Orlando
Appears on: 58v–59
Genres: Motet
Source Attribution: Orlando
59v–60 Cum natus esset - 2a pars (of 3): Et illi dixerunt ei -
Appears on: 59v–60
Genres: Motet
60 Como havera Ph: de monte
Appears on: 60
Genres: Madrigal (Italian)
Source Attribution: Ph: de monte
60v Peccata mea - 1a pars (of 2): Peccata mea sicut sagittae infixa sunt Gombert
Appears on: 60v
Genres: Motet
Source Attribution: Gombert
61 Peccata mea - 2a pars (of 2): Quoniam iniquitatem meam ego cognosco -
Appears on: 61
Genres: Motet
61v Ecco che io - 1a pars (of 7) Ph: de Monte
Appears on: 61v
Genres: Madrigal (Italian)
Source Attribution: Ph: de Monte
61v–62 Ecco che io - 2a pars (of 7) -
Appears on: 61v–62
Genres: Madrigal (Italian)
62 Ecco che io - 3a pars (of 7) -
Appears on: 62
Genres: Madrigal (Italian)
62v Ecco che io - 4a pars (of 7) -
Appears on: 62v
Genres: Madrigal (Italian)
62v–63 Ecco che io - 5a pars (of 7) -
Appears on: 62v–63
Genres: Madrigal (Italian)
63 Ecco che io - 6a pars (of 7) -
Appears on: 63
Genres: Madrigal (Italian)
63v Ecco che io - 7a pars (of 7) -
Appears on: 63v
Genres: Madrigal (Italian)
63v–64 Pater noster - Anonymous

Pater noster

Anonymous
Appears on: 63v–64
Genres: Pater noster, Tablature
64v Anni nostri sicut aranea Orlando
Appears on: 64v
Genres: Madrigal (Italian)
Source Attribution: Orlando
64v–65 Pierides maesto - 1a pars (of 2): Pierides maesto suffundite Jo: Meiland
Appears on: 64v–65
Genres: Motet
Source Attribution: Jo: Meiland
65 Pierides maesto - 2a pars (of 2): Fovit hic Aonidas -
Appears on: 65
Genres: Motet
65v La dolce vista a me si dolcemente Phi: de monte
Appears on: 65v
Genres: Madrigal (Italian)
Source Attribution: Phi: de monte
65v–66 In te Domine speravi (6vv) - 1a pars (of 2): In te Domine speravi non confundar Orlando
Appears on: 65v–66
Genres: Motet
Source Attribution: Orlando
66v–67 In te Domine speravi (6vv) - 2a pars (of 2): Quoniam fortitudo mea et refugium -
Appears on: 66v–67
Genres: Motet
67 Il piu forte di Roma Phi: de monte
Appears on: 67
Genres: Madrigal (Italian)
Source Attribution: Phi: de monte
67v–68 In principio erat verbum - 1a pars (of 3): In principio erat verbum Orlando
Appears on: 67v–68
Genres: Motet
Source Attribution: Orlando
68r O lux beata trinitas - 1a pars (of 3): O lux beata trinitas et principalis Mr Birde
Appears on: 68r
Genres: Motet
Source Attribution: Mr Birde
Concordances

slightly different from the version at f. 53v

68v O lux beata trinitas - 2a pars (of 3): Te mane laudum carmine te deprecamur -
Appears on: 68v
Genres: Motet
General Note

listed by its title rather than as 'secunda pars'

68v–69 Aspice Domine quia facta est (6vv) Mr Birde
Appears on: 68v–69
Genres: Motet
Source Attribution: Mr Birde
Concordances

slightly different from the version at f. 51v

69v–70 Attollite portas Mr Birde
Appears on: 69v–70
Genres: Psalm
Source Attribution: Mr Birde
Concordances

also copied at f. 52v

70v In principio erat verbum - 3a pars (of 3): In propria venit -
Appears on: 70v
Genres: Motet
71 In propria venit, 2a pars [=In principio erat verbum, 2a [3a] pars?] -
Appears on: 71
Genres: Motet
General Note

possibly the otherwise missing 2a pars of 'In principio erat verbum'?

71v Decantabat populus Israel alleluia (7vv) Orlando
Appears on: 71v
Genres: Motet
Source Attribution: Orlando
71v–72 Suscipe quaeso Domine - 1a pars (of 2): Suscipe quaeso Domine vocem confitentis Mr Tallis
Appears on: 71v–72
Genres: Motet
Source Attribution: Mr Tallis
72v–73 Suscipe quaeso Domine - 2a pars (of 2): Si enim iniquitates recordaberis -
Appears on: 72v–73
Genres: Motet
73 Salve regina (6vv, LV 724) Orlando
Appears on: 73
Genres: Motet, Salve Regina
Source Attribution: Orlando
73v–74 Ego flos campi et lilium convalium Clemens non papa
Appears on: 73v–74
Genres: Motet
Source Attribution: Clemens non papa
74 Haec dies Pevernage
Appears on: 74
Genres: Motet
Source Attribution: Pevernage
74v Gloria tibi trinitas aequalis una Deitas Francis: de Rivolo
Appears on: 74v
Genres: Motet
Source Attribution: Francis: de Rivolo
74v–75 Andreas Christi famulus - 1a pars (of 2): Andreas Christi famulus Criquillon
Appears on: 74v–75
Genres: Motet
Source Attribution: Criquillon
75v Andreas Christi famulus - 2a pars (of 2): Dilexit Andream Dominus -
Appears on: 75v
Genres: Motet
General Note

At end, inscription: "Tota laus Deo. Post finem omnia vanitas. Sic vos non vobis mellificatis apes"

76 Mine eyes with fervency Mr Birde
Appears on: 76
Genres: Anthem
Source Attribution: Mr Birde
76 Crowned with flowers ... I saw fair Amarillis Ph: de Monte
Appears on: 76
Genres: Tablature
Source Attribution: Ph: de Monte
76v Crowned with flowers - 1a pars (of 2): Crowned with flowers and lilies Mr Birde
Appears on: 76v
Genres: Madrigal (English)
Source Attribution: Mr Birde
77 O sweet deceit - 1a pars (of 2): O sweet deceit in speech contained Mr Birde
Appears on: 77
Genres: Madrigal (English)
Source Attribution: Mr Birde
77v O sweet deceit - 2a pars (of 2): Like Harpias vile -
Appears on: 77v
Genres: Madrigal (English)
Composer Compositions
Anonymous
Arcadelt, Jacques (ca. 1507–1568)
Byrd, William (ca. 1540–1623)
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Conversi, Girolamo
Crecquillon, Thomas (ca. 1505–ca. 1557)
Despres, Josquin (ca. 1450–1521)
Ferrabosco, Alfonso (the elder) (1543–1588)
Ferretti, Giovanni
Gombert, Nicolas (ca. 1495–ca. 1560)
Lange, Gregor (ca. 1540–1587)
Lassus, Orlande de (ca. 1532–1594)
Marenzio, Luca (ca. 1553–1599)
Meiland, Jacob (1542–1577)
Monte, Philippe de
Morales, Cristóbal de (ca. 1500–1553)
Palestrina, Giovanni Pierluigi da (1525–1594)
Pevernage, Andreas
Rivulo, Franziscus de
Sabino, Ippolito
Sermisy, Claudin de (ca. 1490–1562)
Striggio, Alessandro (ca. 1536–1592)
Tallis, Thomas (ca. 1505–1585)
Van Wilder, Phillip
Verdelot, Philippe (ca. 1480–ca. 1532)
Vespa, Girolamo (ca. 1540–ca. 1596)
Victoria, Tomas Luis de (1548–1611)
White, Robert (ca. 1538–1574)
Composition Composers (? Uncertain) Folios / Pages
[Christe qui lux es (III)] Precamur sancte Domine 11v
[fragment] 33
[Salve] festa dies 27
Absterge Domine 10v–11
All as a sea 24v
Alma redemptoris (5vv) - 1a pars (of 2): Alma redemptoris mater 34v
Alma redemptoris (5vv) - 2a pars (of 2): Tu que genuisti natura mirante 35
Ambitious Love has forced me to aspire 24
Amincia [=Amiamci] poi che - 1a pars (of 2): Amincia poi che 49
Amincia [=Amiamci] poi che - 2a pars (of 2): 49v
Amor me accende 48
Andreas Christi famulus - 1a pars (of 2): Andreas Christi famulus 74v–75
Andreas Christi famulus - 2a pars (of 2): Dilexit Andream Dominus 75v
Anni nostri sicut aranea 64v
Apparebit in finem 14v–15
Arise O Lord - 1a pars (of 2): Arise O Lord why sleepest thou 46
Arise O Lord - 2a pars (of 2): Help us, O God 46v
Aspice Domine quia facta est (6vv) 51v–52
Aspice Domine quia facta est (6vv) 68v–69
Attollite portas 52v–53
Attollite portas 69v–70
Audivi vocem de caelo 15v–16
Aupres de vous 6v
Beati qui habitant 35v
Ben ho da maledir 4
Bruna sei tu 50
Ce vostre beaute 41v–42
Como havera 60
Como vago augeli 48v
Compel the Hawke 3v
Constant Penelope 20
Crowned with flowers - 1a pars (of 2): Crowned with flowers and lilies 76v
Crowned with flowers ... I saw fair Amarillis 76
Cum natus esset - 1a pars (of 3): Cum natus esset Jesus in Bethlehem Juda 58v–59
Cum natus esset - 2a pars (of 3): Et illi dixerunt ei 59v–60
Cy je ne plais Anonymous 40v–41
De Lamentatione Jeremiae (C64) 13–14
De si cocente 5v
Decantabat populus Israel alleluia (7vv) 71v
Deh poi che era ne' fati 16
Di questa bionda e vaga treccia 37v–38
Dolce amorose 57v
Domine da nobis - 1a pars (of 2): Domine da nobis auxilium de tribulatione 55v
Domine da nobis - 2a pars (of 2): Tibi subiecta sit amica mea 56
Domine Jesu Christe, pastor bone 27v
Domine quis habitabit - 1a pars (of 2): Domine quis habitabit 30v–31
Domine quis habitabit - 2a pars (of 2): Ad nihillum deductus 31v–32
Domine secundum multitudinem dolorum meum 21v–22
Domine tu jurasti 16v–17
Dormend' un giorno a Baia a l'ombr' Amore 42
Du mal que j'ay 45
Dum transisset sabbatum, Maria Magdalene / Aromata emerunt 12v–13
Ecco che io - 1a pars (of 7) 61v
Ecco che io - 2a pars (of 7) 61v–62
Ecco che io - 3a pars (of 7) 62
Ecco che io - 4a pars (of 7) 62v
Ecco che io - 5a pars (of 7) 62v–63
Ecco che io - 6a pars (of 7) 63
Ecco che io - 7a pars (of 7) 63v
Ego flos campi et lilium convalium 73v–74
Elle s'en va de moi la mieux aimée 38v
Even from the depth unto thee 3
Fac cum servo tuo 45v–46
Farewell false love 8
Farewell false love 15
Gloria tibi trinitas aequalis una Deitas 74v
Haec dicit Dominus - 1a pars (of 2): Haec dicit Dominus vox in excelsis 19
Haec dicit Dominus - 2a pars (of 2): Haec dicit Dominus quiescat vox 19v–20
Haec dies 74
How long shall mine enemies 9v–10
Il piu forte di Roma 67
In principio erat verbum - 1a pars (of 3): In principio erat verbum 67v–68
In principio erat verbum - 3a pars (of 3): In propria venit 70v
In propria venit, 2a pars [=In principio erat verbum, 2a [3a] pars?] 71
In te Domine speravi (6vv) - 1a pars (of 2): In te Domine speravi non confundar 65v–66
In te Domine speravi (6vv) - 2a pars (of 2): Quoniam fortitudo mea et refugium 66v–67
In voluntate tua Anonymous 32v–33
Infelix ego omnium - 1a pars (of 3): Infelix ego omnium 53v–54
Infelix ego omnium - 2a pars (of 3): Quid igitur faciam 54v
Infelix ego omnium - 3a pars (of 3): Ad te igitur 54v–55
Io son ferito ahi lasso e chi mi diede 42v–43
Je ne me puis tenir d'aimer 29.11 35v–36
Jesu nostra redemptio - 1a pars (of 4): Jesu nostra redemptio amor et desiderium 56v
Jesu nostra redemptio - 2a pars (of 4): Inferni claustra penetrans tuos 56v–57
Jesu nostra redemptio - 3a pars (of 4): Ipsa te cogat pietas ut mala 57
La dolce vista a me si dolcemente 65v
Le corps Anonymous 40
Le rossignol plaisant et gracieulx 38v–39
Le rossignol plaisant et gratieux 39v–40
Les nimphes 43v–44
Lombany [L'homme banni de sa plaisance?] 44v
Madonna [se volete?] 42v
Memento Domine 46v–47
Memento homo quod cinis es 51
Mihi autem nimis honorati sunt 9
Mine eyes with fervency 76
Mors tua - 1a pars (of 2): Mors tua, mors Christi 26
Mors tua - 2a pars (of 2): Quicquid erit tandem mea spes est unica Christus 26v
Ne irascaris - 1a pars (of 2): Ne irascaris Domine 24v–25
Ne irascaris - 2a pars (of 2): Civitatis sancti tui 25v–26
Nigra sum - 1a pars (of 2): Nigra sum sed formosa 28v–29
Nigra sum - 2a pars (of 2): Posuerunt me custodem in vinis 29v–30
O Lord give ear unto my prayer (6vv) (= Memento homo) 47v
O lux beata trinitas - 1a pars (of 3): O lux beata trinitas et principalis 53v
O lux beata trinitas - 1a pars (of 3): O lux beata trinitas et principalis 68r
O lux beata trinitas - 2a pars (of 3): Te mane laudum carmine te deprecamur 68v
O sacrum convivium in quo Christus sumitur 8v–9
O salutaris hostia 12
O sweet deceit - 1a pars (of 2): O sweet deceit in speech contained 77
O sweet deceit - 2a pars (of 2): Like Harpias vile 77v
Pater noster Anonymous 63v–64
Peccata mea - 1a pars (of 2): Peccata mea sicut sagittae infixa sunt 60v
Peccata mea - 2a pars (of 2): Quoniam iniquitatem meam ego cognosco 61
Peccavi super numerum 33v–34
Pierides maesto - 1a pars (of 2): Pierides maesto suffundite 64v–65
Pierides maesto - 2a pars (of 2): Fovit hic Aonidas 65
Pis ne me peult venir que j'ai jusques ici 40v
Pour un plaisir = A nouber 37
Pour vous aimer 36v
Prostrate, O Lord, I lie 3
Quando mi miri con quessi occhi ladri 37v
Quell' augellin che canta 7
Quoties diem illum 28
Remember Lord (= Blame I confess) 17v
Salvator mundi (I) 9v
Salve regina (6vv, LV 724) 73
Se le longue 5v–6
Se lungi dal mio sol 7v–8
Se voi sette 50v
Suscipe quaeso Domine - 1a pars (of 2): Suscipe quaeso Domine vocem confitentis 71v–72
Suscipe quaeso Domine - 2a pars (of 2): Si enim iniquitates recordaberis 72v–73
Tirsi in ira - 1a pars (of 2): Tirsi in ira di Filii 58
Tirsi in ira - 2a pars (of 2): Et secca o gran pieta 58v
Tribulationes civitatum - 1a pars (of 3): Tribulationes civitatum 22
Tribulationes civitatum - 2a pars (of 3): Timor et hebitudo 22v–23
Tribulationes civitatum - 3a pars (of 3): Nos enim pro peccatis 23v
Unir non puo 4v
Vestiva i colli - 1a pars (of 2): Vestiva i colli e le campagn'intorno 43
Vestiva i colli - 2a pars (of 2): Cosi le chiome mie soavemente 43v
Vide domine afflictionem - 1a pars (of 2): Vide domine afflictionem nostram et in tempore 18r
Vide domine afflictionem - 2a pars (of 2): Sed veni domine et noli tardare 18v–19
Vigilate nescitis enim 20v–21
Voi sette occhi 4v–5
What pleasure have great Princes 33

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