GB-Lbl Add. MS 29247 (Paston MS)

British Library, London, England

Lute intabulations: after 1611

Archive	British Library, London, England (GB-Lbl)
Shelfmark	Add. MS 29247 (Paston MS)
Surface	Paper
Numbering System	Foliation
Format	Oblong 4º
Notations	lute tablature
Relationships	Warren, Joseph (1804–1881) (owner)
External Links	British Library online catalogue entry (with images) IIIF manifest
Contents	Contains 140 compositions, 136 from 27 composers, 4 are anonymous.

General Description

Contains Lute intabulations of (or accompaniments to) anthems, madrigals, and motets, generally arranged according to the number of voices for which they were originally written. Volume Two of two (the first being Add. MS 29246). In this volume pieces for 5 voices (nos. 1-72) and for 6 voices (nos. 73 to end).

DIAMM, 2019

Binding

contemporary blind-tooled calf

DIAMM, 2017

Ownership

One of the Paston MSS, compiled at the behest of Edward Paston.

Belonged in the 19th century to Joseph Warren. It was purchased by the British Library from a sale of Puttick and Simpson on 28 June 1872.

DIAMM, 2019

Foliation

Original foliation to 74 in ink; modern foliation to 77, in pencil

DIAMM, 2017

Index

There is an index on both sides of fol. 2

DIAMM, 2017

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
2–2v	index	-	-
index Appears on: 2–2v
3	Prostrate, O Lord, I lie	Mr Birde	Byrd, William (ca. 1540–1623)
Prostrate, O Lord, I lie Byrd, William (ca. 1540–1623) Appears on: 3 Genres: Anthem Source Attribution: Mr Birde
3	Even from the depth unto thee	Mr Birde	Byrd, William (ca. 1540–1623)
Even from the depth unto thee Byrd, William (ca. 1540–1623) Appears on: 3 Genres: Anthem Source Attribution: Mr Birde
3v	Compel the Hawke	Mr Birde	Byrd, William (ca. 1540–1623)
Compel the Hawke Byrd, William (ca. 1540–1623) Appears on: 3v Genres: Consort song Source Attribution: Mr Birde
4	Ben ho da maledir	Ph: de Monte	Monte, Philippe de
Ben ho da maledir Monte, Philippe de Appears on: 4 Genres: Tablature Source Attribution: Ph: de Monte
4v	Unir non puo	Ph: de Monte	Monte, Philippe de
Unir non puo Monte, Philippe de Appears on: 4v Genres: Tablature Source Attribution: Ph: de Monte
4v–5	Voi sette occhi	Ph: de Monte	Monte, Philippe de
Voi sette occhi Monte, Philippe de Appears on: 4v–5 Genres: Tablature Source Attribution: Ph: de Monte
5v	De si cocente	Phi: Monte	Monte, Philippe de
De si cocente Monte, Philippe de Appears on: 5v Genres: Tablature Source Attribution: Phi: Monte
5v–6	Se le longue	Phi: de Monte	Monte, Philippe de
Se le longue Monte, Philippe de Appears on: 5v–6 Genres: Tablature Source Attribution: Phi: de Monte
6v	Aupres de vous	Alfonsus	Ferrabosco, Alfonso (the elder) (1543–1588)
Aupres de vous Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 6v Genres: Chanson Source Attribution: Alfonsus
7	Quell' augellin che canta	Luca Marenzo	Marenzio, Luca (ca. 1553–1599)
Quell' augellin che canta Marenzio, Luca (ca. 1553–1599) Appears on: 7 Genres: Madrigal (Italian) Source Attribution: Luca Marenzo General Note Title: 'Quell Angelin' (sic)
7v–8	Se lungi dal mio sol	Alfonsus	Ferrabosco, Alfonso (the elder) (1543–1588)
Se lungi dal mio sol Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 7v–8 Genres: Madrigal (Italian) Source Attribution: Alfonsus General Note text: 'Si longe' (sic)
8	Farewell false love	Mr Birde	Byrd, William (ca. 1540–1623)
Farewell false love Byrd, William (ca. 1540–1623) Appears on: 8 Genres: Consort song Source Attribution: Mr Birde
8v–9	O sacrum convivium in quo Christus sumitur	Mr Tallis	Tallis, Thomas (ca. 1505–1585)
O sacrum convivium in quo Christus sumitur Tallis, Thomas (ca. 1505–1585) Appears on: 8v–9 Genres: Motet Source Attribution: Mr Tallis
9	Mihi autem nimis honorati sunt	Mister Tallis	Tallis, Thomas (ca. 1505–1585)
Mihi autem nimis honorati sunt Tallis, Thomas (ca. 1505–1585) Appears on: 9 Genres: Motet Source Attribution: Mister Tallis
9v	Salvator mundi (I)	Mr. Tallis	Tallis, Thomas (ca. 1505–1585)
Salvator mundi (I) Tallis, Thomas (ca. 1505–1585) Appears on: 9v Genres: Motet Source Attribution: Mr. Tallis
9v–10	How long shall mine enemies	Mr. Tallis	Tallis, Thomas (ca. 1505–1585)
How long shall mine enemies Tallis, Thomas (ca. 1505–1585) Appears on: 9v–10 Genres: Anthem Source Attribution: Mr. Tallis
10v–11	Absterge Domine	Mr. Tallis	Tallis, Thomas (ca. 1505–1585)
Absterge Domine Tallis, Thomas (ca. 1505–1585) Appears on: 10v–11 Source Attribution: Mr. Tallis
11v	[Christe qui lux es (III)] Precamur sancte Domine	Mr. Whight	White, Robert (ca. 1538–1574)
[Christe qui lux es (III)] Precamur sancte Domine White, Robert (ca. 1538–1574) Appears on: 11v Genres: Motet Source Attribution: Mr. Whight
12	O salutaris hostia	Mr. Tallis	Tallis, Thomas (ca. 1505–1585)
O salutaris hostia Tallis, Thomas (ca. 1505–1585) Appears on: 12 Genres: Motet Source Attribution: Mr. Tallis
12v–13	Dum transisset sabbatum, Maria Magdalene / Aromata emerunt	Master Tallis	Tallis, Thomas (ca. 1505–1585)
Dum transisset sabbatum, Maria Magdalene / Aromata emerunt Tallis, Thomas (ca. 1505–1585) Appears on: 12v–13 Genres: Motet Source Attribution: Master Tallis
13–14	De Lamentatione Jeremiae (C64)	Alphonsus	Ferrabosco, Alfonso (the elder) (1543–1588)
De Lamentatione Jeremiae (C64) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 13–14 Genres: Lamentations, Motet Source Attribution: Alphonsus General Note title: 'Lamentatio'
14v–15	Apparebit in finem	Mr. Birde	Byrd, William (ca. 1540–1623)
Apparebit in finem Byrd, William (ca. 1540–1623) Appears on: 14v–15 Genres: Motet Source Attribution: Mr. Birde
15	Farewell false love	Mr. Birde	Byrd, William (ca. 1540–1623)
Farewell false love Byrd, William (ca. 1540–1623) Appears on: 15 Genres: Consort song Source Attribution: Mr. Birde
15v–16	Audivi vocem de caelo	Mr. Birde	Byrd, William (ca. 1540–1623)
Audivi vocem de caelo Byrd, William (ca. 1540–1623) Appears on: 15v–16 Genres: Motet Source Attribution: Mr. Birde
16	Deh poi che era ne' fati	Luca Marenzo	Marenzio, Luca (ca. 1553–1599)
Deh poi che era ne' fati Marenzio, Luca (ca. 1553–1599) Appears on: 16 Genres: Madrigal (Italian) Source Attribution: Luca Marenzo
16v–17	Domine tu jurasti	Mr. Birde	Byrd, William (ca. 1540–1623)
Domine tu jurasti Byrd, William (ca. 1540–1623) Appears on: 16v–17 Genres: Motet Source Attribution: Mr. Birde
17v	Remember Lord (= Blame I confess)	Mr Birde	Byrd, William (ca. 1540–1623)
Remember Lord (= Blame I confess) Byrd, William (ca. 1540–1623) Appears on: 17v Genres: Anthem, Contrafactum Source Attribution: Mr Birde
18r	Vide domine afflictionem - 1a pars (of 2): Vide domine afflictionem nostram et in tempore	Mr Birde	Byrd, William (ca. 1540–1623)
Vide domine afflictionem - 1a pars (of 2): Vide domine afflictionem nostram et in tempore Byrd, William (ca. 1540–1623) Appears on: 18r Genres: Motet Source Attribution: Mr Birde
18v–19	Vide domine afflictionem - 2a pars (of 2): Sed veni domine et noli tardare	Mr Birde	Byrd, William (ca. 1540–1623)
Vide domine afflictionem - 2a pars (of 2): Sed veni domine et noli tardare Byrd, William (ca. 1540–1623) Appears on: 18v–19 Genres: Motet Source Attribution: Mr Birde
19	Haec dicit Dominus - 1a pars (of 2): Haec dicit Dominus vox in excelsis	Mr Birde	Byrd, William (ca. 1540–1623)
Haec dicit Dominus - 1a pars (of 2): Haec dicit Dominus vox in excelsis Byrd, William (ca. 1540–1623) Appears on: 19 Genres: Motet Source Attribution: Mr Birde
19v–20	Haec dicit Dominus - 2a pars (of 2): Haec dicit Dominus quiescat vox	Mr Birde	Byrd, William (ca. 1540–1623)
Haec dicit Dominus - 2a pars (of 2): Haec dicit Dominus quiescat vox Byrd, William (ca. 1540–1623) Appears on: 19v–20 Genres: Motet Source Attribution: Mr Birde
20	Constant Penelope	Mr Birde	Byrd, William (ca. 1540–1623)
Constant Penelope Byrd, William (ca. 1540–1623) Appears on: 20 Genres: Consort song Source Attribution: Mr Birde
20v–21	Vigilate nescitis enim	Mr Birde	Byrd, William (ca. 1540–1623)
Vigilate nescitis enim Byrd, William (ca. 1540–1623) Appears on: 20v–21 Source Attribution: Mr Birde
21v–22	Domine secundum multitudinem dolorum meum	-	Byrd, William (ca. 1540–1623)
Domine secundum multitudinem dolorum meum Byrd, William (ca. 1540–1623) Appears on: 21v–22 Genres: Motet
22	Tribulationes civitatum - 1a pars (of 3): Tribulationes civitatum	Mr Birde	Byrd, William (ca. 1540–1623)
Tribulationes civitatum - 1a pars (of 3): Tribulationes civitatum Byrd, William (ca. 1540–1623) Appears on: 22 Genres: Motet Source Attribution: Mr Birde
22v–23	Tribulationes civitatum - 2a pars (of 3): Timor et hebitudo	Mr Birde	Byrd, William (ca. 1540–1623)
Tribulationes civitatum - 2a pars (of 3): Timor et hebitudo Byrd, William (ca. 1540–1623) Appears on: 22v–23 Genres: Motet Source Attribution: Mr Birde
23v	Tribulationes civitatum - 3a pars (of 3): Nos enim pro peccatis	Mr Birde	Byrd, William (ca. 1540–1623)
Tribulationes civitatum - 3a pars (of 3): Nos enim pro peccatis Byrd, William (ca. 1540–1623) Appears on: 23v Genres: Motet Source Attribution: Mr Birde
24	Ambitious Love has forced me to aspire	Mr Birde	Byrd, William (ca. 1540–1623)
Ambitious Love has forced me to aspire Byrd, William (ca. 1540–1623) Appears on: 24 Genres: Consort song Source Attribution: Mr Birde
24v	All as a sea	Mr Birde	Byrd, William (ca. 1540–1623)
All as a sea Byrd, William (ca. 1540–1623) Appears on: 24v Genres: Consort song Source Attribution: Mr Birde
24v–25	Ne irascaris - 1a pars (of 2): Ne irascaris Domine	Mr Birde	Byrd, William (ca. 1540–1623)
Ne irascaris - 1a pars (of 2): Ne irascaris Domine Byrd, William (ca. 1540–1623) Appears on: 24v–25 Genres: Motet Source Attribution: Mr Birde
25v–26	Ne irascaris - 2a pars (of 2): Civitatis sancti tui	Mr Birde	Byrd, William (ca. 1540–1623)
Ne irascaris - 2a pars (of 2): Civitatis sancti tui Byrd, William (ca. 1540–1623) Appears on: 25v–26 Genres: Motet Source Attribution: Mr Birde
26	Mors tua - 1a pars (of 2): Mors tua, mors Christi	Orlando	Lassus, Orlande de (ca. 1532–1594)
Mors tua - 1a pars (of 2): Mors tua, mors Christi Lassus, Orlande de (ca. 1532–1594) Appears on: 26 Genres: Motet, Tablature Source Attribution: Orlando
26v	Mors tua - 2a pars (of 2): Quicquid erit tandem mea spes est unica Christus	-	Lassus, Orlande de (ca. 1532–1594)
Mors tua - 2a pars (of 2): Quicquid erit tandem mea spes est unica Christus Lassus, Orlande de (ca. 1532–1594) Appears on: 26v Genres: Motet, Tablature
27	[Salve] festa dies	Geo: Langeus	Lange, Gregor (ca. 1540–1587)
[Salve] festa dies Lange, Gregor (ca. 1540–1587) Appears on: 27 Genres: Tablature Source Attribution: Geo: Langeus
27v	Domine Jesu Christe, pastor bone	Orlando	Lassus, Orlande de (ca. 1532–1594)
Domine Jesu Christe, pastor bone Lassus, Orlande de (ca. 1532–1594) Appears on: 27v Genres: Motet Source Attribution: Orlando
28	Quoties diem illum	Georgius Langeus	Lange, Gregor (ca. 1540–1587)
Quoties diem illum Lange, Gregor (ca. 1540–1587) Appears on: 28 Genres: Motet Source Attribution: Georgius Langeus
28v–29	Nigra sum - 1a pars (of 2): Nigra sum sed formosa	Criquillon	Crecquillon, Thomas (ca. 1505–ca. 1557)
Nigra sum - 1a pars (of 2): Nigra sum sed formosa Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 28v–29 Genres: Motet Source Attribution: Criquillon
29v–30	Nigra sum - 2a pars (of 2): Posuerunt me custodem in vinis	-	Crecquillon, Thomas (ca. 1505–ca. 1557)
Nigra sum - 2a pars (of 2): Posuerunt me custodem in vinis Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 29v–30 Genres: Motet
30v–31	Domine quis habitabit - 1a pars (of 2): Domine quis habitabit	Mr Tallis	Tallis, Thomas (ca. 1505–1585)
Domine quis habitabit - 1a pars (of 2): Domine quis habitabit Tallis, Thomas (ca. 1505–1585) Appears on: 30v–31 Genres: Motet Source Attribution: Mr Tallis
31v–32	Domine quis habitabit - 2a pars (of 2): Ad nihillum deductus	-	Tallis, Thomas (ca. 1505–1585)
Domine quis habitabit - 2a pars (of 2): Ad nihillum deductus Tallis, Thomas (ca. 1505–1585) Appears on: 31v–32 Genres: Motet
32v–33	In voluntate tua	-	Anonymous
In voluntate tua Anonymous Appears on: 32v–33 Genres: Motet
33	[fragment]	Mr Birde	Byrd, William (ca. 1540–1623)
[fragment] Byrd, William (ca. 1540–1623) Appears on: 33 Genres: Tablature Source Attribution: Mr Birde General Note A single line. "What pleasure" crossed through, and that piece begun on the following line
33	What pleasure have great Princes	Mr Birde	Byrd, William (ca. 1540–1623)
What pleasure have great Princes Byrd, William (ca. 1540–1623) Appears on: 33 Genres: Consort song Source Attribution: Mr Birde
33v–34	Peccavi super numerum	Mr Byrde	Byrd, William (ca. 1540–1623)
Peccavi super numerum Byrd, William (ca. 1540–1623) Appears on: 33v–34 Genres: Motet Source Attribution: Mr Byrde
34v	Alma redemptoris (5vv) - 1a pars (of 2): Alma redemptoris mater	Ludo: Victoria	Victoria, Tomas Luis de (1548–1611)
Alma redemptoris (5vv) - 1a pars (of 2): Alma redemptoris mater Victoria, Tomas Luis de (1548–1611) Appears on: 34v Genres: Motet Source Attribution: Ludo: Victoria
35	Alma redemptoris (5vv) - 2a pars (of 2): Tu que genuisti natura mirante	-	Victoria, Tomas Luis de (1548–1611)
Alma redemptoris (5vv) - 2a pars (of 2): Tu que genuisti natura mirante Victoria, Tomas Luis de (1548–1611) Appears on: 35 Genres: Motet
35v	Beati qui habitant	Phi: de Monte	Monte, Philippe de
Beati qui habitant Monte, Philippe de Appears on: 35v Genres: Motet Source Attribution: Phi: de Monte
35v–36	Je ne me puis tenir d'aimer 29.11	Josquin * Je ne me puis	Gombert, Nicolas (ca. 1495–ca. 1560) (?) Despres, Josquin (ca. 1450–1521) (?) Sermisy, Claudin de (ca. 1490–1562) (?)
Je ne me puis tenir d'aimer 29.11 Gombert, Nicolas (ca. 1495–ca. 1560) (?) Despres, Josquin (ca. 1450–1521) (?) Sermisy, Claudin de (ca. 1490–1562) (?) Appears on: 35v–36 Genres: Chanson Source Attribution: Josquin * Je ne me puis
36v	Pour vous aimer	-	Van Wilder, Phillip
Pour vous aimer Van Wilder, Phillip Appears on: 36v Genres: Chanson
37	Pour un plaisir = A nouber	-	Van Wilder, Phillip
Pour un plaisir = A nouber Van Wilder, Phillip Appears on: 37 General Note titled as the 'Secunda pars' of the preceding, but actually van Wilder's chanson
37v	Quando mi miri con quessi occhi ladri	Hero: Conversi	Conversi, Girolamo
Quando mi miri con quessi occhi ladri Conversi, Girolamo Appears on: 37v Genres: Madrigal (Italian) Source Attribution: Hero: Conversi
37v–38	Di questa bionda e vaga treccia	Alex: Striggio	Striggio, Alessandro (ca. 1536–1592)
Di questa bionda e vaga treccia Striggio, Alessandro (ca. 1536–1592) Appears on: 37v–38 Genres: Madrigal (Italian) Source Attribution: Alex: Striggio
38v	Elle s'en va de moi la mieux aimée	Orlando	Lassus, Orlande de (ca. 1532–1594)
Elle s'en va de moi la mieux aimée Lassus, Orlande de (ca. 1532–1594) Appears on: 38v Genres: Chanson Source Attribution: Orlando
38v–39	Le rossignol plaisant et gracieulx	Orlando	Lassus, Orlande de (ca. 1532–1594)
Le rossignol plaisant et gracieulx Lassus, Orlande de (ca. 1532–1594) Appears on: 38v–39 Genres: Chanson Source Attribution: Orlando
39v–40	Le rossignol plaisant et gratieux	Alphonsus	Ferrabosco, Alfonso (the elder) (1543–1588)
Le rossignol plaisant et gratieux Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 39v–40 Genres: Madrigal Source Attribution: Alphonsus
40	Le corps	-	Anonymous
Le corps Anonymous Appears on: 40 Genres: Tablature
40v	Pis ne me peult venir que j'ai jusques ici	Criquillon	Crecquillon, Thomas (ca. 1505–ca. 1557)
Pis ne me peult venir que j'ai jusques ici Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 40v Genres: Chanson Source Attribution: Criquillon
40v–41	Cy je ne plais	-	Anonymous
Cy je ne plais Anonymous Appears on: 40v–41 Genres: Chanson
41v–42	Ce vostre beaute	Mr Phillipps	Van Wilder, Phillip
Ce vostre beaute Van Wilder, Phillip Appears on: 41v–42 Genres: none Source Attribution: Mr Phillipps Voice: [no designation] Languages: French Voice Text: Ce vostre brut
42	Dormend' un giorno a Baia a l'ombr' Amore	Archadelt	Verdelot, Philippe (ca. 1480–ca. 1532) Arcadelt, Jacques (ca. 1507–1568) (?)
Dormend' un giorno a Baia a l'ombr' Amore Verdelot, Philippe (ca. 1480–ca. 1532) Arcadelt, Jacques (ca. 1507–1568) (?) Appears on: 42 Genres: Madrigal (Italian) Source Attribution: Archadelt
42v	Madonna [se volete?]	Gior: vespa	Vespa, Girolamo (ca. 1540–ca. 1596)
Madonna [se volete?] Vespa, Girolamo (ca. 1540–ca. 1596) Appears on: 42v Genres: Madrigal (Italian) Source Attribution: Gior: vespa
42v–43	Io son ferito ahi lasso e chi mi diede	Jhon Palestina	Palestrina, Giovanni Pierluigi da (1525–1594)
Io son ferito ahi lasso e chi mi diede Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: 42v–43 Genres: Madrigal (Italian) Source Attribution: Jhon Palestina
43	Vestiva i colli - 1a pars (of 2): Vestiva i colli e le campagn'intorno	Gran: Palestina	Palestrina, Giovanni Pierluigi da (1525–1594)
Vestiva i colli - 1a pars (of 2): Vestiva i colli e le campagn'intorno Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: 43 Genres: Madrigal (Italian) Source Attribution: Gran: Palestina
43v	Vestiva i colli - 2a pars (of 2): Cosi le chiome mie soavemente	-	Palestrina, Giovanni Pierluigi da (1525–1594)
Vestiva i colli - 2a pars (of 2): Cosi le chiome mie soavemente Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: 43v Genres: Madrigal (Italian)
43v–44	Les nimphes	Alfonsus	Ferrabosco, Alfonso (the elder) (1543–1588)
Les nimphes Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 43v–44 Genres: Tablature Source Attribution: Alfonsus
44v	Lombany [L'homme banni de sa plaisance?]	Mr Phillips * Le home banni	Van Wilder, Phillip
Lombany [L'homme banni de sa plaisance?] Van Wilder, Phillip Appears on: 44v Source Attribution: Mr Phillips * Le home banni
45	Du mal que j'ay	Mr Phillipps	Van Wilder, Phillip (?)
Du mal que j'ay Van Wilder, Phillip (?) Appears on: 45 Genres: Chanson Source Attribution: Mr Phillipps
45v–46	Fac cum servo tuo	Mr Birde	Byrd, William (ca. 1540–1623)
Fac cum servo tuo Byrd, William (ca. 1540–1623) Appears on: 45v–46 Genres: Motet Source Attribution: Mr Birde
46	Arise O Lord - 1a pars (of 2): Arise O Lord why sleepest thou	Mr Byrde	Byrd, William (ca. 1540–1623)
Arise O Lord - 1a pars (of 2): Arise O Lord why sleepest thou Byrd, William (ca. 1540–1623) Appears on: 46 Genres: Anthem Source Attribution: Mr Byrde
46v	Arise O Lord - 2a pars (of 2): Help us, O God	-	Byrd, William (ca. 1540–1623)
Arise O Lord - 2a pars (of 2): Help us, O God Byrd, William (ca. 1540–1623) Appears on: 46v Genres: Anthem
46v–47	Memento Domine	Mr Birde	Byrd, William (ca. 1540–1623)
Memento Domine Byrd, William (ca. 1540–1623) Appears on: 46v–47 Genres: Motet Source Attribution: Mr Birde
47v	O God give ear (5vv)	Mr Birde	Byrd, William (ca. 1540–1623)
O God give ear (5vv) Byrd, William (ca. 1540–1623) Appears on: 47v Genres: Anthem Source Attribution: Mr Birde
48	Amor me accende	Phi: de Monte	Monte, Philippe de
Amor me accende Monte, Philippe de Appears on: 48 Genres: Madrigal (Italian) Source Attribution: Phi: de Monte
48v	Como vago augeli	Phi: de Monte	Monte, Philippe de
Como vago augeli Monte, Philippe de Appears on: 48v Genres: Madrigal Source Attribution: Phi: de Monte
49	Amincia [=Amiamci] poi che - 1a pars (of 2): Amincia poi che	Phi: de Monte	Monte, Philippe de
Amincia [=Amiamci] poi che - 1a pars (of 2): Amincia poi che Monte, Philippe de Appears on: 49 Genres: Madrigal Source Attribution: Phi: de Monte
49v	Amincia [=Amiamci] poi che - 2a pars (of 2):	-	Monte, Philippe de
Amincia [=Amiamci] poi che - 2a pars (of 2): Monte, Philippe de Appears on: 49v Genres: Madrigal (Italian)
50	Bruna sei tu	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Bruna sei tu Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 50 Genres: Madrigal (Italian)
50v	Se voi sette	Alfonsus	Ferrabosco, Alfonso (the elder) (1543–1588)
Se voi sette Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 50v Genres: Madrigal (Italian) Source Attribution: Alfonsus
51	Memento homo quod cinis es	Mr Byrde	Byrd, William (ca. 1540–1623)
Memento homo quod cinis es Byrd, William (ca. 1540–1623) Appears on: 51 Source Attribution: Mr Byrde
51v–52	Aspice Domine quia facta est (6vv)	Mr Birde	Byrd, William (ca. 1540–1623)
Aspice Domine quia facta est (6vv) Byrd, William (ca. 1540–1623) Appears on: 51v–52 Genres: Motet Source Attribution: Mr Birde Concordances slightly different from the version at f. 68v
52v–53	Attollite portas	-	Byrd, William (ca. 1540–1623)
Attollite portas Byrd, William (ca. 1540–1623) Appears on: 52v–53 Genres: Psalm Concordances also copied at f. 69v
53v	O lux beata trinitas - 1a pars (of 3): O lux beata trinitas et principalis	Mr Birde	Byrd, William (ca. 1540–1623)
O lux beata trinitas - 1a pars (of 3): O lux beata trinitas et principalis Byrd, William (ca. 1540–1623) Appears on: 53v Genres: Motet Source Attribution: Mr Birde Concordances slightly different from the version at f. 68
53v–54	Infelix ego omnium - 1a pars (of 3): Infelix ego omnium	Mr Birde	Byrd, William (ca. 1540–1623)
Infelix ego omnium - 1a pars (of 3): Infelix ego omnium Byrd, William (ca. 1540–1623) Appears on: 53v–54 Genres: Motet Source Attribution: Mr Birde
54v	Infelix ego omnium - 2a pars (of 3): Quid igitur faciam	-	Byrd, William (ca. 1540–1623)
Infelix ego omnium - 2a pars (of 3): Quid igitur faciam Byrd, William (ca. 1540–1623) Appears on: 54v Genres: Motet
54v–55	Infelix ego omnium - 3a pars (of 3): Ad te igitur	-	Byrd, William (ca. 1540–1623)
Infelix ego omnium - 3a pars (of 3): Ad te igitur Byrd, William (ca. 1540–1623) Appears on: 54v–55 Genres: Motet
55v	Domine da nobis - 1a pars (of 2): Domine da nobis auxilium de tribulatione	Criquillon	Crecquillon, Thomas (ca. 1505–ca. 1557)
Domine da nobis - 1a pars (of 2): Domine da nobis auxilium de tribulatione Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 55v Genres: Motet Source Attribution: Criquillon
56	Domine da nobis - 2a pars (of 2): Tibi subiecta sit amica mea	-	Crecquillon, Thomas (ca. 1505–ca. 1557)
Domine da nobis - 2a pars (of 2): Tibi subiecta sit amica mea Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 56 Genres: Motet
56v	Jesu nostra redemptio - 1a pars (of 4): Jesu nostra redemptio amor et desiderium	Orlando	Lassus, Orlande de (ca. 1532–1594)
Jesu nostra redemptio - 1a pars (of 4): Jesu nostra redemptio amor et desiderium Lassus, Orlande de (ca. 1532–1594) Appears on: 56v Genres: Motet Source Attribution: Orlando
56v–57	Jesu nostra redemptio - 2a pars (of 4): Inferni claustra penetrans tuos	-	Lassus, Orlande de (ca. 1532–1594)
Jesu nostra redemptio - 2a pars (of 4): Inferni claustra penetrans tuos Lassus, Orlande de (ca. 1532–1594) Appears on: 56v–57 Genres: Motet
57	Jesu nostra redemptio - 3a pars (of 4): Ipsa te cogat pietas ut mala	-	Lassus, Orlande de (ca. 1532–1594)
Jesu nostra redemptio - 3a pars (of 4): Ipsa te cogat pietas ut mala Lassus, Orlande de (ca. 1532–1594) Appears on: 57 Genres: Motet
57v	Dolce amorose	Jhon Ferretti	Ferretti, Giovanni
Dolce amorose Ferretti, Giovanni Appears on: 57v Genres: Madrigal (Italian) Source Attribution: Jhon Ferretti
58	Tirsi in ira - 1a pars (of 2): Tirsi in ira di Filii	Hipp: Sabino	Sabino, Ippolito
Tirsi in ira - 1a pars (of 2): Tirsi in ira di Filii Sabino, Ippolito Appears on: 58 Genres: Madrigal (Italian) Source Attribution: Hipp: Sabino
58v	Tirsi in ira - 2a pars (of 2): Et secca o gran pieta	-	Sabino, Ippolito
Tirsi in ira - 2a pars (of 2): Et secca o gran pieta Sabino, Ippolito Appears on: 58v Genres: Madrigal (Italian)
58v–59	Cum natus esset - 1a pars (of 3): Cum natus esset Jesus in Bethlehem Juda	Orlando	Lassus, Orlande de (ca. 1532–1594)
Cum natus esset - 1a pars (of 3): Cum natus esset Jesus in Bethlehem Juda Lassus, Orlande de (ca. 1532–1594) Appears on: 58v–59 Genres: Motet Source Attribution: Orlando
59v–60	Cum natus esset - 2a pars (of 3): Et illi dixerunt ei	-	Lassus, Orlande de (ca. 1532–1594)
Cum natus esset - 2a pars (of 3): Et illi dixerunt ei Lassus, Orlande de (ca. 1532–1594) Appears on: 59v–60 Genres: Motet
60	Como havera	Ph: de monte	Monte, Philippe de
Como havera Monte, Philippe de Appears on: 60 Genres: Madrigal (Italian) Source Attribution: Ph: de monte
60v	Peccata mea - 1a pars (of 2): Peccata mea sicut sagittae infixa sunt	Gombert	Gombert, Nicolas (ca. 1495–ca. 1560)
Peccata mea - 1a pars (of 2): Peccata mea sicut sagittae infixa sunt Gombert, Nicolas (ca. 1495–ca. 1560) Appears on: 60v Genres: Motet Source Attribution: Gombert
61	Peccata mea - 2a pars (of 2): Quoniam iniquitatem meam ego cognosco	-	Gombert, Nicolas (ca. 1495–ca. 1560)
Peccata mea - 2a pars (of 2): Quoniam iniquitatem meam ego cognosco Gombert, Nicolas (ca. 1495–ca. 1560) Appears on: 61 Genres: Motet
61v	Ecco che io - 1a pars (of 7)	Ph: de Monte	Monte, Philippe de
Ecco che io - 1a pars (of 7) Monte, Philippe de Appears on: 61v Genres: Madrigal (Italian) Source Attribution: Ph: de Monte
61v–62	Ecco che io - 2a pars (of 7)	-	Monte, Philippe de
Ecco che io - 2a pars (of 7) Monte, Philippe de Appears on: 61v–62 Genres: Madrigal (Italian)
62	Ecco che io - 3a pars (of 7)	-	Monte, Philippe de
Ecco che io - 3a pars (of 7) Monte, Philippe de Appears on: 62 Genres: Madrigal (Italian)
62v	Ecco che io - 4a pars (of 7)	-	Monte, Philippe de
Ecco che io - 4a pars (of 7) Monte, Philippe de Appears on: 62v Genres: Madrigal (Italian)
62v–63	Ecco che io - 5a pars (of 7)	-	Monte, Philippe de
Ecco che io - 5a pars (of 7) Monte, Philippe de Appears on: 62v–63 Genres: Madrigal (Italian)
63	Ecco che io - 6a pars (of 7)	-	Monte, Philippe de
Ecco che io - 6a pars (of 7) Monte, Philippe de Appears on: 63 Genres: Madrigal (Italian)
63v	Ecco che io - 7a pars (of 7)	-	Monte, Philippe de
Ecco che io - 7a pars (of 7) Monte, Philippe de Appears on: 63v Genres: Madrigal (Italian)
63v–64	Pater noster	-	Anonymous
Pater noster Anonymous Appears on: 63v–64 Genres: Pater noster, Tablature
64v	Anni nostri sicut aranea	Orlando	Lassus, Orlande de (ca. 1532–1594)
Anni nostri sicut aranea Lassus, Orlande de (ca. 1532–1594) Appears on: 64v Genres: Madrigal (Italian) Source Attribution: Orlando
64v–65	Pierides maesto - 1a pars (of 2): Pierides maesto suffundite	Jo: Meiland	Meiland, Jacob (1542–1577)
Pierides maesto - 1a pars (of 2): Pierides maesto suffundite Meiland, Jacob (1542–1577) Appears on: 64v–65 Genres: Motet Source Attribution: Jo: Meiland
65	Pierides maesto - 2a pars (of 2): Fovit hic Aonidas	-	Meiland, Jacob (1542–1577)
Pierides maesto - 2a pars (of 2): Fovit hic Aonidas Meiland, Jacob (1542–1577) Appears on: 65 Genres: Motet
65v	La dolce vista a me si dolcemente	Phi: de monte	Monte, Philippe de
La dolce vista a me si dolcemente Monte, Philippe de Appears on: 65v Genres: Madrigal (Italian) Source Attribution: Phi: de monte
65v–66	In te Domine speravi (6vv) - 1a pars (of 2): In te Domine speravi non confundar	Orlando	Lassus, Orlande de (ca. 1532–1594)
In te Domine speravi (6vv) - 1a pars (of 2): In te Domine speravi non confundar Lassus, Orlande de (ca. 1532–1594) Appears on: 65v–66 Genres: Motet Source Attribution: Orlando
66v–67	In te Domine speravi (6vv) - 2a pars (of 2): Quoniam fortitudo mea et refugium	-	Lassus, Orlande de (ca. 1532–1594)
In te Domine speravi (6vv) - 2a pars (of 2): Quoniam fortitudo mea et refugium Lassus, Orlande de (ca. 1532–1594) Appears on: 66v–67 Genres: Motet
67	Il piu forte di Roma	Phi: de monte	Monte, Philippe de
Il piu forte di Roma Monte, Philippe de Appears on: 67 Genres: Madrigal (Italian) Source Attribution: Phi: de monte
67v–68	In principio erat verbum - 1a pars (of 3): In principio erat verbum	Orlando	Lassus, Orlande de (ca. 1532–1594)
In principio erat verbum - 1a pars (of 3): In principio erat verbum Lassus, Orlande de (ca. 1532–1594) Appears on: 67v–68 Genres: Motet Source Attribution: Orlando
68r	O lux beata trinitas - 1a pars (of 3): O lux beata trinitas et principalis	Mr Birde	Byrd, William (ca. 1540–1623)
O lux beata trinitas - 1a pars (of 3): O lux beata trinitas et principalis Byrd, William (ca. 1540–1623) Appears on: 68r Genres: Motet Source Attribution: Mr Birde Concordances slightly different from the version at f. 53v
68v	O lux beata trinitas - 2a pars (of 3): Te mane laudum carmine te deprecamur	-	Byrd, William (ca. 1540–1623)
O lux beata trinitas - 2a pars (of 3): Te mane laudum carmine te deprecamur Byrd, William (ca. 1540–1623) Appears on: 68v Genres: Motet General Note listed by its title rather than as 'secunda pars'
68v–69	Aspice Domine quia facta est (6vv)	Mr Birde	Byrd, William (ca. 1540–1623)
Aspice Domine quia facta est (6vv) Byrd, William (ca. 1540–1623) Appears on: 68v–69 Genres: Motet Source Attribution: Mr Birde Concordances slightly different from the version at f. 51v
69v–70	Attollite portas	Mr Birde	Byrd, William (ca. 1540–1623)
Attollite portas Byrd, William (ca. 1540–1623) Appears on: 69v–70 Genres: Psalm Source Attribution: Mr Birde Concordances also copied at f. 52v
70v	In principio erat verbum - 3a pars (of 3): In propria venit	-	Lassus, Orlande de (ca. 1532–1594)
In principio erat verbum - 3a pars (of 3): In propria venit Lassus, Orlande de (ca. 1532–1594) Appears on: 70v Genres: Motet
71	In propria venit, 2a pars [=In principio erat verbum, 2a [3a] pars?]	-	Lassus, Orlande de (ca. 1532–1594)
In propria venit, 2a pars [=In principio erat verbum, 2a [3a] pars?] Lassus, Orlande de (ca. 1532–1594) Appears on: 71 Genres: Motet General Note possibly the otherwise missing 2a pars of 'In principio erat verbum'?
71v	Decantabat populus Israel alleluia (7vv)	Orlando	Lassus, Orlande de (ca. 1532–1594)
Decantabat populus Israel alleluia (7vv) Lassus, Orlande de (ca. 1532–1594) Appears on: 71v Genres: Motet Source Attribution: Orlando
71v–72	Suscipe quaeso Domine - 1a pars (of 2): Suscipe quaeso Domine vocem confitentis	Mr Tallis	Tallis, Thomas (ca. 1505–1585)
Suscipe quaeso Domine - 1a pars (of 2): Suscipe quaeso Domine vocem confitentis Tallis, Thomas (ca. 1505–1585) Appears on: 71v–72 Genres: Motet Source Attribution: Mr Tallis
72v–73	Suscipe quaeso Domine - 2a pars (of 2): Si enim iniquitates recordaberis	-	Tallis, Thomas (ca. 1505–1585)
Suscipe quaeso Domine - 2a pars (of 2): Si enim iniquitates recordaberis Tallis, Thomas (ca. 1505–1585) Appears on: 72v–73 Genres: Motet
73	Salve regina (6vv, LV 724)	Orlando	Lassus, Orlande de (ca. 1532–1594)
Salve regina (6vv, LV 724) Lassus, Orlande de (ca. 1532–1594) Appears on: 73 Genres: Motet, Salve Regina Source Attribution: Orlando
73v–74	Ego flos campi et lilium convalium	Clemens non papa	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Ego flos campi et lilium convalium Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 73v–74 Genres: Motet Source Attribution: Clemens non papa
74	Haec dies	Pevernage	Pevernage, Andreas
Haec dies Pevernage, Andreas Appears on: 74 Genres: Motet Source Attribution: Pevernage
74v	Gloria tibi trinitas aequalis una Deitas	Francis: de Rivolo	Rivulo, Franziscus de
Gloria tibi trinitas aequalis una Deitas Rivulo, Franziscus de Appears on: 74v Genres: Motet Source Attribution: Francis: de Rivolo
74v–75	Andreas Christi famulus - 1a pars (of 2): Andreas Christi famulus	Criquillon	Morales, Cristóbal de (ca. 1500–1553) (?) Crecquillon, Thomas (ca. 1505–ca. 1557)
Andreas Christi famulus - 1a pars (of 2): Andreas Christi famulus Morales, Cristóbal de (ca. 1500–1553) (?) Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 74v–75 Genres: Motet Source Attribution: Criquillon
75v	Andreas Christi famulus - 2a pars (of 2): Dilexit Andream Dominus	-	Morales, Cristóbal de (ca. 1500–1553) (?) Crecquillon, Thomas (ca. 1505–ca. 1557)
Andreas Christi famulus - 2a pars (of 2): Dilexit Andream Dominus Morales, Cristóbal de (ca. 1500–1553) (?) Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 75v Genres: Motet General Note At end, inscription: "Tota laus Deo. Post finem omnia vanitas. Sic vos non vobis mellificatis apes"
76	Mine eyes with fervency	Mr Birde	Byrd, William (ca. 1540–1623)
Mine eyes with fervency Byrd, William (ca. 1540–1623) Appears on: 76 Genres: Anthem Source Attribution: Mr Birde
76	Crowned with flowers ... I saw fair Amarillis	Ph: de Monte	Monte, Philippe de
Crowned with flowers ... I saw fair Amarillis Monte, Philippe de Appears on: 76 Genres: Tablature Source Attribution: Ph: de Monte
76v	Crowned with flowers - 1a pars (of 2): Crowned with flowers and lilies	Mr Birde	Byrd, William (ca. 1540–1623)
Crowned with flowers - 1a pars (of 2): Crowned with flowers and lilies Byrd, William (ca. 1540–1623) Appears on: 76v Genres: Madrigal (English) Source Attribution: Mr Birde
77	O sweet deceit - 1a pars (of 2): O sweet deceit in speech contained	Mr Birde	Byrd, William (ca. 1540–1623)
O sweet deceit - 1a pars (of 2): O sweet deceit in speech contained Byrd, William (ca. 1540–1623) Appears on: 77 Genres: Madrigal (English) Source Attribution: Mr Birde
77v	O sweet deceit - 2a pars (of 2): Like Harpias vile	-	Byrd, William (ca. 1540–1623)
O sweet deceit - 2a pars (of 2): Like Harpias vile Byrd, William (ca. 1540–1623) Appears on: 77v Genres: Madrigal (English)

Composer	Compositions
Anonymous	Cy je ne plais – 40v–41 In voluntate tua – 32v–33 Le corps – 40 Pater noster – 63v–64 [No description] – 2–2v
Arcadelt, Jacques (ca. 1507-1568)	(?) Dormend' un giorno a Baia a l'ombr' Amore – 42
Byrd, William (ca. 1540-1623)	All as a sea – 24v Ambitious Love has forced me to aspire – 24 Apparebit in finem – 14v–15 Arise O Lord - 1a pars (of 2): Arise O Lord why sleepest thou – 46 Arise O Lord - 2a pars (of 2): Help us, O God – 46v Aspice Domine quia facta est (6vv) – 68v–69 Aspice Domine quia facta est (6vv) – 51v–52 Attollite portas – 69v–70 Attollite portas – 52v–53 Audivi vocem de caelo – 15v–16 Compel the Hawke – 3v Constant Penelope – 20 Crowned with flowers - 1a pars (of 2): Crowned with flowers and lilies – 76v Domine secundum multitudinem dolorum meum – 21v–22 Domine tu jurasti – 16v–17 Even from the depth unto thee – 3 Fac cum servo tuo – 45v–46 Farewell false love – 15 Farewell false love – 8 Haec dicit Dominus - 1a pars (of 2): Haec dicit Dominus vox in excelsis – 19 Haec dicit Dominus - 2a pars (of 2): Haec dicit Dominus quiescat vox – 19v–20 Infelix ego omnium - 1a pars (of 3): Infelix ego omnium – 53v–54 Infelix ego omnium - 2a pars (of 3): Quid igitur faciam – 54v Infelix ego omnium - 3a pars (of 3): Ad te igitur – 54v–55 Memento Domine – 46v–47 Memento homo quod cinis es – 51 Mine eyes with fervency – 76 Ne irascaris - 1a pars (of 2): Ne irascaris Domine – 24v–25 Ne irascaris - 2a pars (of 2): Civitatis sancti tui – 25v–26 O God give ear (5vv) – 47v O lux beata trinitas - 1a pars (of 3): O lux beata trinitas et principalis – 68r O lux beata trinitas - 1a pars (of 3): O lux beata trinitas et principalis – 53v O lux beata trinitas - 2a pars (of 3): Te mane laudum carmine te deprecamur – 68v O sweet deceit - 1a pars (of 2): O sweet deceit in speech contained – 77 O sweet deceit - 2a pars (of 2): Like Harpias vile – 77v Peccavi super numerum – 33v–34 Prostrate, O Lord, I lie – 3 Remember Lord (= Blame I confess) – 17v Tribulationes civitatum - 1a pars (of 3): Tribulationes civitatum – 22 Tribulationes civitatum - 2a pars (of 3): Timor et hebitudo – 22v–23 Tribulationes civitatum - 3a pars (of 3): Nos enim pro peccatis – 23v Vide domine afflictionem - 1a pars (of 2): Vide domine afflictionem nostram et in tempore – 18r Vide domine afflictionem - 2a pars (of 2): Sed veni domine et noli tardare – 18v–19 Vigilate nescitis enim – 20v–21 What pleasure have great Princes – 33 [fragment] – 33
Clemens non Papa, Jacob (ca. 1510-ca. 1556)	Ego flos campi et lilium convalium – 73v–74
Conversi, Girolamo	Quando mi miri con quessi occhi ladri – 37v
Crecquillon, Thomas (ca. 1505-ca. 1557)	Andreas Christi famulus - 1a pars (of 2): Andreas Christi famulus – 74v–75 Andreas Christi famulus - 2a pars (of 2): Dilexit Andream Dominus – 75v Domine da nobis - 1a pars (of 2): Domine da nobis auxilium de tribulatione – 55v Domine da nobis - 2a pars (of 2): Tibi subiecta sit amica mea – 56 Nigra sum - 1a pars (of 2): Nigra sum sed formosa – 28v–29 Nigra sum - 2a pars (of 2): Posuerunt me custodem in vinis – 29v–30 Pis ne me peult venir que j'ai jusques ici – 40v
Despres, Josquin (ca. 1450-1521)	(?) Je ne me puis tenir d'aimer 29.11 – 35v–36
Ferrabosco, Alfonso (the elder) (1543-1588)	Aupres de vous – 6v Bruna sei tu – 50 De Lamentatione Jeremiae (C64) – 13–14 Le rossignol plaisant et gratieux – 39v–40 Les nimphes – 43v–44 Se lungi dal mio sol – 7v–8 Se voi sette – 50v
Ferretti, Giovanni	Dolce amorose – 57v
Gombert, Nicolas (ca. 1495-ca. 1560)	(?) Je ne me puis tenir d'aimer 29.11 – 35v–36 Peccata mea - 1a pars (of 2): Peccata mea sicut sagittae infixa sunt – 60v Peccata mea - 2a pars (of 2): Quoniam iniquitatem meam ego cognosco – 61
Lange, Gregor (ca. 1540-1587)	Quoties diem illum – 28 [Salve] festa dies – 27
Lassus, Orlande de (ca. 1532-1594)	Anni nostri sicut aranea – 64v Cum natus esset - 1a pars (of 3): Cum natus esset Jesus in Bethlehem Juda – 58v–59 Cum natus esset - 2a pars (of 3): Et illi dixerunt ei – 59v–60 Decantabat populus Israel alleluia (7vv) – 71v Domine Jesu Christe, pastor bone – 27v Elle s'en va de moi la mieux aimée – 38v In principio erat verbum - 1a pars (of 3): In principio erat verbum – 67v–68 In principio erat verbum - 3a pars (of 3): In propria venit – 70v In propria venit, 2a pars [=In principio erat verbum, 2a [3a] pars?] – 71 In te Domine speravi (6vv) - 1a pars (of 2): In te Domine speravi non confundar – 65v–66 In te Domine speravi (6vv) - 2a pars (of 2): Quoniam fortitudo mea et refugium – 66v–67 Jesu nostra redemptio - 1a pars (of 4): Jesu nostra redemptio amor et desiderium – 56v Jesu nostra redemptio - 2a pars (of 4): Inferni claustra penetrans tuos – 56v–57 Jesu nostra redemptio - 3a pars (of 4): Ipsa te cogat pietas ut mala – 57 Le rossignol plaisant et gracieulx – 38v–39 Mors tua - 1a pars (of 2): Mors tua, mors Christi – 26 Mors tua - 2a pars (of 2): Quicquid erit tandem mea spes est unica Christus – 26v Salve regina (6vv, LV 724) – 73
Marenzio, Luca (ca. 1553-1599)	Deh poi che era ne' fati – 16 Quell' augellin che canta – 7
Meiland, Jacob (1542-1577)	Pierides maesto - 1a pars (of 2): Pierides maesto suffundite – 64v–65 Pierides maesto - 2a pars (of 2): Fovit hic Aonidas – 65
Monte, Philippe de	Amincia [=Amiamci] poi che - 1a pars (of 2): Amincia poi che – 49 Amincia [=Amiamci] poi che - 2a pars (of 2): – 49v Amor me accende – 48 Beati qui habitant – 35v Ben ho da maledir – 4 Como havera – 60 Como vago augeli – 48v Crowned with flowers ... I saw fair Amarillis – 76 De si cocente – 5v Ecco che io - 1a pars (of 7) – 61v Ecco che io - 2a pars (of 7) – 61v–62 Ecco che io - 3a pars (of 7) – 62 Ecco che io - 4a pars (of 7) – 62v Ecco che io - 5a pars (of 7) – 62v–63 Ecco che io - 6a pars (of 7) – 63 Ecco che io - 7a pars (of 7) – 63v Il piu forte di Roma – 67 La dolce vista a me si dolcemente – 65v Se le longue – 5v–6 Unir non puo – 4v Voi sette occhi – 4v–5
Morales, Cristóbal de (ca. 1500-1553)	(?) Andreas Christi famulus - 1a pars (of 2): Andreas Christi famulus – 74v–75 (?) Andreas Christi famulus - 2a pars (of 2): Dilexit Andream Dominus – 75v
Palestrina, Giovanni Pierluigi da (1525-1594)	Io son ferito ahi lasso e chi mi diede – 42v–43 Vestiva i colli - 1a pars (of 2): Vestiva i colli e le campagn'intorno – 43 Vestiva i colli - 2a pars (of 2): Cosi le chiome mie soavemente – 43v
Pevernage, Andreas	Haec dies – 74
Rivulo, Franziscus de	Gloria tibi trinitas aequalis una Deitas – 74v
Sabino, Ippolito	Tirsi in ira - 1a pars (of 2): Tirsi in ira di Filii – 58 Tirsi in ira - 2a pars (of 2): Et secca o gran pieta – 58v
Sermisy, Claudin de (ca. 1490-1562)	(?) Je ne me puis tenir d'aimer 29.11 – 35v–36
Striggio, Alessandro (ca. 1536-1592)	Di questa bionda e vaga treccia – 37v–38
Tallis, Thomas (ca. 1505-1585)	Absterge Domine – 10v–11 Domine quis habitabit - 1a pars (of 2): Domine quis habitabit – 30v–31 Domine quis habitabit - 2a pars (of 2): Ad nihillum deductus – 31v–32 Dum transisset sabbatum, Maria Magdalene / Aromata emerunt – 12v–13 How long shall mine enemies – 9v–10 Mihi autem nimis honorati sunt – 9 O sacrum convivium in quo Christus sumitur – 8v–9 O salutaris hostia – 12 Salvator mundi (I) – 9v Suscipe quaeso Domine - 1a pars (of 2): Suscipe quaeso Domine vocem confitentis – 71v–72 Suscipe quaeso Domine - 2a pars (of 2): Si enim iniquitates recordaberis – 72v–73
Van Wilder, Phillip	Ce vostre beaute – 41v–42 (?) Du mal que j'ay – 45 Lombany [L'homme banni de sa plaisance?] – 44v Pour un plaisir = A nouber – 37 Pour vous aimer – 36v
Verdelot, Philippe (ca. 1480-ca. 1532)	Dormend' un giorno a Baia a l'ombr' Amore – 42
Vespa, Girolamo (ca. 1540-ca. 1596)	Madonna [se volete?] – 42v
Victoria, Tomas Luis de (1548-1611)	Alma redemptoris (5vv) - 1a pars (of 2): Alma redemptoris mater – 34v Alma redemptoris (5vv) - 2a pars (of 2): Tu que genuisti natura mirante – 35
White, Robert (ca. 1538-1574)	[Christe qui lux es (III)] Precamur sancte Domine – 11v

Composition	Composers (? Uncertain)	Folios / Pages
[Christe qui lux es (III)] Precamur sancte Domine	White, Robert (ca. 1538–1574)	11v
[fragment]	Byrd, William (ca. 1540–1623)	33
[Salve] festa dies	Lange, Gregor (ca. 1540–1587)	27
Absterge Domine	Tallis, Thomas (ca. 1505–1585)	10v–11
All as a sea	Byrd, William (ca. 1540–1623)	24v
Alma redemptoris (5vv) - 1a pars (of 2): Alma redemptoris mater	Victoria, Tomas Luis de (1548–1611)	34v
Alma redemptoris (5vv) - 2a pars (of 2): Tu que genuisti natura mirante	Victoria, Tomas Luis de (1548–1611)	35
Ambitious Love has forced me to aspire	Byrd, William (ca. 1540–1623)	24
Amincia [=Amiamci] poi che - 1a pars (of 2): Amincia poi che	Monte, Philippe de	49
Amincia [=Amiamci] poi che - 2a pars (of 2):	Monte, Philippe de	49v
Amor me accende	Monte, Philippe de	48
Andreas Christi famulus - 1a pars (of 2): Andreas Christi famulus	Morales, Cristóbal de (ca. 1500–1553) (?) Crecquillon, Thomas (ca. 1505–ca. 1557)	74v–75
Andreas Christi famulus - 2a pars (of 2): Dilexit Andream Dominus	Morales, Cristóbal de (ca. 1500–1553) (?) Crecquillon, Thomas (ca. 1505–ca. 1557)	75v
Anni nostri sicut aranea	Lassus, Orlande de (ca. 1532–1594)	64v
Apparebit in finem	Byrd, William (ca. 1540–1623)	14v–15
Arise O Lord - 1a pars (of 2): Arise O Lord why sleepest thou	Byrd, William (ca. 1540–1623)	46
Arise O Lord - 2a pars (of 2): Help us, O God	Byrd, William (ca. 1540–1623)	46v
Aspice Domine quia facta est (6vv)	Byrd, William (ca. 1540–1623)	51v–52
Aspice Domine quia facta est (6vv)	Byrd, William (ca. 1540–1623)	68v–69
Attollite portas	Byrd, William (ca. 1540–1623)	52v–53
Attollite portas	Byrd, William (ca. 1540–1623)	69v–70
Audivi vocem de caelo	Byrd, William (ca. 1540–1623)	15v–16
Aupres de vous	Ferrabosco, Alfonso (the elder) (1543–1588)	6v
Beati qui habitant	Monte, Philippe de	35v
Ben ho da maledir	Monte, Philippe de	4
Bruna sei tu	Ferrabosco, Alfonso (the elder) (1543–1588)	50
Ce vostre beaute	Van Wilder, Phillip	41v–42
Como havera	Monte, Philippe de	60
Como vago augeli	Monte, Philippe de	48v
Compel the Hawke	Byrd, William (ca. 1540–1623)	3v
Constant Penelope	Byrd, William (ca. 1540–1623)	20
Crowned with flowers - 1a pars (of 2): Crowned with flowers and lilies	Byrd, William (ca. 1540–1623)	76v
Crowned with flowers ... I saw fair Amarillis	Monte, Philippe de	76
Cum natus esset - 1a pars (of 3): Cum natus esset Jesus in Bethlehem Juda	Lassus, Orlande de (ca. 1532–1594)	58v–59
Cum natus esset - 2a pars (of 3): Et illi dixerunt ei	Lassus, Orlande de (ca. 1532–1594)	59v–60
Cy je ne plais	Anonymous	40v–41
De Lamentatione Jeremiae (C64)	Ferrabosco, Alfonso (the elder) (1543–1588)	13–14
De si cocente	Monte, Philippe de	5v
Decantabat populus Israel alleluia (7vv)	Lassus, Orlande de (ca. 1532–1594)	71v
Deh poi che era ne' fati	Marenzio, Luca (ca. 1553–1599)	16
Di questa bionda e vaga treccia	Striggio, Alessandro (ca. 1536–1592)	37v–38
Dolce amorose	Ferretti, Giovanni	57v
Domine da nobis - 1a pars (of 2): Domine da nobis auxilium de tribulatione	Crecquillon, Thomas (ca. 1505–ca. 1557)	55v
Domine da nobis - 2a pars (of 2): Tibi subiecta sit amica mea	Crecquillon, Thomas (ca. 1505–ca. 1557)	56
Domine Jesu Christe, pastor bone	Lassus, Orlande de (ca. 1532–1594)	27v
Domine quis habitabit - 1a pars (of 2): Domine quis habitabit	Tallis, Thomas (ca. 1505–1585)	30v–31
Domine quis habitabit - 2a pars (of 2): Ad nihillum deductus	Tallis, Thomas (ca. 1505–1585)	31v–32
Domine secundum multitudinem dolorum meum	Byrd, William (ca. 1540–1623)	21v–22
Domine tu jurasti	Byrd, William (ca. 1540–1623)	16v–17
Dormend' un giorno a Baia a l'ombr' Amore	Verdelot, Philippe (ca. 1480–ca. 1532) Arcadelt, Jacques (ca. 1507–1568) (?)	42
Du mal que j'ay	Van Wilder, Phillip (?)	45
Dum transisset sabbatum, Maria Magdalene / Aromata emerunt	Tallis, Thomas (ca. 1505–1585)	12v–13
Ecco che io - 1a pars (of 7)	Monte, Philippe de	61v
Ecco che io - 2a pars (of 7)	Monte, Philippe de	61v–62
Ecco che io - 3a pars (of 7)	Monte, Philippe de	62
Ecco che io - 4a pars (of 7)	Monte, Philippe de	62v
Ecco che io - 5a pars (of 7)	Monte, Philippe de	62v–63
Ecco che io - 6a pars (of 7)	Monte, Philippe de	63
Ecco che io - 7a pars (of 7)	Monte, Philippe de	63v
Ego flos campi et lilium convalium	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	73v–74
Elle s'en va de moi la mieux aimée	Lassus, Orlande de (ca. 1532–1594)	38v
Even from the depth unto thee	Byrd, William (ca. 1540–1623)	3
Fac cum servo tuo	Byrd, William (ca. 1540–1623)	45v–46
Farewell false love	Byrd, William (ca. 1540–1623)	8
Farewell false love	Byrd, William (ca. 1540–1623)	15
Gloria tibi trinitas aequalis una Deitas	Rivulo, Franziscus de	74v
Haec dicit Dominus - 1a pars (of 2): Haec dicit Dominus vox in excelsis	Byrd, William (ca. 1540–1623)	19
Haec dicit Dominus - 2a pars (of 2): Haec dicit Dominus quiescat vox	Byrd, William (ca. 1540–1623)	19v–20
Haec dies	Pevernage, Andreas	74
How long shall mine enemies	Tallis, Thomas (ca. 1505–1585)	9v–10
Il piu forte di Roma	Monte, Philippe de	67
In principio erat verbum - 1a pars (of 3): In principio erat verbum	Lassus, Orlande de (ca. 1532–1594)	67v–68
In principio erat verbum - 3a pars (of 3): In propria venit	Lassus, Orlande de (ca. 1532–1594)	70v
In propria venit, 2a pars [=In principio erat verbum, 2a [3a] pars?]	Lassus, Orlande de (ca. 1532–1594)	71
In te Domine speravi (6vv) - 1a pars (of 2): In te Domine speravi non confundar	Lassus, Orlande de (ca. 1532–1594)	65v–66
In te Domine speravi (6vv) - 2a pars (of 2): Quoniam fortitudo mea et refugium	Lassus, Orlande de (ca. 1532–1594)	66v–67
In voluntate tua	Anonymous	32v–33
Infelix ego omnium - 1a pars (of 3): Infelix ego omnium	Byrd, William (ca. 1540–1623)	53v–54
Infelix ego omnium - 2a pars (of 3): Quid igitur faciam	Byrd, William (ca. 1540–1623)	54v
Infelix ego omnium - 3a pars (of 3): Ad te igitur	Byrd, William (ca. 1540–1623)	54v–55
Io son ferito ahi lasso e chi mi diede	Palestrina, Giovanni Pierluigi da (1525–1594)	42v–43
Je ne me puis tenir d'aimer 29.11	Gombert, Nicolas (ca. 1495–ca. 1560) (?) Despres, Josquin (ca. 1450–1521) (?) Sermisy, Claudin de (ca. 1490–1562) (?)	35v–36
Jesu nostra redemptio - 1a pars (of 4): Jesu nostra redemptio amor et desiderium	Lassus, Orlande de (ca. 1532–1594)	56v
Jesu nostra redemptio - 2a pars (of 4): Inferni claustra penetrans tuos	Lassus, Orlande de (ca. 1532–1594)	56v–57
Jesu nostra redemptio - 3a pars (of 4): Ipsa te cogat pietas ut mala	Lassus, Orlande de (ca. 1532–1594)	57
La dolce vista a me si dolcemente	Monte, Philippe de	65v
Le corps	Anonymous	40
Le rossignol plaisant et gracieulx	Lassus, Orlande de (ca. 1532–1594)	38v–39
Le rossignol plaisant et gratieux	Ferrabosco, Alfonso (the elder) (1543–1588)	39v–40
Les nimphes	Ferrabosco, Alfonso (the elder) (1543–1588)	43v–44
Lombany [L'homme banni de sa plaisance?]	Van Wilder, Phillip	44v
Madonna [se volete?]	Vespa, Girolamo (ca. 1540–ca. 1596)	42v
Memento Domine	Byrd, William (ca. 1540–1623)	46v–47
Memento homo quod cinis es	Byrd, William (ca. 1540–1623)	51
Mihi autem nimis honorati sunt	Tallis, Thomas (ca. 1505–1585)	9
Mine eyes with fervency	Byrd, William (ca. 1540–1623)	76
Mors tua - 1a pars (of 2): Mors tua, mors Christi	Lassus, Orlande de (ca. 1532–1594)	26
Mors tua - 2a pars (of 2): Quicquid erit tandem mea spes est unica Christus	Lassus, Orlande de (ca. 1532–1594)	26v
Ne irascaris - 1a pars (of 2): Ne irascaris Domine	Byrd, William (ca. 1540–1623)	24v–25
Ne irascaris - 2a pars (of 2): Civitatis sancti tui	Byrd, William (ca. 1540–1623)	25v–26
Nigra sum - 1a pars (of 2): Nigra sum sed formosa	Crecquillon, Thomas (ca. 1505–ca. 1557)	28v–29
Nigra sum - 2a pars (of 2): Posuerunt me custodem in vinis	Crecquillon, Thomas (ca. 1505–ca. 1557)	29v–30
O God give ear (5vv)	Byrd, William (ca. 1540–1623)	47v
O lux beata trinitas - 1a pars (of 3): O lux beata trinitas et principalis	Byrd, William (ca. 1540–1623)	53v
O lux beata trinitas - 1a pars (of 3): O lux beata trinitas et principalis	Byrd, William (ca. 1540–1623)	68r
O lux beata trinitas - 2a pars (of 3): Te mane laudum carmine te deprecamur	Byrd, William (ca. 1540–1623)	68v
O sacrum convivium in quo Christus sumitur	Tallis, Thomas (ca. 1505–1585)	8v–9
O salutaris hostia	Tallis, Thomas (ca. 1505–1585)	12
O sweet deceit - 1a pars (of 2): O sweet deceit in speech contained	Byrd, William (ca. 1540–1623)	77
O sweet deceit - 2a pars (of 2): Like Harpias vile	Byrd, William (ca. 1540–1623)	77v
Pater noster	Anonymous	63v–64
Peccata mea - 1a pars (of 2): Peccata mea sicut sagittae infixa sunt	Gombert, Nicolas (ca. 1495–ca. 1560)	60v
Peccata mea - 2a pars (of 2): Quoniam iniquitatem meam ego cognosco	Gombert, Nicolas (ca. 1495–ca. 1560)	61
Peccavi super numerum	Byrd, William (ca. 1540–1623)	33v–34
Pierides maesto - 1a pars (of 2): Pierides maesto suffundite	Meiland, Jacob (1542–1577)	64v–65
Pierides maesto - 2a pars (of 2): Fovit hic Aonidas	Meiland, Jacob (1542–1577)	65
Pis ne me peult venir que j'ai jusques ici	Crecquillon, Thomas (ca. 1505–ca. 1557)	40v
Pour un plaisir = A nouber	Van Wilder, Phillip	37
Pour vous aimer	Van Wilder, Phillip	36v
Prostrate, O Lord, I lie	Byrd, William (ca. 1540–1623)	3
Quando mi miri con quessi occhi ladri	Conversi, Girolamo	37v
Quell' augellin che canta	Marenzio, Luca (ca. 1553–1599)	7
Quoties diem illum	Lange, Gregor (ca. 1540–1587)	28
Remember Lord (= Blame I confess)	Byrd, William (ca. 1540–1623)	17v
Salvator mundi (I)	Tallis, Thomas (ca. 1505–1585)	9v
Salve regina (6vv, LV 724)	Lassus, Orlande de (ca. 1532–1594)	73
Se le longue	Monte, Philippe de	5v–6
Se lungi dal mio sol	Ferrabosco, Alfonso (the elder) (1543–1588)	7v–8
Se voi sette	Ferrabosco, Alfonso (the elder) (1543–1588)	50v
Suscipe quaeso Domine - 1a pars (of 2): Suscipe quaeso Domine vocem confitentis	Tallis, Thomas (ca. 1505–1585)	71v–72
Suscipe quaeso Domine - 2a pars (of 2): Si enim iniquitates recordaberis	Tallis, Thomas (ca. 1505–1585)	72v–73
Tirsi in ira - 1a pars (of 2): Tirsi in ira di Filii	Sabino, Ippolito	58
Tirsi in ira - 2a pars (of 2): Et secca o gran pieta	Sabino, Ippolito	58v
Tribulationes civitatum - 1a pars (of 3): Tribulationes civitatum	Byrd, William (ca. 1540–1623)	22
Tribulationes civitatum - 2a pars (of 3): Timor et hebitudo	Byrd, William (ca. 1540–1623)	22v–23
Tribulationes civitatum - 3a pars (of 3): Nos enim pro peccatis	Byrd, William (ca. 1540–1623)	23v
Unir non puo	Monte, Philippe de	4v
Vestiva i colli - 1a pars (of 2): Vestiva i colli e le campagn'intorno	Palestrina, Giovanni Pierluigi da (1525–1594)	43
Vestiva i colli - 2a pars (of 2): Cosi le chiome mie soavemente	Palestrina, Giovanni Pierluigi da (1525–1594)	43v
Vide domine afflictionem - 1a pars (of 2): Vide domine afflictionem nostram et in tempore	Byrd, William (ca. 1540–1623)	18r
Vide domine afflictionem - 2a pars (of 2): Sed veni domine et noli tardare	Byrd, William (ca. 1540–1623)	18v–19
Vigilate nescitis enim	Byrd, William (ca. 1540–1623)	20v–21
Voi sette occhi	Monte, Philippe de	4v–5
What pleasure have great Princes	Byrd, William (ca. 1540–1623)	33

Images © The British Library

Set: Lbl Add. MSS 29246-29247

Type: Linked by Origin or Contents

GB-Lbl Add. MS 29246 (Paston MS)

GB-Lbl Add. MS 29247 (Paston MS)

Set: Paston Manuscripts

Type: Linked by Origin or Contents

GB-CF MS D/DP Z6/1

GB-CF MS D/DP Z6/2

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GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Altus]

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GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Discantus]

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GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Medius]

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GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Tenor]

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GB-Lbl Add. MS 29246 (Paston MS)

GB-Lbl Add. MS 29247 (Paston MS)

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GB-Lbl Madrigal Society G. 9

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GB-Lbl Madrigal Society G. 10

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GB-Lbl Madrigal Society G. 11

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GB-Lbl Madrigal Society G. 12

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GB-Lbl Madrigal Society G. 13

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GB-Lbl Madrigal Society G. 14

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GB-Lbl Madrigal Society G. 15

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GB-Lbl Madrigal Society G. 16

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GB-Lbl Madrigal Society G. 17

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GB-Lbl Madrigal Society G. 18

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GB-Lbl Madrigal Society G. 19

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GB-Lbl Madrigal Society G. 20

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GB-Lbl Madrigal Society G. 21

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GB-Lbl Madrigal Society G. 22

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GB-Lbl Madrigal Society G. 23

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GB-Lbl Madrigal Society G. 24

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GB-Lbl Madrigal Society G. 25

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GB-Lbl Madrigal Society G. 26

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GB-Lbl Madrigal Society G. 27

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GB-Lcm MS 2035 [Altus]

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GB-Lcm MS 2035 [Bassus]

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GB-Lcm MS 2035 [Discantus]

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GB-Lcm MS 2036 [Altus]

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GB-Lcm MS 2036 [Bassus]

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GB-Lcm MS 2036 [Discantus]

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GB-Lcm MS 2041

GB-Ob MS. Tenbury 341

GB-Ob MS. Tenbury 342

GB-Ob MS. Tenbury 343

GB-Ob MS. Tenbury 344

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GB-Ob MS. Tenbury 349

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GB-Ob MS. Tenbury 350

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GB-Ob MS. Tenbury 351

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GB-Ob MS. Tenbury 352

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GB-Ob MS. Tenbury 353

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GB-Ob MS. Tenbury 354

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GB-Ob MS. Tenbury 355

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GB-Ob MS. Tenbury 356

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GB-Ob MS. Tenbury 357

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GB-Ob MS. Tenbury 358

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GB-Ob MS. Tenbury 359

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GB-Ob MS. Tenbury 360

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GB-Ob MS. Tenbury 361

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GB-Ob MS. Tenbury 362

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GB-Ob MS. Tenbury 363

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GB-Ob MS. Tenbury 369

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GB-Ob MS. Tenbury 370

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GB-Ob MS. Tenbury 371

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GB-Ob MS. Tenbury 372

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GB-Ob MS. Tenbury 373

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GB-Ob MS. Tenbury 374

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GB-Ob MS. Tenbury 375

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GB-Ob MS. Tenbury 376

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GB-Ob MS. Tenbury 377

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GB-Ob MS. Tenbury 378

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GB-Ob MS. Tenbury 1469 (Harmsworth Manuscript)

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GB-Ob MS. Tenbury 1470 (Harmsworth Manuscript)

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GB-Ob MS. Tenbury 1471 (Harmsworth Manuscript)

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US-Ws V.a. 405

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US-Ws V.a. 406

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US-Ws V.a. 407

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