GB-Lbl Add. MS 30824

British Library, London, England

partbook: Early 17th century

Archive	British Library, London, England (GB-Lbl)
Shelfmark	Add. MS 30824
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	Foliation
Measurements	128 x 250 mm
Other Identifiers	CCM: LonBL 30823-5
Relationships	Sotheby's auctioneers (owner) British Museum (owner) Paston, Edward (1550–1630) (patron)
External Links	British Library online catalogue entry
Provenance	Norfolk, England
Contents	Contains 47 compositions, 37 from 24 composers, 10 are anonymous.

General Description

An Altus partbook of a set of three volumes. Copied by a single scribe, employed by Edward Paston (1550-1630) of Norfolk, a country gentleman and collector of music. All pieces have text incipits only. Purchased by British Museum at a Sotheby's sale in 1878.

DIAMM, 2017

Binding

Original white limp vellum covers, inscribed with voice designations

DIAMM, 2017

Notation

not indicated

DIAMM, 2017

Foliation

Original ink foliation in each book, 1-47 (f. 48 not numbered).

DIAMM, 2017

Decoration

No initials or decoration

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

35 Italian secular pieces, 11 French secular pieces = 46

(P. Animuccia)-1, (Asola)-1, (Baccusi)-1, (Balla)-1, (Barbato)-1, (Bellasio)-1, (Girolamo Boni)-1, (Clemens non Papa)-1, (Crecquillon)-4, (Croce)-2, (Ferro)-2, (Johann? Flori)-1, (Gero)-5, (Gombert)-2, (Francesco di Gregorii)-1, (G. Guami)-1, (Lupachino)-2, (Marenzio-anon)-1, (Nanino)-1, (G. Renaldi)-1, (Stivori)-1, (Sweelinck)-2, anon-12

3 paper partbooks (D-iii + 48 + ii folios, A-v + 48 + ii, B-vi + 48 + ii), 128 x 250. Original ink foliation in each book, 1-47 (f. 48 not numbered). Original covers of white parchment, inscribed with voice designations. Original alphabetical index on ff. v-v' of B book. Copied by a single scribe, employed by Edward Paston (see BrettEP for list of other books in the same hand and for discussion of related manuscripts from Paston's circle). No initials or decoration. All pieces have text incipits only.

Early 17th century. Of English provenance; originated in the household of Edward Paston (1550-1630) of Norfolk, a country gentleman and collector of music. Purchased by British Museum at a Sotheby's sale in 1878.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Number of voices	Source attribution	Composers (? Uncertain)
1v–2	A ce bon an	3	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
A ce bon an Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 1v–2 Genres: Chanson Number of voices: 3
2v–3	Se per colpa	3	-	Gero, Jhan
Se per colpa Gero, Jhan Appears on: 2v–3 Genres: Madrigal (Italian) Number of voices: 3
3v–4	Si me tenes tant de rigueur madame	3	-	Crecquillon, Thomas (ca. 1505–ca. 1557)
Si me tenes tant de rigueur madame Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 3v–4 Genres: Chanson Number of voices: 3
4v–5	Al assalir	3	-	Lupacchino, Bernardino
Al assalir Lupacchino, Bernardino Appears on: 4v–5 Genres: Madrigal (Italian) Number of voices: 3
5V–6	Helas amy	3	-	Anonymous
Helas amy Anonymous Appears on: 5V–6 Genres: Chanson Number of voices: 3
6v–7	En languissant je consume mes jours	3	-	Crecquillon, Thomas (ca. 1505–ca. 1557)
En languissant je consume mes jours Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 6v–7 Genres: Chanson Number of voices: 3
7V–8	Come donna	3	-	Anonymous
Come donna Anonymous Appears on: 7V–8 Genres: Madrigal (Italian) Number of voices: 3
8v–9	Alla dolce ombra	3	-	Gero, Jhan
Alla dolce ombra Gero, Jhan Appears on: 8v–9 Genres: Madrigal (Italian) Number of voices: 3
9v–10	Dormend' un giorn' a baia	3	-	Verdelot, Philippe (ca. 1480–ca. 1532)
Dormend' un giorn' a baia Verdelot, Philippe (ca. 1480–ca. 1532) Appears on: 9v–10 Genres: Madrigal (Italian) Number of voices: 3
10v–11	Tant bien party	3	-	Gombert, Nicolas (ca. 1495–ca. 1560)
Tant bien party Gombert, Nicolas (ca. 1495–ca. 1560) Appears on: 10v–11 Genres: Chanson Number of voices: 3
11v–12	Vostre rigueur veult donc que ie meur	3	-	Crecquillon, Thomas (ca. 1505–ca. 1557)
Vostre rigueur veult donc que ie meur Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 11v–12 Genres: Chanson Number of voices: 3
12v–13	Io credea	3	-	Ferro, Vincenzo
Io credea Ferro, Vincenzo Appears on: 12v–13 Genres: Madrigal (Italian) Number of voices: 3
13v–14	Rare gratie	3	-	Gero, Jhan
Rare gratie Gero, Jhan Appears on: 13v–14 Genres: Madrigal (Italian) Number of voices: 3
14v–15	Valli vicine	3	-	Animuccia, Paolo (ca. 1500–1569)
Valli vicine Animuccia, Paolo (ca. 1500–1569) Appears on: 14v–15 Genres: Madrigal (Italian) Number of voices: 3
15v–16	Le treccie	3	-	Gero, Jhan
Le treccie Gero, Jhan Appears on: 15v–16 Genres: Madrigal (Italian) Number of voices: 3
16v–17	Perch' al viso d'amor	3	-	Lupacchino, Bernardino
Perch' al viso d'amor Lupacchino, Bernardino Appears on: 16v–17 Genres: Madrigal (Italian) Number of voices: 3
17v–18	Ve 'l puo giurar amor	3	-	Ferro, Vincenzo
Ve 'l puo giurar amor Ferro, Vincenzo Appears on: 17v–18 Genres: Madrigal (Italian) Number of voices: 3
18v–19	O felice colui	3	-	Donato, Baldassare (ca. 1529–1603)
O felice colui Donato, Baldassare (ca. 1529–1603) Appears on: 18v–19 Genres: Madrigal (Italian) Number of voices: 3
19v–20	Sa quest'	3	-	Anonymous
Sa quest' Anonymous Appears on: 19v–20 Genres: Madrigal (Italian) Number of voices: 3
20v–21	Or sus amour	3	-	Anonymous
Or sus amour Anonymous Appears on: 20v–21 Genres: Chanson Number of voices: 3
21v–22	Jour desirez quil te pourra attendre	3	-	Crecquillon, Thomas (ca. 1505–ca. 1557)
Jour desirez quil te pourra attendre Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 21v–22 Genres: Chanson Number of voices: 3
22v–23	Pleust a dieu q'uil fut dit en la cour	3	-	Gombert, Nicolas (ca. 1495–ca. 1560)
Pleust a dieu q'uil fut dit en la cour Gombert, Nicolas (ca. 1495–ca. 1560) Appears on: 22v–23 Genres: Chanson Number of voices: 3
23v–24	Pere de nous	3	-	Sweelinck, Jan Pieterszoon (1562–1621)
Pere de nous Sweelinck, Jan Pieterszoon (1562–1621) Appears on: 23v–24 Genres: Chanson Number of voices: 3
24v–25	Jamais n'avoir	3	-	Anonymous
Jamais n'avoir Anonymous Appears on: 24v–25 Genres: Chanson Number of voices: 3
24v–25	Qual vive Salamandra in fiamma ardente	3	-	Marenzio, Luca (ca. 1553–1599)
Qual vive Salamandra in fiamma ardente Marenzio, Luca (ca. 1553–1599) Appears on: 24v–25 Genres: Madrigal (Italian) Number of voices: 3
25v–26	S' altra fiamma	3	-	Bellasio, Paolo (1554–1594)
S' altra fiamma Bellasio, Paolo (1554–1594) Appears on: 25v–26 Genres: Madrigal (Italian) Number of voices: 3
26v–27	Dormiva dolcemente	3	-	Stivori, Francesco
Dormiva dolcemente Stivori, Francesco Appears on: 26v–27 Genres: Madrigal (Italian) Number of voices: 3
27v–28	Queste note vi dono	3	-	Guami, Gioseffo (1452–1611)
Queste note vi dono Guami, Gioseffo (1452–1611) Appears on: 27v–28 Genres: Madrigal (Italian) Number of voices: 3
28v–29	Morir non puo 'l mio core	3	-	Sweelinck, Jan Pieterszoon (1562–1621)
Morir non puo 'l mio core Sweelinck, Jan Pieterszoon (1562–1621) Appears on: 28v–29 Genres: Madrigal (Italian) Number of voices: 3
29v–30	Sta notte mi sognava	3	-	Boni, Guillaume
Sta notte mi sognava Boni, Guillaume Appears on: 29v–30 Genres: Madrigal (Italian) Number of voices: 3
30v–31	Non vedi amore	3	-	Renaldi, Giulio
Non vedi amore Renaldi, Giulio Appears on: 30v–31 Genres: Madrigal (Italian) Number of voices: 3
31v–32	Un giorno passeggiando	3	-	Barbato, Angelo (fl. 1583–7)
Un giorno passeggiando Barbato, Angelo (fl. 1583–7) Appears on: 31v–32 Genres: Madrigal (Italian) Number of voices: 3
32v–33	Godiam adesso	3	-	Balla, Luigi dalla
Godiam adesso Balla, Luigi dalla Appears on: 32v–33 Genres: Madrigal (Italian) Number of voices: 3
33v–34	Dolci colli	3	-	Anonymous
Dolci colli Anonymous Appears on: 33v–34 Genres: Madrigal (Italian) Number of voices: 3
34v–35	Ben sperai	3	-	Anonymous
Ben sperai Anonymous Appears on: 34v–35 Genres: Madrigal (Italian) Number of voices: 3
35v–36	La mia spietata sorte	3	-	Anonymous
La mia spietata sorte Anonymous Appears on: 35v–36 Genres: Madrigal (Italian) Number of voices: 3
36v–37	Cruda e bella - 1a pars (of 2): Cruda e bella guerriera	3	-	Baccusi, Ippolito (ca. 1550–1609) (?)
Cruda e bella - 1a pars (of 2): Cruda e bella guerriera Baccusi, Ippolito (ca. 1550–1609) (?) Appears on: 36v–37 Genres: Madrigal (Italian) Number of voices: 3
37v–38	Cruda e bella - 2a pars (of 2): Deh per pieta	3	-	Baccusi, Ippolito (ca. 1550–1609) (?)
Cruda e bella - 2a pars (of 2): Deh per pieta Baccusi, Ippolito (ca. 1550–1609) (?) Appears on: 37v–38 Genres: Madrigal (Italian) Number of voices: 3
38v–39	Signor mio	3	-	Anonymous
Signor mio Anonymous Appears on: 38v–39 Genres: Madrigal (Italian) Number of voices: 3
39v–40	Un bel vis[...]	3	-	Anonymous
Un bel vis[...] Anonymous Appears on: 39v–40 Genres: Chanson Number of voices: 3
40v–41	Lascian le fresche	3	-	Nanino, Giovanni Maria
Lascian le fresche Nanino, Giovanni Maria Appears on: 40v–41 Genres: Madrigal (Italian) Number of voices: 3
41v–42	Lunge da gl' occhi	3	-	Gregori, Francesco di
Lunge da gl' occhi Gregori, Francesco di Appears on: 41v–42 Genres: Madrigal (Italian) Number of voices: 3
42v–43	Ma che squallido	3	-	Baccusi, Ippolito (ca. 1550–1609)
Ma che squallido Baccusi, Ippolito (ca. 1550–1609) Appears on: 42v–43 Genres: Madrigal (Italian) Number of voices: 3
43v–44	Voi bramate	3	-	Croce, Giovanni (ca. 1557–1609)
Voi bramate Croce, Giovanni (ca. 1557–1609) Appears on: 43v–44 Genres: Madrigal (Italian) Number of voices: 3
44v–45	Gia fu mia	3	-	Flori, Giovanni
Gia fu mia Flori, Giovanni Appears on: 44v–45 Genres: Madrigal (Italian) Number of voices: 3
45v–46	Basciami vita mia	3	-	Croce, Giovanni (ca. 1557–1609)
Basciami vita mia Croce, Giovanni (ca. 1557–1609) Appears on: 45v–46 Genres: Madrigal (Italian) Number of voices: 3
46v–47	Vezzosi augelli	3	-	Asola, Giammateo (ca. 1532–1609)
Vezzosi augelli Asola, Giammateo (ca. 1532–1609) Appears on: 46v–47 Genres: Madrigal (Italian) Number of voices: 3

Composer	Compositions
Animuccia, Paolo (ca. 1500-1569)	Valli vicine – 14v–15
Anonymous	Ben sperai – 34v–35 Come donna – 7V–8 Dolci colli – 33v–34 Helas amy – 5V–6 Jamais n'avoir – 24v–25 La mia spietata sorte – 35v–36 Or sus amour – 20v–21 Sa quest' – 19v–20 Signor mio – 38v–39 Un bel vis[...] – 39v–40
Asola, Giammateo (ca. 1532-1609)	Vezzosi augelli – 46v–47
Baccusi, Ippolito (ca. 1550-1609)	(?) Cruda e bella - 1a pars (of 2): Cruda e bella guerriera – 36v–37 (?) Cruda e bella - 2a pars (of 2): Deh per pieta – 37v–38 Ma che squallido – 42v–43
Balla, Luigi dalla	Godiam adesso – 32v–33
Barbato, Angelo (1583–7)	Un giorno passeggiando – 31v–32
Bellasio, Paolo (1554-1594)	S' altra fiamma – 25v–26
Boni, Guillaume	Sta notte mi sognava – 29v–30
Clemens non Papa, Jacob (ca. 1510-ca. 1556)	A ce bon an – 1v–2
Crecquillon, Thomas (ca. 1505-ca. 1557)	En languissant je consume mes jours – 6v–7 Jour desirez quil te pourra attendre – 21v–22 Si me tenes tant de rigueur madame – 3v–4 Vostre rigueur veult donc que ie meur – 11v–12
Croce, Giovanni (ca. 1557-1609)	Basciami vita mia – 45v–46 Voi bramate – 43v–44
Donato, Baldassare (ca. 1529-1603)	O felice colui – 18v–19
Ferro, Vincenzo	Io credea – 12v–13 Ve 'l puo giurar amor – 17v–18
Flori, Giovanni	Gia fu mia – 44v–45
Gero, Jhan	Alla dolce ombra – 8v–9 Le treccie – 15v–16 Rare gratie – 13v–14 Se per colpa – 2v–3
Gombert, Nicolas (ca. 1495-ca. 1560)	Pleust a dieu q'uil fut dit en la cour – 22v–23 Tant bien party – 10v–11
Gregori, Francesco di	Lunge da gl' occhi – 41v–42
Guami, Gioseffo (1452-1611)	Queste note vi dono – 27v–28
Lupacchino, Bernardino	Al assalir – 4v–5 Perch' al viso d'amor – 16v–17
Marenzio, Luca (ca. 1553-1599)	Qual vive Salamandra in fiamma ardente – 24v–25
Nanino, Giovanni Maria	Lascian le fresche – 40v–41
Renaldi, Giulio	Non vedi amore – 30v–31
Stivori, Francesco	Dormiva dolcemente – 26v–27
Sweelinck, Jan Pieterszoon (1562-1621)	Morir non puo 'l mio core – 28v–29 Pere de nous – 23v–24
Verdelot, Philippe (ca. 1480-ca. 1532)	Dormend' un giorn' a baia – 9v–10

Composition	Composers (? Uncertain)	Folios / Pages
A ce bon an	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	1v–2
Al assalir	Lupacchino, Bernardino	4v–5
Alla dolce ombra	Gero, Jhan	8v–9
Basciami vita mia	Croce, Giovanni (ca. 1557–1609)	45v–46
Ben sperai	Anonymous	34v–35
Come donna	Anonymous	7V–8
Cruda e bella - 1a pars (of 2): Cruda e bella guerriera	Baccusi, Ippolito (ca. 1550–1609) (?)	36v–37
Cruda e bella - 2a pars (of 2): Deh per pieta	Baccusi, Ippolito (ca. 1550–1609) (?)	37v–38
Dolci colli	Anonymous	33v–34
Dormend' un giorn' a baia	Verdelot, Philippe (ca. 1480–ca. 1532)	9v–10
Dormiva dolcemente	Stivori, Francesco	26v–27
En languissant je consume mes jours	Crecquillon, Thomas (ca. 1505–ca. 1557)	6v–7
Gia fu mia	Flori, Giovanni	44v–45
Godiam adesso	Balla, Luigi dalla	32v–33
Helas amy	Anonymous	5V–6
Io credea	Ferro, Vincenzo	12v–13
Jamais n'avoir	Anonymous	24v–25
Jour desirez quil te pourra attendre	Crecquillon, Thomas (ca. 1505–ca. 1557)	21v–22
La mia spietata sorte	Anonymous	35v–36
Lascian le fresche	Nanino, Giovanni Maria	40v–41
Le treccie	Gero, Jhan	15v–16
Lunge da gl' occhi	Gregori, Francesco di	41v–42
Ma che squallido	Baccusi, Ippolito (ca. 1550–1609)	42v–43
Morir non puo 'l mio core	Sweelinck, Jan Pieterszoon (1562–1621)	28v–29
Non vedi amore	Renaldi, Giulio	30v–31
O felice colui	Donato, Baldassare (ca. 1529–1603)	18v–19
Or sus amour	Anonymous	20v–21
Perch' al viso d'amor	Lupacchino, Bernardino	16v–17
Pere de nous	Sweelinck, Jan Pieterszoon (1562–1621)	23v–24
Pleust a dieu q'uil fut dit en la cour	Gombert, Nicolas (ca. 1495–ca. 1560)	22v–23
Qual vive Salamandra in fiamma ardente	Marenzio, Luca (ca. 1553–1599)	24v–25
Queste note vi dono	Guami, Gioseffo (1452–1611)	27v–28
Rare gratie	Gero, Jhan	13v–14
S' altra fiamma	Bellasio, Paolo (1554–1594)	25v–26
Sa quest'	Anonymous	19v–20
Se per colpa	Gero, Jhan	2v–3
Si me tenes tant de rigueur madame	Crecquillon, Thomas (ca. 1505–ca. 1557)	3v–4
Signor mio	Anonymous	38v–39
Sta notte mi sognava	Boni, Guillaume	29v–30
Tant bien party	Gombert, Nicolas (ca. 1495–ca. 1560)	10v–11
Un bel vis[...]	Anonymous	39v–40
Un giorno passeggiando	Barbato, Angelo (fl. 1583–7)	31v–32
Valli vicine	Animuccia, Paolo (ca. 1500–1569)	14v–15
Ve 'l puo giurar amor	Ferro, Vincenzo	17v–18
Vezzosi augelli	Asola, Giammateo (ca. 1532–1609)	46v–47
Voi bramate	Croce, Giovanni (ca. 1557–1609)	43v–44
Vostre rigueur veult donc que ie meur	Crecquillon, Thomas (ca. 1505–ca. 1557)	11v–12

Set: MSS Additional 30823-30825

Type: Partbooks

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GB-Lbl Add. MS 30823

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GB-Lbl Add. MS 30824

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GB-Lbl Add. MS 30825

Set: Paston Manuscripts

Type: Linked by Origin or Contents

GB-CF MS D/DP Z6/1

GB-CF MS D/DP Z6/2

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GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Altus]

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GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Discantus]

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GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Medius]

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GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Tenor]

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GB-Lbl Add. MS 29246 (Paston MS)

GB-Lbl Add. MS 29247 (Paston MS)

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GB-Lbl Madrigal Society G. 9

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GB-Lbl Madrigal Society G. 10

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GB-Lbl Madrigal Society G. 11

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GB-Lbl Madrigal Society G. 12

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GB-Lbl Madrigal Society G. 13

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GB-Lbl Madrigal Society G. 14

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GB-Lbl Madrigal Society G. 15

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GB-Lbl Madrigal Society G. 16

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GB-Lbl Madrigal Society G. 17

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GB-Lbl Madrigal Society G. 18

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GB-Lbl Madrigal Society G. 19

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GB-Lbl Madrigal Society G. 20

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GB-Lbl Madrigal Society G. 21

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GB-Lbl Madrigal Society G. 22

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GB-Lbl Madrigal Society G. 23

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GB-Lbl Madrigal Society G. 24

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GB-Lbl Madrigal Society G. 25

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GB-Lbl Madrigal Society G. 26

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GB-Lbl Madrigal Society G. 27

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GB-Lcm MS 2035 [Altus]

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GB-Lcm MS 2035 [Bassus]

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GB-Lcm MS 2035 [Discantus]

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GB-Lcm MS 2036 [Altus]

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GB-Lcm MS 2036 [Bassus]

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GB-Lcm MS 2036 [Discantus]

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GB-Lcm MS 2041

GB-Ob MS. Tenbury 341

GB-Ob MS. Tenbury 342

GB-Ob MS. Tenbury 343

GB-Ob MS. Tenbury 344

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GB-Ob MS. Tenbury 349

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GB-Ob MS. Tenbury 350

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GB-Ob MS. Tenbury 351

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GB-Ob MS. Tenbury 352

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GB-Ob MS. Tenbury 353

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GB-Ob MS. Tenbury 354

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GB-Ob MS. Tenbury 355

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GB-Ob MS. Tenbury 356

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GB-Ob MS. Tenbury 357

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GB-Ob MS. Tenbury 358

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GB-Ob MS. Tenbury 359

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GB-Ob MS. Tenbury 360

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GB-Ob MS. Tenbury 361

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GB-Ob MS. Tenbury 362

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GB-Ob MS. Tenbury 363

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GB-Ob MS. Tenbury 369

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GB-Ob MS. Tenbury 370

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GB-Ob MS. Tenbury 371

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GB-Ob MS. Tenbury 372

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GB-Ob MS. Tenbury 373

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GB-Ob MS. Tenbury 374

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GB-Ob MS. Tenbury 375

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GB-Ob MS. Tenbury 376

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GB-Ob MS. Tenbury 377

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GB-Ob MS. Tenbury 378

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GB-Ob MS. Tenbury 1469 (Harmsworth Manuscript)

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GB-Ob MS. Tenbury 1470 (Harmsworth Manuscript)

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GB-Ob MS. Tenbury 1471 (Harmsworth Manuscript)

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US-Ws V.a. 405

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US-Ws V.a. 406

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US-Ws V.a. 407

‡ denotes primary source study

Adams, Courtney S. 1974. The Three-Part Chanson during the Sixteenth Century: Changes in Its Style and Importance. University of Pennsylvania, Unpublished Ph.D. dissertation. Pages: 354. Notes: contents list (partial); concordances (partial).

Bernstein, Jane Agar. 1974. The Chanson in England 1530-1640: A Study of Sources and Styles. University of California at Berkeley, Unpublished Ph.D. dissertation. Pages: 194-9. Notes: contents list (partial); concordances (partial).

Brett, Philip. 1964-68. Edward Paston (1550-1630): A Norfolk Gentleman and His Musical Collection. Transactions of the Cambridge Bibliographical Society, 4: 51-69. Pages: 69. Notes: mention of MS.

Cazeaux, Isabelle Anne-Marie. 1961. The Secular Music of Claudin de Sermisy. Columbia University, Unpublished Ph.D. dissertation. Pages: I, 273. Notes: contents list (partial).

Brett, Philip, and Thurston Dart. 1960. Songs by William Byrd in Manuscripts at Harvard. Harvard Library Bulletin, 14: 343-65. Pages: 365. Notes: mention of MS.

Hughes, Dom Anselm. 1953. Catalogue of the Musical Manuscripts at Peterhouse, Cambridge. Cambridge. Pages: II, 142-3. Notes: physical description (partial); contents list.

Madden, F. 1843-. Catalogue of Additions to the Manuscripts in the British Museum. Pages: [1876-81], 118. Notes: physical description (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Foliation Note; Decoration Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description