GB-Lbl Add. MS 18938

British Library, London, England

partbook: c. 1615

Archive	British Library, London, England (GB-Lbl)
Shelfmark	Add. MS 18938
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Mixed Paper and Parchment
Numbering System	Foliation
Measurements	147-52 x 293-302 mm
Other Identifiers	CCM: LonBL 18936-9
Notations	black void mensural
Relationships	Bernard Quaritch Ltd (booksellers) (owner) Aldhouse of Matlask (Norfolk), Stephen (owner) Paston, Edward (1550–1630) (patron)
External Links	British Library online catalogue entry images
Provenance	Norfolk, England
Contents	152 pieces from 27 composers

General Description

A Tenor partbook from a set originally of five volumes. Copied by a single scribe. Many pieces have text incipits or titles only; probably copied for instrumental performance. Of English provenance; probably originated in the household of Edward Paston (1550-1630) of Norfolk, a country gentleman and collector of music. Not copied by one of Paston's usual scribes; perhaps compiled for younger member of Paston family, or copied by a visiting musician for his own use, from sources owned by Paston (BrettEP). Owned in 1670 by Stephen Aldhouse of Matlask, Norfolk, a witness to Paston's will. Purchased by British Museum at a Quaritch sale in 1852.

DIAMM, 2017

Binding

New covers of red cloth on cardboard

DIAMM, 2017

Notation

not indicated

DIAMM, 2017

Foliation

New pencil foliation in each book includes original parchment flyleaves.

DIAMM, 2017

Decoration

No initials or decoration

DIAMM, 2017

Surface

ii paper + ii parchment + 55 paper + i paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Mass, 80 Mass Ordinary sections or fragments, 18 Requiem Mass sections or fragments, 2 Mass Proper sections, 4 Magnificat sections, 1 hymn, 1 Lamentation, 32 motets, 9 anthems, 49 English secular pieces, 8 Italian secular pieces, 3 Latin secular pieces, 3 French secular pieces, 4 textless pieces (including 1 In nomine, 1 Fantasia, and 1 piece with title "Miserere") = 215

Bateson-1, Bianciardi-1, Byrd-18, Byrd/(A. Ferrabosco I)1, Cobbold-13, Crecquillon-1, Deering-1, A. Ferrabosco I [Alfonso; Alphonso]-7, A. Ferrabosco I/(Byrd)-2, A. Ferrabosco I/(Philippe de Monte)-1, (Kirbye)-1, Lange [Gregorio Languio]-1, Lassus [Orlando]-1, Philippe de Monte-2, Morley-1, J. Mundy-1, W. Mundy-1, (J. or W.? Mundy)-1, Pallavicino-1, R. Parsons I-1, Patrick-1, P. Philips-2, Shepherd-2, Stevenson-1, Tallis-4, Tallis/(Byrd)-1, Taverner-8, Tomkins-1, Orazio Vecchi-1, Victoria-65 + 31?, Weelkes-11, R. White-4, Wilbye-1, T. Wilkinson-1, anon-34

4 partbooks of an original 5 (D-ii paper + ii parchment + 69 paper + i paper folios, A-iii paper + ii parchment + 67 paper + ii paper, T-ii paper + ii parchment + 55 paper + i paper, B-iii paper + ii parchment + 67 paper + i paper), 147-52 x 293-302. New pencil foliation in each book includes original parchment flyleaves. New covers of red cloth on cardboard. No index. Copied by a single scribe. No initials or decoration. Many pieces have text incipits or titles only; probably copied for instrumental performance.

Ca. 1615 (JosephT). Of English provenance; probably originated in the household of Edward Paston (1550-1630) of Norfolk, a country gentleman and collector of music. Not copied by one of Paston's usual scribes; perhaps compiled for younger member of Paston family, or copied by a visiting musician for his own use, from sources owned by Paston (BrettEP). Owned in 1670 by Stephen Aldhouse of Matlask, Norfolk, a witness to Paston's will. Purchased by British Museum at a Quaritch sale in 1852.

Vol 4

Contents: 1 Mass, 2 Kyries, 3 Glorias, 3 Credos, 8 Agnus, 9 Requiem Mass sections, 48 Mass Ordinary sections, 4 Magnificat sections, 1 Lamentation, 28 motets, 10 motet sections, 9 anthems, 49 English secular pieces, 7 Italian secular pieces, 5 French secular pieces, 1 Latin secular piece, 9 instrumental pieces (Fantasias, In nomines, Misereres, etc.) = 197 + 1 duplicate = 198

Composers: Bateson-1, Bianciardi-1, Byrd-18, Byrd/(A. Ferrabosco I)-1, Cob-bold-13, Crecquillon-1, Deering-1, A. Ferrabosco I [Alfonso; Alphonso]-4, A. Ferrabosco I/(Byrd)-2, A. Ferrabosco I/(Philippe de Monte)-1, A. Ferrabosco I/ (Mosto)-1, A. Ferrabosco I/(Striggio)-1, A. Ferrabosco I/(Tye)-1, (Kirbye)-1, Lange-1, Lassus [Orlando]-1, Philippe de Monte-2, Morley-1, J. Mundy-1, W. Mundy-1, (J. or W.? Mundy)-1, Pallavicino-1, R. Parsons I-1, Patrick-1, P. Philips-2, Shepherd-2, Stevenson-1, Tallis-4, Tallis/(Byrd)-1, Taverner-9 Tomkins-1, Orazio Vecchi-1, Victoria-79, Weelkes-11, R. White-4, Wilbye-1, T. Wilkinson-1, anon-22

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
3	'Anome' (In nomine?) - 1a pars (of 2)	Mr Cobbold	Cobbold, William (ca. 1560–1639)
'Anome' (In nomine?) - 1a pars (of 2) Cobbold, William (ca. 1560–1639) Appears on: 3 Genres: In nomine Source Attribution: Mr Cobbold
3	'Anome' (In nomine?) - 2a pars (of 2)	-	Cobbold, William (ca. 1560–1639)
'Anome' (In nomine?) - 2a pars (of 2) Cobbold, William (ca. 1560–1639) Appears on: 3 Genres: In nomine
3v	Agnus Dei	-	Victoria, Tomas Luis de (1548–1611)
Agnus Dei Victoria, Tomas Luis de (1548–1611) Appears on: 3v Genres: Agnus Dei, Mass Ordinary
3v	Quando ...	Philippi De Monte	Monte, Philippe de
Quando ... Monte, Philippe de Appears on: 3v Genres: Madrigal Source Attribution: Philippi De Monte
3v	Misere[re]	-	Byrd, William (ca. 1540–1623)
Misere[re] Byrd, William (ca. 1540–1623) Appears on: 3v Genres: Motet
4	Vaults, graves and tombs	-	Anonymous
Vaults, graves and tombs Anonymous Appears on: 4 Genres: Madrigal (English)
4v	Alas I faint with dying	-	Anonymous
Alas I faint with dying Anonymous Appears on: 4v Genres: Madrigal (English)
5	[blank staves]	-	-
[blank staves] Appears on: 5
5v	Mi parto ah sorteria	-	Anonymous
Mi parto ah sorteria Anonymous Appears on: 5v Genres: Madrigal (Italian)
6	[blank staves]	-	-
[blank staves] Appears on: 6
6v	Ave verum corpus	-	Byrd, William (ca. 1540–1623)
Ave verum corpus Byrd, William (ca. 1540–1623) Appears on: 6v Genres: Motet General Note in this book only, copied again at f. 21v
7	[Christe qui lux es (I)] Precamur sancte Domine	Mr Whyte	White, Robert (ca. 1538–1574)
[Christe qui lux es (I)] Precamur sancte Domine White, Robert (ca. 1538–1574) Appears on: 7 Genres: Motet Source Attribution: Mr Whyte
7	Missa Salve regina: Sanctus (extract: Benedictus)	Victoria	Victoria, Tomas Luis de (1548–1611)
Missa Salve regina: Sanctus (extract: Benedictus) Victoria, Tomas Luis de (1548–1611) Appears on: 7 Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: Victoria
7	Missa Ascendens Christus: Sanctus (extract: Benedictus)	-	Victoria, Tomas Luis de (1548–1611)
Missa Ascendens Christus: Sanctus (extract: Benedictus) Victoria, Tomas Luis de (1548–1611) Appears on: 7 Genres: Mass Ordinary, Sanctus [& Benedictus]
7v	Missa Vidi speciosam: Sanctus (extract: Benedictus)	-	Victoria, Tomas Luis de (1548–1611)
Missa Vidi speciosam: Sanctus (extract: Benedictus) Victoria, Tomas Luis de (1548–1611) Appears on: 7v Genres: Mass Ordinary, Sanctus [& Benedictus]
7v	Missa O magnum mysterium: Sanctus	Victoria	Victoria, Tomas Luis de (1548–1611)
Missa O magnum mysterium: Sanctus Victoria, Tomas Luis de (1548–1611) Appears on: 7v Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: Victoria
7v	Missa Quarti toni: Sanctus (extract: Sanctus)	Victoria	Victoria, Tomas Luis de (1548–1611)
Missa Quarti toni: Sanctus (extract: Sanctus) Victoria, Tomas Luis de (1548–1611) Appears on: 7v Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: Victoria
8	Missa Ascendens Christus: Gloria (extract: Domine Deus)	Victoria	Victoria, Tomas Luis de (1548–1611)
Missa Ascendens Christus: Gloria (extract: Domine Deus) Victoria, Tomas Luis de (1548–1611) Appears on: 8 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: Victoria
8	Missa Salve regina: Gloria (extract: Domine Deus)	-	Victoria, Tomas Luis de (1548–1611)
Missa Salve regina: Gloria (extract: Domine Deus) Victoria, Tomas Luis de (1548–1611) Appears on: 8 Genres: Gloria (et in terra pax), Mass Ordinary
8	Sicut erat, from a Magnificat	Victoria	Victoria, Tomas Luis de (1548–1611)
Sicut erat, from a Magnificat Victoria, Tomas Luis de (1548–1611) Appears on: 8 Genres: BVM, Canticle, Magnificat Source Attribution: Victoria
8	Asperges me	-	Victoria, Tomas Luis de (1548–1611)
Asperges me Victoria, Tomas Luis de (1548–1611) Appears on: 8 Genres: Antiphon
8	[Miserere mei] Secundum magnam misericordiam	Victoria	Victoria, Tomas Luis de (1548–1611)
[Miserere mei] Secundum magnam misericordiam Victoria, Tomas Luis de (1548–1611) Appears on: 8 Genres: Psalm Source Attribution: Victoria
8v	Vidi aquam	-	Victoria, Tomas Luis de (1548–1611)
Vidi aquam Victoria, Tomas Luis de (1548–1611) Appears on: 8v Genres: Antiphon
8v	Quoniam (from a Confitemini setting)	-	Victoria, Tomas Luis de (1548–1611)
Quoniam (from a Confitemini setting) Victoria, Tomas Luis de (1548–1611) Appears on: 8v Genres: Gloria (et in terra pax), Mass Ordinary General Note source unidentified
8v	Sicut erat (from a Magnificat)	-	Victoria, Tomas Luis de (1548–1611)
Sicut erat (from a Magnificat) Victoria, Tomas Luis de (1548–1611) Appears on: 8v Genres: BVM, Canticle, Magnificat General Note source unidentiifed
8v	Missa O magnum mysterium: Kyrie	Victoria	Victoria, Tomas Luis de (1548–1611)
Missa O magnum mysterium: Kyrie Victoria, Tomas Luis de (1548–1611) Appears on: 8v Genres: Kyrie eleison, Mass Ordinary Source Attribution: Victoria General Note complete (Kyrie I - Christe - Kyrie II)
9	Missa O magnum mysterium: Gloria	-	Victoria, Tomas Luis de (1548–1611)
Missa O magnum mysterium: Gloria Victoria, Tomas Luis de (1548–1611) Appears on: 9 Genres: Gloria (et in terra pax), Mass Ordinary General Note complete (Et in terra pax - Qui tollis)
9v	Missa Quarti toni: Gloria	-	Victoria, Tomas Luis de (1548–1611)
Missa Quarti toni: Gloria Victoria, Tomas Luis de (1548–1611) Appears on: 9v Genres: Gloria (et in terra pax), Mass Ordinary General Note complete (Et in terra pax - Qui tollis)
10	Missa O magnum mysterium: Agnus Dei	Victoria	Victoria, Tomas Luis de (1548–1611)
Missa O magnum mysterium: Agnus Dei Victoria, Tomas Luis de (1548–1611) Appears on: 10 Genres: Agnus Dei, Mass Ordinary Source Attribution: Victoria
10	Agnus Dei (canonic)	-	Victoria, Tomas Luis de (1548–1611)
Agnus Dei (canonic) Victoria, Tomas Luis de (1548–1611) Appears on: 10 Genres: Agnus Dei, Mass Ordinary General Note unidentified source
10	Kyrie	-	Victoria, Tomas Luis de (1548–1611)
Kyrie Victoria, Tomas Luis de (1548–1611) Appears on: 10 Genres: Kyrie eleison, Mass Ordinary General Note Kyrie 1 & 2 , source unidentified
10	Missa Trahe me: Kyrie (extract: Christe eleison)	Victoria	Victoria, Tomas Luis de (1548–1611)
Missa Trahe me: Kyrie (extract: Christe eleison) Victoria, Tomas Luis de (1548–1611) Appears on: 10 Genres: Kyrie eleison, Mass Ordinary Source Attribution: Victoria
10v	Missa Vidi speciosam: Kyrie (extract: Christe eleison)	Victoria	Victoria, Tomas Luis de (1548–1611)
Missa Vidi speciosam: Kyrie (extract: Christe eleison) Victoria, Tomas Luis de (1548–1611) Appears on: 10v Genres: Kyrie eleison, Mass Ordinary Source Attribution: Victoria
10v	Missa Ascendens Christus: Kyrie (extract: Christe eleison)	Victoria	Victoria, Tomas Luis de (1548–1611)
Missa Ascendens Christus: Kyrie (extract: Christe eleison) Victoria, Tomas Luis de (1548–1611) Appears on: 10v Genres: Kyrie eleison, Mass Ordinary Source Attribution: Victoria
10v	Missa Salve regina: Kyrie (extract: Christe eleison)	-	Victoria, Tomas Luis de (1548–1611)
Missa Salve regina: Kyrie (extract: Christe eleison) Victoria, Tomas Luis de (1548–1611) Appears on: 10v Genres: Kyrie eleison, Mass Ordinary
10v	Missa O magnum mysterium: Sanctus (extract: Osanna)	-	Victoria, Tomas Luis de (1548–1611)
Missa O magnum mysterium: Sanctus (extract: Osanna) Victoria, Tomas Luis de (1548–1611) Appears on: 10v Genres: Mass Ordinary, Sanctus [& Benedictus]
10v	Missa Quarti toni: Sanctus (extract: Osanna)	-	Victoria, Tomas Luis de (1548–1611)
Missa Quarti toni: Sanctus (extract: Osanna) Victoria, Tomas Luis de (1548–1611) Appears on: 10v Genres: Mass Ordinary, Sanctus [& Benedictus]
11–11v	Missa O magnum mysterium: Credo	Victoria	Victoria, Tomas Luis de (1548–1611)
Missa O magnum mysterium: Credo Victoria, Tomas Luis de (1548–1611) Appears on: 11–11v Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: Victoria General Note complete (Patrem omnipotentem - Et incarnatus - Et in spiritum sanctum - Amen)
11v	Missa Salve regina: Credo (extract: Crucifixus)	-	Victoria, Tomas Luis de (1548–1611)
Missa Salve regina: Credo (extract: Crucifixus) Victoria, Tomas Luis de (1548–1611) Appears on: 11v Genres: Credo (patrem omnipotentem), Mass Ordinary
12	Missa Trahe me: Credo (extract: Crucifixus)	-	Victoria, Tomas Luis de (1548–1611)
Missa Trahe me: Credo (extract: Crucifixus) Victoria, Tomas Luis de (1548–1611) Appears on: 12 Genres: Credo (patrem omnipotentem), Mass Ordinary
12	Missa Vidi speciosam: Credo (extract: Crucifixus)	-	Victoria, Tomas Luis de (1548–1611)
Missa Vidi speciosam: Credo (extract: Crucifixus) Victoria, Tomas Luis de (1548–1611) Appears on: 12 Genres: Credo (patrem omnipotentem), Mass Ordinary
12v–13	Missa Quarti toni: Credo	-	Victoria, Tomas Luis de (1548–1611)
Missa Quarti toni: Credo Victoria, Tomas Luis de (1548–1611) Appears on: 12v–13 Genres: Credo (patrem omnipotentem), Mass Ordinary General Note complete (Patrem - Et in spiritum sanctum). The 'Quem visurus' setting is copied in an empty stave left at the bottom of the page between the 2 halves of the Credo setting
12v	Quem visurus sum ego	-	Anonymous
Quem visurus sum ego Anonymous Appears on: 12v Genres: Motet
13	Missa Ascendens Christus: Credo (extract: Crucifixus)	-	Victoria, Tomas Luis de (1548–1611)
Missa Ascendens Christus: Credo (extract: Crucifixus) Victoria, Tomas Luis de (1548–1611) Appears on: 13 Genres: Credo (patrem omnipotentem), Mass Ordinary
13	Requiem mass (4vv): viii. Libera me - 5a pars: Kyrie	-	Victoria, Tomas Luis de (1548–1611)
Requiem mass (4vv): viii. Libera me - 5a pars: Kyrie Victoria, Tomas Luis de (1548–1611) Appears on: 13 Genres: Requiem General Note 4 short Kyries on one stave, the first 2 from the end of the Libera me, the other 2 from the end of the Peccantem me
13	Requiem mass (4vv): ix. Peccantem me (extract: Kyrie)	-	Victoria, Tomas Luis de (1548–1611)
Requiem mass (4vv): ix. Peccantem me (extract: Kyrie) Victoria, Tomas Luis de (1548–1611) Appears on: 13 Genres: Requiem General Note 4 short Kyries on one stave, the first 2 from the end of the Libera me, the other 2 from the end of the Peccantem me
13v	Requiem mass (4vv): i. Requiem aeternam dona eis Domine (Introit)	-	Victoria, Tomas Luis de (1548–1611)
Requiem mass (4vv): i. Requiem aeternam dona eis Domine (Introit) Victoria, Tomas Luis de (1548–1611) Appears on: 13v Genres: Requiem General Note Both sections copied (Dona eis - Et tibi reddetur)
13v	Requiem mass (4vv): iii. Requiem aeternam dona eis Domine (Gradual)	-	Victoria, Tomas Luis de (1548–1611)
Requiem mass (4vv): iii. Requiem aeternam dona eis Domine (Gradual) Victoria, Tomas Luis de (1548–1611) Appears on: 13v Genres: Requiem General Note opening section only - [Requiem aeternam] Dona eis Domine; the second section is on f. 14v
13v	Requiem mass (4vv): ii. Kyrie	-	Victoria, Tomas Luis de (1548–1611)
Requiem mass (4vv): ii. Kyrie Victoria, Tomas Luis de (1548–1611) Appears on: 13v Genres: Requiem
14	Requiem mass (4vv): iv. Domine Jesu Christe, libera animas fidelium	-	Victoria, Tomas Luis de (1548–1611)
Requiem mass (4vv): iv. Domine Jesu Christe, libera animas fidelium Victoria, Tomas Luis de (1548–1611) Appears on: 14 Genres: Requiem
14v	Requiem mass (4vv): iii. Requiem aeternam dona eis Domine (Gradual)	-	Victoria, Tomas Luis de (1548–1611)
Requiem mass (4vv): iii. Requiem aeternam dona eis Domine (Gradual) Victoria, Tomas Luis de (1548–1611) Appears on: 14v Genres: Requiem General Note the second section of the gradual; the first section is on f. 13v
14v	Requiem mass (4vv): v. Sanctus & Benedictus	-	Victoria, Tomas Luis de (1548–1611)
Requiem mass (4vv): v. Sanctus & Benedictus Victoria, Tomas Luis de (1548–1611) Appears on: 14v Genres: Requiem General Note complete (Sanctus - Pleni - Benedictus)
14v–15	Requiem mass (4vv): vi. Agnus Dei	-	Victoria, Tomas Luis de (1548–1611)
Requiem mass (4vv): vi. Agnus Dei Victoria, Tomas Luis de (1548–1611) Appears on: 14v–15 Genres: Requiem General Note complete - Agnus 1,2,3 copied sequentially as three separate pieces (Agnus Dei qui tollis - Qui tollis - Qui tollis)
15	Requiem mass (4vv): vii. Lux aeterna luceat eis	-	Victoria, Tomas Luis de (1548–1611)
Requiem mass (4vv): vii. Lux aeterna luceat eis Victoria, Tomas Luis de (1548–1611) Appears on: 15 Genres: Requiem General Note Both parts copied (Luceat eis - Et lux perpetua)
15	Requiem mass (4vv): viii. Libera me - 1a pars: Libera me Domine de morte	-	Victoria, Tomas Luis de (1548–1611)
Requiem mass (4vv): viii. Libera me - 1a pars: Libera me Domine de morte Victoria, Tomas Luis de (1548–1611) Appears on: 15 Genres: Requiem
15v–16	Missa Salve regina: Kyrie	-	Victoria, Tomas Luis de (1548–1611)
Missa Salve regina: Kyrie Victoria, Tomas Luis de (1548–1611) Appears on: 15v–16 Genres: Kyrie eleison, Mass Ordinary Layout voice parts for Tenor (verso) and A2 (recto) General Note Kyrie 1 & Kyrie 2; the Christe eleison is copied at 10v
15v–16	Missa Salve regina: Gloria	-	Victoria, Tomas Luis de (1548–1611)
Missa Salve regina: Gloria Victoria, Tomas Luis de (1548–1611) Appears on: 15v–16 Genres: Gloria (et in terra pax), Mass Ordinary Layout voice parts for Tenor (verso) and A2 (recto) General Note Complete with the Domine Deus copied at f. 8
16v–17	Missa Salve regina: Credo	-	Victoria, Tomas Luis de (1548–1611)
Missa Salve regina: Credo Victoria, Tomas Luis de (1548–1611) Appears on: 16v–17 Genres: Credo (patrem omnipotentem), Mass Ordinary Layout voice parts for Tenor (verso) and A2 (recto) General Note complete with Crucifixus copied at f. 11v
17v–18	Missa Salve regina: Sanctus	-	Victoria, Tomas Luis de (1548–1611)
Missa Salve regina: Sanctus Victoria, Tomas Luis de (1548–1611) Appears on: 17v–18 Genres: Mass Ordinary, Sanctus [& Benedictus] Layout voice parts for Tenor (verso) and A2 (recto) General Note complete with Benedictus copied at f. 7v
17v–18	Missa Salve regina: Agnus Dei	-	Victoria, Tomas Luis de (1548–1611)
Missa Salve regina: Agnus Dei Victoria, Tomas Luis de (1548–1611) Appears on: 17v–18 Genres: Agnus Dei, Mass Ordinary Layout voice parts for Tenor (verso) and A2 (recto)
17v	Requiem mass (4vv): viii. Libera me - 4a pars: Requiem aeternam	-	Victoria, Tomas Luis de (1548–1611)
Requiem mass (4vv): viii. Libera me - 4a pars: Requiem aeternam Victoria, Tomas Luis de (1548–1611) Appears on: 17v Genres: Requiem
17v	Requiem mass (4vv): ix. Peccantem me	Victoria	Victoria, Tomas Luis de (1548–1611)
Requiem mass (4vv): ix. Peccantem me Victoria, Tomas Luis de (1548–1611) Appears on: 17v Genres: Requiem Source Attribution: Victoria General Note 2 sections (Peccantem me - Quia in inferno)
18	Kyrie	-	Victoria, Tomas Luis de (1548–1611)
Kyrie Victoria, Tomas Luis de (1548–1611) Appears on: 18 Genres: Kyrie eleison, Mass Ordinary General Note source unidentified
18	Miserere mihi Domine	-	Byrd, William (ca. 1540–1623)
Miserere mihi Domine Byrd, William (ca. 1540–1623) Appears on: 18
18v	Deus qui beatam Mariam semper virginem	Pietro Philippi	Philips, Peter (ca. 1560–1628)
Deus qui beatam Mariam semper virginem Philips, Peter (ca. 1560–1628) Appears on: 18v Genres: Motet Source Attribution: Pietro Philippi
19	O tell me sweet heart	-	Anonymous
O tell me sweet heart Anonymous Appears on: 19 Genres: Madrigal (English)
19v	What, shall I part thus unregarded	-	Kirbye, George
What, shall I part thus unregarded Kirbye, George Appears on: 19v Genres: Madrigal (English)
20	Phillis a herdmaid - 1a pars (of 2): Phillis, a herdmaid dainty	Alfonso [Ferrabosco]	Ferrabosco, Alfonso (the elder) (1543–1588) (?)
Phillis a herdmaid - 1a pars (of 2): Phillis, a herdmaid dainty Ferrabosco, Alfonso (the elder) (1543–1588) (?) Appears on: 20 Genres: Madrigal (English) Source Attribution: Alfonso [Ferrabosco] General Note Only the 1a pars is copied here
20v	Di questa bionda e vaga treccia	-	Striggio, Alessandro (ca. 1536–1592)
Di questa bionda e vaga treccia Striggio, Alessandro (ca. 1536–1592) Appears on: 20v Genres: Madrigal (Italian)
20v	Ut lanterna	-	Lange, Gregor (ca. 1540–1587)
Ut lanterna Lange, Gregor (ca. 1540–1587) Appears on: 20v Genres: Motet
21	Le belle	Alphonso [Ferrabosco]	Ferrabosco, Alfonso (the elder) (1543–1588)
Le belle Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 21 Genres: Madrigal (Italian) Source Attribution: Alphonso [Ferrabosco]
21	Adoramus te Christe	Mr Byrd	Byrd, William (ca. 1540–1623)
Adoramus te Christe Byrd, William (ca. 1540–1623) Appears on: 21 Genres: Gradual, Motet Source Attribution: Mr Byrd
21v	La bella	Palevicyno	Pallavicino, Benedetto
La bella Pallavicino, Benedetto Appears on: 21v Genres: Madrigal (Italian) Source Attribution: Palevicyno
21v	Ave verum corpus	Mr Byrd	Byrd, William (ca. 1540–1623)
Ave verum corpus Byrd, William (ca. 1540–1623) Appears on: 21v Genres: Motet Source Attribution: Mr Byrd General Note also copied at f. 6v
22	Gaude Maria virgo	Victoria	Victoria, Tomas Luis de (1548–1611)
Gaude Maria virgo Victoria, Tomas Luis de (1548–1611) Appears on: 22 Genres: Motet Source Attribution: Victoria
22	Missa Trahe me: Sanctus (extract: Osanna)	Victoria	Victoria, Tomas Luis de (1548–1611)
Missa Trahe me: Sanctus (extract: Osanna) Victoria, Tomas Luis de (1548–1611) Appears on: 22 Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: Victoria
22v	Missa Trahe me: Gloria	-	Victoria, Tomas Luis de (1548–1611)
Missa Trahe me: Gloria Victoria, Tomas Luis de (1548–1611) Appears on: 22v Genres: Gloria (et in terra pax), Mass Ordinary General Note complete (Et in terra pax - Qui tollis)
22v	Missa Ascendens Christus: Sanctus (extract: Osanna)	Victoria	Victoria, Tomas Luis de (1548–1611)
Missa Ascendens Christus: Sanctus (extract: Osanna) Victoria, Tomas Luis de (1548–1611) Appears on: 22v Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: Victoria
23	Missa Trahe me: Sanctus (extract: Sanctus)	-	Victoria, Tomas Luis de (1548–1611)
Missa Trahe me: Sanctus (extract: Sanctus) Victoria, Tomas Luis de (1548–1611) Appears on: 23 Genres: Mass Ordinary, Sanctus [& Benedictus]
23	Missa Trahe me: Agnus Dei	-	Victoria, Tomas Luis de (1548–1611)
Missa Trahe me: Agnus Dei Victoria, Tomas Luis de (1548–1611) Appears on: 23 Genres: Agnus Dei, Mass Ordinary General Note with note: 'Canon ad unisonum'
23	Requiem mass (4vv): x. Credo quod redemptor	-	Victoria, Tomas Luis de (1548–1611)
Requiem mass (4vv): x. Credo quod redemptor Victoria, Tomas Luis de (1548–1611) Appears on: 23 Genres: Requiem General Note 2 sections (Credo quod redemptor - Et in carne); the concluding Kyrie is at f. 25v
23v	Missa Ascendens Christus: Gloria	-	Victoria, Tomas Luis de (1548–1611)
Missa Ascendens Christus: Gloria Victoria, Tomas Luis de (1548–1611) Appears on: 23v Genres: Gloria (et in terra pax), Mass Ordinary General Note complete (Et in terra pax - Qui tollis)
23v	Missa Ascendens Christus: Kyrie	-	Victoria, Tomas Luis de (1548–1611)
Missa Ascendens Christus: Kyrie Victoria, Tomas Luis de (1548–1611) Appears on: 23v Genres: Kyrie eleison, Mass Ordinary General Note Kyrie I & Kyrie II; the Christe is at f. 10v
24	Missa Ascendens Christus: Sanctus (extract: Sanctus)	-	Victoria, Tomas Luis de (1548–1611)
Missa Ascendens Christus: Sanctus (extract: Sanctus) Victoria, Tomas Luis de (1548–1611) Appears on: 24 Genres: Mass Ordinary, Sanctus [& Benedictus]
24–24v	Missa Trahe me: Credo	Victoria	Victoria, Tomas Luis de (1548–1611)
Missa Trahe me: Credo Victoria, Tomas Luis de (1548–1611) Appears on: 24–24v Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: Victoria General Note complete (Patrem omnipotentem - Et incarnatus est - Et in spiritum sanctum - Amen) with Crucifixus at f. 12
24v–25	Missa Ascendens Christus: Credo	Victoria	Victoria, Tomas Luis de (1548–1611)
Missa Ascendens Christus: Credo Victoria, Tomas Luis de (1548–1611) Appears on: 24v–25 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: Victoria General Note complete (Patrem omnipotentem - Et incarnatus est - Et in spiritum sanctum - Amen) with Crucifixus at f. 13
25–25v	Missa Trahe me: Kyrie	Victoria	Victoria, Tomas Luis de (1548–1611)
Missa Trahe me: Kyrie Victoria, Tomas Luis de (1548–1611) Appears on: 25–25v Genres: Kyrie eleison, Mass Ordinary Source Attribution: Victoria General Note Kyrie 2 & Kyrie 1; the Christe is on f. 10
25v	Requiem mass (4vv): x. Credo quod redemptor (extract: Kyrie)	Victoria	Victoria, Tomas Luis de (1548–1611)
Requiem mass (4vv): x. Credo quod redemptor (extract: Kyrie) Victoria, Tomas Luis de (1548–1611) Appears on: 25v Genres: Requiem Source Attribution: Victoria
25v	Sub diversis speciebus	Mr Cobbold	Cobbold, William (ca. 1560–1639)
Sub diversis speciebus Cobbold, William (ca. 1560–1639) Appears on: 25v Genres: Motet Source Attribution: Mr Cobbold
26	Misericordias Domini	Horat: Vecchi	Vecchi, Orazio (1550–1605)
Misericordias Domini Vecchi, Orazio (1550–1605) Appears on: 26 Genres: Motet Source Attribution: Horat: Vecchi
26v–27	Fantasia a5	-	Anonymous
Fantasia a5 Anonymous Appears on: 26v–27 Genres: Fantasia
27	Sicut locutus, from a Magnificat	Mr Parsons	Parsons (I), Robert (ca. 1535–ca. 1572)
Sicut locutus, from a Magnificat Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 27 Genres: BVM, Canticle, Magnificat Source Attribution: Mr Parsons
27	The Western Wynde Mass: Agnus dei	-	Tye, Christopher (ca. 1505–ca. 1573)
The Western Wynde Mass: Agnus dei Tye, Christopher (ca. 1505–ca. 1573) Appears on: 27
27v	Ad te suspiramus	Victoria	Victoria, Tomas Luis de (1548–1611)
Ad te suspiramus Victoria, Tomas Luis de (1548–1611) Appears on: 27v Genres: Motet Source Attribution: Victoria General Note apparently not from his Salve regina settings (for 5,5,6 or 8vv)
27v	O comme heureux j'estimerais mon coeur	-	Lassus, Orlande de (ca. 1532–1594)
O comme heureux j'estimerais mon coeur Lassus, Orlande de (ca. 1532–1594) Appears on: 27v Genres: Chanson
28	Delight is dead	Mr Byrd	Byrd, William (ca. 1540–1623)
Delight is dead Byrd, William (ca. 1540–1623) Appears on: 28 Genres: Consort song Source Attribution: Mr Byrd
28v	By force I live	Mr Byrd	Byrd, William (ca. 1540–1623) (?)
By force I live Byrd, William (ca. 1540–1623) (?) Appears on: 28v Genres: Madrigal (English) Source Attribution: Mr Byrd
28v	Live long desire	-	Anonymous
Live long desire Anonymous Appears on: 28v Genres: Madrigal (English)
29	From a star	-	Cobbold, William (ca. 1560–1639)
From a star Cobbold, William (ca. 1560–1639) Appears on: 29 Genres: Madrigal (English)
29	See those sweet eyes - 1a pars (of 2): See, see those sweet eyes	-	Byrd, William (ca. 1540–1623)
See those sweet eyes - 1a pars (of 2): See, see those sweet eyes Byrd, William (ca. 1540–1623) Appears on: 29 Genres: Consort song
29v	Sith that the tree - 1a pars (of 2): Sith that the tree begins so soon	-	Byrd, William (ca. 1540–1623)
Sith that the tree - 1a pars (of 2): Sith that the tree begins so soon Byrd, William (ca. 1540–1623) Appears on: 29v Genres: Consort song
29v	Let fortune fail - 1a pars (of 2): Let fortune fail, virtue will stand	Mr Byrd	Byrd, William (ca. 1540–1623)
Let fortune fail - 1a pars (of 2): Let fortune fail, virtue will stand Byrd, William (ca. 1540–1623) Appears on: 29v Genres: Madrigal (English) Source Attribution: Mr Byrd
29v	Let fortune fail - 2a pars (of 2): My years do seek	-	Byrd, William (ca. 1540–1623)
Let fortune fail - 2a pars (of 2): My years do seek Byrd, William (ca. 1540–1623) Appears on: 29v Genres: Madrigal (English)
30	Whom hateful harms	Mr Byrd	Byrd, William (ca. 1540–1623)
Whom hateful harms Byrd, William (ca. 1540–1623) Appears on: 30 Genres: Madrigal (English) Source Attribution: Mr Byrd
30v	Crowned with flowers - 1a pars (of 2): Crowned with flowers and lilies	-	Byrd, William (ca. 1540–1623)
Crowned with flowers - 1a pars (of 2): Crowned with flowers and lilies Byrd, William (ca. 1540–1623) Appears on: 30v Genres: Madrigal (English)
31	Crowned with flowers - 2a pars (of 2): O worthy queen	-	Byrd, William (ca. 1540–1623)
Crowned with flowers - 2a pars (of 2): O worthy queen Byrd, William (ca. 1540–1623) Appears on: 31 Genres: Madrigal (English)
31	As Caesar wept	Tallis	Tallis, Thomas (ca. 1505–1585)
As Caesar wept Tallis, Thomas (ca. 1505–1585) Appears on: 31 Genres: Madrigal (English) Source Attribution: Tallis
31v	List not to Sirens singing (= Chi ha cor da partire)	Alphonso [Ferrabosco]	Ferrabosco, Alfonso (the elder) (1543–1588)
List not to Sirens singing (= Chi ha cor da partire) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 31v Genres: Contrafactum, Madrigal (English) Source Attribution: Alphonso [Ferrabosco]
32	Mount, Hope, above the skies	-	Byrd, William (ca. 1540–1623)
Mount, Hope, above the skies Byrd, William (ca. 1540–1623) Appears on: 32 Genres: Madrigal (English)
32	Have mercy upon us, O Lord (5vv)	Mr Byrd	Byrd, William (ca. 1540–1623)
Have mercy upon us, O Lord (5vv) Byrd, William (ca. 1540–1623) Appears on: 32 Genres: Consort song Source Attribution: Mr Byrd
32v	The Lord is only my support	Mr Byrd	Byrd, William (ca. 1540–1623)
The Lord is only my support Byrd, William (ca. 1540–1623) Appears on: 32v Genres: Anthem Source Attribution: Mr Byrd
32v–33	O Lord to thee I make my moan	Mr Byrd	Byrd, William (ca. 1540–1623)
O Lord to thee I make my moan Byrd, William (ca. 1540–1623) Appears on: 32v–33 Genres: Anthem Source Attribution: Mr Byrd
33	O Lord bow down thy heavenly eyes	-	Byrd, William (ca. 1540–1623)
O Lord bow down thy heavenly eyes Byrd, William (ca. 1540–1623) Appears on: 33 Genres: Anthem
33v	O praise our Lord - 3a pars (of 5): Praise him on tube	Alphonso [Ferrabosco]	Ferrabosco, Alfonso (the elder) (1543–1588) (?) Byrd, William (ca. 1540–1623)
O praise our Lord - 3a pars (of 5): Praise him on tube Ferrabosco, Alfonso (the elder) (1543–1588) (?) Byrd, William (ca. 1540–1623) Appears on: 33v Genres: Anthem Source Attribution: Alphonso [Ferrabosco]
33v	O praise our Lord - 4a pars (of 5): The gladsome sound of silver bells	-	Byrd, William (ca. 1540–1623) Ferrabosco, Alfonso (the elder) (1543–1588) (?)
O praise our Lord - 4a pars (of 5): The gladsome sound of silver bells Byrd, William (ca. 1540–1623) Ferrabosco, Alfonso (the elder) (1543–1588) (?) Appears on: 33v Genres: Anthem
34	Laudate	Francisci Bianchardi	Bianciardi, Francesco (ca. 1571–1607)
Laudate Bianciardi, Francesco (ca. 1571–1607) Appears on: 34 Genres: Motet Source Attribution: Francisci Bianchardi
34v	O lux et decus Hispaniae	Victoria	Victoria, Tomas Luis de (1548–1611)
O lux et decus Hispaniae Victoria, Tomas Luis de (1548–1611) Appears on: 34v Genres: Motet Source Attribution: Victoria
34v	Cum beatus Ignatius - 2a pars (of 2): Ignis crux bestiae	Victoria	Victoria, Tomas Luis de (1548–1611)
Cum beatus Ignatius - 2a pars (of 2): Ignis crux bestiae Victoria, Tomas Luis de (1548–1611) Appears on: 34v Genres: Motet Source Attribution: Victoria
35	The whitest snow (= Dolce alpestre parole)	Alphonso Ferrabosco/[Byrd]	Mosto, Giovanni Battista
The whitest snow (= Dolce alpestre parole) Mosto, Giovanni Battista Appears on: 35 Genres: Contrafactum, Madrigal (Italian) Source Attribution: Alphonso Ferrabosco/[Byrd]
35v	Penelope - 1a pars (of 2): Penelope was ever praised (= Se pur e ver)	Mr Byrd	Ferrabosco, Alfonso (the elder) (1543–1588) Byrd, William (ca. 1540–1623) (?)
Penelope - 1a pars (of 2): Penelope was ever praised (= Se pur e ver) Ferrabosco, Alfonso (the elder) (1543–1588) Byrd, William (ca. 1540–1623) (?) Appears on: 35v Genres: Contrafactum, Madrigal (English) Source Attribution: Mr Byrd
35v	Penelope - 2a pars (of 2): Not Cupid with his wanton wings (= Qualunqu' a quella tutto)	-	Ferrabosco, Alfonso (the elder) (1543–1588) Byrd, William (ca. 1540–1623) (?)
Penelope - 2a pars (of 2): Not Cupid with his wanton wings (= Qualunqu' a quella tutto) Ferrabosco, Alfonso (the elder) (1543–1588) Byrd, William (ca. 1540–1623) (?) Appears on: 35v Genres: Contrafactum, Madrigal (English)
35v	Non e lasso martire	Alphonso [Ferrabosco]	Ferrabosco, Alfonso (the elder) (1543–1588)
Non e lasso martire Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 35v Genres: Madrigal (Italian) Source Attribution: Alphonso [Ferrabosco]
36	Lors que je voy	Philippo de monte	Monte, Philippe de
Lors que je voy Monte, Philippe de Appears on: 36 Genres: Chanson Source Attribution: Philippo de monte
36v	Pis ne me peult venir que j'ai jusques ici	Cyrquillo [=Crecquillon]	Crecquillon, Thomas (ca. 1505–ca. 1557)
Pis ne me peult venir que j'ai jusques ici Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 36v Genres: Chanson Source Attribution: Cyrquillo [=Crecquillon]
36v	Mars et Marte en ce monde font grand guerre	-	Ferrabosco, Alfonso (the elder) (1543–1588) (?)
Mars et Marte en ce monde font grand guerre Ferrabosco, Alfonso (the elder) (1543–1588) (?) Appears on: 36v Genres: Chanson
37–38	The cries of London	-	Weelkes, Thomas (ca. 1576–1623)
The cries of London Weelkes, Thomas (ca. 1576–1623) Appears on: 37–38 Genres: Consort song
38–39	The cry of London	-	Anonymous
The cry of London Anonymous Appears on: 38–39 Genres: Consort song
39	New fashions - 1a pars (of 4): New fashions now do bear the sway	Mr Cobbold	Cobbold, William (ca. 1560–1639)
New fashions - 1a pars (of 4): New fashions now do bear the sway Cobbold, William (ca. 1560–1639) Appears on: 39 Genres: Consort song Source Attribution: Mr Cobbold
39v	New fashions - 2a pars (of 4): Little Pegg of Ransey with the yellow hair	-	Cobbold, William (ca. 1560–1639)
New fashions - 2a pars (of 4): Little Pegg of Ransey with the yellow hair Cobbold, William (ca. 1560–1639) Appears on: 39v Genres: Consort song
39v–40	New fashions - 3a pars (of 4): There were three ravens sat on a tree	-	Cobbold, William (ca. 1560–1639)
New fashions - 3a pars (of 4): There were three ravens sat on a tree Cobbold, William (ca. 1560–1639) Appears on: 39v–40 Genres: Consort song
40v	New fashions - 4a pars (of 4): What pleasures have we in this life	-	Cobbold, William (ca. 1560–1639)
New fashions - 4a pars (of 4): What pleasures have we in this life Cobbold, William (ca. 1560–1639) Appears on: 40v Genres: Consort song
41	For death of her	Mr Cobbold	Cobbold, William (ca. 1560–1639)
For death of her Cobbold, William (ca. 1560–1639) Appears on: 41 Genres: Consort song Source Attribution: Mr Cobbold General Note in Cantus "Upon ye Death of Mris Mary Gascoygne. Dyeing in travell of child, an Epitaph. 19: Julye: 1588."
41v–42	Ye mortal wights ("Venus her lamentation for Adonis")	-	Cobbold, William (ca. 1560–1639)
Ye mortal wights ("Venus her lamentation for Adonis") Cobbold, William (ca. 1560–1639) Appears on: 41v–42 Genres: Consort song
42	Sighs do your part	Mr Cobbold	Cobbold, William (ca. 1560–1639)
Sighs do your part Cobbold, William (ca. 1560–1639) Appears on: 42 Genres: Consort song Source Attribution: Mr Cobbold
42v	I plunged am, poor wretch, in woe	-	Cobbold, William (ca. 1560–1639)
I plunged am, poor wretch, in woe Cobbold, William (ca. 1560–1639) Appears on: 42v Genres: Consort song
43	Jamyss [Jamais] amant	Mr Cobbold	Cobbold, William (ca. 1560–1639)
Jamyss [Jamais] amant Cobbold, William (ca. 1560–1639) Appears on: 43 Genres: Consort song Source Attribution: Mr Cobbold
43	Amidst my bale I bathe in bliss	Mr Cobbold	Cobbold, William (ca. 1560–1639)
Amidst my bale I bathe in bliss Cobbold, William (ca. 1560–1639) Appears on: 43 Genres: Consort song Source Attribution: Mr Cobbold
43v	The haughty hearts of high aspiring minds	Mr Cobbold	Cobbold, William (ca. 1560–1639)
The haughty hearts of high aspiring minds Cobbold, William (ca. 1560–1639) Appears on: 43v Genres: Consort song Source Attribution: Mr Cobbold
43v–44	O froward fate	Mr Cobbold	Cobbold, William (ca. 1560–1639)
O froward fate Cobbold, William (ca. 1560–1639) Appears on: 43v–44 Genres: Consort song Source Attribution: Mr Cobbold
44	The rare affects that lead me to despair	Mr Cobbold	Cobbold, William (ca. 1560–1639)
The rare affects that lead me to despair Cobbold, William (ca. 1560–1639) Appears on: 44 Genres: Consort song Source Attribution: Mr Cobbold
44v	As Phisick's skill doth seem to ease	-	Anonymous
As Phisick's skill doth seem to ease Anonymous Appears on: 44v Genres: Consort song
45	Lamentations (I) a5 - (extract: De excelso misit ignem (from 2a pars))	-	White, Robert (ca. 1538–1574)
Lamentations (I) a5 - (extract: De excelso misit ignem (from 2a pars)) White, Robert (ca. 1538–1574) Appears on: 45 Genres: Lamentations
45v–46	Cantate Domino canticum novum	Mr Tomkins	Tomkins, John (1586–1638)
Cantate Domino canticum novum Tomkins, John (1586–1638) Appears on: 45v–46 Genres: Psalm Source Attribution: Mr Tomkins
46	Ne reminiscaris - 1a pars (of 2): Ne reminiscaris Domine	-	Wilbye, John (1574–1638)
Ne reminiscaris - 1a pars (of 2): Ne reminiscaris Domine Wilbye, John (1574–1638) Appears on: 46 Genres: Motet
46	Ne reminiscaris - 2a pars (of 2): Parce Domine	-	Wilbye, John (1574–1638)
Ne reminiscaris - 2a pars (of 2): Parce Domine Wilbye, John (1574–1638) Appears on: 46 Genres: Motet
46v–47v	Medley ('Miserere')	Dr. Stevenson	Stevenson, Robert
Medley ('Miserere') Stevenson, Robert Appears on: 46v–47v Genres: Consort song Source Attribution: Dr. Stevenson General Note incipit Miserere in most books; Tenor has at end "finis Dr Stevensons Medley". In 6 sections.
47v–49v	The country cry 'God give you good morrow, sir rise'	-	Dering, Richard
The country cry 'God give you good morrow, sir rise' Dering, Richard Appears on: 47v–49v Genres: Song General Note incipit Miserere in most books; Tenor has at end "finis Dr Stevensons Medley". In 6 sections.
50	Sacred Pan, advance thy head with golden horns	Nath: Pattricke	Patrick, Nathaniel
Sacred Pan, advance thy head with golden horns Patrick, Nathaniel Appears on: 50 Genres: Consort song Source Attribution: Nath: Pattricke
50v	O death rock me asleep	-	Anonymous
O death rock me asleep Anonymous Appears on: 50v
50v–51	Heu mihi Domine	-	Morley, Thomas (ca. 1557–1602)
Heu mihi Domine Morley, Thomas (ca. 1557–1602) Appears on: 50v–51 Genres: Motet
51v	Emendemus - 1a pars (of 2): Emendemus in melius	-	Byrd, William (ca. 1540–1623)
Emendemus - 1a pars (of 2): Emendemus in melius Byrd, William (ca. 1540–1623) Appears on: 51v Genres: Motet
51v	Emendemus - 2a pars (of 2): Adiuva nos Deus	-	Byrd, William (ca. 1540–1623)
Emendemus - 2a pars (of 2): Adiuva nos Deus Byrd, William (ca. 1540–1623) Appears on: 51v Genres: Motet

Composer	Compositions
Anonymous	Alas I faint with dying – 4v As Phisick's skill doth seem to ease – 44v Fantasia a5 – 26v–27 Live long desire – 28v Mi parto ah sorteria – 5v O death rock me asleep – 50v O tell me sweet heart – 19 Quem visurus sum ego – 12v The cry of London – 38–39 Vaults, graves and tombs – 4 [No description] – 6 [No description] – 5
Bianciardi, Francesco (ca. 1571–1607)	Laudate – 34
Byrd, William (ca. 1540–1623)	Adoramus te Christe – 21 Ave verum corpus – 6v Ave verum corpus – 21v (?) By force I live – 28v Crowned with flowers - 1a pars (of 2): Crowned with flowers and lilies – 30v Crowned with flowers - 2a pars (of 2): O worthy queen – 31 Delight is dead – 28 Emendemus - 1a pars (of 2): Emendemus in melius – 51v Emendemus - 2a pars (of 2): Adiuva nos Deus – 51v Have mercy upon us, O Lord (5vv) – 32 Let fortune fail - 1a pars (of 2): Let fortune fail, virtue will stand – 29v Let fortune fail - 2a pars (of 2): My years do seek – 29v Misere[re] – 3v Miserere mihi Domine – 18 Mount, Hope, above the skies – 32 O Lord bow down thy heavenly eyes – 33 O Lord to thee I make my moan – 32v–33 O praise our Lord - 3a pars (of 5): Praise him on tube – 33v O praise our Lord - 4a pars (of 5): The gladsome sound of silver bells – 33v (?) Penelope - 1a pars (of 2): Penelope was ever praised (= Se pur e ver) – 35v (?) Penelope - 2a pars (of 2): Not Cupid with his wanton wings (= Qualunqu' a quella tutto) – 35v See those sweet eyes - 1a pars (of 2): See, see those sweet eyes – 29 Sith that the tree - 1a pars (of 2): Sith that the tree begins so soon – 29v The Lord is only my support – 32v Whom hateful harms – 30
Cobbold, William (ca. 1560–1639)	'Anome' (In nomine?) - 1a pars (of 2) – 3 'Anome' (In nomine?) - 2a pars (of 2) – 3 Amidst my bale I bathe in bliss – 43 For death of her – 41 From a star – 29 I plunged am, poor wretch, in woe – 42v Jamyss [Jamais] amant – 43 New fashions - 1a pars (of 4): New fashions now do bear the sway – 39 New fashions - 2a pars (of 4): Little Pegg of Ransey with the yellow hair – 39v New fashions - 3a pars (of 4): There were three ravens sat on a tree – 39v–40 New fashions - 4a pars (of 4): What pleasures have we in this life – 40v O froward fate – 43v–44 Sighs do your part – 42 Sub diversis speciebus – 25v The haughty hearts of high aspiring minds – 43v The rare affects that lead me to despair – 44 Ye mortal wights ("Venus her lamentation for Adonis") – 41v–42
Crecquillon, Thomas (ca. 1505–ca. 1557)	Pis ne me peult venir que j'ai jusques ici – 36v
Dering, Richard	The country cry 'God give you good morrow, sir rise' – 47v–49v
Ferrabosco, Alfonso (the elder) (1543–1588)	Le belle – 21 List not to Sirens singing (= Chi ha cor da partire) – 31v (?) Mars et Marte en ce monde font grand guerre – 36v Non e lasso martire – 35v (?) O praise our Lord - 3a pars (of 5): Praise him on tube – 33v (?) O praise our Lord - 4a pars (of 5): The gladsome sound of silver bells – 33v Penelope - 1a pars (of 2): Penelope was ever praised (= Se pur e ver) – 35v Penelope - 2a pars (of 2): Not Cupid with his wanton wings (= Qualunqu' a quella tutto) – 35v (?) Phillis a herdmaid - 1a pars (of 2): Phillis, a herdmaid dainty – 20
Kirbye, George	What, shall I part thus unregarded – 19v
Lange, Gregor (ca. 1540–1587)	Ut lanterna – 20v
Lassus, Orlande de (ca. 1532–1594)	O comme heureux j'estimerais mon coeur – 27v
Monte, Philippe de	Lors que je voy – 36 Quando ... – 3v
Morley, Thomas (ca. 1557–1602)	Heu mihi Domine – 50v–51
Mosto, Giovanni Battista	The whitest snow (= Dolce alpestre parole) – 35
Pallavicino, Benedetto	La bella – 21v
Parsons (I), Robert (ca. 1535–ca. 1572)	Sicut locutus, from a Magnificat – 27
Patrick, Nathaniel	Sacred Pan, advance thy head with golden horns – 50
Philips, Peter (ca. 1560–1628)	Deus qui beatam Mariam semper virginem – 18v
Stevenson, Robert	Medley ('Miserere') – 46v–47v
Striggio, Alessandro (ca. 1536–1592)	Di questa bionda e vaga treccia – 20v
Tallis, Thomas (ca. 1505–1585)	As Caesar wept – 31
Tomkins, John (1586–1638)	Cantate Domino canticum novum – 45v–46
Tye, Christopher (ca. 1505–ca. 1573)	The Western Wynde Mass: Agnus dei – 27
Vecchi, Orazio (1550–1605)	Misericordias Domini – 26
Victoria, Tomas Luis de (1548–1611)	Ad te suspiramus – 27v Agnus Dei – 3v Agnus Dei (canonic) – 10 Asperges me – 8 Cum beatus Ignatius - 2a pars (of 2): Ignis crux bestiae – 34v Gaude Maria virgo – 22 Kyrie – 18 Kyrie – 10 Missa Ascendens Christus: Credo – 24v–25 Missa Ascendens Christus: Credo (extract: Crucifixus) – 13 Missa Ascendens Christus: Gloria – 23v Missa Ascendens Christus: Gloria (extract: Domine Deus) – 8 Missa Ascendens Christus: Kyrie – 23v Missa Ascendens Christus: Kyrie (extract: Christe eleison) – 10v Missa Ascendens Christus: Sanctus (extract: Benedictus) – 7 Missa Ascendens Christus: Sanctus (extract: Osanna) – 22v Missa Ascendens Christus: Sanctus (extract: Sanctus) – 24 Missa O magnum mysterium: Agnus Dei – 10 Missa O magnum mysterium: Credo – 11–11v Missa O magnum mysterium: Gloria – 9 Missa O magnum mysterium: Kyrie – 8v Missa O magnum mysterium: Sanctus – 7v Missa O magnum mysterium: Sanctus (extract: Osanna) – 10v Missa Quarti toni: Credo – 12v–13 Missa Quarti toni: Gloria – 9v Missa Quarti toni: Sanctus (extract: Osanna) – 10v Missa Quarti toni: Sanctus (extract: Sanctus) – 7v Missa Salve regina: Agnus Dei – 17v–18 Missa Salve regina: Credo – 16v–17 Missa Salve regina: Credo (extract: Crucifixus) – 11v Missa Salve regina: Gloria – 15v–16 Missa Salve regina: Gloria (extract: Domine Deus) – 8 Missa Salve regina: Kyrie – 15v–16 Missa Salve regina: Kyrie (extract: Christe eleison) – 10v Missa Salve regina: Sanctus – 17v–18 Missa Salve regina: Sanctus (extract: Benedictus) – 7 Missa Trahe me: Agnus Dei – 23 Missa Trahe me: Credo – 24–24v Missa Trahe me: Credo (extract: Crucifixus) – 12 Missa Trahe me: Gloria – 22v Missa Trahe me: Kyrie – 25–25v Missa Trahe me: Kyrie (extract: Christe eleison) – 10 Missa Trahe me: Sanctus (extract: Osanna) – 22 Missa Trahe me: Sanctus (extract: Sanctus) – 23 Missa Vidi speciosam: Credo (extract: Crucifixus) – 12 Missa Vidi speciosam: Kyrie (extract: Christe eleison) – 10v Missa Vidi speciosam: Sanctus (extract: Benedictus) – 7v O lux et decus Hispaniae – 34v Quoniam (from a Confitemini setting) – 8v Requiem mass (4vv): i. Requiem aeternam dona eis Domine (Introit) – 13v Requiem mass (4vv): ii. Kyrie – 13v Requiem mass (4vv): iii. Requiem aeternam dona eis Domine (Gradual) – 14v Requiem mass (4vv): iii. Requiem aeternam dona eis Domine (Gradual) – 13v Requiem mass (4vv): iv. Domine Jesu Christe, libera animas fidelium – 14 Requiem mass (4vv): ix. Peccantem me – 17v Requiem mass (4vv): ix. Peccantem me (extract: Kyrie) – 13 Requiem mass (4vv): v. Sanctus & Benedictus – 14v Requiem mass (4vv): vi. Agnus Dei – 14v–15 Requiem mass (4vv): vii. Lux aeterna luceat eis – 15 Requiem mass (4vv): viii. Libera me - 1a pars: Libera me Domine de morte – 15 Requiem mass (4vv): viii. Libera me - 4a pars: Requiem aeternam – 17v Requiem mass (4vv): viii. Libera me - 5a pars: Kyrie – 13 Requiem mass (4vv): x. Credo quod redemptor – 23 Requiem mass (4vv): x. Credo quod redemptor (extract: Kyrie) – 25v Sicut erat (from a Magnificat) – 8v Sicut erat, from a Magnificat – 8 Vidi aquam – 8v [Miserere mei] Secundum magnam misericordiam – 8
Weelkes, Thomas (ca. 1576–1623)	The cries of London – 37–38
White, Robert (ca. 1538–1574)	Lamentations (I) a5 - (extract: De excelso misit ignem (from 2a pars)) – 45 [Christe qui lux es (I)] Precamur sancte Domine – 7
Wilbye, John (1574–1638)	Ne reminiscaris - 1a pars (of 2): Ne reminiscaris Domine – 46 Ne reminiscaris - 2a pars (of 2): Parce Domine – 46

Composition	Composers (? Uncertain)	Folios / Pages
'Anome' (In nomine?) - 1a pars (of 2)	Cobbold, William (ca. 1560–1639)	3
'Anome' (In nomine?) - 2a pars (of 2)	Cobbold, William (ca. 1560–1639)	3
[Christe qui lux es (I)] Precamur sancte Domine	White, Robert (ca. 1538–1574)	7
[Miserere mei] Secundum magnam misericordiam	Victoria, Tomas Luis de (1548–1611)	8
Ad te suspiramus	Victoria, Tomas Luis de (1548–1611)	27v
Adoramus te Christe	Byrd, William (ca. 1540–1623)	21
Agnus Dei	Victoria, Tomas Luis de (1548–1611)	3v
Agnus Dei (canonic)	Victoria, Tomas Luis de (1548–1611)	10
Alas I faint with dying	Anonymous	4v
Amidst my bale I bathe in bliss	Cobbold, William (ca. 1560–1639)	43
As Caesar wept	Tallis, Thomas (ca. 1505–1585)	31
As Phisick's skill doth seem to ease	Anonymous	44v
Asperges me	Victoria, Tomas Luis de (1548–1611)	8
Ave verum corpus	Byrd, William (ca. 1540–1623)	6v
Ave verum corpus	Byrd, William (ca. 1540–1623)	21v
By force I live	Byrd, William (ca. 1540–1623) (?)	28v
Cantate Domino canticum novum	Tomkins, John (1586–1638)	45v–46
Crowned with flowers - 1a pars (of 2): Crowned with flowers and lilies	Byrd, William (ca. 1540–1623)	30v
Crowned with flowers - 2a pars (of 2): O worthy queen	Byrd, William (ca. 1540–1623)	31
Cum beatus Ignatius - 2a pars (of 2): Ignis crux bestiae	Victoria, Tomas Luis de (1548–1611)	34v
Delight is dead	Byrd, William (ca. 1540–1623)	28
Deus qui beatam Mariam semper virginem	Philips, Peter (ca. 1560–1628)	18v
Di questa bionda e vaga treccia	Striggio, Alessandro (ca. 1536–1592)	20v
Emendemus - 1a pars (of 2): Emendemus in melius	Byrd, William (ca. 1540–1623)	51v
Emendemus - 2a pars (of 2): Adiuva nos Deus	Byrd, William (ca. 1540–1623)	51v
Fantasia a5	Anonymous	26v–27
For death of her	Cobbold, William (ca. 1560–1639)	41
From a star	Cobbold, William (ca. 1560–1639)	29
Gaude Maria virgo	Victoria, Tomas Luis de (1548–1611)	22
Have mercy upon us, O Lord (5vv)	Byrd, William (ca. 1540–1623)	32
Heu mihi Domine	Morley, Thomas (ca. 1557–1602)	50v–51
I plunged am, poor wretch, in woe	Cobbold, William (ca. 1560–1639)	42v
Jamyss [Jamais] amant	Cobbold, William (ca. 1560–1639)	43
Kyrie	Victoria, Tomas Luis de (1548–1611)	10
Kyrie	Victoria, Tomas Luis de (1548–1611)	18
La bella	Pallavicino, Benedetto	21v
Lamentations (I) a5 - (extract: De excelso misit ignem (from 2a pars))	White, Robert (ca. 1538–1574)	45
Laudate	Bianciardi, Francesco (ca. 1571–1607)	34
Le belle	Ferrabosco, Alfonso (the elder) (1543–1588)	21
Let fortune fail - 1a pars (of 2): Let fortune fail, virtue will stand	Byrd, William (ca. 1540–1623)	29v
Let fortune fail - 2a pars (of 2): My years do seek	Byrd, William (ca. 1540–1623)	29v
List not to Sirens singing (= Chi ha cor da partire)	Ferrabosco, Alfonso (the elder) (1543–1588)	31v
Live long desire	Anonymous	28v
Lors que je voy	Monte, Philippe de	36
Mars et Marte en ce monde font grand guerre	Ferrabosco, Alfonso (the elder) (1543–1588) (?)	36v
Medley ('Miserere')	Stevenson, Robert	46v–47v
Mi parto ah sorteria	Anonymous	5v
Misere[re]	Byrd, William (ca. 1540–1623)	3v
Miserere mihi Domine	Byrd, William (ca. 1540–1623)	18
Misericordias Domini	Vecchi, Orazio (1550–1605)	26
Missa Ascendens Christus: Credo	Victoria, Tomas Luis de (1548–1611)	24v–25
Missa Ascendens Christus: Credo (extract: Crucifixus)	Victoria, Tomas Luis de (1548–1611)	13
Missa Ascendens Christus: Gloria	Victoria, Tomas Luis de (1548–1611)	23v
Missa Ascendens Christus: Gloria (extract: Domine Deus)	Victoria, Tomas Luis de (1548–1611)	8
Missa Ascendens Christus: Kyrie	Victoria, Tomas Luis de (1548–1611)	23v
Missa Ascendens Christus: Kyrie (extract: Christe eleison)	Victoria, Tomas Luis de (1548–1611)	10v
Missa Ascendens Christus: Sanctus (extract: Benedictus)	Victoria, Tomas Luis de (1548–1611)	7
Missa Ascendens Christus: Sanctus (extract: Osanna)	Victoria, Tomas Luis de (1548–1611)	22v
Missa Ascendens Christus: Sanctus (extract: Sanctus)	Victoria, Tomas Luis de (1548–1611)	24
Missa O magnum mysterium: Agnus Dei	Victoria, Tomas Luis de (1548–1611)	10
Missa O magnum mysterium: Credo	Victoria, Tomas Luis de (1548–1611)	11–11v
Missa O magnum mysterium: Gloria	Victoria, Tomas Luis de (1548–1611)	9
Missa O magnum mysterium: Kyrie	Victoria, Tomas Luis de (1548–1611)	8v
Missa O magnum mysterium: Sanctus	Victoria, Tomas Luis de (1548–1611)	7v
Missa O magnum mysterium: Sanctus (extract: Osanna)	Victoria, Tomas Luis de (1548–1611)	10v
Missa Quarti toni: Credo	Victoria, Tomas Luis de (1548–1611)	12v–13
Missa Quarti toni: Gloria	Victoria, Tomas Luis de (1548–1611)	9v
Missa Quarti toni: Sanctus (extract: Osanna)	Victoria, Tomas Luis de (1548–1611)	10v
Missa Quarti toni: Sanctus (extract: Sanctus)	Victoria, Tomas Luis de (1548–1611)	7v
Missa Salve regina: Agnus Dei	Victoria, Tomas Luis de (1548–1611)	17v–18
Missa Salve regina: Credo	Victoria, Tomas Luis de (1548–1611)	16v–17
Missa Salve regina: Credo (extract: Crucifixus)	Victoria, Tomas Luis de (1548–1611)	11v
Missa Salve regina: Gloria	Victoria, Tomas Luis de (1548–1611)	15v–16
Missa Salve regina: Gloria (extract: Domine Deus)	Victoria, Tomas Luis de (1548–1611)	8
Missa Salve regina: Kyrie	Victoria, Tomas Luis de (1548–1611)	15v–16
Missa Salve regina: Kyrie (extract: Christe eleison)	Victoria, Tomas Luis de (1548–1611)	10v
Missa Salve regina: Sanctus	Victoria, Tomas Luis de (1548–1611)	17v–18
Missa Salve regina: Sanctus (extract: Benedictus)	Victoria, Tomas Luis de (1548–1611)	7
Missa Trahe me: Agnus Dei	Victoria, Tomas Luis de (1548–1611)	23
Missa Trahe me: Credo	Victoria, Tomas Luis de (1548–1611)	24–24v
Missa Trahe me: Credo (extract: Crucifixus)	Victoria, Tomas Luis de (1548–1611)	12
Missa Trahe me: Gloria	Victoria, Tomas Luis de (1548–1611)	22v
Missa Trahe me: Kyrie	Victoria, Tomas Luis de (1548–1611)	25–25v
Missa Trahe me: Kyrie (extract: Christe eleison)	Victoria, Tomas Luis de (1548–1611)	10
Missa Trahe me: Sanctus (extract: Osanna)	Victoria, Tomas Luis de (1548–1611)	22
Missa Trahe me: Sanctus (extract: Sanctus)	Victoria, Tomas Luis de (1548–1611)	23
Missa Vidi speciosam: Credo (extract: Crucifixus)	Victoria, Tomas Luis de (1548–1611)	12
Missa Vidi speciosam: Kyrie (extract: Christe eleison)	Victoria, Tomas Luis de (1548–1611)	10v
Missa Vidi speciosam: Sanctus (extract: Benedictus)	Victoria, Tomas Luis de (1548–1611)	7v
Mount, Hope, above the skies	Byrd, William (ca. 1540–1623)	32
Ne reminiscaris - 1a pars (of 2): Ne reminiscaris Domine	Wilbye, John (1574–1638)	46
Ne reminiscaris - 2a pars (of 2): Parce Domine	Wilbye, John (1574–1638)	46
New fashions - 1a pars (of 4): New fashions now do bear the sway	Cobbold, William (ca. 1560–1639)	39
New fashions - 2a pars (of 4): Little Pegg of Ransey with the yellow hair	Cobbold, William (ca. 1560–1639)	39v
New fashions - 3a pars (of 4): There were three ravens sat on a tree	Cobbold, William (ca. 1560–1639)	39v–40
New fashions - 4a pars (of 4): What pleasures have we in this life	Cobbold, William (ca. 1560–1639)	40v
Non e lasso martire	Ferrabosco, Alfonso (the elder) (1543–1588)	35v
O comme heureux j'estimerais mon coeur	Lassus, Orlande de (ca. 1532–1594)	27v
O death rock me asleep	Anonymous	50v
O froward fate	Cobbold, William (ca. 1560–1639)	43v–44
O Lord bow down thy heavenly eyes	Byrd, William (ca. 1540–1623)	33
O Lord to thee I make my moan	Byrd, William (ca. 1540–1623)	32v–33
O lux et decus Hispaniae	Victoria, Tomas Luis de (1548–1611)	34v
O praise our Lord - 3a pars (of 5): Praise him on tube	Ferrabosco, Alfonso (the elder) (1543–1588) (?) Byrd, William (ca. 1540–1623)	33v
O praise our Lord - 4a pars (of 5): The gladsome sound of silver bells	Byrd, William (ca. 1540–1623) Ferrabosco, Alfonso (the elder) (1543–1588) (?)	33v
O tell me sweet heart	Anonymous	19
Penelope - 1a pars (of 2): Penelope was ever praised (= Se pur e ver)	Ferrabosco, Alfonso (the elder) (1543–1588) Byrd, William (ca. 1540–1623) (?)	35v
Penelope - 2a pars (of 2): Not Cupid with his wanton wings (= Qualunqu' a quella tutto)	Ferrabosco, Alfonso (the elder) (1543–1588) Byrd, William (ca. 1540–1623) (?)	35v
Phillis a herdmaid - 1a pars (of 2): Phillis, a herdmaid dainty	Ferrabosco, Alfonso (the elder) (1543–1588) (?)	20
Pis ne me peult venir que j'ai jusques ici	Crecquillon, Thomas (ca. 1505–ca. 1557)	36v
Quando ...	Monte, Philippe de	3v
Quem visurus sum ego	Anonymous	12v
Quoniam (from a Confitemini setting)	Victoria, Tomas Luis de (1548–1611)	8v
Requiem mass (4vv): i. Requiem aeternam dona eis Domine (Introit)	Victoria, Tomas Luis de (1548–1611)	13v
Requiem mass (4vv): ii. Kyrie	Victoria, Tomas Luis de (1548–1611)	13v
Requiem mass (4vv): iii. Requiem aeternam dona eis Domine (Gradual)	Victoria, Tomas Luis de (1548–1611)	13v
Requiem mass (4vv): iii. Requiem aeternam dona eis Domine (Gradual)	Victoria, Tomas Luis de (1548–1611)	14v
Requiem mass (4vv): iv. Domine Jesu Christe, libera animas fidelium	Victoria, Tomas Luis de (1548–1611)	14
Requiem mass (4vv): ix. Peccantem me	Victoria, Tomas Luis de (1548–1611)	17v
Requiem mass (4vv): ix. Peccantem me (extract: Kyrie)	Victoria, Tomas Luis de (1548–1611)	13
Requiem mass (4vv): v. Sanctus & Benedictus	Victoria, Tomas Luis de (1548–1611)	14v
Requiem mass (4vv): vi. Agnus Dei	Victoria, Tomas Luis de (1548–1611)	14v–15
Requiem mass (4vv): vii. Lux aeterna luceat eis	Victoria, Tomas Luis de (1548–1611)	15
Requiem mass (4vv): viii. Libera me - 1a pars: Libera me Domine de morte	Victoria, Tomas Luis de (1548–1611)	15
Requiem mass (4vv): viii. Libera me - 4a pars: Requiem aeternam	Victoria, Tomas Luis de (1548–1611)	17v
Requiem mass (4vv): viii. Libera me - 5a pars: Kyrie	Victoria, Tomas Luis de (1548–1611)	13
Requiem mass (4vv): x. Credo quod redemptor	Victoria, Tomas Luis de (1548–1611)	23
Requiem mass (4vv): x. Credo quod redemptor (extract: Kyrie)	Victoria, Tomas Luis de (1548–1611)	25v
Sacred Pan, advance thy head with golden horns	Patrick, Nathaniel	50
See those sweet eyes - 1a pars (of 2): See, see those sweet eyes	Byrd, William (ca. 1540–1623)	29
Sicut erat (from a Magnificat)	Victoria, Tomas Luis de (1548–1611)	8v
Sicut erat, from a Magnificat	Victoria, Tomas Luis de (1548–1611)	8
Sicut locutus, from a Magnificat	Parsons (I), Robert (ca. 1535–ca. 1572)	27
Sighs do your part	Cobbold, William (ca. 1560–1639)	42
Sith that the tree - 1a pars (of 2): Sith that the tree begins so soon	Byrd, William (ca. 1540–1623)	29v
Sub diversis speciebus	Cobbold, William (ca. 1560–1639)	25v
The country cry 'God give you good morrow, sir rise'	Dering, Richard	47v–49v
The cries of London	Weelkes, Thomas (ca. 1576–1623)	37–38
The cry of London	Anonymous	38–39
The haughty hearts of high aspiring minds	Cobbold, William (ca. 1560–1639)	43v
The Lord is only my support	Byrd, William (ca. 1540–1623)	32v
The rare affects that lead me to despair	Cobbold, William (ca. 1560–1639)	44
The Western Wynde Mass: Agnus dei	Tye, Christopher (ca. 1505–ca. 1573)	27
The whitest snow (= Dolce alpestre parole)	Mosto, Giovanni Battista	35
Ut lanterna	Lange, Gregor (ca. 1540–1587)	20v
Vaults, graves and tombs	Anonymous	4
Vidi aquam	Victoria, Tomas Luis de (1548–1611)	8v
What, shall I part thus unregarded	Kirbye, George	19v
Whom hateful harms	Byrd, William (ca. 1540–1623)	30
Ye mortal wights ("Venus her lamentation for Adonis")	Cobbold, William (ca. 1560–1639)	41v–42

Set: MSS Additional 18936-18939

Type: Partbooks

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Set: Paston Manuscripts

Type: Linked by Origin or Contents

GB-CF MS D/DP Z6/1

GB-CF MS D/DP Z6/2

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GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Altus]

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GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Discantus]

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GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Medius]

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GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Tenor]

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GB-Lbl Add. MS 29246 (Paston MS)

GB-Lbl Add. MS 29247 (Paston MS)

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GB-Lbl Madrigal Society G. 9

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GB-Lbl Madrigal Society G. 10

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GB-Lbl Madrigal Society G. 11

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GB-Lbl Madrigal Society G. 12

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GB-Lbl Madrigal Society G. 13

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GB-Lbl Madrigal Society G. 14

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GB-Lbl Madrigal Society G. 15

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GB-Lbl Madrigal Society G. 16

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GB-Lbl Madrigal Society G. 17

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GB-Lbl Madrigal Society G. 18

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GB-Lbl Madrigal Society G. 19

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GB-Lbl Madrigal Society G. 20

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GB-Lbl Madrigal Society G. 21

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GB-Lbl Madrigal Society G. 22

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GB-Lbl Madrigal Society G. 23

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GB-Lbl Madrigal Society G. 24

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GB-Lbl Madrigal Society G. 25

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GB-Lbl Madrigal Society G. 26

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GB-Lbl Madrigal Society G. 27

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GB-Lcm MS 2035 [Altus]

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GB-Lcm MS 2035 [Bassus]

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GB-Lcm MS 2035 [Discantus]

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GB-Lcm MS 2036 [Altus]

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GB-Lcm MS 2036 [Bassus]

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GB-Lcm MS 2036 [Discantus]

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GB-Lcm MS 2041

GB-Ob MS. Tenbury 341

GB-Ob MS. Tenbury 342

GB-Ob MS. Tenbury 343

GB-Ob MS. Tenbury 344

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GB-Ob MS. Tenbury 349

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GB-Ob MS. Tenbury 350

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GB-Ob MS. Tenbury 351

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GB-Ob MS. Tenbury 352

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GB-Ob MS. Tenbury 353

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GB-Ob MS. Tenbury 354

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GB-Ob MS. Tenbury 355

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GB-Ob MS. Tenbury 356

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GB-Ob MS. Tenbury 357

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GB-Ob MS. Tenbury 358

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GB-Ob MS. Tenbury 359

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GB-Ob MS. Tenbury 360

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GB-Ob MS. Tenbury 361

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GB-Ob MS. Tenbury 362

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GB-Ob MS. Tenbury 363

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GB-Ob MS. Tenbury 369

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GB-Ob MS. Tenbury 370

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GB-Ob MS. Tenbury 371

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GB-Ob MS. Tenbury 372

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GB-Ob MS. Tenbury 373

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GB-Ob MS. Tenbury 374

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GB-Ob MS. Tenbury 375

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GB-Ob MS. Tenbury 376

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GB-Ob MS. Tenbury 377

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GB-Ob MS. Tenbury 378

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GB-Ob MS. Tenbury 1469 (Harmsworth Manuscript)

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GB-Ob MS. Tenbury 1470 (Harmsworth Manuscript)

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GB-Ob MS. Tenbury 1471 (Harmsworth Manuscript)

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US-Ws V.a. 405

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US-Ws V.a. 406

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US-Ws V.a. 407

‡ denotes primary source study

Charteris, Richard. 1984. Alfonso Ferrabosco the Elder (1543-1588): A Thematic Catalogue of his Music with a Biographical Calendar. New York. Pages: 123ff,187. Notes: contents list (partial); concordances (partial).

Charteris, Richard (editor). 1984. Alfonso Ferrabosco the Elder (1543-1588): Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: IV,xviii-xix,150-4. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Charteris, Richard. 1983. The English Songs of Alfonso Ferrabosco the Elder. Studies in Music [Nedlands, Australia], 79-86. Pages: 83-5. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Charteris, Richard. 1982. Newly Identified Italian Madrigals Englished. Music & Letters, 276-280. Pages: 278. Notes: contents list (partial).

Daniel, Ralph T, and Peter Le Huray. 1972. The Sources of English Church Music 1549-1660. Early English Church Music. London. Pages: 60. Notes: contents list (partial); concordances (partial).

Danner, Peter Kolb. 1967. The Miserere Mihi and the English Reformation: A Study of the Evolution of a Cantus Firmus Genre in Tudor Music. Stanford University, Unpublished Ph.D. dissertation. Pages: 47, 192-3, 248. Notes: contents list (partial); transcription (partial).

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 143. Notes: contents list (partial); concordances (partial); incipits (partial).

Brett, Philip. 1965. The Songs of William Byrd. Cambridge University, Unpublished Ph.D. dissertation. Pages: 109-11, 116-22, 247-50, passim. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.

Brett, Philip. 1964-68. Edward Paston (1550-1630): A Norfolk Gentleman and His Musical Collection. Transactions of the Cambridge Bibliographical Society, 51-69. Pages: 60. Notes: physical description; mention of MS; discussion.

Harrison, Frank Llewellyn (editor). 1963-. Early English Church Music. London: Stainer & Bell. Pages: XXIV.159; XXV,171; XXVIII,124,128,133-4; XXX,140-l,177, 182,193,196-7. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial).

Lamont, Herbert Harry. 1963. John Shepherd: His Life and Music. University of Southern California, Unpublished Ph.D. dissertation. Pages: I, 95-6, 221. Notes: physical description (partial); contents list (partial).

Kerman, Joseph. 1961. Byrd's Motets: Chronology and Canon. Journal of the American Musicological Society, 359-82. Pages: 374, 381-2. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Hughes, Dom Anselm. 1953. Catalogue of the Musical Manuscripts at Peterhouse, Cambridge. Cambridge. Pages: I, 8, 206, 215-6, 279-80, 391-2; II, 148-9, 195; III, 225. Notes: physical description (partial); contents list.

Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music. London. Pages: XXII, 1-2, 25-9, 48-50, 102-13, 158-71, 174ff; XLIV, 3, 183. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Fellowes, Edmund H (editor). 1937-50, 1962. The Collected Works of William Byrd. Pages: XI, vi; XV, ix, 5-10, 14-6, 73-5, 81-3, 155-7, 164-5, 167ff; XVII, 108-9, 163. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Fellowes, Edmund H (editor). 1923-48. Tudor Church Music. London, Oxford et al. Pages: I, lviii; III, xv-xviii, xxi, 56-9; V, xx, xxiv; VI, xxvi, xxviii, xxxiii; IX, xii-xv, 305, 309. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial).

Madden, F. 1843-. Catalogue of Additions to the Manuscripts in the British Museum. Pages: [1848-53], 169. Notes: physical description (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description