GB-Ob MS. Tenbury 374

Bodleian Library, Oxford, England

partbook: Early 17th century

Archive	Bodleian Library, Oxford, England (GB-Ob)
Shelfmark	MS. Tenbury 374
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	Foliation
Measurements	119 x 197 mm
Other Identifiers	CCM: OxfBT 374-8
Relationships	St Michael's College (owner) Ouseley, Sir Frederick Gore (1825–1889) (owner) Lygon, Frederick (1830–1891) (owner) Paston, Edward (1550–1630) (patron)
External Links	online catalogue entry
Provenance	Norfolk, England
Contents	50 pieces from 17 composers

General Description

A Discantus partbook of a set of five volumes. Copied by a single scribe, employed by Edward Paston (1550-1630) of Norfolk, a country gentleman and collector of music. Later owned by Frederick Lygon, 6th Earl Beauchamp (1830-91) and by Sir Frederick Ouseley (1825-89), founder of St. Michael's College (near Tenbury, Worcester). Bequeathed to St. Michael's College by Ouseley; deposited in Bodleian Library in 1979.

DIAMM, 2017

Binding

Original covers of beige limp vellum over cardboard, inscribed with voice designations, 'Quinque vocum' (DATB books), and 'Latine Songs of 5 voices Anima mea' (B only)

DIAMM, 2017

Notation

not indicated

DIAMM, 2017

Dedication

No initials or decoration.

DIAMM, 2017

Ruling

Staff height 12.

DIAMM, 2017

Foliation

Original ink foliation in each book, 1-53

DIAMM, 2017

DIAMM Note

Preliminary inventory - complete listing of pieces, but several shown as anonymous here can be ascribed to named composers. Work in progress.

DIAMM, 2020

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

39 motets + 1 duplicate = 40

(Agazzari)-2, (Bianciardi)-2, (Buissons)-1, (Byrd)-3, (Deiss)-1, (Duc)-1, (Giovanelli)-1, (G. Guami)-1, (Lange)-1, (Lassus)-2, (Maillard/Tye)-1, (Palestrina)-6, (H. Praetorius)-2, (Regnart)-1, (Orfeo Vecchi)-2, (Victoria)-4, (Zaphelius)-1, anon-7

5 paper partbooks (DA-iii + 53 + iii folios each, TQ-ii + 53 + iii folios each, B ii + 53 + v), 119 x 197. Original ink foliation in each book, 1-53. Original covers of beige parchment over cardboard, inscribed with voice designations, "Quinque vocum" (DATB books), and "Latine Songs of 5 voices Anima mea" (B only). Original index on first and second flyleaves at back of B book; pieces grouped alphabetically by first letter of text, with subgrouping under each letter by order of appearance. Copied by a single scribe, employed by Edward Paston (see BrettEP for list of other books in the same hand and for discussion of related manuscripts from Paston's circle). Staff height 12. No initials or decoration.

Early 17th century. Of English provenance; originated in the household of Edward Paston (1550-1630) of Norfolk, a country gentleman and collector of music. Later owned by Frederick Lygon, 6th Earl Beauchamp (1830-91) and by Sir Frederick Ouseley (1825-89), founder of St. Michael's College (near Tenbury, Worcester). Bequeathed to St. Michael's College by Ouseley; deposited in Bodleian Library in 1979.

Vol 4

Composers: Add "(Mel)-1"; change "anon-7" to "anon-6."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1–2	Anima mea liquefacta	-	Agazzari, Agostino (ca. 1579–ca. 1642)
Anima mea liquefacta Agazzari, Agostino (ca. 1579–ca. 1642) Appears on: 1–2 Genres: Motet
2v–3	Hodie beata virgo	-	Anonymous
Hodie beata virgo Anonymous Appears on: 2v–3 Genres: Motet
3v–4	Domine ne in furore	-	Vecchi, Orfeo
Domine ne in furore Vecchi, Orfeo Appears on: 3v–4 Genres: Motet
4v–5	Ut laterna pedes sic mea tua verba	-	Lange, Gregor (ca. 1540–1587)
Ut laterna pedes sic mea tua verba Lange, Gregor (ca. 1540–1587) Appears on: 4v–5 Genres: Motet Concordances This motet also appears in Grimma 50
5v–6	Averte mentes	-	Agazzari, Agostino (ca. 1579–ca. 1642)
Averte mentes Agazzari, Agostino (ca. 1579–ca. 1642) Appears on: 5v–6 Genres: Motet
6v–7	Veni Domine	-	Anonymous
Veni Domine Anonymous Appears on: 6v–7 Genres: Motet
7v–8	Jerusalem cito veniet salus	-	Bianciardi, Francesco (ca. 1571–1607)
Jerusalem cito veniet salus Bianciardi, Francesco (ca. 1571–1607) Appears on: 7v–8 Genres: Motet
10v–11	Anima mea liquefacta	-	Anonymous
Anima mea liquefacta Anonymous Appears on: 10v–11 Genres: Motet
11v	Pater peccavi - 1a pars (of 2): Pater peccavi	-	Giovannelli, Ruggiero (ca. 1560–1625) (?)
Pater peccavi - 1a pars (of 2): Pater peccavi Giovannelli, Ruggiero (ca. 1560–1625) (?) Appears on: 11v Genres: Motet
12–13	Ego sum panis vivus (5vv) - 1a pars (of 2): Ego sum panis vivus	-	Palestrina, Giovanni Pierluigi da (1525–1594)
Ego sum panis vivus (5vv) - 1a pars (of 2): Ego sum panis vivus Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: 12–13 Genres: Motet
12–13	Ego sum panis vivus (5vv) - 2a pars (of 2): Panis quem ego dabo	-	Palestrina, Giovanni Pierluigi da (1525–1594)
Ego sum panis vivus (5vv) - 2a pars (of 2): Panis quem ego dabo Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: 12–13 Genres: Motet
13v–14	Miserere nostri	-	Anonymous
Miserere nostri Anonymous Appears on: 13v–14 Genres: Motet
14v–15	Delectare in Domino	-	Anonymous
Delectare in Domino Anonymous Appears on: 14v–15 Genres: Motet
15v–16	Laudans invocabo	-	Anonymous
Laudans invocabo Anonymous Appears on: 15v–16 Genres: Motet
16v–17	Pacem relinquo	-	Palestrina, Giovanni Pierluigi da (1525–1594)
Pacem relinquo Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: 16v–17 Genres: Motet
17v–18	Unus ex duobus	-	Anonymous
Unus ex duobus Anonymous Appears on: 17v–18 Genres: Motet General Note Perhaps the motet by Palestrina?
18v–20	Cum pervenisset	-	Anonymous
Cum pervenisset Anonymous Appears on: 18v–20 Genres: Motet General Note perhaps the motet by Palestrina?
20v–21	Dum complerentur (6vv)	-	Victoria, Tomas Luis de (1548–1611)
Dum complerentur (6vv) Victoria, Tomas Luis de (1548–1611) Appears on: 20v–21 Genres: Motet
21v–22	O beata et benedicta	-	Anonymous
O beata et benedicta Anonymous Appears on: 21v–22 Genres: Motet
22v–23	O vera summa	-	Anonymous
O vera summa Anonymous Appears on: 22v–23 Genres: Motet
23v–24	Cum beatus Ignatius - 1a pars (of 2): Cum beatus Ignatius	-	Victoria, Tomas Luis de (1548–1611)
Cum beatus Ignatius - 1a pars (of 2): Cum beatus Ignatius Victoria, Tomas Luis de (1548–1611) Appears on: 23v–24 Genres: Motet
24v–25	Cum beatus Ignatius - 2a pars (of 2): Ignis crux bestiae	-	Victoria, Tomas Luis de (1548–1611)
Cum beatus Ignatius - 2a pars (of 2): Ignis crux bestiae Victoria, Tomas Luis de (1548–1611) Appears on: 24v–25 Genres: Motet
25v–26	Descendit angelus Domini - 1a pars (of 2): Descendit angelus Domini ad Zachariam	-	Victoria, Tomas Luis de (1548–1611)
Descendit angelus Domini - 1a pars (of 2): Descendit angelus Domini ad Zachariam Victoria, Tomas Luis de (1548–1611) Appears on: 25v–26 Genres: Motet
26v–27	Descendit angelus Domini - 2a pars (of 2): Ne timeas quoniam audita est oratio	-	Victoria, Tomas Luis de (1548–1611)
Descendit angelus Domini - 2a pars (of 2): Ne timeas quoniam audita est oratio Victoria, Tomas Luis de (1548–1611) Appears on: 26v–27 Genres: Motet General Note stated by Sequera to be concordant with various copies of "Ne timeas Maria" - which may be this piece with a variant title?
27v–28	Hoc est praeceptum - 1a pars (of 2): Hoc est praeceptum meum	-	Anonymous
Hoc est praeceptum - 1a pars (of 2): Hoc est praeceptum meum Anonymous Appears on: 27v–28 Genres: Motet
28v–29	Hoc est praeceptum - 2a pars (of 2): Vos amici mei	-	Anonymous
Hoc est praeceptum - 2a pars (of 2): Vos amici mei Anonymous Appears on: 28v–29 Genres: Motet
29v–30	Dum complerentur (5vv) - 1a pars (of 2): Dum complerentur	-	Victoria, Tomas Luis de (1548–1611)
Dum complerentur (5vv) - 1a pars (of 2): Dum complerentur Victoria, Tomas Luis de (1548–1611) Appears on: 29v–30 Genres: Motet
30v–31	Dum complerentur (5vv) - 2a pars (of 2): Dum ergo essent	-	Victoria, Tomas Luis de (1548–1611)
Dum complerentur (5vv) - 2a pars (of 2): Dum ergo essent Victoria, Tomas Luis de (1548–1611) Appears on: 30v–31 Genres: Motet
31v–32	Ascendens Christus - 1a pars (of 2): Ascendens Christus in altum	-	Victoria, Tomas Luis de (1548–1611)
Ascendens Christus - 1a pars (of 2): Ascendens Christus in altum Victoria, Tomas Luis de (1548–1611) Appears on: 31v–32 Genres: Motet
32v–33	Ascendens Christus - 2a pars (of 2): Ascendit Deus in jubilatione	-	Victoria, Tomas Luis de (1548–1611)
Ascendens Christus - 2a pars (of 2): Ascendit Deus in jubilatione Victoria, Tomas Luis de (1548–1611) Appears on: 32v–33 Genres: Motet
33v–34	Osculetur me - 1a pars (of 2): Osculetur me	-	Lassus, Orlande de (ca. 1532–1594)
Osculetur me - 1a pars (of 2): Osculetur me Lassus, Orlande de (ca. 1532–1594) Appears on: 33v–34 Genres: Motet
34v–35	Osculetur me - 2a pars (of 2): Introduxit me	-	Lassus, Orlande de (ca. 1532–1594)
Osculetur me - 2a pars (of 2): Introduxit me Lassus, Orlande de (ca. 1532–1594) Appears on: 34v–35 Genres: Motet
35v–36	Venite filii	-	Bianciardi, Francesco (ca. 1571–1607)
Venite filii Bianciardi, Francesco (ca. 1571–1607) Appears on: 35v–36 Genres: Motet
36v–37	Hodie de virgine salvator mundi natus est (2p. Hodie in terra canunt angeli letantur)	-	Regnart, Jacob (ca. 1540–1599)
Hodie de virgine salvator mundi natus est (2p. Hodie in terra canunt angeli letantur) Regnart, Jacob (ca. 1540–1599) Appears on: 36v–37 Genres: Motet
37v–38	Ascendo ad patrem meum et patrem vestrum	-	Maillard, Jean (fl. c1538–1570) Tye, Christopher (ca. 1505–ca. 1573) (?)
Ascendo ad patrem meum et patrem vestrum Maillard, Jean (fl. c1538–1570) Tye, Christopher (ca. 1505–ca. 1573) (?) Appears on: 37v–38 Genres: Motet
38v–39	Euge serve bone	-	Duc, Filippo / Philippe le
Euge serve bone Duc, Filippo / Philippe le Appears on: 38v–39 Genres: Motet
39v–40	Diligite inimicos	-	Buissons, Michael Charles des (fl. 1560–70)
Diligite inimicos Buissons, Michael Charles des (fl. 1560–70) Appears on: 39v–40 Genres: Motet
40v–41	Veni redemptor gentium ostende partum II: Non ex virili semine sed mystico III: Egressus eius a patre regressus eius	-	Zaphelius, Matthias
Veni redemptor gentium ostende partum II: Non ex virili semine sed mystico III: Egressus eius a patre regressus eius Zaphelius, Matthias Appears on: 40v–41 Genres: Motet
41v–42	Angelus Domini	-	Buissons, Michael Charles des (fl. 1560–70)
Angelus Domini Buissons, Michael Charles des (fl. 1560–70) Appears on: 41v–42 Genres: Motet
42v–43	Adesto unus Deus	-	Praetorius, Hieronymus (1560–1629)
Adesto unus Deus Praetorius, Hieronymus (1560–1629) Appears on: 42v–43 Genres: Motet
43v–44	Osculetur me - 1a pars (of 2): Osculetur me	-	Anonymous
Osculetur me - 1a pars (of 2): Osculetur me Anonymous Appears on: 43v–44 Genres: Motet
44v–45	Osculetur me - 2a pars (of 2): Introduxit me rex	-	Anonymous
Osculetur me - 2a pars (of 2): Introduxit me rex Anonymous Appears on: 44v–45 Genres: Motet
45v–46	Cur anxie suspiro	-	Anonymous
Cur anxie suspiro Anonymous Appears on: 45v–46 Genres: Motet
46v–47	Non est bonum	-	Praetorius, Hieronymus (1560–1629)
Non est bonum Praetorius, Hieronymus (1560–1629) Appears on: 46v–47 Genres: Motet
47v–48	O te matrem	-	Anonymous
O te matrem Anonymous Appears on: 47v–48 Genres: Motet
48v–49	Timete Dominum - 1a pars (of 2): Timete Dominum	-	Byrd, William (ca. 1540–1623)
Timete Dominum - 1a pars (of 2): Timete Dominum Byrd, William (ca. 1540–1623) Appears on: 48v–49 Genres: Motet
49v–50	Gaudeamus omnes - 2a pars (of 2): Exultate justi	-	Byrd, William (ca. 1540–1623)
Gaudeamus omnes - 2a pars (of 2): Exultate justi Byrd, William (ca. 1540–1623) Appears on: 49v–50 Genres: Gradual, Motet
50v–51	Timete Dominum - 2a pars (of 2): Inquirentes autem	-	Byrd, William (ca. 1540–1623)
Timete Dominum - 2a pars (of 2): Inquirentes autem Byrd, William (ca. 1540–1623) Appears on: 50v–51 Genres: Motet
51v–52	O quam gloriosum - 1a pars (of 2): O quam gloriosum est regnum	-	Byrd, William (ca. 1540–1623)
O quam gloriosum - 1a pars (of 2): O quam gloriosum est regnum Byrd, William (ca. 1540–1623) Appears on: 51v–52 Genres: Motet
52v–53	O quam gloriosum - 2a pars (of 2): Benedictio et claritas	-	Byrd, William (ca. 1540–1623)
O quam gloriosum - 2a pars (of 2): Benedictio et claritas Byrd, William (ca. 1540–1623) Appears on: 52v–53 Genres: Motet

Composer	Compositions
Agazzari, Agostino (ca. 1579–ca. 1642)	Anima mea liquefacta – 1–2 Averte mentes – 5v–6
Anonymous	Anima mea liquefacta – 10v–11 Cum pervenisset – 18v–20 Cur anxie suspiro – 45v–46 Delectare in Domino – 14v–15 Hoc est praeceptum - 1a pars (of 2): Hoc est praeceptum meum – 27v–28 Hoc est praeceptum - 2a pars (of 2): Vos amici mei – 28v–29 Hodie beata virgo – 2v–3 Laudans invocabo – 15v–16 Miserere nostri – 13v–14 O beata et benedicta – 21v–22 O te matrem – 47v–48 O vera summa – 22v–23 Osculetur me - 1a pars (of 2): Osculetur me – 43v–44 Osculetur me - 2a pars (of 2): Introduxit me rex – 44v–45 Unus ex duobus – 17v–18 Veni Domine – 6v–7
Bianciardi, Francesco (ca. 1571–1607)	Jerusalem cito veniet salus – 7v–8 Venite filii – 35v–36
Buissons, Michael Charles des (fl. 1560–70)	Angelus Domini – 41v–42 Diligite inimicos – 39v–40
Byrd, William (ca. 1540–1623)	Gaudeamus omnes - 2a pars (of 2): Exultate justi – 49v–50 O quam gloriosum - 1a pars (of 2): O quam gloriosum est regnum – 51v–52 O quam gloriosum - 2a pars (of 2): Benedictio et claritas – 52v–53 Timete Dominum - 1a pars (of 2): Timete Dominum – 48v–49 Timete Dominum - 2a pars (of 2): Inquirentes autem – 50v–51
Duc, Filippo / Philippe le	Euge serve bone – 38v–39
Giovannelli, Ruggiero (ca. 1560–1625)	(?) Pater peccavi - 1a pars (of 2): Pater peccavi – 11v
Lange, Gregor (ca. 1540–1587)	Ut laterna pedes sic mea tua verba – 4v–5
Lassus, Orlande de (ca. 1532–1594)	Osculetur me - 1a pars (of 2): Osculetur me – 33v–34 Osculetur me - 2a pars (of 2): Introduxit me – 34v–35
Maillard, Jean (fl. c1538–1570)	Ascendo ad patrem meum et patrem vestrum – 37v–38
Palestrina, Giovanni Pierluigi da (1525–1594)	Ego sum panis vivus (5vv) - 1a pars (of 2): Ego sum panis vivus – 12–13 Ego sum panis vivus (5vv) - 2a pars (of 2): Panis quem ego dabo – 12–13 Pacem relinquo – 16v–17
Praetorius, Hieronymus (1560–1629)	Adesto unus Deus – 42v–43 Non est bonum – 46v–47
Regnart, Jacob (ca. 1540–1599)	Hodie de virgine salvator mundi natus est (2p. Hodie in terra canunt angeli letantur) – 36v–37
Tye, Christopher (ca. 1505–ca. 1573)	(?) Ascendo ad patrem meum et patrem vestrum – 37v–38
Vecchi, Orfeo	Domine ne in furore – 3v–4
Victoria, Tomas Luis de (1548–1611)	Ascendens Christus - 1a pars (of 2): Ascendens Christus in altum – 31v–32 Ascendens Christus - 2a pars (of 2): Ascendit Deus in jubilatione – 32v–33 Cum beatus Ignatius - 1a pars (of 2): Cum beatus Ignatius – 23v–24 Cum beatus Ignatius - 2a pars (of 2): Ignis crux bestiae – 24v–25 Descendit angelus Domini - 1a pars (of 2): Descendit angelus Domini ad Zachariam – 25v–26 Descendit angelus Domini - 2a pars (of 2): Ne timeas quoniam audita est oratio – 26v–27 Dum complerentur (5vv) - 1a pars (of 2): Dum complerentur – 29v–30 Dum complerentur (5vv) - 2a pars (of 2): Dum ergo essent – 30v–31 Dum complerentur (6vv) – 20v–21
Zaphelius, Matthias	Veni redemptor gentium ostende partum II: Non ex virili semine sed mystico III: Egressus eius a patre regressus eius – 40v–41

Composition	Composers (? Uncertain)	Folios / Pages
Adesto unus Deus	Praetorius, Hieronymus (1560–1629)	42v–43
Angelus Domini	Buissons, Michael Charles des (fl. 1560–70)	41v–42
Anima mea liquefacta	Agazzari, Agostino (ca. 1579–ca. 1642)	1–2
Anima mea liquefacta	Anonymous	10v–11
Ascendens Christus - 1a pars (of 2): Ascendens Christus in altum	Victoria, Tomas Luis de (1548–1611)	31v–32
Ascendens Christus - 2a pars (of 2): Ascendit Deus in jubilatione	Victoria, Tomas Luis de (1548–1611)	32v–33
Ascendo ad patrem meum et patrem vestrum	Maillard, Jean (fl. c1538–1570) Tye, Christopher (ca. 1505–ca. 1573) (?)	37v–38
Averte mentes	Agazzari, Agostino (ca. 1579–ca. 1642)	5v–6
Cum beatus Ignatius - 1a pars (of 2): Cum beatus Ignatius	Victoria, Tomas Luis de (1548–1611)	23v–24
Cum beatus Ignatius - 2a pars (of 2): Ignis crux bestiae	Victoria, Tomas Luis de (1548–1611)	24v–25
Cum pervenisset	Anonymous	18v–20
Cur anxie suspiro	Anonymous	45v–46
Delectare in Domino	Anonymous	14v–15
Descendit angelus Domini - 1a pars (of 2): Descendit angelus Domini ad Zachariam	Victoria, Tomas Luis de (1548–1611)	25v–26
Descendit angelus Domini - 2a pars (of 2): Ne timeas quoniam audita est oratio	Victoria, Tomas Luis de (1548–1611)	26v–27
Diligite inimicos	Buissons, Michael Charles des (fl. 1560–70)	39v–40
Domine ne in furore	Vecchi, Orfeo	3v–4
Dum complerentur (5vv) - 1a pars (of 2): Dum complerentur	Victoria, Tomas Luis de (1548–1611)	29v–30
Dum complerentur (5vv) - 2a pars (of 2): Dum ergo essent	Victoria, Tomas Luis de (1548–1611)	30v–31
Dum complerentur (6vv)	Victoria, Tomas Luis de (1548–1611)	20v–21
Ego sum panis vivus (5vv) - 1a pars (of 2): Ego sum panis vivus	Palestrina, Giovanni Pierluigi da (1525–1594)	12–13
Ego sum panis vivus (5vv) - 2a pars (of 2): Panis quem ego dabo	Palestrina, Giovanni Pierluigi da (1525–1594)	12–13
Euge serve bone	Duc, Filippo / Philippe le	38v–39
Gaudeamus omnes - 2a pars (of 2): Exultate justi	Byrd, William (ca. 1540–1623)	49v–50
Hoc est praeceptum - 1a pars (of 2): Hoc est praeceptum meum	Anonymous	27v–28
Hoc est praeceptum - 2a pars (of 2): Vos amici mei	Anonymous	28v–29
Hodie beata virgo	Anonymous	2v–3
Hodie de virgine salvator mundi natus est (2p. Hodie in terra canunt angeli letantur)	Regnart, Jacob (ca. 1540–1599)	36v–37
Jerusalem cito veniet salus	Bianciardi, Francesco (ca. 1571–1607)	7v–8
Laudans invocabo	Anonymous	15v–16
Miserere nostri	Anonymous	13v–14
Non est bonum	Praetorius, Hieronymus (1560–1629)	46v–47
O beata et benedicta	Anonymous	21v–22
O quam gloriosum - 1a pars (of 2): O quam gloriosum est regnum	Byrd, William (ca. 1540–1623)	51v–52
O quam gloriosum - 2a pars (of 2): Benedictio et claritas	Byrd, William (ca. 1540–1623)	52v–53
O te matrem	Anonymous	47v–48
O vera summa	Anonymous	22v–23
Osculetur me - 1a pars (of 2): Osculetur me	Lassus, Orlande de (ca. 1532–1594)	33v–34
Osculetur me - 1a pars (of 2): Osculetur me	Anonymous	43v–44
Osculetur me - 2a pars (of 2): Introduxit me	Lassus, Orlande de (ca. 1532–1594)	34v–35
Osculetur me - 2a pars (of 2): Introduxit me rex	Anonymous	44v–45
Pacem relinquo	Palestrina, Giovanni Pierluigi da (1525–1594)	16v–17
Pater peccavi - 1a pars (of 2): Pater peccavi	Giovannelli, Ruggiero (ca. 1560–1625) (?)	11v
Timete Dominum - 1a pars (of 2): Timete Dominum	Byrd, William (ca. 1540–1623)	48v–49
Timete Dominum - 2a pars (of 2): Inquirentes autem	Byrd, William (ca. 1540–1623)	50v–51
Unus ex duobus	Anonymous	17v–18
Ut laterna pedes sic mea tua verba	Lange, Gregor (ca. 1540–1587)	4v–5
Veni Domine	Anonymous	6v–7
Veni redemptor gentium ostende partum II: Non ex virili semine sed mystico III: Egressus eius a patre regressus eius	Zaphelius, Matthias	40v–41
Venite filii	Bianciardi, Francesco (ca. 1571–1607)	35v–36

Set: MSS Tenbury 374-378

Type: Partbooks

No images available

GB-Ob MS. Tenbury 374

No images available

GB-Ob MS. Tenbury 375

No images available

GB-Ob MS. Tenbury 376

No images available

GB-Ob MS. Tenbury 377

No images available

GB-Ob MS. Tenbury 378

Set: Paston Manuscripts

Type: Linked by Origin or Contents

GB-CF MS D/DP Z6/1

GB-CF MS D/DP Z6/2

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Altus]

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Discantus]

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Medius]

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Tenor]

No images available

No images available

No images available

No images available

GB-Lbl Add. MS 29246 (Paston MS)

GB-Lbl Add. MS 29247 (Paston MS)

No images available

No images available

No images available

No images available

No images available

No images available

No images available

No images available

No images available

No images available

No images available

No images available

No images available

No images available

No images available

No images available

No images available

No images available

No images available

No images available

No images available

No images available

No images available

No images available

No images available

GB-Lbl Madrigal Society G. 9

No images available

GB-Lbl Madrigal Society G. 10

No images available

GB-Lbl Madrigal Society G. 11

No images available

GB-Lbl Madrigal Society G. 12

No images available

GB-Lbl Madrigal Society G. 13

No images available

GB-Lbl Madrigal Society G. 14

No images available

GB-Lbl Madrigal Society G. 15

No images available

GB-Lbl Madrigal Society G. 16

No images available

GB-Lbl Madrigal Society G. 17

No images available

GB-Lbl Madrigal Society G. 18

No images available

GB-Lbl Madrigal Society G. 19

No images available

GB-Lbl Madrigal Society G. 20

No images available

GB-Lbl Madrigal Society G. 21

No images available

GB-Lbl Madrigal Society G. 22

No images available

GB-Lbl Madrigal Society G. 23

No images available

GB-Lbl Madrigal Society G. 24

No images available

GB-Lbl Madrigal Society G. 25

No images available

GB-Lbl Madrigal Society G. 26

No images available

GB-Lbl Madrigal Society G. 27

No images available

GB-Lcm MS 2035 [Altus]

No images available

GB-Lcm MS 2035 [Bassus]

No images available

GB-Lcm MS 2035 [Discantus]

No images available

GB-Lcm MS 2036 [Altus]

No images available

GB-Lcm MS 2036 [Bassus]

No images available

GB-Lcm MS 2036 [Discantus]

No images available

GB-Lcm MS 2041

GB-Ob MS. Tenbury 341

GB-Ob MS. Tenbury 342

GB-Ob MS. Tenbury 343

GB-Ob MS. Tenbury 344

No images available

GB-Ob MS. Tenbury 349

No images available

GB-Ob MS. Tenbury 350

No images available

GB-Ob MS. Tenbury 351

No images available

GB-Ob MS. Tenbury 352

No images available

GB-Ob MS. Tenbury 353

No images available

GB-Ob MS. Tenbury 354

No images available

GB-Ob MS. Tenbury 355

No images available

GB-Ob MS. Tenbury 356

No images available

GB-Ob MS. Tenbury 357

No images available

GB-Ob MS. Tenbury 358

No images available

GB-Ob MS. Tenbury 359

No images available

GB-Ob MS. Tenbury 360

No images available

GB-Ob MS. Tenbury 361

No images available

GB-Ob MS. Tenbury 362

No images available

GB-Ob MS. Tenbury 363

No images available

GB-Ob MS. Tenbury 369

No images available

GB-Ob MS. Tenbury 370

No images available

GB-Ob MS. Tenbury 371

No images available

GB-Ob MS. Tenbury 372

No images available

GB-Ob MS. Tenbury 373

No images available

GB-Ob MS. Tenbury 374

No images available

GB-Ob MS. Tenbury 375

No images available

GB-Ob MS. Tenbury 376

No images available

GB-Ob MS. Tenbury 377

No images available

GB-Ob MS. Tenbury 378

No images available

GB-Ob MS. Tenbury 1469 (Harmsworth Manuscript)

No images available

GB-Ob MS. Tenbury 1470 (Harmsworth Manuscript)

No images available

GB-Ob MS. Tenbury 1471 (Harmsworth Manuscript)

No images available

US-Ws V.a. 405

No images available

US-Ws V.a. 406

No images available

US-Ws V.a. 407

‡ denotes primary source study

Brett, Philip. 1964-68. Edward Paston (1550-1630): A Norfolk Gentleman and His Musical Collection. Transactions of the Cambridge Bibliographical Society, 51-69. Pages: 68. Notes: mention of MS.

Brett, Philip, and Thurston Dart. 1960. Songs by William Byrd in Manuscripts at Harvard. Harvard Library Bulletin, 343-65. Pages: 365. Notes: mention of MS.

Noble, Jeremy. 1955. La Répertoire Instrumental Anglais: 1550-1585. La Musique Instrumentale de la Renaissance, 91-114. Paris. Pages: 106. Notes: contents list (partial); concordances (partial).

Fellowes, Edmund H. 1934. The Catalogue of Manuscripts in the Library of St. Michael's College Tenbury. Paris. Pages: 65-6. Notes: physical description (partial); contents list.

This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.

No comments have been made.

Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Dedication Note; Ruling Note; Foliation Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description