Click an entry to see more information about that item.
Folio / Pages | Composition / Item title | Source attribution | Composers (? Uncertain) |
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3 | Say, Galatea, since our coming hither | Mr Wilkinsone | |
Appears on:
3
Genres:
Madrigal (English)
Source Attribution:
Mr Wilkinsone
|
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3v | A sea Nymph sate upon the shore | - | Anonymous |
A sea Nymph sate upon the shoreAnonymous
Appears on:
3v
Genres:
Madrigal (English)
|
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4 | Your shining eyes and golden hair | Tho: Bateson | |
Appears on:
4
Genres:
Madrigal (English)
Source Attribution:
Tho: Bateson
|
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4v | Strike up the Tabor | - | |
Appears on:
4v
Genres:
Madrigal (English)
|
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4v | Four arms, two necks | - | |
Appears on:
4v
Genres:
Madrigal (English)
|
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5 | Thus sings my dearest jewel | - | |
Appears on:
5
Genres:
Madrigal (English)
|
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5 | Late in my rash accounting | - | |
Appears on:
5
Genres:
Madrigal (English)
|
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5v | Come sirra Jacko fill some tobacco | - | |
Appears on:
5v
Genres:
Madrigal (English)
|
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6 | Tantara ran tan tan, cries Mars | - | |
Appears on:
6
Genres:
Madrigal (English)
|
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6v | O when I think what a paltry thing is a glove or a ring | - | |
Appears on:
6v
Genres:
Madrigal (English)
|
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6v–7 | Salvator mundi | Mr Byrd | |
Appears on:
6v–7
Genres:
Motet
Source Attribution:
Mr Byrd
General NoteWritten in a single stave across the bottom of both pages of the opening |
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7 | Some men desire spouses that come of noble houses | - | |
Appears on:
7
Genres:
Madrigal (English)
|
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7v | Aye me! alas! hey ho!...thus doth Messalina go | - | |
Appears on:
7v
Genres:
Madrigal (English)
|
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8 | Cease sorrows now | Mr Weilks | |
Appears on:
8
Genres:
Madrigal (English)
Source Attribution:
Mr Weilks
|
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8v | Hear my prayer, O Lord | - | |
Appears on:
8v
Genres:
Anthem
|
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8v | Help me O Lord my saviour | - | Anonymous |
Help me O Lord my saviourAnonymous
Appears on:
8v
Genres:
Anthem
|
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9 | Ponder my words O Lord | - | Anonymous |
Ponder my words O LordAnonymous
Appears on:
9
Genres:
Anthem
|
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9v | O hear ye this | - | Anonymous |
O hear ye thisAnonymous
Appears on:
9v
Genres:
Madrigal (English)
|
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10 | Gaude plurimum - (excerpt) Gaude plurimum salvatoris - opening trio | Mr Taverner | |
Appears on:
10
Genres:
Motet
Source Attribution:
Mr Taverner
|
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10 | Benedictus (= Traditur militibus) | Mr Tavener | |
Appears on:
10
Genres:
Benedictus, Contrafactum, Motet
Source Attribution:
Mr Tavener
|
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10v | Gaude gloriosa Dei mater (extract: opening trio, Gaude gloriosa Dei mater) | Mr Tallys | |
Appears on:
10v
Genres:
Motet
Source Attribution:
Mr Tallys
Voice:
Cantus
Languages:
Latin
Voice Text:
Qui tollis peccata
General NoteThe opening trio, here with incipit "Qui tollis peccata" |
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10v | (unidentified mass): Domine Deus rex caelestis | [Tallis] | |
Appears on:
10v
Genres:
Gloria (et in terra pax), Mass Ordinary
Source Attribution:
[Tallis]
|
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11 | Sanctus (=trio: Gaude Maria virgo divinitus, excerpt from Gaude plurimum) | Mr Tavvner | |
Appears on:
11
Genres:
Contrafactum, Motet, Sanctus [& Benedictus]
Source Attribution:
Mr Tavvner
|
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11 | Sanctus | - | Anonymous |
SanctusAnonymous
Appears on:
11
Genres:
Mass Ordinary, Sanctus [& Benedictus]
|
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11v | Ave mulierum sanctissima | - | |
Appears on:
11v
Genres:
Motet
|
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11v | Rex sanctorum | Mr Tallis | |
Appears on:
11v
Genres:
Motet
Source Attribution:
Mr Tallis
|
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11v | Agnus Dei | Mr Shepheard | |
Appears on:
11v
Genres:
Agnus Dei, Mass Ordinary
Source Attribution:
Mr Shepheard
General Notesource of this Agnus unidentified |
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12 | Manus tuae - 1a pars (of 2): Manus tuae fecerunt me | Mr Whyte | |
Appears on:
12
Genres:
Motet
Source Attribution:
Mr Whyte
|
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12 | Vox Patris caelestis (extract: Surge propera) | Mr Mundye | |
Appears on:
12
Genres:
Motet
Source Attribution:
Mr Mundye
|
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12v | Et in terra pax [Gloria] | - | Anonymous |
Et in terra pax [Gloria]Anonymous
Appears on:
12v
Genres:
Gloria (et in terra pax), Mass Ordinary
|
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12v | Magnificat a6: (extract) Sicut erat in principio | - | |
Appears on:
12v
Genres:
BVM, Canticle, Magnificat
|
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12v | Sicut erat in principio (from a Magnificat) | Mr Mundy | |
Appears on:
12v
Genres:
BVM, Canticle, Magnificat
Source Attribution:
Mr Mundy
|
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13 | Exaudiat te Dominus in die tribulationis | - | |
Appears on:
13
Genres:
Motet
|
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13 | Laudamus te [Gloria] | - | Anonymous |
Laudamus te [Gloria]Anonymous
Appears on:
13
Genres:
Gloria (et in terra pax), Mass Ordinary
General Notea short (26 breve) 3vv excerpt from the opening of a Gloria |
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13 | Magnificat a6: (extract) Sicut erat in principio | Mr Tavvner | |
Appears on:
13
Genres:
BVM, Canticle, Magnificat
Source Attribution:
Mr Tavvner
General Note'Et nunc et semper' only |
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13v | Christe eleison (I) | - | |
Appears on:
13v
Genres:
Kyrie eleison, Mass Ordinary
General Noteperhaps a contrafact setting? |
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13v | Christe eleison (II) | - | |
Appears on:
13v
Genres:
Kyrie eleison, Mass Ordinary
General Noteperhaps a contrafact setting? |
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13v | Christe eleison (III) | Mr Taverner | |
Appears on:
13v
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
Mr Taverner
General Noteperhaps a contrafact setting? |
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13v | Miserere | - | Anonymous |
MiserereAnonymous
Appears on:
13v
Genres:
Motet
|
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14 | Miserere | - | Anonymous |
MiserereAnonymous
Appears on:
14
Genres:
Motet
|
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14 | Alleluia. Confitemini Domino quoniam bonus | Mr Byrd | |
Appears on:
14
Genres:
Alleluia, Motet
Source Attribution:
Mr Byrd
|
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14 | Alleluia | - | Anonymous |
AlleluiaAnonymous
Appears on:
14
Genres:
Alleluia
|
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14 | Osanna in excelsis | - | |
Appears on:
14
Genres:
Mass Ordinary, Sanctus [& Benedictus]
General Noteunidentified Osanna setting General Noteunidentified Osanna |
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14v | Missa O magnum mysterium: Benedictus | Victoria | |
Appears on:
14v
Genres:
Mass Ordinary, Sanctus [& Benedictus]
Source Attribution:
Victoria
|
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14v | Missa Quarti toni: Sanctus (extract: Benedictus) | Victoria | |
Appears on:
14v
Genres:
Mass Ordinary, Sanctus [& Benedictus]
Source Attribution:
Victoria
|
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14v | Missa Trahe me: Sanctus (extract: Benedictus) | - | |
Appears on:
14v
Genres:
Mass Ordinary, Sanctus [& Benedictus]
|
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15 | Requiem mass (4vv): viii. Libera me - 2a pars: Tremens factus sum | Victoria | |
Appears on:
15
Genres:
Requiem
Source Attribution:
Victoria
|
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15 | Requiem mass (4vv): viii. Libera me - 3a pars: Dies illa dies irae | Victoria | |
Appears on:
15
Genres:
Requiem
Source Attribution:
Victoria
|
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15 | Missa Trahe me post te: Gloria (extract: Domine Deus) | Victoria | |
Appears on:
15
Genres:
Gloria (et in terra pax), Mass Ordinary
Source Attribution:
Victoria
General NoteIdentified as being from the Missa Trahe me post, not the Missa Alma Redemptoris (as the DIAMM inventory previously stated), by Owen Rees (August 2025) |
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15 | Missa Quarti toni: Kyrie (extract: Christe eleison) | Victoria | |
Appears on:
15
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
Victoria
|
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15v | Requiem mass (4vv): ii. Kyrie (extract: Christe eleison) | Victoria | |
Appears on:
15v
Genres:
Requiem
Source Attribution:
Victoria
|
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15v | Missa Quarti toni: Kyrie (extract: Christe eleison) | Victoria | |
Appears on:
15v
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
Victoria
General Noteunidentified setting |
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15v | Requiem mass (4vv): ix. Peccantem me (extract: Deus, in nomine tuo salvum me fac) | Victoria | |
Appears on:
15v
Genres:
Requiem
Source Attribution:
Victoria
|
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15v–16 | Missa Ascendens Christus: Agnus Dei | Victoria | |
Appears on:
15v–16
Genres:
Agnus Dei, Mass Ordinary
Source Attribution:
Victoria
Copying Style2 voice parts, S1 (verso), S2 (recto) |
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15v–16 | Missa Vidi speciosam: Kyrie (extract: Kyrie 1) | - | |
Appears on:
15v–16
Genres:
Kyrie eleison, Mass Ordinary
Copying Style2 voice parts, S1 (verso), S2 (recto) |
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16 | Dulcior melle | - | Anonymous |
Dulcior melleAnonymous
Appears on:
16
Genres:
Motet
|
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16v–17 | Missa Vidi speciosam: Gloria | Victoria | |
Appears on:
16v–17
Genres:
Gloria (et in terra pax), Mass Ordinary
Source Attribution:
Victoria
Copying Style2 voice parts, S1 (verso), S2 (recto) |
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16v–17 | Missa Vidi speciosam: Kyrie (extract: Kyrie 2) | Victoria | |
Appears on:
16v–17
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
Victoria
Copying Style2 voice parts, S1 (verso), S2 (recto) |
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17v–18 | Missa Vidi speciosam: Credo | - | |
Appears on:
17v–18
Genres:
Credo (patrem omnipotentem), Mass Ordinary
Copying Style2 voice parts, S1 (verso), S2 (recto) |
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18v–19 | Missa Vidi speciosam: Sanctus | - | |
Appears on:
18v–19
Genres:
Mass Ordinary, Sanctus [& Benedictus]
General NoteSanctus section only Copying Style2 voice parts, S1 (verso), S2 (recto) |
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18v–19 | Missa Vidi speciosam: Agnus Dei | Victoria | |
Appears on:
18v–19
Genres:
Agnus Dei, Mass Ordinary
Source Attribution:
Victoria
|
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18v–19 | Missa Vidi speciosam: Sanctus (extract: Osanna 2) | - | |
Appears on:
18v–19
Genres:
Mass Ordinary, Sanctus [& Benedictus]
|
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19v | 'Anome' (In nomine?) - 1a pars (of 2) | Mr Wm Cobbold | |
Appears on:
19v
Genres:
In nomine
Source Attribution:
Mr Wm Cobbold
|
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20 | 'Anome' (In nomine?) - 2a pars (of 2) | - | |
Appears on:
20
Genres:
In nomine
|
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20v | Agnus Dei | - | |
Appears on:
20v
Genres:
Agnus Dei, Mass Ordinary
General NoteThis is an unidentified setting. The inventory on DIAMM previously had this ascribed to Victoria (not sure on which authority that ascription was based). However, Owen Rees (August 2025) has pointed out that it is unattributed in the manuscript and that he has not been able to find it in the Victoria masses. |
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20v | Quando ... | - | |
Appears on:
20v
Genres:
Madrigal
General Note(not "Quando dagl' occhi") |
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20v | Misere[re] | - | |
Appears on:
20v
Genres:
Motet
ConcordancesThis seems to be neither the Miserere mihi nor Miserere mei setting |
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21 | Vaults, graves and tombs | - | Anonymous |
Vaults, graves and tombsAnonymous
Appears on:
21
Genres:
Madrigal (English)
|
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21v | Alas I faint with dying | 'Incerto' ['uncertain'] | Anonymous |
Alas I faint with dyingAnonymous
Appears on:
21v
Genres:
Madrigal (English)
Source Attribution:
'Incerto' ['uncertain']
|
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22 | O my heart when will thine anguish | - | Anonymous |
O my heart when will thine anguishAnonymous
Appears on:
22
Genres:
Madrigal (English)
|
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22v | Mi parto ah sorteria | - | Anonymous |
Mi parto ah sorteriaAnonymous
Appears on:
22v
Genres:
Madrigal (Italian)
|
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23 | Chi mi consol', ay mi | - | Anonymous |
Chi mi consol', ay miAnonymous
Appears on:
23
Genres:
Madrigal (Italian)
|
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23v | Amor se i bei - 1a pars (of 2): Amor se i bei rubini | Pietro Philippi | |
Appears on:
23v
Genres:
Madrigal (Italian)
Source Attribution:
Pietro Philippi
|
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24 | Amor se i bei - 2a pars (of 2): Perche non posso, ahime | Pietro Phillippi Anglice | |
Appears on:
24
Genres:
Madrigal (Italian)
Source Attribution:
Pietro Phillippi Anglice
|
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24v | Ave verum corpus | - | |
Appears on:
24v
Genres:
Motet
|
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25 | [Christe qui lux es (I)] Precamur sancte Domine | Mr Whyte | |
Appears on:
25
Genres:
Motet
Source Attribution:
Mr Whyte
|
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25 | Missa Ascendens Christus: Sanctus (extract: Benedictus) | Victoria | |
Appears on:
25
Genres:
Mass Ordinary, Sanctus [& Benedictus]
Source Attribution:
Victoria
|
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25 | Missa Salve regina: Sanctus (extract: Benedictus) | - | |
Appears on:
25
Genres:
Mass Ordinary, Sanctus [& Benedictus]
|
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25v | Missa Vidi speciosam: Sanctus (extract: Benedictus) | Victoria | |
Appears on:
25v
Genres:
Mass Ordinary, Sanctus [& Benedictus]
Source Attribution:
Victoria
|
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25v | Missa O magnum mysterium: Sanctus | Victoria | |
Appears on:
25v
Genres:
Mass Ordinary, Sanctus [& Benedictus]
Source Attribution:
Victoria
|
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25v | Missa Quarti toni: Sanctus (extract: Sanctus) | Victoria | |
Appears on:
25v
Genres:
Mass Ordinary, Sanctus [& Benedictus]
Source Attribution:
Victoria
|
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26 | Missa Ascendens Christus: Gloria (extract: Domine Deus) | - | |
Appears on:
26
Genres:
Gloria (et in terra pax), Mass Ordinary
|
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26 | Missa Salve regina: Gloria (extract: Domine Deus) | - | |
Appears on:
26
Genres:
Gloria (et in terra pax), Mass Ordinary
|
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26 | Sicut erat (doxology of Asperges me, of the 1592 Victoria Masses collection) | Victoria | |
Appears on:
26
Genres:
Antiphon, Asperges me, Doxology
Source Attribution:
Victoria
|
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26 | Asperges me | - | |
Appears on:
26
Genres:
Antiphon
General Notefirst verse only |
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26 | [Miserere mei] Secundum magnam misericordiam | Victoria | |
Appears on:
26
Genres:
Psalm
Source Attribution:
Victoria
General NoteSource unidentified |
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26v | Vidi aquam | Victoria | |
Appears on:
26v
Genres:
Antiphon
Source Attribution:
Victoria
General Notefirst verse only |
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26v | Quoniam (verse of Vidi aquam) | - | |
Appears on:
26v
Genres:
Antiphon, Verse, Vidi aquam
General Noteunidentified |
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26v | Sicut erat (doxology of Vidi aquam) | - | |
Appears on:
26v
Genres:
Antiphon, Doxology, Vidi aquam
|
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26v | Missa O magnum mysterium: Kyrie | Victoria | |
Appears on:
26v
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
Victoria
General Notecomplete (Kyrie-Christe-Kyrie) |
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27 | Missa O magnum mysterium: Gloria | Victoria | |
Appears on:
27
Genres:
Gloria (et in terra pax), Mass Ordinary
Source Attribution:
Victoria
General Notecomplete (Et in terra pax-Qui tollis) |
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27v | Missa Quarti toni: Gloria | Victoria | |
Appears on:
27v
Genres:
Gloria (et in terra pax), Mass Ordinary
Source Attribution:
Victoria
General Notecomplete (Et in terra pax-Qui tollis) |
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28 | Missa O magnum mysterium: Agnus Dei | Victoria | |
Appears on:
28
Genres:
Agnus Dei, Mass Ordinary
Source Attribution:
Victoria
General Notewith instruction "Canon ad unisonum" |
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28 | Missa Quarti toni: Agnus Dei | Victoria | |
Appears on:
28
Genres:
Agnus Dei, Mass Ordinary
Source Attribution:
Victoria
General Noteunidentified source; with instruction "Canon ad unisonum" |
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28 | Missa Quarti toni: Kyrie | - | |
Appears on:
28
Genres:
Kyrie eleison, Mass Ordinary
General Note2 Kyrie settings, source unidentified (perhaps Kyrie I & II from the same source?) |
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28 | Missa Trahe me: Kyrie (extract: Christe eleison) | - | |
Appears on:
28
Genres:
Kyrie eleison, Mass Ordinary
|
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28v | Missa Vidi speciosam: Kyrie (extract: Christe eleison) | Victoria | |
Appears on:
28v
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
Victoria
|
|||
28v | Missa Ascendens Christus: Kyrie (extract: Christe eleison) | Victoria | |
Appears on:
28v
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
Victoria
|
|||
28v | Missa Salve regina: Kyrie (extract: Christe eleison) | - | |
Appears on:
28v
Genres:
Kyrie eleison, Mass Ordinary
|
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28v | Missa O magnum mysterium: Sanctus (extract: Osanna) | - | |
Appears on:
28v
Genres:
Mass Ordinary, Sanctus [& Benedictus]
|
|||
28v | Missa Quarti toni: Sanctus (extract: Osanna) | - | |
Appears on:
28v
Genres:
Mass Ordinary, Sanctus [& Benedictus]
|
|||
29–29v | Missa O magnum mysterium: Credo | Victoria | |
Appears on:
29–29v
Genres:
Credo (patrem omnipotentem), Mass Ordinary
Source Attribution:
Victoria
General Notecomplete: the sections have text incipits Patrem omnipotentem-Et incarnatus est-(blank)-Amen, and each except the untexted section is attributed to Victoria |
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29v | Missa Salve regina: Credo (extract: Crucifixus) | Victoria | |
Appears on:
29v
Genres:
Credo (patrem omnipotentem), Mass Ordinary
Source Attribution:
Victoria
|
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30 | Missa Trahe me: Credo (extract: Crucifixus) | - | |
Appears on:
30
Genres:
Credo (patrem omnipotentem), Mass Ordinary
General Notetext incipit (Crucifixus), otherwise untexted except for 'non erit finis' at end |
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30 | Missa Vidi speciosam: Credo (extract: Crucifixus) | - | |
Appears on:
30
Genres:
Credo (patrem omnipotentem), Mass Ordinary
General Notetext incipit (Crucifixus), otherwise untexted except for 'non erit finis' at end |
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30v–31 | Missa Quarti toni: Credo | - | |
Appears on:
30v–31
Genres:
Credo (patrem omnipotentem), Mass Ordinary
General Notecomplete: text incipits fo reach section (Patrem omnipotentem with text "non erit fniis" at end; Et in spiritum sanctum; Amen) |
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30v | Quem visurus sum ego | - | Anonymous |
Quem visurus sum egoAnonymous
Appears on:
30v
Genres:
Motet
|
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31 | Missa Ascendens Christus: Credo (extract: Crucifixus) | - | |
Appears on:
31
Genres:
Credo (patrem omnipotentem), Mass Ordinary
|
|||
31 | Requiem mass (4vv): viii. Libera me - 5a pars: Kyrie | - | |
Appears on:
31
Genres:
Requiem
General Note4 'Kyrie' setting on one stave; the first 2 from the end of the 'Libera me', the other 2 from the end of 'Peccantem me' |
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31 | Requiem mass (4vv): ix. Peccantem me (extract: Kyrie) | - | |
Appears on:
31
Genres:
Requiem
General Note4 'Amen' setting on one stave; the first 2 from the end of the 'Libera me', the other 2 from the end of 'Peccantem me' |
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31v | Requiem mass (4vv): i. Requiem aeternam dona eis Domine (Introit) | Victoria | |
Appears on:
31v
Genres:
Requiem
Source Attribution:
Victoria
General Note[Requiem aeternam] Dona eis Domine - Et tibi reddetur |
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31v | Requiem mass (4vv): iii. Requiem aeternam dona eis Domine (Gradual) | Victoria | |
Appears on:
31v
Genres:
Requiem
Source Attribution:
Victoria
General Noteopening section only - [Requiem aeternam] Dona eis Domine; the second section is on f. 32v |
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31v | Requiem mass (4vv): ii. Kyrie | - | |
Appears on:
31v
Genres:
Requiem
|
|||
32 | Requiem mass (4vv): iv. Domine Jesu Christe, libera animas fidelium | Victoria | |
Appears on:
32
Genres:
Requiem
Source Attribution:
Victoria
|
|||
32v | Requiem mass (4vv): iii. Requiem aeternam dona eis Domine (Gradual verse) | - | |
Appears on:
32v
Genres:
Gradual, Requiem, Verse
General Notethe second section of the gradual; the first section is on f. 31v |
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32v | Requiem mass (4vv): v. Sanctus & Benedictus | - | |
Appears on:
32v
Genres:
Requiem
General NoteSanctus - Pleni - Benedictus (Osanna is not copied) |
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32v–33 | Requiem mass (4vv): vi. Agnus Dei | - | |
Appears on:
32v–33
Genres:
Requiem
General Notethe 3 invocations of Agnus Dei are copied as 3 consecutive pieces titled 'Agnus' General Notethe 3 invocations of Agnus Dei are copied as 3 consecutive pieces each with incipit 'Agnus Dei qui tollis' |
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33 | Requiem mass (4vv): vii. Lux aeterna luceat eis | - | |
Appears on:
33
Genres:
Requiem
General NoteCopied as two pieces with incipits 'Luceat' - 'Et lux perpetua' |
|||
33 | Requiem mass (4vv): viii. Libera me - 1a pars: Libera me Domine de morte | - | |
Appears on:
33
Genres:
Requiem
|
|||
33v–34 | Missa Salve regina: Kyrie | - | |
Appears on:
33v–34
Genres:
Kyrie eleison, Mass Ordinary
General NoteBoth Kyries are copied here; the Christe is at f. 28v Copying Style2 voice parts copied, S1 (verso) & S2 (recto) |
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33v–34 | Missa Salve regina: Gloria | - | |
Appears on:
33v–34
Genres:
Gloria (et in terra pax), Mass Ordinary
Copying Style2 voice parts copied, S1 (verso) & S2 (recto) General NoteComplete (Et in terra pax - Qui tollis) with DOmine Deus at f. 28 |
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34v–35 | Missa Salve regina: Credo | - | |
Appears on:
34v–35
Genres:
Credo (patrem omnipotentem), Mass Ordinary
Copying Style2 voice parts copied, S1 (verso) & S2 (recto) General NoteComplete - sections have text incipits only (Patrem omnipotentem - Et incarnatus - Et in spiritum sanctum) |
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35v–36 | Missa Salve regina: Sanctus | - | |
Appears on:
35v–36
Genres:
Mass Ordinary, Sanctus [& Benedictus]
Copying Style2 voice parts copied, S1 (verso) & S2 (recto) General NoteSanctus & Osanna copied (the 4vv Benedictus is at f. 25v) |
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35v–36 | Missa Salve regina: Agnus Dei | Victoria | |
Appears on:
35v–36
Genres:
Agnus Dei, Mass Ordinary
Source Attribution:
Victoria
Copying Style2 voice parts copied, S1 (verso) & S2 (recto) |
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35v | Requiem mass (4vv): viii. Libera me - 4a pars: Requiem aeternam | Victoria | |
Appears on:
35v
Genres:
Requiem
Source Attribution:
Victoria
|
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35v | Requiem mass (4vv): ix. Peccantem me | Victoria | |
Appears on:
35v
Genres:
Requiem
Source Attribution:
Victoria
General Note2 sections with text incipits, Peccantem me quotidie - Quia in inferno |
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36 | Requiem mass (4vv): ii. Kyrie (extract: final Kyrie = Kyrie IX) | Victoria | |
Appears on:
36
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
Victoria
General Notesource unidentified |
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36 | Miserere mihi Domine | Mr Byrd | |
Appears on:
36
Source Attribution:
Mr Byrd
|
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36v | Deus qui beatam Mariam semper virginem | - | |
Appears on:
36v
Genres:
Motet
|
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37 | O tell me sweet heart | - | Anonymous |
O tell me sweet heartAnonymous
Appears on:
37
Genres:
Madrigal (English)
|
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37v | What, shall I part thus unregarded | - | |
Appears on:
37v
Genres:
Madrigal (English)
|
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38 | Phillis a herdmaid - 1a pars (of 2): Phillis, a herdmaid dainty | - | |
Appears on:
38
Genres:
Madrigal (English)
General NoteOnly the 1a pars is copied here |
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38v | Di questa bionda e vaga treccia | Alphonsus [wrongly]/[Striggio] | |
Appears on:
38v
Genres:
Madrigal (Italian)
Source Attribution:
Alphonsus [wrongly]/[Striggio]
Voice:
[no designation]
Languages:
Italian
Voice Text:
Di questi hondi
|
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38v | Ut lanterna | Gregorio Languio [Lange] | |
Appears on:
38v
Genres:
Motet
Source Attribution:
Gregorio Languio [Lange]
|
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39 | Le belle | - | |
Appears on:
39
Genres:
Madrigal (Italian)
|
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39 | Adoramus te Christe | Mr Byrd | |
Appears on:
39
Genres:
Gradual, Motet
Source Attribution:
Mr Byrd
|
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39v | La bella | Palevicyno | |
Appears on:
39v
Genres:
Madrigal (Italian)
Source Attribution:
Palevicyno
|
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40 | Gaude Maria virgo | Victoria | |
Appears on:
40
Genres:
Motet
Source Attribution:
Victoria
General NoteWith instruction 'Canon in unisono'. Note: this book says the piece has 4vv, but the other books state 5vv |
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40 | Missa Trahe me post te: Sanctus (extract: Osanna) | - | |
Appears on:
40
Genres:
Mass Ordinary, Sanctus [& Benedictus]
|
|||
40v | Missa Trahe me post te: Gloria | Victoria | |
Appears on:
40v
Genres:
Gloria (et in terra pax), Mass Ordinary
Source Attribution:
Victoria
General Notecomplete: the 2 sections have text incipits Et in terra pax - Qui tollis |
|||
40v | Missa Ascendens Christus: Sanctus (extract: Osanna) | - | |
Appears on:
40v
Genres:
Mass Ordinary, Sanctus [& Benedictus]
|
|||
41 | Missa Trahe me: Sanctus (extract: Sanctus) | Victoria | |
Appears on:
41
Genres:
Mass Ordinary, Sanctus [& Benedictus]
Source Attribution:
Victoria
|
|||
41 | Missa Trahe me: Agnus Dei | - | |
Appears on:
41
Genres:
Agnus Dei, Mass Ordinary
|
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41 | Requiem mass (4vv): x. Credo quod redemptor | - | |
Appears on:
41
Genres:
Requiem
General Notethe concluding Kyrie is copied at f. 43v (25v in Tenor) |
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41v | Missa Ascendens Christus: Gloria | Victoria | |
Appears on:
41v
Genres:
Gloria (et in terra pax), Mass Ordinary
Source Attribution:
Victoria
General Notecomplete: the 2 sections have text incipits Et in terra pax & Qui tollis |
|||
41v | Missa Ascendens Christus: Kyrie | - | |
Appears on:
41v
Genres:
Kyrie eleison, Mass Ordinary
General NoteKyries I & II are copied here; the Christe is at f. 28v |
|||
42 | Missa Ascendens Christus: Sanctus (extract: Sanctus) | - | |
Appears on:
42
Genres:
Mass Ordinary, Sanctus [& Benedictus]
|
|||
42–42v | Missa Trahe me: Credo | Victoria | |
Appears on:
42–42v
Genres:
Credo (patrem omnipotentem), Mass Ordinary
Source Attribution:
Victoria
General Notecomplete (Patrem omnipotentem - Et incarnatus est - Et in spiritum sanctum - Amen) except for the Crucifixus which is at f. 30 |
|||
42v–43 | Missa Ascendens Christus: Credo | Victoria | |
Appears on:
42v–43
Genres:
Credo (patrem omnipotentem), Mass Ordinary
Source Attribution:
Victoria
General Notecomplete (Patrem omnipotentem - Et incarnatus est - Et in spiritum sanctum - Amen) except for the Crucifixus which is at f. 31 |
|||
43–43v | Missa Trahe me: Kyrie | Ludovicus Victoria | |
Appears on:
43–43v
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
Ludovicus Victoria
General NoteKyrie 2 followed by Kyrie 1; the Christe is on f. 28 |
|||
43v | Requiem mass (4vv): x. Credo quod redemptor (extract: Kyrie) | - | |
Appears on:
43v
Genres:
Requiem
General Notethe concluding Kyrie from the Credo quod redemptor |
|||
43v | Sub diversis speciebus | - | |
Appears on:
43v
Genres:
Motet
|
|||
44 | Misericordias Domini | Horat: Vecchi | |
Appears on:
44
Genres:
Motet
Source Attribution:
Horat: Vecchi
|
|||
44v–45 | Fantasia a5 | - | Anonymous |
Fantasia a5Anonymous
Appears on:
44v–45
Genres:
Fantasia
|
|||
45 | Sicut locutus, from a Magnificat | Mr Parsons | |
Appears on:
45
Genres:
BVM, Canticle, Magnificat
Source Attribution:
Mr Parsons
|
|||
45 | The Western Wynde Mass: Agnus dei | - | |
Appears on:
45
|
|||
45v | Ad te suspiramus | Victoria | |
Appears on:
45v
Genres:
Motet
Source Attribution:
Victoria
General NoteThis does not seem to come from any of the Salve regina settings by Victoria for 5 or 6 (or 8) voices. |
|||
45v | O comme heureux j'estimerais mon coeur | Orlando | |
Appears on:
45v
Genres:
Chanson
Source Attribution:
Orlando
General NoteAlthough copied among the 5vv pieces, this setting of 'O comme heureux' is for 4vv |
|||
46 | Delight is dead | - | |
Appears on:
46
Genres:
Consort song
|
|||
46v | By force I live | - | |
Appears on:
46v
Genres:
Madrigal (English)
|
|||
46v | Live long desire | - | Anonymous |
Live long desireAnonymous
Appears on:
46v
Genres:
Madrigal (English)
|
|||
47 | From a star | Mr Cobbold | |
Appears on:
47
Genres:
Madrigal (English)
Source Attribution:
Mr Cobbold
|
|||
47 | See those sweet eyes - 1a pars (of 2): See, see those sweet eyes | - | |
Appears on:
47
Genres:
Consort song
General NoteThe copy in Add MS 31992 has a 2a pars, not copied here |
|||
47v | Sith that the tree - 1a pars (of 2): Sith that the tree begins so soon | - | |
Appears on:
47v
Genres:
Consort song
|
|||
47v | Let fortune fail - 1a pars (of 2): Let fortune fail, virtue will stand | Mr Byrd | |
Appears on:
47v
Genres:
Madrigal (English)
Source Attribution:
Mr Byrd
|
|||
48 | Let fortune fail - 2a pars (of 2): My years do seek | Mr Byrd | |
Appears on:
48
Genres:
Madrigal (English)
Source Attribution:
Mr Byrd
|
|||
48 | Whom hateful harms | - | |
Appears on:
48
Genres:
Madrigal (English)
|
|||
48v | Crowned with flowers - 1a pars (of 2): Crowned with flowers and lilies | - | |
Appears on:
48v
Genres:
Madrigal (English)
|
|||
49 | Crowned with flowers - 2a pars (of 2): O worthy queen | - | |
Appears on:
49
Genres:
Madrigal (English)
|
|||
49 | As Caesar wept | - | |
Appears on:
49
Genres:
Madrigal (English)
|
|||
49v | List not to Sirens singing (= Chi ha cor da partire) | Alphonso [Ferrabosco] | |
Appears on:
49v
Genres:
Contrafactum, Madrigal (English)
Source Attribution:
Alphonso [Ferrabosco]
|
|||
50 | Mount, Hope, above the skies | Alphonso [Ferrabosco]/[Byrd] | |
Appears on:
50
Genres:
Madrigal (English)
Source Attribution:
Alphonso [Ferrabosco]/[Byrd]
|
|||
50 | Have mercy upon us, O Lord (5vv) | Mr Byrd | |
Appears on:
50
Genres:
Consort song
Source Attribution:
Mr Byrd
|
|||
50v | The Lord is only my support | - | |
Appears on:
50v
Genres:
Anthem
|
|||
50v–51 | O Lord to thee I make my moan | Mr Byrd | |
Appears on:
50v–51
Genres:
Anthem
Source Attribution:
Mr Byrd
|
|||
51 | O Lord bow down thy heavenly eyes | - | |
Appears on:
51
Genres:
Anthem
|
|||
51v | O praise our Lord - 3a pars (of 5): Praise him on tube | - | |
Appears on:
51v
Genres:
Anthem
|
|||
51v | O praise our Lord - 4a pars (of 5): The gladsome sound of silver bells | - | |
Appears on:
51v
Genres:
Anthem
|
|||
52 | Laudate | - | |
Appears on:
52
Genres:
Motet
|
|||
52v | O lux et decus Hispaniae | Victoria | |
Appears on:
52v
Genres:
Motet
Source Attribution:
Victoria
|
|||
52v–53 | Cum beatus Ignatius - 2a pars (of 2): Ignis crux bestiae | - | |
Appears on:
52v–53
Genres:
Motet
|
|||
53 | The whitest snow (= Dolce alpestre parole) | - | |
Appears on:
53
Genres:
Contrafactum, Madrigal (Italian)
|
|||
53v | Penelope - 1a pars (of 2): Penelope was ever praised (= Se pur e ver) | Mr Byrd | |
Appears on:
53v
Genres:
Contrafactum, Madrigal (English)
Source Attribution:
Mr Byrd
General NoteThe music corresponds to neither of Byrd's well-known Penelope settings, 'Constant Penelope' or 'Penelope that longed for the sight'. |
|||
53v | Penelope - 2a pars (of 2): Not Cupid with his wanton wings (= Qualunqu' a quella tutto) | - | |
Appears on:
53v
Genres:
Contrafactum, Madrigal (English)
|
|||
53v | Non e lasso martire | - | |
Appears on:
53v
Genres:
Madrigal (Italian)
|
|||
54 | Lors que je voy | Philippo De monte | |
Appears on:
54
Genres:
Chanson
Source Attribution:
Philippo De monte
|
|||
54v | Pis ne me peult venir que j'ai jusques ici | - | |
Appears on:
54v
Genres:
Chanson
|
|||
54v | Mars et Marte en ce monde font grand guerre | Alphonso | |
Appears on:
54v
Genres:
Chanson
Source Attribution:
Alphonso
|
|||
55–56v | The cries of London | Mr Weilkes | |
Appears on:
55–56v
Genres:
Consort song
Source Attribution:
Mr Weilkes
|
|||
56v–58 | The cry of London | - | Anonymous |
The cry of LondonAnonymous
Appears on:
56v–58
Genres:
Consort song
|
|||
58–58v | New fashions - 1a pars (of 4): New fashions now do bear the sway | Mr Willm. Cobbold | |
Appears on:
58–58v
Genres:
Consort song
Source Attribution:
Mr Willm. Cobbold
|
|||
58v–59 | New fashions - 2a pars (of 4): Little Pegg of Ransey with the yellow hair | - | |
Appears on:
58v–59
Genres:
Consort song
|
|||
59–60 | New fashions - 3a pars (of 4): There were three ravens sat on a tree | - | |
Appears on:
59–60
Genres:
Consort song
|
|||
59v–60 | New fashions - 4a pars (of 4): What pleasures have we in this life | - | |
Appears on:
59v–60
Genres:
Consort song
|
|||
60v | [blank page] | - | - |
[blank page]
Appears on:
60v
|
|||
61 | For death of her | Mr Willm. Cobbold | |
Appears on:
61
Genres:
Consort song
Source Attribution:
Mr Willm. Cobbold
General NoteAnnotated: "Upon ye Death of Mris Mary Gascoygne. Dyeing in travell of child, an Epitaph. 19: Julye: 1588" |
|||
61v–62 | Ye mortal wights ("Venus her lamentation for Adonis") | - | |
Appears on:
61v–62
Genres:
Consort song
|
|||
62 | Sighs do your part | Mr Cobbold | |
Appears on:
62
Genres:
Consort song
Source Attribution:
Mr Cobbold
|
|||
62v | I plunged am, poor wretch, in woe | Mr Cobbold | |
Appears on:
62v
Genres:
Consort song
Source Attribution:
Mr Cobbold
|
|||
63 | Jamyss [Jamais] amant | - | |
Appears on:
63
Genres:
Consort song
General NoteAlternatively, the authentic title might be "Jamie's a man"? |
|||
63 | Amidst my bale I bathe in bliss | - | |
Appears on:
63
Genres:
Consort song
|
|||
63v | The haughty hearts of high aspiring minds | Mr Cobbold | |
Appears on:
63v
Genres:
Consort song
Source Attribution:
Mr Cobbold
|
|||
63v–64 | O froward fate | Mr Cobbold | |
Appears on:
63v–64
Genres:
Consort song
Source Attribution:
Mr Cobbold
|
|||
64 | The rare affects that lead me to despair | - | |
Appears on:
64
Genres:
Consort song
|
|||
64v | As Phisick's skill doth seem to ease | - | Anonymous |
As Phisick's skill doth seem to easeAnonymous
Appears on:
64v
Genres:
Consort song
|
|||
65 | Lamentations (I) a5 - (extract: De excelso misit ignem (from 2a pars)) | - | |
Appears on:
65
Genres:
Lamentations
|
|||
65v–66 | Cantate Domino canticum novum | Mr Tomkins | |
Appears on:
65v–66
Genres:
Psalm
Source Attribution:
Mr Tomkins
|
|||
66 | Ne reminiscaris - 1a pars (of 2): Ne reminiscaris Domine | John Wilbye | |
Appears on:
66
Genres:
Motet
Source Attribution:
John Wilbye
|
|||
66 | Ne reminiscaris - 2a pars (of 2): Parce Domine | - | |
Appears on:
66
Genres:
Motet
|
|||
66v–67v | Medley ('Miserere') | Dr. Stevenson | |
Appears on:
66v–67v
Genres:
Consort song
Source Attribution:
Dr. Stevenson
General Notewith incipit Miserere in some books; Tenor has at end "finis Dr Stevensons Medley". In 6 sections |
|||
67v–69v | The country cry 'God give you good morrow, sir rise' | - | |
Appears on:
67v–69v
Genres:
Song
|
|||
70 | Sacred Pan, advance thy head with golden horns | - | |
Appears on:
70
Genres:
Consort song
|
|||
70v | O death rock me asleep | - | Anonymous |
O death rock me asleepAnonymous
Appears on:
70v
|
|||
70v–71 | Heu mihi Domine | - | |
Appears on:
70v–71
Genres:
Motet
|
|||
71v | Emendemus - 1a pars (of 2): Emendemus in melius | Mr Byrd | |
Appears on:
71v
Genres:
Motet
Source Attribution:
Mr Byrd
|
|||
71v | Emendemus - 2a pars (of 2): Adiuva nos Deus | - | |
Appears on:
71v
Genres:
Motet
|