Click an entry to see more information about that item.
Folio / Pages | Composition / Item title | Source attribution | Composers (? Uncertain) |
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3 | Say, Galatea, since our coming hither | Mr Wilkinsone | |
Appears on:
3
Genres:
Madrigal (English)
Source Attribution:
Mr Wilkinsone
|
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3v | A sea Nymph sate upon the shore | - | Anonymous |
A sea Nymph sate upon the shoreAnonymous
Appears on:
3v
Genres:
Madrigal (English)
|
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4 | Your shining eyes and golden hair | Tho: Bateson | |
Appears on:
4
Genres:
Madrigal (English)
Source Attribution:
Tho: Bateson
|
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4v | Strike up the Tabor | - | |
Appears on:
4v
Genres:
Madrigal (English)
|
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4v | Four arms, two necks | - | |
Appears on:
4v
Genres:
Madrigal (English)
|
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5 | Thus sings my dearest jewel | - | |
Appears on:
5
Genres:
Madrigal (English)
|
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5 | Late in my rash accounting | - | |
Appears on:
5
Genres:
Madrigal (English)
|
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5v | Come sirra Jacko fill some tobacco | - | |
Appears on:
5v
Genres:
Madrigal (English)
|
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6 | Tantara ran tan tan, cries Mars | - | |
Appears on:
6
Genres:
Madrigal (English)
|
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6v | O when I think what a paltry thing is a glove or a ring | - | |
Appears on:
6v
Genres:
Madrigal (English)
|
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6v–7 | Salvator mundi | Mr Byrd | |
Appears on:
6v–7
Genres:
Motet
Source Attribution:
Mr Byrd
General NoteWritten in a single stave across the bottom of both pages of the opening |
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7 | Some men desire spouses that come of noble houses | - | |
Appears on:
7
Genres:
Madrigal (English)
|
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7v | Aye me! alas! hey ho!...thus doth Messalina go | - | |
Appears on:
7v
Genres:
Madrigal (English)
|
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8 | Cease sorrows now | Mr Weilks | |
Appears on:
8
Genres:
Madrigal (English)
Source Attribution:
Mr Weilks
|
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8v | Hear my prayer, O Lord | - | |
Appears on:
8v
Genres:
Anthem
|
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8v | Help me O Lord my saviour | - | Anonymous |
Help me O Lord my saviourAnonymous
Appears on:
8v
Genres:
Anthem
|
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9 | Ponder my words O Lord | - | Anonymous |
Ponder my words O LordAnonymous
Appears on:
9
Genres:
Anthem
|
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9v | O hear ye this | - | Anonymous |
O hear ye thisAnonymous
Appears on:
9v
Genres:
Madrigal (English)
|
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10 | Gaude plurimum - (excerpt) Gaude plurimum salvatoris - opening trio | Mr Taverner | |
Appears on:
10
Genres:
Motet
Source Attribution:
Mr Taverner
|
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10 | Benedictus (= Traditur militibus) | Mr Tavener | |
Appears on:
10
Genres:
Benedictus, Contrafactum, Motet
Source Attribution:
Mr Tavener
|
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10v | Gaude gloriosa Dei mater (extract: opening trio, Gaude gloriosa Dei mater) | Mr Tallys | |
Appears on:
10v
Genres:
Motet
Source Attribution:
Mr Tallys
Voice:
Cantus
Languages:
Latin
Voice Text:
Qui tollis peccata
General NoteThe opening trio, here with incipit "Qui tollis peccata" |
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10v | (unidentified mass): Domine Deus rex caelestis | [Tallis] | |
Appears on:
10v
Genres:
Gloria (et in terra pax), Mass Ordinary
Source Attribution:
[Tallis]
|
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11 | Sanctus (=trio: Gaude Maria virgo divinitus, excerpt from Gaude plurimum) | Mr Tavvner | |
Appears on:
11
Genres:
Contrafactum, Motet, Sanctus [& Benedictus]
Source Attribution:
Mr Tavvner
|
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11 | Sanctus | - | Anonymous |
SanctusAnonymous
Appears on:
11
Genres:
Mass Ordinary, Sanctus [& Benedictus]
|
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11v | Ave mulierum sanctissima | - | |
Appears on:
11v
Genres:
Motet
|
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11v | Rex sanctorum | Mr Tallis | |
Appears on:
11v
Genres:
Motet
Source Attribution:
Mr Tallis
|
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11v | Agnus Dei | Mr Shepheard | |
Appears on:
11v
Genres:
Agnus Dei, Mass Ordinary
Source Attribution:
Mr Shepheard
General Notesource of this Agnus unidentified |
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12 | Manus tuae - 1a pars (of 2): Manus tuae fecerunt me | Mr Whyte | |
Appears on:
12
Genres:
Motet
Source Attribution:
Mr Whyte
|
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12 | Vox Patris caelestis (extract: Surge propera) | Mr Mundye | |
Appears on:
12
Genres:
Motet
Source Attribution:
Mr Mundye
|
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12v | Et in terra pax [Gloria] | - | Anonymous |
Et in terra pax [Gloria]Anonymous
Appears on:
12v
Genres:
Gloria (et in terra pax), Mass Ordinary
|
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12v | Magnificat a6: (extract) Sicut erat in principio | - | |
Appears on:
12v
Genres:
BVM, Canticle, Magnificat
|
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12v | Sicut erat in principio (from a Magnificat) | Mr Mundy | |
Appears on:
12v
Genres:
BVM, Canticle, Magnificat
Source Attribution:
Mr Mundy
|
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13 | Exaudiat te Dominus in die tribulationis | - | |
Appears on:
13
Genres:
Motet
|
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13 | Laudamus te [Gloria] | - | Anonymous |
Laudamus te [Gloria]Anonymous
Appears on:
13
Genres:
Gloria (et in terra pax), Mass Ordinary
General Notea short (26 breve) 3vv excerpt from the opening of a Gloria |
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13 | Magnificat a6: (extract) Sicut erat in principio | Mr Tavvner | |
Appears on:
13
Genres:
BVM, Canticle, Magnificat
Source Attribution:
Mr Tavvner
General Note'Et nunc et semper' only |
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13v | Christe eleison (I) | - | |
Appears on:
13v
Genres:
Kyrie eleison, Mass Ordinary
General Noteperhaps a contrafact setting? |
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13v | Christe eleison (II) | - | |
Appears on:
13v
Genres:
Kyrie eleison, Mass Ordinary
General Noteperhaps a contrafact setting? |
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13v | Christe eleison (III) | Mr Taverner | |
Appears on:
13v
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
Mr Taverner
General Noteperhaps a contrafact setting? |
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13v | Miserere | - | Anonymous |
MiserereAnonymous
Appears on:
13v
Genres:
Motet
|
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14 | Miserere | - | Anonymous |
MiserereAnonymous
Appears on:
14
Genres:
Motet
|
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14 | Alleluia. Confitemini Domino quoniam bonus | Mr Byrd | |
Appears on:
14
Genres:
Alleluia, Motet
Source Attribution:
Mr Byrd
|
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14 | Alleluia | - | Anonymous |
AlleluiaAnonymous
Appears on:
14
Genres:
Alleluia
|
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14 | Osanna in excelsis | - | |
Appears on:
14
Genres:
Mass Ordinary, Sanctus [& Benedictus]
General Noteunidentified Osanna setting General Noteunidentified Osanna |
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14v | Missa O magnum mysterium: Benedictus | Victoria | |
Appears on:
14v
Genres:
Mass Ordinary, Sanctus [& Benedictus]
Source Attribution:
Victoria
|
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14v | Missa Quarti toni: Sanctus (extract: Benedictus) | Victoria | |
Appears on:
14v
Genres:
Mass Ordinary, Sanctus [& Benedictus]
Source Attribution:
Victoria
|
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14v | Missa Trahe me: Sanctus (extract: Benedictus) | - | |
Appears on:
14v
Genres:
Mass Ordinary, Sanctus [& Benedictus]
|
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15 | Requiem mass (4vv): viii. Libera me - 2a pars: Tremens factus sum | Victoria | |
Appears on:
15
Genres:
Requiem
Source Attribution:
Victoria
|
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15 | Requiem mass (4vv): viii. Libera me - 3a pars: Dies illa dies irae | Victoria | |
Appears on:
15
Genres:
Requiem
Source Attribution:
Victoria
|
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15 | Missa Alma redemptoris: Gloria (extract: Domine Deus) | Victoria | |
Appears on:
15
Genres:
Gloria (et in terra pax), Mass Ordinary
Source Attribution:
Victoria
|
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15 | Missa Quarti toni: Kyrie (extract: Christe eleison) | Victoria | |
Appears on:
15
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
Victoria
|
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15v | Requiem mass (4vv): ii. Kyrie (extract: Christe eleison) | Victoria | |
Appears on:
15v
Genres:
Requiem
Source Attribution:
Victoria
|
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15v | Christe eleison | Victoria | |
Appears on:
15v
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
Victoria
General Noteunidentified setting |
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15v | Requiem mass (4vv): ix. Peccantem me (extract: Deus, in nomine tuo salvum me fac) | Victoria | |
Appears on:
15v
Genres:
Requiem
Source Attribution:
Victoria
|
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15v–16 | Missa Ascendens Christus: Agnus Dei | Victoria | |
Appears on:
15v–16
Genres:
Agnus Dei, Mass Ordinary
Source Attribution:
Victoria
Copying Style2 voice parts, S1 (verso), S2 (recto) |
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15v–16 | Missa Vidi speciosam: Kyrie (extract: Kyrie 1) | - | |
Appears on:
15v–16
Genres:
Kyrie eleison, Mass Ordinary
Copying Style2 voice parts, S1 (verso), S2 (recto) |
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16 | Dulcior melle | - | Anonymous |
Dulcior melleAnonymous
Appears on:
16
Genres:
Motet
|
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16v–17 | Missa Vidi speciosam: Gloria | Victoria | |
Appears on:
16v–17
Genres:
Gloria (et in terra pax), Mass Ordinary
Source Attribution:
Victoria
Copying Style2 voice parts, S1 (verso), S2 (recto) |
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16v–17 | Missa Vidi speciosam: Kyrie (extract: Kyrie 2) | Victoria | |
Appears on:
16v–17
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
Victoria
Copying Style2 voice parts, S1 (verso), S2 (recto) |
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17v–18 | Missa Vidi speciosam: Credo | - | |
Appears on:
17v–18
Genres:
Credo (patrem omnipotentem), Mass Ordinary
Copying Style2 voice parts, S1 (verso), S2 (recto) |
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18v–19 | Missa Vidi speciosam: Sanctus | - | |
Appears on:
18v–19
Genres:
Mass Ordinary, Sanctus [& Benedictus]
General NoteSanctus section only Copying Style2 voice parts, S1 (verso), S2 (recto) |
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18v–19 | Missa Vidi speciosam: Agnus Dei | Victoria | |
Appears on:
18v–19
Genres:
Agnus Dei, Mass Ordinary
Source Attribution:
Victoria
|
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18v–19 | Missa Vidi speciosam: Sanctus (extract: Osanna 2) | - | |
Appears on:
18v–19
Genres:
Mass Ordinary, Sanctus [& Benedictus]
|
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19v | 'Anome' (In nomine?) - 1a pars (of 2) | Mr Wm Cobbold | |
Appears on:
19v
Genres:
In nomine
Source Attribution:
Mr Wm Cobbold
|
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20 | 'Anome' (In nomine?) - 2a pars (of 2) | - | |
Appears on:
20
Genres:
In nomine
|
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20v | Agnus Dei | - | |
Appears on:
20v
Genres:
Agnus Dei, Mass Ordinary
General Notean unidentified setting |
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20v | Quando ... | - | |
Appears on:
20v
Genres:
Madrigal
General Note(not "Quando dagl' occhi") |
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20v | Misere[re] | - | |
Appears on:
20v
Genres:
Motet
ConcordancesThis seems to be neither the Miserere mihi nor Miserere mei setting |
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21 | Vaults, graves and tombs | - | Anonymous |
Vaults, graves and tombsAnonymous
Appears on:
21
Genres:
Madrigal (English)
|
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21v | Alas I faint with dying | 'Incerto' ['uncertain'] | Anonymous |
Alas I faint with dyingAnonymous
Appears on:
21v
Genres:
Madrigal (English)
Source Attribution:
'Incerto' ['uncertain']
|
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22 | O my heart when will thine anguish | - | Anonymous |
O my heart when will thine anguishAnonymous
Appears on:
22
Genres:
Madrigal (English)
|
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22v | Mi parto ah sorteria | - | Anonymous |
Mi parto ah sorteriaAnonymous
Appears on:
22v
Genres:
Madrigal (Italian)
|
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23 | Chi mi consol', ay mi | - | Anonymous |
Chi mi consol', ay miAnonymous
Appears on:
23
Genres:
Madrigal (Italian)
|
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23v | Amor se i bei - 1a pars (of 2): Amor se i bei rubini | Pietro Philippi | |
Appears on:
23v
Genres:
Madrigal (Italian)
Source Attribution:
Pietro Philippi
|
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24 | Amor se i bei - 2a pars (of 2): Perche non posso, ahime | Pietro Phillippi Anglice | |
Appears on:
24
Genres:
Madrigal (Italian)
Source Attribution:
Pietro Phillippi Anglice
|
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24v | Ave verum corpus | - | |
Appears on:
24v
Genres:
Motet
|
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25 | [Christe qui lux es (I)] Precamur sancte Domine | Mr Whyte | |
Appears on:
25
Genres:
Motet
Source Attribution:
Mr Whyte
|
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25 | Missa Salve regina: Sanctus (extract: Benedictus) | - | |
Appears on:
25
Genres:
Mass Ordinary, Sanctus [& Benedictus]
|
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25 | Missa Ascendens Christus: Sanctus (extract: Benedictus) | Victoria | |
Appears on:
25
Genres:
Mass Ordinary, Sanctus [& Benedictus]
Source Attribution:
Victoria
|
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25v | Missa Vidi speciosam: Sanctus (extract: Benedictus) | Victoria | |
Appears on:
25v
Genres:
Mass Ordinary, Sanctus [& Benedictus]
Source Attribution:
Victoria
|
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25v | Missa O magnum mysterium: Sanctus | Victoria | |
Appears on:
25v
Genres:
Mass Ordinary, Sanctus [& Benedictus]
Source Attribution:
Victoria
|
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25v | Missa Quarti toni: Sanctus (extract: Sanctus) | Victoria | |
Appears on:
25v
Genres:
Mass Ordinary, Sanctus [& Benedictus]
Source Attribution:
Victoria
|
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26 | Missa Ascendens Christus: Gloria (extract: Domine Deus) | - | |
Appears on:
26
Genres:
Gloria (et in terra pax), Mass Ordinary
|
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26 | Missa Salve regina: Gloria (extract: Domine Deus) | - | |
Appears on:
26
Genres:
Gloria (et in terra pax), Mass Ordinary
|
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26 | Sicut erat, from a Magnificat | Victoria | |
Appears on:
26
Genres:
BVM, Canticle, Magnificat
Source Attribution:
Victoria
|
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26 | Asperges me | - | |
Appears on:
26
Genres:
Antiphon
General Notefirst verse only |
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26 | [Miserere mei] Secundum magnam misericordiam | Victoria | |
Appears on:
26
Genres:
Psalm
Source Attribution:
Victoria
General NoteSource unidentified |
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26v | Vidi aquam | Victoria | |
Appears on:
26v
Genres:
Antiphon
Source Attribution:
Victoria
General Notefirst verse only |
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26v | Quoniam (from a Confitemini setting) | - | |
Appears on:
26v
Genres:
Gloria (et in terra pax), Mass Ordinary
General Noteunidentified |
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26v | Sicut erat (from a Magnificat) | - | |
Appears on:
26v
Genres:
BVM, Canticle, Magnificat
|
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26v | Missa O magnum mysterium: Kyrie | Victoria | |
Appears on:
26v
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
Victoria
General Notecomplete (Kyrie-Christe-Kyrie) |
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27 | Missa O magnum mysterium: Gloria | Victoria | |
Appears on:
27
Genres:
Gloria (et in terra pax), Mass Ordinary
Source Attribution:
Victoria
General Notecomplete (Et in terra pax-Qui tollis) |
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27v | Missa Quarti toni: Gloria | Victoria | |
Appears on:
27v
Genres:
Gloria (et in terra pax), Mass Ordinary
Source Attribution:
Victoria
General Notecomplete (Et in terra pax-Qui tollis) |
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28 | Missa O magnum mysterium: Agnus Dei | Victoria | |
Appears on:
28
Genres:
Agnus Dei, Mass Ordinary
Source Attribution:
Victoria
General Notewith instruction "Canon ad unisonum" |
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28 | Agnus Dei (canonic) | Victoria | |
Appears on:
28
Genres:
Agnus Dei, Mass Ordinary
Source Attribution:
Victoria
General Noteunidentified source; with instruction "Canon ad unisonum" |
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28 | Kyrie | - | |
Appears on:
28
Genres:
Kyrie eleison, Mass Ordinary
General Note2 Kyrie settings, source unidentified (perhaps Kyrie I & II from the same source?) |
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28 | Missa Trahe me: Kyrie (extract: Christe eleison) | - | |
Appears on:
28
Genres:
Kyrie eleison, Mass Ordinary
|
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28v | Missa Vidi speciosam: Kyrie (extract: Christe eleison) | Victoria | |
Appears on:
28v
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
Victoria
|
|||
28v | Missa Ascendens Christus: Kyrie (extract: Christe eleison) | Victoria | |
Appears on:
28v
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
Victoria
|
|||
28v | Missa Salve regina: Kyrie (extract: Christe eleison) | - | |
Appears on:
28v
Genres:
Kyrie eleison, Mass Ordinary
|
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28v | Missa O magnum mysterium: Sanctus (extract: Osanna) | - | |
Appears on:
28v
Genres:
Mass Ordinary, Sanctus [& Benedictus]
|
|||
28v | Missa Quarti toni: Sanctus (extract: Osanna) | - | |
Appears on:
28v
Genres:
Mass Ordinary, Sanctus [& Benedictus]
|
|||
29–29v | Missa O magnum mysterium: Credo | Victoria | |
Appears on:
29–29v
Genres:
Credo (patrem omnipotentem), Mass Ordinary
Source Attribution:
Victoria
General Notecomplete: the sections have text incipits Patrem omnipotentem-Et incarnatus est-(blank)-Amen, and each except the untexted section is attributed to Victoria |
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29v | Missa Salve regina: Credo (extract: Crucifixus) | Victoria | |
Appears on:
29v
Genres:
Credo (patrem omnipotentem), Mass Ordinary
Source Attribution:
Victoria
|
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30 | Missa Trahe me: Credo (extract: Crucifixus) | - | |
Appears on:
30
Genres:
Credo (patrem omnipotentem), Mass Ordinary
General Notetext incipit (Crucifixus), otherwise untexted except for 'non erit finis' at end |
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30 | Missa Vidi speciosam: Credo (extract: Crucifixus) | - | |
Appears on:
30
Genres:
Credo (patrem omnipotentem), Mass Ordinary
General Notetext incipit (Crucifixus), otherwise untexted except for 'non erit finis' at end |
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30v–31 | Missa Quarti toni: Credo | - | |
Appears on:
30v–31
Genres:
Credo (patrem omnipotentem), Mass Ordinary
General Notecomplete: text incipits fo reach section (Patrem omnipotentem with text "non erit fniis" at end; Et in spiritum sanctum; Amen) |
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30v | Quem visurus sum ego | - | Anonymous |
Quem visurus sum egoAnonymous
Appears on:
30v
Genres:
Motet
|
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31 | Missa Ascendens Christus: Credo (extract: Crucifixus) | - | |
Appears on:
31
Genres:
Credo (patrem omnipotentem), Mass Ordinary
|
|||
31 | Requiem mass (4vv): viii. Libera me - 5a pars: Kyrie | - | |
Appears on:
31
Genres:
Requiem
General Note4 'Kyrie' setting on one stave; the first 2 from the end of the 'Libera me', the other 2 from the end of 'Peccantem me' |
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31 | Requiem mass (4vv): ix. Peccantem me (extract: Kyrie) | - | |
Appears on:
31
Genres:
Requiem
General Note4 'Amen' setting on one stave; the first 2 from the end of the 'Libera me', the other 2 from the end of 'Peccantem me' |
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31v | Requiem mass (4vv): i. Requiem aeternam dona eis Domine (Introit) | Victoria | |
Appears on:
31v
Genres:
Requiem
Source Attribution:
Victoria
General Note[Requiem aeternam] Dona eis Domine - Et tibi reddetur |
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31v | Requiem mass (4vv): iii. Requiem aeternam dona eis Domine (Gradual) | Victoria | |
Appears on:
31v
Genres:
Requiem
Source Attribution:
Victoria
General Noteopening section only - [Requiem aeternam] Dona eis Domine; the second section is on f. 32v |
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31v | Requiem mass (4vv): ii. Kyrie | - | |
Appears on:
31v
Genres:
Requiem
|
|||
32 | Requiem mass (4vv): iv. Domine Jesu Christe, libera animas fidelium | Victoria | |
Appears on:
32
Genres:
Requiem
Source Attribution:
Victoria
|
|||
32v | Requiem mass (4vv): iii. Requiem aeternam dona eis Domine (Gradual) | - | |
Appears on:
32v
Genres:
Requiem
General Notethe second section of the gradual; the first section is on f. 31v |
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32v | Requiem mass (4vv): v. Sanctus & Benedictus | - | |
Appears on:
32v
Genres:
Requiem
General NoteSanctus - Pleni - Benedictus (Osanna is not copied) |
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32v–33 | Requiem mass (4vv): vi. Agnus Dei | - | |
Appears on:
32v–33
Genres:
Requiem
General Notethe 3 invocations of Agnus Dei are copied as 3 consecutive pieces titled 'Agnus' General Notethe 3 invocations of Agnus Dei are copied as 3 consecutive pieces each with incipit 'Agnus Dei qui tollis' |
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33 | Requiem mass (4vv): vii. Lux aeterna luceat eis | - | |
Appears on:
33
Genres:
Requiem
General NoteCopied as two pieces with incipits 'Luceat' - 'Et lux perpetua' |
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33 | Requiem mass (4vv): viii. Libera me - 1a pars: Libera me Domine de morte | - | |
Appears on:
33
Genres:
Requiem
|
|||
33v–34 | Missa Salve regina: Kyrie | - | |
Appears on:
33v–34
Genres:
Kyrie eleison, Mass Ordinary
General NoteBoth Kyries are copied here; the Christe is at f. 28v Copying Style2 voice parts copied, S1 (verso) & S2 (recto) |
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33v–34 | Missa Salve regina: Gloria | - | |
Appears on:
33v–34
Genres:
Gloria (et in terra pax), Mass Ordinary
Copying Style2 voice parts copied, S1 (verso) & S2 (recto) General NoteComplete (Et in terra pax - Qui tollis) with DOmine Deus at f. 28 |
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34v–35 | Missa Salve regina: Credo | - | |
Appears on:
34v–35
Genres:
Credo (patrem omnipotentem), Mass Ordinary
Copying Style2 voice parts copied, S1 (verso) & S2 (recto) General NoteComplete - sections have text incipits only (Patrem omnipotentem - Et incarnatus - Et in spiritum sanctum) |
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35v–36 | Missa Salve regina: Sanctus | - | |
Appears on:
35v–36
Genres:
Mass Ordinary, Sanctus [& Benedictus]
Copying Style2 voice parts copied, S1 (verso) & S2 (recto) General NoteSanctus & Osanna copied (the 4vv Benedictus is at f. 25v) |
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35v–36 | Missa Salve regina: Agnus Dei | Victoria | |
Appears on:
35v–36
Genres:
Agnus Dei, Mass Ordinary
Source Attribution:
Victoria
Copying Style2 voice parts copied, S1 (verso) & S2 (recto) |
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35v | Requiem mass (4vv): viii. Libera me - 4a pars: Requiem aeternam | Victoria | |
Appears on:
35v
Genres:
Requiem
Source Attribution:
Victoria
|
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35v | Requiem mass (4vv): ix. Peccantem me | Victoria | |
Appears on:
35v
Genres:
Requiem
Source Attribution:
Victoria
General Note2 sections with text incipits, Peccantem me quotidie - Quia in inferno |
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36 | Kyrie | Victoria | |
Appears on:
36
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
Victoria
General Notesource unidentified |
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36 | Miserere mihi Domine | Mr Byrd | |
Appears on:
36
Source Attribution:
Mr Byrd
|
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36v | Deus qui beatam Mariam semper virginem | - | |
Appears on:
36v
Genres:
Motet
|
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37 | O tell me sweet heart | - | Anonymous |
O tell me sweet heartAnonymous
Appears on:
37
Genres:
Madrigal (English)
|
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37v | What, shall I part thus unregarded | - | |
Appears on:
37v
Genres:
Madrigal (English)
|
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38 | Phillis a herdmaid - 1a pars (of 2): Phillis, a herdmaid dainty | - | |
Appears on:
38
Genres:
Madrigal (English)
General NoteOnly the 1a pars is copied here |
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38v | Di questa bionda e vaga treccia | Alphonsus [wrongly]/[Striggio] | |
Appears on:
38v
Genres:
Madrigal (Italian)
Source Attribution:
Alphonsus [wrongly]/[Striggio]
Voice:
[no designation]
Languages:
Italian
Voice Text:
Di questi hondi
|
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38v | Ut lanterna | Gregorio Languio [Lange] | |
Appears on:
38v
Genres:
Motet
Source Attribution:
Gregorio Languio [Lange]
|
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39 | Le belle | - | |
Appears on:
39
Genres:
Madrigal (Italian)
|
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39 | Adoramus te Christe | Mr Byrd | |
Appears on:
39
Genres:
Gradual, Motet
Source Attribution:
Mr Byrd
|
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39v | La bella | Palevicyno | |
Appears on:
39v
Genres:
Madrigal (Italian)
Source Attribution:
Palevicyno
|
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40 | Gaude Maria virgo | Victoria | |
Appears on:
40
Genres:
Motet
Source Attribution:
Victoria
General NoteWith instruction 'Canon in unisono'. Note: this book says the piece has 4vv, but the other books state 5vv |
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40 | Missa Trahe me: Sanctus (extract: Osanna) | - | |
Appears on:
40
Genres:
Mass Ordinary, Sanctus [& Benedictus]
|
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40v | Missa Trahe me: Gloria | Victoria | |
Appears on:
40v
Genres:
Gloria (et in terra pax), Mass Ordinary
Source Attribution:
Victoria
General Notecomplete: the 2 sections have text incipits Et in terra pax - Qui tollis |
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40v | Missa Ascendens Christus: Sanctus (extract: Osanna) | - | |
Appears on:
40v
Genres:
Mass Ordinary, Sanctus [& Benedictus]
|
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41 | Missa Trahe me: Sanctus (extract: Sanctus) | Victoria | |
Appears on:
41
Genres:
Mass Ordinary, Sanctus [& Benedictus]
Source Attribution:
Victoria
|
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41 | Missa Trahe me: Agnus Dei | - | |
Appears on:
41
Genres:
Agnus Dei, Mass Ordinary
|
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41 | Requiem mass (4vv): x. Credo quod redemptor | - | |
Appears on:
41
Genres:
Requiem
General Notethe concluding Kyrie is copied at f. 43v (25v in Tenor) |
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41v | Missa Ascendens Christus: Gloria | Victoria | |
Appears on:
41v
Genres:
Gloria (et in terra pax), Mass Ordinary
Source Attribution:
Victoria
General Notecomplete: the 2 sections have text incipits Et in terra pax & Qui tollis |
|||
41v | Missa Ascendens Christus: Kyrie | - | |
Appears on:
41v
Genres:
Kyrie eleison, Mass Ordinary
General NoteKyries I & II are copied here; the Christe is at f. 28v |
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42 | Missa Ascendens Christus: Sanctus (extract: Sanctus) | - | |
Appears on:
42
Genres:
Mass Ordinary, Sanctus [& Benedictus]
|
|||
42–42v | Missa Trahe me: Credo | Victoria | |
Appears on:
42–42v
Genres:
Credo (patrem omnipotentem), Mass Ordinary
Source Attribution:
Victoria
General Notecomplete (Patrem omnipotentem - Et incarnatus est - Et in spiritum sanctum - Amen) except for the Crucifixus which is at f. 30 |
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42v–43 | Missa Ascendens Christus: Credo | Victoria | |
Appears on:
42v–43
Genres:
Credo (patrem omnipotentem), Mass Ordinary
Source Attribution:
Victoria
General Notecomplete (Patrem omnipotentem - Et incarnatus est - Et in spiritum sanctum - Amen) except for the Crucifixus which is at f. 31 |
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43–43v | Missa Trahe me: Kyrie | Ludovicus Victoria | |
Appears on:
43–43v
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
Ludovicus Victoria
General NoteKyrie 2 followed by Kyrie 1; the Christe is on f. 28 |
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43v | Requiem mass (4vv): x. Credo quod redemptor (extract: Kyrie) | - | |
Appears on:
43v
Genres:
Requiem
General Notethe concluding Kyrie from the Credo quod redemptor |
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43v | Sub diversis speciebus | - | |
Appears on:
43v
Genres:
Motet
|
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44 | Misericordias Domini | Horat: Vecchi | |
Appears on:
44
Genres:
Motet
Source Attribution:
Horat: Vecchi
|
|||
44v–45 | Fantasia a5 | - | Anonymous |
Fantasia a5Anonymous
Appears on:
44v–45
Genres:
Fantasia
|
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45 | Sicut locutus, from a Magnificat | Mr Parsons | |
Appears on:
45
Genres:
BVM, Canticle, Magnificat
Source Attribution:
Mr Parsons
|
|||
45 | The Western Wynde Mass: Agnus dei | - | |
Appears on:
45
|
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45v | Ad te suspiramus | Victoria | |
Appears on:
45v
Genres:
Motet
Source Attribution:
Victoria
General NoteThis does not seem to come from any of the Salve regina settings by Victoria for 5 or 6 (or 8) voices. |
|||
45v | O comme heureux j'estimerais mon coeur | Orlando | |
Appears on:
45v
Genres:
Chanson
Source Attribution:
Orlando
General NoteAlthough copied among the 5vv pieces, this setting of 'O comme heureux' is for 4vv |
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46 | Delight is dead | - | |
Appears on:
46
Genres:
Consort song
|
|||
46v | By force I live | - | |
Appears on:
46v
Genres:
Madrigal (English)
|
|||
46v | Live long desire | - | Anonymous |
Live long desireAnonymous
Appears on:
46v
Genres:
Madrigal (English)
|
|||
47 | From a star | Mr Cobbold | |
Appears on:
47
Genres:
Madrigal (English)
Source Attribution:
Mr Cobbold
|
|||
47 | See those sweet eyes - 1a pars (of 2): See, see those sweet eyes | - | |
Appears on:
47
Genres:
Consort song
General NoteThe copy in Add MS 31992 has a 2a pars, not copied here |
|||
47v | Sith that the tree - 1a pars (of 2): Sith that the tree begins so soon | - | |
Appears on:
47v
Genres:
Consort song
|
|||
47v | Let fortune fail - 1a pars (of 2): Let fortune fail, virtue will stand | Mr Byrd | |
Appears on:
47v
Genres:
Madrigal (English)
Source Attribution:
Mr Byrd
|
|||
48 | Let fortune fail - 2a pars (of 2): My years do seek | Mr Byrd | |
Appears on:
48
Genres:
Madrigal (English)
Source Attribution:
Mr Byrd
|
|||
48 | Whom hateful harms | - | |
Appears on:
48
Genres:
Madrigal (English)
|
|||
48v | Crowned with flowers - 1a pars (of 2): Crowned with flowers and lilies | - | |
Appears on:
48v
Genres:
Madrigal (English)
|
|||
49 | Crowned with flowers - 2a pars (of 2): O worthy queen | - | |
Appears on:
49
Genres:
Madrigal (English)
|
|||
49 | As Caesar wept | - | |
Appears on:
49
Genres:
Madrigal (English)
|
|||
49v | List not to Sirens singing (= Chi ha cor da partire) | Alphonso [Ferrabosco] | |
Appears on:
49v
Genres:
Contrafactum, Madrigal (English)
Source Attribution:
Alphonso [Ferrabosco]
|
|||
50 | Mount, Hope, above the skies | Alphonso [Ferrabosco]/[Byrd] | |
Appears on:
50
Genres:
Madrigal (English)
Source Attribution:
Alphonso [Ferrabosco]/[Byrd]
|
|||
50 | Have mercy upon us, O Lord (5vv) | Mr Byrd | |
Appears on:
50
Genres:
Consort song
Source Attribution:
Mr Byrd
|
|||
50v | The Lord is only my support | - | |
Appears on:
50v
Genres:
Anthem
|
|||
50v–51 | O Lord to thee I make my moan | Mr Byrd | |
Appears on:
50v–51
Genres:
Anthem
Source Attribution:
Mr Byrd
|
|||
51 | O Lord bow down thy heavenly eyes | - | |
Appears on:
51
Genres:
Anthem
|
|||
51v | O praise our Lord - 3a pars (of 5): Praise him on tube | - | |
Appears on:
51v
Genres:
Anthem
|
|||
51v | O praise our Lord - 4a pars (of 5): The gladsome sound of silver bells | - | |
Appears on:
51v
Genres:
Anthem
|
|||
52 | Laudate | - | |
Appears on:
52
Genres:
Motet
|
|||
52v | O lux et decus Hispaniae | Victoria | |
Appears on:
52v
Genres:
Motet
Source Attribution:
Victoria
|
|||
52v–53 | Cum beatus Ignatius - 2a pars (of 2): Ignis crux bestiae | - | |
Appears on:
52v–53
Genres:
Motet
|
|||
53 | The whitest snow (= Dolce alpestre parole) | - | |
Appears on:
53
Genres:
Contrafactum, Madrigal (Italian)
|
|||
53v | Penelope - 1a pars (of 2): Penelope was ever praised (= Se pur e ver) | Mr Byrd | |
Appears on:
53v
Genres:
Contrafactum, Madrigal (English)
Source Attribution:
Mr Byrd
General NoteThe music corresponds to neither of Byrd's well-known Penelope settings, 'Constant Penelope' or 'Penelope that longed for the sight'. |
|||
53v | Penelope - 2a pars (of 2): Not Cupid with his wanton wings (= Qualunqu' a quella tutto) | - | |
Appears on:
53v
Genres:
Contrafactum, Madrigal (English)
|
|||
53v | Non e lasso martire | - | |
Appears on:
53v
Genres:
Madrigal (Italian)
|
|||
54 | Lors que je voy | Philippo De monte | |
Appears on:
54
Genres:
Chanson
Source Attribution:
Philippo De monte
|
|||
54v | Pis ne me peult venir que j'ai jusques ici | - | |
Appears on:
54v
Genres:
Chanson
|
|||
54v | Mars et Marte en ce monde font grand guerre | Alphonso | |
Appears on:
54v
Genres:
Chanson
Source Attribution:
Alphonso
|
|||
55–56v | The cries of London | Mr Weilkes | |
Appears on:
55–56v
Genres:
Consort song
Source Attribution:
Mr Weilkes
|
|||
56v–58 | The cry of London | - | Anonymous |
The cry of LondonAnonymous
Appears on:
56v–58
Genres:
Consort song
|
|||
58–58v | New fashions - 1a pars (of 4): New fashions now do bear the sway | Mr Willm. Cobbold | |
Appears on:
58–58v
Genres:
Consort song
Source Attribution:
Mr Willm. Cobbold
|
|||
58v–59 | New fashions - 2a pars (of 4): Little Pegg of Ransey with the yellow hair | - | |
Appears on:
58v–59
Genres:
Consort song
|
|||
59–60 | New fashions - 3a pars (of 4): There were three ravens sat on a tree | - | |
Appears on:
59–60
Genres:
Consort song
|
|||
59v–60 | New fashions - 4a pars (of 4): What pleasures have we in this life | - | |
Appears on:
59v–60
Genres:
Consort song
|
|||
60v | [blank page] | - | - |
[blank page]
Appears on:
60v
|
|||
61 | For death of her | Mr Willm. Cobbold | |
Appears on:
61
Genres:
Consort song
Source Attribution:
Mr Willm. Cobbold
General NoteAnnotated: "Upon ye Death of Mris Mary Gascoygne. Dyeing in travell of child, an Epitaph. 19: Julye: 1588" |
|||
61v–62 | Ye mortal wights ("Venus her lamentation for Adonis") | - | |
Appears on:
61v–62
Genres:
Consort song
|
|||
62 | Sighs do your part | Mr Cobbold | |
Appears on:
62
Genres:
Consort song
Source Attribution:
Mr Cobbold
|
|||
62v | I plunged am, poor wretch, in woe | Mr Cobbold | |
Appears on:
62v
Genres:
Consort song
Source Attribution:
Mr Cobbold
|
|||
63 | Jamyss [Jamais] amant | - | |
Appears on:
63
Genres:
Consort song
General NoteAlternatively, the authentic title might be "Jamie's a man"? |
|||
63 | Amidst my bale I bathe in bliss | - | |
Appears on:
63
Genres:
Consort song
|
|||
63v | The haughty hearts of high aspiring minds | Mr Cobbold | |
Appears on:
63v
Genres:
Consort song
Source Attribution:
Mr Cobbold
|
|||
63v–64 | O froward fate | Mr Cobbold | |
Appears on:
63v–64
Genres:
Consort song
Source Attribution:
Mr Cobbold
|
|||
64 | The rare affects that lead me to despair | - | |
Appears on:
64
Genres:
Consort song
|
|||
64v | As Phisick's skill doth seem to ease | - | Anonymous |
As Phisick's skill doth seem to easeAnonymous
Appears on:
64v
Genres:
Consort song
|
|||
65 | Lamentations (I) a5 - (extract: De excelso misit ignem (from 2a pars)) | - | |
Appears on:
65
Genres:
Lamentations
|
|||
65v–66 | Cantate Domino canticum novum | Mr Tomkins | |
Appears on:
65v–66
Genres:
Psalm
Source Attribution:
Mr Tomkins
|
|||
66 | Ne reminiscaris - 1a pars (of 2): Ne reminiscaris Domine | John Wilbye | |
Appears on:
66
Genres:
Motet
Source Attribution:
John Wilbye
|
|||
66 | Ne reminiscaris - 2a pars (of 2): Parce Domine | - | |
Appears on:
66
Genres:
Motet
|
|||
66v–67v | Medley ('Miserere') | Dr. Stevenson | |
Appears on:
66v–67v
Genres:
Consort song
Source Attribution:
Dr. Stevenson
General Notewith incipit Miserere in some books; Tenor has at end "finis Dr Stevensons Medley". In 6 sections |
|||
67v–69v | The country cry 'God give you good morrow, sir rise' | - | |
Appears on:
67v–69v
Genres:
Song
|
|||
70 | Sacred Pan, advance thy head with golden horns | - | |
Appears on:
70
Genres:
Consort song
|
|||
70v | O death rock me asleep | - | Anonymous |
O death rock me asleepAnonymous
Appears on:
70v
|
|||
70v–71 | Heu mihi Domine | - | |
Appears on:
70v–71
Genres:
Motet
|
|||
71v | Emendemus - 1a pars (of 2): Emendemus in melius | Mr Byrd | |
Appears on:
71v
Genres:
Motet
Source Attribution:
Mr Byrd
|
|||
71v | Emendemus - 2a pars (of 2): Adiuva nos Deus | - | |
Appears on:
71v
Genres:
Motet
|