GB-Lbl Add. MS 18936

British Library, London, England

partbook: c. 1615

Archive	British Library, London, England (GB-Lbl)
Shelfmark	Add. MS 18936
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Mixed Paper and Parchment
Numbering System	Foliation
Measurements	147-52 x 293-302 mm
Other Identifiers	CCM: LonBL 18936-9
Notations	black void mensural
Relationships	Bernard Quaritch Ltd (booksellers) (owner) Aldhouse of Matlask (Norfolk), Stephen (owner) Paston, Edward (1550–1630) (patron)
External Links	images British Library online catalogue entry
Provenance	Norfolk, England
Contents	Contains 214 compositions, 191 from 32 composers, 23 are anonymous.

General Description

A Discantus partbook from a set originally of five volumes. Copied by a single scribe. Many pieces have text incipits or titles only; probably copied for instrumental performance. Of English provenance; probably originated in the household of Edward Paston (1550-1630) of Norfolk, a country gentleman and collector of music. Not copied by one of Paston's usual scribes; perhaps compiled for younger member of Paston family, or copied by a visiting musician for his own use, from sources owned by Paston (BrettEP). Owned in 1670 by Stephen Aldhouse of Matlask, Norfolk, a witness to Paston's will. Purchased by British Museum at a Quaritch sale in 1852.

DIAMM, 2017

Binding

New covers of red cloth on cardboard

DIAMM, 2017

Notation

not indicated

DIAMM, 2017

Foliation

New pencil foliation in each book includes original parchment flyleaves.

DIAMM, 2017

Decoration

No initials or decoration

DIAMM, 2017

Surface

ii paper + ii parchment + 69 paper + i paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Mass, 80 Mass Ordinary sections or fragments, 18 Requiem Mass sections or fragments, 2 Mass Proper sections, 4 Magnificat sections, 1 hymn, 1 Lamentation, 32 motets, 9 anthems, 49 English secular pieces, 8 Italian secular pieces, 3 Latin secular pieces, 3 French secular pieces, 4 textless pieces (including 1 In nomine, 1 Fantasia, and 1 piece with title "Miserere") = 215

Bateson-1, Bianciardi-1, Byrd-18, Byrd/(A. Ferrabosco I)1, Cobbold-13, Crecquillon-1, Deering-1, A. Ferrabosco I [Alfonso; Alphonso]-7, A. Ferrabosco I/(Byrd)-2, A. Ferrabosco I/(Philippe de Monte)-1, (Kirbye)-1, Lange [Gregorio Languio]-1, Lassus [Orlando]-1, Philippe de Monte-2, Morley-1, J. Mundy-1, W. Mundy-1, (J. or W.? Mundy)-1, Pallavicino-1, R. Parsons I-1, Patrick-1, P. Philips-2, Shepherd-2, Stevenson-1, Tallis-4, Tallis/(Byrd)-1, Taverner-8, Tomkins-1, Orazio Vecchi-1, Victoria-65 + 31?, Weelkes-11, R. White-4, Wilbye-1, T. Wilkinson-1, anon-34

4 partbooks of an original 5 (D-ii paper + ii parchment + 69 paper + i paper folios, A-iii paper + ii parchment + 67 paper + ii paper, T-ii paper + ii parchment + 55 paper + i paper, B-iii paper + ii parchment + 67 paper + i paper), 147-52 x 293-302. New pencil foliation in each book includes original parchment flyleaves. New covers of red cloth on cardboard. No index. Copied by a single scribe. No initials or decoration. Many pieces have text incipits or titles only; probably copied for instrumental performance.

Ca. 1615 (JosephT). Of English provenance; probably originated in the household of Edward Paston (1550-1630) of Norfolk, a country gentleman and collector of music. Not copied by one of Paston's usual scribes; perhaps compiled for younger member of Paston family, or copied by a visiting musician for his own use, from sources owned by Paston (BrettEP). Owned in 1670 by Stephen Aldhouse of Matlask, Norfolk, a witness to Paston's will. Purchased by British Museum at a Quaritch sale in 1852.

Vol 4

Contents: 1 Mass, 2 Kyries, 3 Glorias, 3 Credos, 8 Agnus, 9 Requiem Mass sections, 48 Mass Ordinary sections, 4 Magnificat sections, 1 Lamentation, 28 motets, 10 motet sections, 9 anthems, 49 English secular pieces, 7 Italian secular pieces, 5 French secular pieces, 1 Latin secular piece, 9 instrumental pieces (Fantasias, In nomines, Misereres, etc.) = 197 + 1 duplicate = 198

Composers: Bateson-1, Bianciardi-1, Byrd-18, Byrd/(A. Ferrabosco I)-1, Cob-bold-13, Crecquillon-1, Deering-1, A. Ferrabosco I [Alfonso; Alphonso]-4, A. Ferrabosco I/(Byrd)-2, A. Ferrabosco I/(Philippe de Monte)-1, A. Ferrabosco I/ (Mosto)-1, A. Ferrabosco I/(Striggio)-1, A. Ferrabosco I/(Tye)-1, (Kirbye)-1, Lange-1, Lassus [Orlando]-1, Philippe de Monte-2, Morley-1, J. Mundy-1, W. Mundy-1, (J. or W.? Mundy)-1, Pallavicino-1, R. Parsons I-1, Patrick-1, P. Philips-2, Shepherd-2, Stevenson-1, Tallis-4, Tallis/(Byrd)-1, Taverner-9 Tomkins-1, Orazio Vecchi-1, Victoria-79, Weelkes-11, R. White-4, Wilbye-1, T. Wilkinson-1, anon-22

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
3	Say, Galatea, since our coming hither	Mr Wilkinsone	Wilkinson, T(homas?)
Say, Galatea, since our coming hither Wilkinson, T(homas?) Appears on: 3 Genres: Madrigal (English) Source Attribution: Mr Wilkinsone Number of voices: 3
3v	A sea Nymph sate upon the shore	-	Anonymous
A sea Nymph sate upon the shore Anonymous Appears on: 3v Genres: Madrigal (English) Number of voices: 3
4	Your shining eyes and golden hair	Tho: Bateson	Bateson, Thomas (ca. 1570–1630)
Your shining eyes and golden hair Bateson, Thomas (ca. 1570–1630) Appears on: 4 Genres: Madrigal (English) Source Attribution: Tho: Bateson Number of voices: 3
4v	Strike up the Tabor	-	Weelkes, Thomas (ca. 1576–1623)
Strike up the Tabor Weelkes, Thomas (ca. 1576–1623) Appears on: 4v Genres: Madrigal (English) Number of voices: 3
4v	Four arms, two necks	-	Weelkes, Thomas (ca. 1576–1623)
Four arms, two necks Weelkes, Thomas (ca. 1576–1623) Appears on: 4v Genres: Madrigal (English) Number of voices: 3
5	Thus sings my dearest jewel	-	Weelkes, Thomas (ca. 1576–1623)
Thus sings my dearest jewel Weelkes, Thomas (ca. 1576–1623) Appears on: 5 Genres: Madrigal (English) Number of voices: 3
5	Late in my rash accounting	-	Weelkes, Thomas (ca. 1576–1623)
Late in my rash accounting Weelkes, Thomas (ca. 1576–1623) Appears on: 5 Genres: Madrigal (English) Number of voices: 3
5v	Come sirra Jacko fill some tobacco	-	Weelkes, Thomas (ca. 1576–1623)
Come sirra Jacko fill some tobacco Weelkes, Thomas (ca. 1576–1623) Appears on: 5v Genres: Madrigal (English) Number of voices: 3
6	Tantara ran tan tan, cries Mars	-	Weelkes, Thomas (ca. 1576–1623)
Tantara ran tan tan, cries Mars Weelkes, Thomas (ca. 1576–1623) Appears on: 6 Genres: Madrigal (English) Number of voices: 3
6v	O when I think what a paltry thing is a glove or a ring	-	Weelkes, Thomas (ca. 1576–1623)
O when I think what a paltry thing is a glove or a ring Weelkes, Thomas (ca. 1576–1623) Appears on: 6v Genres: Madrigal (English) Number of voices: 3
6v–7	Salvator mundi	Mr Byrd	Byrd, William (ca. 1540–1623)
Salvator mundi Byrd, William (ca. 1540–1623) Appears on: 6v–7 Genres: Motet Source Attribution: Mr Byrd Number of voices: 3 General Note Written in a single stave across the bottom of both pages of the opening
7	Some men desire spouses that come of noble houses	-	Weelkes, Thomas (ca. 1576–1623)
Some men desire spouses that come of noble houses Weelkes, Thomas (ca. 1576–1623) Appears on: 7 Genres: Madrigal (English) Number of voices: 3
7v	Aye me! alas! hey ho!...thus doth Messalina go	-	Weelkes, Thomas (ca. 1576–1623)
Aye me! alas! hey ho!...thus doth Messalina go Weelkes, Thomas (ca. 1576–1623) Appears on: 7v Genres: Madrigal (English) Number of voices: 3
8	Cease sorrows now	Mr Weilks	Weelkes, Thomas (ca. 1576–1623)
Cease sorrows now Weelkes, Thomas (ca. 1576–1623) Appears on: 8 Genres: Madrigal (English) Source Attribution: Mr Weilks Number of voices: 3
8v	Hear my prayer, O Lord	-	Mundy, John (ca. 1555–1630) (?)
Hear my prayer, O Lord Mundy, John (ca. 1555–1630) (?) Appears on: 8v Genres: Anthem Number of voices: 3
8v	Help me O Lord my saviour	-	Anonymous
Help me O Lord my saviour Anonymous Appears on: 8v Genres: Anthem Number of voices: 3
9	Ponder my words O Lord	-	Anonymous
Ponder my words O Lord Anonymous Appears on: 9 Genres: Anthem Number of voices: 3
9v	O hear ye this	-	Anonymous
O hear ye this Anonymous Appears on: 9v Genres: Madrigal (English) Number of voices: 3
10	Gaude plurimum - (excerpt) Gaude plurimum salvatoris - opening trio	Mr Taverner	Taverner, John
Gaude plurimum - (excerpt) Gaude plurimum salvatoris - opening trio Taverner, John Appears on: 10 Genres: Motet Source Attribution: Mr Taverner Number of voices: 3
10	Benedictus (= Traditur militibus)	Mr Tavener	Taverner, John
Benedictus (= Traditur militibus) Taverner, John Appears on: 10 Genres: Benedictus, Contrafactum, Motet Source Attribution: Mr Tavener Number of voices: 3
10v	Gaude gloriosa Dei mater (extract: opening trio, Gaude gloriosa Dei mater)	Mr Tallys	Tallis, Thomas (ca. 1505–1585)
Gaude gloriosa Dei mater (extract: opening trio, Gaude gloriosa Dei mater) Tallis, Thomas (ca. 1505–1585) Appears on: 10v Genres: Motet Source Attribution: Mr Tallys Number of voices: 3 Voice: Cantus Languages: Latin Voice Text: Qui tollis peccata General Note The opening trio, here with incipit "Qui tollis peccata"
10v	(unidentified mass): Domine Deus rex caelestis	[Tallis]	Tallis, Thomas (ca. 1505–1585)
(unidentified mass): Domine Deus rex caelestis Tallis, Thomas (ca. 1505–1585) Appears on: 10v Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: [Tallis] Number of voices: 3
11	Sanctus (=trio: Gaude Maria virgo divinitus, excerpt from Gaude plurimum)	Mr Tavvner	Taverner, John
Sanctus (=trio: Gaude Maria virgo divinitus, excerpt from Gaude plurimum) Taverner, John Appears on: 11 Genres: Contrafactum, Motet, Sanctus [& Benedictus] Source Attribution: Mr Tavvner Number of voices: 3
11	Sanctus	-	Anonymous
Sanctus Anonymous Appears on: 11 Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 3
11v	Ave mulierum sanctissima	-	Tallis, Thomas (ca. 1505–1585)
Ave mulierum sanctissima Tallis, Thomas (ca. 1505–1585) Appears on: 11v Genres: Motet Number of voices: 3
11v	Rex sanctorum	Mr Tallis	Tallis, Thomas (ca. 1505–1585)
Rex sanctorum Tallis, Thomas (ca. 1505–1585) Appears on: 11v Genres: Motet Source Attribution: Mr Tallis Number of voices: 3
11v	Agnus Dei	Mr Shepheard	Sheppard, John (ca. 1515–1558)
Agnus Dei Sheppard, John (ca. 1515–1558) Appears on: 11v Genres: Agnus Dei, Mass Ordinary Source Attribution: Mr Shepheard Number of voices: 3 General Note source of this Agnus unidentified
12	Manus tuae - 1a pars (of 2): Manus tuae fecerunt me	Mr Whyte	White, Robert (ca. 1538–1574)
Manus tuae - 1a pars (of 2): Manus tuae fecerunt me White, Robert (ca. 1538–1574) Appears on: 12 Genres: Motet Source Attribution: Mr Whyte Number of voices: 3
12	Vox Patris caelestis (extract: Surge propera)	Mr Mundye	Mundy, William (ca. 1528–ca. 1591)
Vox Patris caelestis (extract: Surge propera) Mundy, William (ca. 1528–ca. 1591) Appears on: 12 Genres: Motet Source Attribution: Mr Mundye Number of voices: 3
12v	Et in terra pax [Gloria]	-	Anonymous
Et in terra pax [Gloria] Anonymous Appears on: 12v Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 3
12v	Magnificat a6: (extract) Sicut erat in principio	-	Sheppard, John (ca. 1515–1558)
Magnificat a6: (extract) Sicut erat in principio Sheppard, John (ca. 1515–1558) Appears on: 12v Genres: BVM, Canticle, Magnificat Number of voices: 3
12v	Sicut erat in principio (from a Magnificat)	Mr Mundy	Mundy, William (ca. 1528–ca. 1591) (?) Mundy, John (ca. 1555–1630) (?)
Sicut erat in principio (from a Magnificat) Mundy, William (ca. 1528–ca. 1591) (?) Mundy, John (ca. 1555–1630) (?) Appears on: 12v Genres: BVM, Canticle, Magnificat Source Attribution: Mr Mundy Number of voices: 3
13	Exaudiat te Dominus in die tribulationis	-	White, Robert (ca. 1538–1574)
Exaudiat te Dominus in die tribulationis White, Robert (ca. 1538–1574) Appears on: 13 Genres: Motet Number of voices: 3
13	Laudamus te [Gloria]	-	Anonymous
Laudamus te [Gloria] Anonymous Appears on: 13 Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 3 General Note a short (26 breve) 3vv excerpt from the opening of a Gloria
13	Magnificat a6: (extract) Sicut erat in principio	Mr Tavvner	Taverner, John
Magnificat a6: (extract) Sicut erat in principio Taverner, John Appears on: 13 Genres: BVM, Canticle, Magnificat Source Attribution: Mr Tavvner Number of voices: 3 General Note 'Et nunc et semper' only
13v	Christe eleison (I)	-	Taverner, John
Christe eleison (I) Taverner, John Appears on: 13v Genres: Kyrie eleison, Mass Ordinary Number of voices: 3 General Note perhaps a contrafact setting?
13v	Christe eleison (II)	-	Taverner, John
Christe eleison (II) Taverner, John Appears on: 13v Genres: Kyrie eleison, Mass Ordinary Number of voices: 3 General Note perhaps a contrafact setting?
13v	Christe eleison (III)	Mr Taverner	Taverner, John
Christe eleison (III) Taverner, John Appears on: 13v Genres: Kyrie eleison, Mass Ordinary Source Attribution: Mr Taverner Number of voices: 3 General Note perhaps a contrafact setting?
13v	Miserere	-	Anonymous
Miserere Anonymous Appears on: 13v Genres: Motet Number of voices: 3
14	Miserere	-	Anonymous
Miserere Anonymous Appears on: 14 Genres: Motet Number of voices: 3
14	Alleluia. Confitemini Domino quoniam bonus	Mr Byrd	Byrd, William (ca. 1540–1623)
Alleluia. Confitemini Domino quoniam bonus Byrd, William (ca. 1540–1623) Appears on: 14 Genres: Alleluia, Motet Source Attribution: Mr Byrd Number of voices: 3
14	Alleluia	-	Anonymous
Alleluia Anonymous Appears on: 14 Genres: Alleluia Number of voices: 3
14	Osanna in excelsis	-	Taverner, John
Osanna in excelsis Taverner, John Appears on: 14 Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 3 General Note unidentified Osanna General Note unidentified Osanna setting
14v	Missa O magnum mysterium: Benedictus	Victoria	Victoria, Tomas Luis de (1548–1611)
Missa O magnum mysterium: Benedictus Victoria, Tomas Luis de (1548–1611) Appears on: 14v Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: Victoria Number of voices: 3
14v	Missa Quarti toni: Sanctus (extract: Benedictus)	Victoria	Victoria, Tomas Luis de (1548–1611)
Missa Quarti toni: Sanctus (extract: Benedictus) Victoria, Tomas Luis de (1548–1611) Appears on: 14v Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: Victoria Number of voices: 3
14v	Missa Trahe me: Sanctus (extract: Benedictus)	-	Victoria, Tomas Luis de (1548–1611)
Missa Trahe me: Sanctus (extract: Benedictus) Victoria, Tomas Luis de (1548–1611) Appears on: 14v Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 3
15	Requiem mass (4vv): viii. Libera me - 2a pars: Tremens factus sum	Victoria	Victoria, Tomas Luis de (1548–1611)
Requiem mass (4vv): viii. Libera me - 2a pars: Tremens factus sum Victoria, Tomas Luis de (1548–1611) Appears on: 15 Genres: Requiem Source Attribution: Victoria Number of voices: 3
15	Requiem mass (4vv): viii. Libera me - 3a pars: Dies illa dies irae	Victoria	Victoria, Tomas Luis de (1548–1611)
Requiem mass (4vv): viii. Libera me - 3a pars: Dies illa dies irae Victoria, Tomas Luis de (1548–1611) Appears on: 15 Genres: Requiem Source Attribution: Victoria Number of voices: 3
15	Missa Trahe me post te: Gloria (extract: Domine Deus)	Victoria	Victoria, Tomas Luis de (1548–1611)
Missa Trahe me post te: Gloria (extract: Domine Deus) Victoria, Tomas Luis de (1548–1611) Appears on: 15 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: Victoria Number of voices: 3 General Note Identified as being from the Missa Trahe me post, not the Missa Alma Redemptoris (as the DIAMM inventory previously stated), by Owen Rees (August 2025)
15	Missa Quarti toni: Kyrie (extract: Christe eleison)	Victoria	Victoria, Tomas Luis de (1548–1611)
Missa Quarti toni: Kyrie (extract: Christe eleison) Victoria, Tomas Luis de (1548–1611) Appears on: 15 Genres: Kyrie eleison, Mass Ordinary Source Attribution: Victoria Number of voices: 3
15v	Requiem mass (4vv): ii. Kyrie (extract: Christe eleison)	Victoria	Victoria, Tomas Luis de (1548–1611)
Requiem mass (4vv): ii. Kyrie (extract: Christe eleison) Victoria, Tomas Luis de (1548–1611) Appears on: 15v Genres: Requiem Source Attribution: Victoria Number of voices: 3
15v	Missa Quarti toni: Kyrie (extract: Christe eleison)	Victoria	Victoria, Tomas Luis de (1548–1611)
Missa Quarti toni: Kyrie (extract: Christe eleison) Victoria, Tomas Luis de (1548–1611) Appears on: 15v Genres: Kyrie eleison, Mass Ordinary Source Attribution: Victoria Number of voices: 3 General Note unidentified setting
15v	Requiem mass (4vv): ix. Peccantem me (extract: Deus, in nomine tuo salvum me fac)	Victoria	Victoria, Tomas Luis de (1548–1611)
Requiem mass (4vv): ix. Peccantem me (extract: Deus, in nomine tuo salvum me fac) Victoria, Tomas Luis de (1548–1611) Appears on: 15v Genres: Requiem Source Attribution: Victoria Number of voices: 3
15v–16	Missa Ascendens Christus: Agnus Dei	Victoria	Victoria, Tomas Luis de (1548–1611)
Missa Ascendens Christus: Agnus Dei Victoria, Tomas Luis de (1548–1611) Appears on: 15v–16 Genres: Agnus Dei, Mass Ordinary Source Attribution: Victoria Number of voices: 6 Copying Style 2 voice parts, S1 (verso), S2 (recto)
15v–16	Missa Vidi speciosam: Kyrie (extract: Kyrie 1)	-	Victoria, Tomas Luis de (1548–1611)
Missa Vidi speciosam: Kyrie (extract: Kyrie 1) Victoria, Tomas Luis de (1548–1611) Appears on: 15v–16 Genres: Kyrie eleison, Mass Ordinary Number of voices: 6 Copying Style 2 voice parts, S1 (verso), S2 (recto)
16	Dulcior melle	-	Anonymous
Dulcior melle Anonymous Appears on: 16 Genres: Motet Number of voices: 3
16v–17	Missa Vidi speciosam: Gloria	Victoria	Victoria, Tomas Luis de (1548–1611)
Missa Vidi speciosam: Gloria Victoria, Tomas Luis de (1548–1611) Appears on: 16v–17 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: Victoria Number of voices: 6 Copying Style 2 voice parts, S1 (verso), S2 (recto)
16v–17	Missa Vidi speciosam: Kyrie (extract: Kyrie 2)	Victoria	Victoria, Tomas Luis de (1548–1611)
Missa Vidi speciosam: Kyrie (extract: Kyrie 2) Victoria, Tomas Luis de (1548–1611) Appears on: 16v–17 Genres: Kyrie eleison, Mass Ordinary Source Attribution: Victoria Number of voices: 6 Copying Style 2 voice parts, S1 (verso), S2 (recto)
17v–18	Missa Vidi speciosam: Credo	-	Victoria, Tomas Luis de (1548–1611)
Missa Vidi speciosam: Credo Victoria, Tomas Luis de (1548–1611) Appears on: 17v–18 Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 6 Copying Style 2 voice parts, S1 (verso), S2 (recto)
18v–19	Missa Vidi speciosam: Sanctus	-	Victoria, Tomas Luis de (1548–1611)
Missa Vidi speciosam: Sanctus Victoria, Tomas Luis de (1548–1611) Appears on: 18v–19 Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 6 General Note Sanctus section only Copying Style 2 voice parts, S1 (verso), S2 (recto)
18v–19	Missa Vidi speciosam: Agnus Dei	Victoria	Victoria, Tomas Luis de (1548–1611)
Missa Vidi speciosam: Agnus Dei Victoria, Tomas Luis de (1548–1611) Appears on: 18v–19 Genres: Agnus Dei, Mass Ordinary Source Attribution: Victoria Number of voices: 6
18v–19	Missa Vidi speciosam: Sanctus (extract: Osanna 2)	-	Victoria, Tomas Luis de (1548–1611)
Missa Vidi speciosam: Sanctus (extract: Osanna 2) Victoria, Tomas Luis de (1548–1611) Appears on: 18v–19 Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 6
19v	'Anome' (In nomine?) - 1a pars (of 2)	Mr Wm Cobbold	Cobbold, William (ca. 1560–1639)
'Anome' (In nomine?) - 1a pars (of 2) Cobbold, William (ca. 1560–1639) Appears on: 19v Genres: In nomine Source Attribution: Mr Wm Cobbold Number of voices: 4 of 5
20	'Anome' (In nomine?) - 2a pars (of 2)	-	Cobbold, William (ca. 1560–1639)
'Anome' (In nomine?) - 2a pars (of 2) Cobbold, William (ca. 1560–1639) Appears on: 20 Genres: In nomine Number of voices: 4 of 5
20v	Agnus Dei	-	Victoria, Tomas Luis de (1548–1611) (?)
Agnus Dei Victoria, Tomas Luis de (1548–1611) (?) Appears on: 20v Genres: Agnus Dei, Mass Ordinary Number of voices: 4 General Note This is an unidentified setting. The inventory on DIAMM previously had this ascribed to Victoria (not sure on which authority that ascription was based). However, Owen Rees (August 2025) has pointed out that it is unattributed in the manuscript and that he has not been able to find it in the Victoria masses.
20v	Quando ...	-	Monte, Philippe de
Quando ... Monte, Philippe de Appears on: 20v Genres: Madrigal Number of voices: 4 General Note (not "Quando dagl' occhi")
20v	Misere[re]	-	Byrd, William (ca. 1540–1623)
Misere[re] Byrd, William (ca. 1540–1623) Appears on: 20v Genres: Motet Number of voices: 4 Concordances This seems to be neither the Miserere mihi nor Miserere mei setting
21	Vaults, graves and tombs	-	Anonymous
Vaults, graves and tombs Anonymous Appears on: 21 Genres: Madrigal (English) Number of voices: 4
21v	Alas I faint with dying	'Incerto' ['uncertain']	Anonymous
Alas I faint with dying Anonymous Appears on: 21v Genres: Madrigal (English) Source Attribution: 'Incerto' ['uncertain'] Number of voices: 4
22	O my heart when will thine anguish	-	Anonymous
O my heart when will thine anguish Anonymous Appears on: 22 Genres: Madrigal (English) Number of voices: 3 of 4
22v	Mi parto ah sorteria	-	Anonymous
Mi parto ah sorteria Anonymous Appears on: 22v Genres: Madrigal (Italian) Number of voices: 4
23	Chi mi consol', ay mi	-	Anonymous
Chi mi consol', ay mi Anonymous Appears on: 23 Genres: Madrigal (Italian) Number of voices: 3 of 4
23v	Amor se i bei - 1a pars (of 2): Amor se i bei rubini	Pietro Philippi	Philips, Peter (ca. 1560–1628)
Amor se i bei - 1a pars (of 2): Amor se i bei rubini Philips, Peter (ca. 1560–1628) Appears on: 23v Genres: Madrigal (Italian) Source Attribution: Pietro Philippi Number of voices: 3 of 4
24	Amor se i bei - 2a pars (of 2): Perche non posso, ahime	Pietro Phillippi Anglice	Philips, Peter (ca. 1560–1628)
Amor se i bei - 2a pars (of 2): Perche non posso, ahime Philips, Peter (ca. 1560–1628) Appears on: 24 Genres: Madrigal (Italian) Source Attribution: Pietro Phillippi Anglice Number of voices: 3 of 4
24v	Ave verum corpus	-	Byrd, William (ca. 1540–1623)
Ave verum corpus Byrd, William (ca. 1540–1623) Appears on: 24v Genres: Motet Number of voices: 4
25	[Christe qui lux es (I)] Precamur sancte Domine	Mr Whyte	White, Robert (ca. 1538–1574)
[Christe qui lux es (I)] Precamur sancte Domine White, Robert (ca. 1538–1574) Appears on: 25 Genres: Motet Source Attribution: Mr Whyte Number of voices: 4
25	Missa Ascendens Christus: Sanctus (extract: Benedictus)	Victoria	Victoria, Tomas Luis de (1548–1611)
Missa Ascendens Christus: Sanctus (extract: Benedictus) Victoria, Tomas Luis de (1548–1611) Appears on: 25 Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: Victoria Number of voices: 4
25	Missa Salve regina: Sanctus (extract: Benedictus)	-	Victoria, Tomas Luis de (1548–1611)
Missa Salve regina: Sanctus (extract: Benedictus) Victoria, Tomas Luis de (1548–1611) Appears on: 25 Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 4
25v	Missa Vidi speciosam: Sanctus (extract: Benedictus)	Victoria	Victoria, Tomas Luis de (1548–1611)
Missa Vidi speciosam: Sanctus (extract: Benedictus) Victoria, Tomas Luis de (1548–1611) Appears on: 25v Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: Victoria Number of voices: 4
25v	Missa O magnum mysterium: Sanctus	Victoria	Victoria, Tomas Luis de (1548–1611)
Missa O magnum mysterium: Sanctus Victoria, Tomas Luis de (1548–1611) Appears on: 25v Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: Victoria Number of voices: 4
25v	Missa Quarti toni: Sanctus (extract: Sanctus)	Victoria	Victoria, Tomas Luis de (1548–1611)
Missa Quarti toni: Sanctus (extract: Sanctus) Victoria, Tomas Luis de (1548–1611) Appears on: 25v Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: Victoria Number of voices: 4
26	Missa Ascendens Christus: Gloria (extract: Domine Deus)	-	Victoria, Tomas Luis de (1548–1611)
Missa Ascendens Christus: Gloria (extract: Domine Deus) Victoria, Tomas Luis de (1548–1611) Appears on: 26 Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 4
26	Missa Salve regina: Gloria (extract: Domine Deus)	-	Victoria, Tomas Luis de (1548–1611)
Missa Salve regina: Gloria (extract: Domine Deus) Victoria, Tomas Luis de (1548–1611) Appears on: 26 Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 4
26	Sicut erat (doxology of Asperges me, of the 1592 Victoria Masses collection)	Victoria	Victoria, Tomas Luis de (1548–1611)
Sicut erat (doxology of Asperges me, of the 1592 Victoria Masses collection) Victoria, Tomas Luis de (1548–1611) Appears on: 26 Genres: Antiphon, Asperges me, Doxology Source Attribution: Victoria Number of voices: 4
26	Asperges me	-	Victoria, Tomas Luis de (1548–1611)
Asperges me Victoria, Tomas Luis de (1548–1611) Appears on: 26 Genres: Antiphon Number of voices: 4 General Note first verse only
26	[Miserere mei] Secundum magnam misericordiam	Victoria	Victoria, Tomas Luis de (1548–1611)
[Miserere mei] Secundum magnam misericordiam Victoria, Tomas Luis de (1548–1611) Appears on: 26 Genres: Psalm Source Attribution: Victoria Number of voices: 4 General Note Source unidentified
26v	Vidi aquam	Victoria	Victoria, Tomas Luis de (1548–1611)
Vidi aquam Victoria, Tomas Luis de (1548–1611) Appears on: 26v Genres: Antiphon Source Attribution: Victoria Number of voices: 4 General Note first verse only
26v	Quoniam (verse of Vidi aquam)	-	Victoria, Tomas Luis de (1548–1611)
Quoniam (verse of Vidi aquam) Victoria, Tomas Luis de (1548–1611) Appears on: 26v Genres: Antiphon, Verse, Vidi aquam Number of voices: 4 General Note unidentified
26v	Sicut erat (doxology of Vidi aquam)	-	Victoria, Tomas Luis de (1548–1611)
Sicut erat (doxology of Vidi aquam) Victoria, Tomas Luis de (1548–1611) Appears on: 26v Genres: Antiphon, Doxology, Vidi aquam Number of voices: 4
26v	Missa O magnum mysterium: Kyrie	Victoria	Victoria, Tomas Luis de (1548–1611)
Missa O magnum mysterium: Kyrie Victoria, Tomas Luis de (1548–1611) Appears on: 26v Genres: Kyrie eleison, Mass Ordinary Source Attribution: Victoria Number of voices: 4 General Note complete (Kyrie-Christe-Kyrie)
27	Missa O magnum mysterium: Gloria	Victoria	Victoria, Tomas Luis de (1548–1611)
Missa O magnum mysterium: Gloria Victoria, Tomas Luis de (1548–1611) Appears on: 27 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: Victoria Number of voices: 4 General Note complete (Et in terra pax-Qui tollis)
27v	Missa Quarti toni: Gloria	Victoria	Victoria, Tomas Luis de (1548–1611)
Missa Quarti toni: Gloria Victoria, Tomas Luis de (1548–1611) Appears on: 27v Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: Victoria Number of voices: 4 General Note complete (Et in terra pax-Qui tollis)
28	Missa O magnum mysterium: Agnus Dei	Victoria	Victoria, Tomas Luis de (1548–1611)
Missa O magnum mysterium: Agnus Dei Victoria, Tomas Luis de (1548–1611) Appears on: 28 Genres: Agnus Dei, Mass Ordinary Source Attribution: Victoria Number of voices: 4 General Note with instruction "Canon ad unisonum"
28	Missa Quarti toni: Agnus Dei	Victoria	Victoria, Tomas Luis de (1548–1611)
Missa Quarti toni: Agnus Dei Victoria, Tomas Luis de (1548–1611) Appears on: 28 Genres: Agnus Dei, Mass Ordinary Source Attribution: Victoria Number of voices: 4 General Note unidentified source; with instruction "Canon ad unisonum"
28	Missa Quarti toni: Kyrie	-	Victoria, Tomas Luis de (1548–1611)
Missa Quarti toni: Kyrie Victoria, Tomas Luis de (1548–1611) Appears on: 28 Genres: Kyrie eleison, Mass Ordinary Number of voices: 4 General Note 2 Kyrie settings, source unidentified (perhaps Kyrie I & II from the same source?)
28	Missa Trahe me: Kyrie (extract: Christe eleison)	-	Victoria, Tomas Luis de (1548–1611)
Missa Trahe me: Kyrie (extract: Christe eleison) Victoria, Tomas Luis de (1548–1611) Appears on: 28 Genres: Kyrie eleison, Mass Ordinary Number of voices: 4
28v	Missa Vidi speciosam: Kyrie (extract: Christe eleison)	Victoria	Victoria, Tomas Luis de (1548–1611)
Missa Vidi speciosam: Kyrie (extract: Christe eleison) Victoria, Tomas Luis de (1548–1611) Appears on: 28v Genres: Kyrie eleison, Mass Ordinary Source Attribution: Victoria Number of voices: 4
28v	Missa Ascendens Christus: Kyrie (extract: Christe eleison)	Victoria	Victoria, Tomas Luis de (1548–1611)
Missa Ascendens Christus: Kyrie (extract: Christe eleison) Victoria, Tomas Luis de (1548–1611) Appears on: 28v Genres: Kyrie eleison, Mass Ordinary Source Attribution: Victoria Number of voices: 4
28v	Missa Salve regina: Kyrie (extract: Christe eleison)	-	Victoria, Tomas Luis de (1548–1611)
Missa Salve regina: Kyrie (extract: Christe eleison) Victoria, Tomas Luis de (1548–1611) Appears on: 28v Genres: Kyrie eleison, Mass Ordinary Number of voices: 4
28v	Missa O magnum mysterium: Sanctus (extract: Osanna)	-	Victoria, Tomas Luis de (1548–1611)
Missa O magnum mysterium: Sanctus (extract: Osanna) Victoria, Tomas Luis de (1548–1611) Appears on: 28v Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 4
28v	Missa Quarti toni: Sanctus (extract: Osanna)	-	Victoria, Tomas Luis de (1548–1611)
Missa Quarti toni: Sanctus (extract: Osanna) Victoria, Tomas Luis de (1548–1611) Appears on: 28v Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 4
29–29v	Missa O magnum mysterium: Credo	Victoria	Victoria, Tomas Luis de (1548–1611)
Missa O magnum mysterium: Credo Victoria, Tomas Luis de (1548–1611) Appears on: 29–29v Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: Victoria Number of voices: 4 General Note complete: the sections have text incipits Patrem omnipotentem-Et incarnatus est-(blank)-Amen, and each except the untexted section is attributed to Victoria
29v	Missa Salve regina: Credo (extract: Crucifixus)	Victoria	Victoria, Tomas Luis de (1548–1611)
Missa Salve regina: Credo (extract: Crucifixus) Victoria, Tomas Luis de (1548–1611) Appears on: 29v Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: Victoria Number of voices: 4
30	Missa Trahe me: Credo (extract: Crucifixus)	-	Victoria, Tomas Luis de (1548–1611)
Missa Trahe me: Credo (extract: Crucifixus) Victoria, Tomas Luis de (1548–1611) Appears on: 30 Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 4 General Note text incipit (Crucifixus), otherwise untexted except for 'non erit finis' at end
30	Missa Vidi speciosam: Credo (extract: Crucifixus)	-	Victoria, Tomas Luis de (1548–1611)
Missa Vidi speciosam: Credo (extract: Crucifixus) Victoria, Tomas Luis de (1548–1611) Appears on: 30 Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 4 General Note text incipit (Crucifixus), otherwise untexted except for 'non erit finis' at end
30v–31	Missa Quarti toni: Credo	-	Victoria, Tomas Luis de (1548–1611)
Missa Quarti toni: Credo Victoria, Tomas Luis de (1548–1611) Appears on: 30v–31 Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 4 General Note complete: text incipits fo reach section (Patrem omnipotentem with text "non erit fniis" at end; Et in spiritum sanctum; Amen)
30v	Quem visurus sum ego	-	Anonymous
Quem visurus sum ego Anonymous Appears on: 30v Genres: Motet Number of voices: 4
31	Missa Ascendens Christus: Credo (extract: Crucifixus)	-	Victoria, Tomas Luis de (1548–1611)
Missa Ascendens Christus: Credo (extract: Crucifixus) Victoria, Tomas Luis de (1548–1611) Appears on: 31 Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 4
31	Requiem mass (4vv): viii. Libera me - 5a pars: Kyrie	-	Victoria, Tomas Luis de (1548–1611)
Requiem mass (4vv): viii. Libera me - 5a pars: Kyrie Victoria, Tomas Luis de (1548–1611) Appears on: 31 Genres: Requiem Number of voices: 4 General Note 4 'Kyrie' setting on one stave; the first 2 from the end of the 'Libera me', the other 2 from the end of 'Peccantem me'
31	Requiem mass (4vv): ix. Peccantem me (extract: Kyrie)	-	Victoria, Tomas Luis de (1548–1611)
Requiem mass (4vv): ix. Peccantem me (extract: Kyrie) Victoria, Tomas Luis de (1548–1611) Appears on: 31 Genres: Requiem Number of voices: 4 General Note 4 'Amen' setting on one stave; the first 2 from the end of the 'Libera me', the other 2 from the end of 'Peccantem me'
31v	Requiem mass (4vv): i. Requiem aeternam dona eis Domine (Introit)	Victoria	Victoria, Tomas Luis de (1548–1611)
Requiem mass (4vv): i. Requiem aeternam dona eis Domine (Introit) Victoria, Tomas Luis de (1548–1611) Appears on: 31v Genres: Requiem Source Attribution: Victoria Number of voices: 4 General Note [Requiem aeternam] Dona eis Domine - Et tibi reddetur
31v	Requiem mass (4vv): iii. Requiem aeternam dona eis Domine (Gradual)	Victoria	Victoria, Tomas Luis de (1548–1611)
Requiem mass (4vv): iii. Requiem aeternam dona eis Domine (Gradual) Victoria, Tomas Luis de (1548–1611) Appears on: 31v Genres: Requiem Source Attribution: Victoria Number of voices: 4 General Note opening section only - [Requiem aeternam] Dona eis Domine; the second section is on f. 32v
31v	Requiem mass (4vv): ii. Kyrie	-	Victoria, Tomas Luis de (1548–1611)
Requiem mass (4vv): ii. Kyrie Victoria, Tomas Luis de (1548–1611) Appears on: 31v Genres: Requiem Number of voices: 4
32	Requiem mass (4vv): iv. Domine Jesu Christe, libera animas fidelium	Victoria	Victoria, Tomas Luis de (1548–1611)
Requiem mass (4vv): iv. Domine Jesu Christe, libera animas fidelium Victoria, Tomas Luis de (1548–1611) Appears on: 32 Genres: Requiem Source Attribution: Victoria Number of voices: 4
32v	Requiem mass (4vv): iii. Requiem aeternam dona eis Domine (Gradual verse)	-	Victoria, Tomas Luis de (1548–1611)
Requiem mass (4vv): iii. Requiem aeternam dona eis Domine (Gradual verse) Victoria, Tomas Luis de (1548–1611) Appears on: 32v Genres: Gradual, Requiem, Verse Number of voices: 4 General Note the second section of the gradual; the first section is on f. 31v
32v	Requiem mass (4vv): v. Sanctus & Benedictus	-	Victoria, Tomas Luis de (1548–1611)
Requiem mass (4vv): v. Sanctus & Benedictus Victoria, Tomas Luis de (1548–1611) Appears on: 32v Genres: Requiem Number of voices: 4 General Note Sanctus - Pleni - Benedictus (Osanna is not copied)
32v–33	Requiem mass (4vv): vi. Agnus Dei	-	Victoria, Tomas Luis de (1548–1611)
Requiem mass (4vv): vi. Agnus Dei Victoria, Tomas Luis de (1548–1611) Appears on: 32v–33 Genres: Requiem Number of voices: 4 General Note the 3 invocations of Agnus Dei are copied as 3 consecutive pieces titled 'Agnus' General Note the 3 invocations of Agnus Dei are copied as 3 consecutive pieces each with incipit 'Agnus Dei qui tollis'
33	Requiem mass (4vv): vii. Lux aeterna luceat eis	-	Victoria, Tomas Luis de (1548–1611)
Requiem mass (4vv): vii. Lux aeterna luceat eis Victoria, Tomas Luis de (1548–1611) Appears on: 33 Genres: Requiem Number of voices: 4 General Note Copied as two pieces with incipits 'Luceat' - 'Et lux perpetua'
33	Requiem mass (4vv): viii. Libera me - 1a pars: Libera me Domine de morte	-	Victoria, Tomas Luis de (1548–1611)
Requiem mass (4vv): viii. Libera me - 1a pars: Libera me Domine de morte Victoria, Tomas Luis de (1548–1611) Appears on: 33 Genres: Requiem Number of voices: 4
33v–34	Missa Salve regina: Kyrie	-	Victoria, Tomas Luis de (1548–1611)
Missa Salve regina: Kyrie Victoria, Tomas Luis de (1548–1611) Appears on: 33v–34 Genres: Kyrie eleison, Mass Ordinary Number of voices: 8 General Note Both Kyries are copied here; the Christe is at f. 28v Copying Style 2 voice parts copied, S1 (verso) & S2 (recto)
33v–34	Missa Salve regina: Gloria	-	Victoria, Tomas Luis de (1548–1611)
Missa Salve regina: Gloria Victoria, Tomas Luis de (1548–1611) Appears on: 33v–34 Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 8 General Note Complete (Et in terra pax - Qui tollis) with DOmine Deus at f. 28 Copying Style 2 voice parts copied, S1 (verso) & S2 (recto)
34v–35	Missa Salve regina: Credo	-	Victoria, Tomas Luis de (1548–1611)
Missa Salve regina: Credo Victoria, Tomas Luis de (1548–1611) Appears on: 34v–35 Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 8 General Note Complete - sections have text incipits only (Patrem omnipotentem - Et incarnatus - Et in spiritum sanctum) Copying Style 2 voice parts copied, S1 (verso) & S2 (recto)
35v–36	Missa Salve regina: Sanctus	-	Victoria, Tomas Luis de (1548–1611)
Missa Salve regina: Sanctus Victoria, Tomas Luis de (1548–1611) Appears on: 35v–36 Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 8 General Note Sanctus & Osanna copied (the 4vv Benedictus is at f. 25v) Copying Style 2 voice parts copied, S1 (verso) & S2 (recto)
35v–36	Missa Salve regina: Agnus Dei	Victoria	Victoria, Tomas Luis de (1548–1611)
Missa Salve regina: Agnus Dei Victoria, Tomas Luis de (1548–1611) Appears on: 35v–36 Genres: Agnus Dei, Mass Ordinary Source Attribution: Victoria Number of voices: 8 Copying Style 2 voice parts copied, S1 (verso) & S2 (recto)
35v	Requiem mass (4vv): viii. Libera me - 4a pars: Requiem aeternam	Victoria	Victoria, Tomas Luis de (1548–1611)
Requiem mass (4vv): viii. Libera me - 4a pars: Requiem aeternam Victoria, Tomas Luis de (1548–1611) Appears on: 35v Genres: Requiem Source Attribution: Victoria Number of voices: 4
35v	Requiem mass (4vv): ix. Peccantem me	Victoria	Victoria, Tomas Luis de (1548–1611)
Requiem mass (4vv): ix. Peccantem me Victoria, Tomas Luis de (1548–1611) Appears on: 35v Genres: Requiem Source Attribution: Victoria Number of voices: 4 General Note 2 sections with text incipits, Peccantem me quotidie - Quia in inferno
36	Requiem mass (4vv): ii. Kyrie (extract: final Kyrie = Kyrie IX)	Victoria	Victoria, Tomas Luis de (1548–1611)
Requiem mass (4vv): ii. Kyrie (extract: final Kyrie = Kyrie IX) Victoria, Tomas Luis de (1548–1611) Appears on: 36 Genres: Kyrie eleison, Mass Ordinary Source Attribution: Victoria Number of voices: 4 General Note source unidentified
36	Miserere mihi Domine	Mr Byrd	Byrd, William (ca. 1540–1623)
Miserere mihi Domine Byrd, William (ca. 1540–1623) Appears on: 36 Source Attribution: Mr Byrd Number of voices: 4
36v	Deus qui beatam Mariam semper virginem	-	Philips, Peter (ca. 1560–1628)
Deus qui beatam Mariam semper virginem Philips, Peter (ca. 1560–1628) Appears on: 36v Genres: Motet Number of voices: 4 of 5
37	O tell me sweet heart	-	Anonymous
O tell me sweet heart Anonymous Appears on: 37 Genres: Madrigal (English) Number of voices: 4 of 5
37v	What, shall I part thus unregarded	-	Kirbye, George
What, shall I part thus unregarded Kirbye, George Appears on: 37v Genres: Madrigal (English) Number of voices: 4 of 5
38	Phillis a herdmaid - 1a pars (of 2): Phillis, a herdmaid dainty	-	Ferrabosco, Alfonso (the elder) (1543–1588) (?)
Phillis a herdmaid - 1a pars (of 2): Phillis, a herdmaid dainty Ferrabosco, Alfonso (the elder) (1543–1588) (?) Appears on: 38 Genres: Madrigal (English) Number of voices: 4 of 5 General Note Only the 1a pars is copied here
38v	Di questa bionda e vaga treccia	Alphonsus [wrongly]/[Striggio]	Striggio, Alessandro (ca. 1536–1592)
Di questa bionda e vaga treccia Striggio, Alessandro (ca. 1536–1592) Appears on: 38v Genres: Madrigal (Italian) Source Attribution: Alphonsus [wrongly]/[Striggio] Number of voices: 4 of 5 Voice: [no designation] Languages: Italian Voice Text: Di questi hondi
38v	Ut lanterna	Gregorio Languio [Lange]	Lange, Gregor (ca. 1540–1587)
Ut lanterna Lange, Gregor (ca. 1540–1587) Appears on: 38v Genres: Motet Source Attribution: Gregorio Languio [Lange] Number of voices: 4 of 5
39	Le belle	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Le belle Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 39 Genres: Madrigal (Italian) Number of voices: 4 of 5
39	Adoramus te Christe	Mr Byrd	Byrd, William (ca. 1540–1623)
Adoramus te Christe Byrd, William (ca. 1540–1623) Appears on: 39 Genres: Gradual, Motet Source Attribution: Mr Byrd Number of voices: 4 of 5
39v	La bella	Palevicyno	Pallavicino, Benedetto
La bella Pallavicino, Benedetto Appears on: 39v Genres: Madrigal (Italian) Source Attribution: Palevicyno Number of voices: 4 of 5
40	Gaude Maria virgo	Victoria	Victoria, Tomas Luis de (1548–1611)
Gaude Maria virgo Victoria, Tomas Luis de (1548–1611) Appears on: 40 Genres: Motet Source Attribution: Victoria Number of voices: 4 of 5 General Note With instruction 'Canon in unisono'. Note: this book says the piece has 4vv, but the other books state 5vv
40	Missa Trahe me post te: Sanctus (extract: Osanna)	-	Victoria, Tomas Luis de (1548–1611)
Missa Trahe me post te: Sanctus (extract: Osanna) Victoria, Tomas Luis de (1548–1611) Appears on: 40 Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 4 of 5
40v	Missa Trahe me post te: Gloria	Victoria	Victoria, Tomas Luis de (1548–1611)
Missa Trahe me post te: Gloria Victoria, Tomas Luis de (1548–1611) Appears on: 40v Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: Victoria Number of voices: 4 of 5 General Note complete: the 2 sections have text incipits Et in terra pax - Qui tollis
40v	Missa Ascendens Christus: Sanctus (extract: Osanna)	-	Victoria, Tomas Luis de (1548–1611)
Missa Ascendens Christus: Sanctus (extract: Osanna) Victoria, Tomas Luis de (1548–1611) Appears on: 40v Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 4 of 5
41	Missa Trahe me: Sanctus (extract: Sanctus)	Victoria	Victoria, Tomas Luis de (1548–1611)
Missa Trahe me: Sanctus (extract: Sanctus) Victoria, Tomas Luis de (1548–1611) Appears on: 41 Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: Victoria Number of voices: 4 of 5
41	Missa Trahe me: Agnus Dei	-	Victoria, Tomas Luis de (1548–1611)
Missa Trahe me: Agnus Dei Victoria, Tomas Luis de (1548–1611) Appears on: 41 Genres: Agnus Dei, Mass Ordinary Number of voices: 4 of 5
41	Requiem mass (4vv): x. Credo quod redemptor	-	Victoria, Tomas Luis de (1548–1611)
Requiem mass (4vv): x. Credo quod redemptor Victoria, Tomas Luis de (1548–1611) Appears on: 41 Genres: Requiem Number of voices: 4 of 5 General Note the concluding Kyrie is copied at f. 43v (25v in Tenor)
41v	Missa Ascendens Christus: Gloria	Victoria	Victoria, Tomas Luis de (1548–1611)
Missa Ascendens Christus: Gloria Victoria, Tomas Luis de (1548–1611) Appears on: 41v Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: Victoria Number of voices: 4 of 5 General Note complete: the 2 sections have text incipits Et in terra pax & Qui tollis
41v	Missa Ascendens Christus: Kyrie	-	Victoria, Tomas Luis de (1548–1611)
Missa Ascendens Christus: Kyrie Victoria, Tomas Luis de (1548–1611) Appears on: 41v Genres: Kyrie eleison, Mass Ordinary Number of voices: 4 of 5 General Note Kyries I & II are copied here; the Christe is at f. 28v
42	Missa Ascendens Christus: Sanctus (extract: Sanctus)	-	Victoria, Tomas Luis de (1548–1611)
Missa Ascendens Christus: Sanctus (extract: Sanctus) Victoria, Tomas Luis de (1548–1611) Appears on: 42 Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 4 of 5
42–42v	Missa Trahe me: Credo	Victoria	Victoria, Tomas Luis de (1548–1611)
Missa Trahe me: Credo Victoria, Tomas Luis de (1548–1611) Appears on: 42–42v Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: Victoria Number of voices: 4 of 5 General Note complete (Patrem omnipotentem - Et incarnatus est - Et in spiritum sanctum - Amen) except for the Crucifixus which is at f. 30
42v–43	Missa Ascendens Christus: Credo	Victoria	Victoria, Tomas Luis de (1548–1611)
Missa Ascendens Christus: Credo Victoria, Tomas Luis de (1548–1611) Appears on: 42v–43 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: Victoria Number of voices: 4 of 5 General Note complete (Patrem omnipotentem - Et incarnatus est - Et in spiritum sanctum - Amen) except for the Crucifixus which is at f. 31
43–43v	Missa Trahe me: Kyrie	Ludovicus Victoria	Victoria, Tomas Luis de (1548–1611)
Missa Trahe me: Kyrie Victoria, Tomas Luis de (1548–1611) Appears on: 43–43v Genres: Kyrie eleison, Mass Ordinary Source Attribution: Ludovicus Victoria Number of voices: 4 of 5 General Note Kyrie 2 followed by Kyrie 1; the Christe is on f. 28
43v	Requiem mass (4vv): x. Credo quod redemptor (extract: Kyrie)	-	Victoria, Tomas Luis de (1548–1611)
Requiem mass (4vv): x. Credo quod redemptor (extract: Kyrie) Victoria, Tomas Luis de (1548–1611) Appears on: 43v Genres: Requiem Number of voices: 4 of 5 General Note the concluding Kyrie from the Credo quod redemptor
43v	Sub diversis speciebus	-	Cobbold, William (ca. 1560–1639)
Sub diversis speciebus Cobbold, William (ca. 1560–1639) Appears on: 43v Genres: Motet Number of voices: 4 of 5
44	Misericordias Domini	Horat: Vecchi	Vecchi, Orazio (1550–1605)
Misericordias Domini Vecchi, Orazio (1550–1605) Appears on: 44 Genres: Motet Source Attribution: Horat: Vecchi Number of voices: 4 of 5
44v–45	Fantasia a5	-	Anonymous
Fantasia a5 Anonymous Appears on: 44v–45 Genres: Fantasia Number of voices: 4 of 5
45	Sicut locutus, from a Magnificat	Mr Parsons	Parsons (I), Robert (ca. 1535–ca. 1572)
Sicut locutus, from a Magnificat Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 45 Genres: BVM, Canticle, Magnificat Source Attribution: Mr Parsons Number of voices: 4 of 5
45	The Western Wynde Mass: Agnus dei	-	Tye, Christopher (ca. 1505–ca. 1573)
The Western Wynde Mass: Agnus dei Tye, Christopher (ca. 1505–ca. 1573) Appears on: 45 Number of voices: 4 of 5
45v	Ad te suspiramus	Victoria	Victoria, Tomas Luis de (1548–1611)
Ad te suspiramus Victoria, Tomas Luis de (1548–1611) Appears on: 45v Genres: Motet Source Attribution: Victoria Number of voices: 4 of 5 General Note This does not seem to come from any of the Salve regina settings by Victoria for 5 or 6 (or 8) voices.
45v	O comme heureux j'estimerais mon coeur	Orlando	Lassus, Orlande de (ca. 1532–1594)
O comme heureux j'estimerais mon coeur Lassus, Orlande de (ca. 1532–1594) Appears on: 45v Genres: Chanson Source Attribution: Orlando Number of voices: 4 General Note Although copied among the 5vv pieces, this setting of 'O comme heureux' is for 4vv
46	Delight is dead	-	Byrd, William (ca. 1540–1623)
Delight is dead Byrd, William (ca. 1540–1623) Appears on: 46 Genres: Consort song Number of voices: 4 of 5
46v	By force I live	-	Byrd, William (ca. 1540–1623) (?)
By force I live Byrd, William (ca. 1540–1623) (?) Appears on: 46v Genres: Madrigal (English) Number of voices: 4 of 5
46v	Live long desire	-	Anonymous
Live long desire Anonymous Appears on: 46v Genres: Madrigal (English) Number of voices: 4 of 5
47	From a star	Mr Cobbold	Cobbold, William (ca. 1560–1639)
From a star Cobbold, William (ca. 1560–1639) Appears on: 47 Genres: Madrigal (English) Source Attribution: Mr Cobbold Number of voices: 4 of 5
47	See those sweet eyes - 1a pars (of 2): See, see those sweet eyes	-	Byrd, William (ca. 1540–1623)
See those sweet eyes - 1a pars (of 2): See, see those sweet eyes Byrd, William (ca. 1540–1623) Appears on: 47 Genres: Consort song Number of voices: 4 of 5 General Note The copy in Add MS 31992 has a 2a pars, not copied here
47v	Sith that the tree - 1a pars (of 2): Sith that the tree begins so soon	-	Byrd, William (ca. 1540–1623)
Sith that the tree - 1a pars (of 2): Sith that the tree begins so soon Byrd, William (ca. 1540–1623) Appears on: 47v Genres: Consort song Number of voices: 4 of 5
47v	Let fortune fail - 1a pars (of 2): Let fortune fail, virtue will stand	Mr Byrd	Byrd, William (ca. 1540–1623)
Let fortune fail - 1a pars (of 2): Let fortune fail, virtue will stand Byrd, William (ca. 1540–1623) Appears on: 47v Genres: Madrigal (English) Source Attribution: Mr Byrd Number of voices: 4 of 5
48	Let fortune fail - 2a pars (of 2): My years do seek	Mr Byrd	Byrd, William (ca. 1540–1623)
Let fortune fail - 2a pars (of 2): My years do seek Byrd, William (ca. 1540–1623) Appears on: 48 Genres: Madrigal (English) Source Attribution: Mr Byrd Number of voices: 4 of 5
48	Whom hateful harms	-	Byrd, William (ca. 1540–1623)
Whom hateful harms Byrd, William (ca. 1540–1623) Appears on: 48 Genres: Madrigal (English) Number of voices: 4 of 5
48v	Crowned with flowers - 1a pars (of 2): Crowned with flowers and lilies	-	Byrd, William (ca. 1540–1623)
Crowned with flowers - 1a pars (of 2): Crowned with flowers and lilies Byrd, William (ca. 1540–1623) Appears on: 48v Genres: Madrigal (English) Number of voices: 4 of 5
49	Crowned with flowers - 2a pars (of 2): O worthy queen	-	Byrd, William (ca. 1540–1623)
Crowned with flowers - 2a pars (of 2): O worthy queen Byrd, William (ca. 1540–1623) Appears on: 49 Genres: Madrigal (English) Number of voices: 4 of 5
49	As Caesar wept	-	Tallis, Thomas (ca. 1505–1585)
As Caesar wept Tallis, Thomas (ca. 1505–1585) Appears on: 49 Genres: Madrigal (English) Number of voices: 4 of 5
49v	List not to Sirens singing (= Chi ha cor da partire)	Alphonso [Ferrabosco]	Ferrabosco, Alfonso (the elder) (1543–1588)
List not to Sirens singing (= Chi ha cor da partire) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 49v Genres: Contrafactum, Madrigal (English) Source Attribution: Alphonso [Ferrabosco] Number of voices: 4 of 5
50	Mount, Hope, above the skies	Alphonso [Ferrabosco]/[Byrd]	Byrd, William (ca. 1540–1623)
Mount, Hope, above the skies Byrd, William (ca. 1540–1623) Appears on: 50 Genres: Madrigal (English) Source Attribution: Alphonso [Ferrabosco]/[Byrd] Number of voices: 4 of 5
50	Have mercy upon us, O Lord (5vv)	Mr Byrd	Byrd, William (ca. 1540–1623)
Have mercy upon us, O Lord (5vv) Byrd, William (ca. 1540–1623) Appears on: 50 Genres: Consort song Source Attribution: Mr Byrd Number of voices: 4 of 5
50v	The Lord is only my support	-	Byrd, William (ca. 1540–1623)
The Lord is only my support Byrd, William (ca. 1540–1623) Appears on: 50v Genres: Anthem Number of voices: 4 of 5
50v–51	O Lord to thee I make my moan	Mr Byrd	Byrd, William (ca. 1540–1623)
O Lord to thee I make my moan Byrd, William (ca. 1540–1623) Appears on: 50v–51 Genres: Anthem Source Attribution: Mr Byrd Number of voices: 4 of 5
51	O Lord bow down thy heavenly eyes	-	Byrd, William (ca. 1540–1623)
O Lord bow down thy heavenly eyes Byrd, William (ca. 1540–1623) Appears on: 51 Genres: Anthem Number of voices: 4 of 5
51v	O praise our Lord - 3a pars (of 5): Praise him on tube	-	Byrd, William (ca. 1540–1623) Ferrabosco, Alfonso (the elder) (1543–1588) (?)
O praise our Lord - 3a pars (of 5): Praise him on tube Byrd, William (ca. 1540–1623) Ferrabosco, Alfonso (the elder) (1543–1588) (?) Appears on: 51v Genres: Anthem Number of voices: 4 of 5
51v	O praise our Lord - 4a pars (of 5): The gladsome sound of silver bells	-	Ferrabosco, Alfonso (the elder) (1543–1588) (?) Byrd, William (ca. 1540–1623)
O praise our Lord - 4a pars (of 5): The gladsome sound of silver bells Ferrabosco, Alfonso (the elder) (1543–1588) (?) Byrd, William (ca. 1540–1623) Appears on: 51v Genres: Anthem Number of voices: 4 of 5
52	Laudate	-	Bianciardi, Francesco (ca. 1571–1607)
Laudate Bianciardi, Francesco (ca. 1571–1607) Appears on: 52 Genres: Motet Number of voices: 4 of 5
52v	O lux et decus Hispaniae	Victoria	Victoria, Tomas Luis de (1548–1611)
O lux et decus Hispaniae Victoria, Tomas Luis de (1548–1611) Appears on: 52v Genres: Motet Source Attribution: Victoria Number of voices: 4 of 5
52v–53	Cum beatus Ignatius - 2a pars (of 2): Ignis crux bestiae	-	Victoria, Tomas Luis de (1548–1611)
Cum beatus Ignatius - 2a pars (of 2): Ignis crux bestiae Victoria, Tomas Luis de (1548–1611) Appears on: 52v–53 Genres: Motet Number of voices: 4 of 5
53	The whitest snow (= Dolce alpestre parole)	-	Mosto, Giovanni Battista
The whitest snow (= Dolce alpestre parole) Mosto, Giovanni Battista Appears on: 53 Genres: Contrafactum, Madrigal (Italian) Number of voices: 4 of 5
53v	Penelope - 1a pars (of 2): Penelope was ever praised (= Se pur e ver)	Mr Byrd	Byrd, William (ca. 1540–1623) (?) Ferrabosco, Alfonso (the elder) (1543–1588)
Penelope - 1a pars (of 2): Penelope was ever praised (= Se pur e ver) Byrd, William (ca. 1540–1623) (?) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 53v Genres: Contrafactum, Madrigal (English) Source Attribution: Mr Byrd Number of voices: 4 of 5 General Note The music corresponds to neither of Byrd's well-known Penelope settings, 'Constant Penelope' or 'Penelope that longed for the sight'.
53v	Penelope - 2a pars (of 2): Not Cupid with his wanton wings (= Qualunqu' a quella tutto)	-	Ferrabosco, Alfonso (the elder) (1543–1588) Byrd, William (ca. 1540–1623) (?)
Penelope - 2a pars (of 2): Not Cupid with his wanton wings (= Qualunqu' a quella tutto) Ferrabosco, Alfonso (the elder) (1543–1588) Byrd, William (ca. 1540–1623) (?) Appears on: 53v Genres: Contrafactum, Madrigal (English) Number of voices: 4 of 5
53v	Non e lasso martire	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Non e lasso martire Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 53v Genres: Madrigal (Italian) Number of voices: 4 of 5
54	Lors que je voy	Philippo De monte	Monte, Philippe de
Lors que je voy Monte, Philippe de Appears on: 54 Genres: Chanson Source Attribution: Philippo De monte Number of voices: 4 of 5
54v	Pis ne me peult venir que j'ai jusques ici	-	Crecquillon, Thomas (ca. 1505–ca. 1557)
Pis ne me peult venir que j'ai jusques ici Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 54v Genres: Chanson Number of voices: 4 of 5
54v	Mars et Marte en ce monde font grand guerre	Alphonso	Ferrabosco, Alfonso (the elder) (1543–1588) (?)
Mars et Marte en ce monde font grand guerre Ferrabosco, Alfonso (the elder) (1543–1588) (?) Appears on: 54v Genres: Chanson Source Attribution: Alphonso Number of voices: 4 of 5
55–56v	The cries of London	Mr Weilkes	Weelkes, Thomas (ca. 1576–1623)
The cries of London Weelkes, Thomas (ca. 1576–1623) Appears on: 55–56v Genres: Consort song Source Attribution: Mr Weilkes Number of voices: 4 of 5
56v–58	The cry of London	-	Anonymous
The cry of London Anonymous Appears on: 56v–58 Genres: Consort song Number of voices: 4 of 5
58–58v	New fashions - 1a pars (of 4): New fashions now do bear the sway	Mr Willm. Cobbold	Cobbold, William (ca. 1560–1639)
New fashions - 1a pars (of 4): New fashions now do bear the sway Cobbold, William (ca. 1560–1639) Appears on: 58–58v Genres: Consort song Source Attribution: Mr Willm. Cobbold Number of voices: 4 of 5
58v–59	New fashions - 2a pars (of 4): Little Pegg of Ransey with the yellow hair	-	Cobbold, William (ca. 1560–1639)
New fashions - 2a pars (of 4): Little Pegg of Ransey with the yellow hair Cobbold, William (ca. 1560–1639) Appears on: 58v–59 Genres: Consort song Number of voices: 4 of 5
59–60	New fashions - 3a pars (of 4): There were three ravens sat on a tree	-	Cobbold, William (ca. 1560–1639)
New fashions - 3a pars (of 4): There were three ravens sat on a tree Cobbold, William (ca. 1560–1639) Appears on: 59–60 Genres: Consort song Number of voices: 4 of 5
59v–60	New fashions - 4a pars (of 4): What pleasures have we in this life	-	Cobbold, William (ca. 1560–1639)
New fashions - 4a pars (of 4): What pleasures have we in this life Cobbold, William (ca. 1560–1639) Appears on: 59v–60 Genres: Consort song Number of voices: 4 of 5
60v	[blank page]	-	-
[blank page] Appears on: 60v
61	For death of her	Mr Willm. Cobbold	Cobbold, William (ca. 1560–1639)
For death of her Cobbold, William (ca. 1560–1639) Appears on: 61 Genres: Consort song Source Attribution: Mr Willm. Cobbold Number of voices: 4 of 5 General Note Annotated: "Upon ye Death of Mris Mary Gascoygne. Dyeing in travell of child, an Epitaph. 19: Julye: 1588"
61v–62	Ye mortal wights ("Venus her lamentation for Adonis")	-	Cobbold, William (ca. 1560–1639)
Ye mortal wights ("Venus her lamentation for Adonis") Cobbold, William (ca. 1560–1639) Appears on: 61v–62 Genres: Consort song Number of voices: 4 of 5
62	Sighs do your part	Mr Cobbold	Cobbold, William (ca. 1560–1639)
Sighs do your part Cobbold, William (ca. 1560–1639) Appears on: 62 Genres: Consort song Source Attribution: Mr Cobbold Number of voices: 4 of 5
62v	I plunged am, poor wretch, in woe	Mr Cobbold	Cobbold, William (ca. 1560–1639)
I plunged am, poor wretch, in woe Cobbold, William (ca. 1560–1639) Appears on: 62v Genres: Consort song Source Attribution: Mr Cobbold Number of voices: 4 of 5
63	Jamyss [Jamais] amant	-	Cobbold, William (ca. 1560–1639)
Jamyss [Jamais] amant Cobbold, William (ca. 1560–1639) Appears on: 63 Genres: Consort song Number of voices: 4 of 5 General Note Alternatively, the authentic title might be "Jamie's a man"?
63	Amidst my bale I bathe in bliss	-	Cobbold, William (ca. 1560–1639)
Amidst my bale I bathe in bliss Cobbold, William (ca. 1560–1639) Appears on: 63 Genres: Consort song Number of voices: 4 of 5
63v	The haughty hearts of high aspiring minds	Mr Cobbold	Cobbold, William (ca. 1560–1639)
The haughty hearts of high aspiring minds Cobbold, William (ca. 1560–1639) Appears on: 63v Genres: Consort song Source Attribution: Mr Cobbold Number of voices: 4 of 5
63v–64	O froward fate	Mr Cobbold	Cobbold, William (ca. 1560–1639)
O froward fate Cobbold, William (ca. 1560–1639) Appears on: 63v–64 Genres: Consort song Source Attribution: Mr Cobbold Number of voices: 4 of 5
64	The rare affects that lead me to despair	-	Cobbold, William (ca. 1560–1639)
The rare affects that lead me to despair Cobbold, William (ca. 1560–1639) Appears on: 64 Genres: Consort song Number of voices: 4 of 5
64v	As Phisick's skill doth seem to ease	-	Anonymous
As Phisick's skill doth seem to ease Anonymous Appears on: 64v Genres: Consort song Number of voices: 4 of 5
65	Lamentations (I) a5 - (extract: De excelso misit ignem (from 2a pars))	-	White, Robert (ca. 1538–1574)
Lamentations (I) a5 - (extract: De excelso misit ignem (from 2a pars)) White, Robert (ca. 1538–1574) Appears on: 65 Genres: Lamentations Number of voices: 4 of 5
65v–66	Cantate Domino canticum novum	Mr Tomkins	Tomkins, John (1586–1638)
Cantate Domino canticum novum Tomkins, John (1586–1638) Appears on: 65v–66 Genres: Psalm Source Attribution: Mr Tomkins Number of voices: 4 of 5
66	Ne reminiscaris - 1a pars (of 2): Ne reminiscaris Domine	John Wilbye	Wilbye, John (1574–1638)
Ne reminiscaris - 1a pars (of 2): Ne reminiscaris Domine Wilbye, John (1574–1638) Appears on: 66 Genres: Motet Source Attribution: John Wilbye Number of voices: 4 of 5
66	Ne reminiscaris - 2a pars (of 2): Parce Domine	-	Wilbye, John (1574–1638)
Ne reminiscaris - 2a pars (of 2): Parce Domine Wilbye, John (1574–1638) Appears on: 66 Genres: Motet Number of voices: 4 of 5
66v–67v	Medley ('Miserere')	Dr. Stevenson	Stevenson, Robert
Medley ('Miserere') Stevenson, Robert Appears on: 66v–67v Genres: Consort song Source Attribution: Dr. Stevenson Number of voices: 4 of 6 General Note with incipit Miserere in some books; Tenor has at end "finis Dr Stevensons Medley". In 6 sections
67v–69v	The country cry 'God give you good morrow, sir rise'	-	Dering, Richard
The country cry 'God give you good morrow, sir rise' Dering, Richard Appears on: 67v–69v Genres: Song Number of voices: 4 of 5
70	Sacred Pan, advance thy head with golden horns	-	Patrick, Nathaniel
Sacred Pan, advance thy head with golden horns Patrick, Nathaniel Appears on: 70 Genres: Consort song Number of voices: 4 of 5
70v	O death rock me asleep	-	Anonymous
O death rock me asleep Anonymous Appears on: 70v Number of voices: 4 of 5
70v–71	Heu mihi Domine	-	Morley, Thomas (ca. 1557–1602)
Heu mihi Domine Morley, Thomas (ca. 1557–1602) Appears on: 70v–71 Genres: Motet Number of voices: 4 of 5
71v	Emendemus - 1a pars (of 2): Emendemus in melius	Mr Byrd	Byrd, William (ca. 1540–1623)
Emendemus - 1a pars (of 2): Emendemus in melius Byrd, William (ca. 1540–1623) Appears on: 71v Genres: Motet Source Attribution: Mr Byrd Number of voices: 4 of 5
71v	Emendemus - 2a pars (of 2): Adiuva nos Deus	-	Byrd, William (ca. 1540–1623)
Emendemus - 2a pars (of 2): Adiuva nos Deus Byrd, William (ca. 1540–1623) Appears on: 71v Genres: Motet Number of voices: 4 of 5

Composer	Compositions
Anonymous	A sea Nymph sate upon the shore – 3v Alas I faint with dying – 21v Alleluia – 14 As Phisick's skill doth seem to ease – 64v Chi mi consol', ay mi – 23 Dulcior melle – 16 Et in terra pax [Gloria] – 12v Fantasia a5 – 44v–45 Help me O Lord my saviour – 8v Laudamus te [Gloria] – 13 Live long desire – 46v Mi parto ah sorteria – 22v Miserere – 14 Miserere – 13v O death rock me asleep – 70v O hear ye this – 9v O my heart when will thine anguish – 22 O tell me sweet heart – 37 Ponder my words O Lord – 9 Quem visurus sum ego – 30v Sanctus – 11 The cry of London – 56v–58 Vaults, graves and tombs – 21 [No description] – 60v
Bateson, Thomas (ca. 1570-1630)	Your shining eyes and golden hair – 4
Bianciardi, Francesco (ca. 1571-1607)	Laudate – 52
Byrd, William (ca. 1540-1623)	Adoramus te Christe – 39 Alleluia. Confitemini Domino quoniam bonus – 14 Ave verum corpus – 24v (?) By force I live – 46v Crowned with flowers - 1a pars (of 2): Crowned with flowers and lilies – 48v Crowned with flowers - 2a pars (of 2): O worthy queen – 49 Delight is dead – 46 Emendemus - 1a pars (of 2): Emendemus in melius – 71v Emendemus - 2a pars (of 2): Adiuva nos Deus – 71v Have mercy upon us, O Lord (5vv) – 50 Let fortune fail - 1a pars (of 2): Let fortune fail, virtue will stand – 47v Let fortune fail - 2a pars (of 2): My years do seek – 48 Misere[re] – 20v Miserere mihi Domine – 36 Mount, Hope, above the skies – 50 O Lord bow down thy heavenly eyes – 51 O Lord to thee I make my moan – 50v–51 O praise our Lord - 3a pars (of 5): Praise him on tube – 51v O praise our Lord - 4a pars (of 5): The gladsome sound of silver bells – 51v (?) Penelope - 1a pars (of 2): Penelope was ever praised (= Se pur e ver) – 53v (?) Penelope - 2a pars (of 2): Not Cupid with his wanton wings (= Qualunqu' a quella tutto) – 53v Salvator mundi – 6v–7 See those sweet eyes - 1a pars (of 2): See, see those sweet eyes – 47 Sith that the tree - 1a pars (of 2): Sith that the tree begins so soon – 47v The Lord is only my support – 50v Whom hateful harms – 48
Cobbold, William (ca. 1560-1639)	'Anome' (In nomine?) - 1a pars (of 2) – 19v 'Anome' (In nomine?) - 2a pars (of 2) – 20 Amidst my bale I bathe in bliss – 63 For death of her – 61 From a star – 47 I plunged am, poor wretch, in woe – 62v Jamyss [Jamais] amant – 63 New fashions - 1a pars (of 4): New fashions now do bear the sway – 58–58v New fashions - 2a pars (of 4): Little Pegg of Ransey with the yellow hair – 58v–59 New fashions - 3a pars (of 4): There were three ravens sat on a tree – 59–60 New fashions - 4a pars (of 4): What pleasures have we in this life – 59v–60 O froward fate – 63v–64 Sighs do your part – 62 Sub diversis speciebus – 43v The haughty hearts of high aspiring minds – 63v The rare affects that lead me to despair – 64 Ye mortal wights ("Venus her lamentation for Adonis") – 61v–62
Crecquillon, Thomas (ca. 1505-ca. 1557)	Pis ne me peult venir que j'ai jusques ici – 54v
Dering, Richard	The country cry 'God give you good morrow, sir rise' – 67v–69v
Ferrabosco, Alfonso (the elder) (1543-1588)	Le belle – 39 List not to Sirens singing (= Chi ha cor da partire) – 49v (?) Mars et Marte en ce monde font grand guerre – 54v Non e lasso martire – 53v (?) O praise our Lord - 3a pars (of 5): Praise him on tube – 51v (?) O praise our Lord - 4a pars (of 5): The gladsome sound of silver bells – 51v Penelope - 1a pars (of 2): Penelope was ever praised (= Se pur e ver) – 53v Penelope - 2a pars (of 2): Not Cupid with his wanton wings (= Qualunqu' a quella tutto) – 53v (?) Phillis a herdmaid - 1a pars (of 2): Phillis, a herdmaid dainty – 38
Kirbye, George	What, shall I part thus unregarded – 37v
Lange, Gregor (ca. 1540-1587)	Ut lanterna – 38v
Lassus, Orlande de (ca. 1532-1594)	O comme heureux j'estimerais mon coeur – 45v
Monte, Philippe de	Lors que je voy – 54 Quando ... – 20v
Morley, Thomas (ca. 1557-1602)	Heu mihi Domine – 70v–71
Mosto, Giovanni Battista	The whitest snow (= Dolce alpestre parole) – 53
Mundy, John (ca. 1555-1630)	(?) Hear my prayer, O Lord – 8v (?) Sicut erat in principio (from a Magnificat) – 12v
Mundy, William (ca. 1528-ca. 1591)	(?) Sicut erat in principio (from a Magnificat) – 12v Vox Patris caelestis (extract: Surge propera) – 12
Pallavicino, Benedetto	La bella – 39v
Parsons (I), Robert (ca. 1535-ca. 1572)	Sicut locutus, from a Magnificat – 45
Patrick, Nathaniel	Sacred Pan, advance thy head with golden horns – 70
Philips, Peter (ca. 1560-1628)	Amor se i bei - 1a pars (of 2): Amor se i bei rubini – 23v Amor se i bei - 2a pars (of 2): Perche non posso, ahime – 24 Deus qui beatam Mariam semper virginem – 36v
Sheppard, John (ca. 1515-1558)	Agnus Dei – 11v Magnificat a6: (extract) Sicut erat in principio – 12v
Stevenson, Robert	Medley ('Miserere') – 66v–67v
Striggio, Alessandro (ca. 1536-1592)	Di questa bionda e vaga treccia – 38v
Tallis, Thomas (ca. 1505-1585)	(unidentified mass): Domine Deus rex caelestis – 10v As Caesar wept – 49 Ave mulierum sanctissima – 11v Gaude gloriosa Dei mater (extract: opening trio, Gaude gloriosa Dei mater) – 10v Rex sanctorum – 11v
Taverner, John	Benedictus (= Traditur militibus) – 10 Christe eleison (I) – 13v Christe eleison (II) – 13v Christe eleison (III) – 13v Gaude plurimum - (excerpt) Gaude plurimum salvatoris - opening trio – 10 Magnificat a6: (extract) Sicut erat in principio – 13 Osanna in excelsis – 14 Sanctus (=trio: Gaude Maria virgo divinitus, excerpt from Gaude plurimum) – 11
Tomkins, John (1586-1638)	Cantate Domino canticum novum – 65v–66
Tye, Christopher (ca. 1505-ca. 1573)	The Western Wynde Mass: Agnus dei – 45
Vecchi, Orazio (1550-1605)	Misericordias Domini – 44
Victoria, Tomas Luis de (1548-1611)	Ad te suspiramus – 45v (?) Agnus Dei – 20v Asperges me – 26 Cum beatus Ignatius - 2a pars (of 2): Ignis crux bestiae – 52v–53 Gaude Maria virgo – 40 Missa Ascendens Christus: Agnus Dei – 15v–16 Missa Ascendens Christus: Credo – 42v–43 Missa Ascendens Christus: Credo (extract: Crucifixus) – 31 Missa Ascendens Christus: Gloria – 41v Missa Ascendens Christus: Gloria (extract: Domine Deus) – 26 Missa Ascendens Christus: Kyrie – 41v Missa Ascendens Christus: Kyrie (extract: Christe eleison) – 28v Missa Ascendens Christus: Sanctus (extract: Benedictus) – 25 Missa Ascendens Christus: Sanctus (extract: Osanna) – 40v Missa Ascendens Christus: Sanctus (extract: Sanctus) – 42 Missa O magnum mysterium: Agnus Dei – 28 Missa O magnum mysterium: Benedictus – 14v Missa O magnum mysterium: Credo – 29–29v Missa O magnum mysterium: Gloria – 27 Missa O magnum mysterium: Kyrie – 26v Missa O magnum mysterium: Sanctus – 25v Missa O magnum mysterium: Sanctus (extract: Osanna) – 28v Missa Quarti toni: Agnus Dei – 28 Missa Quarti toni: Credo – 30v–31 Missa Quarti toni: Gloria – 27v Missa Quarti toni: Kyrie – 28 Missa Quarti toni: Kyrie (extract: Christe eleison) – 15v Missa Quarti toni: Kyrie (extract: Christe eleison) – 15 Missa Quarti toni: Sanctus (extract: Benedictus) – 14v Missa Quarti toni: Sanctus (extract: Osanna) – 28v Missa Quarti toni: Sanctus (extract: Sanctus) – 25v Missa Salve regina: Agnus Dei – 35v–36 Missa Salve regina: Credo – 34v–35 Missa Salve regina: Credo (extract: Crucifixus) – 29v Missa Salve regina: Gloria – 33v–34 Missa Salve regina: Gloria (extract: Domine Deus) – 26 Missa Salve regina: Kyrie – 33v–34 Missa Salve regina: Kyrie (extract: Christe eleison) – 28v Missa Salve regina: Sanctus – 35v–36 Missa Salve regina: Sanctus (extract: Benedictus) – 25 Missa Trahe me post te: Gloria – 40v Missa Trahe me post te: Gloria (extract: Domine Deus) – 15 Missa Trahe me post te: Sanctus (extract: Osanna) – 40 Missa Trahe me: Agnus Dei – 41 Missa Trahe me: Credo – 42–42v Missa Trahe me: Credo (extract: Crucifixus) – 30 Missa Trahe me: Kyrie – 43–43v Missa Trahe me: Kyrie (extract: Christe eleison) – 28 Missa Trahe me: Sanctus (extract: Benedictus) – 14v Missa Trahe me: Sanctus (extract: Sanctus) – 41 Missa Vidi speciosam: Agnus Dei – 18v–19 Missa Vidi speciosam: Credo – 17v–18 Missa Vidi speciosam: Credo (extract: Crucifixus) – 30 Missa Vidi speciosam: Gloria – 16v–17 Missa Vidi speciosam: Kyrie (extract: Christe eleison) – 28v Missa Vidi speciosam: Kyrie (extract: Kyrie 1) – 15v–16 Missa Vidi speciosam: Kyrie (extract: Kyrie 2) – 16v–17 Missa Vidi speciosam: Sanctus – 18v–19 Missa Vidi speciosam: Sanctus (extract: Benedictus) – 25v Missa Vidi speciosam: Sanctus (extract: Osanna 2) – 18v–19 O lux et decus Hispaniae – 52v Quoniam (verse of Vidi aquam) – 26v Requiem mass (4vv): i. Requiem aeternam dona eis Domine (Introit) – 31v Requiem mass (4vv): ii. Kyrie – 31v Requiem mass (4vv): ii. Kyrie (extract: Christe eleison) – 15v Requiem mass (4vv): ii. Kyrie (extract: final Kyrie = Kyrie IX) – 36 Requiem mass (4vv): iii. Requiem aeternam dona eis Domine (Gradual verse) – 32v Requiem mass (4vv): iii. Requiem aeternam dona eis Domine (Gradual) – 31v Requiem mass (4vv): iv. Domine Jesu Christe, libera animas fidelium – 32 Requiem mass (4vv): ix. Peccantem me – 35v Requiem mass (4vv): ix. Peccantem me (extract: Deus, in nomine tuo salvum me fac) – 15v Requiem mass (4vv): ix. Peccantem me (extract: Kyrie) – 31 Requiem mass (4vv): v. Sanctus & Benedictus – 32v Requiem mass (4vv): vi. Agnus Dei – 32v–33 Requiem mass (4vv): vii. Lux aeterna luceat eis – 33 Requiem mass (4vv): viii. Libera me - 1a pars: Libera me Domine de morte – 33 Requiem mass (4vv): viii. Libera me - 2a pars: Tremens factus sum – 15 Requiem mass (4vv): viii. Libera me - 3a pars: Dies illa dies irae – 15 Requiem mass (4vv): viii. Libera me - 4a pars: Requiem aeternam – 35v Requiem mass (4vv): viii. Libera me - 5a pars: Kyrie – 31 Requiem mass (4vv): x. Credo quod redemptor – 41 Requiem mass (4vv): x. Credo quod redemptor (extract: Kyrie) – 43v Sicut erat (doxology of Asperges me, of the 1592 Victoria Masses collection) – 26 Sicut erat (doxology of Vidi aquam) – 26v Vidi aquam – 26v [Miserere mei] Secundum magnam misericordiam – 26
Weelkes, Thomas (ca. 1576-1623)	Aye me! alas! hey ho!...thus doth Messalina go – 7v Cease sorrows now – 8 Come sirra Jacko fill some tobacco – 5v Four arms, two necks – 4v Late in my rash accounting – 5 O when I think what a paltry thing is a glove or a ring – 6v Some men desire spouses that come of noble houses – 7 Strike up the Tabor – 4v Tantara ran tan tan, cries Mars – 6 The cries of London – 55–56v Thus sings my dearest jewel – 5
White, Robert (ca. 1538-1574)	Exaudiat te Dominus in die tribulationis – 13 Lamentations (I) a5 - (extract: De excelso misit ignem (from 2a pars)) – 65 Manus tuae - 1a pars (of 2): Manus tuae fecerunt me – 12 [Christe qui lux es (I)] Precamur sancte Domine – 25
Wilbye, John (1574-1638)	Ne reminiscaris - 1a pars (of 2): Ne reminiscaris Domine – 66 Ne reminiscaris - 2a pars (of 2): Parce Domine – 66
Wilkinson, T(homas?)	Say, Galatea, since our coming hither – 3

Composition	Composers (? Uncertain)	Folios / Pages
'Anome' (In nomine?) - 1a pars (of 2)	Cobbold, William (ca. 1560–1639)	19v
'Anome' (In nomine?) - 2a pars (of 2)	Cobbold, William (ca. 1560–1639)	20
(unidentified mass): Domine Deus rex caelestis	Tallis, Thomas (ca. 1505–1585)	10v
[Christe qui lux es (I)] Precamur sancte Domine	White, Robert (ca. 1538–1574)	25
[Miserere mei] Secundum magnam misericordiam	Victoria, Tomas Luis de (1548–1611)	26
A sea Nymph sate upon the shore	Anonymous	3v
Ad te suspiramus	Victoria, Tomas Luis de (1548–1611)	45v
Adoramus te Christe	Byrd, William (ca. 1540–1623)	39
Agnus Dei	Sheppard, John (ca. 1515–1558)	11v
Agnus Dei	Victoria, Tomas Luis de (1548–1611) (?)	20v
Alas I faint with dying	Anonymous	21v
Alleluia	Anonymous	14
Alleluia. Confitemini Domino quoniam bonus	Byrd, William (ca. 1540–1623)	14
Amidst my bale I bathe in bliss	Cobbold, William (ca. 1560–1639)	63
Amor se i bei - 1a pars (of 2): Amor se i bei rubini	Philips, Peter (ca. 1560–1628)	23v
Amor se i bei - 2a pars (of 2): Perche non posso, ahime	Philips, Peter (ca. 1560–1628)	24
As Caesar wept	Tallis, Thomas (ca. 1505–1585)	49
As Phisick's skill doth seem to ease	Anonymous	64v
Asperges me	Victoria, Tomas Luis de (1548–1611)	26
Ave mulierum sanctissima	Tallis, Thomas (ca. 1505–1585)	11v
Ave verum corpus	Byrd, William (ca. 1540–1623)	24v
Aye me! alas! hey ho!...thus doth Messalina go	Weelkes, Thomas (ca. 1576–1623)	7v
Benedictus (= Traditur militibus)	Taverner, John	10
By force I live	Byrd, William (ca. 1540–1623) (?)	46v
Cantate Domino canticum novum	Tomkins, John (1586–1638)	65v–66
Cease sorrows now	Weelkes, Thomas (ca. 1576–1623)	8
Chi mi consol', ay mi	Anonymous	23
Christe eleison (I)	Taverner, John	13v
Christe eleison (II)	Taverner, John	13v
Christe eleison (III)	Taverner, John	13v
Come sirra Jacko fill some tobacco	Weelkes, Thomas (ca. 1576–1623)	5v
Crowned with flowers - 1a pars (of 2): Crowned with flowers and lilies	Byrd, William (ca. 1540–1623)	48v
Crowned with flowers - 2a pars (of 2): O worthy queen	Byrd, William (ca. 1540–1623)	49
Cum beatus Ignatius - 2a pars (of 2): Ignis crux bestiae	Victoria, Tomas Luis de (1548–1611)	52v–53
Delight is dead	Byrd, William (ca. 1540–1623)	46
Deus qui beatam Mariam semper virginem	Philips, Peter (ca. 1560–1628)	36v
Di questa bionda e vaga treccia	Striggio, Alessandro (ca. 1536–1592)	38v
Dulcior melle	Anonymous	16
Emendemus - 1a pars (of 2): Emendemus in melius	Byrd, William (ca. 1540–1623)	71v
Emendemus - 2a pars (of 2): Adiuva nos Deus	Byrd, William (ca. 1540–1623)	71v
Et in terra pax [Gloria]	Anonymous	12v
Exaudiat te Dominus in die tribulationis	White, Robert (ca. 1538–1574)	13
Fantasia a5	Anonymous	44v–45
For death of her	Cobbold, William (ca. 1560–1639)	61
Four arms, two necks	Weelkes, Thomas (ca. 1576–1623)	4v
From a star	Cobbold, William (ca. 1560–1639)	47
Gaude gloriosa Dei mater (extract: opening trio, Gaude gloriosa Dei mater)	Tallis, Thomas (ca. 1505–1585)	10v
Gaude Maria virgo	Victoria, Tomas Luis de (1548–1611)	40
Gaude plurimum - (excerpt) Gaude plurimum salvatoris - opening trio	Taverner, John	10
Have mercy upon us, O Lord (5vv)	Byrd, William (ca. 1540–1623)	50
Hear my prayer, O Lord	Mundy, John (ca. 1555–1630) (?)	8v
Help me O Lord my saviour	Anonymous	8v
Heu mihi Domine	Morley, Thomas (ca. 1557–1602)	70v–71
I plunged am, poor wretch, in woe	Cobbold, William (ca. 1560–1639)	62v
Jamyss [Jamais] amant	Cobbold, William (ca. 1560–1639)	63
La bella	Pallavicino, Benedetto	39v
Lamentations (I) a5 - (extract: De excelso misit ignem (from 2a pars))	White, Robert (ca. 1538–1574)	65
Late in my rash accounting	Weelkes, Thomas (ca. 1576–1623)	5
Laudamus te [Gloria]	Anonymous	13
Laudate	Bianciardi, Francesco (ca. 1571–1607)	52
Le belle	Ferrabosco, Alfonso (the elder) (1543–1588)	39
Let fortune fail - 1a pars (of 2): Let fortune fail, virtue will stand	Byrd, William (ca. 1540–1623)	47v
Let fortune fail - 2a pars (of 2): My years do seek	Byrd, William (ca. 1540–1623)	48
List not to Sirens singing (= Chi ha cor da partire)	Ferrabosco, Alfonso (the elder) (1543–1588)	49v
Live long desire	Anonymous	46v
Lors que je voy	Monte, Philippe de	54
Magnificat a6: (extract) Sicut erat in principio	Sheppard, John (ca. 1515–1558)	12v
Magnificat a6: (extract) Sicut erat in principio	Taverner, John	13
Manus tuae - 1a pars (of 2): Manus tuae fecerunt me	White, Robert (ca. 1538–1574)	12
Mars et Marte en ce monde font grand guerre	Ferrabosco, Alfonso (the elder) (1543–1588) (?)	54v
Medley ('Miserere')	Stevenson, Robert	66v–67v
Mi parto ah sorteria	Anonymous	22v
Misere[re]	Byrd, William (ca. 1540–1623)	20v
Miserere	Anonymous	13v
Miserere	Anonymous	14
Miserere mihi Domine	Byrd, William (ca. 1540–1623)	36
Misericordias Domini	Vecchi, Orazio (1550–1605)	44
Missa Ascendens Christus: Agnus Dei	Victoria, Tomas Luis de (1548–1611)	15v–16
Missa Ascendens Christus: Credo	Victoria, Tomas Luis de (1548–1611)	42v–43
Missa Ascendens Christus: Credo (extract: Crucifixus)	Victoria, Tomas Luis de (1548–1611)	31
Missa Ascendens Christus: Gloria	Victoria, Tomas Luis de (1548–1611)	41v
Missa Ascendens Christus: Gloria (extract: Domine Deus)	Victoria, Tomas Luis de (1548–1611)	26
Missa Ascendens Christus: Kyrie	Victoria, Tomas Luis de (1548–1611)	41v
Missa Ascendens Christus: Kyrie (extract: Christe eleison)	Victoria, Tomas Luis de (1548–1611)	28v
Missa Ascendens Christus: Sanctus (extract: Benedictus)	Victoria, Tomas Luis de (1548–1611)	25
Missa Ascendens Christus: Sanctus (extract: Osanna)	Victoria, Tomas Luis de (1548–1611)	40v
Missa Ascendens Christus: Sanctus (extract: Sanctus)	Victoria, Tomas Luis de (1548–1611)	42
Missa O magnum mysterium: Agnus Dei	Victoria, Tomas Luis de (1548–1611)	28
Missa O magnum mysterium: Benedictus	Victoria, Tomas Luis de (1548–1611)	14v
Missa O magnum mysterium: Credo	Victoria, Tomas Luis de (1548–1611)	29–29v
Missa O magnum mysterium: Gloria	Victoria, Tomas Luis de (1548–1611)	27
Missa O magnum mysterium: Kyrie	Victoria, Tomas Luis de (1548–1611)	26v
Missa O magnum mysterium: Sanctus	Victoria, Tomas Luis de (1548–1611)	25v
Missa O magnum mysterium: Sanctus (extract: Osanna)	Victoria, Tomas Luis de (1548–1611)	28v
Missa Quarti toni: Agnus Dei	Victoria, Tomas Luis de (1548–1611)	28
Missa Quarti toni: Credo	Victoria, Tomas Luis de (1548–1611)	30v–31
Missa Quarti toni: Gloria	Victoria, Tomas Luis de (1548–1611)	27v
Missa Quarti toni: Kyrie	Victoria, Tomas Luis de (1548–1611)	28
Missa Quarti toni: Kyrie (extract: Christe eleison)	Victoria, Tomas Luis de (1548–1611)	15
Missa Quarti toni: Kyrie (extract: Christe eleison)	Victoria, Tomas Luis de (1548–1611)	15v
Missa Quarti toni: Sanctus (extract: Benedictus)	Victoria, Tomas Luis de (1548–1611)	14v
Missa Quarti toni: Sanctus (extract: Osanna)	Victoria, Tomas Luis de (1548–1611)	28v
Missa Quarti toni: Sanctus (extract: Sanctus)	Victoria, Tomas Luis de (1548–1611)	25v
Missa Salve regina: Agnus Dei	Victoria, Tomas Luis de (1548–1611)	35v–36
Missa Salve regina: Credo	Victoria, Tomas Luis de (1548–1611)	34v–35
Missa Salve regina: Credo (extract: Crucifixus)	Victoria, Tomas Luis de (1548–1611)	29v
Missa Salve regina: Gloria	Victoria, Tomas Luis de (1548–1611)	33v–34
Missa Salve regina: Gloria (extract: Domine Deus)	Victoria, Tomas Luis de (1548–1611)	26
Missa Salve regina: Kyrie	Victoria, Tomas Luis de (1548–1611)	33v–34
Missa Salve regina: Kyrie (extract: Christe eleison)	Victoria, Tomas Luis de (1548–1611)	28v
Missa Salve regina: Sanctus	Victoria, Tomas Luis de (1548–1611)	35v–36
Missa Salve regina: Sanctus (extract: Benedictus)	Victoria, Tomas Luis de (1548–1611)	25
Missa Trahe me post te: Gloria	Victoria, Tomas Luis de (1548–1611)	40v
Missa Trahe me post te: Gloria (extract: Domine Deus)	Victoria, Tomas Luis de (1548–1611)	15
Missa Trahe me post te: Sanctus (extract: Osanna)	Victoria, Tomas Luis de (1548–1611)	40
Missa Trahe me: Agnus Dei	Victoria, Tomas Luis de (1548–1611)	41
Missa Trahe me: Credo	Victoria, Tomas Luis de (1548–1611)	42–42v
Missa Trahe me: Credo (extract: Crucifixus)	Victoria, Tomas Luis de (1548–1611)	30
Missa Trahe me: Kyrie	Victoria, Tomas Luis de (1548–1611)	43–43v
Missa Trahe me: Kyrie (extract: Christe eleison)	Victoria, Tomas Luis de (1548–1611)	28
Missa Trahe me: Sanctus (extract: Benedictus)	Victoria, Tomas Luis de (1548–1611)	14v
Missa Trahe me: Sanctus (extract: Sanctus)	Victoria, Tomas Luis de (1548–1611)	41
Missa Vidi speciosam: Agnus Dei	Victoria, Tomas Luis de (1548–1611)	18v–19
Missa Vidi speciosam: Credo	Victoria, Tomas Luis de (1548–1611)	17v–18
Missa Vidi speciosam: Credo (extract: Crucifixus)	Victoria, Tomas Luis de (1548–1611)	30
Missa Vidi speciosam: Gloria	Victoria, Tomas Luis de (1548–1611)	16v–17
Missa Vidi speciosam: Kyrie (extract: Christe eleison)	Victoria, Tomas Luis de (1548–1611)	28v
Missa Vidi speciosam: Kyrie (extract: Kyrie 1)	Victoria, Tomas Luis de (1548–1611)	15v–16
Missa Vidi speciosam: Kyrie (extract: Kyrie 2)	Victoria, Tomas Luis de (1548–1611)	16v–17
Missa Vidi speciosam: Sanctus	Victoria, Tomas Luis de (1548–1611)	18v–19
Missa Vidi speciosam: Sanctus (extract: Benedictus)	Victoria, Tomas Luis de (1548–1611)	25v
Missa Vidi speciosam: Sanctus (extract: Osanna 2)	Victoria, Tomas Luis de (1548–1611)	18v–19
Mount, Hope, above the skies	Byrd, William (ca. 1540–1623)	50
Ne reminiscaris - 1a pars (of 2): Ne reminiscaris Domine	Wilbye, John (1574–1638)	66
Ne reminiscaris - 2a pars (of 2): Parce Domine	Wilbye, John (1574–1638)	66
New fashions - 1a pars (of 4): New fashions now do bear the sway	Cobbold, William (ca. 1560–1639)	58–58v
New fashions - 2a pars (of 4): Little Pegg of Ransey with the yellow hair	Cobbold, William (ca. 1560–1639)	58v–59
New fashions - 3a pars (of 4): There were three ravens sat on a tree	Cobbold, William (ca. 1560–1639)	59–60
New fashions - 4a pars (of 4): What pleasures have we in this life	Cobbold, William (ca. 1560–1639)	59v–60
Non e lasso martire	Ferrabosco, Alfonso (the elder) (1543–1588)	53v
O comme heureux j'estimerais mon coeur	Lassus, Orlande de (ca. 1532–1594)	45v
O death rock me asleep	Anonymous	70v
O froward fate	Cobbold, William (ca. 1560–1639)	63v–64
O hear ye this	Anonymous	9v
O Lord bow down thy heavenly eyes	Byrd, William (ca. 1540–1623)	51
O Lord to thee I make my moan	Byrd, William (ca. 1540–1623)	50v–51
O lux et decus Hispaniae	Victoria, Tomas Luis de (1548–1611)	52v
O my heart when will thine anguish	Anonymous	22
O praise our Lord - 3a pars (of 5): Praise him on tube	Byrd, William (ca. 1540–1623) Ferrabosco, Alfonso (the elder) (1543–1588) (?)	51v
O praise our Lord - 4a pars (of 5): The gladsome sound of silver bells	Ferrabosco, Alfonso (the elder) (1543–1588) (?) Byrd, William (ca. 1540–1623)	51v
O tell me sweet heart	Anonymous	37
O when I think what a paltry thing is a glove or a ring	Weelkes, Thomas (ca. 1576–1623)	6v
Osanna in excelsis	Taverner, John	14
Penelope - 1a pars (of 2): Penelope was ever praised (= Se pur e ver)	Byrd, William (ca. 1540–1623) (?) Ferrabosco, Alfonso (the elder) (1543–1588)	53v
Penelope - 2a pars (of 2): Not Cupid with his wanton wings (= Qualunqu' a quella tutto)	Ferrabosco, Alfonso (the elder) (1543–1588) Byrd, William (ca. 1540–1623) (?)	53v
Phillis a herdmaid - 1a pars (of 2): Phillis, a herdmaid dainty	Ferrabosco, Alfonso (the elder) (1543–1588) (?)	38
Pis ne me peult venir que j'ai jusques ici	Crecquillon, Thomas (ca. 1505–ca. 1557)	54v
Ponder my words O Lord	Anonymous	9
Quando ...	Monte, Philippe de	20v
Quem visurus sum ego	Anonymous	30v
Quoniam (verse of Vidi aquam)	Victoria, Tomas Luis de (1548–1611)	26v
Requiem mass (4vv): i. Requiem aeternam dona eis Domine (Introit)	Victoria, Tomas Luis de (1548–1611)	31v
Requiem mass (4vv): ii. Kyrie	Victoria, Tomas Luis de (1548–1611)	31v
Requiem mass (4vv): ii. Kyrie (extract: Christe eleison)	Victoria, Tomas Luis de (1548–1611)	15v
Requiem mass (4vv): ii. Kyrie (extract: final Kyrie = Kyrie IX)	Victoria, Tomas Luis de (1548–1611)	36
Requiem mass (4vv): iii. Requiem aeternam dona eis Domine (Gradual verse)	Victoria, Tomas Luis de (1548–1611)	32v
Requiem mass (4vv): iii. Requiem aeternam dona eis Domine (Gradual)	Victoria, Tomas Luis de (1548–1611)	31v
Requiem mass (4vv): iv. Domine Jesu Christe, libera animas fidelium	Victoria, Tomas Luis de (1548–1611)	32
Requiem mass (4vv): ix. Peccantem me	Victoria, Tomas Luis de (1548–1611)	35v
Requiem mass (4vv): ix. Peccantem me (extract: Deus, in nomine tuo salvum me fac)	Victoria, Tomas Luis de (1548–1611)	15v
Requiem mass (4vv): ix. Peccantem me (extract: Kyrie)	Victoria, Tomas Luis de (1548–1611)	31
Requiem mass (4vv): v. Sanctus & Benedictus	Victoria, Tomas Luis de (1548–1611)	32v
Requiem mass (4vv): vi. Agnus Dei	Victoria, Tomas Luis de (1548–1611)	32v–33
Requiem mass (4vv): vii. Lux aeterna luceat eis	Victoria, Tomas Luis de (1548–1611)	33
Requiem mass (4vv): viii. Libera me - 1a pars: Libera me Domine de morte	Victoria, Tomas Luis de (1548–1611)	33
Requiem mass (4vv): viii. Libera me - 2a pars: Tremens factus sum	Victoria, Tomas Luis de (1548–1611)	15
Requiem mass (4vv): viii. Libera me - 3a pars: Dies illa dies irae	Victoria, Tomas Luis de (1548–1611)	15
Requiem mass (4vv): viii. Libera me - 4a pars: Requiem aeternam	Victoria, Tomas Luis de (1548–1611)	35v
Requiem mass (4vv): viii. Libera me - 5a pars: Kyrie	Victoria, Tomas Luis de (1548–1611)	31
Requiem mass (4vv): x. Credo quod redemptor	Victoria, Tomas Luis de (1548–1611)	41
Requiem mass (4vv): x. Credo quod redemptor (extract: Kyrie)	Victoria, Tomas Luis de (1548–1611)	43v
Rex sanctorum	Tallis, Thomas (ca. 1505–1585)	11v
Sacred Pan, advance thy head with golden horns	Patrick, Nathaniel	70
Salvator mundi	Byrd, William (ca. 1540–1623)	6v–7
Sanctus	Anonymous	11
Sanctus (=trio: Gaude Maria virgo divinitus, excerpt from Gaude plurimum)	Taverner, John	11
Say, Galatea, since our coming hither	Wilkinson, T(homas?)	3
See those sweet eyes - 1a pars (of 2): See, see those sweet eyes	Byrd, William (ca. 1540–1623)	47
Sicut erat (doxology of Asperges me, of the 1592 Victoria Masses collection)	Victoria, Tomas Luis de (1548–1611)	26
Sicut erat (doxology of Vidi aquam)	Victoria, Tomas Luis de (1548–1611)	26v
Sicut erat in principio (from a Magnificat)	Mundy, William (ca. 1528–ca. 1591) (?) Mundy, John (ca. 1555–1630) (?)	12v
Sicut locutus, from a Magnificat	Parsons (I), Robert (ca. 1535–ca. 1572)	45
Sighs do your part	Cobbold, William (ca. 1560–1639)	62
Sith that the tree - 1a pars (of 2): Sith that the tree begins so soon	Byrd, William (ca. 1540–1623)	47v
Some men desire spouses that come of noble houses	Weelkes, Thomas (ca. 1576–1623)	7
Strike up the Tabor	Weelkes, Thomas (ca. 1576–1623)	4v
Sub diversis speciebus	Cobbold, William (ca. 1560–1639)	43v
Tantara ran tan tan, cries Mars	Weelkes, Thomas (ca. 1576–1623)	6
The country cry 'God give you good morrow, sir rise'	Dering, Richard	67v–69v
The cries of London	Weelkes, Thomas (ca. 1576–1623)	55–56v
The cry of London	Anonymous	56v–58
The haughty hearts of high aspiring minds	Cobbold, William (ca. 1560–1639)	63v
The Lord is only my support	Byrd, William (ca. 1540–1623)	50v
The rare affects that lead me to despair	Cobbold, William (ca. 1560–1639)	64
The Western Wynde Mass: Agnus dei	Tye, Christopher (ca. 1505–ca. 1573)	45
The whitest snow (= Dolce alpestre parole)	Mosto, Giovanni Battista	53
Thus sings my dearest jewel	Weelkes, Thomas (ca. 1576–1623)	5
Ut lanterna	Lange, Gregor (ca. 1540–1587)	38v
Vaults, graves and tombs	Anonymous	21
Vidi aquam	Victoria, Tomas Luis de (1548–1611)	26v
Vox Patris caelestis (extract: Surge propera)	Mundy, William (ca. 1528–ca. 1591)	12
What, shall I part thus unregarded	Kirbye, George	37v
Whom hateful harms	Byrd, William (ca. 1540–1623)	48
Ye mortal wights ("Venus her lamentation for Adonis")	Cobbold, William (ca. 1560–1639)	61v–62
Your shining eyes and golden hair	Bateson, Thomas (ca. 1570–1630)	4

Set: MSS Additional 18936-18939

Type: Partbooks

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Set: Paston Manuscripts

Type: Linked by Origin or Contents

GB-CF MS D/DP Z6/1

GB-CF MS D/DP Z6/2

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GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Altus]

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GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Discantus]

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GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Medius]

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GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Tenor]

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GB-Lbl Add. MS 29246 (Paston MS)

GB-Lbl Add. MS 29247 (Paston MS)

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GB-Lbl Madrigal Society G. 9

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GB-Lbl Madrigal Society G. 10

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GB-Lbl Madrigal Society G. 11

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GB-Lbl Madrigal Society G. 12

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GB-Lbl Madrigal Society G. 13

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GB-Lbl Madrigal Society G. 14

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GB-Lbl Madrigal Society G. 15

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GB-Lbl Madrigal Society G. 16

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GB-Lbl Madrigal Society G. 17

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GB-Lbl Madrigal Society G. 18

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GB-Lbl Madrigal Society G. 19

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GB-Lbl Madrigal Society G. 20

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GB-Lbl Madrigal Society G. 21

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GB-Lbl Madrigal Society G. 22

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GB-Lbl Madrigal Society G. 23

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GB-Lbl Madrigal Society G. 24

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GB-Lbl Madrigal Society G. 25

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GB-Lbl Madrigal Society G. 26

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GB-Lbl Madrigal Society G. 27

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GB-Lcm MS 2035 [Altus]

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GB-Lcm MS 2035 [Bassus]

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GB-Lcm MS 2035 [Discantus]

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GB-Lcm MS 2036 [Altus]

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GB-Lcm MS 2036 [Bassus]

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GB-Lcm MS 2036 [Discantus]

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GB-Lcm MS 2041

GB-Ob MS. Tenbury 341

GB-Ob MS. Tenbury 342

GB-Ob MS. Tenbury 343

GB-Ob MS. Tenbury 344

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GB-Ob MS. Tenbury 349

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GB-Ob MS. Tenbury 350

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GB-Ob MS. Tenbury 351

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GB-Ob MS. Tenbury 352

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GB-Ob MS. Tenbury 353

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GB-Ob MS. Tenbury 354

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GB-Ob MS. Tenbury 355

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GB-Ob MS. Tenbury 356

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GB-Ob MS. Tenbury 357

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GB-Ob MS. Tenbury 358

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GB-Ob MS. Tenbury 359

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GB-Ob MS. Tenbury 360

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GB-Ob MS. Tenbury 361

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GB-Ob MS. Tenbury 362

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GB-Ob MS. Tenbury 363

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GB-Ob MS. Tenbury 369

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GB-Ob MS. Tenbury 370

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GB-Ob MS. Tenbury 371

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GB-Ob MS. Tenbury 372

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GB-Ob MS. Tenbury 373

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GB-Ob MS. Tenbury 374

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GB-Ob MS. Tenbury 375

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GB-Ob MS. Tenbury 376

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GB-Ob MS. Tenbury 377

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GB-Ob MS. Tenbury 378

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GB-Ob MS. Tenbury 1469 (Harmsworth Manuscript)

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GB-Ob MS. Tenbury 1470 (Harmsworth Manuscript)

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GB-Ob MS. Tenbury 1471 (Harmsworth Manuscript)

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US-Ws V.a. 405

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US-Ws V.a. 406

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US-Ws V.a. 407

‡ denotes primary source study

Charteris, Richard (editor). 1984. Alfonso Ferrabosco the Elder (1543-1588): Opera Omnia. Corpus mensurabilis musicae, vol. 96. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: IV,xviii-xix,150-4. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Charteris, Richard. 1984. Alfonso Ferrabosco the Elder (1543-1588): A Thematic Catalogue of his Music with a Biographical Calendar. New York. Pages: 123ff,187. Notes: contents list (partial); concordances (partial).

Charteris, Richard. 1983. The English Songs of Alfonso Ferrabosco the Elder. Studies in Music [Nedlands, Australia], 17: 79-86. Pages: 83-5. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Charteris, Richard. 1982. Newly Identified Italian Madrigals Englished. Music & Letters, 63/3: 276-280. Pages: 278. Notes: contents list (partial).

Daniel, Ralph T, and Peter Le Huray. 1972. The Sources of English Church Music 1549-1660. Early English Church Music, vol. Supplementary Volume 1. London. Pages: 60. Notes: contents list (partial); concordances (partial).

Danner, Peter Kolb. 1967. The Miserere Mihi and the English Reformation: A Study of the Evolution of a Cantus Firmus Genre in Tudor Music. Stanford University, Unpublished Ph.D. dissertation. Pages: 47, 192-3, 248. Notes: contents list (partial); transcription (partial).

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 143. Notes: contents list (partial); concordances (partial); incipits (partial).

Brett, Philip. 1965. The Songs of William Byrd. Cambridge University, Unpublished Ph.D. dissertation. Pages: 109-11, 116-22, 247-50, passim. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.

Brett, Philip. 1964-68. Edward Paston (1550-1630): A Norfolk Gentleman and His Musical Collection. Transactions of the Cambridge Bibliographical Society, 4: 51-69. Pages: 60. Notes: physical description; mention of MS; discussion.

Harrison, Frank Llewellyn (editor). 1963-. Early English Church Music. London: Stainer & Bell. Pages: XXIV.159; XXV,171; XXVIII,124,128,133-4; XXX,140-l,177, 182,193,196-7. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial).

Lamont, Herbert Harry. 1963. John Shepherd: His Life and Music. University of Southern California, Unpublished Ph.D. dissertation. Pages: I, 95-6, 221. Notes: physical description (partial); contents list (partial).

Kerman, Joseph. 1961. Byrd's Motets: Chronology and Canon. Journal of the American Musicological Society, 14: 359-82. Pages: 374, 381-2. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Hughes, Dom Anselm. 1953. Catalogue of the Musical Manuscripts at Peterhouse, Cambridge. Cambridge. Pages: I, 8, 206, 215-6, 279-80, 391-2; II, 148-9, 195; III, 225. Notes: physical description (partial); contents list.

Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music. London. Pages: XXII, 1-2, 25-9, 48-50, 102-13, 158-71, 174ff; XLIV, 3, 183. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Fellowes, Edmund H (editor). 1937-50, 1962. The Collected Works of William Byrd. Pages: XI, vi; XV, ix, 5-10, 14-6, 73-5, 81-3, 155-7, 164-5, 167ff; XVII, 108-9, 163. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Fellowes, Edmund H (editor). 1923-48. Tudor Church Music. London, Oxford et al. Pages: I, lviii; III, xv-xviii, xxi, 56-9; V, xx, xxiv; VI, xxvi, xxviii, xxxiii; IX, xii-xv, 305, 309. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial).

Madden, F. 1843-. Catalogue of Additions to the Manuscripts in the British Museum. Pages: [1848-53], 169. Notes: physical description (partial).

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Owen Rees

Tuesday, 2 September, 2025

Corrected and updated several of the inventory entries (in this and the other three partbooks of this set: Add. MS 18937, 18938, and 18939).

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description