I-TRcap MS BL [Trent 93] (Trent 93)

Biblioteca Capitolare/Museo Diocesano di Trento, Trent (Trento), Italy

manuscript of polyphony: 1450-55

Archive Biblioteca Capitolare/Museo Diocesano di Trento, Trent (Trento), Italy (I-TRcap)
Shelfmark MS BL [Trent 93] (Trent 93)
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 310 x 210 mm
Other Identifiers
  • RISM: I-TRbc 93
  • CCM: TrentM 93
  • olim (Former shelfmark): commonly referred to as MS 93 in recognition of relationship to TrentC 87-92
Copyists
External Links
Provenance
  • Italy
Contents 281 pieces from 27 composers
General Description

Composite of at least two originally separate manuscripts: Part I = ff. 1-356 (gatherings 1-30); Part II = ff. 356-383 (gatherings 31-33). Part I copied by several scribes, perhaps including Johannes Wiser, rector of cathedral school at Trent 1459-65, later chaplain to Johannes Hinderbach, Bishop of Trent 1465-86. Part II copied by two scribes. Part I contains mostly Mass Ordinary and Proper settings (Asperges, Introits, Kyries, Glorias, Credos, and Sanctus/Agnus grouped in separate sections); Part II contains hymns and miscellaneous works, with some grouping of pieces by genre. Repertory in Part I largely concordant with that in gatherings 1-24 of TrentC 90; latter probably copied from TrentM 93 (BentSC). Copied in Trent.

DIAMM, 2017
Binding

Original covers of tooled leather over wooden boards.

DIAMM, 2017
Watermark

Part I: (1) three-peaked mountain surmounted by cross (not in Briquet); (2) resembles PiccardO XII, 67-8; (3) Greek cross (not in Briquet). Part II: ox head surmounted by seven-petalled flower (not in Briquet).

DIAMM, 2017
Notation

not indicated

DIAMM, 2017
Foliation

Modern foliation, 1-382 (last folio not numbered).

DIAMM, 2017
Foliation

383 ff

DIAMM, 2017
Decoration

A few inked initials, in Gothic or calligraphic style

DIAMM, 2017
Surface

paper

DIAMM, 2017
RISM Description

RISM

Ces 7 manuscrits, dont les 6 premiers ont été révélés par Haberl en 1885 (cf. Bibliographie), tandis que le 7e ne fut découvert qu'en 1920 (R. von Ficker, in DTÖ 61 (XXXI) VIff) consituent une véritable famille indissoluble en ce qu'ils présentent tant de caractères communs qu'il semble logique d'en donner d'abord une description d'ensemble pour préciser ensuite les particularités de chacun d'eux en même temps que le dépouillement de leur contenu.

Ils fournissent un énorme répertoire en grande partie religieux, sans pour cela que la musique profane soit complètement négligée, qui va de Loqueville à Isaac et Compère, couvrant 2500ff. avec 1870 pièces environ, qui peuvent se dater entre 1420 et 1480. En 1921, R. Wolkan (cf. Bibliographie) avait émis l'opinion que ces mss. copiés à Vienne sous l'impulsion de Johann Hinderbach (né en 1418), secrétaire à la chancellerie impériale, auraient suivi celui-ci à Trente où, en 1455, il avait été nommé prévôt à la cathédrale puis porté à l'évêché en 1465. E. Wellesz va plus loin en les déclarant copiés, à Vienne d'abord puis à Trente, sur ordre de Hinderbach pour sa bibliothèque personnelle qui devait ensuite être donnée au chapitre de la cathédrale (Grove's Dictionary, 5th ed,. 1954). Cependant, comme on ne trouve dans ces mss. aucune pièce de circonstance de la vie de l'empereur Friedrich III, alors que les allusions à des personnages tridentins, même peu célèbres, y sont évidentes et que l'un des copistes Johannes Wiser occupa diverses charges à Trente de 1459 à 1490, il est logique de penser qu'ils ont plutôt été copiés, sinon tous à Trente même, du moins dans l'Italie du nord (cf. Bibliographie, Lunelli). Il est possible aussi qu'ils aient été acquis (en tout cas les plus anciens) par l'évêque de Trente Alexander Masowien, alors en relation avec Amédée VIII de Savoie pour la chapelle duquel ils auraient été copiés (cf. WardTS, p. 144). - On peut diviser ces 7 mss. en deux groupes: d'une part 87 et 92 qui sont les plus anciens, d'autre part 88, 89, 90, 91 et 93 qui sont légèrement postérieurs, 91 étant le plus récent. Le même papier et le même scribe, qui inscrit son nom Puntschucherh au bas du f. 161 du ms 87 (mais s'agit-il d'un nom? Cf. Flotzinger, Bibliographie TRbc 87) se retrouvent pour la première partie du ms. 87 (f. 1-218) et la deuxième partie du ms. 92 (f. 144-239), la relation entre les deux mss. étant de plus soulignée par le fait qu'un Kyrie de Binchois au f. 56v du ms. 87 (no 34) est accompagné d'une mention renvoyant pour l'Et in terra suivant au premier f. du ms. 92 (no 2). Ces deux mss. ont certainement été copiés avant 1450 dans l'Italie du Nord, tandis que l'on peut fixer approximativement la date de compilation des cinq autres entre 1445 et 1480, le scribe Johannes Wiser en ayant copié la plus grande partie à Trente même.

TRENTO. ARCHIVIO CAPITOLARE. Ms. 93

1450-1456. 382ff, papier 310 x 210mm. Foliotation ancienne en ch. arabes. Les ff. iv, 2, 11v, 12, 13v, 14, 19v, 20, 24, 28, 29, 41, 43v à 45, 52v, 53, 56v, 57, 62v, 63, 66v à 68v, 73v à 75, 78v à 80, 86, 87v, 88, 97v, 98, 103, 104v, 115, 116r-v, 126, 153, 161, 170, 177v, 178, 194 à 195, 198v, 199, 211v à 212v, 226, 232v à 234, 235 à 236, 243, 248, 251, 255 à 256, 260, 269r-v, 272v, 273, 276, 284v, 285, 306, 310v, 311, 320v, 341v à 343, 347, 355v sont vides. Au f. 177: Et in terra, 2 lignes de musique rayées. Notation mesurée blanche. 8 portées par p.

TRbc 93 étant pour la plus grande partie une simple copie, souvent négligente, de TRbc 90, représente l'exemple exceptionnel d'un ms. important, visiblement copié sur un ms. connu, dont il reproduit de longues suites de pièces exactement dans le même ordre. La plupart des pièces originales de TRbc 93 sont anonymes et on ne relève qu'un seul nom de compositeur: Villete (no 260). On peut d'autre part attribuer d'après d'autres sources une pièce à Ockeghem (no 265) et une à Dunstable ou Power (no 243), ce qui situe cette copie à une date voisine de TRbc 90.

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

TRENT. Museo Diocesano. MS BL (commonly but unofficially referred to as MS 93, in recognition of relationship to TrentC 87-92)

1 Mass, 5 Sanctus-Agnus pairs, 38 Kyries, 39 Glorias, 25 Credos, 15 Sanctus, 7 Agnus, 76 Mass Proper sections (1 without text), 5 Magnificats, 15 hymns, 19 motets (1 without text), 8 French secular pieces (some without text; others have additional Latin motet texts in this source), 2 German secular pieces, 2 Italian secular pieces (both fragmentary; 1 without text), 9 textless pieces (2 fragmentary) = 266 + 6 duplicates = 272

(Anglia)-1, (C. Anthony)-1, Bedingham [Benigun]-3, (Bedingham/Dunstable)-1, Benet-2 + 1?, (Benet/Dunstable)-1, (Binchois)-8, (Brassart)-8, (Brassart/Dusart)-1, (Ja. de Clibano)-1, (Cousin)-1, (Dunstable)-1 + 1?, (Dunstable/Power)-3, Dufay-20 + 4?, (Dufay/H. Lantins)-1, (Edlerawer)-1, (Forest/Plummer)-1, (Franchois)-1, (Loqueville)-1, Opilionis-1, Power [Leonell]-3, Pullois-5, (Soursby)-1, Viletti [Villete]-1, (P. Wilhelmi)-1, anon-191

383 paper folios, 310 x 210. Composite of at least two originally separate manuscripts: Part I = ff. 1-356 (gatherings 1-30); Part II = ff. 356-383 (gatherings 31-33). Modern foliation, 1-382 (last folio not numbered). Blank staves only on ff. l'-2, ll'-12, 13'-14, 19'-20, 24, 28, 29, 41, 43'-45, 52'-53, 56'-57, 62'-63, 66'-68', 73'-75, 78'-80', 86, 87'-88, 97'-98, 103, 104', 115, 116-116', 126, 153, 161, 170, 177'-178, 194-195, 198'-199, 211'-212', 226, 232'-234, 235-236, 243, 248, 251, 255-256, 260, 269-269', 272'-273, 276, 284'-285, 306, 310'-311, 320', 341'-343, 347, 355', 383-383'. Original covers of tooled leather over wooden boards. No index.

Part I copied by several scribes, perhaps including Johannes Wiser, rector of cathedral school at Trent 1459-65, later chaplain to Johannes Hinderbach, Bishop of Trent 1465-86. Part II copied by two scribes. A few inked initials, in Gothic or calligraphic style. Watermarks in Part I: (1) three-peaked mountain surmounted by cross (not in Briquet); (2) resembles PiccardO XII, 67-8; (3) Greek cross (not in Briquet). Watermark in Part II: ox head surmounted by seven-petalled flower (not in Briquet).

Part I contains mostly Mass Ordinary and Proper settings (Asperges, Introits, Kyries, Glorias, Credos, and Sanctus/Agnus grouped in separate sections); Part II contains hymns and miscellaneous works, with some grouping of pieces by genre. Repertory in Part I largely concordant with that in gatherings 1-24 of TrentC 90; latter probably copied from TrentM 93 (BentSC).

Ca. 1460. Copied in Trent.

Vol 4

Composers: Add "(Plummer?)-1"; change "anon-191" to "anon-190."

Physical: Watermarks in Part I: (1) PiccardKRE II, 463; (2) PiccardO XII, 67-8; (3) three-peaked mountain surmounted by cross. Watermarks in Part II: (1) PiccardO XIII, 39; (2) PiccardO XII, 255; (3) PiccardO XII, 254/257 (SaundersD).

Date: Ca. 1450-6 (SaundersD).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1 O rosa bella - Anonymous

O rosa bella

Anonymous
Appears on: 1
Genres: Italian secular
Voice: [no designation]
Languages: Latin
Voice Text: O rosa bella.
General Note

Ct seul' = TRbc 90 n° 293 Publ. cf. TRbc 90 n° 293

2v Asperges me Domine isopo et mundabor - Anonymous
Appears on: 2v
Genres: Asperges me, Motet
Voice: [no designation]
Languages: Latin
Voice Text: Asperges me Domine hysopo
General Note

= TRbc 90 no 3

3 Asperges me Domine isopo et mundabor - Anonymous
Appears on: 3
Genres: Asperges me, Motet
Voice: [no designation]
Languages: Latin
Voice Text: Asperges me Domine hysopo
General Note

=TRbc 90n°4

3v–4 Asperges me Domine (I) -
Appears on: 3v–4
Genres: Asperges me, Motet
4v–5 Asperges me Domine (II) -
Appears on: 4v–5
Genres: Asperges me, Motet
5v–6 Vidi aquam egredientem de templo - Anonymous
Appears on: 5v–6
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Vidi aquam egredientem
General Note

= TRbc 90 n° 7

6v–7 Vidi aquam egredientem de templo - Anonymous
Appears on: 6v–7
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Vidi aquam egredientem
General Note

= TRbc 90 n" 8

7v–8 Vidi aquam egredientem de templo - Anonymous
Appears on: 7v–8
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Vidi aquam egredientem
General Note

= TRbc 90 n" 9

8v–9v Magnificat secundi toni: Et exultavit [K.194] - Anonymous
Appears on: 8v–9v
Genres: BVM, Canticle, Magnificat
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat] et exultavit
General Note

Versets pairs = TRbc 90 n° 306

10–11 Magnificat quarti toni: Et exultavit [K.244] - Anonymous
Appears on: 10–11
Genres: BVM, Canticle, Magnificat
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat] et exultavit
General Note

Versets pairs= TRbc 90 n" 257

12v–13 Dominus dixit ad me filius meus - Anonymous
Appears on: 12v–13
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Dominus dixit ad me
General Note

= TRbc 90 n' 10

14v–15 Puer natus est nobis - Anonymous
Appears on: 14v–15
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Puer natus est nobis
General Note

= TRbc n° 11

15v–16 Puer natus est nobis - 1a pars (of 3): Puer natus est nobis -
Appears on: 15v–16
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Puer natus est nobis
General Note

= TRbc 90 n"12, TRbc 92 n" 1

16 Martinus nam pusillus - Anonymous
Appears on: 16
Genres: Cantio
Voice: [no designation]
Languages: Latin
Voice Text: Martinus nam pusillus
16v–17 Magnificat: Et exultavit spiritus meus [CHRISTOFFERUS ANTONII]
Appears on: 16v–17
Genres: BVM, Canticle, Magnificat
Source Attribution: [CHRISTOFFERUS ANTONII]
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat] et exultavit
General Note

Versets pairs = TRbc 90 n° 308

17v–18 Magnificat octavi toni: Et exultavit [K.384] - Anonymous
Appears on: 17v–18
Genres: BVM, Canticle, Magnificat
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat] et exultavit
General Note

Versets pairs = TRbc 90 n° 312

18v–19 Ecce advenit dominator Dominus - Anonymous
Appears on: 18v–19
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Ecce advenit dominator
General Note

= TRbc 90 n° 13

20v–21 Resurrexi et adhuc tecum sum - Anonymous
Appears on: 20v–21
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Resurrexi et adhuc tecum sum
General Note

= TRbc 90 n° 14

21v–22 Resurrexi et adhuc tecum sum - Anonymous
Appears on: 21v–22
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Resurrexi et adhuc tecum sum
General Note

… = TRbc 90 n° 15

22v–23 Resurrexi et adhuc tecum sum - Anonymous
Appears on: 22v–23
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Resurrexi et adhuc tecum sum
General Note

= TRbc 90 n" 16

23v Resurrexi et adhuc tecum sum - Anonymous
Appears on: 23v
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Resurrexi et adhuc tecum sum
General Note

= TRbc 90 n' 17

24v–25 Resurrexi et adhuc tecum sum - Anonymous
Appears on: 24v–25
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Resurrexi et adhuc tecum sum
General Note

… = TRbc 90 n° 19

25v–26 Resurrexi et adhuc tecum sum - Anonymous
Appears on: 25v–26
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Resurrexi et adhuc tecum sum
General Note

= TRbc 90 n° 20

26v–27 Resurrexi et adhuc tecum sum - Anonymous
Appears on: 26v–27
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Resurrexi et adhuc tecum sum
27v Domine probasti me - Anonymous

Domine probasti me

Anonymous
Appears on: 27v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Domine probasti me
28v Viri Galilaei Quid admiramini aspicientes Vs: Omnes gentes plaudite Jubilate deo - Anonymous
Appears on: 28v
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Viri Galilaei
General Note

= TRbc 90 n° 22

29v–30 Viri Galilaei Quid admiramini aspicientes Vs: Omnes gentes plaudite Jubilate deo - Anonymous
Appears on: 29v–30
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Viri Galilaei
General Note

= TRbc 90 n° 24

30v–32 Et in terra pax [Gloria] - Anonymous
Appears on: 30v–32
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Et in terra
General Note

… = TRbc 88 n» 28

32v–34 Patrem omnipotentem [Credo] - Anonymous
Appears on: 32v–34
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Credo] Patrem omnipotentem
General Note

= TRbc 88 n° 29

34v–36 Sanctus [J. BEDINGHAM]*
Appears on: 34v–36
Genres: Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: [J. BEDINGHAM]*
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus
General Note

= TRbc 88 n° 30

Concordances

*GB-Ob 30252

36v–37 Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto - Anonymous
Appears on: 36v–37
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Spiritus domini replevit
General Note

= TRbc 90 n' 25

37v–38 Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto - Anonymous
Appears on: 37v–38
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Spiritus domini replevit
General Note

= TRbc 90 n' 26

38v–39 Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto - Anonymous
Appears on: 38v–39
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Spiritus domini replevit
39v Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto - Anonymous
Appears on: 39v
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Spiritus domini replevit
General Note

= TRbc 90 tf 28

40 Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto - Anonymous
Appears on: 40
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Spiritus domini replevit
General Note

= TRbc 90 n° 29

40v Benedicta sit sancta trinitas - Anonymous
Appears on: 40v
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Benedicta sit sancta trinitas
General Note

= TRbc 90 n° 30

41v–42 Benedicta sit sancta trinitas - 1a pars (of 2): Benedicta sit sancta trinitas -
Appears on: 41v–42
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Benedicta sit sancta trinitas
General Note

= TRbc 88 n° 71, TRbc 90 n° 31Publ. cf. TRbc 88 n° 71

42v–43 Benedicta sit sancta trinitas - Anonymous
Appears on: 42v–43
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Benedicta sit sancta trinitas
General Note

= TRbc 90 n° 32

45v–46 Nos autem gloriari oportet [J. BRASSART]
Appears on: 45v–46
Genres: Introit, Proper
Source Attribution: [J. BRASSART]
Voice: [no designation]
Languages: Latin
Voice Text: Nos autem gloriari
General Note

= TRbc 90n°33Publ. cf. AOs n° 15

46v–47 Cibavit eos ex adipe - Anonymous
Appears on: 46v–47
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Cibavit eos ex adipe
General Note

= TRbc 90 n° 34

47v–48 Cibavit eos ex adipe - Anonymous
Appears on: 47v–48
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Cibavit eos ex adipe
General Note

= TRbc 90 n° 35

48v–49 Cibavit eos ex adipe [J. BRASSART]
Appears on: 48v–49
Genres: Introit, Proper
Source Attribution: [J. BRASSART]
Voice: [no designation]
Languages: Latin
Voice Text: Cibavit eos ex adipe
General Note

= TRbc 90 n° 36, TRbc 92 n° 168 Publ.cf. AOs n°10

49v–50 Terribilis est locus iste - Anonymous
Appears on: 49v–50
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Terribilis est locus iste
General Note

=TRbc 90 n°37

50v Terribilis est locus iste - Anonymous
Appears on: 50v
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Terribilis est locus iste
General Note

= TRbc 90 n°38

51 Terribilis est locus iste - Anonymous
Appears on: 51
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Terribilis est locus iste
General Note

= TRbc 90 n°39

51v–52 Terribilis est locus iste - Anonymous
Appears on: 51v–52
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Terribilis est locus iste
General Note

= TRbc no20 et 67

53v–54 Mihi autem nimis -
Appears on: 53v–54
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Mihi autem nimis
General Note

= TRbc 88 n° 77, TRbc 90 n» 41Publ. cf. TRbc 88 n° 77

54v–55 Mihi autem nimis - Anonymous

Mihi autem nimis

Anonymous
Appears on: 54v–55
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Mihi autem nimis
General Note

= TRbc 90n°42

55v–56 Mihi autem nimis - Anonymous

Mihi autem nimis

Anonymous
Appears on: 55v–56
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Mihi autem nimis
General Note

= TRbc 90 n'43

57v–58 In medio ecclesiae -
Appears on: 57v–58
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: In medio ecclesiae
General Note

= TRbc 90 n° 44, TRbc 88 n° 124 Publ. cf. TRbc 88 n° 124

58v–59 In medio ecclesiae - Anonymous

In medio ecclesiae

Anonymous
Appears on: 58v–59
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: In medio ecclesiae
General Note

= TRbc 90 n° 45

59v–60 De ventre matris meae vocavit me Dominus - Anonymous
Appears on: 59v–60
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: De ventre matris
General Note

= TRbc 90 n° 46

60v–61 De ventre matris meae vocavit me Dominus - Anonymous
Appears on: 60v–61
Genres: Introit
Voice: [no designation]
Languages: Latin
Voice Text: De ventre matris
General Note

= TRbc 90 n°47

61v–62 Nunc scio vere quia misit Dominus - Anonymous
Appears on: 61v–62
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Nunc scio vere
General Note

= TRbc 90 n° 48

63v–64 Et enim sederunt principes [Tr.1641] - Anonymous
Appears on: 63v–64
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Etenim sederunt principes
General Note

= TRbc 90 n° 49

64v Et enim sederunt principes [Tr.1641] - Anonymous
Appears on: 64v
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Etenim sederunt principes
General Note

= TRbc 90 n° 50

65 Intret in conspectu tuo - Anonymous
Appears on: 65
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Intret in conspectu tuo
General Note

= TRbc 90 n'51

65v Confessio et pulchritudo - Anonymous
Appears on: 65v
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Confessio et pulchritudo
General Note

= TRbc 90 n° 52

66 Sapientiam sanctorum narrent populi [J. BRASSART]
Appears on: 66
Genres: Introit, Proper
Source Attribution: [J. BRASSART]
Voice: [no designation]
Languages: Latin
Voice Text: Sapientiam sanctorum
General Note

= TRbc 90 n» 53 Publ. cf. AOs n° 14

69–69v Statuit ei Dominus - Anonymous

Statuit ei Dominus

Anonymous
Appears on: 69–69v
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Statuit ei dominus
General Note

= TRbc 90 n» 54

70 Statuit ei Dominus - Anonymous

Statuit ei Dominus

Anonymous
Appears on: 70
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Statuit ei dominus
General Note

= TRbc 90 n» 55

70v–71 Statuit ei Dominus - Anonymous

Statuit ei Dominus

Anonymous
Appears on: 70v–71
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Statuit ei dominus
General Note

= TRbc 90 n° 56

71v Os justi meditabitur - Anonymous
Appears on: 71v
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Os iusti meditabitur
General Note

= TRbc 90 n° 57

72 Os justi meditabitur - Anonymous
Appears on: 72
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Os iusti meditabitur
General Note

= TRbc 90 n» 58

72v–73 Magnificat primi toni [K.116] - Anonymous
Appears on: 72v–73
Genres: BVM, Magnificat
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat] Anima meo
General Note

Versets 1 à 5.

75v–76 Loquebar de testimoniis - Anonymous
Appears on: 75v–76
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Loquebar de testimoniis
General Note

= TRbc 90 n-59

76v–77 Dilexisti justitiam et odisti [J. BRASSART]
Appears on: 76v–77
Genres: Introit, Proper
Source Attribution: [J. BRASSART]
Voice: [no designation]
Languages: Latin
Voice Text: Dilexisti iustitiam
General Note

= TRbc90 tf 60Publ. cf. AOs n° 16

77v–78 Salve regina mater misericordiae - Anonymous
Appears on: 77v–78
Genres: BVM, Motet, Salve Regina
Voice: [no designation]
Languages: Latin
Voice Text: Salve regina
81 Gaudeamus omnes - 1a pars (of 2): Gaudeamus omnes in Domino - Anonymous
Appears on: 81
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Gaudeamus omnes in domino
General Note

= TRbc 90 no 61

81v–82 Gaudeamus omnes in Domino [J. SARTO]
Appears on: 81v–82
Genres: Introit, Proper
Source Attribution: [J. SARTO]
Voice: [no designation]
Languages: Latin
Voice Text: Gaudeamus omnes in domino
General Note

= TRbc 90 n° 62 Publ. cf. AOs n° 11

82v–83 Gaudeamus omnes in Domino - Anonymous
Appears on: 82v–83
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Gaudeamus omnes in domino
General Note

= TRbc 90 n- 63

83v–84 Gaudeamus omnes - 1a pars (of 2): Gaudeamus omnes in Domino - Anonymous
Appears on: 83v–84
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Gaudeamus omnes in domino
General Note

= TRbc 90 tf 64

84v–85 Rorate caeli desuper et nubes pluant Vs: Caeli enarrant gloriam Dei Et opera - Anonymous
Appears on: 84v–85
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Rorate caeli desuper
General Note

= TRbc tf 65

85v–85 v Rorate caeli desuper et nubes pluant Vs: Caeli enarrant gloriam Dei Et opera - Anonymous
Appears on: 85v–85 v
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Rorate caeli desuper
General Note

= TRbc 90 n° 66

86v–87 Vultum tuum deprecabuntur - Anonymous
Appears on: 86v–87
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Vultum tuum deprecabuntur
General Note

= TRbc 90 tf 68

88v–89 Suscepimus Deus misericordiam tuam in medio Vs: Magnus Dominus In civitate Dei nostri - Anonymous
Appears on: 88v–89
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Suscepimus deus
General Note

= TRbc 90 tf 69

89v–90 Suscepimus Deus misericordiam tuam in medio Vs: Magnus Dominus In civitate Dei nostri - Anonymous
Appears on: 89v–90
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Suscepimus deus
General Note

= TRbc 90 no 70

90v–91 Salve sancta parens [J. BRASSART]
Appears on: 90v–91
Genres: Introit, Proper
Source Attribution: [J. BRASSART]
Voice: [no designation]
Languages: Latin
Voice Text: Salve sancta parens
General Note

= TRbc 90 tf 71 Publ. cf. AOs n° 9

91v–92 Salve sancta parens (free fauxbourdon) [G. BINCHOIS]
Appears on: 91v–92
Genres: Fauxbourdon/faburden, Motet
Source Attribution: [G. BINCHOIS]
Voice: [no designation]
Languages: Latin
Voice Text: Salve sancta parens
General Note

= TRbc 90 no 72

92v Salve sancta parens - Anonymous
Appears on: 92v
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Salve sancta parens
General Note

= TRbc 90 no 73

93 Kyrie fons bonitatis - Anonymous
Appears on: 93
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie fons bonitatis
General Note

= TRbc 90 tf 74

93v–94 Kyrie 'fons bonitatis' [G. DUFAY]
Appears on: 93v–94
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [G. DUFAY]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie fons bonitatis
General Note

= TRbc 90 tf 75 Publ. cf. Bc 15 n°

Item Bibliography

Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.

94v–95 Kyrie fons bonitatis, Virginitatis amator -
Appears on: 94v–95
Genres: Mass Ordinary, Troped Kyrie
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie fons bonitatis
General Note

= TRbc tf 76

95v–96 Kyrie fons bonitatis - Anonymous
Appears on: 95v–96
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie fons bonitatis
General Note

= TRbc 90 tf 77

96v Kyrie [Tro] magne Deus potentiae - Anonymous
Appears on: 96v
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie magne Deus potentie
General Note

= TRbc 90 no 78

97 Kyrie [Tro] magne Deus potentiae - Anonymous
Appears on: 97
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie magne Deus potencie
General Note

= TRbc 90 tf 79

98v–99 Kyrie 'Cunctipotens genitor' [G. DUFAY]
Appears on: 98v–99
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [G. DUFAY]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie solempne. [Cunctipotens genitor]
General Note

= TRbc 92 n° 22 Publ. cf. AOs n° 20

99v–100 Kyrie eleison - Anonymous

Kyrie eleison

Anonymous
Appears on: 99v–100
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie
General Note

= TRbc 90 n1 80

100v–101 Missa Sancti Jacobi: Kyrie [G.DUFAY]
Appears on: 100v–101
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [G.DUFAY]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa Sancti Jacobi] Kyrie
Concordances

= TRbc 90 no 81. Publ. cf. AOs n' 18. Final chorus of each of the 3 sections in Q15 (cf Tr90)

101 Kyrie eleison - Anonymous

Kyrie eleison

Anonymous
Appears on: 101
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie
General Note

- TRbc 90 no 82Publ. cf. TRbc 90 n° 82

101v–102 Kyrie 'cunctipotens' [G. BINCHOIS]
Appears on: 101v–102
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [G. BINCHOIS]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie
General Note

= TRbc 90 n° 83 PubL. cf. Bu 2216 n° 23

102v Kyrie eleison - Anonymous

Kyrie eleison

Anonymous
Appears on: 102v
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie
General Note

= TRbc 90 n° 84

103v–104 Missa Sancti Antonii Viennensis: Kyrie [G. DUFAY]
Appears on: 103v–104
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [G. DUFAY]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa Sancti Antonii Viennensis] Kyrie
General Note

.= TRbc 90 n- 86 PubL. cf. TRbc 90 n° 86

105 Kyrie Pascale -
Appears on: 105
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Pascale. Kyrie
General Note

= TRbc 90 n° 87

105v–106 Kyrie eleison - Anonymous

Kyrie eleison

Anonymous
Appears on: 105v–106
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Greek
Voice Text: Kyrie leyson paschale
General Note

=TRbc 90 n" 88

106–106v Kyrie Lux et origo (or Pascale) [G. DUFAY]
Appears on: 106–106v
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [G. DUFAY]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie paschale [Lux et origo]
General Note

= TRbc 90 n° 89, TRbc 92 n" 18 PubL. cf. AOs n° 23

107–107v Kyrie pascale - Anonymous

Kyrie pascale

Anonymous
Appears on: 107–107v
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Greek
Voice Text: Kyrie leyson pascale
General Note

= TRbc n° 91 et 111[T différent]

107v–108 Kyrie eleison - Anonymous

Kyrie eleison

Anonymous
Appears on: 107v–108
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie
General Note

= TRbc 90 n° 109Publ. cf. TRbc 90 n° 109

108v Missa De apostolis: Kyrie [J. BRASSART]
Appears on: 108v
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [J. BRASSART]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: De appostolis. Kyrie
General Note

… TRbc 90 n° 92PubL. cf. AOs n° 21

109 Kyrie de apostolis - aliud [i.e. another] - Anonymous
Appears on: 109
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Latin, Greek
Voice Text: De apostolis. Kyrie
General Note

= TRbc 90 n° 93

109v–110 Missa De apostolis: Kyrie - Anonymous
Appears on: 109v–110
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Latin, Greek
Voice Text: De appostolis. Kyrie
General Note

= TRbc 90 n° 94

110v Missa De apostolis: Kyrie - Anonymous
Appears on: 110v
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Latin, Greek
Voice Text: De appostolis. Kyrie
General Note

= TRbc 90 n° 95

111 Missa De martiribus faubourdon: Kyrie - Anonymous
Appears on: 111
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Latin, Greek
Voice Text: De martyribus. Kyrie
General Note

= TRbc 90 n° 96

111v–112 Kyrie 'apostolorum' / 'de martyribus' [G. BINCHOIS]
Appears on: 111v–112
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [G. BINCHOIS]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: De martiribus [ou Apostolorum] Kyrie
General Note

= TRbc 90 n° 97, TRbc 87 n° 75 Publ. cf. AOs n° 22

112V–113 Kyrie De martyribus / In diebus Dominicis / Orbis factor DUFFAY
Appears on: 112V–113
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: DUFFAY
Voice: [no designation]
Languages: Latin, Greek
Voice Text: De martiribus [ou in diebus dominicis ou Orbis factor] Kyrie
General Note

= TRbc 90 n° 98, TRbc 87 n° 68,TRbc 92 n' 31Publ. cf. AOs n° 29

113v–114 Missa De confessoribus. Kyrie - Anonymous
Appears on: 113v–114
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Latin, Greek
Voice Text: De confessoribus Kyrie
General Note

= TRbc 90 n" 99

114v Kyrie eleison - Anonymous

Kyrie eleison

Anonymous
Appears on: 114v
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie
General Note

= TRbc 90 n° 100

115v Missa De virginibus. Kyrie - Anonymous
Appears on: 115v
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Latin, Greek
Voice Text: De virginibus. Kyrie
General Note

= TRbc 90 n° 101

117 Kyrie Cum Jubilo in festis B.M.V. ou De domina [G. DUFAY]
Appears on: 117
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [G. DUFAY]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie[Cum jubilo ou De domina]
General Note

= TRbc 90 n° 102, TRbc 92 n° 56 Publ. cf. Bc 15 n° 96

Item Bibliography

Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.

117v–118 Kyrie eleison - Anonymous

Kyrie eleison

Anonymous
Appears on: 117v–118
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie eleyson
General Note

= TRbc 90 n° 103

118v Kyrie eleison - Anonymous

Kyrie eleison

Anonymous
Appears on: 118v
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie
General Note

= TRbc 90 n° 104

119–119v Kyrie eleison - Anonymous

Kyrie eleison

Anonymous
Appears on: 119–119v
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie
General Note

= TRbc 90 n' 105

119v–120 Kyrie eleison (iv/19) [G. DUFAY]
Appears on: 119v–120
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [G. DUFAY]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie [pater cuncta]
General Note

Publ. cf. AOs n» 19

120v–121 Kyrie eleison - Anonymous

Kyrie eleison

Anonymous
Appears on: 120v–121
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie
General Note

= TRbc 90 n° 106

121v–122 Kyrie 'angelorum' [G. BINCHOIS]
Appears on: 121v–122
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [G. BINCHOIS]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie [Angelorum]
General Note

= TRbc 87 n" 34 et 169, TRbc 90 n' 107, TRbc 92 n' 80 PubL. cf. AOs n° 27

122v–122 Kyrie eleison - Anonymous

Kyrie eleison

Anonymous
Appears on: 122v–122
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie
General Note

= TRbc 90 n° 108, TRbc 92 n° 145PubL. cf. TRbc 90 n" 108

123v–124 Kyrie tube. Kyrie [J. COUSIN]
Appears on: 123v–124
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [J. COUSIN]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie tube. Kyrie
General Note

= TRbc 90 n" 110 Publ. cf. TRbc 90 n° 110

124v–125 Kyrie eleison PILLOYS
Appears on: 124v–125
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: PILLOYS
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie
General Note

= TRbc 87 n° 148 Publ. cf. TRbc 87 n" 148

125v Kyrie Pater cuncta [G. DUFAY]
Appears on: 125v
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [G. DUFAY]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie [Pater cuncta]
General Note

[= n° 113 avec quelques adjonctions et erreurs]Publ. cf. AOs n° 19

126v–128 Missa Caput: Et in terra pax [Gloria] [G. DUFAY]
Appears on: 126v–128
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: [G. DUFAY]
Voice: [no designation]
Languages: Latin
Voice Text: [Missa Caput. Gloria] Et in terra
General Note

T lus: Caput. = TRbc 89 n° 164, TRbc 90n°114Publ. cf. La 238 n" 3

128v–130 Missa Salve sancta parens: Et in terra pax [Gloria] - Anonymous
Appears on: 128v–130
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Missa Salve sancta parens. Gloria] Et in terra
General Note

T: Salve sancta parens. = TRbc 90 n° 115

130v–133 Missa Quem malignus spiritus: Et in terra pax [Gloria] - Anonymous
Appears on: 130v–133
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Missa Quem maligmis spiritus.Gloria] Et in terra
General Note

T: Quem malignus spiritus. = TRbc 90 n"116

133v–135 Missa Fuit homo missus a Deo: Et in terra pax [Gloria] - Anonymous
Appears on: 133v–135
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Missa Fuit homo missus a Deo. Gloria] Et in terra
General Note

T: Fuit homo missus a Deo. =TRbc 90 n"117Publ. cf. TRbc 90 n° 117

135v–138 Missa Sine nomine: Et in terra pax [Gloria] [J. PYLLOIS]
Appears on: 135v–138
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: [J. PYLLOIS]
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Et in terra
General Note

= TRbc 87 n» 149,TRbc 90 n° 118Publ. cf. TRbc 87 n° 149

138v–140 Missa O quam suavis: Et in terra pax [Gloria] - Anonymous
Appears on: 138v–140
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Missa O quam suavis. Gloria] Et in terra
General Note

= TRbc 90 n« 119

140v–142 Gloria Rex saeculorum. Et in terra [L. POWER ou J. DUNSTABLE]
Appears on: 140v–142
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: [L. POWER ou J. DUNSTABLE]
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria. Rex seculorum] Et in terra
General Note

= TRbc 90 n° 120, TRbc 92 n° 32Publ. cf. AOs n° 40

142v–144 Alma redemptoris mater (IJD22) [L. POWER]
Appears on: 142v–144
Genres: Alma redemptoris mater, BVM, Motet
Source Attribution: [L. POWER]
Voice: [no designation]
Languages: Latin
Voice Text: Alma redemptoris mater
General Note

T: ALma redemptoris. =TRbc 87 n° 3, TRbc 90 n" 121Publ. cf. AOs ii" 162

144v–146 Gloria Viri galilei. Et in terra - Anonymous
Appears on: 144v–146
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Et in terra
General Note

T: Viri Galilei. = TRbc 90 n" 122

146v–148 Et in terra pax [Gloria] [J. BENET]*
Appears on: 146v–148
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: [J. BENET]*
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Et in terra
General Note

= TRbc 90 n° 123

Concordances

*D-brd-Mbs 14274

148v–150 Et in terra pax [Gloria] [BONNET]
Appears on: 148v–150
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: [BONNET]
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Et in terra
General Note

= TRbc 90 n° 124 Publ. cf. AOs n° 155

150v–152 Gloria O preclara stella maris. Et in terra - Anonymous
Appears on: 150v–152
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Et in terra
General Note

T: O preclara stella marIS. =TRbc 90 n° 125

153v–155 Missa Jacet granum: Et in terra [Gloria] -
Appears on: 153v–155
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Et in terra
General Note

= TRbc 87 n™ 21 et 122, TRbc 90 n° 126

155v–157 Gloria Paratur nobis. Et in terra - Anonymous
Appears on: 155v–157
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Et in terra
General Note

T:Paratur nobis. = TRbc 90 n" 127

157v–159 Et in terra pax [Gloria] - Anonymous
Appears on: 157v–159
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Et in terra
General Note

= TRbc 90 n" 128

159v–160 Et in terra pax [Gloria] - Anonymous
Appears on: 159v–160
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Et in terra
General Note

= TRbc 90 n" 129 Publ. cf. TRbc 90 n° 129

161v–162 Et in terra pax [Gloria] 'ad modum tubae' DUFAY
Appears on: 161v–162
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: DUFAY
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria ad modum tubae] Et in terra pax
General Note

= TRbc 90 n° 130 Publ.cf. AOs n° 78

162v Et in terra pax [Gloria] - Anonymous
Appears on: 162v
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Et in terra
General Note

= TRbc 90 n° 131

164v–165 Et in terra pax [Gloria] - Anonymous
Appears on: 164v–165
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Et in terra
General Note

= TRbc 90 n° 132, TRbc 92 n° 189Publ. cf. TRbc 90 n° 132

165v–167 Gloria Ecce Maria - Et in terra - Anonymous
Appears on: 165v–167
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Et in terra
General Note

T: Ecce Maria genuit nos [sic] salvatorem. = TRbc 90 n° 133

167v–169v Gloria Cuius maledictione - Et in terra - Anonymous
Appears on: 167v–169v
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Et in terra
General Note

T: Cujus maledictione. = TRbc 90 n° 134

170v–171 Gloria Domine fili unigenite - Et in terra [J. DUNSTABLE]
Appears on: 170v–171
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: [J. DUNSTABLE]
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria. Domine fili unigenite] Et in terra
General Note

= TRbc n° 135, TRbc 92 n° 96 Publ. cf. TRbc 90 n° 135

171v–172 Et in terra pax [Gloria] (iv/3.1) [G. DUFAY* ouH. DE LANTINS]
Appears on: 171v–172
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: [G. DUFAY* ouH. DE LANTINS]
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Et in terra
General Note

= TRbc 90 n° 136 *GB-Ob 213Publ. cf. AOs n° 32

172v–173 Et in terra pax [Gloria] [J. FOREST* ou H. DE LANTINS]
Forest (?)
Appears on: 172v–173
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: [J. FOREST* ou H. DE LANTINS]
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Et in terra
General Note

= TRbc 90 n" 137 *D-brd-Mbs 3232

173v–175 Et in terra pax [Gloria] [L. POWER ou J. DUNSTABLE]
Appears on: 173v–175
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: [L. POWER ou J. DUNSTABLE]
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Et in terra
General Note

= TRbc 90 n° 138, TRbc 92 n° 6Publ. cf. AOs n» 195

175v–176v Et in terra pax [Gloria] [J. BRASSART]
Appears on: 175v–176v
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: [J. BRASSART]
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Et in terra
General Note

= TRbc 90 n° 139Publ. cf. AOs n" 43

177–178 Et in terra pax [Gloria] -
Appears on: 177–178
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: incomplete
178v–179 Gloria-Credo 'Herdo': Gloria - Anonymous
Appears on: 178v–179
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Et in terra
General Note

T: Herdo herdo herdo. = TRbc 90 n° 140

179v–181 Gloria Alma redemptoris mater - Et in terra - Anonymous
Appears on: 179v–181
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Et in terra
General Note

T: Alma redemptoris mater que per via céli porta. = TRbc 90 n"141

182–183 Et in terra pax [Gloria] 'Spiritus et alme' [G. DUFAY]
Appears on: 182–183
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: [G. DUFAY]
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Et in terra
General Note

= TRbc 90 n"142,TRbc 92 n° 57Publ. cf. Bc 15 n" 136

183v–185 Gloria Spiritus alme - Anonymous
Appears on: 183v–185
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Et in terra
General Note

Tr: Spiritus et alme … = TRbc 90 n° 143

185v–187 Et in terra pax [Gloria] (6vv) - Anonymous
Appears on: 185v–187
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Et in terra
General Note

= TRbc 90 n° 144 Publ. cf. TRbc 90 n" 144

187v–188v Et in terra pax [Gloria] - Anonymous
Appears on: 187v–188v
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Et in terra
General Note

= TRbc 90 n" 145

189 Et in terra pax [Gloria] - Anonymous
Appears on: 189
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Et in terra
General Note

= TRbc 90 n' 146 Publ. cf. TRbc 90 n» 146

189v–191 Gloria-Credo pair 'Dixerunt discipuli': Gloria - Anonymous
Appears on: 189v–191
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Et in terra
General Note

T: Dixerunt discipuli. = TRbc 90 n° 147

191v–193v Gloria-Credo pair 'O patris sapientia': Gloria - Anonymous
Appears on: 191v–193v
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Et in terra
General Note

T: O patris sapientia veritas divina.= TRbc 90 n» 148

195v–197 Et in terra pax [Gloria] - Anonymous
Appears on: 195v–197
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Et in terra
General Note

= TRbc 90 n" 149

197v–198 Missa sine nomine (Resvelliés vous): Et in terra pax [Gloria] [G. DUFAY]
Appears on: 197v–198
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: [G. DUFAY]
Voice: [no designation]
Languages: Latin
Voice Text: [Missa sine nomine.Gloria] Et in terra
General Note

Incomplete & largely untexted; lacks 'Qui sedes' to end. = TRbc 90 n° 150, TRbc 92 n° 117 Publ. cf. AOs n" 34

199v–201 Et in terra pax [Gloria] [J. COUSIN]
Appears on: 199v–201
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: [J. COUSIN]
Voice: [no designation]
Languages: Latin
Voice Text: Et in terra tube. [Gloria] Et in terra
General Note

= TRbc 90 n° 341 Publ. cf. TRbc 90 n" 341

201v–203 Concentu parili - Anonymous

Concentu parili

Anonymous
Appears on: 201v–203
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Concentu parili
203v–204v Congaudent angelorum chori - Anonymous
Appears on: 203v–204v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Congaudent angelorum chori
General Note

T: Congaudent angelorum faburt[on] . .

205–206 Congaudent angelorum chori - Anonymous
Appears on: 205–206
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Congaudent angelorum chori
206v–207 Venerantes hanc diem preclaram - Anonymous
Appears on: 206v–207
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Venerantes hanc diem preclaram
207v–208 Verbum bonum personemus illud ave - Anonymous
Appears on: 207v–208
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: [Verbum bonum] personemus illud ave
208v–210 Ave preclara maris stella - Anonymous
Appears on: 208v–210
Genres: Ave maris stella, BVM, Motet
Voice: [no designation]
Languages: Latin
Voice Text: Ave preclara maris stella
210v–211 Et in terra pax [Gloria] - Anonymous
Appears on: 210v–211
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Et in terra
General Note

= TRbc 90 n" 151

213 Grates nunc omnes - Anonymous

Grates nunc omnes

Anonymous
Appears on: 213
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Grates nunc omnes
213v–214 Eya recolamus huius diei carmina - Anonymous
Appears on: 213v–214
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: [Eya recolamus] huius diei carmina
214v–216 Missa Sine nomine: Et in terra pax [Gloria] PYLOIS
Appears on: 214v–216
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: PYLOIS
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Et in terra
General Note

=TRbc 87 n" 149,TRbc 90 n° 118Publ. cf. TRbc 87 n° 149

216v–217 Victimae paschali laudes immolent Christiani Agnus redemit oves Christus innocens - Anonymous
Appears on: 216v–217
Genres: Sequence
Voice: [no designation]
Languages: Latin
Voice Text: Victime pascali laudes
217v–218 Victimae paschali laudes immolent Christiani Agnus redemit oves Christus innocens - Anonymous
Appears on: 217v–218
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Victime pascali laudes
218v–219 untexted - -
Appears on: 218v–219
Genres: textless
Voice: [no designation]
Languages: none
Voice Text: without text
219v–220 Mundi renovacio nova parit gaudia - Anonymous
Appears on: 219v–220
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Mundi renovacio nova parit gaudia
220v–221 Summi triumphum regis prosequamur laude Qui caeli qui terre regit sceptra - Anonymous
Appears on: 220v–221
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: [Summi triumphum regis] Qui celi
221v–223 Sancti spiritus assit nobis gratia - Anonymous
Appears on: 221v–223
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: [Sancti spiritus assit nobis gratia]
General Note

= TRbc 92 n° 29Attrib. à G. Dufay parCh.Hamm (cf. Bibliogr.)

223v–225v Missa Sine nomine: Patrem omnipotentem [Credo] PYLOIS
Appears on: 223v–225v
Genres: Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: PYLOIS
Voice: [no designation]
Languages: Latin
Voice Text: [Credo] Patrem
Concordances

This version transposed to F; also at 245v-247v, a third lower (in D)

226v–230 Lauda Sion salvatorem - Anonymous
Appears on: 226v–230
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Lauda Syon salvatorem
230v–232 Lauda Sion salvatorem [G. DUFAY]
Appears on: 230v–232
Genres: Sequence
Source Attribution: [G. DUFAY]
Voice: [no designation]
Languages: Latin
Voice Text: [Lauda Sion] Quantum potes tantum gaude
General Note

= TRbc 92 n° 87 Publ. cf. TRbc 92 n° 87

234v Patrem omnipotentem [Credo] [G. DUFAY]
Appears on: 234v
Genres: Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: [G. DUFAY]
Voice: [no designation]
Languages: Latin
Voice Text: no text [Credo]
General Note

Sup. et T seul' = TRbc87 n" 184, TRbc 90 n» 165Publ. cf. AOs n° 33

236v–238 Missa Caput: Patrem omnipotentem [Credo] [G. DUFAY]
Appears on: 236v–238
Genres: Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: [G. DUFAY]
Voice: [no designation]
Languages: Latin
Voice Text: [Missa Caput. Credo] Patrem
General Note

T: Caput. =TRbc 89 n" 165, TRbc 90 n°152Publ. cf. La 238 n° 3

238v–240 Missa Salve sancta parens: Patrem omnipotentem [Credo] - Anonymous
Appears on: 238v–240
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Missa Salve sancta parens. Credo] Patrem[Salve] sancta parens.
General Note

T: [Salve] sancta parens. = TRbc 90 n° 153

240v–242v Missa Quem malignus spiritus: Patrem omnipotentem [Credo] - Anonymous
Appears on: 240v–242v
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Missa Quem malignus spiritus. Credo] Patrem
General Note

T: Quem malignus spiritus. = TRbc 90 n°154

243v–245 Missa Fuit homo missus a Deo: Patrem omnipotentem [Credo] - Anonymous
Appears on: 243v–245
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Missa Fuit homo missus a Deo. Credo]Patrem
General Note

T: Fuit homo. = TRbc 90 n° 155 Publ. cf. TRbc 90 n° 155

245v–247v Missa Sine nomine: Patrem omnipotentem [Credo] [PYLOIS]
Appears on: 245v–247v
Genres: Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: [PYLOIS]
Voice: [no designation]
Languages: Latin
Voice Text: [Credo] Patrem
General Note

= TRbc 87 n°150, TRbc 90 n° 176 Publ. cf. TRbc 87 n° 150 also at 223v-225v, a third higher

248v–250v Missa O quam suavis: Patrem omnipotentem [Credo] - Anonymous
Appears on: 248v–250v
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Missa O quam suavis.Credo] Patrem
General Note

T: O quam suavis es. = TRbc 90 n° 157

251v–254 Patrem omnipotentem [Credo] [J. BRASSART]
Appears on: 251v–254
Genres: Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: [J. BRASSART]
Voice: [no designation]
Languages: Latin
Voice Text: [Credo] Patrem
General Note

= TRbc 90 n° 158 Publ. cf. AOs n° 41

254v Patrem omnipotentem [Credo] 'Alma redemptoris' [J. DE GEMBLACO]
Appears on: 254v
Genres: Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: [J. DE GEMBLACO]
Voice: [no designation]
Languages: Latin
Voice Text: [Credo Alma redemptoris]
General Note

Inach.

256v–258 Patrem omnipotentem [Credo] - Anonymous
Appears on: 256v–258
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Credo] Patrem
General Note

= TRbc 90 n° 159

258v–259v Patrem omnipotentem [Credo] [J. BENET]*
Appears on: 258v–259v
Genres: Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: [J. BENET]*
Voice: [no designation]
Languages: Latin
Voice Text: [Credo] Patrem
General Note

= TRbc 90 n° 160

Concordances

*D-brd-Mbs 14274

260v–263 Patrem omnipotentem [Credo] (iv/5) [G. DUFAY]
Appears on: 260v–263
Genres: Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: [G. DUFAY]
Voice: [no designation]
Languages: Latin
Voice Text: [Credo] Patrem
General Note

… = TRbc 87 n" 9, TRbc90 n° 161, TRbc 92 n° 13 Publ. cf. AOs n' 84

263v–265 Patrem omnipotentem [Credo] [L. POWER]
Appears on: 263v–265
Genres: Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: [L. POWER]
Voice: [no designation]
Languages: Latin
Voice Text: [Credo] Patrem
General Note

= TRbc 90 n"162,TRbc 87 n° 26Publ. cf. TRbc 87 n° 26

265v–267 Patrem omnipotentem [Credo] - Anonymous
Appears on: 265v–267
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Credo] Patrem
General Note

= TRbc 90 n° 163

267v–268v Gloria-Credo 'Herdo': Credo - Anonymous
Appears on: 267v–268v
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Credo] Patrem
General Note

T: Herdo herdo herdo. = TRbc 90 n° 164

270–272 Patrem omnipotentem [Credo] [G. DUFAY]
Appears on: 270–272
Genres: Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: [G. DUFAY]
Voice: [no designation]
Languages: Latin
Voice Text: [Credo]
General Note

= TRbc 87 n° 184, TRbc 90 n° 165Publ. cf. AOs n° 33

273v–275v Patrem omnipotentem [Credo] -
Appears on: 273v–275v
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Credo] Patrem
General Note

= TRbc 90 n"166,TRbc 92 n« 62Publ. cf. TRbc 90 n' 166

276v–278 Patrem omnipotentem [Credo] [DE ANGLIA]
Appears on: 276v–278
Genres: Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: [DE ANGLIA]
Voice: [no designation]
Languages: Latin
Voice Text: [Credo] Patrem
General Note

= TRbc 90 n" 167

278v–280 Patrem omnipotentem [Credo] - Anonymous
Appears on: 278v–280
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Credo] Patrem
General Note

= TRbc 90 n' 168

280v–283 Patrem omnipotentem [Credo] - Anonymous
Appears on: 280v–283
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Credo] Patrem
General Note

… = TRbc 90 n° 169

283v–284 Patrem omnipotentem [Credo] [R. DE LOQUEVILLE]
Appears on: 283v–284
Genres: Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: [R. DE LOQUEVILLE]
Voice: [no designation]
Languages: Latin
Voice Text: [Credo] Patrem
General Note

= TRbc 90 n» 170 Publ. cf. AOs n° 90

285v–288 Missa Laetare Jerusalem. Patrem omnipotentem [Credo] - Anonymous
Appears on: 285v–288
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Credo] Patrem
General Note

T: Letare Jerusalem et conventum facile. =TRbc 90 n' 171

288v–291 Gloria-Credo pair 'Dixerunt discipuli': Credo - Anonymous
Appears on: 288v–291
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Credo] Patrem
General Note

T: Dixerunt discipuli. = TRbc 90 n° 172

291v–293 Credo Homo quidam - Anonymous

Credo Homo quidam

Anonymous
Appears on: 291v–293
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Credo] Patrem
General Note

T: Homo quidam fecit. = TRbc 90 n° 173

293v–295 Gloria-Credo pair 'O patris sapientia': Credo - Anonymous
Appears on: 293v–295
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Credo] Patrem
General Note

T: O patris sapientia. = TRbc 90 n° 174

295v–297 Patrem omnipotentem [Credo] - Anonymous
Appears on: 295v–297
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Credo]
General Note

= TRbc 90 n° 175

297v–299 Missa Caput: Sanctus [G. DUFAY]
Appears on: 297v–299
Genres: Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: [G. DUFAY]
Voice: [no designation]
Languages: Latin
Voice Text: [Missa Caput] Sanctus
General Note

T lus: Caput. = TRbc 89 n' 166, TRbc90n»178Publ. cf. La 238 n° 3

299v–301 Missa Salve sancta parens. Sanctus -
Appears on: 299v–301
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: [Missa Salve sancta parens.] Sanctus
General Note

T:Sancta parens. = TRbc 90 n° 179

301v–303 Missa Salve sancta parens: Agnus Dei - Anonymous
Appears on: 301v–303
Genres: Agnus Dei, Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Missa Salve sancta parens.] Agnus dei
General Note

T:Sancta parens. = TRbc 90 n° 180 Publ. cf. TRbc 90 n° 180

303v–305 Missa Quem malignus spiritus: Sanctus - Anonymous
Appears on: 303v–305
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: [Missa Quem malignus spiritus.] Sanctus
General Note

T:Quem malignus. = TRbc 90 n° 181

306v–308 Missa Quem malignus spiritus: Agnus Dei - Anonymous
Appears on: 306v–308
Genres: Agnus Dei, Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Missa Quem malignus spiritus.] Agnus dei
General Note

T: Quem malignus spiritus. = TRbc 90 n° 182

308v–310 Missa Fuit homo missus a Deo: Sanctus - Anonymous
Appears on: 308v–310
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: [Missa Fuit homo missus a Deo.] Sanctus
General Note

T: Fuit homo missus. = TRbc 90 n° 183 Publ. ef. TRbc 90 n° 183

311v–312v Missa Sine nomine: Sanctus -
Appears on: 311v–312v
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus
General Note

= TRbc 87 n-151, TRbc 90 n"184Publ. cf. TRbc 87 n° 151

313–314 Missa Sine nomine: Agnus Dei PYLOYS
Appears on: 313–314
Genres: Agnus Dei, Mass Ordinary
Source Attribution: PYLOYS
Voice: [no designation]
Languages: Latin
Voice Text: Agnus dei
General Note

= TRbc 87 n» 152, TRbc 90n°185Publ. cf. TRbc 87 n° 152

314v–316 Missa O quam suavis: Sanctus - Anonymous
Appears on: 314v–316
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: [Missa O quam suavis.] Sanctus
General Note

T:[O Quam suavis]=TRbc 90 n" 186

316v–318 Sanctus - Anonymous

Sanctus

Anonymous
Appears on: 316v–318
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus
General Note

= TRbc 90 n° 187

318v Resone unice aetern (=Par le regard de vos beaux yeux) [G. DUFAY]
Appears on: 318v
Genres: Contrafactum, Motet
Source Attribution: [G. DUFAY]
Voice: [no designation]
Languages: Italian
Voice Text: Resone unice eterni
General Note

T:Par 1e regart. Publ. cf. MC 871 n° 17

319–320 Agnus Dei - Anonymous

Agnus Dei

Anonymous
Appears on: 319–320
Genres: Agnus Dei, Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Agnus dei] Qui tollis
321–322 Sanctus BENET Anonymous

Sanctus

Anonymous
Appears on: 321–322
Genres: Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: BENET
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus
General Note

T: Jacet granum. = TRbc 90 n°188

322v–326 Missa Anthoni / Missa Avecu: Sanctus - Anonymous
Appears on: 322v–326
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus
General Note

= TRbc 90 n" 189

326v–328 Sanctus [J.DUNSTABLE ou J.BENET ou L.POWER]
Appears on: 326v–328
Genres: Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: [J.DUNSTABLE ou J.BENET ou L.POWER]
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus
General Note

= TRbc 87 n° 76, TRbc 90 n°190Publ. cf. AOs n° 145

328v–329 Agnus Dei [J. BENET ou L. POWER]
Appears on: 328v–329
Genres: Agnus Dei, Mass Ordinary
Source Attribution: [J. BENET ou L. POWER]
Voice: [no designation]
Languages: Latin
Voice Text: Agnus Dei
General Note

= TRbc 87 n° 78, TRbc 90 n° 191, TRbc 92 n° 86 Publ. cf. AOs n" 154

330–331 Sanctus - Anonymous

Sanctus

Anonymous
Appears on: 330–331
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus
General Note

T: Regnum mundi. = TRbc 90 n° 192

331v–332v Sanctus - Anonymous

Sanctus

Anonymous
Appears on: 331v–332v
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus
General Note

= TRbc 90 n° 193

333–334 Agnus Dei - Anonymous

Agnus Dei

Anonymous
Appears on: 333–334
Genres: Agnus Dei, Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Agnus dei
General Note

= TRbc 90 n° 194

334v–335v Sanctus - Anonymous

Sanctus

Anonymous
Appears on: 334v–335v
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus
General Note

= TRbc 90 n° 195

336–337v Sanctus [SORBI]
Appears on: 336–337v
Genres: Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: [SORBI]
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus
General Note

= TRbc 90 n° 196, TRbc 92 n°121 et 186Publ. cf. TRbc 90 n° 196

338–339 Sanctus [Kaye 4a] [G. BINCHOIS]
Appears on: 338–339
Genres: Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: [G. BINCHOIS]
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus
General Note

= TRbc 90 n° 197, TRbc 92 n°77Publ. cf. AOs n° 127

338v–339 Agnus Dei [Kaye 4b] [G. BINCHOIS]
Appears on: 338v–339
Genres: Agnus Dei, Mass Ordinary
Source Attribution: [G. BINCHOIS]
Voice: [no designation]
Languages: Latin
Voice Text: Agnus dei
General Note

= TRbc 90 n° 198 Publ. cf. AOs n° 128

339v–340 Sanctus Benedictus Marie fìlius - Anonymous
Appears on: 339v–340
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus Benedictus Marie filius qui venit
General Note

= TRbc 90 n° 199 Benedictus Marie filius qui venit . . .

340v–341 Agnus Dei - Anonymous

Agnus Dei

Anonymous
Appears on: 340v–341
Genres: Agnus Dei, Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Agnus dei
General Note

= TRbc 90 n" 200

343v untexted - -
Appears on: 343v
Genres: textless
Voice: [no designation]
Languages: none
Voice Text: without text
General Note

Trois lignes de musique, sans clé et sans texte.

344–345 Missa Jacet granum: Sanctus -
Appears on: 344–345
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus
General Note

T: Jacet granum. = TRbc 90 n° 201, TRbc 92 n' 15

345v–346 Agnus Dei 'Paratur nobis' - Anonymous
Appears on: 345v–346
Genres: Agnus Dei, Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Agnus dei
General Note

= TRbc 90 n° 202

347v–348v Sanctus LEONEL
Appears on: 347v–348v
Genres: Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: LEONEL
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus
General Note

= TRbc 90n'203,TRbc 92 n° 40Publ. cf. TRbc 90 n° 203

349–349v Agnus Dei [rex saeculorum] -
Appears on: 349–349v
Genres: Agnus Dei, Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Agnus dei
General Note

= TRbc 90 n» 204

350–352v Sanctus 'Papale' Ave verum corpus [G. DUFAY]
Appears on: 350–352v
Genres: Mass Ordinary, Sanctus [& Benedictus], Troped Sanctus
Source Attribution: [G. DUFAY]
Voice: [no designation]
Languages: Latin
Voice Text: [Sanctus] Ave verum corpus
General Note

= TRbc 90 n° 205, TRbc 92 n° 196 Publ. cf. Bc 15 n° 106

Item Bibliography

Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.

353–355 Sanctus -
Appears on: 353–355
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: [Sanctus] Sanctus
General Note

= TRbc 90 n» 206 [Benedictus] Marie filius qui venit . . .

356 Salve sancta parens (fauxbourdon) [G. BINCHOIS]
Appears on: 356
Genres: Introit, Proper
Source Attribution: [G. BINCHOIS]
Voice: [no designation]
Languages: Latin
Voice Text: [Salve][sancta parens
General Note

Incompl. = TRbc 90n°72Publ. cf. AOs n° 2

356v–357 untexted - -
Appears on: 356v–357
Genres: textless
Voice: [no designation]
Languages: none
Voice Text: without text
357–357v [untexted] - 1a pars (of 2): [untexted] - -
Appears on: 357–357v
Genres: textless
Voice: [no designation]
Languages: none
Voice Text: without text
357–357v [untexted] - 1a pars (of 2): Exultate Deo - Anonymous
Appears on: 357–357v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: [2a p.]: Exultate Deo.
357v Veni creator spiritus [G. DUFAY]
Appears on: 357v
Genres: Hymn, Veni creator spiritus
Source Attribution: [G. DUFAY]
Voice: [no designation]
Languages: Latin
Voice Text: Veni creator spiritus
General Note

= TRbc 92 n° 24 Publ. cf. Bc 15 n° 299; here no CT

Item Bibliography

Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.

358–359 untexted - -
Appears on: 358–359
Genres: textless
Voice: [no designation]
Languages: none
Voice Text: without text
359 untexted - -
Appears on: 359
Genres: textless
Voice: [no designation]
Languages: none
Voice Text: without text
359v–361 Missa Jacet granum: Sanctus -
Appears on: 359v–361
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus
General Note

T: Jacet granum. = TRbc 90 n" 201, TRbc92 n1 15

361–361v Agnus Dei [Kaye 5b] [JA.DE CLIBANO]*
Appears on: 361–361v
Genres: Agnus Dei, Mass Ordinary
Source Attribution: [JA.DE CLIBANO]*
Voice: [no designation]
Languages: Latin
Voice Text: [Agnus dei]
General Note

*ler Agnus seul'

361v–363 Alma redemptoris mater (IJD3) II: Tu que genuisti III: Virgo prius ac posterius [J. DUNSTABLE ou L. POWER]
Appears on: 361v–363
Genres: Alma redemptoris mater, BVM, Motet
Source Attribution: [J. DUNSTABLE ou L. POWER]
Voice: [no designation]
Languages: Latin
Voice Text: [Alma redemptoris mater]
General Note

Publ. cf. AOs n" 137

363v–364 Qualis est dilectus meus / O pulcherima mulierum [J. FOREST* ou J. PLUMMER]
Forest (?)
Appears on: 363v–364
Genres: Motet
Source Attribution: [J. FOREST* ou J. PLUMMER]
Voice: [no designation]
Languages: Latin
Voice Text: [Qualis est dilectus meus
General Note

= TRbc 90 n° 267'GB-Lbm 57950Publ. cf. MOeX.l.lln-107

364v–365 Donnés I'assault [G. DUFAY]
Appears on: 364v–365
Genres: Chanson, Rondeau
Source Attribution: [G. DUFAY]
Voice: [no designation]
Languages: French
Voice Text: [Donnees l'assaut]
General Note

= TRbc 87 n° 93 Publ. cf. TRbc 87 n° 93

365v untexted OTHMARI OPILLIONIS
Appears on: 365v
Genres: textless
Source Attribution: OTHMARI OPILLIONIS
Voice: [no designation]
Languages: none
Voice Text: Sans texte.
366 Christe redemptor omnium - Anonymous
Appears on: 366
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Christe redemptor omnium
366v Resone unice genito / Puisque fortune PYLLOIS
Appears on: 366v
Genres: Motet
Source Attribution: PYLLOIS
Voice: [no designation]
Languages: Italian
Voice Text: Resone unice genite
General Note

= TRbc 90 n° 228 T:Puisque fortune. Publ. cf. TRbc 90 n° 228

367 One line of music untexted - -
Appears on: 367
Genres: textless
Voice: [no designation]
Languages: none
Voice Text: One line of music without text
367 De mes yeux - Anonymous

De mes yeux

Anonymous
Appears on: 367
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: De mes ieulx.
367v–368 Christus Deus noster virginis Marie natus - Anonymous
Appears on: 367v–368
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Christus Deus noster virginis Marie natus
368 Dein Treu, die ist - Anonymous

Dein Treu, die ist

Anonymous
Appears on: 368
Genres: Motet
Voice: [no designation]
Languages: German
Voice Text: Dein trew dy ist

Item Bibliography

Blume, Friedrich, and Kurt Gude (editors). 1929-79. Das Chorwerk.  Wolfenbüttel/Berlin. Pages: 45.

368v–369 O pulcherrima mulierum -
Appears on: 368v–369
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: O puLcherrima mulierum
General Note

= TRbc 88 n°41Publ. cf. Fr 2356 n° 27

369v Der Sommer gar lieblichen - Anonymous
Appears on: 369v
Genres: Song
Voice: [no designation]
Languages: German
Voice Text: Der sumer gar liepleichen
General Note

(sans clés)

370 Virgo Maria non est tibi similis - Anonymous
Appears on: 370
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Virgo Maria non est tibi similis
370v Se belle BENIGUN = [BEDYNGHAM ?]*
Appears on: 370v
Genres: Secular
Source Attribution: BENIGUN = [BEDYNGHAM ?]*
Voice: [no designation]
Languages: French
Voice Text: [Se belle]*
General Note

Ct inach. =TRbc 90 n° 218Publ. cf. TRbc 90 n° 218

Concordances

*D-brd-Mbs 352b

371 O rosa bella, o Deitatis cella (= O quam suavis est domina) [J. DUNSTABLE et J. BEDINGHAM]
Appears on: 371
Genres: Motet
Source Attribution: [J. DUNSTABLE et J. BEDINGHAM]
Voice: [no designation]
Languages: Latin
Voice Text: [O rosa bella]
General Note

Ct seul' = TRbc 89 n° 67 Publ. cf. MC 871 n° 81

371v–372 Qui Deus natus de virgine (=Franc coeur gentil) [G. DUFAY]
Appears on: 371v–372
Genres: Contrafactum, Motet
Source Attribution: [G. DUFAY]
Voice: [no designation]
Languages: Latin
Voice Text: Qui deus natus de virgine
General Note

[= France cuer gentilx] Publ. cf. TRbc 92 n» 169

372 Bene ad te coclea - Anonymous

Bene ad te coclea

Anonymous
Appears on: 372
Genres: Italian secular
Voice: [no designation]
Languages: Italian
Voice Text: Bene ad te coclea.
372v Quessa cy dea suis. VILLETE
Appears on: 372v
Genres: Chanson
Source Attribution: VILLETE
Voice: [no designation]
Languages: French
Voice Text: Quessa cy dea suis.
373 Ce que pour. - Anonymous

Ce que pour.

Anonymous
Appears on: 373
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Ce que pour.
373v Tant que vivray - Anonymous

Tant que vivray

Anonymous
Appears on: 373v
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Tant que vivray.
374 Novus annus hodie - Anonymous

Novus annus hodie

Anonymous
Appears on: 374
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Novus annus hodie
374v–375 Resonet in laudibus cum jocundis - Anonymous
Appears on: 374v–375
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Resonet in laudibus cum jocundis
375v–376 Ma maitresse - 1a pars (of 2): Ma maitresse et ma plus grande amie [J. OCKEGHEM]*
Appears on: 375v–376
Genres: Chanson
Source Attribution: [J. OCKEGHEM]*
Voice: [no designation]
Languages: French
Voice Text: [Ma maitresse]**
Concordances

*D-brd-W 287 **US-Wc 25

Item Bibliography

Davison, Archibald Thompson, and Willi Apel (editors). 1966. Historical Anthology of Music. Vol. I. Oriental, Medieval and Renaissance Music.  Cambridge, Massachusetts.

Plamenac, Dragan (editor). 1927) 2nd. Corrected Ed.: Vol. I: Masses I-VIII. (American musicological Society, 1959) Vol. II: Masses and mass sections IX-XVI. (1947. Johannes Ockeghem: Sämtliche Werke [Johannes Ockeghem: Collected Works]. 2 vols. Leipzig. Pages: I.

375v–376 Ma maitresse - 2a pars (of 2): Hellas, de vous -
Appears on: 375v–376
Genres: Chanson
376v Urbs beata Jerusalem / Porte nitent margaritis - Anonymous
Appears on: 376v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Urbs beata Jherusalem... /Porte nitent margaritis
377 Ave maris stella / Sumens illud ave - Anonymous
Appears on: 377
Genres: Ave maris stella, BVM, Motet
Voice: [no designation]
Languages: Latin
Voice Text: Ave maris stella /Sumens illud ave
377v Quem terra pontus aethera - Anonymous
Appears on: 377v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Quem terra.
378 Quem terra pontus ethera - Anonymous
Appears on: 378
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Quem terra pontus ethera
378v Gaude visceribus. - Anonymous

Gaude visceribus.

Anonymous
Appears on: 378v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Gaude visceribus.
379 Gaude visceribus. - Anonymous

Gaude visceribus.

Anonymous
Appears on: 379
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Gaude visceribus.
379v Veni redemptor gencium / Christe redemptor omnium - Anonymous
Appears on: 379v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Veni redemptor gencium/Christe redemptor omnium
380 Veni redemptor gencium. - Anonymous
Appears on: 380
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Veni redemptor gencium.
380v Festum nunc celebre - Anonymous
Appears on: 380v
Genres: Hymn
Voice: [no designation]
Languages: Latin
Voice Text: Festum nunc celebre
381 Veni creator - Anonymous

Veni creator

Anonymous
Appears on: 381
Genres: Veni creator spiritus
Voice: [no designation]
Languages: Latin
Voice Text: Veni creator
381v Pange lingua gloriosi corporis misterium - Anonymous
Appears on: 381v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Pange lingua gloriosi
382 Beatus auctor saeculi = A solis ortus cardine - Anonymous
Appears on: 382
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Beatus auctor seculi./A solis ortus cardine..
382v Vita sanctorum. - Anonymous

Vita sanctorum.

Anonymous
Appears on: 382v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Vita sanctorum.
Composer Compositions
Anonymous
Anonymous (previously ascr. to Du Fay)
Anthonii, Cristofferus (fl. c1440-70)
Bedingham, John (–ca. 1460)
Benet, John (–ca. 1458)
Binchois, Gilles (ca. 1400–1460)
Bonnet, Pierre
Brassart, Johannes (ca. 1400–1455)
Clibano, Jacobus de
Du Fay, Guillaume (1397–1474)
Dunstaple, John (ca. 1390–1453)
Escatefer dit Cousin, Jean
Forest
Gemblaco (Gembloux), Johannes Franchois de
Grudencz, Petrus Wilhelmi de (1392–ca. 1480)
Lantins, Hugo de (fl. 1420-30)
Loqueville, Richard (–1418)
Mouton, Jean (ca. 1459–1522)
Ockeghem, Jean de (ca. 1410–1497)
Othmayr, Caspar
Plummer, John (ca. 1410–ca. 1484)
Power, Leonel (–1445)
Pullois, Johannes
Roullet, Johannes
Sarto, Johannes de
Soursby
Villete
Composition Composers (? Uncertain) Folios / Pages
[untexted] - 1a pars (of 2): [untexted] - 357–357v
[untexted] - 1a pars (of 2): Exultate Deo Anonymous 357–357v
Agnus Dei Anonymous 319–320
Agnus Dei 328v–329
Agnus Dei Anonymous 333–334
Agnus Dei Anonymous 340v–341
Agnus Dei 'Paratur nobis' Anonymous 345v–346
Agnus Dei [Kaye 4b] 338v–339
Agnus Dei [Kaye 5b] 361–361v
Agnus Dei [rex saeculorum] 349–349v
Alma redemptoris mater (IJD22) 142v–144
Alma redemptoris mater (IJD3) II: Tu que genuisti III: Virgo prius ac posterius 361v–363
Asperges me Domine (I) 3v–4
Asperges me Domine (II) 4v–5
Asperges me Domine isopo et mundabor Anonymous 2v
Asperges me Domine isopo et mundabor Anonymous 3
Ave maris stella / Sumens illud ave Anonymous 377
Ave preclara maris stella Anonymous 208v–210
Beatus auctor saeculi = A solis ortus cardine Anonymous 382
Bene ad te coclea Anonymous 372
Benedicta sit sancta trinitas Anonymous 40v
Benedicta sit sancta trinitas Anonymous 42v–43
Benedicta sit sancta trinitas - 1a pars (of 2): Benedicta sit sancta trinitas 41v–42
Ce que pour. Anonymous 373
Christe redemptor omnium Anonymous 366
Christus Deus noster virginis Marie natus Anonymous 367v–368
Cibavit eos ex adipe Anonymous 46v–47
Cibavit eos ex adipe Anonymous 47v–48
Cibavit eos ex adipe 48v–49
Concentu parili Anonymous 201v–203
Confessio et pulchritudo Anonymous 65v
Congaudent angelorum chori Anonymous 203v–204v
Congaudent angelorum chori Anonymous 205–206
Credo Homo quidam Anonymous 291v–293
De mes yeux Anonymous 367
De ventre matris meae vocavit me Dominus Anonymous 59v–60
De ventre matris meae vocavit me Dominus Anonymous 60v–61
Dein Treu, die ist Anonymous 368
Der Sommer gar lieblichen Anonymous 369v
Dilexisti justitiam et odisti 76v–77
Domine probasti me Anonymous 27v
Dominus dixit ad me filius meus Anonymous 12v–13
Donnés I'assault 364v–365
Ecce advenit dominator Dominus Anonymous 18v–19
Et enim sederunt principes [Tr.1641] Anonymous 63v–64
Et enim sederunt principes [Tr.1641] Anonymous 64v
Et in terra pax [Gloria] Anonymous 30v–32
Et in terra pax [Gloria] 146v–148
Et in terra pax [Gloria] 148v–150
Et in terra pax [Gloria] Anonymous 157v–159
Et in terra pax [Gloria] Anonymous 159v–160
Et in terra pax [Gloria] Anonymous 162v
Et in terra pax [Gloria] Anonymous 164v–165
Et in terra pax [Gloria]
Forest (?)
172v–173
Et in terra pax [Gloria] 173v–175
Et in terra pax [Gloria] 175v–176v
Et in terra pax [Gloria] 177–178
Et in terra pax [Gloria] Anonymous 187v–188v
Et in terra pax [Gloria] Anonymous 189
Et in terra pax [Gloria] Anonymous 195v–197
Et in terra pax [Gloria] 199v–201
Et in terra pax [Gloria] Anonymous 210v–211
Et in terra pax [Gloria] 'ad modum tubae' 161v–162
Et in terra pax [Gloria] 'Spiritus et alme' 182–183
Et in terra pax [Gloria] (6vv) Anonymous 185v–187
Et in terra pax [Gloria] (iv/3.1) 171v–172
Eya recolamus huius diei carmina Anonymous 213v–214
Festum nunc celebre Anonymous 380v
Gaude visceribus. Anonymous 378v
Gaude visceribus. Anonymous 379
Gaudeamus omnes - 1a pars (of 2): Gaudeamus omnes in Domino Anonymous 81
Gaudeamus omnes - 1a pars (of 2): Gaudeamus omnes in Domino Anonymous 83v–84
Gaudeamus omnes in Domino 81v–82
Gaudeamus omnes in Domino Anonymous 82v–83
Gloria Alma redemptoris mater - Et in terra Anonymous 179v–181
Gloria Cuius maledictione - Et in terra Anonymous 167v–169v
Gloria Domine fili unigenite - Et in terra 170v–171
Gloria Ecce Maria - Et in terra Anonymous 165v–167
Gloria O preclara stella maris. Et in terra Anonymous 150v–152
Gloria Paratur nobis. Et in terra Anonymous 155v–157
Gloria Rex saeculorum. Et in terra 140v–142
Gloria Spiritus alme Anonymous 183v–185
Gloria Viri galilei. Et in terra Anonymous 144v–146
Gloria-Credo 'Herdo': Credo Anonymous 267v–268v
Gloria-Credo 'Herdo': Gloria Anonymous 178v–179
Gloria-Credo pair 'Dixerunt discipuli': Credo Anonymous 288v–291
Gloria-Credo pair 'Dixerunt discipuli': Gloria Anonymous 189v–191
Gloria-Credo pair 'O patris sapientia': Credo Anonymous 293v–295
Gloria-Credo pair 'O patris sapientia': Gloria Anonymous 191v–193v
Grates nunc omnes Anonymous 213
In medio ecclesiae 57v–58
In medio ecclesiae Anonymous 58v–59
Intret in conspectu tuo Anonymous 65
Kyrie 'angelorum' 121v–122
Kyrie 'apostolorum' / 'de martyribus' 111v–112
Kyrie 'Cunctipotens genitor' 98v–99
Kyrie 'cunctipotens' 101v–102
Kyrie 'fons bonitatis' 93v–94
Kyrie [Tro] magne Deus potentiae Anonymous 96v
Kyrie [Tro] magne Deus potentiae Anonymous 97
Kyrie Cum Jubilo in festis B.M.V. ou De domina 117
Kyrie de apostolis - aliud [i.e. another] Anonymous 109
Kyrie De martyribus / In diebus Dominicis / Orbis factor 112V–113
Kyrie eleison Anonymous 99v–100
Kyrie eleison Anonymous 101
Kyrie eleison Anonymous 102v
Kyrie eleison Anonymous 105v–106
Kyrie eleison Anonymous 107v–108
Kyrie eleison Anonymous 114v
Kyrie eleison Anonymous 117v–118
Kyrie eleison Anonymous 118v
Kyrie eleison Anonymous 119–119v
Kyrie eleison Anonymous 120v–121
Kyrie eleison Anonymous 122v–122
Kyrie eleison 124v–125
Kyrie eleison (iv/19) 119v–120
Kyrie fons bonitatis Anonymous 93
Kyrie fons bonitatis Anonymous 95v–96
Kyrie fons bonitatis, Virginitatis amator 94v–95
Kyrie Lux et origo (or Pascale) 106–106v
Kyrie Pascale 105
Kyrie pascale Anonymous 107–107v
Kyrie Pater cuncta 125v
Kyrie tube. Kyrie 123v–124
Lauda Sion salvatorem Anonymous 226v–230
Lauda Sion salvatorem 230v–232
Loquebar de testimoniis Anonymous 75v–76
Ma maitresse - 1a pars (of 2): Ma maitresse et ma plus grande amie 375v–376
Ma maitresse - 2a pars (of 2): Hellas, de vous 375v–376
Magnificat octavi toni: Et exultavit [K.384] Anonymous 17v–18
Magnificat primi toni [K.116] Anonymous 72v–73
Magnificat quarti toni: Et exultavit [K.244] Anonymous 10–11
Magnificat secundi toni: Et exultavit [K.194] Anonymous 8v–9v
Magnificat: Et exultavit spiritus meus 16v–17
Martinus nam pusillus Anonymous 16
Mihi autem nimis 53v–54
Mihi autem nimis Anonymous 54v–55
Mihi autem nimis Anonymous 55v–56
Missa Anthoni / Missa Avecu: Sanctus Anonymous 322v–326
Missa Caput: Et in terra pax [Gloria] 126v–128
Missa Caput: Patrem omnipotentem [Credo] 236v–238
Missa Caput: Sanctus 297v–299
Missa De apostolis: Kyrie 108v
Missa De apostolis: Kyrie Anonymous 109v–110
Missa De apostolis: Kyrie Anonymous 110v
Missa De confessoribus. Kyrie Anonymous 113v–114
Missa De martiribus faubourdon: Kyrie Anonymous 111
Missa De virginibus. Kyrie Anonymous 115v
Missa Fuit homo missus a Deo: Et in terra pax [Gloria] Anonymous 133v–135
Missa Fuit homo missus a Deo: Patrem omnipotentem [Credo] Anonymous 243v–245
Missa Fuit homo missus a Deo: Sanctus Anonymous 308v–310
Missa Jacet granum: Et in terra [Gloria] 153v–155
Missa Jacet granum: Sanctus 344–345
Missa Jacet granum: Sanctus 359v–361
Missa Laetare Jerusalem. Patrem omnipotentem [Credo] Anonymous 285v–288
Missa O quam suavis: Et in terra pax [Gloria] Anonymous 138v–140
Missa O quam suavis: Patrem omnipotentem [Credo] Anonymous 248v–250v
Missa O quam suavis: Sanctus Anonymous 314v–316
Missa Quem malignus spiritus: Agnus Dei Anonymous 306v–308
Missa Quem malignus spiritus: Et in terra pax [Gloria] Anonymous 130v–133
Missa Quem malignus spiritus: Patrem omnipotentem [Credo] Anonymous 240v–242v
Missa Quem malignus spiritus: Sanctus Anonymous 303v–305
Missa Salve sancta parens. Sanctus 299v–301
Missa Salve sancta parens: Agnus Dei Anonymous 301v–303
Missa Salve sancta parens: Et in terra pax [Gloria] Anonymous 128v–130
Missa Salve sancta parens: Patrem omnipotentem [Credo] Anonymous 238v–240
Missa Sancti Antonii Viennensis: Kyrie 103v–104
Missa Sancti Jacobi: Kyrie 100v–101
Missa sine nomine (Resvelliés vous): Et in terra pax [Gloria] 197v–198
Missa Sine nomine: Agnus Dei 313–314
Missa Sine nomine: Et in terra pax [Gloria] 135v–138
Missa Sine nomine: Et in terra pax [Gloria] 214v–216
Missa Sine nomine: Patrem omnipotentem [Credo] 223v–225v
Missa Sine nomine: Patrem omnipotentem [Credo] 245v–247v
Missa Sine nomine: Sanctus 311v–312v
Mundi renovacio nova parit gaudia Anonymous 219v–220
Nos autem gloriari oportet 45v–46
Novus annus hodie Anonymous 374
Nunc scio vere quia misit Dominus Anonymous 61v–62
O pulcherrima mulierum 368v–369
O rosa bella Anonymous 1
O rosa bella, o Deitatis cella (= O quam suavis est domina) 371
One line of music untexted - 367
Os justi meditabitur Anonymous 71v
Os justi meditabitur Anonymous 72
Pange lingua gloriosi corporis misterium Anonymous 381v
Patrem omnipotentem [Credo] Anonymous 32v–34
Patrem omnipotentem [Credo] 234v
Patrem omnipotentem [Credo] 251v–254
Patrem omnipotentem [Credo] Anonymous 256v–258
Patrem omnipotentem [Credo] 258v–259v
Patrem omnipotentem [Credo] 263v–265
Patrem omnipotentem [Credo] Anonymous 265v–267
Patrem omnipotentem [Credo] 270–272
Patrem omnipotentem [Credo] 273v–275v
Patrem omnipotentem [Credo] 276v–278
Patrem omnipotentem [Credo] Anonymous 278v–280
Patrem omnipotentem [Credo] Anonymous 280v–283
Patrem omnipotentem [Credo] 283v–284
Patrem omnipotentem [Credo] Anonymous 295v–297
Patrem omnipotentem [Credo] 'Alma redemptoris' 254v
Patrem omnipotentem [Credo] (iv/5) 260v–263
Puer natus est nobis Anonymous 14v–15
Puer natus est nobis - 1a pars (of 3): Puer natus est nobis 15v–16
Qualis est dilectus meus / O pulcherima mulierum
Forest (?)
363v–364
Quem terra pontus aethera Anonymous 377v
Quem terra pontus ethera Anonymous 378
Quessa cy dea suis. 372v
Qui Deus natus de virgine (=Franc coeur gentil) 371v–372
Resone unice aetern (=Par le regard de vos beaux yeux) 318v
Resone unice genito / Puisque fortune 366v
Resonet in laudibus cum jocundis Anonymous 374v–375
Resurrexi et adhuc tecum sum Anonymous 20v–21
Resurrexi et adhuc tecum sum Anonymous 21v–22
Resurrexi et adhuc tecum sum Anonymous 22v–23
Resurrexi et adhuc tecum sum Anonymous 23v
Resurrexi et adhuc tecum sum Anonymous 24v–25
Resurrexi et adhuc tecum sum Anonymous 25v–26
Resurrexi et adhuc tecum sum Anonymous 26v–27
Rorate caeli desuper et nubes pluant Vs: Caeli enarrant gloriam Dei Et opera Anonymous 84v–85
Rorate caeli desuper et nubes pluant Vs: Caeli enarrant gloriam Dei Et opera Anonymous 85v–85 v
Salve regina mater misericordiae Anonymous 77v–78
Salve sancta parens 90v–91
Salve sancta parens Anonymous 92v
Salve sancta parens (fauxbourdon) 356
Salve sancta parens (free fauxbourdon) 91v–92
Sancti spiritus assit nobis gratia Anonymous 221v–223
Sanctus 34v–36
Sanctus Anonymous 316v–318
Sanctus Anonymous 321–322
Sanctus 326v–328
Sanctus Anonymous 330–331
Sanctus Anonymous 331v–332v
Sanctus Anonymous 334v–335v
Sanctus 336–337v
Sanctus 347v–348v
Sanctus 353–355
Sanctus 'Papale' Ave verum corpus 350–352v
Sanctus [Kaye 4a] 338–339
Sanctus Benedictus Marie fìlius Anonymous 339v–340
Sapientiam sanctorum narrent populi 66
Se belle 370v
Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto Anonymous 36v–37
Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto Anonymous 37v–38
Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto Anonymous 38v–39
Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto Anonymous 39v
Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto Anonymous 40
Statuit ei Dominus Anonymous 69–69v
Statuit ei Dominus Anonymous 70
Statuit ei Dominus Anonymous 70v–71
Summi triumphum regis prosequamur laude Qui caeli qui terre regit sceptra Anonymous 220v–221
Suscepimus Deus misericordiam tuam in medio Vs: Magnus Dominus In civitate Dei nostri Anonymous 88v–89
Suscepimus Deus misericordiam tuam in medio Vs: Magnus Dominus In civitate Dei nostri Anonymous 89v–90
Tant que vivray Anonymous 373v
Terribilis est locus iste Anonymous 49v–50
Terribilis est locus iste Anonymous 50v
Terribilis est locus iste Anonymous 51
Terribilis est locus iste Anonymous 51v–52
untexted - 218v–219
untexted - 343v
untexted - 356v–357
untexted - 358–359
untexted - 359
untexted 365v
Urbs beata Jerusalem / Porte nitent margaritis Anonymous 376v
Venerantes hanc diem preclaram Anonymous 206v–207
Veni creator Anonymous 381
Veni creator spiritus 357v
Veni redemptor gencium / Christe redemptor omnium Anonymous 379v
Veni redemptor gencium. Anonymous 380
Verbum bonum personemus illud ave Anonymous 207v–208
Victimae paschali laudes immolent Christiani Agnus redemit oves Christus innocens Anonymous 216v–217
Victimae paschali laudes immolent Christiani Agnus redemit oves Christus innocens Anonymous 217v–218
Vidi aquam egredientem de templo Anonymous 5v–6
Vidi aquam egredientem de templo Anonymous 6v–7
Vidi aquam egredientem de templo Anonymous 7v–8
Virgo Maria non est tibi similis Anonymous 370
Viri Galilaei Quid admiramini aspicientes Vs: Omnes gentes plaudite Jubilate deo Anonymous 28v
Viri Galilaei Quid admiramini aspicientes Vs: Omnes gentes plaudite Jubilate deo Anonymous 29v–30
Vita sanctorum. Anonymous 382v
Vultum tuum deprecabuntur Anonymous 86v–87

denotes primary source study

Curtis, Gareth R K, and Andrew B Wathey. 1994. Fifteenth-Century English Liturgical Music: A List of the Surviving Repertory. Royal Musical Association Research Chronicle, 1-69.

Bent, Margaret. 1986. Trent 93 and Trent 90: Johannes Wiser at Work. I codici musicali trentini a cento anni dalla loro riscoperta: Atti del convegno 'Laurence Feininger, la musicologia come missione', edited by Margaret Bent, 84-111. Trent. Notes: contents list (partial); concordances (partial); facsimile (partial); mention of MS; discussion.

Fallows, David. 1986. Songs in the Trent Codices: An Optimistic Handlist. I codici musicali trentini a cento anni dalla loro riscoperta: Atti del convegno 'Laurence Feininger, la musicologia come missione', 170-9. Trent. Notes: contents list (partial); concordances (partial).

Saunders, Suparmi Elizabeth. 1986. The Dating of Trent 93 and Trent 90. I codici musicali trentini a cento anni dalla loro riscoperta: Atti del convegno 'Laurence Feininger, la musicologia come missione', 60-82. Trent. Notes: physical description (partial); contents list (partial); facsimile (partial); mention of MS; discussion.

Ward, Tom Robert. 1986. The Office Hymns of the Trent Manuscripts. I codici musicali trentini a cento anni dalla loro riscoperta: Atti del convegno 'Laurence Feininger, la musicologia come missione', 112-29. Trent. Pages: 116-7,122-3. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Strohm, Reinhard. 1985. Music in Late Medieval Bruges.  Oxford. Pages: I 18,133,140,193-4,197,254-6. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Staehelin, Martin. 1983. Bemerkungen zum Verhältnis von Werkcharacter und Filiation in der Musik der Renaissance. Datierung und Filiation von Musikhandschriften der Josquin-Zeit, Wolfenbütteler Forschungen. 199-215. Wiesbaden. Pages: 203,213. Notes: concordances (partial); facsimile (partial); mention of MS; discussion.

Rumbold, Ian. 1982. The Compilation and Ownership of the 'St Emmeram' Codex (Munich, Bayerische Staatsbibliothek, Clm 14274). Early Music History, 161-235. Pages: 169,178.

Bent, Margaret. 1981. Some Criteria for Establishing Relationships Between Sources of Late-Medieval Polyphony. Music in Medieval and Early Modem Europe: Patronage, Sources and Texts, edited by Margaret Bent, 295-317. Cambridge: Cambridge University Press. Pages: 297-8,314.

Curtis, Gareth R K. 1981. Jean Pullois and the Cyclic Mass-Or a Case of Mistaken Identity? Music and Letters, 41-59.

Planchart, Alejandro Enrique. 1981. Fifteenth-Century Masses: Notes on Performance and Chronology. Studi Musicali, 3-29. Pages: 10,19-25. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Perkins, Leeman L, and Howard Garey (editors). 1979. The Mellon Chansonnier.  New Haven and London. Pages: II,179-80,396,399-400.

Cobin, Marian W. 1978. The Aosta Manuscript: A Central Source of Early Fifteenth-Century Sacred Polyphony. New York University, Unpublished Ph.D. dissertation. Pages: I, 103ff,173-8,335-54, passim.

Spilsted, Gary. 1976. Toward the Genesis of the Trent Codices: New Directions and New Findings. Studies in Music from the University of Western Ontario, 55-70.

Černý, Jaromír. 1975. Petrus Wilhelmi de Grudencz: Neznámy Skladatel Doby Dufayovy v Ceskych Pramenech. Hudební Veda, 195-238. Pages: 232.

Dangel-Hofmann, Frohmut. 1975. Der Mehrstimmige Introitus in Quellen des 15. Jahrhunderts. Würzburger Musikhistorische Beitrage.  Tutzing. Pages: 138,146-9,181ff, passim.

White, Richard James. 1975. The Battre Section of Trent Codex 87. Indiana University, Unpublished Ph.D. dissertation. Pages: I,l-2.

Bent, Margaret, Ian D Bent, and Brian Trowell (editors). 1970. John Dunstable complete works. Musica Britannica.  London. Pages: VIII [rev. ed.], 106,183ff.

[No Author] 1969-70. Codices Musicales Tridentini.  Rome. Pages: F.

Hamm, Charles E (editor). 1969-. Leonel Power: Complete Works. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I,xxii.xxiv.

Ward, Tom Robert. 1969. The Polyphonic Office Hymn from the Late Fourteenth Century Until the Early Sixteenth Century. University of Pittsburgh, Unpublished Ph.D. dissertation. Pages: 94,107-ll,158-60,226ff.

Snow, Robert Joseph. 1968. The Manuscript Strahov D.G.IV.47. University of Illinois, Unpublished Ph.D. dissertation. Pages: 44,52,82,127-8,490ff.

Riemann, Hugo, Wilibald Gurlitt, and Hans Heinrich Eggebrecht (editors). 1967. Musik Lexikon: Zwölfte völlig neubearbeitete. 3 vols. Mainz. Pages: Sachteil 12. Aufl. Quellen, 772.

Loyan, Richard K (editor). 1967. Canons in the Trent Codices. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology.

Kanazawa, Masakata. 1966. Polyphonic music for Vespers in the fifteenth century. Harvard University, Ph.D. Dissertation, 2 vols. Pages: l,183-93, passim II,106-7.

Mixter, Keith E (editor). 1965-71. Johannis Brassart: Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: (I,viii-ix,xii,xviii,xx-xxvi.

Parris, Arthur. 1965. The sacred works of Gilles Binchois. Bryn Mawr College, Ph.D. Dissertation. Pages: I,81,84,86-7 II,211-3.

Hamm, Charles E. 1964. A Chronology of the Works of Guillaume Dufay Based on a Study of Mensural Practice.  Princeton. Pages: 26-7,125,165-8,172-3,175,177.

Planchart, Alejandro Enrique (editor). 1964. Missae Caput. Collegium Musicum.  New Haven. Pages: 158-9.

Harrison, Frank Llewellyn (editor). 1963-. Early English Church Music.  London: Stainer & Bell. Pages: XXII,x-xi,8-28,44-109,169ff.

Damilano, Don Piero. 1963. Fonti musicali della lauda polifonica intorno alla metà del sec. XV. Collectanea Historiae Musicae III, Pages: 63 (dépouillement des Laudi).

Hamm, Charles E. 1962. Manuscript Structure in the Dufay Era. Acta Musicologica, 166-84. Pages: 166 n. 2.

Kulleseid, Eleanor Ransom. 1962. The Sacred Music of Gilles Binchois. Columbia University, Unpublished Master's thesis. Pages: 26-7,125,165-8,172-3,175,177.

Bockholdt, Rudolf. 1961. Notizen zur Handschrift Trient "93" und zu Dufays frühen Messensätzen. Acta Musicologica, 40-7. Pages: 40ff.

Ficker, Rudolf von. 1960. The transition on the Continent. New Oxford History of Music, 150ff. Pages: 150f.

Bukofzer, Manfred F. 1958. Changing Aspects of Medieval and Renaissance Music. The Musical Quarterly, 1-18. Pages: passim.

Schrade, Leo, and Milos Velimirovic (editors). 1955-68. Thirty chansons for three and four voices from Attaingnant's collection ed. by Albert Seay. Collegium musicum.  Yale Univ. Dpt. of music. Pages: A.E. Planchart, in ColMus, 158ff (TRbc 88, 89, 90 et 93).

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik.  Kassel. Pages: II,1339 XIII,666-73.

de Van, Guillaume, and Heinrich Besseler (editors). 1948-66. Guillaume Dufay: Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: ll, IV-VI, passim.

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: R. Loyan, in CMM 38.

Stephan, Wolfgang. 1937. Die Burgundisch-Niederländische Motette zur Zeit Ockeghems.  Kassel. Pages: 97f.

Blume, Friedrich (editor). 1929-. Das Chorwerk.  Berlin/Wolfenbüttel. Pages: XIX,4; XLV,12.

Lunelli, Renato. 1927. La patria dei codici musicali tridentini. Note D'Archivio per la Storia Musicale, 116-28. Pages: 116ff.

Besseler, Heinrich. 1925. Studien zur Musik des Mittelalters: I. Neue Quellen des 14. und beginnenden 15. Jahrhunderts. Archiv für Musikwissenschaft, 167-252. Pages: 239f.

Ficker, Rudolf von. 1924. Die frühen Messenkompositionen der Trienter Codices. Studien zur Musikwissenschaft, 3ff.

Wolkan, Rudolf. 1921. Die Heimat der Trienter Musikhandschriften. Studien zur Musikwissenschaft, 5-8. Pages: 4ff.

Adler, Guido. 1909. Über Textlegung in den 'Trienter Codices'. Riemann-Festschrift. Gesammelte Studien Hugo Riemann zum sechzigsten Geburtstage, 51ff. Leipzig. Pages: 51ff.

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: LXI.

Haberl, Franz Xavier. 1885-88. Bausteine für Musikgeschichte. 3 vols. Leipzig. Pages: I, 87ff.

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Riccardo Pintus

Wednesday, 28 November, 2018

Correction to incorrect ascription of 'Missa Quem malignus: Sanctus' (ff. 303v-305) and to copying date of manuscript.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description