Click an entry to see more information about that item.
| Folio / Pages | Composition / Item title | Number of voices | Source attribution | Composers (? Uncertain) |
|---|---|---|---|---|
| 1–2 | Missa C'est à grand tort: Kyrie | - | Eberhardus Vicinus | |
|
Appears on:
1–2
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
Eberhardus Vicinus
Voice:
[no designation]
Languages:
Greek
Mensuration:
cut-c
Clef:
f3
Voice Text:
Missa cest à grand tort : Kyrie eleyson
|
||||
| 2–3 | Missa C'est à grand tort: Gloria | - | - | |
|
Appears on:
2–3
Genres:
Gloria (et in terra pax), Mass Ordinary
Voice:
[no designation]
Languages:
Latin
Clef:
f3
Voice Text:
Et in terra pax hominibus
|
||||
| 3–5 | Missa C'est à grand tort: Credo | - | - | |
|
Appears on:
3–5
Genres:
Credo (patrem omnipotentem), Mass Ordinary
Voice:
[no designation]
Languages:
Latin
Clef:
f3
Voice Text:
Patrem omnipotentem factorem coeli & terrae
|
||||
| 6–7 | Missa C'est à grand tort: Sanctus | - | - | |
|
Appears on:
6–7
Genres:
Mass Ordinary, Sanctus [& Benedictus]
Voice:
[no designation]
Languages:
Latin
Clef:
f3
Voice Text:
Sanctus Dominuns Deus sabaoth
|
||||
| 7 | Missa C'est à grand tort: Agnus Dei | - | - | |
|
Appears on:
7
Genres:
Agnus Dei, Mass Ordinary
Voice:
[no designation]
Languages:
Latin
Clef:
f3
Voice Text:
Agnus Dei
|
||||
| 7–8 | Usquequo Domine oblivisceris me in finem | - | Anon. | Anonymous |
Usquequo Domine oblivisceris me in finemAnonymous
Appears on:
7–8
Genres:
Motet
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c4
Voice Text:
Usquequo domine oblivisceris mei in finem
|
||||
| 8–9 | In te Domine speravi non confundar (R. Quoniam fortitudo mea et refugium; Vs. In manus tuas Domine commendo spiritum | - | Anon. | Anonymous |
|
Appears on:
8–9
Genres:
Psalm
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f3
Voice Text:
In te domine speravi non confundar II: Quoniam fortitudo mea & refugium III: In manus tuas Domine commendo spiritum
|
||||
| 10–11 | Puis qui'il convient et sans nul contredict | - | [Hailland] | |
|
Appears on:
10–11
Genres:
Chanson
Source Attribution:
[Hailland]
Voice:
[no designation]
Languages:
none
Mensuration:
cut-c
Clef:
f3
Voice Text:
[Puis qui'il convient] untexted
|
||||
| 11–13 | Summe parens et imago patris flatusque (2p. Huc adsis roseis sertis redimitus) | - | Anon. | Anonymous |
|
Appears on:
11–13
Genres:
Motet
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Summe parens & imago patris flatusque II: Huc adsis roseis sertis redimitus
|
||||
| 13 | Adjuva me Domine - 1a pars (of 2): Adjuva me Domine | - | [Conseil] | |
|
Appears on:
13
Genres:
Motet
Source Attribution:
[Conseil]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Adiuva me domine & salvus ero & meditabor
|
||||
| 14 | Adjuva me Domine - 2a pars (of 2): Servus tuus ego sum | - | - | |
|
Appears on:
14
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
2nda pars : Servus tuus ego sum da mihi intellectum
|
||||
| 14–15 | Gott dank ich ietz unnd allezeit | - | Anon. | |
|
Appears on:
14–15
Genres:
Sacred Song
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
f4
Voice Text:
Gott danckhe ich ietz unnd allezeit [text incipit only]
|
||||
| 15 | Ach Gott wem soll ichs klagen das heimliche leiden | - | [Buechmaier] | |
|
Appears on:
15
Genres:
Song
Source Attribution:
[Buechmaier]
Voice:
[no designation]
Languages:
German
Clef:
f4
Voice Text:
Ach got wem soll ich klagen mein leÿd
|
||||
| 16 | Ach Gott, wem soll ichs klagen das heimliche Leiden | - | Johannes Keutzenhoff | |
|
Appears on:
16
Genres:
Song
Source Attribution:
Johannes Keutzenhoff
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
f4
Voice Text:
Ach Got wem soll ich klagenn mein leÿd
|
||||
| 16–18 | Tempus adest abitus niveis amora quadrigis (2p. Et quia distrahimur diversis tractibus) | - | Johannes Pötzinger | |
|
Appears on:
16–18
Genres:
Motet
Source Attribution:
Johannes Pötzinger
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Tempus adest abitus niveis amora quadrigis II: Et quia distrahimur diversis tractibus
|
||||
| 18–19 | C'est a grant tort que moi povrette endure | - | [Sermisy] | |
|
Appears on:
18–19
Genres:
Chanson
Source Attribution:
[Sermisy]
Voice:
[no designation]
Languages:
none
Mensuration:
cut-c
Clef:
f2
Voice Text:
[c'est à grand tort] untexted
|
||||
| 19 | Si tu te plains d'amours tant seulement | - | [Susato] | |
|
Appears on:
19
Genres:
Chanson
Source Attribution:
[Susato]
Voice:
[no designation]
Languages:
none
Mensuration:
cut-c
Clef:
f4
Voice Text:
[Si tu te plains] untexted
|
||||
| 20 | Hinc abiens quoniam cogor / So schwing ich mich | - | [Othmayr] | |
|
Appears on:
20
Genres:
Contrafactum, Motet, Song
Source Attribution:
[Othmayr]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Hinc abiens quoniam cogor
|
||||
| 20–22 | Graecia quae quondam virtute / Trink wein | - | Caspar Othmeyer | |
|
Appears on:
20–22
Genres:
Contrafactum, Motet, Song
Source Attribution:
Caspar Othmeyer
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
c4
Voice Text:
Graecia quae quondam virtute
|
||||
| 22–23 | Chara Joanna veni sanctum solare Joannem | - | Johannes Keutzenhoff | |
|
Appears on:
22–23
Genres:
Motet
Source Attribution:
Johannes Keutzenhoff
Voice:
[no designation]
Languages:
Latin
Clef:
f3
Voice Text:
Chara Joanna veni sanctum solare Joannem
|
||||
| 23 | Ob ich schon arm und elend bin | - | Anon. | Anonymous |
Ob ich schon arm und elend binAnonymous
Appears on:
23
Genres:
Song
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
f4
Voice Text:
Ob ich schon arm und elend bin
|
||||
| 23–24 | Beatus vir qui non abiit ... Selig ist der Mann | - | Anon. | Anonymous |
|
Appears on:
23–24
Genres:
Motet
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin, German
Mensuration:
cut-c
Clef:
f4
Voice Text:
Beatus vir qui non abiit ... Selig ist der man
|
||||
| 24–25 | Vivre ne puis content sans sa présence | - | Antonio Gardane/[Sermisy] |
Gardano, Antonio
(?)
|
|
Appears on:
24–25
Genres:
Chanson
Source Attribution:
Antonio Gardane/[Sermisy]
Voice:
[no designation]
Languages:
French
Clef:
f3
Voice Text:
Vivre ne puis [text incipit only]
|
||||
| 25 | Sophia span das füllin an den wagen | - | [Buechmaier] |
Buchner, Hans
(?)
|
|
Appears on:
25
Genres:
Song
Source Attribution:
[Buechmaier]
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
f4
Voice Text:
Sophia span das füllin an den wagen
|
||||
| 26 | Was unfahls quall in nöthen thut | - | Matthias Eckel | |
|
Appears on:
26
Genres:
Song
Source Attribution:
Matthias Eckel
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
f4
Voice Text:
Was unfahls quall in nöthen thut
|
||||
| 26–27 | Longtemps y a que je vis en espoir | - | [Dulot/Sermisy] |
Dulot, Francois
(?)
|
|
Appears on:
26–27
Genres:
Chanson
Source Attribution:
[Dulot/Sermisy]
Voice:
[no designation]
Languages:
French
Mensuration:
cut-c
Clef:
f3
Voice Text:
Long temps [text incipit only]
|
||||
| 27–28 | Non argus largus non Magdalena Mathusalem | - | Othmarus | |
|
Appears on:
27–28
Genres:
Motet
Source Attribution:
Othmarus
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Non argus largus non Magdalena Mathusalem
|
||||
| 28–29 | Caecilia virgo gloriosa - 1a pars (of 2): Caecilia virgo gloriosa semper evangelium | - | [Clemens non Papa] | |
|
Appears on:
28–29
Genres:
Motet
Source Attribution:
[Clemens non Papa]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c4
Voice Text:
Caecilia virgo gloriosa semper evangelium
|
||||
| 30–31 | Caecilia virgo gloriosa - 2a pars (of 2): Biduanis ac triduanis ieiuniis orans | - | - | |
|
Appears on:
30–31
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c4
Voice Text:
Pars secunda : Biduanis ac triduanis ieiuniis orans
|
||||
| 31–32 | Weinikhen / Auserlesner franzosen | - | Anon. | Anonymous |
Weinikhen / Auserlesner franzosenAnonymous
Appears on:
31–32
Genres:
Song
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
German
Clef:
f3
Voice Text:
Auserlesner frantzhosen [text incipit only]
|
||||
| 32–33 | Dulcis memoria et suavis recordatio (= Doulce memoire) | - | Manchicourt/[Sandrin] | |
|
Appears on:
32–33
Genres:
Motet
Source Attribution:
Manchicourt/[Sandrin]
Voice:
[no designation]
Languages:
Latin
Clef:
f4
Voice Text:
Dulce memori [text incipit only]
|
||||
| 33–34 | Si quod amo liceat plenis contingere votis (2p. Tunc ego Mercurii vitricus esse velum) | - | Anon. | Anonymous |
|
Appears on:
33–34
Genres:
Motet
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Si quod amo liceat plenis contingere votis II: Tunc ego Mercurii vitricus esse velum
|
||||
| 34–35 | Cur mittis violas nempe ut violentius | - | Nicolaus Borbonius (Borbonius possibly author of text rather than composer of music (HartmannNB)) | |
|
Appears on:
34–35
Genres:
Motet
Source Attribution:
Nicolaus Borbonius (Borbonius possibly author of text rather than composer of music (HartmannNB))
Voice:
[no designation]
Languages:
Latin
Clef:
f4
Voice Text:
Cur mittis violas nempe ut violentius
|
||||
| 35–36 | Quid ultra debui facere ego quidem | - | Anon. | Anonymous |
Quid ultra debui facere ego quidemAnonymous
Appears on:
35–36
Genres:
Motet
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Quid ultra debui facere ego quidem
|
||||
| 36–37 | Rex autem David cooperto capite incedens | - | [Willaert] | |
|
Appears on:
36–37
Genres:
Motet
Source Attribution:
[Willaert]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Rex autem David cooperto capite incedens
|
||||
| 37–39 | Vulnerasti cor meum (2p. Veni in ortum meum) | - | Conradus Rein | |
|
Appears on:
37–39
Genres:
Motet
Source Attribution:
Conradus Rein
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f2
Voice Text:
Vulnerasti cor meum soror mea sponsa II: Veni in hortum meum soror mea
General NoteChristoph Baumgartner (DIAMM communication) explains that the ascription of 'Vulnerasti cor meum (2p. Veni in ortum meum)' to Conrad Rein in D-Rp A. R. 940-941 (D) and (A) is probably incorrect, since Rein as a German Protestant composer would hardly have been included in the Motetti della corona (1514), where this piece is included and which features only French/Flemish composers, nor in sources such as E-PAbm 6832 or I-CMac L. |
||||
| 39 | Schön bin ich nicht mein höchster hort | - | [Finck] | |
|
Appears on:
39
Genres:
Song
Source Attribution:
[Finck]
Voice:
[no designation]
Languages:
German
Clef:
f4
Voice Text:
Schön bin ich nicht mein höchster hort [text incipit only]
|
||||
| 40 | Mit fried und freud ich fahr dahin | - | Anon. | Anonymous |
Mit fried und freud ich fahr dahinAnonymous
Appears on:
40
Genres:
Chorale, Sacred Song
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
f4
Voice Text:
Mit fried und freud ich far dahin
|
||||
| 40–42 | Quam pulchra est - 1a pars (of 2): Quam pulchra est et quam decora | - | Ph: Verdelot/[Lupi] | |
|
Appears on:
40–42
Genres:
Motet
Source Attribution:
Ph: Verdelot/[Lupi]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Quam pulchra es & quam decora charissima
|
||||
| 42–43 | Quam pulchra est - 2a pars (of 2): Veni dilecte mi | - | - | |
|
Appears on:
42–43
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Clef:
f4
Voice Text:
Secunda pars : Veni dilecte mi egrediamur in hortum
|
||||
| 43 | Propter bonos geschwenckos | - | Anon. | Anonymous |
Propter bonos geschwenckosAnonymous
Appears on:
43
Genres:
Motet
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Propter bonos geschwenckos [text incipit only]
|
||||
| 43–45 | Het sold ein meisken gaen om win | - | M. | |
|
Appears on:
43–45
Genres:
Song
Source Attribution:
M.
Voice:
[no designation]
Languages:
Flemish
Mensuration:
cut-c
Clef:
f3
Voice Text:
Het sold ein medstken gaen om win [text incipit only]
|
||||
| 45–46 | Ich hab gehört von Gottes wort | - | Paulus Schalreutter | |
|
Appears on:
45–46
Genres:
Sacred Song
Source Attribution:
Paulus Schalreutter
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
f4
Voice Text:
Ich hab gehört von gottes wort
|
||||
| 46–47 | Carole magnus - 1a pars (of 2): Carole magnus eras cum solus regna tenebas | - | Clemens non Papa | |
|
Appears on:
46–47
Genres:
Motet
Source Attribution:
Clemens non Papa
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Carole magnus eras cum solus regna tenebas
|
||||
| 47–48 | Carole magnus - 2a pars (of 2): Nunc omnes nato tu regis a puero | - | - | |
|
Appears on:
47–48
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Secunda pars : Nunc omnes nato tu regis à puero
|
||||
| 48–49 | Nur leichtsinnig (= D'amour me plains) | - | [Pathie] | |
|
Appears on:
48–49
Genres:
Song
Source Attribution:
[Pathie]
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
f4
Voice Text:
Nuhr leichtsinnig [= D'amour me plains] [text incipit only]
|
||||
| 49 | Ade zur guten Nacht, ade gesund sehn wir | - | Anon. | Anonymous |
Ade zur guten Nacht, ade gesund sehn wirAnonymous
Appears on:
49
Genres:
Song
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
f3
Voice Text:
Ade zur guten nacht ade gesund sehn wir
|
||||
| 50] | Durch Adams Fall ist ganz verderbt | - | Anon. | Anonymous |
Durch Adams Fall ist ganz verderbtAnonymous
Appears on:
50]
Genres:
Chorale, Sacred Song
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
f4
Voice Text:
Durch Adams fahl ist gantz verderbt
|
||||
| 51–52 | Quam pulchra es amica mea columba mea (2p. Labia tua distillantia guttur tuum) | - | Anon. | Anonymous |
|
Appears on:
51–52
Genres:
Motet
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Clef:
f3
Voice Text:
Quam pulchra es amica mea columba mea II: ... Guttur tuum
|
||||
| 52–53 | In te Domine speravi non confundar 28.18 | - | Joskin Dascanio | |
|
Appears on:
52–53
Genres:
Contrafactum, Motet
Source Attribution:
Joskin Dascanio
Voice:
[no designation]
Languages:
Latin
Clef:
f3
Voice Text:
In te Domine speravi non confundar
|
||||
| 53 | Veni electa mea et ponam in te thronum | - | Anon. | Anonymous |
Veni electa mea et ponam in te thronumAnonymous
Appears on:
53
Genres:
Motet
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Clef:
f3
Voice Text:
Veni electa mea & ponam in te thronum
|
||||
| 54 | Sicut lilium inter spinas sic anima mea | - | Antonius Brummel | |
|
Appears on:
54
Genres:
Motet
Source Attribution:
Antonius Brummel
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Sicut lilium inter spinas sic amica
|
||||
| 54 | Kommt her zu mir, spricht Gottes Sohn | - | Johannes Keutzenhoff | |
|
Appears on:
54
Genres:
Chorale, Sacred Song
Source Attribution:
Johannes Keutzenhoff
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
f4
Voice Text:
Kumbt herzu mir spricht gottes sohn [text incipit only]
|
||||
| 55 | Pour un plaisir qui si peu dure | - | [Crecquillon] | |
|
Appears on:
55
Genres:
Chanson
Source Attribution:
[Crecquillon]
Voice:
[no designation]
Languages:
none
Mensuration:
cut-c
Clef:
f3
Voice Text:
[Pour un plaisir] untexted
|
||||
| 56–57 | Quare fremuerunt - 1a pars (of 3): Quare fremuerunt gentes et populi meditati | - | Galliculus [= Hähnel]/[Förster] | |
|
Appears on:
56–57
Genres:
Motet
Source Attribution:
Galliculus [= Hähnel]/[Förster]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Quare fremuerunt gentes & populi meditati
|
||||
| 57–59 | Quare fremuerunt - 2a pars (of 3): Disrumpamus vincula eorum et proiiciamus | - | - | |
|
Appears on:
57–59
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Clef:
f4
Voice Text:
Secunda pars : Disrumpamus vincula eorum & proiiciamus
|
||||
| 59–61 | Quare fremuerunt - 3a pars (of 3): Dominus dixit ad me filius meus es tu | - | - | |
|
Appears on:
59–61
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Clef:
f4
Voice Text:
Tertia pars : Dominus dixit ad me filius meus
|
||||
| 61–62 | In illo tempore accesserunt - 1a pars (of 2): In illo tempore accesserunt ad Jesum | - | [Moulu/Mouton] | |
|
Appears on:
61–62
Genres:
Motet
Source Attribution:
[Moulu/Mouton]
Voice:
[no designation]
Languages:
Latin
Clef:
f4
Voice Text:
... Accesserunt ad Jesum Pharisaei
|
||||
| 62–64 | In illo tempore accesserunt - 2a pars (of 2): Propter hoc dimittet homo patrem | - | - | |
|
Appears on:
62–64
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Clef:
f4
Voice Text:
Secunda pars : Propter hoc dimittet homo patrem
|
||||
| 64–67 | Non bonum est hominem esse solum faciamus (2p. Dixitque Adam hoc nunc os ex ossibus) | - | Burckhardus Caballus/[H. Faber] | |
|
Appears on:
64–67
Genres:
Motet
Source Attribution:
Burckhardus Caballus/[H. Faber]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Non bonum est hominem esse solum faciamus II: Dixitque Adam hoc nunc os ex ossibus
|
||||
| 67–68 | Si de present peine j'endure dire puis | - | [Susato] | |
|
Appears on:
67–68
Genres:
Chanson
Source Attribution:
[Susato]
Voice:
[no designation]
Languages:
none
Mensuration:
cut-c
Clef:
f3
Voice Text:
[Si de present peine] untexted
|
||||
| 68 | O reynischer wein du schmeckst mir wol | - | Anon. | Anonymous |
O reynischer wein du schmeckst mir wolAnonymous
Appears on:
68
Genres:
Song
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
f4
Voice Text:
O reynischer wein du schmeckst mir wol
|
||||
| 69–70 | Rebus in adversis patiens terit omnia | - | [Othmayr] | |
|
Appears on:
69–70
Genres:
Motet
Source Attribution:
[Othmayr]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Rebus in adversis patiens terit omnia
|
||||
| 70–71 | Je prens en gre le dure mort (4vv) | - | Rogiri [= Pathie?]/[Baston/Clemens non Papa/Janequin] | |
|
Appears on:
70–71
Genres:
Motet
Source Attribution:
Rogiri [= Pathie?]/[Baston/Clemens non Papa/Janequin]
Voice:
[no designation]
Languages:
French
Clef:
f3
Voice Text:
Le prens [= Je prens en gré] [text incipit only]
General Noteheaded "Rogiri carmen lugubre" |
||||
| 71–72 | Ich bin durch Frauleins willen | - | [Othmayr] | |
|
Appears on:
71–72
Genres:
Song
Source Attribution:
[Othmayr]
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
f4
Voice Text:
Ich bin durch freulins willen geneith
|
||||
| 72–73 | Rex autem David cooperto capite incedens | - | [Gascongne/Lafage/Lupus] |
Fage, Jean de la
(?)
|
|
Appears on:
72–73
Genres:
Motet
Source Attribution:
[Gascongne/Lafage/Lupus]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Rex autem David cooperto capite incedens
|
||||
| 73–74 | Nun lass uns frisch und fröhlich sein | - | Anon. | Anonymous |
Nun lass uns frisch und fröhlich seinAnonymous
Appears on:
73–74
Genres:
Song
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
f3
Voice Text:
Nuhn lass uns frisch und frölich sein
|
||||
| 74–75 | Bewahr mich Herr und sei nicht fern | - | [Zirler] | |
|
Appears on:
74–75
Genres:
Sacred Song
Source Attribution:
[Zirler]
Voice:
[no designation]
Languages:
German
Clef:
f3
Voice Text:
Bewar mich Her und sey nicht fern
|
||||
| 76 | Meum est propositum in taberna mori | - | Anon. | Anonymous |
Meum est propositum in taberna moriAnonymous
Appears on:
76
Genres:
Motet
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Meum est propositum in taberna mori
|
||||
| 76–79 | Philippe qui videt me alleluia | - | [Othmayr] | |
|
Appears on:
76–79
Genres:
Motet
Source Attribution:
[Othmayr]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Philippe qui videt me alleluia
|
||||
| 79–80 | Pater peccavi (4vv) - 1a pars (of 2): Pater peccavi in caelum et coram te | - | [Clemens non Papa/Manchicourt] | |
|
Appears on:
79–80
Genres:
Motet
Source Attribution:
[Clemens non Papa/Manchicourt]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Pater peccavi in coelum & coram te
|
||||
| 80–81 | Pater peccavi (4vv) - 2a pars (of 2): Quanti mercenarii in domo patris | - | - | |
|
Appears on:
80–81
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Sequens pars : Quanti mercenarii in domo patris
|
||||
| 81–82 | Ein gutes närrisch Tänz | - | Casparus Othmeir | |
|
Appears on:
81–82
Genres:
Song
Source Attribution:
Casparus Othmeir
Voice:
[no designation]
Languages:
none
Mensuration:
cut-c
Clef:
f4
Voice Text:
Ein gutes nerrisch tentzlin [title/text incipit only]
|
||||
| 82–83 | Contingat illis turturum concordia cor meum | - | Anon. | Anonymous |
|
Appears on:
82–83
Genres:
Motet
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Contingat illis turturum concordia
|
||||
| 83–84 | Non habites ubi sumptus lucra exuperant | - | Anon. | Anonymous |
Non habites ubi sumptus lucra exuperantAnonymous
Appears on:
83–84
Genres:
Motet
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f3
Voice Text:
Non habites ubi sumptus lucra exuperant
|
||||
| 84–85 | Adjuva nos Deus salutaris noster | - | Thomas Crequillon | |
|
Appears on:
84–85
Genres:
Motet
Source Attribution:
Thomas Crequillon
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Adiuva nos deus salutaris noster
|
||||
| 85–86 | Vincat amor recti pulcherrima quaeque | - | [Othmayr] | |
|
Appears on:
85–86
Genres:
Motet
Source Attribution:
[Othmayr]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c3
Voice Text:
Vincat amor recti pulcherrima queque
|
||||
| 86–87 | Scaevola tu coenas apud omnes nullus | - | [Othmayr] | |
|
Appears on:
86–87
Genres:
Motet
Source Attribution:
[Othmayr]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Scevola tu coenas apud omnes nullus
|
||||
| 88 | Vineae florentes odorem / Wir haben einen guten Wirt | - | [Othmayr?] |
Othmayr, Caspar
(?)
|
|
Appears on:
88
Genres:
Motet
Source Attribution:
[Othmayr?]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Vineae florentes odorem
|
||||
| 88–90 | Ambulans Jesus juxta mare Galileae | - | Anon. | Anonymous |
Ambulans Jesus juxta mare GalileaeAnonymous
Appears on:
88–90
Genres:
Motet
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f3
Voice Text:
Ambulans Jesus iuxta mare Galileae
|
||||
| 90 | Sauff aus und machts nicht lange | - | Hermannus Finck |
Finck, Heinrich
(?)
|
|
Appears on:
90
Genres:
Song
Source Attribution:
Hermannus Finck
Voice:
[no designation]
Languages:
German
Clef:
f3
Voice Text:
Sauff auss unnd machts nicht lang [text incipit only]
|
||||
| 90 | Eia, der Vogel ass ein Ei, da gab er | - | Gasp. Othmeir [= Othmayr] | |
|
Appears on:
90
Genres:
Song
Source Attribution:
Gasp. Othmeir [= Othmayr]
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
f3
Voice Text:
Eia der vogel ass ein eÿe da gab er
|
||||
| 91 | Frisch und frölich wölln wir leben | - | Johannes Keutzenhoff | |
|
Appears on:
91
Genres:
Song
Source Attribution:
Johannes Keutzenhoff
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
f4
Voice Text:
Frisch und frölich wölln wir leben
|
||||
| 92–93 | Orabat Jesum mulier Cananaea ad Dominum (= Clamabat autem mulier Chananaea) | - | Jachet [of Mantua]/[Morales/Rore] | |
|
Appears on:
92–93
Genres:
Motet
Source Attribution:
Jachet [of Mantua]/[Morales/Rore]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f3
Voice Text:
Orabat Jhesum mulier dicens: Domine Jesu Christe [= Clamabat autem mulier Chananaea]
|
||||
| 93 | Uncur | - | Hermannus Finck |
Finck, Heinrich
(?)
|
Uncur
|
||||
| 93–95 | Tota pulchra es amica mea et macula | - | Anon. | Anonymous |
Tota pulchra es amica mea et maculaAnonymous
Appears on:
93–95
Genres:
Motet
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f3
Voice Text:
Tota pulcra es amica mea et macula
|
||||
| 95–97 | Lapidabant Stephanum invocantem et dicentem (2p. Positus autem genibus clamavit voce) | - | Pionier | |
|
Appears on:
95–97
Genres:
Motet
Source Attribution:
Pionier
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f3
Voice Text:
Lapidabant Stephanum invocantem & dicentem II: Positus autem genibus clamavit voce
|
||||
| 97–98 | Der töricht spricht es ist kein Got | - | Sigismundus Hemel | |
|
Appears on:
97–98
Genres:
Sacred Song
Source Attribution:
Sigismundus Hemel
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
f4
Voice Text:
Der töricht spricht es ist khein gott
|
||||
| 98–99 | Optima virtutum Sophia mea viscera | - | Anon. | Anonymous |
Optima virtutum Sophia mea visceraAnonymous
Appears on:
98–99
Genres:
Motet
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Optima virtutum Sophia mea viscera
|
||||
| 99–100 | Vostre beaulte plaisant et lyé me donne recreation | - | [Gombert/Lupi] | |
|
Appears on:
99–100
Genres:
Chanson
Source Attribution:
[Gombert/Lupi]
Voice:
[no designation]
Languages:
none
Mensuration:
cut-c
Clef:
c4
Voice Text:
[Vostre beaulte plaisant et lye] untexted
|
||||
| 100–101 | Quand' io pens' al martire amor che tu | - | [Arcadelt] | |
|
Appears on:
100–101
Genres:
Madrigal (Italian)
Source Attribution:
[Arcadelt]
Voice:
[no designation]
Languages:
Italian
Mensuration:
cut-c
Clef:
f4
Voice Text:
Quand' io pens' al martire [text incipit only]
|
||||
| 101–102 | Ver' inferno e'l mio petto ver' infernale | - | [Arcadelt] | |
|
Appears on:
101–102
Genres:
Italian secular, Madrigal (Italian)
Source Attribution:
[Arcadelt]
Voice:
[no designation]
Languages:
none
Mensuration:
cut-c
Clef:
f4
Voice Text:
[Ver' infern' e'l mio petto] untexted
|
||||
| 102–103 | Voi ve n' andat' al cielo occhi beati | - | [Arcadelt] | |
|
Appears on:
102–103
Genres:
Italian secular, Madrigal (Italian)
Source Attribution:
[Arcadelt]
Voice:
[no designation]
Languages:
none
Mensuration:
cut-c
Clef:
f4
Voice Text:
[Voi ve n'andat'al cielo] untexted
|
||||
| 103–104 | Ahime dov'è'l bel viso in cui solea | - | [Arcadelt] | |
|
Appears on:
103–104
Genres:
Madrigal (Italian)
Source Attribution:
[Arcadelt]
Voice:
[no designation]
Languages:
Italian
Mensuration:
cut-c
Clef:
f4
Voice Text:
A lume [= Ahime dov'è'l bel viso] [text incipit only]
|
||||
| 104–105 | Fammi pur guerr' amor quando tu vuoi | - | [Arcadelt] | |
|
Appears on:
104–105
Genres:
Madrigal (Italian)
Source Attribution:
[Arcadelt]
Voice:
[no designation]
Languages:
none
Mensuration:
cut-c
Clef:
f4
Voice Text:
[Fammi pur guerr' amor] untexted
|
||||
| 105–106 | Jamais en ce monde n'aurais regrets | - | [Crecquillon] | |
|
Appears on:
105–106
Genres:
Chanson
Source Attribution:
[Crecquillon]
Voice:
[no designation]
Languages:
French
Mensuration:
cut-c
Clef:
f3
Voice Text:
[Jamais en ce monde] [= #239, p. 298] unetxted
|
||||
| 106 | Donna leggiadra e bella che con le vostre | - | [Verdelot] | |
|
Appears on:
106
Genres:
Madrigal (Italian)
Source Attribution:
[Verdelot]
Voice:
[no designation]
Languages:
none
Mensuration:
cut-c
Clef:
f4
Voice Text:
[Donna leggiadra] untexted
|
||||
| 106–107 | Divini occhi sereni occhi sempre di gratia | - | [Verdelot] | |
|
Appears on:
106–107
Genres:
Madrigal (Italian)
Source Attribution:
[Verdelot]
Voice:
[no designation]
Languages:
none
Mensuration:
cut-c
Clef:
f4
Voice Text:
[Divini occhi sereni] untexted
|
||||
| 107 | Guerissez moi du mal que mon coeur porte | - | [Crecquillon] | |
|
Appears on:
107
Genres:
Chanson
Source Attribution:
[Crecquillon]
Voice:
[no designation]
Languages:
none
Mensuration:
cut-c
Clef:
f3
Voice Text:
[Guerissez moy du mal] untexted
|
||||
| 108 | Pungente dardo che 'l mio cor consumi | - | Jachet Berchem/[Arcadelt] | |
|
Appears on:
108
Genres:
Madrigal (Italian)
Source Attribution:
Jachet Berchem/[Arcadelt]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Pungente dardo chel mio cor [text incipit only]
|
||||
| 109 | Quanta belta quanta gratia e splendore | - | Archadelt | |
|
Appears on:
109
Genres:
Italian secular
Source Attribution:
Archadelt
Voice:
[no designation]
Languages:
none
Mensuration:
cut-c
Clef:
f4
Voice Text:
[Quanta belta] untexted
|
||||
| 109–110 | Poss'io morir di mala morte s'io non v'amo | - | Archadelt | |
|
Appears on:
109–110
Genres:
Madrigal (Italian)
Source Attribution:
Archadelt
Voice:
[no designation]
Languages:
Italian
Mensuration:
cut-c
Clef:
f4
Voice Text:
Poss' io morir di mala [text incipit only]
|
||||
| 110 | Ahi se la donna mia qual'hor lasso mi vede | - | Archadelt | |
|
Appears on:
110
Genres:
Madrigal (Italian)
Source Attribution:
Archadelt
Voice:
[no designation]
Languages:
Italian
Mensuration:
cut-c
Clef:
f4
Voice Text:
Ahi sela donna mia qualhor [text incipit only]
|
||||
| 111 | Il bianco e dolce cigno cantando more | - | Archadelt | |
|
Appears on:
111
Genres:
Madrigal (Italian)
Source Attribution:
Archadelt
Voice:
[no designation]
Languages:
Italian
Mensuration:
cut-c
Clef:
f4
Voice Text:
Il bianco e dolce cigno cantando [text incipit only] [= #119, p. 133]
|
||||
| 111–112 | Non ch'io non voglio mai altro pensiero | - | Archadelt | |
|
Appears on:
111–112
Genres:
Madrigal (Italian)
Source Attribution:
Archadelt
Voice:
[no designation]
Languages:
Italian
Mensuration:
cut-c
Clef:
f4
Voice Text:
Non chio non voglio mai [text incipit only]
|
||||
| 112–113 | Deh dimm' amor se l'alma di costei | - | Archadelt | |
|
Appears on:
112–113
Genres:
Madrigal (Italian)
Source Attribution:
Archadelt
Voice:
[no designation]
Languages:
Italian
Mensuration:
cut-c
Clef:
f4
Voice Text:
Deh dimmi' amor [text incipit only]
|
||||
| 113–114 | Io dico che fra voi potenti Dei convien | - | [Arcadelt] | |
|
Appears on:
113–114
Genres:
Madrigal (Italian)
Source Attribution:
[Arcadelt]
Voice:
[no designation]
Languages:
Italian
Mensuration:
cut-c
Clef:
f4
Voice Text:
Io dico che fravoi potenti [text incipit only]
|
||||
| 114–115 | Quanti travagli e pene, quant' ogn' hor dogli e morti | - | Archadelt | |
|
Appears on:
114–115
Genres:
Madrigal (Italian)
Source Attribution:
Archadelt
Voice:
[no designation]
Languages:
Italian
Mensuration:
cut-c
Clef:
f4
Voice Text:
Quanti travagli [text incipit only]
|
||||
| 115–116 | Se per colpa del vostro fiero sdegno | - | Archadelt | |
|
Appears on:
115–116
Genres:
Madrigal (Italian)
Source Attribution:
Archadelt
Voice:
[no designation]
Languages:
Italian
Mensuration:
cut-c
Clef:
f4
Voice Text:
Se per colpa [text incipit only]
|
||||
| 116–118 | Io non trovo me stesso stella del ciel | - | Vincentius Ruffus | |
|
Appears on:
116–118
Genres:
Italian secular
Source Attribution:
Vincentius Ruffus
Voice:
[no designation]
Languages:
Italian
Mensuration:
cut-c
Clef:
f3
Voice Text:
Io non trovo me stesso stella del ciel [text incipit only]
|
||||
| 118–119 | A che cerchar gli specchi et fonti | - | Vincentius Ruffus | |
|
Appears on:
118–119
Genres:
Italian secular
Source Attribution:
Vincentius Ruffus
Voice:
[no designation]
Languages:
Italian
Mensuration:
cut-c
Clef:
f3
Voice Text:
A che cerchar gli specchi & fonti [text incipit only]
|
||||
| 119–120 | Amor poiche non vuole la bella donna | - | Vincent: Ruffus | |
|
Appears on:
119–120
Genres:
Italian secular
Source Attribution:
Vincent: Ruffus
Voice:
[no designation]
Languages:
Italian
Mensuration:
cut-c
Clef:
f4
Voice Text:
Amor poiche non vole Labella Donna [text incipit only]
|
||||
| 121 | Sent'un pensier in me d'amor che dice | - | Vincentius Ruffus | |
|
Appears on:
121
Genres:
Chanson
Source Attribution:
Vincentius Ruffus
Voice:
[no designation]
Languages:
Italian
Mensuration:
cut-c
Clef:
f3
Voice Text:
Sent' un pensier in me d'amor che dice [text incipit only]
|
||||
| 122 | Languir me fais sans t'avoir offensé | - | [Mouton/Sermisy] | |
|
Appears on:
122
Genres:
Chanson
Source Attribution:
[Mouton/Sermisy]
Voice:
[no designation]
Languages:
French
Mensuration:
cut-c
Clef:
f3
Voice Text:
Languir me fais [text incipit only]
|
||||
| 122–123 | Ces facheux sots qui mesdisent d'aymer | - | Anon. | Anonymous |
Ces facheux sots qui mesdisent d'aymerAnonymous
Appears on:
122–123
Genres:
Chanson
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
French
Mensuration:
cut-c
Clef:
f3
Voice Text:
Ces veus chanter [= Ces fascheux sotz] [text incipit only]
|
||||
| 123 | Jouissance vous donnerai, mon ami | - | [La Rue/Sermisy] | |
|
Appears on:
123
Genres:
Chanson
Source Attribution:
[La Rue/Sermisy]
Voice:
[no designation]
Languages:
French
Mensuration:
cut-c
Clef:
f3
Voice Text:
Josiante [= Joyssance vous donneray] [text incipit only]
|
||||
| 123–124 | Amy souffrez que je vous ayme | - | Anon. | Anonymous |
Amy souffrez que je vous aymeAnonymous
Appears on:
123–124
Genres:
Chanson
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
French
Mensuration:
cut-c
Clef:
f3
Voice Text:
Amisso frou [= Amy souffrez] [text incipit only]
|
||||
| 124–125 | Venite / Ihr schlemmer frei zu diesem guten wein | - | Anon. | Anonymous |
|
Appears on:
124–125
Genres:
Song
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
f4
Voice Text:
Venite ir schlemmer freÿ zu diesem gueten wein
|
||||
| 125 | Veu le grief mal ou sans fin je labeure | - | Anon. | Anonymous |
Veu le grief mal ou sans fin je labeureAnonymous
Appears on:
125
Genres:
Chanson
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
French
Mensuration:
cut-c
Clef:
f4
Voice Text:
Voile grifmal [= Veu le grief mal] [text incipit only]
|
||||
| 125–126 | Tant que vivrai - 1a pars (of 2): Tant que vivrai en age florissant | - | [Sermisy] | |
|
Appears on:
125–126
Genres:
Chanson
Source Attribution:
[Sermisy]
Voice:
[no designation]
Languages:
French
Mensuration:
cut-c
Clef:
f3
Voice Text:
Dant qua viverai [= Tant que vivray] [text incipit only]
|
||||
| 126 | Vater unser im Himmelreich (= Le content est riche) | - | [Gombert/Sermisy] | |
|
Appears on:
126
Genres:
Contrafactum, Motet, Pater noster
Source Attribution:
[Gombert/Sermisy]
Voice:
[no designation]
Languages:
French, German
Mensuration:
cut-c
Clef:
f3
Voice Text:
Le content est [text incipit only] - German text also underlaid: "[V]atter unser im himelreich der du uns")
|
||||
| 127 | D'ou [dont] vient cela belle je vous supply | - | [Sermisy] | |
|
Appears on:
127
Genres:
Italian secular
Source Attribution:
[Sermisy]
Voice:
[no designation]
Languages:
French
Mensuration:
cut-c
Clef:
f4
Voice Text:
Dant viencella [= Dont vient cela] [text incipit only]
|
||||
| 127–128 | Vivray je tousjours en soucy pour vous | - | [Sermisy] | |
|
Appears on:
127–128
Genres:
Chanson
Source Attribution:
[Sermisy]
Voice:
[no designation]
Languages:
French
Mensuration:
cut-c
Clef:
f3
Voice Text:
Viveray ie tous [= Vivray-je tousjours] [text incipit only]
|
||||
| 128 | Vous perdez temps de me dire mal d'elle | - | [Crecquillon/Sandrin/Sermisy] | |
|
Appears on:
128
Genres:
Chanson
Source Attribution:
[Crecquillon/Sandrin/Sermisy]
Voice:
[no designation]
Languages:
French
Mensuration:
cut-c
Clef:
f3
Voice Text:
Fous perden temps [= Vous perdez temps] [text incipit only]
|
||||
| 128–129 | Accedite omnes / Ihr Schlemmer frei Herr Wirt | - | Anon. | Anonymous |
|
Appears on:
128–129
Genres:
Contrafactum, Motet
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin, German
Mensuration:
cut-c
Clef:
f4
Voice Text:
Accedite ir schlemmer freÿ Her wirt
|
||||
| 129 | Je ne scay pas comment a mon entendement | - | Anon. | Anonymous |
Je ne scay pas comment a mon entendementAnonymous
Appears on:
129
Genres:
Chanson
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
French
Mensuration:
cut-c
Clef:
f4
Voice Text:
Jenescai [= Je ne scay] [text incipit only]
|
||||
| 130 | Le coeur est bon et le vouloir aussi | - | [Sermisy?] | |
|
Appears on:
130
Genres:
Chanson
Source Attribution:
[Sermisy?]
Voice:
[no designation]
Languages:
French
Mensuration:
cut-c
Clef:
f3
Voice Text:
Lemer est bon [= Le cueur est bon] [text incipit only]
|
||||
| 130–131 | Jamque miraissoe | - | Anon. | Anonymous |
Jamque miraissoeAnonymous
Appears on:
130–131
Genres:
Secular
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f3
Voice Text:
Jamque miraissoe
|
||||
| 131–132 | Fortune laissez moi la vie Puisque tu veulx | - | Anon. | Anonymous |
|
Appears on:
131–132
Genres:
Chanson
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
French
Clef:
f4
Voice Text:
Fortuna [= Fortune laissez moy la vie] [text incipit only]
|
||||
| 132 | Il est jour dit l'alouette allons jouer | - | [Sermisy] | |
|
Appears on:
132
Genres:
Chanson
Source Attribution:
[Sermisy]
Voice:
[no designation]
Languages:
French
Mensuration:
cut-c
Clef:
f3
Voice Text:
Il est iour [text incipit only]
|
||||
| 133 | Il bianco e dolce cigno cantando more | - | Archadelt | |
|
Appears on:
133
Genres:
Madrigal (Italian)
Source Attribution:
Archadelt
Voice:
[no designation]
Languages:
Italian
Mensuration:
cut-c
Clef:
f4
Voice Text:
Il bianco [text incipit only] [= #92, p. 111]
|
||||
| 133–134 | Vita della mia vita quando gran tort | - | [Verdelot] | |
|
Appears on:
133–134
Genres:
Madrigal (Italian)
Source Attribution:
[Verdelot]
Voice:
[no designation]
Languages:
Italian
Mensuration:
cut-c
Clef:
f3
Voice Text:
Vita della mia [text incipit only]
|
||||
| 134–135 | Gehe wie es will, demnach ich soll mich | - | [Wolff] | |
|
Appears on:
134–135
Genres:
Song
Source Attribution:
[Wolff]
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
f4
Voice Text:
Gehe wie es wöll [text incipit only]
|
||||
| 135–136 | Douleur me bat et tristesse m'affolle | - | Anon. | Anonymous |
Douleur me bat et tristesse m'affolleAnonymous
Appears on:
135–136
Genres:
Chanson
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
French
Mensuration:
cut-c
Clef:
f4
Voice Text:
Doleur me bat [text incipit only]
|
||||
| 136 | Hola he par la vertu goy dieu vous gart | - | Anon. | Anonymous |
Hola he par la vertu goy dieu vous gartAnonymous
Appears on:
136
Genres:
Chanson
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
French
Mensuration:
cut-c
Clef:
f4
Voice Text:
Holla hoi per lanerta hoy [= Hola he par la vertu goy] [text incipit only]
|
||||
| 137 | Helas amour je pensoye bien avoir | - | [Godard] | |
|
Appears on:
137
Genres:
Chanson
Source Attribution:
[Godard]
Voice:
[no designation]
Languages:
French
Mensuration:
cut-c
Clef:
f3
Voice Text:
Helas amour [text incipit only]
|
||||
| 137–138 | Il n'est celui qui naît quelque adventure | - | [Cadéac] | |
|
Appears on:
137–138
Genres:
Chanson
Source Attribution:
[Cadéac]
Voice:
[no designation]
Languages:
French
Mensuration:
cut-c
Clef:
f3
Voice Text:
Il nest celluy [text incipit only]
|
||||
| 138–139 | Venus par toutt cherche son filz perdu | - | [Sermisy] | |
|
Appears on:
138–139
Genres:
Chanson
Source Attribution:
[Sermisy]
Voice:
[no designation]
Languages:
French
Mensuration:
cut-c
Clef:
f3
Voice Text:
Venus par toutt [text incipit only]
|
||||
| 139 | En grant douleur faict son triste demeure | - | [Villiers] | |
|
Appears on:
139
Genres:
Chanson
Source Attribution:
[Villiers]
Voice:
[no designation]
Languages:
French
Mensuration:
cut-c
Clef:
f4
Voice Text:
En grant douleur [text incipit only]
|
||||
| 140 | O triste adieu qui tant me mescontente | - | [Certon] | |
|
Appears on:
140
Genres:
Chanson
Source Attribution:
[Certon]
Voice:
[no designation]
Languages:
French
Mensuration:
cut-c
Clef:
f4
Voice Text:
O triste adieu [text incipit only]
|
||||
| 140–141 | Ce qui souloit en deux se despartir | - | [Sandrin] | |
|
Appears on:
140–141
Genres:
Chanson
Source Attribution:
[Sandrin]
Voice:
[no designation]
Languages:
French
Mensuration:
cut-c
Clef:
f4
Voice Text:
Ce qui soloit [text incipit only]
|
||||
| 141 | Fortune hellas [alors] que n'avois cognoissance | - | [Certon/Cléreau] |
Clereau, Pierre
(?)
|
|
Appears on:
141
Genres:
Chanson
Source Attribution:
[Certon/Cléreau]
Voice:
[no designation]
Languages:
French
Mensuration:
cut-c
Clef:
f4
Voice Text:
Fortune allors [text incipit only]
|
||||
| 142 | Vous perdes temps de me dire mal d'elle | - | [Arcadelt] | |
|
Appears on:
142
Genres:
Chanson
Source Attribution:
[Arcadelt]
Voice:
[no designation]
Languages:
French
Mensuration:
cut-c
Clef:
f4
Voice Text:
Vous perdes temps [text incipit only]
|
||||
| 142–143 | Pourtant si je suis brunette ami | - | [Sermisy] | |
|
Appears on:
142–143
Genres:
Chanson
Source Attribution:
[Sermisy]
Voice:
[no designation]
Languages:
French
Mensuration:
cut-c
Clef:
f3
Voice Text:
Pourtant si je suis [text incipit only]
|
||||
| 143–144 | Vous usurpez dames injustement le commander | - | [Sandrin] | |
|
Appears on:
143–144
Genres:
Chanson
Source Attribution:
[Sandrin]
Voice:
[no designation]
Languages:
French
Mensuration:
cut-c
Clef:
f4
Voice Text:
Vous usurpez [text incipit only]
|
||||
| 144–145 | Quando ritrovo la mia pastorella | - | [C. Festa] | |
|
Appears on:
144–145
Genres:
Italian secular
Source Attribution:
[C. Festa]
Voice:
[no designation]
Languages:
Italian
Mensuration:
cut-c
Clef:
f4
Voice Text:
Pastorella [= Quando ritrovo la mia pastorella] [text incipit only]
|
||||
| 145–146 | Mit hohem fleiss freundlicher weis | - | Anon. | Anonymous |
Mit hohem fleiss freundlicher weisAnonymous
Appears on:
145–146
Genres:
Song
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
f4
Voice Text:
Mit hohem fleiss [text incipit only]
|
||||
| 146–147 | Hilf glück mit freuden (= Gaude laetare Jerusalem) | - | Anon. | Anonymous |
|
Appears on:
146–147
Genres:
Contrafactum, Song
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
f3
Voice Text:
Hilf glückh mit freuden [= Gaude laetare Jerusalem] [text incipit only]
|
||||
| 147–148 | Maudite soit la mondaine richesse | - | [Sermisy] | |
|
Appears on:
147–148
Genres:
Chanson
Source Attribution:
[Sermisy]
Voice:
[no designation]
Languages:
French
Mensuration:
cut-c
Clef:
f4
Voice Text:
Multito fait [= Mauldicte soit] [text incipit only]
|
||||
| 148–149 | Voulant amour sub parler gracieulx | - | [Arcadelt] | |
|
Appears on:
148–149
Genres:
Chanson
Source Attribution:
[Arcadelt]
Voice:
[no designation]
Languages:
French
Mensuration:
cut-c
Clef:
f4
Voice Text:
Voulant amour [text incipit only]
|
||||
| 149 | Si mon travail vous peult donner plaisir | - | [Sandrin/Sermisy] | |
|
Appears on:
149
Genres:
Chanson
Source Attribution:
[Sandrin/Sermisy]
Voice:
[no designation]
Languages:
French
Mensuration:
cut-c
Clef:
f4
Voice Text:
Si mon traval [text incipit only]
|
||||
| 150 | Mon coeur voulut dedans soy recepvoir | - | [Sermisy] | |
|
Appears on:
150
Genres:
Chanson
Source Attribution:
[Sermisy]
Voice:
[no designation]
Languages:
French
Mensuration:
cut-c
Clef:
f4
Voice Text:
M [= Mon cueur] [text incipit only]
|
||||
| 150–151 | L'heur et malheur de vostre cognoissance | - | [Villiers] | |
|
Appears on:
150–151
Genres:
Chanson
Source Attribution:
[Villiers]
Voice:
[no designation]
Languages:
French
Mensuration:
cut-c
Clef:
f4
Voice Text:
Leuhr & malheur [= L'heur et malheur] [text incipit only]
|
||||
| 151–152 | Bandez vostre arc du traict de jouissance | - | [Buus] | |
|
Appears on:
151–152
Genres:
Chanson
Source Attribution:
[Buus]
Voice:
[no designation]
Languages:
French
Mensuration:
cut-c
Clef:
f4
Voice Text:
Bandez vostre [text incipit only]
|
||||
| 152–153 | Amours brusle par son ardente flamme | - | [Maillard] | |
|
Appears on:
152–153
Genres:
Chanson
Source Attribution:
[Maillard]
Voice:
[no designation]
Languages:
French
Mensuration:
cut-c
Clef:
f4
Voice Text:
Amours brusle [text incipit only]
|
||||
| 153 | Le deuil issu de la joye incertaine | - | [Sandrin/Villiers] | |
|
Appears on:
153
Genres:
Chanson
Source Attribution:
[Sandrin/Villiers]
Voice:
[no designation]
Languages:
French
Mensuration:
cut-c
Clef:
f4
Voice Text:
Le dueil issu de [text incipit only]
|
||||
| 153–154 | Puisque prier n'est de vous entendu | - | [Certon/Panurge] |
Panurge
(?)
|
|
Appears on:
153–154
Genres:
Chanson
Source Attribution:
[Certon/Panurge]
Voice:
[no designation]
Languages:
French
Mensuration:
cut-c
Clef:
f4
Voice Text:
Puisque prier [text incipit only]
|
||||
| 154–155 | Si à t'aymer ton maintien gratieulx | - | [Campis] | |
|
Appears on:
154–155
Genres:
Chanson
Source Attribution:
[Campis]
Voice:
[no designation]
Languages:
French
Mensuration:
cut-c
Clef:
f4
Voice Text:
Sia taymer [= Si à t'aymer] [text incipit only]
|
||||
| 155–156 | Si par faveur d'amour mostez le pris | - | [L. Bourgeois] | |
|
Appears on:
155–156
Genres:
Chanson
Source Attribution:
[L. Bourgeois]
Voice:
[no designation]
Languages:
French
Mensuration:
cut-c
Clef:
f4
Voice Text:
Si par faveur [text incipit only]
|
||||
| 156 | Mon coeur entier j'ai donne vraiement | - | [F. de Lys] | |
|
Appears on:
156
Genres:
Chanson
Source Attribution:
[F. de Lys]
Voice:
[no designation]
Languages:
French
Mensuration:
cut-c
Clef:
f4
Voice Text:
Mon cueur entier [text incipit only]
|
||||
| 157 | Ung pouvre aÿmant de l'amour mesdisoit | - | [G. Coste] | |
|
Appears on:
157
Genres:
Chanson
Source Attribution:
[G. Coste]
Voice:
[no designation]
Languages:
French
Mensuration:
cut-c
Clef:
f4
Voice Text:
Ung pouvre aÿmant [text incipit only]
|
||||
| 157–158 | M'amye a eu de Dieu le don que de beauté | - | [Cléreau] | |
|
Appears on:
157–158
Genres:
Chanson
Source Attribution:
[Cléreau]
Voice:
[no designation]
Languages:
French
Mensuration:
cut-c
Clef:
f4
Voice Text:
Mamye a eude [text incipit only]
|
||||
| 158 | Rigueur me tient et doulx acueil | - | [G. Coste] | |
|
Appears on:
158
Genres:
Chanson
Source Attribution:
[G. Coste]
Voice:
[no designation]
Languages:
French
Mensuration:
cut-c
Clef:
f4
Voice Text:
Rigueur me tient [text incipit only]
|
||||
| 159 | L'amour première en jeunesse innocente | - | [Sandrin] | |
|
Appears on:
159
Genres:
Chanson
Source Attribution:
[Sandrin]
Voice:
[no designation]
Languages:
French
Mensuration:
cut-c
Clef:
f4
Voice Text:
Lamour premiere [text incipit only]
|
||||
| 160 | Si comme espoir je n'ai de guarison | - | [Maillard] | |
|
Appears on:
160
Genres:
Chanson
Source Attribution:
[Maillard]
Voice:
[no designation]
Languages:
French
Mensuration:
cut-c
Clef:
f4
Voice Text:
Si comme espoir [text incipit only]
|
||||
| 160–161 | Si les oyseaulx n'avoyent espoir sortir | - | [G. Coste] | |
|
Appears on:
160–161
Genres:
Chanson
Source Attribution:
[G. Coste]
Voice:
[no designation]
Languages:
French
Mensuration:
cut-c
Clef:
f4
Voice Text:
Siles oÿse aulx [= Si les oyseaulx] [text incipit only]
|
||||
| 161 | Ung moins aymant aura peult estre mieulx | - | [Certon] | |
|
Appears on:
161
Genres:
Chanson
Source Attribution:
[Certon]
Voice:
[no designation]
Languages:
French
Mensuration:
cut-c
Clef:
f4
Voice Text:
Ung moins aymant [text incipit only]
|
||||
| 162 | Ne penses pas mesdisans envieulx | - | [F. de Lys] | |
|
Appears on:
162
Genres:
Chanson
Source Attribution:
[F. de Lys]
Voice:
[no designation]
Languages:
French
Mensuration:
cut-c
Clef:
f4
Voice Text:
Ne penses pas [text incipit only]
|
||||
| 162–163 | Je n'oserois le penser véritable | - | [Villiers] | |
|
Appears on:
162–163
Genres:
Chanson
Source Attribution:
[Villiers]
Voice:
[no designation]
Languages:
French
Mensuration:
cut-c
Clef:
f4
Voice Text:
Je noserois le penser [text incipit only]
|
||||
| 163–164 | En lieu du bien que doux souloient | - | [F. de Lys/Quentin] | |
|
Appears on:
163–164
Genres:
Chanson
Source Attribution:
[F. de Lys/Quentin]
Voice:
[no designation]
Languages:
French
Mensuration:
cut-c
Clef:
f4
Voice Text:
En lieu dubien [text incipit only]
|
||||
| 164–165 | Las si mon coeur eut mis en aultre part | - | [Buus] | |
|
Appears on:
164–165
Genres:
Chanson
Source Attribution:
[Buus]
Voice:
[no designation]
Languages:
French
Mensuration:
cut-c
Clef:
f3
Voice Text:
Lassi mon cueur [= Las si mon cueur] [text incipit only]
|
||||
| 165 | Preste moÿ lung de tes yeulx bien | - | [Villiers] | |
|
Appears on:
165
Genres:
Chanson
Source Attribution:
[Villiers]
Voice:
[no designation]
Languages:
French
Mensuration:
cut-c
Clef:
f4
Voice Text:
Preste moÿ lung [text incipit only]
|
||||
| 166–168 | Timor et tremor venit in Ninivem civitatem | - | Clemens non Papa | |
|
Appears on:
166–168
Genres:
Motet
Source Attribution:
Clemens non Papa
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Timor et tremor venit in Niniven civitatem
|
||||
| 168–169 | Tota pulchra es amica mea et macula | - | Cle: Morel | |
|
Appears on:
168–169
Genres:
Motet
Source Attribution:
Cle: Morel
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
... Et macula non est in te
|
||||
| 170 | Tota pulchra es amica mea et macula | - | Cornelius Canis | |
|
Appears on:
170
Genres:
Motet
Source Attribution:
Cornelius Canis
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Tota pulcra es amica mea & macula
|
||||
| 171–172 | Pater peccavi (4vv) - 1a pars (of 2): Pater peccavi in caelum et coram te | - | Adrianus Vuillart | |
|
Appears on:
171–172
Genres:
Motet
Source Attribution:
Adrianus Vuillart
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f3
Voice Text:
Pater peccavi in coelum & coram te
|
||||
| 172–173 | Pater peccavi (4vv) - 2a pars (of 2): Quanti mercenarii in domo patris | - | - | |
|
Appears on:
172–173
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f3
Voice Text:
Secunda pars : Quanti mercenarii in domo patris
|
||||
| 173–174 | Pater peccavi (5vv) - 1a pars (of 2): Paper peccavi in caelum et coram te | - | Pe: Manchicourt | |
|
Appears on:
173–174
Genres:
Motet
Source Attribution:
Pe: Manchicourt
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Pater peccavi in coelum & coram te
|
||||
| 175–176 | Pater peccavi (5vv) - 2a pars (of 2): Quanti mercenarii in domo patris | - | - | |
|
Appears on:
175–176
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Secunda pars : Quanti mercenarii in domo patris
|
||||
| 176–177 | In me transierunt irae tuae et terrores | - | Maillart | |
|
Appears on:
176–177
Genres:
Motet
Source Attribution:
Maillart
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
In me transierunt irae tuae & terrores
|
||||
| 178 | Adesto dolori meo - 1a pars (of 2): Adesto dolori meo deus nimium fatigor | - | Jacobus Clemens non Papa | |
|
Appears on:
178
Genres:
Motet
Source Attribution:
Jacobus Clemens non Papa
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f3
Voice Text:
Adesto dolori meo deus nimium fatigor
|
||||
| 179 | Adesto dolori meo - 2a pars (of 2): Interiora mea efferbuerunt absque ulla requie | - | - | |
|
Appears on:
179
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f3
Voice Text:
Pars secunda : Interiora mea efferbuerunt me
|
||||
| 180–181 | In te Domine speravi non confundar | - | Clemens non Papa | |
|
Appears on:
180–181
Genres:
Motet, Te Deum
Source Attribution:
Clemens non Papa
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f3
Voice Text:
In te domine speravi non confundar
|
||||
| 182–185 | Beati omnes qui timent Dominum qui ambulant (2p. Ecce sic benedicetur homo qui timet) | - | Benedictus Appenzeller | |
|
Appears on:
182–185
Genres:
Motet
Source Attribution:
Benedictus Appenzeller
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c4
Voice Text:
Beati omnes qui timent dominum qui ambulant II: ... Qui timet dominum
|
||||
| 185–186 | Gaudete psallentes mire laudantes virginis | - | Anon. | Anonymous |
|
Appears on:
185–186
Genres:
Motet
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Gaudete psallentes mire laudantes virginis
|
||||
| 186–187 | Defali convivium | - | Anon. | Anonymous |
Defali conviviumAnonymous
Appears on:
186–187
Genres:
Motet
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
D.e.de.f.a.fa ... defali convivium
|
||||
| 187–189 | Nun meisterlich wir heben singen an | - | Anon. | Anonymous |
Nun meisterlich wir heben singen anAnonymous
Appears on:
187–189
Genres:
Song
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
f4
Voice Text:
Nuhn meisterlich wir haben singen an
|
||||
| 189–190 | Mein einigs A. ich Dein beleib und mich | - | [Hofhaimer] | |
|
Appears on:
189–190
Genres:
Song
Source Attribution:
[Hofhaimer]
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
f4
Voice Text:
Mein einiges A. ich dein beleib und mich
|
||||
| 190–191 | Une fillette bien gorriere embrassa | - | [Clemens non Papa/Janequin] | |
|
Appears on:
190–191
Genres:
Chanson
Source Attribution:
[Clemens non Papa/Janequin]
Voice:
[no designation]
Languages:
none
Mensuration:
cut-c
Clef:
c4
Voice Text:
[Une fillette bien gorriere] untexted
|
||||
| 191–192 | Vergangen ist mir glück und heil | - | [Förster] | |
|
Appears on:
191–192
Genres:
Song
Source Attribution:
[Förster]
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
f3
Voice Text:
Vergangen ist mir glückh und heyl
|
||||
| 192 | Da pacem Domine in diebus nostris | - | [Bruck] | |
|
Appears on:
192
Genres:
Motet
Source Attribution:
[Bruck]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Da pacem domine in diebus nostris
|
||||
| 193 | Welscher tantz | - | Anon. | Anonymous |
Welscher tantzAnonymous
Appears on:
193
Genres:
Dance, Secular
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
none
Clef:
f4
Voice Text:
Welscher tantz
General Noteapparently a page is lost between 192 & 193; only the last 7 notes of the dance remain at the top of p. 193 |
||||
| 193 | In natali Domini clamant mortales / Wo ist uns das Kind geborn | - | [Hähnel] | |
|
Appears on:
193
Genres:
Motet
Source Attribution:
[Hähnel]
Voice:
[no designation]
Languages:
Latin, German
Mensuration:
cut-c
Clef:
f4
Voice Text:
In natali domini ... Wo ist uns das kindelein
|
||||
| 194 | Christum wir sollen loben schon | - | Anon. | Anonymous |
Christum wir sollen loben schonAnonymous
Appears on:
194
Genres:
Hymn, Motet, Sacred Song
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
f3
Voice Text:
Christum wir sollen loben schon
|
||||
| 194–195 | Parvulus nobis nascitur de virgine | - | [J. Hermann] | |
|
Appears on:
194–195
Genres:
Hymn
Source Attribution:
[J. Hermann]
Voice:
[no designation]
Languages:
Latin
Mensuration:
3
Clef:
f4
Voice Text:
Parvulus nobis nascitur de virgine
|
||||
| 195 | Gelobet seist Du, Jesu Christ, dass Du Mensch | - | [Walter] | |
|
Appears on:
195
Genres:
Chorale, Sacred Song
Source Attribution:
[Walter]
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
f4
Voice Text:
Gelobet seistu Jhesu Christ das du mensch
|
||||
| 195–196 | Wie geht es zu, dass heut und nu | - | [Bruck] | |
|
Appears on:
195–196
Genres:
Song
Source Attribution:
[Bruck]
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
f4
Voice Text:
Wie geht es zu das heut und nu
|
||||
| 196–197 | Puer natus est nobis et filius datus est 26.9 | - | [Josquin/Mouton] | |
|
Appears on:
196–197
Genres:
Motet
Source Attribution:
[Josquin/Mouton]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f3
Voice Text:
Puer natus est nobis & filius datus est
|
||||
| 197–198 | Grates nunc omnes reddamus Domino Deo (2p. Nos liberavit de diabolica potestate; 3p. Huic oportet ut canamus cum angelis) | - | Anon. | Anonymous |
|
Appears on:
197–198
Genres:
Motet
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Grates nunc omnes reddamus domino deo II: Nos liberavit de diabolica potestate III: Huic oportet ut canamus cum angelis
|
||||
| 198–200 | Sum tuus in vita (4vv) [M109] | - | [Senfl] | |
|
Appears on:
198–200
Genres:
Motet
Source Attribution:
[Senfl]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Sum tuus in vita tua sunt mea funera
|
||||
| 201 | Was ist die Welt, gelt hat allein den Preis | - | [Senfl] | |
|
Appears on:
201
Genres:
Song
Source Attribution:
[Senfl]
Voice:
Bassus
Languages:
German
Mensuration:
cut-c
Clef:
f4
Voice Text:
Was ist die weltt gelt hat allein den preiss
Layoutcopied on a circular stave |
||||
| 202 | Möcht ich Gunst haben bei dir das kann ich | - | Anon. | Anonymous |
|
Appears on:
202
Genres:
Song
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
f4
Voice Text:
Möcht ich gunst han bey dir das khan ich
Layoutcopied on a circular stave |
||||
| 203 | Apparuit benignitas et humanitas salvatoris | - | Galliculus [= Hähnel] | |
|
Appears on:
203
Genres:
Motet
Source Attribution:
Galliculus [= Hähnel]
Voice:
[no designation]
Languages:
Latin
Clef:
f4
Voice Text:
... Non ex operibus
|
||||
| 204–205 | Ecce quam bonum et quam jocundum habitare (2p. Quod descendit in orem vestimenti; 3p. Quoniam illic mandavit Dominus) | - | Anon. | Anonymous |
|
Appears on:
204–205
Genres:
Motet
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Clef:
f3
Voice Text:
Ecce quam bonum et quam iucundum habitare II: Quod descendit in orem vestimenti III: Quoniam illic mandavit dominus
|
||||
| 205–206 | Missa Quant j'ai au coeur: Benedictus | - | [Isaac] | |
|
Appears on:
205–206
Genres:
Mass Ordinary, Sanctus [& Benedictus], Troped Sanctus
Source Attribution:
[Isaac]
Voice:
[no designation]
Languages:
Latin
Clef:
c3
Voice Text:
Benedictus [from Missa Quant j'ay au cueur] [text incipit only]
|
||||
| 207–208 | Dilexi quoniam - 2a pars (of 2): O Domine libera animam meam | - | - | |
|
Appears on:
207–208
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Clef:
f3
Voice Text:
... parvulos dominus [incomplete]
General Noteincomplete - 1a pars & beginning of 2a pars missing, folio lost between 206 & 207 |
||||
| 208 | Freundlicher grüss mit buss ward mir heimlich | - | Anon. | Anonymous |
|
Appears on:
208
Genres:
Lied
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
f4
Voice Text:
Freundlicher gruss mit buss wardt mir
|
||||
| 209–211 | Maria Magdalena - 1a pars (of 2): Maria Magdalena et altera Maria ibant | - | Clemens non Papa | |
|
Appears on:
209–211
Genres:
Motet
Source Attribution:
Clemens non Papa
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f3
Voice Text:
Maria Magdalena & altera Maria ibant
|
||||
| 211–212 | Maria Magdalena - 2a pars (of 2): Cito euntes dicite discipulis eius | - | - | |
|
Appears on:
211–212
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f3
Voice Text:
Secunda pars : Cito euntes dicite discipulis suis
|
||||
| 213 | Ach lieb mit leid wie hast Dein B'scheid | - | [Hofhaimer] | |
|
Appears on:
213
Genres:
Song
Source Attribution:
[Hofhaimer]
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
f4
Voice Text:
Ach lieb mit leid wie hast dein bescheid
|
||||
| 213–215 | Erravi sicut ovis - 1a pars (of 2): Erravi sicut ovis quae periit require | - | Thomas Crequilon | |
|
Appears on:
213–215
Genres:
Motet
Source Attribution:
Thomas Crequilon
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f3
Voice Text:
Erravi sicut ovis quae periit require
|
||||
| 215–216 | Erravi sicut ovis - 2a pars (of 2): Delicta juventutis meae et ignorantias | - | - | |
|
Appears on:
215–216
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f3
Voice Text:
Secunda pars : Delicta iuventutis meae & ignorantias
|
||||
| 216–218 | Zucht Ehr und Lob ihr wohnet bei | - | [Hofhaimer] | |
|
Appears on:
216–218
Genres:
Secular
Source Attribution:
[Hofhaimer]
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
f4
Voice Text:
Zucht ehr und lob ihr wohnet bei
|
||||
| 218–220 | Congratulamini mihi - 1a pars (of 2): Congratulamini mihi omnes qui diligitis | - | Crequilon/[C. Hollander] | |
|
Appears on:
218–220
Genres:
Motet
Source Attribution:
Crequilon/[C. Hollander]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Congratulamini mihi omnes qui diligitis
|
||||
| 220–222 | Congratulamini mihi - 2a pars (of 2): Tulerunt Dominum meum et nescio ubi | - | - | |
|
Appears on:
220–222
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
(2p.) Tulerunt dominum meum et nescio ubi
|
||||
| 222 | Disce bone clerice virgines amare | - | [Coclico] | |
|
Appears on:
222
Genres:
Motet
Source Attribution:
[Coclico]
Voice:
[no designation]
Languages:
none
Clef:
f3
Voice Text:
[Disce bone clerice virgines amare] untexted
|
||||
| 223 | Studenten Art und Freulen zart | - | Anon. | Anonymous |
Studenten Art und Freulen zartAnonymous
Appears on:
223
Genres:
Song
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
none
Voice Text:
[tacet in this part]
|
||||
| 223–228 | Quemadmodum desiderat cervus ad fontes (2p. Quare tristis es anima mea; 3p. In die mandavit Dominus misericordiam) | - | Andreas Grundler | |
|
Appears on:
223–228
Genres:
Motet
Source Attribution:
Andreas Grundler
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Quemadmodum desiderat cervus ad fontes II: Quare tristis es anima mea III: In die mandavit dominus misericordiam
|
||||
| 228 | Unam petii Domino hanc inveni haec erit | - | Johannes Stahel | |
|
Appears on:
228
Genres:
Italian secular
Source Attribution:
Johannes Stahel
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Unam petij a domino hanc inveni haec erit
|
||||
| 228–230 | Domine Deus qui conteris bella ab initio (2p. Allide virtutem eorum in virtute tuae) | - | Verdeloth | |
|
Appears on:
228–230
Genres:
Motet
Source Attribution:
Verdeloth
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Domine deus qui conteris bella ab initio II: Allide virtutem eorum in virtute tuae
|
||||
| 230–231 | Madonna al volto mio | - | Jacomus Foglianus [= G. Fogliano]/[C. Festa] | |
|
Appears on:
230–231
Genres:
Italian secular
Source Attribution:
Jacomus Foglianus [= G. Fogliano]/[C. Festa]
Voice:
[no designation]
Languages:
Italian
Mensuration:
cut-c
Clef:
c4
Voice Text:
Madonna al volto mio pallid' et smorto [text incipit only]
|
||||
| 231–232 | Che si puo piu vedere madonna | - | Idem eiusdem (=Foglianus)/[C. Festa] | |
|
Appears on:
231–232
Genres:
Madrigal (Italian)
Source Attribution:
Idem eiusdem (=Foglianus)/[C. Festa]
Voice:
[no designation]
Languages:
Italian
Mensuration:
cut-c
Clef:
c3
Voice Text:
Che si puo piu vedere Madonna [text incipit only]
|
||||
| 233 | Madonna io vo am' e taccio ve'l puo giurar | - | Eiusdem autoris (=Foglianus)/[C. Festa] | |
|
Appears on:
233
Genres:
Madrigal (Italian)
Source Attribution:
Eiusdem autoris (=Foglianus)/[C. Festa]
Voice:
[no designation]
Languages:
Italian
Mensuration:
cut-c
Clef:
c4
Voice Text:
Madonna io Vam' è taccio ve'l puo giurar [text incipit only]
|
||||
| 234–235 | Che parlo o dove sono chi m'inganna | - | Foglianus/[C. Festa] | |
|
Appears on:
234–235
Genres:
Italian secular
Source Attribution:
Foglianus/[C. Festa]
Voice:
[no designation]
Languages:
Italian
Mensuration:
cut-c
Clef:
c4
Voice Text:
Che parlo o dove sono occhim' inganna [text incipit only]
|
||||
| 235–237 | Nuptiae factae sunt in Chana Gallileae | - | [Barra/Elimon] |
Elimon (Elimot)
(?)
|
|
Appears on:
235–237
Genres:
Motet
Source Attribution:
[Barra/Elimon]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c4
Voice Text:
Nuptiae factae sunt in Cana Galileae
|
||||
| 238 | Se non fosse il sperar che mi conforta | - | Foglianus/[C. Festa] | |
|
Appears on:
238
Genres:
Italian secular
Source Attribution:
Foglianus/[C. Festa]
Voice:
[no designation]
Languages:
Italian
Mensuration:
cut-c
Clef:
c4
Voice Text:
Se non fosse il sperar che mi conforta [text incipit only]
|
||||
| 239–240 | Venut'era madonna al mio languire | - | Foglianus/[C. Festa] | |
|
Appears on:
239–240
Genres:
Italian secular
Source Attribution:
Foglianus/[C. Festa]
Voice:
[no designation]
Languages:
Italian
Mensuration:
cut-c
Clef:
c3
Voice Text:
Venut' era, madonna, al mio languire
|
||||
| 240–241 | Se non fosse il sperar che mi conforta | - | Praecedens autor (=Foglianus)/[C. Festa] | |
|
Appears on:
240–241
Genres:
Italian secular
Source Attribution:
Praecedens autor (=Foglianus)/[C. Festa]
Voice:
[no designation]
Languages:
Italian
Mensuration:
cut-c
Clef:
c3
Voice Text:
Se non fosse il sperar che mi conforta [text incipit only]
|
||||
| 241–242 | Ingiustissimo amor perche si raro | - | Foglianus/[C. Festa] | |
|
Appears on:
241–242
Genres:
Italian secular
Source Attribution:
Foglianus/[C. Festa]
Voice:
[no designation]
Languages:
Italian
Mensuration:
cut-c
Clef:
c4
Voice Text:
Ingiustissimo amor perche si raro corrispondenti fai nostri [text incipit only]
|
||||
| 243–244 | Tria sunt munera- 1a pars (of 2): Tria sunt munera | - | Goessen Junckers | |
|
Appears on:
243–244
Genres:
Motet
Source Attribution:
Goessen Junckers
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Tria sunt munera preciosa quae obtulerunt
|
||||
| 244–245 | Tria sunt munera- 2a pars (of 2): Reges Tharsis et Insulae | - | - | |
|
Appears on:
244–245
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c4
Voice Text:
Altera pars : Reges Tharsis & insulae munera
|
||||
| 246–247 | In principio erat verbum 19.7 - 1a pars (of 3): In principio erat verbum et verbum | - | Josquin de Prees | |
|
Appears on:
246–247
Genres:
Motet
Source Attribution:
Josquin de Prees
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f3
Voice Text:
In principio erat verbum Et verbum
|
||||
| 247–249 | In principio erat verbum 19.7 - 2a pars (of 3): Fuit homo missus a Deo | - | - | |
|
Appears on:
247–249
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f3
Voice Text:
Secunda Pars : Fuit homo missus a deo cui nomen
|
||||
| 249 | In principio erat verbum 19.7 - 3a pars (of 3): Et verbum caro factum est | - | - | |
|
Appears on:
249
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f3
Voice Text:
Terta pars : Et verbum caro factum est & habitavit
|
||||
| 249–251 | Gaudent in caelis animae sanctorum | - | Archadelt | |
|
Appears on:
249–251
Genres:
Motet
Source Attribution:
Archadelt
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Gaudent in coelis animae sanctorum
|
||||
| 251–253 | Quam pulchra es - 1a pars (of 2): Quam pulchra es et quam decora | - | Lupi/[Mouton] | |
|
Appears on:
251–253
Genres:
Motet
Source Attribution:
Lupi/[Mouton]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f3
Voice Text:
Quam pulcra es amica mea & quam decora
|
||||
| 253–254 | Quam pulchra es - 2a pars (of 2): Veni dilecte mi egrediamur in agrum | - | - | |
|
Appears on:
253–254
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f3
Voice Text:
Secunda pars : Veni dilecte mi egrediamur in agrum
|
||||
| 254–255 | Senex puerum - 1a pars (of 2): Senex puerum portabat puer autem senem | - | Lheritier | |
|
Appears on:
254–255
Genres:
Motet
Source Attribution:
Lheritier
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f3
Voice Text:
Senex puerum portabat puer autem senem
|
||||
| 255–257 | Senex puerum - 2a pars (of 2): Hodie beata virgo | - | - | |
|
Appears on:
255–257
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f3
Voice Text:
Secunda pars Hodie beata virgo Maria puerum Jesum
|
||||
| 257–258 | Jerusalem luge - 1a pars (of 2): Jerusalem luge et exue te vestibus jocunditatis | - | Richafort/[Caen/Lupus] |
Caen, Arnold
(?)
|
|
Appears on:
257–258
Genres:
Motet
Source Attribution:
Richafort/[Caen/Lupus]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Hierusalem luge & exue te vestibus
|
||||
| 258–260 | Jerusalem luge - 2a pars (of 2): Deduc quasi torrentem lacrimas | - | - |
Caen, Arnold
(?)
|
|
Appears on:
258–260
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Secunda pars : Deduc quasi torrentem lachrimas
|
||||
| 260–262 | Deus qui sedes super thronum (4vv) | - | Johannes Walterus/[Verdelot] | |
|
Appears on:
260–262
Genres:
Motet
Source Attribution:
Johannes Walterus/[Verdelot]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Deus qui sedes super thronum & iudicas
|
||||
| 262–263 | Vere beatus - 1a pars (of 2): Vere beatus et deo factus meritus auspice | - | [Walter] | |
|
Appears on:
262–263
Genres:
Motet
Source Attribution:
[Walter]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Vere beatus & Deo factus meritus auspice
|
||||
| 264–265 | Vere beatus - 2a pars (of 2): Hanc ardet hanc amplexibus | - | - | |
|
Appears on:
264–265
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Secunda pars : Hanc ardet hanc amplexibus dulcissimus
|
||||
| 265–266 | Festum nunc celebre magnaque gaudia (5vv) | - | [Walter] | |
|
Appears on:
265–266
Genres:
Motet
Source Attribution:
[Walter]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Festum nunc celebre magnaque gaudia
|
||||
| 266–268 | Dum complerentur dies Pentecostes erant omnes | - | Archadelt/[Verdelot] | |
|
Appears on:
266–268
Genres:
Motet
Source Attribution:
Archadelt/[Verdelot]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c4
Voice Text:
Dum complerentur dies pentecostes erant
|
||||
| 268–270 | Cantate Domino - 1a pars (of 2): Cantate Domino canticum novum | - | Jachet [of Mantua] | |
|
Appears on:
268–270
Genres:
Motet
Source Attribution:
Jachet [of Mantua]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Cantate domino canticum novum laus eius
|
||||
| 270–271 | Cantate Domino - 2a pars (of 2): Cantate ei et psallite ei | - | - | |
|
Appears on:
270–271
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Secunda pars : Cantate ei & psallite narrate
|
||||
| 272 | Beata Dei genitrix - 1a pars (of 2): Beata Dei genitrix virgo Maria | - | Lheritier/[Conseil/Willaert] | |
|
Appears on:
272
Genres:
Motet
Source Attribution:
Lheritier/[Conseil/Willaert]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Beata Dei genitrix virgo Maria
|
||||
| 272–273 | Beata Dei genitrix - 2a pars (of 2): Et beata quae credidit quoniam | - | - | |
|
Appears on:
272–273
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Secunda Pars : Et beata quae credidit quoniam
|
||||
| 273–274 | Jam non dicam - 1a pars (of 2): Jam non dicam vos servos | - | Richafort/[Lupus] | |
|
Appears on:
273–274
Genres:
Motet
Source Attribution:
Richafort/[Lupus]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c4
Voice Text:
Jam non dicam vos servos sed amicos
|
||||
| 275–276 | Jam non dicam - 2a pars (of 2): Cum venerit ille spiritus veritatis | - | - | |
|
Appears on:
275–276
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c4
Voice Text:
Secunda pars : Cum venerit ille spiritus veritatis
|
||||
| 276–277 | Ogni belta madonna ch'io veggi'altrui | - | Foglianus/[C. Festa] | |
|
Appears on:
276–277
Genres:
Madrigal (Italian)
Source Attribution:
Foglianus/[C. Festa]
Voice:
[no designation]
Languages:
Italian
Mensuration:
cut-c
Clef:
f4
Voice Text:
Ogni belta madonna ch'io veggia paltrui [text incipit only]
|
||||
| 277 | Sopra una verde è dilettosa riva | - | Foglianus/[C. Festa] | |
|
Appears on:
277
Genres:
Italian secular
Source Attribution:
Foglianus/[C. Festa]
Voice:
[no designation]
Languages:
Italian
Mensuration:
cut-c
Clef:
c3
Voice Text:
Sopra una verde è dilettosa riva [text incipit only]
|
||||
| 278–279 | Venit' amant' insieme a pianger forte (= Ne doibt on prendre quand on donne) | - | Foglianus/[Compère/C. Festa] | |
|
Appears on:
278–279
Genres:
Contrafactum, Italian secular
Source Attribution:
Foglianus/[Compère/C. Festa]
Voice:
[no designation]
Languages:
Italian
Mensuration:
cut-c
Clef:
f4
Voice Text:
Venit'amant'insieme a pianger forte [= Ne doibt on prendre] [text incipit only]
|
||||
| 279–280 | Afflitti spiriti miei siate contenti | - | Foglianus/[C. Festa] | |
|
Appears on:
279–280
Genres:
Motet
Source Attribution:
Foglianus/[C. Festa]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Afflitti spiriti miei siate contenti [text incipit only]
|
||||
| 280–281 | Madonna io prend'ardire narrar con lingua | - | Foglianus/[C. Festa] | |
|
Appears on:
280–281
Genres:
Italian secular
Source Attribution:
Foglianus/[C. Festa]
Voice:
[no designation]
Languages:
Italian
Mensuration:
cut-c
Clef:
c3
Voice Text:
Madonna io prend' ardire Narrar con lingua [text incipit only]
|
||||
| 281–282 | Una donna l'altrier fissa mirai piu lucente | - | Foglianus/[C. Festa/Pisano] |
Pisano, Bernardo
(?)
|
|
Appears on:
281–282
Genres:
Italian secular
Source Attribution:
Foglianus/[C. Festa/Pisano]
Voice:
[no designation]
Languages:
Italian
Mensuration:
cut-c
Clef:
c4
Voice Text:
Una donna l'altrier fissa mirai piu lucente ch'el sole [text incipit only]
|
||||
| 282–284 | Ne recorderis peccata mea Domine cum veneris | - | [Hemmerlen] | |
|
Appears on:
282–284
Genres:
Motet
Source Attribution:
[Hemmerlen]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f3
Voice Text:
Ne recorderis peccata mea domine cum veneris
|
||||
| 284–286 | Viri Galilaei quid aspicitis in caelum | - | Anon. | |
|
Appears on:
284–286
Genres:
Motet
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Viri Galilaei quid aspicitis in coelum
|
||||
| 286–287 | Congratulamini mihi 26.3 - 1a pars (of 2) Congratulamini mihi omnes qui diligitis | - | [Josquin/Lebrun/Richafort] | |
|
Appears on:
286–287
Genres:
Motet
Source Attribution:
[Josquin/Lebrun/Richafort]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f3
Voice Text:
Congratulamini mihi omnes qui diligitis
|
||||
| 287–288 | Congratulamini mihi 26.3 - 2a pars (of 2): Tulerunt Dominum meum et nescio ubi | - | - | |
|
Appears on:
287–288
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f3
Voice Text:
Secund [sic] pars : Tulerunt dominum meum ... Dicunt ei angeli
|
||||
| 289–290 | Sancta Trinitas unus Deus miserere nobis (6vv) | - | [A.] Fevin/[Craen/C. Festa/Josquin/Morales]Arnoldus de Bruck | |
|
Appears on:
289–290
Genres:
Motet
Source Attribution:
[A.] Fevin/[Craen/C. Festa/Josquin/Morales]Arnoldus de Bruck
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Sancta trinitas unus deus miserere
ConcordancesPubl. Hans Ott, Novum et insigne opus musicum, Nuremberg, Hieronymus Formschneider, 1537, no 3; Tertius tomus Evangeliorum, quatuor, quinque, sex et plurium vocum, Nuremberg, J. Montanus & U. Neuber, 1555, no 7; Novum et insigne opus musicum, Nuremberg, J. von Berg & U. Neuber, 1558, no 10 Layoutat head a note that the sexta vox is copied "Secundum bassum quaere in fine huius partis". Copied at 421-422 "Arnoldus de Bruck ad placitum" |
||||
| 290–291 | O trinitas et Deitas - 1a pars (of 2): O trinitas et Deitas alma tibi omnes angeli | - | [Rein] | |
|
Appears on:
290–291
Genres:
Motet
Source Attribution:
[Rein]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f3
Voice Text:
O trinitas o inaestimabilis
|
||||
| 291–293 | O trinitas et Deitas - 2a pars (of 2): Miserere qui passus est nobis | - | - | |
|
Appears on:
291–293
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f3
Voice Text:
Secunda pars : Miserere qui passus est nobis
|
||||
| 293–295 | In illo tempore dixit Jesus discipulis (2p. His autem fieri incipientibus) | - | Anon. | Anonymous |
|
Appears on:
293–295
Genres:
Motet
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Mensuration:
o
Clef:
f4
Voice Text:
In illo tempore dixit Jesus discipulis suis II: His autem fieri incipientibus suspendite
|
||||
| 296–297 | Magnum Oseae quem decus virginale parturit | - | Anon. | Anonymous |
|
Appears on:
296–297
Genres:
Motet
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Magnum Oseae quem decus virginale parturit
|
||||
| 297–298 | Creavit Deus hominem ad imaginem suam (2p. Crescite et multiplicamini et replete) | - | [H. Faber] | |
|
Appears on:
297–298
Genres:
Motet
Source Attribution:
[H. Faber]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Creavit deus hominem ad imaginem suam II: Crescite & multiplicamini & replete
|
||||
| 298–299 | Jamais en ce monde n'aurais regrets | - | Crequillon | |
|
Appears on:
298–299
Genres:
Chanson
Source Attribution:
Crequillon
Voice:
[no designation]
Languages:
French
Mensuration:
cut-c
Clef:
f3
Voice Text:
Jamais enche monde naraÿ [= Jamais en ce monde n'aray] [= #84, p. 105] [text incipit only]
|
||||
| 299–301 | Da trunken sie die liebe lange Nacht | - | Anon. | Anonymous |
Da trunken sie die liebe lange NachtAnonymous
Appears on:
299–301
Genres:
Quodlibet
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
f4
Voice Text:
Quodlibet : Da truncken sie die liebe lange nacht
|
||||
| 301–302 | Guckguckh hat sich zu todt gefallen | - | Johan Müller | |
|
Appears on:
301–302
Genres:
Song
Source Attribution:
Johan Müller
Voice:
[no designation]
Languages:
German
Mensuration:
o-3
Clef:
f4
Voice Text:
Guckgukh hat sich zu todt gefallen
|
||||
| 302–303 | Te Deum laudamus 26.16 - 1a pars (of 3): Te Deum laudamus te dominum confitemur | - | [Josquin/Mouton/Silva] | |
|
Appears on:
302–303
Genres:
Te Deum
Source Attribution:
[Josquin/Mouton/Silva]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Te Deum laudamus te dominum confitemur
|
||||
| 303–304 | Te Deum laudamus 26.16 - 2a pars (of 3): Venerandum tuum/Patrem immensae majestatis | - | - | |
|
Appears on:
303–304
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Secunda pars : Venerandum tuum verum & unicum filium
|
||||
| 304–305 | Te Deum laudamus 26.16 - 3a pars (of 3): Te ergo quaesumus | - | - | |
|
Appears on:
304–305
Genres:
Te Deum
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Tertia pars : Te ergo quaesumus Domine
|
||||
| 305–306 | Von Herzen mein bin ich ir geneigt | - | Othmarus [= Othmayr] | |
|
Appears on:
305–306
Genres:
Song
Source Attribution:
Othmarus [= Othmayr]
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
f4
Voice Text:
Von hertzen mein bin ich ir geneigt
|
||||
| 306 | Lieblich hat sich gesellet mein herz | - | Othmarus | |
|
Appears on:
306
Genres:
Song
Source Attribution:
Othmarus
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
f4
Voice Text:
Lieblich hat sich gesellet mein hertz
|
||||
| 306–307 | Nun wolt ich lieber elend sein | - | Othmarus | |
|
Appears on:
306–307
Genres:
Song
Source Attribution:
Othmarus
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
f3
Voice Text:
Nun wolt ich lieber elennd seyn
|
||||
| 307–308 | Wach auff mein hort und hör mein stim | - | Othmarus | |
|
Appears on:
307–308
Genres:
Song
Source Attribution:
Othmarus
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
f4
Voice Text:
Wach auff mein hort und hör mein stim
|
||||
| 308 | Es wolt ein Jäger jagen wolt jagen | - | Othmarus | |
|
Appears on:
308
Genres:
Song
Source Attribution:
Othmarus
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
f4
Voice Text:
Es wolt ein Jäger jagen wolt jagen
|
||||
| 308–309 | Ich ritt einmal spazieren durch den gruenen | - | Othmarus | |
|
Appears on:
308–309
Genres:
Song
Source Attribution:
Othmarus
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
f3
Voice Text:
Ich ritt einmal spasyaren durch den gruenen
|
||||
| 309–310 | Ich armer boss bin ganz verwirrt | - | Othmarus | |
|
Appears on:
309–310
Genres:
Song
Source Attribution:
Othmarus
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
f4
Voice Text:
Ich armer boss bin gantz verwirt
|
||||
| 310 | Von Deinetwegen bin ich hie herzlieb | - | G. Othmarus | |
|
Appears on:
310
Genres:
Song
Source Attribution:
G. Othmarus
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
f4
Voice Text:
Von deinetwegen bin ich hie hertzlieb
|
||||
| 310–311 | Ich weiss mir ein medlin hubsch und fein | - | Othmarus | |
|
Appears on:
310–311
Genres:
Song
Source Attribution:
Othmarus
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
f3
Voice Text:
Ich weiss mir ein medlin hubsch und fein
|
||||
| 311 | Mir ist ein feins brauns maidelein gefallen | - | Matthaeus Greiter | |
|
Appears on:
311
Genres:
Song
Source Attribution:
Matthaeus Greiter
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
f4
Voice Text:
Mir ist ein feins brauns medelin gefallen
|
||||
| 312–313 | Ach Gott wem soll ichs klagen das heimliche leiden | - | Greiter | |
|
Appears on:
312–313
Genres:
Song
Source Attribution:
Greiter
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
f3
Voice Text:
Ach Got wem sol ich klagen das heimlich leÿden
|
||||
| 313–314 | Freundlich von art ein freulein zart | - | Paulus Wüst | |
|
Appears on:
313–314
Genres:
Song
Source Attribution:
Paulus Wüst
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
f4
Voice Text:
Freundlich von art ein freulein zart
|
||||
| 314 | Ich armes maidlein klag mich sehr wie soll mir | - | [Senfl] | |
|
Appears on:
314
Genres:
Song
Source Attribution:
[Senfl]
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
f4
Voice Text:
Ich armes medelin klag mich sehr wie sol mir
|
||||
| 315 | Ach höchster hort, du edles Blut gedenk | - | Anon. | Anonymous |
Ach höchster hort, du edles Blut gedenkAnonymous
Appears on:
315
Genres:
Sacred Song
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
f4
Voice Text:
Ach höchster hort du edles blut gedenckh
|
||||
| 315–316 | Ach Gott wem soll ichs klagen das heimliche leiden | - | W. Grefinger/[Bauldeweyn] | |
|
Appears on:
315–316
Genres:
Song
Source Attribution:
W. Grefinger/[Bauldeweyn]
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
f4
Voice Text:
Ach Got wem soll ich klagen das heÿmlich leÿden
|
||||
| 316–317 | Mein G'müt und Blüt ist gar entzünden | - | Andreas Sylvanus/[J. Wenck] |
Wenck, J.
(?)
|
|
Appears on:
316–317
Genres:
Song
Source Attribution:
Andreas Sylvanus/[J. Wenck]
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
f4
Voice Text:
Mein gmuet unnd bluet ist gar entzünden
|
||||
| 317–318 | Ich weiss ein stoltze müllerin | - | Cosmas Alderinus | |
|
Appears on:
317–318
Genres:
Song
Source Attribution:
Cosmas Alderinus
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
f3
Voice Text:
Ich weiss ein stoltze Müllerin
|
||||
| 318–319 | Zart schöne Frau gedenk und schau | - | Anon. | Anonymous |
Zart schöne Frau gedenk und schauAnonymous
Appears on:
318–319
Genres:
Song
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
f4
Voice Text:
Zart schöne frau gedenkh und schau
|
||||
| 319–320 | Von üppiglichen dingen so wil ichs sehen | - | Greiterus | |
|
Appears on:
319–320
Genres:
Song
Source Attribution:
Greiterus
Voice:
[no designation]
Languages:
German
Clef:
f4
Voice Text:
Von üppiglichen dingen so wil ichs sehen
|
||||
| 320–321 | Dieweil umsonst jetz alle Kunst am Tag | - | Lazarus Spengler | |
|
Appears on:
320–321
Genres:
Song
Source Attribution:
Lazarus Spengler
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
f4
Voice Text:
Dieweil umbsonst ietz alle kunst an tag
|
||||
| 321–323 | Miserere mei Domine quoniam infirmus sum (2p. Et anima mea turbata est valde) | - | Anon. | Anonymous |
|
Appears on:
321–323
Genres:
Motet
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Miserere mei domine quoniam infirmus sum II: Et anima mea turbata est valde
|
||||
| 324–326 | In te Domine speravi non confundar | - | Adrian Petit [Coclico] | |
|
Appears on:
324–326
Genres:
Motet
Source Attribution:
Adrian Petit [Coclico]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
In te domine speravi non confundar
|
||||
| 326–328 | Praeter rerum seriem parit Deum et hominem (2p. Virtus sancti spiritus opus illud) | - | Anon. | Anonymous |
|
Appears on:
326–328
Genres:
Motet
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Praeter rerum seriem parit Deum & hominem II: Virtus sancti spiritus opus illud
|
||||
| 328–329 | Verbum iniquum - 1a pars (of 2): Verbum iniquum et dolosum | - | [Morales] | |
|
Appears on:
328–329
Genres:
Motet
Source Attribution:
[Morales]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Verbum iniquum & dolosum longe fac
|
||||
| 329–331 | Verbum iniquum - 2a pars (of 2): Duo rogavi te Domine ne deneges mihi | - | - | |
|
Appears on:
329–331
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Pars secunda : Duo rogavi te ne deneges mihi
|
||||
| 331 | Quisquis requiem quaeris feminam cave | - | [Othmayr] | |
|
Appears on:
331
Genres:
Motet
Source Attribution:
[Othmayr]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Mala herba mala herba
Voice:
Secundus bassus
Languages:
German
Mensuration:
cut-c
Clef:
f4
Voice Text:
Buff in sie pfineyssin sie
General NoteParts for Bassus I & Bassus II copied |
||||
| 332–334 | Omnia vertuntur certe vertuntur amore | - | Gasp: Othmarus | |
|
Appears on:
332–334
Genres:
Motet
Source Attribution:
Gasp: Othmarus
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Omnia vertuntur certe vertuntur amore
|
||||
| 334–336 | Venite ad me omnes qui laboratis et onerati (2p. Tollite jugum meum super vos) | - | Johan: Bucherus [= Buechmaier] | |
|
Appears on:
334–336
Genres:
Motet
Source Attribution:
Johan: Bucherus [= Buechmaier]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f3
Voice Text:
Venite ad me omnes qui laboratis & onerati II: Tollite iugum meum super vos
|
||||
| 336–339 | Sic Deus dilexit mundum ut filium suum (2p. Haec est autem condemnatio quod lux) | - | Johan: Bucherus [= Buechmaier] | |
|
Appears on:
336–339
Genres:
Motet
Source Attribution:
Johan: Bucherus [= Buechmaier]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f3
Voice Text:
Sic deus dilexit mundum ut filium suum II: Haec est autem condemnatio quod lux
|
||||
| 339–340 | Lex per Moÿsen data est gratia et veritas | - | Johann: Bucherus | |
|
Appears on:
339–340
Genres:
Motet
Source Attribution:
Johann: Bucherus
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f3
Voice Text:
Lex per Moÿsen data est gratia et veritas
|
||||
| 340–341 | Quam pulcra es amica mea oculi tui | - | Johann: Stahel | |
|
Appears on:
340–341
Genres:
Motet
Source Attribution:
Johann: Stahel
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Quam pulcra es amica mea oculi tui
|
||||
| 341–342 | Alleluia. Surrexit Dominus - 1a pars (of 2): Alleluia. Surrexit Dominus vere et apparuit Simoni | - | Jacquet [of Mantua] | |
|
Appears on:
341–342
Genres:
Alleluia, Motet
Source Attribution:
Jacquet [of Mantua]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Alleluia. Surrexit dominus vere alleluia
|
||||
| 342–344 | Alleluia. Surrexit Dominus - 2a pars (of 2): Qui fecit caelum et terram | - | - | |
|
Appears on:
342–344
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Secunda pars : Qui fecit coelum & terram surrexit
|
||||
| 344–345 | Cum esset desponsata mater Jesu Maria | - | Henricus Isaac | |
|
Appears on:
344–345
Genres:
Hymn
Source Attribution:
Henricus Isaac
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Cum esset desponsata mater Jesu Maria
|
||||
| 345–350 | Dixit Dominus Domino meo sede a dextris (2p. Juravit Dominus et non poenitebit) | - | Leon: Paminger | |
|
Appears on:
345–350
Genres:
Motet
Source Attribution:
Leon: Paminger
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Dixit dominus domino meo sede a dextris II: Juravit dominus & non poenitebit
|
||||
| 350–351 | Haec est arbor - 1a pars (of 2): Haec est arbor dignissima in qua salutis | - | Clemens non Papa/[J. Louys] | |
|
Appears on:
350–351
Genres:
Motet
Source Attribution:
Clemens non Papa/[J. Louys]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Haec est arbor dignissima in qua salutis
|
||||
| 351–352 | Haec est arbor - 2a pars (of 2): O crux benedicta quae sola fuisti | - | - | |
|
Appears on:
351–352
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Secunda pars : O crux benedicta quae sola fuisti
|
||||
| 352–354 | Si bona suscepimus de manu Domini | - | Verdeloth/[Richafort] | |
|
Appears on:
352–354
Genres:
Motet
Source Attribution:
Verdeloth/[Richafort]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Si bona suscepimus de manu domini
|
||||
| 354–355 | Lapidabant Stephanum - 1a pars (of 2): Lapidabant Stephanum invocantem et dicentem | - | Clemens non Papa | |
|
Appears on:
354–355
Genres:
Motet
Source Attribution:
Clemens non Papa
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f3
Voice Text:
Lapidabant Stephanum invocantem & dicentem
|
||||
| 355–356 | Lapidabant Stephanum - 2a pars (of 2): Impetum fecerunt unanimiter in eum | - | - | |
|
Appears on:
355–356
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f3
Voice Text:
Pars secunda : Impetum fecerunt unanimiter in eum
|
||||
| 356–357 | In honore Christi - 1a pars (of 2): In honore Christi filii Dei jubilemus | - | Ja. Clemens non Papa | |
|
Appears on:
356–357
Genres:
Motet
Source Attribution:
Ja. Clemens non Papa
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c4
Voice Text:
In honore beatissimae Annae iubilemus
|
||||
| 358–359 | In honore Christi - 2a pars (of 2): Caeleste beneficium, Christi incarnatio | - | - | |
|
Appears on:
358–359
Genres:
Contrafactum, Motet
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c4
Voice Text:
Secunda pars : Coeleste beneficium introivit in Annam
|
||||
| 359–360 | Octo sunt passiones - 1a pars (of 20): Octo sunt passiones quibus admodum | - | Gasparus Othmarus | |
|
Appears on:
359–360
Genres:
Motet
Source Attribution:
Gasparus Othmarus
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f3
Voice Text:
Octo sunt passiones quibus admodum
|
||||
| 360–361 | Hominum laudes honores praelationes | - | Othmarus | |
|
Appears on:
360–361
Genres:
Motet
Source Attribution:
Othmarus
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c4
Voice Text:
Hominum laudes honores praelationes
|
||||
| 361–362 | Octo sunt passiones - 19a pars (of 20): Proin omnis animi elatio | - | Gasp: Othmeyr | |
|
Appears on:
361–362
Genres:
Motet
Source Attribution:
Gasp: Othmeyr
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c4
Voice Text:
Proin omnis animi elatio lachrima
|
||||
| 362–363 | Dum transisset sabbatum - 1a pars (of 2): Dum transisset sabbatum Maria Magdalena | - | Josquin Baston/[Cleve] | |
|
Appears on:
362–363
Genres:
Motet
Source Attribution:
Josquin Baston/[Cleve]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c4
Voice Text:
Dum transisset sabbathum Maria Magdalena
|
||||
| 363–365 | Dum transisset sabbatum - 2a pars (of 2): Et valde mane una sabbatorum veniunt | - | - | |
|
Appears on:
363–365
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c4
Voice Text:
Pars secunda : Et valde mane una sabbathorum
|
||||
| 365–368 | Beati omnes qui timent Dominum qui ambulant (2p. Benedicat tibi Dominus ex Sion) | - | Thomas Bachofen | |
|
Appears on:
365–368
Genres:
Motet
Source Attribution:
Thomas Bachofen
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Beati omnes qui timent dominum qui ambulant II: Benedicat tibi dominus ex Sion
|
||||
| 368–369 | Collegerunt pontifices - 1a pars (of 2): Collegerunt pontifices et Pharisaei concilium | - | [Senfl] | |
|
Appears on:
368–369
Genres:
Motet
Source Attribution:
[Senfl]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f3
Voice Text:
Collegerunt pontifices & Pharisaei
|
||||
| 369–371 | Collegerunt pontifices - 2a pars (of 2): Unus autem ex ipsis Caiphas nomine | - | - | |
|
Appears on:
369–371
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f3
Voice Text:
Pars sequens : Unus autem ex ipsis Cayphas nomine
|
||||
| 371–372 | Si diligitis me - 1a pars (of 2): Si diligitis me mandata mea servate | - | Anon. | Anonymous |
|
Appears on:
371–372
Genres:
Motet
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f3
Voice Text:
Si diligitis me mandata mea servate
|
||||
| 373 | Si diligitis me - 2a pars (of 2): Accipite spiritum sanctum ipse est | - | - | Anonymous |
|
Appears on:
373
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f3
Voice Text:
Secunda pars : Accipite spiritum sanctum in vobis
|
||||
| 374–375 | Pater noster (4vv) - 1a pars (of 2): Pater noster qui es in caelis | - | Adrianus Vuillart/[Obrecht] | |
|
Appears on:
374–375
Genres:
Motet
Source Attribution:
Adrianus Vuillart/[Obrecht]
Voice:
[no designation]
Languages:
Latin
Clef:
f4
Voice Text:
Pater noster qui es in caelis
|
||||
| 376 | Virtute magna - 1a pars (of 2): Virtute magna reddebant apostoli testimonium | - | Verdelot/[Lasson] |
Lasson, Mathieu
(?)
|
|
Appears on:
376
Genres:
Motet
Source Attribution:
Verdelot/[Lasson]
Voice:
[no designation]
Languages:
Latin
Clef:
f3
Voice Text:
Virtute magna reddebant apostoli
|
||||
| 377–378 | Virtute magna - 2a pars (of 2): Repleti sunt quidem spiritu sancto | - | - |
Lasson, Mathieu
(?)
|
|
Appears on:
377–378
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c4
Voice Text:
Secunda pars : Repleti sunt quidem spiritu sancto
|
||||
| 378 | Dulces exuviae dum fata Deusque (3vv) | - | Joannes Mouton/[recte Willaert] | |
|
Appears on:
378
Genres:
Motet
Source Attribution:
Joannes Mouton/[recte Willaert]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Dulces exuviae dum fata deusque
General NoteThis 4vv Dulces exuviae is the 3vv Dulces exuviae elsewhere attributed to Adrian Willaert, with a fourth si placet voice. The attribution to Mouton is surely spurious. (The 4vv Mouton version in London Royal 8 G. vii is a different piece.) (information provided by Benjamin Ory.) |
||||
| 379–380 | Deus misereatur nostri - 1a pars (of 2): Deus misereatur nostri et benedicat nobis | - | Johannes Walterus | |
|
Appears on:
379–380
Genres:
Motet
Source Attribution:
Johannes Walterus
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f3
Voice Text:
Deus misereatur nostri & benedicat nobis
|
||||
| 380–381 | Deus misereatur nostri - 2a pars (of 2): Laetentur et exultent gentes quoniam | - | - | |
|
Appears on:
380–381
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f3
Voice Text:
Sequentium particula : Laetentur & exultent gentes quoniam
|
||||
| 381–383 | Pater noster (4vv) - 2a pars (of 2): Ave Maria gratia plena Dominus tecum | - | Adrianus Vuillart/[Obrecht] | |
|
Appears on:
381–383
Genres:
Ave Maria, Motet
Source Attribution:
Adrianus Vuillart/[Obrecht]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Ave Maria gratia plena dominus tecum
|
||||
| 383–384 | Quem dicunt homines - 1a pars (of 2): Quem dicunt homines | - | Johannes Richafort | |
|
Appears on:
383–384
Genres:
Motet
Source Attribution:
Johannes Richafort
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f3
Voice Text:
Quem dicunt homines esse filium hominis
|
||||
| 385–386 | Quem dicunt homines - 2a pars (of 2): Petre diligis me qui respondit | - | - | |
|
Appears on:
385–386
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f3
Voice Text:
Secunda pars : Petre diligis me qui respondens
|
||||
| 386–387 | Beati omnes - 1a pars (of 2): Beati omnes qui timent Dominum | - | Lupus [Hellinck]/[Gombert] | |
|
Appears on:
386–387
Genres:
Motet
Source Attribution:
Lupus [Hellinck]/[Gombert]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f3
Voice Text:
Beati omnes qui timent Dominum qui ambulant
|
||||
| 387–389 | Beati omnes - 2a pars (of 2): Ecce sic benedicitur homo | - | - | |
|
Appears on:
387–389
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f3
Voice Text:
Sequens pars : Ecce sic benedicetur homo qui timet
|
||||
| 389–390 | Beatus vir - 1a pars (of 2): Beatus vir qui non abiit in consilio | - | Anon. | Anonymous |
|
Appears on:
389–390
Genres:
Motet
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
[Beatus vir] Qui non abiit in consilio
|
||||
| 390–391 | Beatus vir - 2a pars (of 2): Non sic impii non sic sed tanquam | - | - | Anonymous |
|
Appears on:
390–391
Genres:
Monophonic conductus
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Pars altera : Non sic impii non sic sed tanquam
|
||||
| 391–393 | Homo quidam fecit caenam R. Quia parata sunt omnibus firmiter Vs. Venite comedite panem meum (P97, 4vv) | - | Ludovicus Senfel | |
|
Appears on:
391–393
Genres:
Motet
Source Attribution:
Ludovicus Senfel
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f3
Voice Text:
Homo quidam fecit cenam magnam & misit II: Quia parata sunt omnibus firmiter III: Venite comedite panem meum
|
||||
| 393–394 | Jerusalem surge - 1a pars (of 2): Jerusalem surge et sta in excelso et vide | - | Clemens non Papa | |
|
Appears on:
393–394
Genres:
Motet
Source Attribution:
Clemens non Papa
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Jherusalem surge & sta in excelso & vide
|
||||
| 395–396 | Jerusalem surge - 2a pars (of 2): Leva in circuitu oculos tuos et vide | - | - | |
|
Appears on:
395–396
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Secunda pars : Leva in circuitu oculos tuos & vide
|
||||
| 396 | Veri adoratores adorabunt patrem in spiritu | - | Simon Cellarius | |
|
Appears on:
396
Genres:
Motet
Source Attribution:
Simon Cellarius
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Veri adoratores adorabunt patrem in spiritu
|
||||
| 397–399 | Qui habitat 18.7 - 1a pars (of 2): Qui habitat in adjutorio altissimi | - | Josquin | |
|
Appears on:
397–399
Genres:
Motet
Source Attribution:
Josquin
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Qui habitat in adiutorio altissimi
|
||||
| 399–401 | Qui habitat 18.7 - 2a pars (of 2): Non accedat ad te malum | - | - | |
|
Appears on:
399–401
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c 3
Clef:
f4
Voice Text:
Secunda pars : Non accedat ad te malum
|
||||
| 401–403 | Super salutem et omnem pulchritudinem (2p. Dixi sapientiae soror mea es) | - | Janin | |
|
Appears on:
401–403
Genres:
Motet
Source Attribution:
Janin
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Super salutem & omnem pulchritudinem II: Dixi sapientiae soror mea & prudentiam
|
||||
| 404 | Da Jacob das Kleid ansah mit großem Schmerzen | - | Ludovicus Senfl/[Alder] | |
|
Appears on:
404
Genres:
Motet
Source Attribution:
Ludovicus Senfl/[Alder]
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
f4
Voice Text:
Da Jacob das Kleid ansahe mit grossem schmertzen
|
||||
| 405–406 | Tu es Petrus et super hanc petram | - | [L. Padovano] | |
|
Appears on:
405–406
Genres:
Motet
Source Attribution:
[L. Padovano]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Tu es Petrus & super hanc petram
|
||||
| 406–407 | Non eadem facies anni non aeris idem | - | Anon. | Anonymous |
Non eadem facies anni non aeris idemAnonymous
Appears on:
406–407
Genres:
Motet
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c4
Voice Text:
Non eadem facies anni non aeris idem
|
||||
| 408–409 | Scandala ne mundi cures ecclesia Christi | - | Anon. | Anonymous |
Scandala ne mundi cures ecclesia ChristiAnonymous
Appears on:
408–409
Genres:
Motet
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Scandala ne mundi cures ecclesia
|
||||
| 409–411 | Dum transisset sabbatum Maria Magdalena (2p. Et valde mane una sabbatorum veniunt) | - | Sebastianus Hollandt/[C. Hollander/Lassus] | |
|
Appears on:
409–411
Genres:
Motet
Source Attribution:
Sebastianus Hollandt/[C. Hollander/Lassus]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f3
Voice Text:
Dum transisset sabbathum Maria Magdalena II: Et valde mane una sabbathorum veniunt
|
||||
| 411–412 | Prima die sabbatorum Maria Magdalena | - | Lupus Hellinck | |
|
Appears on:
411–412
Genres:
Motet
Source Attribution:
Lupus Hellinck
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f3
Voice Text:
Primo die sabbathorum Maria Magdalena
|
||||
| 412–413 | Super flumina Babylonis - 1a pars (of 2): Super flumina Babylonis illic sedimus | - | La Fage | |
|
Appears on:
412–413
Genres:
Motet
Source Attribution:
La Fage
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Super flumina Babilonis illic sedimus
|
||||
| 413–415 | Super flumina Babylonis - 2a pars (of 2): Si oblitus fuero | - | - | |
|
Appears on:
413–415
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Secunda pars Si oblitus fuero tui Jerusalem
|
||||
| 415–416 | Jerusalem quae occidis prophetas et lapidas (= Florentia tempus est penitentie) | - | Constantinus Festa | |
|
Appears on:
415–416
Genres:
Motet
Source Attribution:
Constantinus Festa
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Hierusalem que occidis prophetas et lapidas [= Florentia tempus est penitentie]
|
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| 416–417 | O fili Dei succurre miseris juva pusillanimes (= Sancta Maria succurre miseris) | - | Verdelot | |
|
Appears on:
416–417
Genres:
Contrafactum, Motet
Source Attribution:
Verdelot
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c4
Voice Text:
O fili Dei succurre miseris iuva pusillanimes [= Sancta Maria succurre miseris iuva]
|
||||
| 417–418 | Ecce Dominus veniet nolite timere 14.5 | - | Incerti est authoris [Jonckers/Josquin/Senfl] | |
|
Appears on:
417–418
Genres:
Motet
Source Attribution:
Incerti est authoris [Jonckers/Josquin/Senfl]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Ecce dominus veniet nolite timere
|
||||
| 418–419 | Discumbentibus illis - 1a pars (of 2): Discumbentibus illis undecim apostolis | - | Leon. Paminger | |
|
Appears on:
418–419
Genres:
Motet
Source Attribution:
Leon. Paminger
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f3
Voice Text:
Discumbentibus illis XI apostolis
|
||||
| 419–420 | Discumbentibus illis - 2a pars (of 2): Signa eos qui in me credunt | - | - | |
|
Appears on:
419–420
Genres:
Motet
Voice:
[no designation]
Languages:
none
Clef:
f3
Voice Text:
[(2p.) Signa eos qui in me credunt] untexted
|
||||
| 420 | Erhalt uns Her bei Deinem wort und steur | - | Anon. | Anonymous |
Erhalt uns Her bei Deinem wort und steurAnonymous
Appears on:
420
Genres:
Chorale, Sacred Song
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
German
Mensuration:
cut-c
Clef:
f4
Voice Text:
Erhalt uns Her bei deinem wort und steur
|
||||
| 421–422 | Sancta Trinitas unus Deus miserere nobis (6vv) | - | Arnoldus de Bruck/[Fevin] | |
|
Appears on:
421–422
Genres:
Motet
Source Attribution:
Arnoldus de Bruck/[Fevin]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f3
Voice Text:
... Miserere nobis, Te adoramus
General NoteThe sexta pars, headed "Arnoldus de Bruck ad placitum" |
||||
| 422–423 | Elisabeth Zacharie - 1a pars (of 2): Elisabeth Zacharie magnum virum genuit | - | J. Mouton/[Lafage] |
Fage, Jean de la
(?)
|
|
Appears on:
422–423
Genres:
Motet
Source Attribution:
J. Mouton/[Lafage]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
... Magnum virum genuit
|
||||
| 423–425 | Elisabeth Zacharie - 2a pars (of 2): Inter natos mulierum non surrexit | - | - |
Fage, Jean de la
(?)
|
|
Appears on:
423–425
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
Altera pars : Inter natos mulierum non surrexit
|
||||
| 425–426 | Factum est silentium - 1a pars (of 2): Factum est silentium in caelo dum committeret | - | Georgius Prenner | |
|
Appears on:
425–426
Genres:
Motet
Source Attribution:
Georgius Prenner
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c4
Voice Text:
Factum est silentium in caelo dum committeret
|
||||
| 426–427 | Factum est silentium - 2a pars (of 2): Millia millium ministrabant ei | - | - | |
|
Appears on:
426–427
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c 3
Clef:
f4
Voice Text:
Altera pars : Millia millium ministrabant ei
|
||||