D-Rp A. R. 940-941 (A)

Bischöfliche Zentralbibliothek, Regensburg, Germany

partbook: 1557-9, with a few additions after 1566

Archive	Bischöfliche Zentralbibliothek, Regensburg, Germany (D-Rp)
Shelfmark	A. R. 940-941 (A)
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Paper
Numbering System	None / Unknown
Measurements	153 x 202 mm
Other Identifiers	CCM: RegB 940-1
Notations	black void mensural
Copyists	Küffer, Wolfgang Music
Relationships	Küffer, Wolfgang (compiler)
External Links	images images
External Authorities	RISM Online (sources/1001172974)
Provenance	Wittenberg and Regensburg, Bavaria, Germany
Contents	Contains 344 compositions, 285 from 112 composers, 59 are anonymous.

General Description

An Altus partbook from a set of five volumes. Copied by Wolfgang Küffer (see below), with slightly later additions by five other scribes. Copied in Wittenberg and Regensburg. The compiler and original owner was Wolfgang Küffer (alias 'Saliterer'; biographical details in BrenneH).

DIAMM, 2017

Binding

Original covers of yellow leather tooled with floral designs, voice designations, coat of arms of Saxony, date '1557,' initials 'W.K.R.' [= Wolfgang Küffer Ratisbonensi], and portraits of Huss, Luther, Melanchthon, and Erasmus.

DIAMM, 2017

Watermark

(1) generally resembles Briquet #12366; (2) resembles Briquet #12380; (3) dog (not in Briquet); (4) resembles Briquet #5940, #5942, #5944; (5) resembles Briquet #4970-1; (6) resembles Briquet #15416, #15427; (7) resembles Briquet #15442; (8) resembles Briquet #1394-5.

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Foliation

Modern pencil pagination

DIAMM, 2025

Foliation

Other numberings: Original ink numbering of pieces, 1-311 (last three pieces not numbered).

DIAMM, 2017

Decoration

Small plain initials in red ink; headings, some clefs, and some staves also in red ink. Ff. 43-99 of Quintus book contain Latin, Greek, and German prose and poetry dealing mostly with musical topics, four full-page coloured illustrations with musical subjects, two unidentified coats of arms (presumably related to Wolfgang Küffer's circle), and several dedicatory inscriptions to Küffer from friends and associates.

DIAMM, 2017

Index

Original index at end of Tenor book groups pieces alphabetically by first letter of text or title; under each letter, pieces grouped in following order: (1) Latin works; (2) German works; (3) French or Italian works ('Gallica'). Within each subgroup, pieces listed in order of appearance.

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Mass, 1 Mass Ordinary section, 1 Mass Proper section, 1 Te Deum, 1 hymn, 117 motets, 3 Latin/German sacred pieces, 11 German sacred pieces, 61 French secular pieces (some with text incipits only, some without text, some with title "Gallicum"), 54 German secular pieces, 42 Italian secular pieces, 13 Latin secular pieces, 6 Latin/German secular pieces = 312+2 duplicates = 314

Alder-1, Appenzeller-1, Arcadelt-13, Arcadelt/(Verdelot)-1, T. Bachofen-1, (Barra/Elimon)-1, Baston-1, Berchem/(Arcadelt)-1, Borbonius(?)-1, (L. Bourgeois)-1, (Brück)-1, Brumel-1, Buechmaier [Johannes Bucherus]-5, (Buus)-2, Caballus/(H. Faber)-1, (Cadéac)-1, (Campis)-1, Canis-1, S. Cellarius-1, (Certon)-2, (Certon/Cléreau)-1, (Certon/Panurge)-1, Clemens non Papa-10, (Clemens non Papa/Janequin)-1, (Clemens non Papa/Manchicourt)-1 (Cléreau)-1, Coclico [Adrian Petit]-1, (Conseil)-1, (G. Coste)-3, Crecquillon-5, Crecquillon/(C. Hollander)-1, (Crecquillon/Sandrin/Sermisy)-1, Ducis/(Masson)-1, (Dulot/Sermisy)-1, Eckel-1, (H. Faber)-1, C. Festa-1, A. Févin/(Craen/C. Festa/Josquin/Morales)-Bruck-1, (Finck)-1, Hermann Finck-2, G. Fogliano/ (C. Festa)-14, (Förster)-1, Gardane/(Sermisy)-1, (Gascongne/ Lafage/Lupus)-1, (Godard)-1, (Gombert/Sermisy)-1, Grefinger/ (Bauldeweyn)-1, Greitter-S, Grundler-1, Hähnel [Galliculus]-2, Hähnel/(Förster)-1, (Hailland)-1, Hellinck-1, Hellinck/(Gombert)-1, Hemmel-1, (Hemmerlen)-1, (J. Hermann)-1, (Hofhaimer)-3, S. Hollander/(C. Hollander)-1, Isaac-2, Janin-1, Jaquet of Mantua [Jachet]-2, Jaquet of Mantua/(Morales/Rore)-1, Jonckers-1, Josquin-3, (Josquin/Lebrun/Richafort)-1, (Josquin/Mouton)-1, (Josquin/Mouton/Silva)-1, Keutzenhoff-4, Lafage-1, Lassus [Orlandus]/(Wert)-1, Lhéritier-1, Lheritier/(Conseil/Willaert)-1, Lupi/(Mouton)-1, (F. de Lys)-2, (F. de Lys/Quentin)-1, M.-1, Maillard-3, Manchicourt-1, Manchicourt/(Sandrin)-1, (Morales)-1, Morel-1, (Moulu/Mouton)-1, Mouton/(Lafage)-1, (Mouton/Sermisy)-1, Mouton/(Willaert)-1, Müller-1, Othmayr-24 + 1?, (L. Padovano)-1, Paminger-2, Pathie? [Rogirus]/(Baston/Clemens non Papa/Janequin)-1, Pionnier-1, Pötzinger-1, Prenner-1, Rein -2, Richafort-1, Richafort/(Caen/Lupus)-1, Richafort/(Lupus)-1, Ruffo-4, (Sandrin)-3, (Sandrin/Sermisy)-1, (Sandrin/Villiers)-1, P. Schalreuter-1, Senfl-5, Senfl/(Aider)-1, (Sermisy)-10 +1?, Spengler-1, Stahel-2, (Susato)-2, A. Sylvanus/(J. Wenck)-1, Verdelot-3, Verdelot/(Lasson)-1, Verdelot/(Lupi)-1, Verdelot/(Richafort)-1, Vicinus-1, (Villiers)-4, Walter-3, Walter/(Verdelot)-1, Willaert-2, Willaert/(Obrecht)-2, (Wolff)-1, Wüst-1, (Zirler)-1, anon-71

5 paper partbooks (D-226 folios, A-224, T-236, B-214, Q-iii + 128), 153 x 202. No foliation or pagination in DATB; Q, has original(?) foliation, 1-90 (number "8" omitted) + new pencil foliation, 91-99 (last 30 folios not numbered). Original ink numbering of pieces, 1-311 (last three pieces not numbered). Original covers of yellow leather tooled with floral designs, voice designations, coat of arms of Saxony, date "1557," initials "W.K.R." [= Wolfgang Küffer Ratisbonensi], and portraits of Huss, Luther, Melanchthon, and Erasmus. Original index at end of T book groups pieces alphabetically by first letter of text or title; under each letter, pieces grouped in following order: (1) Latin works; (2) German works; (3) French or Italian works ("Gallica"). Within each subgroup, pieces listed in order of appearance.

Copied by Wolfgang Küffer (see below), with slightly later additions by five other scribes. Small plain initials in red ink; headings, some clefs, and some staves also in red ink. Ff. 43-99 of Q book contain Latin, Greek, and German prose and poetry dealing mostly with musical topics, four full-page colored illustrations with musical subjects, two unidentified coats of arms (presumably related to Wolfgang Küffer's circle), and several dedicatory inscriptions to Küffer from friends and associates.

Watermarks: (1) generally resembles Briquet #12366; (2) resembles Briquet #12380; (3) dog (not in Briquet); (4) resembles Briquet #5940, #5942, #5944; (5) resembles Briquet #4970-1; (6) resembles Briquet #15416, #15427; (7) resembles Briquet #15442; (8) resembles Briquet #1394-5.

1557-9, with a few additions after 1566 (BrenneH). Copied in Wittenberg and Regensburg. The compiler and original owner was Wolfgang Küffer (alias "Saliterer"; biographical details in BrenneH).

Vol 4

Composers: Change "Bastón-1" to "Baston/(Cleve)-1"; change "Ducis/(Mas-son)-1" to "Ducis/(Maffoni)-1"; add "(Gombert/Lupus)-1," "(Josquin/Senfl) -1," and "(La Rue/Sermisy)-1"; change "(Sermisy)-10 + 1?" to "(Sermisy)-9 + 1?"; change "anon-71" to "anon-69."wolfg

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Number of voices	Source attribution	Composers (? Uncertain)
7–8	Missa C'est à grand tort: Kyrie	-	Eberhardus Vicinus	Vicinus, Eberhardus
Missa C'est à grand tort: Kyrie Vicinus, Eberhardus Appears on: 7–8 Genres: Kyrie eleison, Mass Ordinary Source Attribution: Eberhardus Vicinus Voice: [no designation] Languages: Greek Mensuration: cut-c Clef: c3 Voice Text: Missa cest à grand : Kyrie eleyson
8–9	Missa C'est à grand tort: Gloria	-	-	Vicinus, Eberhardus
Missa C'est à grand tort: Gloria Vicinus, Eberhardus Appears on: 8–9 Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Et in terra pax hominibus
9–12	Missa C'est à grand tort: Credo	-	-	Vicinus, Eberhardus
Missa C'est à grand tort: Credo Vicinus, Eberhardus Appears on: 9–12 Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Patrem omnipotentem factorem coeli & terrae
12–13	Missa C'est à grand tort: Sanctus	-	-	Vicinus, Eberhardus
Missa C'est à grand tort: Sanctus Vicinus, Eberhardus Appears on: 12–13 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Sanctus Dominus Deus Sabaoth
13–14	Missa C'est à grand tort: Agnus Dei	-	-	Vicinus, Eberhardus
Missa C'est à grand tort: Agnus Dei Vicinus, Eberhardus Appears on: 13–14 Genres: Agnus Dei, Mass Ordinary Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Agnus Dei
14–15	Usquequo Domine oblivisceris me in finem	-	Anon.	Anonymous
Usquequo Domine oblivisceris me in finem Anonymous Appears on: 14–15 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Usquequo Domine oblivisceris mei in finem
15–16	In te Domine speravi non confundar (R. Quoniam fortitudo mea et refugium; Vs. In manus tuas Domine commendo spiritum	-	Anon.	Anonymous
In te Domine speravi non confundar (R. Quoniam fortitudo mea et refugium; Vs. In manus tuas Domine commendo spiritum Anonymous Appears on: 15–16 Genres: Psalm Source Attribution: Anon. Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: In te Domine speravi non confundar II: Quoniam fortitudo mea & refugium III: In manus tuas Domine commendo spiritum
16–17	Puis qui'il convient et sans nul contredict	-	[Hailland]	Hailland, Petrus
Puis qui'il convient et sans nul contredict Hailland, Petrus Appears on: 16–17 Genres: Chanson Source Attribution: [Hailland] Voice: [no designation] Languages: none Clef: c2 Voice Text: [Puis qui'il convient] untexted
18–19	Summe parens et imago patris flatusque (2p. Huc adsis roseis sertis redimitus)	-	Anon.	Anonymous
Summe parens et imago patris flatusque (2p. Huc adsis roseis sertis redimitus) Anonymous Appears on: 18–19 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Summe parens et imago patris flatusque II: ... Adsis roseis sertis redimitus
20	Adjuva me Domine - 1a pars (of 2): Adjuva me Domine	-	[Conseil]	Conseil, Jean (ca. 1498–1534)
Adjuva me Domine - 1a pars (of 2): Adjuva me Domine Conseil, Jean (ca. 1498–1534) Appears on: 20 Genres: Motet Source Attribution: [Conseil] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Adiuva me domine & salvus ero
20–21	Adjuva me Domine - 2a pars (of 2): Servus tuus ego sum	-	-	Conseil, Jean (ca. 1498–1534)
Adjuva me Domine - 2a pars (of 2): Servus tuus ego sum Conseil, Jean (ca. 1498–1534) Appears on: 20–21 Genres: Motet Voice: [no designation] Languages: Latin Clef: c3 Voice Text: 2da pars : Servus tuus ego sum da mihi intellectum
21–22	Gott dank ich ietz unnd allezeit	-	Anon.	Conseil, Jean (ca. 1498–1534)
Gott dank ich ietz unnd allezeit Conseil, Jean (ca. 1498–1534) Appears on: 21–22 Genres: Sacred Song Source Attribution: Anon. Voice: [no designation] Languages: German Mensuration: cut-c Clef: c3 Voice Text: Gott danck ich ietz unnd allezeit [text incipit only]
22	Ach Gott wem soll ichs klagen das heimliche leiden	-	[Buechmaier]	Buchmaier, Johann
Ach Gott wem soll ichs klagen das heimliche leiden Buchmaier, Johann Appears on: 22 Genres: Song Source Attribution: [Buechmaier] Voice: [no designation] Languages: German Mensuration: cut-c Clef: c3 Voice Text: Ach Got wem soll ich klagen mein leÿd
23	Ach Gott, wem soll ichs klagen das heimliche Leiden	-	Joannes Keutzenhof	Keutzenhoff, Johannes
Ach Gott, wem soll ichs klagen das heimliche Leiden Keutzenhoff, Johannes Appears on: 23 Genres: Song Source Attribution: Joannes Keutzenhof Voice: [no designation] Languages: German Mensuration: cut-c Clef: c3 Voice Text: Ach Got wem soll ich klagenn mein leÿd [text incipit only]
23–25	Tempus adest abitus niveis amora quadrigis (2p. Et quia distrahimur diversis tractibus)	-	Johannes Pötzinger	Potzinger, Johannes
Tempus adest abitus niveis amora quadrigis (2p. Et quia distrahimur diversis tractibus) Potzinger, Johannes Appears on: 23–25 Genres: Motet Source Attribution: Johannes Pötzinger Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Tempus adest abitus niveis amora quadrigis II: Et quia distrahimur diversis tractibus
25	C'est a grant tort que moi povrette endure	-	[Sermisy]	Sermisy, Claudin de (ca. 1490–1562)
C'est a grant tort que moi povrette endure Sermisy, Claudin de (ca. 1490–1562) Appears on: 25 Genres: Chanson Source Attribution: [Sermisy] Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: [c'est à grand tort] untexted
26	Si tu te plains d'amours tant seulement	-	[Susato]	Susato, Tylman
Si tu te plains d'amours tant seulement Susato, Tylman Appears on: 26 Genres: Chanson Source Attribution: [Susato] Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: [Si tu te plains] untexted
27	Hinc abiens quoniam cogor / So schwing ich mich	-	[Othmayr]	Othmayr, Caspar
Hinc abiens quoniam cogor / So schwing ich mich Othmayr, Caspar Appears on: 27 Genres: Contrafactum, Motet, Song Source Attribution: [Othmayr] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Hinc abiens quoniam cogor
27–29	Graecia quae quondam virtute / Trink wein	-	Caspar Othmeyr	Othmayr, Caspar
Graecia quae quondam virtute / Trink wein Othmayr, Caspar Appears on: 27–29 Genres: Contrafactum, Motet, Song Source Attribution: Caspar Othmeyr Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Graecia quae quondam virtute
29–30	Chara Joanna veni sanctum solare Joannem	-	Johannes Keutzenhoff	Keutzenhoff, Johannes
Chara Joanna veni sanctum solare Joannem Keutzenhoff, Johannes Appears on: 29–30 Genres: Motet Source Attribution: Johannes Keutzenhoff Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Chara Joanna veni sanctum solare Joannem
30–31	Ob ich schon arm und elend bin	-	Anon.	Anonymous
Ob ich schon arm und elend bin Anonymous Appears on: 30–31 Genres: Song Source Attribution: Anon. Voice: [no designation] Languages: German Mensuration: cut-c Clef: c3 Voice Text: Ob ich schon arm und elend bin
31	Beatus vir qui non abiit ... Selig ist der Mann	-	Anon.	Anonymous
Beatus vir qui non abiit ... Selig ist der Mann Anonymous Appears on: 31 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin, German Mensuration: cut-c Clef: c3 Voice Text: Beatus vir qui non abiit ... Selig ist der man
31–32	Vivre ne puis content sans sa présence	-	Antonio Gardane/[Sermisy]	Sermisy, Claudin de (ca. 1490–1562) Gardano, Antonio (?)
Vivre ne puis content sans sa présence Sermisy, Claudin de (ca. 1490–1562) Gardano, Antonio (?) Appears on: 31–32 Genres: Chanson Source Attribution: Antonio Gardane/[Sermisy] Voice: [no designation] Languages: French Mensuration: cut-c Clef: c2 Voice Text: Vivre ne puis [text incipit only]
32–33	Sophia span das füllin an den wagen	-	[Buechmaier]	Buchner, Hans (?) Buchmaier, Johann (?)
Sophia span das füllin an den wagen Buchner, Hans (?) Buchmaier, Johann (?) Appears on: 32–33 Genres: Song Source Attribution: [Buechmaier] Voice: [no designation] Languages: German Mensuration: cut-c Clef: c3 Voice Text: Sophia span das füllin an den wagen
33	Was unfahls quall in nöthen thut	-	Matthias Eckl	Eckel, Matthias
Was unfahls quall in nöthen thut Eckel, Matthias Appears on: 33 Genres: Song Source Attribution: Matthias Eckl Voice: [no designation] Languages: German Mensuration: cut-c Clef: c4 Voice Text: Was unfahls quall in nöthen thut
34	Longtemps y a que je vis en espoir	-	[Dulot/Sermisy]	Sermisy, Claudin de (ca. 1490–1562) (?) Dulot, Francois (?)
Longtemps y a que je vis en espoir Sermisy, Claudin de (ca. 1490–1562) (?) Dulot, Francois (?) Appears on: 34 Genres: Chanson Source Attribution: [Dulot/Sermisy] Voice: [no designation] Languages: French Mensuration: cut-c Clef: c4 Voice Text: Long temps [text incipit only]
34–35	Non argus largus non Magdalena Mathusalem	-	Othmarus	Othmayr, Caspar
Non argus largus non Magdalena Mathusalem Othmayr, Caspar Appears on: 34–35 Genres: Motet Source Attribution: Othmarus Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Non argus largus non Magdalena Mathusalem
36–37	Caecilia virgo gloriosa - 1a pars (of 2): Caecilia virgo gloriosa semper evangelium	-	[Clemens non Papa]	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Caecilia virgo gloriosa - 1a pars (of 2): Caecilia virgo gloriosa semper evangelium Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 36–37 Genres: Motet Source Attribution: [Clemens non Papa] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Caecilia virgo gloriosa semper evangelium
37–39	Caecilia virgo gloriosa - 2a pars (of 2): Biduanis ac triduanis ieiuniis orans	-	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Caecilia virgo gloriosa - 2a pars (of 2): Biduanis ac triduanis ieiuniis orans Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 37–39 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Secunda pars : Biduanis ac triduanis ieiuniis orans
39–40	Weinikhen / Auserlesner franzosen	-	Anon.	Anonymous
Weinikhen / Auserlesner franzosen Anonymous Appears on: 39–40 Genres: Song Source Attribution: Anon. Voice: [no designation] Languages: German Clef: c2 Voice Text: Weinikhen [text incipit only]
40	Dulcis memoria et suavis recordatio (= Doulce memoire)	-	Manchicourt/[Sandrin]	Manchicourt, Pierre de (?) Sandrin, Pierre (ca. 1490–ca. 1560) (?)
Dulcis memoria et suavis recordatio (= Doulce memoire) Manchicourt, Pierre de (?) Sandrin, Pierre (ca. 1490–ca. 1560) (?) Appears on: 40 Genres: Motet Source Attribution: Manchicourt/[Sandrin] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Dulce memori [text incipit only]
41–42	Si quod amo liceat plenis contingere votis (2p. Tunc ego Mercurii vitricus esse velum)	-	Anon.	Anonymous
Si quod amo liceat plenis contingere votis (2p. Tunc ego Mercurii vitricus esse velum) Anonymous Appears on: 41–42 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Si quod amo liceat plenis contingere votis II: Tunc ego Mercurii vitricus esse velum
42–43	Cur mittis violas nempe ut violentius	-	Nicolaus Borbonius (Borbonius possibly author of text rather than composer of music (HartmannNB))	Gombert, Nicolas (ca. 1495–ca. 1560)
Cur mittis violas nempe ut violentius Gombert, Nicolas (ca. 1495–ca. 1560) Appears on: 42–43 Genres: Motet Source Attribution: Nicolaus Borbonius (Borbonius possibly author of text rather than composer of music (HartmannNB)) Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Cur mittis violas nempe ut violentius
43–44	Quid ultra debui facere ego quidem	-	-	Anonymous
Quid ultra debui facere ego quidem Anonymous Appears on: 43–44 Genres: Motet Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Quid ultra debui facere ego quidem
44–45	Rex autem David cooperto capite incedens	-	[Willaert]	Willaert, Adrian (ca. 1490–1562) (?)
Rex autem David cooperto capite incedens Willaert, Adrian (ca. 1490–1562) (?) Appears on: 44–45 Genres: Motet Source Attribution: [Willaert] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Rex autem David cooperto capite incedens
45–47	Vulnerasti cor meum (2p. Veni in ortum meum)	-	Conradus Rein	Mouton, Jean (ca. 1459–1522) (?) Fevin, Antoine de (ca. 1470–ca. 1512) (?)
Vulnerasti cor meum (2p. Veni in ortum meum) Mouton, Jean (ca. 1459–1522) (?) Fevin, Antoine de (ca. 1470–ca. 1512) (?) Appears on: 45–47 Genres: Motet Source Attribution: Conradus Rein Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Vulnerasti cor meum soror mea sponsa II: Veni in hortum meum soror mea General Note Christoph Baumgartner (DIAMM communication) explains that the ascription of 'Vulnerasti cor meum (2p. Veni in ortum meum)' to Conrad Rein in D-Rp A. R. 940-941 (D) and (A) is probably incorrect, since Rein as a German Protestant composer would hardly have been included in the Motetti della corona (1514), where this piece is included and which features only French/Flemish composers, nor in sources such as E-PAbm 6832 or I-CMac L.
47	Schön bin ich nicht mein höchster hort	-	[Finck]	Finck, Heinrich
Schön bin ich nicht mein höchster hort Finck, Heinrich Appears on: 47 Genres: Song Source Attribution: [Finck] Voice: [no designation] Languages: German Clef: c2 Voice Text: Schön bin ich nicht mein höchster hort
48	Mit fried und freud ich fahr dahin	-	Anon.	Anonymous
Mit fried und freud ich fahr dahin Anonymous Appears on: 48 Genres: Chorale, Sacred Song Source Attribution: Anon. Voice: [no designation] Languages: German Mensuration: cut-c Clef: c3 Voice Text: Mit fried und freud ich far dahin
48–50	Quam pulchra est - 1a pars (of 2): Quam pulchra est et quam decora	-	Philippo Verdeloth/[Lupi]	Verdelot, Philippe (ca. 1480–ca. 1532) (?) Lupi, Johannes (ca. 1506–1539) (?)
Quam pulchra est - 1a pars (of 2): Quam pulchra est et quam decora Verdelot, Philippe (ca. 1480–ca. 1532) (?) Lupi, Johannes (ca. 1506–1539) (?) Appears on: 48–50 Genres: Motet Source Attribution: Philippo Verdeloth/[Lupi] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Quam pulchra es et quam decora charissima
50–51	Quam pulchra est - 2a pars (of 2): Veni dilecte mi	-	-	Verdelot, Philippe (ca. 1480–ca. 1532) (?) Lupi, Johannes (ca. 1506–1539) (?)
Quam pulchra est - 2a pars (of 2): Veni dilecte mi Verdelot, Philippe (ca. 1480–ca. 1532) (?) Lupi, Johannes (ca. 1506–1539) (?) Appears on: 50–51 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Secunda pars : Veni dilecte mi egrediamur in hortum
52	Propter bonos geschwenckos	-	Anon.	Anonymous
Propter bonos geschwenckos Anonymous Appears on: 52 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Propter bonos geschwenck [text incipit only]
52–54	Het sold ein meisken gaen om win	-	M.	M.
Het sold ein meisken gaen om win M. Appears on: 52–54 Genres: Song Source Attribution: M. Voice: [no designation] Languages: Flemish Mensuration: cut-c Clef: c2 Voice Text: Het sold ein meydsken gaen om win [text incipit only]
54–55	Ich hab gehört von Gottes wort	-	Paulus Schalreutter	Schalreutter, Paulus
Ich hab gehört von Gottes wort Schalreutter, Paulus Appears on: 54–55 Genres: Sacred Song Source Attribution: Paulus Schalreutter Voice: [no designation] Languages: German Mensuration: cut-c Clef: c2 Voice Text: Ich hab gehört von Gottes wort
55–57	Carole magnus - 1a pars (of 2): Carole magnus eras cum solus regna tenebas	-	Clemens non Papa	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Carole magnus - 1a pars (of 2): Carole magnus eras cum solus regna tenebas Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 55–57 Genres: Motet Source Attribution: Clemens non Papa Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Carole magnus eras cum solus regna tenebas
57–58	Carole magnus - 2a pars (of 2): Nunc omnes nato tu regis a puero	-	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Carole magnus - 2a pars (of 2): Nunc omnes nato tu regis a puero Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 57–58 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Secunda pars : Nunc omnes nato tu regis à puero
59	Nur leichtsinnig (= D'amour me plains)	-	[Pathie]	Pathie, Rogier (ca. 1510–ca. 1564)
Nur leichtsinnig (= D'amour me plains) Pathie, Rogier (ca. 1510–ca. 1564) Appears on: 59 Genres: Song Source Attribution: [Pathie] Voice: [no designation] Languages: German Clef: c3 Voice Text: Nuhr leichtsinnig [= D'amour me plains] [text incipit only]
60	Ade zur guten Nacht, ade gesund sehn wir	-	Anon.	Anonymous
Ade zur guten Nacht, ade gesund sehn wir Anonymous Appears on: 60 Genres: Song Source Attribution: Anon. Voice: [no designation] Languages: German Mensuration: cut-c Clef: c2 Voice Text: Ade zur guten nacht ade gesundt sehn wir
60–61	Durch Adams Fall ist ganz verderbt	-	Anon.	Anonymous
Durch Adams Fall ist ganz verderbt Anonymous Appears on: 60–61 Genres: Chorale, Sacred Song Source Attribution: Anon. Voice: [no designation] Languages: German Mensuration: cut-c Clef: c3 Voice Text: Durch Adams phal ist gantz verderbt
61–63	Quam pulchra es amica mea columba mea (2p. Labia tua distillantia guttur tuum)	-	Anon.	Anonymous
Quam pulchra es amica mea columba mea (2p. Labia tua distillantia guttur tuum) Anonymous Appears on: 61–63 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Quam pulchra es amica mea columba mea II: Labia tua distillantia guttur tuum
63	In te Domine speravi non confundar 28.18	-	Joskin Dascanio	Despres, Josquin (ca. 1450–1521)
In te Domine speravi non confundar 28.18 Despres, Josquin (ca. 1450–1521) Appears on: 63 Genres: Contrafactum, Motet Source Attribution: Joskin Dascanio Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: In te domine speravi non confundar
64	Veni electa mea et ponam in te thronum	-	Anon.	Anonymous
Veni electa mea et ponam in te thronum Anonymous Appears on: 64 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Veni electa mea et ponam in te thronum
65	Sicut lilium inter spinas sic anima mea	-	Antonius Brummel	Brumel, Antoine (ca. 1460–ca. 1513)
Sicut lilium inter spinas sic anima mea Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 65 Genres: Motet Source Attribution: Antonius Brummel Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Sicut lilium inter spinas sic amica
65	Kommt her zu mir, spricht Gottes Sohn	-	Joh: Keuzenhoff	Keutzenhoff, Johannes
Kommt her zu mir, spricht Gottes Sohn Keutzenhoff, Johannes Appears on: 65 Genres: Chorale, Sacred Song Source Attribution: Joh: Keuzenhoff Voice: [no designation] Languages: German Mensuration: cut-c Clef: c3 Voice Text: Kombt herzu mir spricht Gottes Sohn [text incipit only]
66	Pour un plaisir qui si peu dure	-	[Crecquillon]	Crecquillon, Thomas (ca. 1505–ca. 1557)
Pour un plaisir qui si peu dure Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 66 Genres: Chanson Source Attribution: [Crecquillon] Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: [Pour un plaisir] untexted
66–68	Quare fremuerunt - 1a pars (of 3): Quare fremuerunt gentes et populi meditati	-	Galliculus [= Hähnel]/[Förster]	Forster, Johannes (?) Galliculus, Johannes (?)
Quare fremuerunt - 1a pars (of 3): Quare fremuerunt gentes et populi meditati Forster, Johannes (?) Galliculus, Johannes (?) Appears on: 66–68 Genres: Motet Source Attribution: Galliculus [= Hähnel]/[Förster] Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Quare fremuerunt gentes & populi meditati
68–70	Quare fremuerunt - 2a pars (of 3): Disrumpamus vincula eorum et proiiciamus	-	-	Forster, Johannes (?) Galliculus, Johannes (?)
Quare fremuerunt - 2a pars (of 3): Disrumpamus vincula eorum et proiiciamus Forster, Johannes (?) Galliculus, Johannes (?) Appears on: 68–70 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Secunda pars : Disrumpamus vincula eorum & proiiciamus
70–72	Quare fremuerunt - 3a pars (of 3): Dominus dixit ad me filius meus es tu	-	-	Galliculus, Johannes (?) Forster, Johannes (?)
Quare fremuerunt - 3a pars (of 3): Dominus dixit ad me filius meus es tu Galliculus, Johannes (?) Forster, Johannes (?) Appears on: 70–72 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Tertia pars : Dominus dixit ad me filius meus
72–74	In illo tempore accesserunt - 1a pars (of 2): In illo tempore accesserunt ad Jesum	-	[Moulu/Mouton]	Vinders, Jheronimus (fl. c1525-1526) (?) Moulu, Pierre (ca. 1484–ca. 1550) (?) Mouton, Jean (ca. 1459–1522) (?)
In illo tempore accesserunt - 1a pars (of 2): In illo tempore accesserunt ad Jesum Vinders, Jheronimus (fl. c1525-1526) (?) Moulu, Pierre (ca. 1484–ca. 1550) (?) Mouton, Jean (ca. 1459–1522) (?) Appears on: 72–74 Genres: Motet Source Attribution: [Moulu/Mouton] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: In illo tempore accesserunt ad Jesum pharisaei
74–75	In illo tempore accesserunt - 2a pars (of 2): Propter hoc dimittet homo patrem	-	-	Moulu, Pierre (ca. 1484–ca. 1550) (?) Vinders, Jheronimus (fl. c1525-1526) (?) Mouton, Jean (ca. 1459–1522) (?)
In illo tempore accesserunt - 2a pars (of 2): Propter hoc dimittet homo patrem Moulu, Pierre (ca. 1484–ca. 1550) (?) Vinders, Jheronimus (fl. c1525-1526) (?) Mouton, Jean (ca. 1459–1522) (?) Appears on: 74–75 Genres: Motet Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Pars secunda : Propter hoc dimittet homo patrem
75–78	Non bonum est hominem esse solum faciamus (2p. Dixitque Adam hoc nunc os ex ossibus)	-	Burckhardus Caballus/[H. Faber]	Faber, Heinrich (ca. 1500–1552) (?) Caballus, Burckhardus (?)
Non bonum est hominem esse solum faciamus (2p. Dixitque Adam hoc nunc os ex ossibus) Faber, Heinrich (ca. 1500–1552) (?) Caballus, Burckhardus (?) Appears on: 75–78 Genres: Motet Source Attribution: Burckhardus Caballus/[H. Faber] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Non bonum est hominem esse solum faciamus II: Dixitque Adam hoc nunc os ex ossibus
78–79	Si de present peine j'endure dire puis	-	[Susato]	Susato, Tylman
Si de present peine j'endure dire puis Susato, Tylman Appears on: 78–79 Genres: Chanson Source Attribution: [Susato] Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: [Si de present peine] untexted
79–80	O reynischer wein du schmeckst mir wol	-	Anon.	Anonymous
O reynischer wein du schmeckst mir wol Anonymous Appears on: 79–80 Genres: Song Source Attribution: Anon. Voice: [no designation] Languages: German Mensuration: cut-c Clef: c3 Voice Text: O reynisch wein du schmeckst mir wol
80–81	Rebus in adversis patiens terit omnia	-	[Othmayr]	Othmayr, Caspar
Rebus in adversis patiens terit omnia Othmayr, Caspar Appears on: 80–81 Genres: Motet Source Attribution: [Othmayr] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Rebus in adversis patiens terit omnia
81–82	Je prens en gre le dure mort (4vv)	-	Rogiri [= Pathie?]/[Baston/Clemens non Papa/Janequin]	Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?) Pathie, Rogier (ca. 1510–ca. 1564) (?) Janequin, Clement (ca. 1485–ca. 1558) (?) Baston, Josquin (fl. 1542–63) (?)
Je prens en gre le dure mort (4vv) Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?) Pathie, Rogier (ca. 1510–ca. 1564) (?) Janequin, Clement (ca. 1485–ca. 1558) (?) Baston, Josquin (fl. 1542–63) (?) Appears on: 81–82 Genres: Motet Source Attribution: Rogiri [= Pathie?]/[Baston/Clemens non Papa/Janequin] Voice: [no designation] Languages: French Clef: c3 Voice Text: Le prens [= Je prens en gré] [text incipit only] General Note headed "Rogiri cancio ultima et vere cygnaea" (Rogier's last, indeed his swan-song)
83–84	Ich bin durch Frauleins willen	-	[Othmayr]	Othmayr, Caspar
Ich bin durch Frauleins willen Othmayr, Caspar Appears on: 83–84 Genres: Song Source Attribution: [Othmayr] Voice: [no designation] Languages: German Mensuration: cut-c Clef: c3 Voice Text: Ich bin durch freulins willen geneith
84–85	Rex autem David cooperto capite incedens	-	[Gascongne/Lafage/Lupus]	Fage, Jean de la (?) Hellinck, Lupus (ca. 1494–1541) (?) Gascongne, Mathieu (?Johannes) (fl. 1517-1518) (?)
Rex autem David cooperto capite incedens Fage, Jean de la (?) Hellinck, Lupus (ca. 1494–1541) (?) Gascongne, Mathieu (?Johannes) (fl. 1517-1518) (?) Appears on: 84–85 Genres: Motet Source Attribution: [Gascongne/Lafage/Lupus] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Rex autem David cooperto capite incedens
86	Nun lass uns frisch und fröhlich sein	-	Anon.	Anonymous
Nun lass uns frisch und fröhlich sein Anonymous Appears on: 86 Genres: Song Source Attribution: Anon. Voice: [no designation] Languages: German Mensuration: cut-c Clef: c3 Voice Text: Nuhn lass uns frisch und frölich sein
86–88	Bewahr mich Herr und sei nicht fern	-	[Zirler]	Zirler, Stephan (ca. 1518–1568)
Bewahr mich Herr und sei nicht fern Zirler, Stephan (ca. 1518–1568) Appears on: 86–88 Genres: Sacred Song Source Attribution: [Zirler] Voice: [no designation] Languages: German Mensuration: cut-c Clef: c2 Voice Text: Bewar mich Her und sey nicht fern
88–89	Meum est propositum in taberna mori	-	Anon.	Anonymous
Meum est propositum in taberna mori Anonymous Appears on: 88–89 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Meum est propositum in taberna mori
89–92	Philippe qui videt me alleluia	-	[Othmayr]	Othmayr, Caspar
Philippe qui videt me alleluia Othmayr, Caspar Appears on: 89–92 Genres: Motet Source Attribution: [Othmayr] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Philippe qui videt me alleluia
92–93	Pater peccavi (4vv) - 1a pars (of 2): Pater peccavi in caelum et coram te	-	[Clemens non Papa/Manchicourt]	Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?) Manchicourt, Pierre de (?)
Pater peccavi (4vv) - 1a pars (of 2): Pater peccavi in caelum et coram te Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?) Manchicourt, Pierre de (?) Appears on: 92–93 Genres: Motet Source Attribution: [Clemens non Papa/Manchicourt] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Pater peccavi in coelum & coram te
93–94	Pater peccavi (4vv) - 2a pars (of 2): Quanti mercenarii in domo patris	-	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?) Manchicourt, Pierre de (?)
Pater peccavi (4vv) - 2a pars (of 2): Quanti mercenarii in domo patris Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?) Manchicourt, Pierre de (?) Appears on: 93–94 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Sequens pars : Quanti mercenarii in domo patris
95–96	Ein gutes närrisch Tänz	-	Gasp. Othmay:	Othmayr, Caspar
Ein gutes närrisch Tänz Othmayr, Caspar Appears on: 95–96 Genres: Song Source Attribution: Gasp. Othmay: Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: Ein baum tantz [untexted]
96–97	Contingat illis turturum concordia cor meum	-	Anon.	Anonymous
Contingat illis turturum concordia cor meum Anonymous Appears on: 96–97 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Contingat illis turturum concordia
97–98	Non habites ubi sumptus lucra exuperant	-	Anon.	Anonymous
Non habites ubi sumptus lucra exuperant Anonymous Appears on: 97–98 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Non habites ubi sumptus lucra exuperant
98–99	Adjuva nos Deus salutaris noster	-	Thomas Crequillon	Crecquillon, Thomas (ca. 1505–ca. 1557)
Adjuva nos Deus salutaris noster Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 98–99 Genres: Motet Source Attribution: Thomas Crequillon Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Adiuva nos deus salutaris noster
99–100	Vincat amor recti pulcherrima quaeque	-	[Othmayr]	Othmayr, Caspar
Vincat amor recti pulcherrima quaeque Othmayr, Caspar Appears on: 99–100 Genres: Motet Source Attribution: [Othmayr] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Vincat amor recti pulcherrima quaque
101–102	Scaevola tu coenas apud omnes nullus	-	[Othmayr]	Othmayr, Caspar
Scaevola tu coenas apud omnes nullus Othmayr, Caspar Appears on: 101–102 Genres: Motet Source Attribution: [Othmayr] Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Scevola tu coenas apud omnes nullus
102	Vineae florentes odorem / Wir haben einen guten Wirt	-	[Othmayr?]	Othmayr, Caspar (?)
Vineae florentes odorem / Wir haben einen guten Wirt Othmayr, Caspar (?) Appears on: 102 Genres: Motet Source Attribution: [Othmayr?] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Vineae florentes odorem
103–104	Ambulans Jesus juxta mare Galileae	-	Anon.	Anonymous
Ambulans Jesus juxta mare Galileae Anonymous Appears on: 103–104 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Ambulans Jhesus iuxta mare Galileae
104	Sauff aus und machts nicht lange	-	Hermannus Finck	Finck, Heinrich (?)
Sauff aus und machts nicht lange Finck, Heinrich (?) Appears on: 104 Genres: Song Source Attribution: Hermannus Finck Voice: [no designation] Languages: German Mensuration: cut-c Clef: c3 Voice Text: Sauff aus und machts nicht lange [text incipit only]
105	Eia, der Vogel ass ein Ei, da gab er	-	Gasp. Othmeir [= Othmayr]	Othmayr, Caspar
Eia, der Vogel ass ein Ei, da gab er Othmayr, Caspar Appears on: 105 Genres: Song Source Attribution: Gasp. Othmeir [= Othmayr] Voice: [no designation] Languages: German Mensuration: cut-c Clef: c3 Voice Text: Eia der vogel ass ein eÿ da gab er
105–106	Frisch und frölich wölln wir leben	-	Johannes Keutzenhoff	Keutzenhoff, Johannes
Frisch und frölich wölln wir leben Keutzenhoff, Johannes Appears on: 105–106 Genres: Song Source Attribution: Johannes Keutzenhoff Voice: [no designation] Languages: German Mensuration: cut-c Clef: c3 Voice Text: Frisch und frölich wölln wir leben
106–107	Orabat Jesum mulier Cananaea ad Dominum (= Clamabat autem mulier Chananaea)	-	Jachet [of Mantua]/[Morales/Rore]	Mantua, Jacquet de (1483–1559) (?) Morales, Cristóbal de (ca. 1500–1553) (?) Rore, Cipriano de (ca. 1515–1565) (?)
Orabat Jesum mulier Cananaea ad Dominum (= Clamabat autem mulier Chananaea) Mantua, Jacquet de (1483–1559) (?) Morales, Cristóbal de (ca. 1500–1553) (?) Rore, Cipriano de (ca. 1515–1565) (?) Appears on: 106–107 Genres: Motet Source Attribution: Jachet [of Mantua]/[Morales/Rore] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Orabat Jhesum mulier Cananaea ad dominum [= Clamabat autem mulier Chananaea]
107–108	Uncur	-	Hermannus Finck	Finck, Heinrich (?)
Uncur Finck, Heinrich (?) Appears on: 107–108 Genres: Secular Source Attribution: Hermannus Finck Voice: [no designation] Languages: insufficient Clef: c3 Voice Text: Uncur [untexted]
108–109	Tota pulchra es amica mea et macula	-	Anon.	Anonymous
Tota pulchra es amica mea et macula Anonymous Appears on: 108–109 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Tota pulcra es amica mea et macula
109–112	Lapidabant Stephanum invocantem et dicentem (2p. Positus autem genibus clamavit voce)	-	(Perionier, corrected to) Pionier	Pionnier, Joannes (–1573)
Lapidabant Stephanum invocantem et dicentem (2p. Positus autem genibus clamavit voce) Pionnier, Joannes (–1573) Appears on: 109–112 Genres: Motet Source Attribution: (Perionier, corrected to) Pionier Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Lapidabant Stephanum invocantem et dicentem II: Positus autem genibus clamavit voce
112–113	Der töricht spricht es ist kein Got	-	Sigismund Hemel	Hemmel, Sigmund
Der töricht spricht es ist kein Got Hemmel, Sigmund Appears on: 112–113 Genres: Sacred Song Source Attribution: Sigismund Hemel Voice: [no designation] Languages: German Mensuration: cut-c Clef: c3 Voice Text: Der töricht spricht es ist kein Got
113–114	Optima virtutum Sophia mea viscera	-	Anon.	Anonymous
Optima virtutum Sophia mea viscera Anonymous Appears on: 113–114 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Optima virtutum Sophia mea viscera
114–115	Vostre beaulte plaisant et lyé me donne recreation	-	[Gombert/Lupi]	Hellinck, Lupus (ca. 1494–1541) (?) Gombert, Nicolas (ca. 1495–ca. 1560) (?)
Vostre beaulte plaisant et lyé me donne recreation Hellinck, Lupus (ca. 1494–1541) (?) Gombert, Nicolas (ca. 1495–ca. 1560) (?) Appears on: 114–115 Genres: Chanson Source Attribution: [Gombert/Lupi] Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice Text: [Vostre beaulte plaisant] untexted
115–116	Quand' io pens' al martire amor che tu	-	[Arcadelt]	Arcadelt, Jacques (ca. 1507–1568)
Quand' io pens' al martire amor che tu Arcadelt, Jacques (ca. 1507–1568) Appears on: 115–116 Genres: Madrigal (Italian) Source Attribution: [Arcadelt] Voice: [no designation] Languages: Italian Mensuration: cut-c Clef: c3 Voice Text: Quand'io pens'al martire [text incipit only]
116–117	Ver' inferno e'l mio petto ver' infernale	-	[Arcadelt]	Arcadelt, Jacques (ca. 1507–1568)
Ver' inferno e'l mio petto ver' infernale Arcadelt, Jacques (ca. 1507–1568) Appears on: 116–117 Genres: Italian secular, Madrigal (Italian) Source Attribution: [Arcadelt] Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: [Ver'infernve'l mio petto] untexted
117–119	Voi ve n' andat' al cielo occhi beati	-	[Arcadelt]	Arcadelt, Jacques (ca. 1507–1568)
Voi ve n' andat' al cielo occhi beati Arcadelt, Jacques (ca. 1507–1568) Appears on: 117–119 Genres: Italian secular, Madrigal (Italian) Source Attribution: [Arcadelt] Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: [Voi ve n'andat'al cielo] untexted
119–120	Ahime dov'è'l bel viso in cui solea	-	[Arcadelt]	Arcadelt, Jacques (ca. 1507–1568)
Ahime dov'è'l bel viso in cui solea Arcadelt, Jacques (ca. 1507–1568) Appears on: 119–120 Genres: Madrigal (Italian) Source Attribution: [Arcadelt] Voice: [no designation] Languages: Italian Mensuration: cut-c Clef: c3 Voice Text: A lume [= Ahime dov'è'l bel viso] [text incipit only]
120–121	Fammi pur guerr' amor quando tu vuoi	-	[Arcadelt]	Corteccia, (Pier) Francesco (?) Arcadelt, Jacques (ca. 1507–1568) (?)
Fammi pur guerr' amor quando tu vuoi Corteccia, (Pier) Francesco (?) Arcadelt, Jacques (ca. 1507–1568) (?) Appears on: 120–121 Genres: Madrigal (Italian) Source Attribution: [Arcadelt] Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: [Fammi pur guerr' amor] untexted
121	Jamais en ce monde n'aurais regrets	-	[Crecquillon]	Crecquillon, Thomas (ca. 1505–ca. 1557)
Jamais en ce monde n'aurais regrets Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 121 Genres: Chanson Source Attribution: [Crecquillon] Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: [Jamais en ce monde] [= #239, p.306] untexted
122–123	Pungente dardo che 'l mio cor consumi	-	Jachet Berchem/[Arcadelt]	Arcadelt, Jacques (ca. 1507–1568) Berchem, Jacques (ca. 1505–1567) (?)
Pungente dardo che 'l mio cor consumi Arcadelt, Jacques (ca. 1507–1568) Berchem, Jacques (ca. 1505–1567) (?) Appears on: 122–123 Genres: Madrigal (Italian) Source Attribution: Jachet Berchem/[Arcadelt] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Pungente dardo ch'el mio cor [text incipit only]
123–124	Quanta belta quanta gratia e splendore	-	Archadelt	Arcadelt, Jacques (ca. 1507–1568)
Quanta belta quanta gratia e splendore Arcadelt, Jacques (ca. 1507–1568) Appears on: 123–124 Genres: Italian secular Source Attribution: Archadelt Voice: [no designation] Languages: Italian Mensuration: cut-c Clef: c3 Voice Text: Quanta belta quanta gratia [text incipit only]
124–125	Poss'io morir di mala morte s'io non v'amo	-	Archadelt	Arcadelt, Jacques (ca. 1507–1568)
Poss'io morir di mala morte s'io non v'amo Arcadelt, Jacques (ca. 1507–1568) Appears on: 124–125 Genres: Madrigal (Italian) Source Attribution: Archadelt Voice: [no designation] Languages: Italian Mensuration: cut-c Clef: c3 Voice Text: Poss'io morir di mala [Text incipit only]
125	Ahi se la donna mia qual'hor lasso mi vede	-	Archadelt	Arcadelt, Jacques (ca. 1507–1568)
Ahi se la donna mia qual'hor lasso mi vede Arcadelt, Jacques (ca. 1507–1568) Appears on: 125 Genres: Madrigal (Italian) Source Attribution: Archadelt Voice: [no designation] Languages: Italian Mensuration: cut-c Clef: c3 Voice Text: Ahi se la donna mia qualhor [text incipit only]
126	Il bianco e dolce cigno cantando more	-	Archadelt	Arcadelt, Jacques (ca. 1507–1568)
Il bianco e dolce cigno cantando more Arcadelt, Jacques (ca. 1507–1568) Appears on: 126 Genres: Madrigal (Italian) Source Attribution: Archadelt Voice: [no designation] Languages: Italian Mensuration: cut-c Clef: c3 Voice Text: Il bianco e dolce cigno cantando [text incipit only] [= #119, p.148]
127	Non ch'io non voglio mai altro pensiero	-	Archadelt	Arcadelt, Jacques (ca. 1507–1568)
Non ch'io non voglio mai altro pensiero Arcadelt, Jacques (ca. 1507–1568) Appears on: 127 Genres: Madrigal (Italian) Source Attribution: Archadelt Voice: [no designation] Languages: Italian Mensuration: cut-c Clef: c3 Voice Text: Non ch'io non voglio mai [text incipit only]
128	Deh dimm' amor se l'alma di costei	-	Archadelt	Arcadelt, Jacques (ca. 1507–1568)
Deh dimm' amor se l'alma di costei Arcadelt, Jacques (ca. 1507–1568) Appears on: 128 Genres: Madrigal (Italian) Source Attribution: Archadelt Voice: [no designation] Languages: Italian Mensuration: cut-c Clef: c3 Voice Text: Deh dimmivamor se l'alma [text incipit only]
129	Io dico che fra voi potenti Dei convien	-	[Arcadelt]	Arcadelt, Jacques (ca. 1507–1568)
Io dico che fra voi potenti Dei convien Arcadelt, Jacques (ca. 1507–1568) Appears on: 129 Genres: Madrigal (Italian) Source Attribution: [Arcadelt] Voice: [no designation] Languages: Italian Mensuration: cut-c Clef: c3 Voice Text: Io dico che fra voi potenti [text incipit only]
130	Quanti travagli e pene, quant' ogn' hor dogli e morti	-	Archadelt	Arcadelt, Jacques (ca. 1507–1568)
Quanti travagli e pene, quant' ogn' hor dogli e morti Arcadelt, Jacques (ca. 1507–1568) Appears on: 130 Genres: Madrigal (Italian) Source Attribution: Archadelt Voice: [no designation] Languages: Italian Mensuration: cut-c Clef: c3 Voice Text: Quanti travagli [text incipit only]
131	Se per colpa del vostro fiero sdegno	-	Archadelt	Arcadelt, Jacques (ca. 1507–1568)
Se per colpa del vostro fiero sdegno Arcadelt, Jacques (ca. 1507–1568) Appears on: 131 Genres: Madrigal (Italian) Source Attribution: Archadelt Voice: [no designation] Languages: Italian Mensuration: cut-c Clef: c3 Voice Text: Se per colpa [text incipit only]
131–133	Io non trovo me stesso stella del ciel	-	Vincentius Ruffus	Ruffo, Vincenzo (ca. 1508–1587)
Io non trovo me stesso stella del ciel Ruffo, Vincenzo (ca. 1508–1587) Appears on: 131–133 Genres: Italian secular Source Attribution: Vincentius Ruffus Voice: [no designation] Languages: Italian Mensuration: cut-c Clef: c2 Voice Text: Io non trovo me stesso [text incipit only]
133–134	A che cerchar gli specchi et fonti	-	Vincentius Ruffus	Ruffo, Vincenzo (ca. 1508–1587)
A che cerchar gli specchi et fonti Ruffo, Vincenzo (ca. 1508–1587) Appears on: 133–134 Genres: Italian secular Source Attribution: Vincentius Ruffus Voice: [no designation] Languages: Italian Mensuration: cut-c Clef: c2 Voice Text: A che cerchar gli specchi et fonti [text incipit only]
134–136	Amor poiche non vuole la bella donna	-	Vincentius Ruffus	Ruffo, Vincenzo (ca. 1508–1587)
Amor poiche non vuole la bella donna Ruffo, Vincenzo (ca. 1508–1587) Appears on: 134–136 Genres: Italian secular Source Attribution: Vincentius Ruffus Voice: [no designation] Languages: Italian Mensuration: cut-c Clef: c3 Voice Text: Amor poiche non vole la bella donna [text incipit only]
136–137	Sent'un pensier in me d'amor che dice	-	Vincentius Ruffus	Ruffo, Vincenzo (ca. 1508–1587)
Sent'un pensier in me d'amor che dice Ruffo, Vincenzo (ca. 1508–1587) Appears on: 136–137 Genres: Chanson Source Attribution: Vincentius Ruffus Voice: [no designation] Languages: Italian Mensuration: cut-c Clef: c2 Voice Text: Sent'un pensier in me d'amor che dice [text incipit only]
137	Languir me fais sans t'avoir offensé	-	[Mouton/Sermisy]	Mouton, Jean (ca. 1459–1522) (?) Sermisy, Claudin de (ca. 1490–1562) (?)
Languir me fais sans t'avoir offensé Mouton, Jean (ca. 1459–1522) (?) Sermisy, Claudin de (ca. 1490–1562) (?) Appears on: 137 Genres: Chanson Source Attribution: [Mouton/Sermisy] Voice: [no designation] Languages: French Mensuration: cut-c Clef: c3 Voice Text: Languir me fais [text incipit only]
138	Ces facheux sots qui mesdisent d'aymer	-	Anon.	Anonymous
Ces facheux sots qui mesdisent d'aymer Anonymous Appears on: 138 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Mensuration: cut-c Clef: c3 Voice Text: Ces veus chanter [= Ces fascheux sotz] [text incipit only]
138–139	Jouissance vous donnerai, mon ami	-	[La Rue/Sermisy]	Sermisy, Claudin de (ca. 1490–1562)
Jouissance vous donnerai, mon ami Sermisy, Claudin de (ca. 1490–1562) Appears on: 138–139 Genres: Chanson Source Attribution: [La Rue/Sermisy] Voice: [no designation] Languages: French Mensuration: cut-c Clef: c3 Voice Text: Josiante [= Joyssance vous donneray] [text incipit only]
139	Amy souffrez que je vous ayme	-	Anon.	Anonymous
Amy souffrez que je vous ayme Anonymous Appears on: 139 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Mensuration: cut-c Clef: c3 Voice Text: Amisso frou [= Amy souffrez] [text incipit only]
139–140	Venite / Ihr schlemmer frei zu diesem guten wein	-	Anon.	Anonymous
Venite / Ihr schlemmer frei zu diesem guten wein Anonymous Appears on: 139–140 Genres: Song Source Attribution: Anon. Voice: [no designation] Languages: German Mensuration: cut-c Clef: c3 Voice Text: Venite ir schlemmer freÿ zu diesem gueten wein
140–141	Veu le grief mal ou sans fin je labeure	-	Anon.	Anonymous
Veu le grief mal ou sans fin je labeure Anonymous Appears on: 140–141 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Mensuration: cut-c Clef: c3 Voice Text: Voile grifmal [= Veu le grief mal] [text incipit only]
141	Tant que vivrai - 1a pars (of 2): Tant que vivrai en age florissant	-	[Sermisy]	Sermisy, Claudin de (ca. 1490–1562)
Tant que vivrai - 1a pars (of 2): Tant que vivrai en age florissant Sermisy, Claudin de (ca. 1490–1562) Appears on: 141 Genres: Chanson Source Attribution: [Sermisy] Voice: [no designation] Languages: French Mensuration: cut-c Clef: c3 Voice Text: Dant que viverai [= Tant que vivray] [text incipit only]
142	Vater unser im Himmelreich (= Le content est riche)	-	[Gombert/Sermisy]	Gombert, Nicolas (ca. 1495–ca. 1560) (?) Sermisy, Claudin de (ca. 1490–1562) (?)
Vater unser im Himmelreich (= Le content est riche) Gombert, Nicolas (ca. 1495–ca. 1560) (?) Sermisy, Claudin de (ca. 1490–1562) (?) Appears on: 142 Genres: Contrafactum, Motet, Pater noster Source Attribution: [Gombert/Sermisy] Voice: [no designation] Languages: French, German Mensuration: cut-c Clef: c3 Voice Text: Le content est [text incipit only], with German text underlaid: "[V]atter unser im himelreich der du uns"
142–143	D'ou [dont] vient cela belle je vous supply	-	[Sermisy]	Sermisy, Claudin de (ca. 1490–1562)
D'ou [dont] vient cela belle je vous supply Sermisy, Claudin de (ca. 1490–1562) Appears on: 142–143 Genres: Italian secular Source Attribution: [Sermisy] Voice: [no designation] Languages: French Mensuration: cut-c Clef: c4 Voice Text: Dant viencela [= Dont vient cela] [text incipit only]
143	Vivray je tousjours en soucy pour vous	-	[Sermisy]	Sermisy, Claudin de (ca. 1490–1562)
Vivray je tousjours en soucy pour vous Sermisy, Claudin de (ca. 1490–1562) Appears on: 143 Genres: Chanson Source Attribution: [Sermisy] Voice: [no designation] Languages: French Mensuration: cut-c Clef: c3 Voice Text: Viverai ie tous [= Vivray-je tousjours] [text incipit only]
143–144	Vous perdez temps de me dire mal d'elle	-	[Crecquillon/Sandrin/Sermisy]	Crecquillon, Thomas (ca. 1505–ca. 1557) (?) Sandrin, Pierre (ca. 1490–ca. 1560) (?) Sermisy, Claudin de (ca. 1490–1562) (?)
Vous perdez temps de me dire mal d'elle Crecquillon, Thomas (ca. 1505–ca. 1557) (?) Sandrin, Pierre (ca. 1490–ca. 1560) (?) Sermisy, Claudin de (ca. 1490–1562) (?) Appears on: 143–144 Genres: Chanson Source Attribution: [Crecquillon/Sandrin/Sermisy] Voice: [no designation] Languages: French Mensuration: cut-c Clef: c3 Voice Text: Vous perden temps [= Vous perdez temps] [text incipit only]
144	Accedite omnes / Ihr Schlemmer frei Herr Wirt	-	Anon.	Anonymous
Accedite omnes / Ihr Schlemmer frei Herr Wirt Anonymous Appears on: 144 Genres: Contrafactum, Motet Source Attribution: Anon. Voice: [no designation] Languages: German Mensuration: cut-c Clef: c3 Voice Text: Accedite ir schlemmer freÿ Her wirt
145	Je ne scay pas comment a mon entendement	-	Anon.	Anonymous
Je ne scay pas comment a mon entendement Anonymous Appears on: 145 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Mensuration: cut-c Clef: c3 Voice Text: Jenescai [= Je ne scay] [text incipit only]
145–146	Le coeur est bon et le vouloir aussi	-	[Sermisy?]	Sermisy, Claudin de (ca. 1490–1562) (?)
Le coeur est bon et le vouloir aussi Sermisy, Claudin de (ca. 1490–1562) (?) Appears on: 145–146 Genres: Chanson Source Attribution: [Sermisy?] Voice: [no designation] Languages: French Mensuration: cut-c Clef: c3 Voice Text: Lemer est bon [= Le cueur est bon] [text incipit only]
146–147	Jamque miraissoe	-	Anon.	Anonymous
Jamque miraissoe Anonymous Appears on: 146–147 Genres: Secular Source Attribution: Anon. Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Jamque miraissoe [text incipit only]
147	Fortune laissez moi la vie Puisque tu veulx	-	Anon.	Anonymous
Fortune laissez moi la vie Puisque tu veulx Anonymous Appears on: 147 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Mensuration: cut-c Clef: c3 Voice Text: Fortuna [= Fortune laissez moy] [text incipit only]
148	Il est jour dit l'alouette allons jouer	-	[Sermisy]	Sermisy, Claudin de (ca. 1490–1562)
Il est jour dit l'alouette allons jouer Sermisy, Claudin de (ca. 1490–1562) Appears on: 148 Genres: Chanson Source Attribution: [Sermisy] Voice: [no designation] Languages: French Mensuration: cut-c Clef: c3 Voice Text: Il est iour [text incipit only]
148–149	Il bianco e dolce cigno cantando more	-	Archadelt	Arcadelt, Jacques (ca. 1507–1568)
Il bianco e dolce cigno cantando more Arcadelt, Jacques (ca. 1507–1568) Appears on: 148–149 Genres: Madrigal (Italian) Source Attribution: Archadelt Voice: [no designation] Languages: Italian Mensuration: cut-c Clef: c3 Voice Text: Ilbianco [= Il bianco e dolce cigno] [text incipit only] [= #92, p.126]
149–150	Vita della mia vita quando gran tort	-	[Verdelot]	Verdelot, Philippe (ca. 1480–ca. 1532)
Vita della mia vita quando gran tort Verdelot, Philippe (ca. 1480–ca. 1532) Appears on: 149–150 Genres: Madrigal (Italian) Source Attribution: [Verdelot] Voice: [no designation] Languages: Italian Mensuration: cut-c Clef: c2 Voice Text: Vita della mia [text incipit only]
150–151	Gehe wie es will, demnach ich soll mich	-	[Wolff]	Heintz, Wolff
Gehe wie es will, demnach ich soll mich Heintz, Wolff Appears on: 150–151 Genres: Song Source Attribution: [Wolff] Voice: [no designation] Languages: German Mensuration: cut-c Clef: c3 Voice Text: Gehe wie es wöll [text incipit only]
151–152	Douleur me bat et tristesse m'affolle	-	Anon.	Anonymous
Douleur me bat et tristesse m'affolle Anonymous Appears on: 151–152 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Mensuration: cut-c Clef: c3 Voice Text: Doleur me bat [text incipit only]
152	Hola he par la vertu goy dieu vous gart	-	Anon.	Anonymous
Hola he par la vertu goy dieu vous gart Anonymous Appears on: 152 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Mensuration: cut-c Clef: c3 Voice Text: Holla hoi [= Hola he par la vertu] [text incipit only]
153	Helas amour je pensoye bien avoir	-	[Godard]	Godard, Robert
Helas amour je pensoye bien avoir Godard, Robert Appears on: 153 Genres: Chanson Source Attribution: [Godard] Voice: [no designation] Languages: French Mensuration: cut-c Clef: c3 Voice Text: Helas amour [text incipit only]
153–154	Il n'est celui qui naît quelque adventure	-	[Cadéac]	Cadeac, P(ierre?)
Il n'est celui qui naît quelque adventure Cadeac, P(ierre?) Appears on: 153–154 Genres: Chanson Source Attribution: [Cadéac] Voice: [no designation] Languages: French Mensuration: cut-c Clef: c3 Voice Text: Il nest celluy [text incipit only]
154–155	Venus par toutt cherche son filz perdu	-	[Sermisy]	Sermisy, Claudin de (ca. 1490–1562)
Venus par toutt cherche son filz perdu Sermisy, Claudin de (ca. 1490–1562) Appears on: 154–155 Genres: Chanson Source Attribution: [Sermisy] Voice: [no designation] Languages: French Mensuration: cut-c Clef: c3 Voice Text: Venus par toutt [text incipit only]
155	En grant douleur faict son triste demeure	-	[Villiers]	Villiers, P[ierre?] de
En grant douleur faict son triste demeure Villiers, P[ierre?] de Appears on: 155 Genres: Chanson Source Attribution: [Villiers] Voice: [no designation] Languages: French Mensuration: cut-c Clef: c3 Voice Text: En grant douleur [text incipit only]
156	O triste adieu qui tant me mescontente	-	[Certon]	Certon, Pierre (–ca. 1572)
O triste adieu qui tant me mescontente Certon, Pierre (–ca. 1572) Appears on: 156 Genres: Chanson Source Attribution: [Certon] Voice: [no designation] Languages: French Mensuration: cut-c Clef: c3 Voice Text: O triste adieu [text incipit only]
156–157	Ce qui souloit en deux se despartir	-	[Sandrin]	Sandrin, Pierre (ca. 1490–ca. 1560)
Ce qui souloit en deux se despartir Sandrin, Pierre (ca. 1490–ca. 1560) Appears on: 156–157 Genres: Chanson Source Attribution: [Sandrin] Voice: [no designation] Languages: French Mensuration: cut-c Clef: c3 Voice Text: Ce qui souloit [text incipit only]
157	Fortune hellas [alors] que n'avois cognoissance	-	[Certon/Cléreau]	Certon, Pierre (–ca. 1572) (?) Clereau, Pierre (?)
Fortune hellas [alors] que n'avois cognoissance Certon, Pierre (–ca. 1572) (?) Clereau, Pierre (?) Appears on: 157 Genres: Chanson Source Attribution: [Certon/Cléreau] Voice: [no designation] Languages: French Mensuration: cut-c Clef: c2 Voice Text: Fortune allors [text incipit only]
157–158	Vous perdes temps de me dire mal d'elle	-	[Arcadelt]	Arcadelt, Jacques (ca. 1507–1568)
Vous perdes temps de me dire mal d'elle Arcadelt, Jacques (ca. 1507–1568) Appears on: 157–158 Genres: Chanson Source Attribution: [Arcadelt] Voice: [no designation] Languages: French Mensuration: cut-c Clef: c3 Voice Text: Vous perdes temps [text incipit only]
158–159	Pourtant si je suis brunette ami	-	[Sermisy]	Sermisy, Claudin de (ca. 1490–1562)
Pourtant si je suis brunette ami Sermisy, Claudin de (ca. 1490–1562) Appears on: 158–159 Genres: Chanson Source Attribution: [Sermisy] Voice: [no designation] Languages: French Mensuration: cut-c Clef: c3 Voice Text: Pourtant si je suis [text incipit only]
159	Vous usurpez dames injustement le commander	-	[Sandrin]	Sandrin, Pierre (ca. 1490–ca. 1560)
Vous usurpez dames injustement le commander Sandrin, Pierre (ca. 1490–ca. 1560) Appears on: 159 Genres: Chanson Source Attribution: [Sandrin] Voice: [no designation] Languages: French Mensuration: cut-c Clef: c3 Voice Text: Vous usurpez [text incipit only]
160	Quando ritrovo la mia pastorella	-	[C. Festa]	Festa, Costanzo (ca. 1485–1545)
Quando ritrovo la mia pastorella Festa, Costanzo (ca. 1485–1545) Appears on: 160 Genres: Italian secular Source Attribution: [C. Festa] Voice: [no designation] Languages: Italian Mensuration: cut-c Clef: c3 Voice Text: Pastorella [= Quando ritrovo la mia pastorella] [text incipit only]
160–161	Mit hohem fleiss freundlicher weis	-	Anon.	Anonymous
Mit hohem fleiss freundlicher weis Anonymous Appears on: 160–161 Genres: Song Source Attribution: Anon. Voice: [no designation] Languages: German Mensuration: cut-c Clef: c3 Voice Text: Mit hohem fleiss [text incipit only]
162	Hilf glück mit freuden (= Gaude laetare Jerusalem)	-	Anon.	Anonymous
Hilf glück mit freuden (= Gaude laetare Jerusalem) Anonymous Appears on: 162 Genres: Contrafactum, Song Source Attribution: Anon. Voice: [no designation] Languages: German Mensuration: cut-c Clef: c3 Voice Text: Hilf glückh mit freuden [= Gaude laetare Jerusalem] [text incipit only]
163	Maudite soit la mondaine richesse	-	[Sermisy]	Sermisy, Claudin de (ca. 1490–1562)
Maudite soit la mondaine richesse Sermisy, Claudin de (ca. 1490–1562) Appears on: 163 Genres: Chanson Source Attribution: [Sermisy] Voice: [no designation] Languages: French Mensuration: cut-c Clef: c3 Voice Text: Multito fait [= Mauldicte soit] [text incipit only]
163–164	Voulant amour sub parler gracieulx	-	[Arcadelt]	Arcadelt, Jacques (ca. 1507–1568)
Voulant amour sub parler gracieulx Arcadelt, Jacques (ca. 1507–1568) Appears on: 163–164 Genres: Chanson Source Attribution: [Arcadelt] Voice: [no designation] Languages: French Mensuration: cut-c Clef: c3 Voice Text: Voulant amour [text incipit only]
164–165	Si mon travail vous peult donner plaisir	-	[Sandrin/Sermisy]	Sermisy, Claudin de (ca. 1490–1562) (?) Sandrin, Pierre (ca. 1490–ca. 1560) (?)
Si mon travail vous peult donner plaisir Sermisy, Claudin de (ca. 1490–1562) (?) Sandrin, Pierre (ca. 1490–ca. 1560) (?) Appears on: 164–165 Genres: Chanson Source Attribution: [Sandrin/Sermisy] Voice: [no designation] Languages: French Mensuration: cut-c Clef: c3 Voice Text: Si mon traval [text incipit only]
165–166	Mon coeur voulut dedans soy recepvoir	-	[Sermisy]	Sermisy, Claudin de (ca. 1490–1562)
Mon coeur voulut dedans soy recepvoir Sermisy, Claudin de (ca. 1490–1562) Appears on: 165–166 Genres: Chanson Source Attribution: [Sermisy] Voice: [no designation] Languages: French Mensuration: cut-c Clef: c4 Voice Text: Mon cueur [text incipit only]
166	L'heur et malheur de vostre cognoissance	-	[Villiers]	Villiers, P[ierre?] de
L'heur et malheur de vostre cognoissance Villiers, P[ierre?] de Appears on: 166 Genres: Chanson Source Attribution: [Villiers] Voice: [no designation] Languages: French Mensuration: cut-c Clef: c3 Voice Text: Leuhr et malheur [= l'heur et malheur] [text incipit only]
167	Bandez vostre arc du traict de jouissance	-	[Buus]	Buus, Jacques
Bandez vostre arc du traict de jouissance Buus, Jacques Appears on: 167 Genres: Chanson Source Attribution: [Buus] Voice: [no designation] Languages: French Mensuration: cut-c Clef: c3 Voice Text: Bandez vostre [text incipit only]
167–168	Amours brusle par son ardente flamme	-	[Maillard]	Maillard, Jean (fl. c1538–1570)
Amours brusle par son ardente flamme Maillard, Jean (fl. c1538–1570) Appears on: 167–168 Genres: Chanson Source Attribution: [Maillard] Voice: [no designation] Languages: French Mensuration: cut-c Clef: c3 Voice Text: Amours brusle [text incipit only]
168–169	Le deuil issu de la joye incertaine	-	[Sandrin/Villiers]	Sandrin, Pierre (ca. 1490–ca. 1560) (?) Villiers, P[ierre?] de (?)
Le deuil issu de la joye incertaine Sandrin, Pierre (ca. 1490–ca. 1560) (?) Villiers, P[ierre?] de (?) Appears on: 168–169 Genres: Chanson Source Attribution: [Sandrin/Villiers] Voice: [no designation] Languages: French Mensuration: cut-c Clef: c3 Voice Text: Le dueil issude [text incipit only]
169–170	Puisque prier n'est de vous entendu	-	[Certon/Panurge]	Certon, Pierre (–ca. 1572) (?) Panurge (?)
Puisque prier n'est de vous entendu Certon, Pierre (–ca. 1572) (?) Panurge (?) Appears on: 169–170 Genres: Chanson Source Attribution: [Certon/Panurge] Voice: [no designation] Languages: French Mensuration: cut-c Clef: c3 Voice Text: Puis que prier [text incipit only]
170–171	Si à t'aymer ton maintien gratieulx	-	[Campis]	Campis, Henrico de
Si à t'aymer ton maintien gratieulx Campis, Henrico de Appears on: 170–171 Genres: Chanson Source Attribution: [Campis] Voice: [no designation] Languages: French Mensuration: cut-c Clef: c3 Voice Text: Sia taymer [= Si à t'aymer] [text incipit only]
171	Si par faveur d'amour mostez le pris	-	[L. Bourgeois]	Bourgois
Si par faveur d'amour mostez le pris Bourgois Appears on: 171 Genres: Chanson Source Attribution: [L. Bourgeois] Voice: [no designation] Languages: French Mensuration: cut-c Clef: c3 Voice Text: Si par faveur [text incipit only]
171–172	Mon coeur entier j'ai donne vraiement	-	[F. de Lys]	Lys, F de
Mon coeur entier j'ai donne vraiement Lys, F de Appears on: 171–172 Genres: Chanson Source Attribution: [F. de Lys] Voice: [no designation] Languages: French Mensuration: cut-c Clef: c3 Voice Text: Mon cueur entier [text incipit only]
172–173	Ung pouvre aÿmant de l'amour mesdisoit	-	[G. Coste]	Coste, Gabriel
Ung pouvre aÿmant de l'amour mesdisoit Coste, Gabriel Appears on: 172–173 Genres: Chanson Source Attribution: [G. Coste] Voice: [no designation] Languages: French Mensuration: cut-c Clef: c4 Voice Text: Ung pouvre aÿmant [text incipit only]
173	M'amye a eu de Dieu le don que de beauté	-	[Cléreau]	Clereau, Pierre
M'amye a eu de Dieu le don que de beauté Clereau, Pierre Appears on: 173 Genres: Chanson Source Attribution: [Cléreau] Voice: [no designation] Languages: French Mensuration: cut-c Clef: c3 Voice Text: Mamye a eude [text incipit only]
173–174	Rigueur me tient et doulx acueil	-	[G. Coste]	Coste, Gabriel
Rigueur me tient et doulx acueil Coste, Gabriel Appears on: 173–174 Genres: Chanson Source Attribution: [G. Coste] Voice: [no designation] Languages: French Mensuration: cut-c Clef: c3 Voice Text: Rigueur me rient [= Rigueur me tient] [text incipit only]
174	L'amour première en jeunesse innocente	-	[Sandrin]	Sandrin, Pierre (ca. 1490–ca. 1560)
L'amour première en jeunesse innocente Sandrin, Pierre (ca. 1490–ca. 1560) Appears on: 174 Genres: Chanson Source Attribution: [Sandrin] Voice: [no designation] Languages: French Mensuration: cut-c Clef: c3 Voice Text: Lamour premiere [text incipit only]
175	Si comme espoir je n'ai de guarison	-	[Maillard]	Maillard, Jean (fl. c1538–1570)
Si comme espoir je n'ai de guarison Maillard, Jean (fl. c1538–1570) Appears on: 175 Genres: Chanson Source Attribution: [Maillard] Voice: [no designation] Languages: French Mensuration: cut-c Clef: c3 Voice Text: Si comme espoir [text incipit only]
175–176	Si les oyseaulx n'avoyent espoir sortir	-	[G. Coste]	Coste, Gabriel
Si les oyseaulx n'avoyent espoir sortir Coste, Gabriel Appears on: 175–176 Genres: Chanson Source Attribution: [G. Coste] Voice: [no designation] Languages: French Mensuration: cut-c Clef: c3 Voice Text: Siles aÿse aulx [= Si les oyseaulx] [text incipit only]
176–177	Ung moins aymant aura peult estre mieulx	-	[Certon]	Certon, Pierre (–ca. 1572)
Ung moins aymant aura peult estre mieulx Certon, Pierre (–ca. 1572) Appears on: 176–177 Genres: Chanson Source Attribution: [Certon] Voice: [no designation] Languages: French Mensuration: cut-c Clef: c3 Voice Text: Ung moins aymant [text incipit only]
177	Ne penses pas mesdisans envieulx	-	[F. de Lys]	Lys, F de
Ne penses pas mesdisans envieulx Lys, F de Appears on: 177 Genres: Chanson Source Attribution: [F. de Lys] Voice: [no designation] Languages: French Mensuration: cut-c Clef: c3 Voice Text: Ne penses pas [text incipit only]
178	Je n'oserois le penser véritable	-	[Villiers]	Villiers, P[ierre?] de
Je n'oserois le penser véritable Villiers, P[ierre?] de Appears on: 178 Genres: Chanson Source Attribution: [Villiers] Voice: [no designation] Languages: French Mensuration: cut-c Clef: c3 Voice Text: Je noseroÿs le penser [text incipit only]
178–179	En lieu du bien que doux souloient	-	[F. de Lys/Quentin]	Lys, F de
En lieu du bien que doux souloient Lys, F de Appears on: 178–179 Genres: Chanson Source Attribution: [F. de Lys/Quentin] Voice: [no designation] Languages: French Mensuration: cut-c Clef: c3 Voice Text: En lieu du bien [text incipit only]
179–180	Las si mon coeur eut mis en aultre part	-	[Buus]	Buus, Jacques
Las si mon coeur eut mis en aultre part Buus, Jacques Appears on: 179–180 Genres: Chanson Source Attribution: [Buus] Voice: [no designation] Languages: French Mensuration: cut-c Clef: c3 Voice Text: Lassi mon cueur [= Las si mon cueur] [text incipit only]
180	Preste moÿ lung de tes yeulx bien	-	[Villiers]	Villiers, P[ierre?] de
Preste moÿ lung de tes yeulx bien Villiers, P[ierre?] de Appears on: 180 Genres: Chanson Source Attribution: [Villiers] Voice: [no designation] Languages: French Mensuration: cut-c Clef: c3 Voice Text: Preste moÿ lung [text incipit only]
181–183	Timor et tremor venit in Ninivem civitatem	-	Clemens non Papa	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Timor et tremor venit in Ninivem civitatem Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 181–183 Genres: Motet Source Attribution: Clemens non Papa Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Timor et tremor venit in Niniven civitatem
183–185	Tota pulchra es amica mea et macula	-	Clem. Morel	Morel, Clement
Tota pulchra es amica mea et macula Morel, Clement Appears on: 183–185 Genres: Motet Source Attribution: Clem. Morel Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Tota pulcra es amica mea et macula
185–186	Tota pulchra es amica mea et macula	-	Cornelius Canis	Canis, Cornelius
Tota pulchra es amica mea et macula Canis, Cornelius Appears on: 185–186 Genres: Motet Source Attribution: Cornelius Canis Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Tota pulcra es amica mea et macula
186–187	Pater peccavi (4vv) - 1a pars (of 2): Pater peccavi in caelum et coram te	-	Adrianus Vuillart	Willaert, Adrian (ca. 1490–1562)
Pater peccavi (4vv) - 1a pars (of 2): Pater peccavi in caelum et coram te Willaert, Adrian (ca. 1490–1562) Appears on: 186–187 Genres: Motet Source Attribution: Adrianus Vuillart Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Pater peccavi in coelum & coram te
187–188	Pater peccavi (4vv) - 2a pars (of 2): Quanti mercenarii in domo patris	-	-	Willaert, Adrian (ca. 1490–1562)
Pater peccavi (4vv) - 2a pars (of 2): Quanti mercenarii in domo patris Willaert, Adrian (ca. 1490–1562) Appears on: 187–188 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Pars secunda : Quanti mercenarii in domo patris
188–190	Pater peccavi (5vv) - 1a pars (of 2): Paper peccavi in caelum et coram te	-	Pe: Manchicourt	Manchicourt, Pierre de
Pater peccavi (5vv) - 1a pars (of 2): Paper peccavi in caelum et coram te Manchicourt, Pierre de Appears on: 188–190 Genres: Motet Source Attribution: Pe: Manchicourt Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Pater peccavi in coelum & coram te
190–191	Pater peccavi (5vv) - 2a pars (of 2): Quanti mercenarii in domo patris	-	-	Manchicourt, Pierre de
Pater peccavi (5vv) - 2a pars (of 2): Quanti mercenarii in domo patris Manchicourt, Pierre de Appears on: 190–191 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Pars secunda : Quanti mercenarii in domo patris
192–193	In me transierunt irae tuae et terrores	-	Maillart	Maillard, Jean (fl. c1538–1570)
In me transierunt irae tuae et terrores Maillard, Jean (fl. c1538–1570) Appears on: 192–193 Genres: Motet Source Attribution: Maillart Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: In me transierunt irae tuae & terrores
193–194	Adesto dolori meo - 1a pars (of 2): Adesto dolori meo deus nimium fatigor	-	Clemens non Papa	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Adesto dolori meo - 1a pars (of 2): Adesto dolori meo deus nimium fatigor Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 193–194 Genres: Motet Source Attribution: Clemens non Papa Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: Adesto dolori meo deus nimium fatigor
194–195	Adesto dolori meo - 2a pars (of 2): Interiora mea efferbuerunt absque ulla requie	-	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Adesto dolori meo - 2a pars (of 2): Interiora mea efferbuerunt absque ulla requie Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 194–195 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: Secunda pars : Interiora mea efferbuerunt me
196–198	In te Domine speravi non confundar	-	Clemens non Papa	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
In te Domine speravi non confundar Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 196–198 Genres: Motet, Te Deum Source Attribution: Clemens non Papa Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: In te domine speravi non confundar
198–202	Beati omnes qui timent Dominum qui ambulant (2p. Ecce sic benedicetur homo qui timet)	-	Benedictus Appenzeller	Appenzeller, Benedictus (ca. 1480–ca. 1558)
Beati omnes qui timent Dominum qui ambulant (2p. Ecce sic benedicetur homo qui timet) Appenzeller, Benedictus (ca. 1480–ca. 1558) Appears on: 198–202 Genres: Motet Source Attribution: Benedictus Appenzeller Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Beati omnes qui timent dominum qui ambulant II: Ecce sic benedicetur homo qui timet
202–203	Gaudete psallentes mire laudantes virginis	-	Anon.	Anonymous
Gaudete psallentes mire laudantes virginis Anonymous Appears on: 202–203 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Gaudete psallentes mire laudantes virginis
203–204	Defali convivium	-	Anon.	Anonymous
Defali convivium Anonymous Appears on: 203–204 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: D.e.de.f.a.fa ... defali convivium
204–206	Nun meisterlich wir heben singen an	-	Anon.	Anonymous
Nun meisterlich wir heben singen an Anonymous Appears on: 204–206 Genres: Song Source Attribution: Anon. Voice: [no designation] Languages: German Mensuration: cut-c Clef: c3 Voice Text: Nuhn meysterlich wir heben singen an
206–207	Mein einigs A. ich Dein beleib und mich	-	[Hofhaimer]	Hofhaimer, Paul
Mein einigs A. ich Dein beleib und mich Hofhaimer, Paul Appears on: 206–207 Genres: Song Source Attribution: [Hofhaimer] Voice: [no designation] Languages: German Mensuration: cut-c Clef: c4 Voice Text: Mein einiges A. ich dein beleib und mich
207–208	Une fillette bien gorriere embrassa	-	[Clemens non Papa/Janequin]	Janequin, Clement (ca. 1485–ca. 1558) (?) Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?)
Une fillette bien gorriere embrassa Janequin, Clement (ca. 1485–ca. 1558) (?) Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?) Appears on: 207–208 Genres: Chanson Source Attribution: [Clemens non Papa/Janequin] Voice: [no designation] Languages: none Clef: c1 Voice Text: [Une fillette bien gorriere] untexted
208–209	Vergangen ist mir glück und heil	-	[Förster]	Forster, Georg (ca. 1510–1568)
Vergangen ist mir glück und heil Forster, Georg (ca. 1510–1568) Appears on: 208–209 Genres: Song Source Attribution: [Förster] Voice: [no designation] Languages: German Clef: c3 Voice Text: Vergangen ist mir glückh und heyl
209–210	Da pacem Domine in diebus nostris	-	[Bruck]	Bruck, Arnold von (ca. 1500–1554)
Da pacem Domine in diebus nostris Bruck, Arnold von (ca. 1500–1554) Appears on: 209–210 Genres: Motet Source Attribution: [Bruck] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: Da pacem domine in diebus nostris
210	Welscher tantz	-	Anon.	Anonymous
Welscher tantz Anonymous Appears on: 210 Genres: Dance, Secular Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Der Welscher tantz ... Altista tacebis [no music, as Altus tacet]
210–211	In natali Domini clamant mortales / Wo ist uns das Kind geborn	-	[Hähnel]	Galliculus, Johannes
In natali Domini clamant mortales / Wo ist uns das Kind geborn Galliculus, Johannes Appears on: 210–211 Genres: Motet Source Attribution: [Hähnel] Voice: [no designation] Languages: Latin, German Clef: c3 Voice Text: In natali domini ... Wo ist uns das kindelein
211	Christum wir sollen loben schon	-	Anon.	Anonymous
Christum wir sollen loben schon Anonymous Appears on: 211 Genres: Hymn, Motet, Sacred Song Source Attribution: Anon. Voice: [no designation] Languages: German Mensuration: cut-c Clef: c3 Voice Text: Christum wir sollen loben schon
212	Parvulus nobis nascitur de virgine	-	[J. Hermann]	Herman, Johann
Parvulus nobis nascitur de virgine Herman, Johann Appears on: 212 Genres: Hymn Source Attribution: [J. Hermann] Voice: [no designation] Languages: Latin Mensuration: 3 Clef: c3 Voice Text: Parvulus nobis nascitur de virgine
212	Gelobet seist Du, Jesu Christ, dass Du Mensch	-	[Walter]	Walter, Johann (1496–1570)
Gelobet seist Du, Jesu Christ, dass Du Mensch Walter, Johann (1496–1570) Appears on: 212 Genres: Chorale, Sacred Song Source Attribution: [Walter] Voice: [no designation] Languages: German Mensuration: cut-c Clef: c3 Voice Text: Gelobet seist du Jesu Christ das du mensch
213	Wie geht es zu, dass heut und nu	-	[Bruck]	Bruck, Arnold von (ca. 1500–1554)
Wie geht es zu, dass heut und nu Bruck, Arnold von (ca. 1500–1554) Appears on: 213 Genres: Song Source Attribution: [Bruck] Voice: [no designation] Languages: German Mensuration: cut-c Clef: c3 Voice Text: Wie geht es zu das heut und nu
214	Puer natus est nobis et filius datus est 26.9	-	[Josquin/Mouton]	Despres, Josquin (ca. 1450–1521)
Puer natus est nobis et filius datus est 26.9 Despres, Josquin (ca. 1450–1521) Appears on: 214 Genres: Motet Source Attribution: [Josquin/Mouton] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Puer natus est nobis & filius datus est
215–216	Grates nunc omnes reddamus Domino Deo (2p. Nos liberavit de diabolica potestate; 3p. Huic oportet ut canamus cum angelis)	-	Anon.	Anonymous
Grates nunc omnes reddamus Domino Deo (2p. Nos liberavit de diabolica potestate; 3p. Huic oportet ut canamus cum angelis) Anonymous Appears on: 215–216 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Grates nunc omnes reddamus domino deo II: Nos liberavit de diabolica potestate III: Huic oportet ut canamus cum angelis
216–218	Sum tuus in vita (4vv) [M109]	-	[Senfl]	Senfl, Ludwig (ca. 1486–ca. 1543)
Sum tuus in vita (4vv) [M109] Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 216–218 Genres: Motet Source Attribution: [Senfl] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Sum tuus in vita tua sunt mea funera
219	Was ist die Welt, gelt hat allein den Preis	-	[Senfl]	Senfl, Ludwig (ca. 1486–ca. 1543)
Was ist die Welt, gelt hat allein den Preis Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 219 Genres: Song Source Attribution: [Senfl] Voice: Discantus Languages: German Mensuration: cut-c Clef: c1 Voice Text: Was ist die weltt gelt hat allein den preiss General Note Discantus (Altus is in Discantus book) copied on a circular stave
220	Möcht ich Gunst haben bei dir das kann ich	-	Anon.	Anonymous
Möcht ich Gunst haben bei dir das kann ich Anonymous Appears on: 220 Genres: Song Source Attribution: Anon. Voice: [no designation] Languages: German Mensuration: cut-c Clef: c3 Voice Text: Möcht ich gunst han bey dir das khan ich General Note copied on a circular stave
221–222	Apparuit benignitas et humanitas salvatoris	-	Galliculus [= Hähnel]	Galliculus, Johannes
Apparuit benignitas et humanitas salvatoris Galliculus, Johannes Appears on: 221–222 Genres: Motet Source Attribution: Galliculus [= Hähnel] Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Apparuit benignitas et humanitas salvatoris
222–223	Ecce quam bonum et quam jocundum habitare (2p. Quod descendit in orem vestimenti; 3p. Quoniam illic mandavit Dominus)	-	Anon.	Anonymous
Ecce quam bonum et quam jocundum habitare (2p. Quod descendit in orem vestimenti; 3p. Quoniam illic mandavit Dominus) Anonymous Appears on: 222–223 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Ecce quam bonum et quam iucundum habitare II: Quod descendit in orem vestimenti III: Quoniam illic mandavit dominus
224	Missa Quant j'ai au coeur: Benedictus	-	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Missa Quant j'ai au coeur: Benedictus Isaac, Heinrich (ca. 1450–1517) Appears on: 224 Genres: Mass Ordinary, Sanctus [& Benedictus], Troped Sanctus Source Attribution: [Isaac] Voice: [no designation] Languages: none Voice Text: [tacet instruction, no music] General Note Tacet canon, ending "Tempus id interea lepidum consume bibendo" - now is a good time to eat and drink!
224–225	Dilexi quoniam - 1a pars (of 2): Dilexi quoniam exaudiet Dominus vocem	-	Benedictus Ducis/[Maffoni]	Maffoni, Hieronymus (?) Ducis, Benedictus (?)
Dilexi quoniam - 1a pars (of 2): Dilexi quoniam exaudiet Dominus vocem Maffoni, Hieronymus (?) Ducis, Benedictus (?) Appears on: 224–225 Genres: Motet Source Attribution: Benedictus Ducis/[Maffoni] Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Dilexi quoniam exaudiet dominus vocem
226–227	Dilexi quoniam - 2a pars (of 2): O Domine libera animam meam	-	-	Ducis, Benedictus (?) Maffoni, Hieronymus (?)
Dilexi quoniam - 2a pars (of 2): O Domine libera animam meam Ducis, Benedictus (?) Maffoni, Hieronymus (?) Appears on: 226–227 Genres: Motet Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Secunda pars : O domine libera animam meam
227–228	Freundlicher grüss mit buss ward mir heimlich	-	Anon.	Anonymous
Freundlicher grüss mit buss ward mir heimlich Anonymous Appears on: 227–228 Genres: Lied Source Attribution: Anon. Voice: [no designation] Languages: German Mensuration: cut-c Clef: c4 Voice Text: Freundlicher gruss mit buss wardt mir
228–231	Maria Magdalena - 1a pars (of 2): Maria Magdalena et altera Maria ibant	-	Clemens non Papa	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Maria Magdalena - 1a pars (of 2): Maria Magdalena et altera Maria ibant Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 228–231 Genres: Motet Source Attribution: Clemens non Papa Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Maria Magdalena & altera Maria ibant
231–233	Maria Magdalena - 2a pars (of 2): Cito euntes dicite discipulis eius	-	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Maria Magdalena - 2a pars (of 2): Cito euntes dicite discipulis eius Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 231–233 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Pars secunda : Cito euntes dicite discipulis suis
233	Ach lieb mit leid wie hast Dein B'scheid	-	[Hofhaimer]	Hofhaimer, Paul
Ach lieb mit leid wie hast Dein B'scheid Hofhaimer, Paul Appears on: 233 Genres: Song Source Attribution: [Hofhaimer] Voice: [no designation] Languages: German Mensuration: cut-c Clef: c3 Voice Text: Ach lieb mit leid wie hast dein bscheid
234–235	Erravi sicut ovis - 1a pars (of 2): Erravi sicut ovis quae periit require	-	Thomas Crequilon	Crecquillon, Thomas (ca. 1505–ca. 1557)
Erravi sicut ovis - 1a pars (of 2): Erravi sicut ovis quae periit require Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 234–235 Genres: Motet Source Attribution: Thomas Crequilon Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Erravi sicut ovis quae periit require
236–237	Erravi sicut ovis - 2a pars (of 2): Delicta juventutis meae et ignorantias	-	-	Crecquillon, Thomas (ca. 1505–ca. 1557)
Erravi sicut ovis - 2a pars (of 2): Delicta juventutis meae et ignorantias Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 236–237 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Secunda pars : Delicta iuventutis meae & ignorantias
237–238	Zucht Ehr und Lob ihr wohnet bei	-	[Hofhaimer]	Hofhaimer, Paul
Zucht Ehr und Lob ihr wohnet bei Hofhaimer, Paul Appears on: 237–238 Genres: Secular Source Attribution: [Hofhaimer] Voice: [no designation] Languages: German Mensuration: cut-c Clef: c4 Voice Text: Zucht Ehr und Lob ihr wohnet bei
238–240	Congratulamini mihi - 1a pars (of 2): Congratulamini mihi omnes qui diligitis	-	Crequilon/[C. Hollander]	Hollander, Christian (?) Crecquillon, Thomas (ca. 1505–ca. 1557)
Congratulamini mihi - 1a pars (of 2): Congratulamini mihi omnes qui diligitis Hollander, Christian (?) Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 238–240 Genres: Motet Source Attribution: Crequilon/[C. Hollander] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Congratulamini mihi omnes qui diligitis
241–243	Congratulamini mihi - 2a pars (of 2): Tulerunt Dominum meum et nescio ubi	-	-	Crecquillon, Thomas (ca. 1505–ca. 1557) Hollander, Christian (?)
Congratulamini mihi - 2a pars (of 2): Tulerunt Dominum meum et nescio ubi Crecquillon, Thomas (ca. 1505–ca. 1557) Hollander, Christian (?) Appears on: 241–243 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Secunda pars : Tulerunt dominum meum & nescio ubi
243	Disce bone clerice virgines amare	-	[Coclico]	Coclico, Adrianus Petit (ca. 1499–ca. 1562)
Disce bone clerice virgines amare Coclico, Adrianus Petit (ca. 1499–ca. 1562) Appears on: 243 Genres: Motet Source Attribution: [Coclico] Voice: [no designation] Languages: none Clef: c3 Voice Text: [Disce bone clerice virgines amare] untexted
243	Studenten Art und Freulen zart	-	Anon.	Anonymous
Studenten Art und Freulen zart Anonymous Appears on: 243 Genres: Song Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: [tacet instruction only]
244–249	Quemadmodum desiderat cervus ad fontes (2p. Quare tristis es anima mea; 3p. In die mandavit Dominus misericordiam)	-	Andreas Grundler	Grundlerus, Andreas
Quemadmodum desiderat cervus ad fontes (2p. Quare tristis es anima mea; 3p. In die mandavit Dominus misericordiam) Grundlerus, Andreas Appears on: 244–249 Genres: Motet Source Attribution: Andreas Grundler Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Quemadmodum desiderat cervus ad fontes II: Quare tristis es anima mea III: In die mandavit Dominus misericordiam
249–250	Unam petii Domino hanc inveni haec erit	-	Johannes Stahel	Stahel, Johann
Unam petii Domino hanc inveni haec erit Stahel, Johann Appears on: 249–250 Genres: Italian secular Source Attribution: Johannes Stahel Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Unam petij a domino hanc inveni haec erit
250–251	Domine Deus qui conteris bella ab initio (2p. Allide virtutem eorum in virtute tuae)	-	Verdeloth	Verdelot, Philippe (ca. 1480–ca. 1532)
Domine Deus qui conteris bella ab initio (2p. Allide virtutem eorum in virtute tuae) Verdelot, Philippe (ca. 1480–ca. 1532) Appears on: 250–251 Genres: Motet Source Attribution: Verdeloth Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Domine deus qui conteris bella ab initio II: Allide virtutem eorum in virtute tuae
252–254	Nuptiae factae sunt in Chana Gallileae	-	[Barra/Elimon]	Elimon (Elimot) (?) Barra, Hotinet (fl. 1510-23) (?)
Nuptiae factae sunt in Chana Gallileae Elimon (Elimot) (?) Barra, Hotinet (fl. 1510-23) (?) Appears on: 252–254 Genres: Motet Source Attribution: [Barra/Elimon] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Nuptiae factae sunt in Cana Galileae
255–256	Tria sunt munera- 1a pars (of 2): Tria sunt munera	-	Goessen Junckers	Jonckers, Maistre Gosse
Tria sunt munera- 1a pars (of 2): Tria sunt munera Jonckers, Maistre Gosse Appears on: 255–256 Genres: Motet Source Attribution: Goessen Junckers Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Tria sunt munera pretiosa quae obtulerunt
256–258	Tria sunt munera- 2a pars (of 2): Reges Tharsis et Insulae	-	-	Jonckers, Maistre Gosse
Tria sunt munera- 2a pars (of 2): Reges Tharsis et Insulae Jonckers, Maistre Gosse Appears on: 256–258 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Secunda Pars : Reges Tharsis & insulae munera
258–259	In principio erat verbum 19.7 - 1a pars (of 3): In principio erat verbum et verbum	-	Josquin de Prees	Despres, Josquin (ca. 1450–1521)
In principio erat verbum 19.7 - 1a pars (of 3): In principio erat verbum et verbum Despres, Josquin (ca. 1450–1521) Appears on: 258–259 Genres: Motet Source Attribution: Josquin de Prees Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: In principio erat verbum et verbum
259–261	In principio erat verbum 19.7 - 2a pars (of 3): Fuit homo missus a Deo	-	-	Despres, Josquin (ca. 1450–1521)
In principio erat verbum 19.7 - 2a pars (of 3): Fuit homo missus a Deo Despres, Josquin (ca. 1450–1521) Appears on: 259–261 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Secunda pars : Fuit homo missus a deo cui nomen
261	In principio erat verbum 19.7 - 3a pars (of 3): Et verbum caro factum est	-	-	Despres, Josquin (ca. 1450–1521)
In principio erat verbum 19.7 - 3a pars (of 3): Et verbum caro factum est Despres, Josquin (ca. 1450–1521) Appears on: 261 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Tertia pars : Et verbum caro factum est & habitavit
262–264	Gaudent in caelis animae sanctorum	-	Archadelt	Arcadelt, Jacques (ca. 1507–1568)
Gaudent in caelis animae sanctorum Arcadelt, Jacques (ca. 1507–1568) Appears on: 262–264 Genres: Motet Source Attribution: Archadelt Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Gaudent in coelis animae sanctorum
264–265	Quam pulchra es - 1a pars (of 2): Quam pulchra es et quam decora	-	Lupi/[Mouton]	Lupi, Johannes (ca. 1506–1539) (?) Mouton, Jean (ca. 1459–1522)
Quam pulchra es - 1a pars (of 2): Quam pulchra es et quam decora Lupi, Johannes (ca. 1506–1539) (?) Mouton, Jean (ca. 1459–1522) Appears on: 264–265 Genres: Motet Source Attribution: Lupi/[Mouton] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Quam pulcra es amica mea et quam decora
265–267	Quam pulchra es - 2a pars (of 2): Veni dilecte mi egrediamur in agrum	-	-	Lupi, Johannes (ca. 1506–1539) (?) Mouton, Jean (ca. 1459–1522)
Quam pulchra es - 2a pars (of 2): Veni dilecte mi egrediamur in agrum Lupi, Johannes (ca. 1506–1539) (?) Mouton, Jean (ca. 1459–1522) Appears on: 265–267 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Secunda pars : Veni dilecte mi egrediamur in agrum
267–268	Senex puerum - 1a pars (of 2): Senex puerum portabat puer autem senem	-	Lheritier	Lheritier, Jean (ca. 1480–ca. 1551)
Senex puerum - 1a pars (of 2): Senex puerum portabat puer autem senem Lheritier, Jean (ca. 1480–ca. 1551) Appears on: 267–268 Genres: Motet Source Attribution: Lheritier Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Senex puerum portabat puer autem senem
268–270	Senex puerum - 2a pars (of 2): Hodie beata virgo	-	-	Lheritier, Jean (ca. 1480–ca. 1551)
Senex puerum - 2a pars (of 2): Hodie beata virgo Lheritier, Jean (ca. 1480–ca. 1551) Appears on: 268–270 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Secunda pars : Hodie beata virgo Maria puerum Jesum
270–271	Jerusalem luge - 1a pars (of 2): Jerusalem luge et exue te vestibus jocunditatis	-	Richafort/[Caen/Lupus]	Hellinck, Lupus (ca. 1494–1541) (?) Richafort, Jean (ca. 1480–ca. 1550) (?) Caen, Arnold (?)
Jerusalem luge - 1a pars (of 2): Jerusalem luge et exue te vestibus jocunditatis Hellinck, Lupus (ca. 1494–1541) (?) Richafort, Jean (ca. 1480–ca. 1550) (?) Caen, Arnold (?) Appears on: 270–271 Genres: Motet Source Attribution: Richafort/[Caen/Lupus] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Hierusalem luge & exue te vestibus
271–273	Jerusalem luge - 2a pars (of 2): Deduc quasi torrentem lacrimas	-	-	Caen, Arnold (?) Richafort, Jean (ca. 1480–ca. 1550) (?) Hellinck, Lupus (ca. 1494–1541) (?)
Jerusalem luge - 2a pars (of 2): Deduc quasi torrentem lacrimas Caen, Arnold (?) Richafort, Jean (ca. 1480–ca. 1550) (?) Hellinck, Lupus (ca. 1494–1541) (?) Appears on: 271–273 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Secunda pars : Deduc quasi torrentem lachrimas
273–275	Deus qui sedes super thronum (4vv)	-	Joannes Walterus/[Verdelot]	Walter, Johann (1496–1570) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?)
Deus qui sedes super thronum (4vv) Walter, Johann (1496–1570) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?) Appears on: 273–275 Genres: Motet Source Attribution: Joannes Walterus/[Verdelot] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Deus qui sedes super thronum & iudicas
275–276	Vere beatus - 1a pars (of 2): Vere beatus et deo factus meritus auspice	-	[Walter]	Walter, Johann (1496–1570)
Vere beatus - 1a pars (of 2): Vere beatus et deo factus meritus auspice Walter, Johann (1496–1570) Appears on: 275–276 Genres: Motet Source Attribution: [Walter] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Vere beatus et deo factus meritus auspice
276–278	Vere beatus - 2a pars (of 2): Hanc ardet hanc amplexibus	-	-	Walter, Johann (1496–1570)
Vere beatus - 2a pars (of 2): Hanc ardet hanc amplexibus Walter, Johann (1496–1570) Appears on: 276–278 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Pars sequentium : Hanc ardet hanc amplexibus dulcissimus
278–279	Festum nunc celebre magnaque gaudia (5vv)	-	[Walter]	Walter, Johann (1496–1570)
Festum nunc celebre magnaque gaudia (5vv) Walter, Johann (1496–1570) Appears on: 278–279 Genres: Motet Source Attribution: [Walter] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Festum nunc celebre magnaque gaudia
279–281	Dum complerentur dies Pentecostes erant omnes	-	Archadelt/[Verdelot]	Arcadelt, Jacques (ca. 1507–1568) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?)
Dum complerentur dies Pentecostes erant omnes Arcadelt, Jacques (ca. 1507–1568) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?) Appears on: 279–281 Genres: Motet Source Attribution: Archadelt/[Verdelot] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Dum complerentur dies pentecostes erant
281–283	Cantate Domino - 1a pars (of 2): Cantate Domino canticum novum	-	Jachet [of Mantua]	Mantua, Jacquet de (1483–1559)
Cantate Domino - 1a pars (of 2): Cantate Domino canticum novum Mantua, Jacquet de (1483–1559) Appears on: 281–283 Genres: Motet Source Attribution: Jachet [of Mantua] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Cantate domino canticum novum laus eius
283–285	Cantate Domino - 2a pars (of 2): Cantate ei et psallite ei	-	-	Mantua, Jacquet de (1483–1559)
Cantate Domino - 2a pars (of 2): Cantate ei et psallite ei Mantua, Jacquet de (1483–1559) Appears on: 283–285 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Secunda pars : Cantate ei & psallite narrate
286	Beata Dei genitrix - 1a pars (of 2): Beata Dei genitrix virgo Maria	-	Lheritier/[Conseil/Willaert]	Willaert, Adrian (ca. 1490–1562) (?) Lheritier, Jean (ca. 1480–ca. 1551) (?) Conseil, Jean (ca. 1498–1534) (?)
Beata Dei genitrix - 1a pars (of 2): Beata Dei genitrix virgo Maria Willaert, Adrian (ca. 1490–1562) (?) Lheritier, Jean (ca. 1480–ca. 1551) (?) Conseil, Jean (ca. 1498–1534) (?) Appears on: 286 Genres: Motet Source Attribution: Lheritier/[Conseil/Willaert] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Beata Dei genitrix virgo Maria
286–287	Beata Dei genitrix - 2a pars (of 2): Et beata quae credidit quoniam	-	-	Willaert, Adrian (ca. 1490–1562) (?) Conseil, Jean (ca. 1498–1534) (?) Lheritier, Jean (ca. 1480–ca. 1551) (?)
Beata Dei genitrix - 2a pars (of 2): Et beata quae credidit quoniam Willaert, Adrian (ca. 1490–1562) (?) Conseil, Jean (ca. 1498–1534) (?) Lheritier, Jean (ca. 1480–ca. 1551) (?) Appears on: 286–287 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Secunda pars : Et beata quae credidit quoniam
287–288	Jam non dicam - 1a pars (of 2): Jam non dicam vos servos	-	Richafort/[Lupus]	Richafort, Jean (ca. 1480–ca. 1550) Hellinck, Lupus (ca. 1494–1541) (?)
Jam non dicam - 1a pars (of 2): Jam non dicam vos servos Richafort, Jean (ca. 1480–ca. 1550) Hellinck, Lupus (ca. 1494–1541) (?) Appears on: 287–288 Genres: Motet Source Attribution: Richafort/[Lupus] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Jam non dicam vos servos sed amicos
289–290	Jam non dicam - 2a pars (of 2): Cum venerit ille spiritus veritatis	-	-	Hellinck, Lupus (ca. 1494–1541) (?) Richafort, Jean (ca. 1480–ca. 1550)
Jam non dicam - 2a pars (of 2): Cum venerit ille spiritus veritatis Hellinck, Lupus (ca. 1494–1541) (?) Richafort, Jean (ca. 1480–ca. 1550) Appears on: 289–290 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Secunda pars : Cum venerit ille spiritus veritatis
290–292	Ne recorderis peccata mea Domine cum veneris	-	[Hemmerlen]	Hemmerlen, Georgius
Ne recorderis peccata mea Domine cum veneris Hemmerlen, Georgius Appears on: 290–292 Genres: Motet Source Attribution: [Hemmerlen] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Ne recorderis peccata mea domine cum veneris
292–294	Viri Galilaei quid aspicitis in caelum	-	Anon.	Crecquillon, Thomas (ca. 1505–ca. 1557) (?)
Viri Galilaei quid aspicitis in caelum Crecquillon, Thomas (ca. 1505–ca. 1557) (?) Appears on: 292–294 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Viri Galilaei quid aspicitis in coelum
294–295	Congratulamini mihi 26.3 - 1a pars (of 2) Congratulamini mihi omnes qui diligitis	-	[Josquin/Lebrun/Richafort]	le Brun, Jean (fl. early 16th century) (?) Despres, Josquin (ca. 1450–1521) (?) Richafort, Jean (ca. 1480–ca. 1550) (?)
Congratulamini mihi 26.3 - 1a pars (of 2) Congratulamini mihi omnes qui diligitis le Brun, Jean (fl. early 16th century) (?) Despres, Josquin (ca. 1450–1521) (?) Richafort, Jean (ca. 1480–ca. 1550) (?) Appears on: 294–295 Genres: Motet Source Attribution: [Josquin/Lebrun/Richafort] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Congratulamini mihi omnes qui diligitis
295–296	Congratulamini mihi 26.3 - 2a pars (of 2): Tulerunt Dominum meum et nescio ubi	-	-	Despres, Josquin (ca. 1450–1521) (?) le Brun, Jean (fl. early 16th century) (?) Richafort, Jean (ca. 1480–ca. 1550) (?)
Congratulamini mihi 26.3 - 2a pars (of 2): Tulerunt Dominum meum et nescio ubi Despres, Josquin (ca. 1450–1521) (?) le Brun, Jean (fl. early 16th century) (?) Richafort, Jean (ca. 1480–ca. 1550) (?) Appears on: 295–296 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Pars secunda : ... Et nescio ubi
297–298	Sancta Trinitas unus Deus miserere nobis (6vv)	-	[A.] Fevin/[Craen/C. Festa/Josquin/Morales]Arnoldus de Bruck	Bruck, Arnold von (ca. 1500–1554) Fevin, Antoine de (ca. 1470–ca. 1512)
Sancta Trinitas unus Deus miserere nobis (6vv) Bruck, Arnold von (ca. 1500–1554) Fevin, Antoine de (ca. 1470–ca. 1512) Appears on: 297–298 Genres: Motet Source Attribution: [A.] Fevin/[Craen/C. Festa/Josquin/Morales]Arnoldus de Bruck Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Sancta trinitas unus Deus miserere Concordances Publ. Hans Ott, Novum et insigne opus musicum, Nuremberg, Hieronymus Formschneider, 1537, no 3; Tertius tomus Evangeliorum, quatuor, quinque, sex et plurium vocum, Nuremberg, J. Montanus & U. Neuber, 1555, no 7; Novum et insigne opus musicum, Nuremberg, J. von Berg & U. Neuber, 1558, no 10
298–299	O trinitas et Deitas - 1a pars (of 2): O trinitas et Deitas alma tibi omnes angeli	-	[Rein]	Rein, Conrad (ca. 1475–1522)
O trinitas et Deitas - 1a pars (of 2): O trinitas et Deitas alma tibi omnes angeli Rein, Conrad (ca. 1475–1522) Appears on: 298–299 Genres: Motet Source Attribution: [Rein] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: O trinitas & deitas alma
299–301	O trinitas et Deitas - 2a pars (of 2): Miserere qui passus est nobis	-	-	Rein, Conrad (ca. 1475–1522)
O trinitas et Deitas - 2a pars (of 2): Miserere qui passus est nobis Rein, Conrad (ca. 1475–1522) Appears on: 299–301 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Secunda pars : Miserere qui passus es pro nobis
301–304	In illo tempore dixit Jesus discipulis (2p. His autem fieri incipientibus)	-	Anon.	Anonymous
In illo tempore dixit Jesus discipulis (2p. His autem fieri incipientibus) Anonymous Appears on: 301–304 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Mensuration: o Clef: c3 Voice Text: In illo tempore dixit Jhesus discipulis suis II: His autem fieri incipientibus
304–305	Magnum Oseae quem decus virginale parturit	-	Anon.	Anonymous
Magnum Oseae quem decus virginale parturit Anonymous Appears on: 304–305 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Magnum Oseae quem decus virginale parturit
305–306	Creavit Deus hominem ad imaginem suam (2p. Crescite et multiplicamini et replete)	-	[H. Faber]	Faber, Heinrich (ca. 1500–1552)
Creavit Deus hominem ad imaginem suam (2p. Crescite et multiplicamini et replete) Faber, Heinrich (ca. 1500–1552) Appears on: 305–306 Genres: Motet Source Attribution: [H. Faber] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Creavit Deus hominem ad imaginem suam II: Crescite & multiplicamini et replete
306–307	Jamais en ce monde n'aurais regrets	-	Crequillon	Crecquillon, Thomas (ca. 1505–ca. 1557)
Jamais en ce monde n'aurais regrets Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 306–307 Genres: Chanson Source Attribution: Crequillon Voice: [no designation] Languages: French Mensuration: cut-c Clef: c3 Voice Text: Jamais enche monde naraÿ regres [= Jamais en ce monde n'arays regrets] [= #84, p. 121]
307–309	Da trunken sie die liebe lange Nacht	-	Anon.	Anonymous
Da trunken sie die liebe lange Nacht Anonymous Appears on: 307–309 Genres: Quodlibet Source Attribution: Anon. Voice: [no designation] Languages: German Mensuration: cut-c Clef: c3 Voice Text: Quodlibet : Da truncken sie die liebe lange nacht
309–310	Guckguckh hat sich zu todt gefallen	-	Johan Müller	Muller, Johann
Guckguckh hat sich zu todt gefallen Muller, Johann Appears on: 309–310 Genres: Song Source Attribution: Johan Müller Voice: [no designation] Languages: German Mensuration: cut-o 3 Clef: c3 Voice Text: Guckguckh hat sich zu todt gefallen
310–311	Te Deum laudamus 26.16 - 1a pars (of 3): Te Deum laudamus te dominum confitemur	-	[Josquin/Mouton/Silva]	Silva, Andreas de (ca. 1475–ca. 1522) (?) Despres, Josquin (ca. 1450–1521) (?) Mouton, Jean (ca. 1459–1522) (?)
Te Deum laudamus 26.16 - 1a pars (of 3): Te Deum laudamus te dominum confitemur Silva, Andreas de (ca. 1475–ca. 1522) (?) Despres, Josquin (ca. 1450–1521) (?) Mouton, Jean (ca. 1459–1522) (?) Appears on: 310–311 Genres: Te Deum Source Attribution: [Josquin/Mouton/Silva] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Te Deum laudamus te dominum confitemur
311–312	Te Deum laudamus 26.16 - 2a pars (of 3): Venerandum tuum/Patrem immensae majestatis	-	-	Despres, Josquin (ca. 1450–1521) (?) Mouton, Jean (ca. 1459–1522) (?) Silva, Andreas de (ca. 1475–ca. 1522) (?)
Te Deum laudamus 26.16 - 2a pars (of 3): Venerandum tuum/Patrem immensae majestatis Despres, Josquin (ca. 1450–1521) (?) Mouton, Jean (ca. 1459–1522) (?) Silva, Andreas de (ca. 1475–ca. 1522) (?) Appears on: 311–312 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Secunda pars : Patrem immensae maiestatis
312–313	Te Deum laudamus 26.16 - 3a pars (of 3): Te ergo quaesumus	-	-	Silva, Andreas de (ca. 1475–ca. 1522) (?) Despres, Josquin (ca. 1450–1521) (?) Mouton, Jean (ca. 1459–1522) (?)
Te Deum laudamus 26.16 - 3a pars (of 3): Te ergo quaesumus Silva, Andreas de (ca. 1475–ca. 1522) (?) Despres, Josquin (ca. 1450–1521) (?) Mouton, Jean (ca. 1459–1522) (?) Appears on: 312–313 Genres: Te Deum Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: [3p.] Te ergo quaesumus famulis tuis
313–314	Von Herzen mein bin ich ir geneigt	-	Othmarus [= Othmayr]	Othmayr, Caspar
Von Herzen mein bin ich ir geneigt Othmayr, Caspar Appears on: 313–314 Genres: Song Source Attribution: Othmarus [= Othmayr] Voice: [no designation] Languages: German Mensuration: cut-c Clef: c3 Voice Text: Von hertzen mein bin ich ir geneigt
314–315	Lieblich hat sich gesellet mein herz	-	Othmarus	Othmayr, Caspar
Lieblich hat sich gesellet mein herz Othmayr, Caspar Appears on: 314–315 Genres: Song Source Attribution: Othmarus Voice: [no designation] Languages: German Mensuration: cut-c Clef: c3 Voice Text: Lieblich hat sich gesellet mein hertz
315–316	Nun wolt ich lieber elend sein	-	Othmarus	Othmayr, Caspar
Nun wolt ich lieber elend sein Othmayr, Caspar Appears on: 315–316 Genres: Song Source Attribution: Othmarus Voice: [no designation] Languages: German Mensuration: cut-c Clef: c2 Voice Text: Nun wolt ich lieber elennd seyn
316	Wach auff mein hort und hör mein stim	-	Othmarus	Othmayr, Caspar
Wach auff mein hort und hör mein stim Othmayr, Caspar Appears on: 316 Genres: Song Source Attribution: Othmarus Voice: [no designation] Languages: German Mensuration: cut-c Clef: c3 Voice Text: Wach auff mein hort und hör mein stim
317	Es wolt ein Jäger jagen wolt jagen	-	Othmarus	Othmayr, Caspar
Es wolt ein Jäger jagen wolt jagen Othmayr, Caspar Appears on: 317 Genres: Song Source Attribution: Othmarus Voice: [no designation] Languages: German Mensuration: cut-c Clef: c3 Voice Text: Es wolt ein Jäger jagen wolt jagen
317–318	Ich ritt einmal spazieren durch den gruenen	-	Othmarus	Othmayr, Caspar
Ich ritt einmal spazieren durch den gruenen Othmayr, Caspar Appears on: 317–318 Genres: Song Source Attribution: Othmarus Voice: [no designation] Languages: German Mensuration: cut-c Clef: c2 Voice Text: Ich ritt einmal spacieren durch den gruenen
318–319	Ich armer boss bin ganz verwirrt	-	Othmarus	Othmayr, Caspar
Ich armer boss bin ganz verwirrt Othmayr, Caspar Appears on: 318–319 Genres: Song Source Attribution: Othmarus Voice: [no designation] Languages: German Mensuration: cut-c Clef: c3 Voice Text: Ich armer boss bin gantz verwirt
319–320	Von Deinetwegen bin ich hie herzlieb	-	G. Othmarus	Othmayr, Caspar
Von Deinetwegen bin ich hie herzlieb Othmayr, Caspar Appears on: 319–320 Genres: Song Source Attribution: G. Othmarus Voice: [no designation] Languages: German Mensuration: cut-c Clef: c3 Voice Text: Von deinetwegen bin ich hie hertzlieb
320–321	Ich weiss mir ein medlin hubsch und fein	-	Othmarus	Othmayr, Caspar
Ich weiss mir ein medlin hubsch und fein Othmayr, Caspar Appears on: 320–321 Genres: Song Source Attribution: Othmarus Voice: [no designation] Languages: German Mensuration: cut-c Clef: c3 Voice Text: Ich weiss mir ein medlin hubsch und fein
321	Mir ist ein feins brauns maidelein gefallen	-	Matthaeus Greiter	Greiter, Matthias
Mir ist ein feins brauns maidelein gefallen Greiter, Matthias Appears on: 321 Genres: Song Source Attribution: Matthaeus Greiter Voice: [no designation] Languages: German Mensuration: cut-c Clef: c3 Voice Text: Mir ist ein pheins brauns medelein gefallen
322	Ach Gott wem soll ichs klagen das heimliche leiden	-	Greiter	Greiter, Matthias
Ach Gott wem soll ichs klagen das heimliche leiden Greiter, Matthias Appears on: 322 Genres: Song Source Attribution: Greiter Voice: [no designation] Languages: German Mensuration: cut-c Clef: c3 Voice Text: Ach Got wem sol ich klagen das heimlich leÿden
323	Freundlich von art ein freulein zart	-	Paulus Wüst	Wüst, Paul
Freundlich von art ein freulein zart Wüst, Paul Appears on: 323 Genres: Song Source Attribution: Paulus Wüst Voice: [no designation] Languages: German Mensuration: cut-c Clef: c3 Voice Text: Freundlich von art ein freulein zart
323–324	Ich armes maidlein klag mich sehr wie soll mir	-	[Senfl]	Senfl, Ludwig (ca. 1486–ca. 1543)
Ich armes maidlein klag mich sehr wie soll mir Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 323–324 Genres: Song Source Attribution: [Senfl] Voice: [no designation] Languages: German Mensuration: cut-c Clef: c3 Voice Text: Ich armes medlin klag mich sehr wie sol mir
325	Ach höchster hort, du edles Blut gedenk	-	Anon.	Anonymous
Ach höchster hort, du edles Blut gedenk Anonymous Appears on: 325 Genres: Sacred Song Source Attribution: Anon. Voice: [no designation] Languages: German Mensuration: cut-c Clef: c3 Voice Text: Ach höchster hort du edles blut gedenckh
325–326	Ach Gott wem soll ichs klagen das heimliche leiden	-	W. Grefinger/[Bauldeweyn]	Grefinger, Wolfgang (?) Bauldeweyn, Noel (ca. 1480–1529) (?)
Ach Gott wem soll ichs klagen das heimliche leiden Grefinger, Wolfgang (?) Bauldeweyn, Noel (ca. 1480–1529) (?) Appears on: 325–326 Genres: Song Source Attribution: W. Grefinger/[Bauldeweyn] Voice: [no designation] Languages: German Mensuration: cut-c Clef: c4 Voice Text: Ach Got wem soll ich klagen das heimlich leÿden
326–327	Mein G'müt und Blüt ist gar entzünden	-	Andreas Sylvanus/[J. Wenck]	Wenck, J. (?) Silva, Andreas de (ca. 1475–ca. 1522) (?)
Mein G'müt und Blüt ist gar entzünden Wenck, J. (?) Silva, Andreas de (ca. 1475–ca. 1522) (?) Appears on: 326–327 Genres: Song Source Attribution: Andreas Sylvanus/[J. Wenck] Voice: [no designation] Languages: German Mensuration: cut-c Clef: c3 Voice Text: Mein gmuet und bluet ist gar entzünden
327–328	Ich weiss ein stoltze müllerin	-	Cosmas Alderinus	Alder, Cosmas (1500–1550)
Ich weiss ein stoltze müllerin Alder, Cosmas (1500–1550) Appears on: 327–328 Genres: Song Source Attribution: Cosmas Alderinus Voice: [no designation] Languages: German Mensuration: cut-c Clef: c3 Voice Text: Ich weiss ein stoltze Müllerin
328–329	Zart schöne Frau gedenk und schau	-	Anon.	Anonymous
Zart schöne Frau gedenk und schau Anonymous Appears on: 328–329 Genres: Song Source Attribution: Anon. Voice: [no designation] Languages: German Mensuration: cut-c Clef: c3 Voice Text: Zart schöne frau gedenkh und schau
329–330	Von üppiglichen dingen so wil ichs sehen	-	Greiterus	Greiter, Matthias
Von üppiglichen dingen so wil ichs sehen Greiter, Matthias Appears on: 329–330 Genres: Song Source Attribution: Greiterus Voice: [no designation] Languages: German Mensuration: cut-c Clef: c3 Voice Text: Von üppiglichen dingen so wil ichs sehen
330	Dieweil umsonst jetz alle Kunst am Tag	-	Lazarus Spengler	Spengler, Lazarus
Dieweil umsonst jetz alle Kunst am Tag Spengler, Lazarus Appears on: 330 Genres: Song Source Attribution: Lazarus Spengler Voice: [no designation] Languages: German Mensuration: cut-c Clef: c3 Voice Text: Dieweil umbsonst ietz alle kunst an tag
331–333	Miserere mei Domine quoniam infirmus sum (2p. Et anima mea turbata est valde)	-	Anon.	Anonymous
Miserere mei Domine quoniam infirmus sum (2p. Et anima mea turbata est valde) Anonymous Appears on: 331–333 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Miserere mei domine quoniam infirmus sum II: Et anima mea turbata est valde
333–335	In te Domine speravi non confundar	-	Adrian Petit [Coclico]	Coclico, Adrianus Petit (ca. 1499–ca. 1562)
In te Domine speravi non confundar Coclico, Adrianus Petit (ca. 1499–ca. 1562) Appears on: 333–335 Genres: Motet Source Attribution: Adrian Petit [Coclico] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: In te domine speravi non confundar
335–338	Praeter rerum seriem parit Deum et hominem (2p. Virtus sancti spiritus opus illud)	-	Anon.	Anonymous
Praeter rerum seriem parit Deum et hominem (2p. Virtus sancti spiritus opus illud) Anonymous Appears on: 335–338 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Praeter rerum seriem parit Deum & hominem II: Virtus sancti spiritus opus illud
338–339	Verbum iniquum - 1a pars (of 2): Verbum iniquum et dolosum	-	[Morales]	Morales, Cristóbal de (ca. 1500–1553)
Verbum iniquum - 1a pars (of 2): Verbum iniquum et dolosum Morales, Cristóbal de (ca. 1500–1553) Appears on: 338–339 Genres: Motet Source Attribution: [Morales] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Verbum iniquum & dolosum longe fac
339–341	Verbum iniquum - 2a pars (of 2): Duo rogavi te Domine ne deneges mihi	-	-	Morales, Cristóbal de (ca. 1500–1553)
Verbum iniquum - 2a pars (of 2): Duo rogavi te Domine ne deneges mihi Morales, Cristóbal de (ca. 1500–1553) Appears on: 339–341 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Pars secunda : Duo rogavi te ne deneges mihi
341–342	Quisquis requiem quaeris feminam cave	-	[Othmayr]	Othmayr, Caspar
Quisquis requiem quaeris feminam cave Othmayr, Caspar Appears on: 341–342 Genres: Motet Source Attribution: [Othmayr] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Quisquis requiem quaeris foeminam cave
342–344	Omnia vertuntur certe vertuntur amore	-	Casp: Othmarus	Othmayr, Caspar
Omnia vertuntur certe vertuntur amore Othmayr, Caspar Appears on: 342–344 Genres: Motet Source Attribution: Casp: Othmarus Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Omnia vertuntur certe vertuntur amore
344–346	Venite ad me omnes qui laboratis et onerati (2p. Tollite jugum meum super vos)	-	Johan: Bucherus [= Buechmaier]	Buchmaier, Johann
Venite ad me omnes qui laboratis et onerati (2p. Tollite jugum meum super vos) Buchmaier, Johann Appears on: 344–346 Genres: Motet Source Attribution: Johan: Bucherus [= Buechmaier] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Venite ad me omnes qui laboratis & onerati II: Tollite iugum meum super vos
346–349	Sic Deus dilexit mundum ut filium suum (2p. Haec est autem condemnatio quod lux)	-	Johan: Bucherus	Bucher, Johannes
Sic Deus dilexit mundum ut filium suum (2p. Haec est autem condemnatio quod lux) Bucher, Johannes Appears on: 346–349 Genres: Motet Source Attribution: Johan: Bucherus Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Sic Deus dilexit mundum ut filium suum II: Haec est autem condemnatio quod lux
350	Lex per Moÿsen data est gratia et veritas	-	Johannes Bucherus	Buchmaier, Johann
Lex per Moÿsen data est gratia et veritas Buchmaier, Johann Appears on: 350 Genres: Motet Source Attribution: Johannes Bucherus Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Lex per Moÿsen data est gratia & veritas
350–351	Quam pulcra es amica mea oculi tui	-	Johan Stahell	Stahel, Johann
Quam pulcra es amica mea oculi tui Stahel, Johann Appears on: 350–351 Genres: Motet Source Attribution: Johan Stahell Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Quam pulcra es amica mea oculi tui
352–353	Alleluia. Surrexit Dominus - 1a pars (of 2): Alleluia. Surrexit Dominus vere et apparuit Simoni	-	Jacquet [of Mantua]	Mantua, Jacquet de (1483–1559)
Alleluia. Surrexit Dominus - 1a pars (of 2): Alleluia. Surrexit Dominus vere et apparuit Simoni Mantua, Jacquet de (1483–1559) Appears on: 352–353 Genres: Alleluia, Motet Source Attribution: Jacquet [of Mantua] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Alleluia. ... & apparuit Simoni
353–354	Alleluia. Surrexit Dominus - 2a pars (of 2): Qui fecit caelum et terram	-	-	Mantua, Jacquet de (1483–1559)
Alleluia. Surrexit Dominus - 2a pars (of 2): Qui fecit caelum et terram Mantua, Jacquet de (1483–1559) Appears on: 353–354 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Pars secunda : Qui fecit coelum & terram surrexit
355–356	Cum esset desponsata mater Jesu Maria	-	Henricus Isaac	Isaac, Heinrich (ca. 1450–1517)
Cum esset desponsata mater Jesu Maria Isaac, Heinrich (ca. 1450–1517) Appears on: 355–356 Genres: Hymn Source Attribution: Henricus Isaac Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Cum esset desponsata mater Jesu Maria
356–362	Dixit Dominus Domino meo sede a dextris (2p. Juravit Dominus et non poenitebit)	-	Leon: Paminger	Paminger, Leonhard (1495–1567)
Dixit Dominus Domino meo sede a dextris (2p. Juravit Dominus et non poenitebit) Paminger, Leonhard (1495–1567) Appears on: 356–362 Genres: Motet Source Attribution: Leon: Paminger Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Dixit dominus domino meo sede a dextris II: Juravit dominus et non poenitebit
362–363	Haec est arbor - 1a pars (of 2): Haec est arbor dignissima in qua salutis	-	Clemens non Papa/[J. Louys]	Louys, Jean (ca. 1530–1563) (?) Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?)
Haec est arbor - 1a pars (of 2): Haec est arbor dignissima in qua salutis Louys, Jean (ca. 1530–1563) (?) Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?) Appears on: 362–363 Genres: Motet Source Attribution: Clemens non Papa/[J. Louys] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Haec est arbor dignissima in qua salutis
363–365	Haec est arbor - 2a pars (of 2): O crux benedicta quae sola fuisti	-	-	Louys, Jean (ca. 1530–1563) (?) Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?)
Haec est arbor - 2a pars (of 2): O crux benedicta quae sola fuisti Louys, Jean (ca. 1530–1563) (?) Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?) Appears on: 363–365 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Pars secunda : O crux benedicta quae sola fuisti
365–367	Si bona suscepimus de manu Domini	-	Verdeloth/[Richafort]	Richafort, Jean (ca. 1480–ca. 1550) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?)
Si bona suscepimus de manu Domini Richafort, Jean (ca. 1480–ca. 1550) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?) Appears on: 365–367 Genres: Motet Source Attribution: Verdeloth/[Richafort] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Si bona suscepimus de manu domini
367–368	Lapidabant Stephanum - 1a pars (of 2): Lapidabant Stephanum invocantem et dicentem	-	Clemens non Papa	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Lapidabant Stephanum - 1a pars (of 2): Lapidabant Stephanum invocantem et dicentem Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 367–368 Genres: Motet Source Attribution: Clemens non Papa Voice: [no designation] Languages: Latin Mensuration: c Clef: c3 Voice Text: Lapidabant Stephanum invocantem & dicentem
368–370	Lapidabant Stephanum - 2a pars (of 2): Impetum fecerunt unanimiter in eum	-	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Lapidabant Stephanum - 2a pars (of 2): Impetum fecerunt unanimiter in eum Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 368–370 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Particula secunda : Impetum fecerunt unanimiter in eum
370–372	In honore Christi - 1a pars (of 2): In honore Christi filii Dei jubilemus	-	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
In honore Christi - 1a pars (of 2): In honore Christi filii Dei jubilemus Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 370–372 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: In honore beatissimae Annae iubilemus
372–374	In honore Christi - 2a pars (of 2): Caeleste beneficium, Christi incarnatio	-	Ja. Clemens non Papa	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
In honore Christi - 2a pars (of 2): Caeleste beneficium, Christi incarnatio Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 372–374 Genres: Contrafactum, Motet Source Attribution: Ja. Clemens non Papa Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Pars sequentium : Coeleste beneficium introivit in Annam
374–375	Dum transisset sabbatum - 1a pars (of 2): Dum transisset sabbatum Maria Magdalena	-	Josquin Baston/[Cleve]	Cleve, Johannes de (ca. 1528–1582) (?) Baston, Josquin (fl. 1542–63) (?)
Dum transisset sabbatum - 1a pars (of 2): Dum transisset sabbatum Maria Magdalena Cleve, Johannes de (ca. 1528–1582) (?) Baston, Josquin (fl. 1542–63) (?) Appears on: 374–375 Genres: Motet Source Attribution: Josquin Baston/[Cleve] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Dum transisset sabathum Maria Magdalena
375–377	Dum transisset sabbatum - 2a pars (of 2): Et valde mane una sabbatorum veniunt	-	-	Baston, Josquin (fl. 1542–63) (?) Cleve, Johannes de (ca. 1528–1582) (?)
Dum transisset sabbatum - 2a pars (of 2): Et valde mane una sabbatorum veniunt Baston, Josquin (fl. 1542–63) (?) Cleve, Johannes de (ca. 1528–1582) (?) Appears on: 375–377 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Pars secunda : Et valde mane una sabbathorum
377–380	Beati omnes qui timent Dominum qui ambulant (2p. Benedicat tibi Dominus ex Sion)	-	Thomas Bachofen	Bachofen, Thomas
Beati omnes qui timent Dominum qui ambulant (2p. Benedicat tibi Dominus ex Sion) Bachofen, Thomas Appears on: 377–380 Genres: Motet Source Attribution: Thomas Bachofen Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Beati omnes qui timent dominum qui ambulant II: Benedicat tibi dominus ex Sion
380–382	Collegerunt pontifices - 1a pars (of 2): Collegerunt pontifices et Pharisaei concilium	-	[Senfl]	Senfl, Ludwig (ca. 1486–ca. 1543)
Collegerunt pontifices - 1a pars (of 2): Collegerunt pontifices et Pharisaei concilium Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 380–382 Genres: Motet Source Attribution: [Senfl] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Collegerunt pontifices et pharisaei
382–384	Collegerunt pontifices - 2a pars (of 2): Unus autem ex ipsis Caiphas nomine	-	-	Senfl, Ludwig (ca. 1486–ca. 1543)
Collegerunt pontifices - 2a pars (of 2): Unus autem ex ipsis Caiphas nomine Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 382–384 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Pars sequentium : Unus autem ex ipsis Cayphas nomine
384–385	Si diligitis me - 1a pars (of 2): Si diligitis me mandata mea servate	-	Anon.	Anonymous
Si diligitis me - 1a pars (of 2): Si diligitis me mandata mea servate Anonymous Appears on: 384–385 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Si diligitis me mandata mea servate
385–386	Si diligitis me - 2a pars (of 2): Accipite spiritum sanctum ipse est	-	-	Anonymous
Si diligitis me - 2a pars (of 2): Accipite spiritum sanctum ipse est Anonymous Appears on: 385–386 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Secunda pars : Accipite spiritum sanctum in vobis
386–388	Pater noster (4vv) - 1a pars (of 2): Pater noster qui es in caelis	-	Adrianus Vuillart/[Obrecht]	Obrecht, Jacobus (ca. 1457–1505) (?) Willaert, Adrian (ca. 1490–1562)
Pater noster (4vv) - 1a pars (of 2): Pater noster qui es in caelis Obrecht, Jacobus (ca. 1457–1505) (?) Willaert, Adrian (ca. 1490–1562) Appears on: 386–388 Genres: Motet Source Attribution: Adrianus Vuillart/[Obrecht] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Pater noster qui es in caelis
388–389	Virtute magna - 1a pars (of 2): Virtute magna reddebant apostoli testimonium	-	Verdeloth/[Lasson]	Lasson, Mathieu (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?)
Virtute magna - 1a pars (of 2): Virtute magna reddebant apostoli testimonium Lasson, Mathieu (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?) Appears on: 388–389 Genres: Motet Source Attribution: Verdeloth/[Lasson] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Virtute magna reddebant apostoli
389–391	Virtute magna - 2a pars (of 2): Repleti sunt quidem spiritu sancto	-	-	Verdelot, Philippe (ca. 1480–ca. 1532) (?) Lasson, Mathieu (?)
Virtute magna - 2a pars (of 2): Repleti sunt quidem spiritu sancto Verdelot, Philippe (ca. 1480–ca. 1532) (?) Lasson, Mathieu (?) Appears on: 389–391 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Secubda pars : Repleti sunt quidem spiritu sancto
391	Dulces exuviae dum fata Deusque (3vv)	-	Joannes Mouton/[recte Willaert]	Willaert, Adrian (ca. 1490–1562)
Dulces exuviae dum fata Deusque (3vv) Willaert, Adrian (ca. 1490–1562) Appears on: 391 Genres: Motet Source Attribution: Joannes Mouton/[recte Willaert] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Dum fata Deusque General Note Headed "Ad placitum". Marginal note "Dulces exuviae tacet" - Altus begins at 'Dum fata' Concordances This 4vv Dulces exuviae is the 3vv Dulces exuviae elsewhere attributed to Adrian Willaert, with a fourth si placet voice. The attribution to Mouton is surely spurious. (The 4vv Mouton version in London Royal 8 G. vii is a different piece.) (Information provided by Benjamin Ory, 2021.)
392–393	Deus misereatur nostri - 1a pars (of 2): Deus misereatur nostri et benedicat nobis	-	Iohan: Waltherus	Walter, Johann (1496–1570)
Deus misereatur nostri - 1a pars (of 2): Deus misereatur nostri et benedicat nobis Walter, Johann (1496–1570) Appears on: 392–393 Genres: Motet Source Attribution: Iohan: Waltherus Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Deus misereatur nostri et benedicat nobis
393–394	Deus misereatur nostri - 2a pars (of 2): Laetentur et exultent gentes quoniam	-	-	Walter, Johann (1496–1570)
Deus misereatur nostri - 2a pars (of 2): Laetentur et exultent gentes quoniam Walter, Johann (1496–1570) Appears on: 393–394 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: secunda pars : Laetentur & exultent gentes quoniam
394–396	Pater noster (4vv) - 2a pars (of 2): Ave Maria gratia plena Dominus tecum	-	Adrianus Vuillart/[Obrecht]	Willaert, Adrian (ca. 1490–1562) (?) Obrecht, Jacobus (ca. 1457–1505) (?)
Pater noster (4vv) - 2a pars (of 2): Ave Maria gratia plena Dominus tecum Willaert, Adrian (ca. 1490–1562) (?) Obrecht, Jacobus (ca. 1457–1505) (?) Appears on: 394–396 Genres: Ave Maria, Motet Source Attribution: Adrianus Vuillart/[Obrecht] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Ave Maria gratia plena dominus tecum
396–398	Quem dicunt homines - 1a pars (of 2): Quem dicunt homines	-	Johannes Richafort	Richafort, Jean (ca. 1480–ca. 1550)
Quem dicunt homines - 1a pars (of 2): Quem dicunt homines Richafort, Jean (ca. 1480–ca. 1550) Appears on: 396–398 Genres: Motet Source Attribution: Johannes Richafort Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Quem dicunt homines esse filium hominis
398–399	Quem dicunt homines - 2a pars (of 2): Petre diligis me qui respondit	-	-	Richafort, Jean (ca. 1480–ca. 1550)
Quem dicunt homines - 2a pars (of 2): Petre diligis me qui respondit Richafort, Jean (ca. 1480–ca. 1550) Appears on: 398–399 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Pars secunda : Petre diligis me qui respondens
399–401	Beati omnes - 1a pars (of 2): Beati omnes qui timent Dominum	-	Lupus [Hellinck]/[Gombert]	Hellinck, Lupus (ca. 1494–1541) (?) Gombert, Nicolas (ca. 1495–ca. 1560) (?)
Beati omnes - 1a pars (of 2): Beati omnes qui timent Dominum Hellinck, Lupus (ca. 1494–1541) (?) Gombert, Nicolas (ca. 1495–ca. 1560) (?) Appears on: 399–401 Genres: Motet Source Attribution: Lupus [Hellinck]/[Gombert] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Beati omnes qui timent dominum qui ambulant
401–402	Beati omnes - 2a pars (of 2): Ecce sic benedicitur homo	-	-	Hellinck, Lupus (ca. 1494–1541) (?) Gombert, Nicolas (ca. 1495–ca. 1560) (?)
Beati omnes - 2a pars (of 2): Ecce sic benedicitur homo Hellinck, Lupus (ca. 1494–1541) (?) Gombert, Nicolas (ca. 1495–ca. 1560) (?) Appears on: 401–402 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Pars secunda : Ecce sic benedicetur homo qui timet
403–404	Beatus vir - 1a pars (of 2): Beatus vir qui non abiit in consilio	-	Anon.	Anonymous
Beatus vir - 1a pars (of 2): Beatus vir qui non abiit in consilio Anonymous Appears on: 403–404 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Qui non abiit in consilio impio
404–405	Beatus vir - 2a pars (of 2): Non sic impii non sic sed tanquam	-	-	Anonymous
Beatus vir - 2a pars (of 2): Non sic impii non sic sed tanquam Anonymous Appears on: 404–405 Genres: Monophonic conductus Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Secunda pars : Non sic impii non sic sed tanquam
405–407	Homo quidam fecit caenam R. Quia parata sunt omnibus firmiter Vs. Venite comedite panem meum (P97, 4vv)	-	Ludovicus Senfel	Senfl, Ludwig (ca. 1486–ca. 1543)
Homo quidam fecit caenam R. Quia parata sunt omnibus firmiter Vs. Venite comedite panem meum (P97, 4vv) Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 405–407 Genres: Motet Source Attribution: Ludovicus Senfel Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Homo quidam fecit cenam magnam et misit II: Quia parata sunt omnibus firmiter III: Venite comedite panem meum
407–408	Jerusalem surge - 1a pars (of 2): Jerusalem surge et sta in excelso et vide	-	Clemens non Papa	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Jerusalem surge - 1a pars (of 2): Jerusalem surge et sta in excelso et vide Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 407–408 Genres: Motet Source Attribution: Clemens non Papa Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: J[h]erusalem surge & sta in excelso & vide
408–409	Jerusalem surge - 2a pars (of 2): Leva in circuitu oculos tuos et vide	-	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Jerusalem surge - 2a pars (of 2): Leva in circuitu oculos tuos et vide Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 408–409 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Particula secunda : Leva in circuitu oculos tuos & vide
410	Veri adoratores adorabunt patrem in spiritu	-	Simon Cellarius	Cellarius, Simon (ca. 1500–1544)
Veri adoratores adorabunt patrem in spiritu Cellarius, Simon (ca. 1500–1544) Appears on: 410 Genres: Motet Source Attribution: Simon Cellarius Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Veri adoratores adorabunt patrem in spiritu
410–413	Qui habitat 18.7 - 1a pars (of 2): Qui habitat in adjutorio altissimi	-	Josquin	Despres, Josquin (ca. 1450–1521)
Qui habitat 18.7 - 1a pars (of 2): Qui habitat in adjutorio altissimi Despres, Josquin (ca. 1450–1521) Appears on: 410–413 Genres: Motet Source Attribution: Josquin Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Qui habitat in adiutorio altissimi
413–415	Qui habitat 18.7 - 2a pars (of 2): Non accedat ad te malum	-	-	Despres, Josquin (ca. 1450–1521)
Qui habitat 18.7 - 2a pars (of 2): Non accedat ad te malum Despres, Josquin (ca. 1450–1521) Appears on: 413–415 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c 3 Clef: c4 Voice Text: Pars secunda : Non accedat ad te malum
415–418	Super salutem et omnem pulchritudinem (2p. Dixi sapientiae soror mea es)	-	Janin	Janin
Super salutem et omnem pulchritudinem (2p. Dixi sapientiae soror mea es) Janin Appears on: 415–418 Genres: Motet Source Attribution: Janin Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Super salutem & omnem pulchritudinem II: Dixi sapientiae soror mea & prudentiam
418–419	Da Jacob das Kleid ansah mit großem Schmerzen	-	Ludo: Senfl/[Alder]	Senfl, Ludwig (ca. 1486–ca. 1543) (?) Alder, Cosmas (1500–1550)
Da Jacob das Kleid ansah mit großem Schmerzen Senfl, Ludwig (ca. 1486–ca. 1543) (?) Alder, Cosmas (1500–1550) Appears on: 418–419 Genres: Motet Source Attribution: Ludo: Senfl/[Alder] Voice: [no designation] Languages: German Mensuration: cut-c Clef: c4 Voice Text: Da Jacob das Kleid ansah mit grossem schmertzen
420	Tu es Petrus et super hanc petram	-	[L. Padovano]	Padovano [Patavus], Laurus
Tu es Petrus et super hanc petram Padovano [Patavus], Laurus Appears on: 420 Genres: Motet Source Attribution: [L. Padovano] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Tu es Petrus & super hanc petram
421–422	Non eadem facies anni non aeris idem	-	Anon.	Anonymous
Non eadem facies anni non aeris idem Anonymous Appears on: 421–422 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Non eadem facies anni non aeris idem
422–424	Scandala ne mundi cures ecclesia Christi	-	Anon.	Anonymous
Scandala ne mundi cures ecclesia Christi Anonymous Appears on: 422–424 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Scandala ne mundi cures ecclesia
425–426	Dum transisset sabbatum Maria Magdalena (2p. Et valde mane una sabbatorum veniunt)	-	Sebastianus Hollant/[C. Hollander/Lassus]	Hollander, Sebastian (?) Hollander, Christian (?)
Dum transisset sabbatum Maria Magdalena (2p. Et valde mane una sabbatorum veniunt) Hollander, Sebastian (?) Hollander, Christian (?) Appears on: 425–426 Genres: Motet Source Attribution: Sebastianus Hollant/[C. Hollander/Lassus] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: Dum transisset sabatum Maria Magdalena II: Et valde mane una sabatorum veniunt
427	Prima die sabbatorum Maria Magdalena	-	Lupus Hellinck	Hellinck, Lupus (ca. 1494–1541)
Prima die sabbatorum Maria Magdalena Hellinck, Lupus (ca. 1494–1541) Appears on: 427 Genres: Motet Source Attribution: Lupus Hellinck Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Primo die sabbatorum Maria Magdalena
427–429	Super flumina Babylonis - 1a pars (of 2): Super flumina Babylonis illic sedimus	-	La Fage	Fage, Jean de la
Super flumina Babylonis - 1a pars (of 2): Super flumina Babylonis illic sedimus Fage, Jean de la Appears on: 427–429 Genres: Motet Source Attribution: La Fage Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Super flumina Babilonis illic sedimus
429–431	Super flumina Babylonis - 2a pars (of 2): Si oblitus fuero	-	-	Fage, Jean de la
Super flumina Babylonis - 2a pars (of 2): Si oblitus fuero Fage, Jean de la Appears on: 429–431 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Secunda pars Si oblitus fuero tui Jerusalem
431–432	Jerusalem quae occidis prophetas et lapidas (= Florentia tempus est penitentie)	-	Constanti[nus] Festa	Festa, Costanzo (ca. 1485–1545)
Jerusalem quae occidis prophetas et lapidas (= Florentia tempus est penitentie) Festa, Costanzo (ca. 1485–1545) Appears on: 431–432 Genres: Motet Source Attribution: Constanti[nus] Festa Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Hierusalem que occidis prophetas et lapidas [= Florentia tempus est penitentie]
432–433	O fili Dei succurre miseris juva pusillanimes (= Sancta Maria succurre miseris)	-	Verdelot	Verdelot, Philippe (ca. 1480–ca. 1532)
O fili Dei succurre miseris juva pusillanimes (= Sancta Maria succurre miseris) Verdelot, Philippe (ca. 1480–ca. 1532) Appears on: 432–433 Genres: Contrafactum, Motet Source Attribution: Verdelot Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: O fili dei succurre miseris iuva pusillanimes [= Sancta Maria succurre miseris iuva]
433–434	Ecce Dominus veniet nolite timere 14.5	-	Incerti autoris [Jonckers/Josquin/Senfl]	Despres, Josquin (ca. 1450–1521) (?) Senfl, Ludwig (ca. 1486–ca. 1543) (?) Jonckers, Maistre Gosse (?)
Ecce Dominus veniet nolite timere 14.5 Despres, Josquin (ca. 1450–1521) (?) Senfl, Ludwig (ca. 1486–ca. 1543) (?) Jonckers, Maistre Gosse (?) Appears on: 433–434 Genres: Motet Source Attribution: Incerti autoris [Jonckers/Josquin/Senfl] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Ecce dominus veniet nolite timere
434–435	Discumbentibus illis - 1a pars (of 2): Discumbentibus illis undecim apostolis	-	Leon. Paminger	Paminger, Leonhard (1495–1567)
Discumbentibus illis - 1a pars (of 2): Discumbentibus illis undecim apostolis Paminger, Leonhard (1495–1567) Appears on: 434–435 Genres: Motet Source Attribution: Leon. Paminger Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Discumbentibus illis undecim apostolis General Note untexted after end of p.434; 2a pars not copied
437	Erhalt uns Her bei Deinem wort und steur	-	Anon.	Anonymous
Erhalt uns Her bei Deinem wort und steur Anonymous Appears on: 437 Genres: Chorale, Sacred Song Source Attribution: Anon. Voice: [no designation] Languages: German Mensuration: cut-c Clef: c3 Voice Text: Erhalt uns Her bei deinem wort und steur
437–438	Elisabeth Zacharie - 1a pars (of 2): Elisabeth Zacharie magnum virum genuit	-	Johan. Mou[ton]/[Lafage]	Mouton, Jean (ca. 1459–1522) (?) Fage, Jean de la (?)
Elisabeth Zacharie - 1a pars (of 2): Elisabeth Zacharie magnum virum genuit Mouton, Jean (ca. 1459–1522) (?) Fage, Jean de la (?) Appears on: 437–438 Genres: Motet Source Attribution: Johan. Mou[ton]/[Lafage] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Elisabeth Zachariae magnum virum genuit
438–440	Elisabeth Zacharie - 2a pars (of 2): Inter natos mulierum non surrexit	-	-	Fage, Jean de la (?) Mouton, Jean (ca. 1459–1522) (?)
Elisabeth Zacharie - 2a pars (of 2): Inter natos mulierum non surrexit Fage, Jean de la (?) Mouton, Jean (ca. 1459–1522) (?) Appears on: 438–440 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: 2a pars : Inter natos mulierum non surrexit
440–441	Factum est silentium - 1a pars (of 2): Factum est silentium in caelo dum committeret	-	Georgius Prenner	Prenner, Georg (–1590)
Factum est silentium - 1a pars (of 2): Factum est silentium in caelo dum committeret Prenner, Georg (–1590) Appears on: 440–441 Genres: Motet Source Attribution: Georgius Prenner Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Factum est silentium in caelo dum committeret
441–442	Factum est silentium - 2a pars (of 2): Millia millium ministrabant ei	-	-	Prenner, Georg (–1590)
Factum est silentium - 2a pars (of 2): Millia millium ministrabant ei Prenner, Georg (–1590) Appears on: 441–442 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c 3 Clef: c2 Voice Text: Altera pars : Millia millium ministrabant ei
443–444	Transeunte Domino - 1a pars (of 2): Transeunte Domino clamabat caecus ad eum	-	Orlandus [de Lassus]/[Wert]	Lassus, Orlande de (ca. 1532–1594) (?) Wert, Giaches [Jaches] de (1535–1596)
Transeunte Domino - 1a pars (of 2): Transeunte Domino clamabat caecus ad eum Lassus, Orlande de (ca. 1532–1594) (?) Wert, Giaches [Jaches] de (1535–1596) Appears on: 443–444 Genres: Motet Source Attribution: Orlandus [de Lassus]/[Wert] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Transeunte domino clamabat coecus ad eum
444–445	Transeunte Domino - 2a pars (of 2): Et ait illi Jesus quid vis ut faciam	-	-	Lassus, Orlande de (ca. 1532–1594) (?) Wert, Giaches [Jaches] de (1535–1596)
Transeunte Domino - 2a pars (of 2): Et ait illi Jesus quid vis ut faciam Lassus, Orlande de (ca. 1532–1594) (?) Wert, Giaches [Jaches] de (1535–1596) Appears on: 444–445 Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Secunda pars : Et ait illi Jesus quid vis ut faciam

Composer	Compositions
Alder, Cosmas (1500-1550)	Da Jacob das Kleid ansah mit großem Schmerzen – 418–419 Ich weiss ein stoltze müllerin – 327–328
Anonymous	Accedite omnes / Ihr Schlemmer frei Herr Wirt – 144 Ach höchster hort, du edles Blut gedenk – 325 Ade zur guten Nacht, ade gesund sehn wir – 60 Ambulans Jesus juxta mare Galileae – 103–104 Amy souffrez que je vous ayme – 139 Beatus vir - 1a pars (of 2): Beatus vir qui non abiit in consilio – 403–404 Beatus vir - 2a pars (of 2): Non sic impii non sic sed tanquam – 404–405 Beatus vir qui non abiit ... Selig ist der Mann – 31 Ces facheux sots qui mesdisent d'aymer – 138 Christum wir sollen loben schon – 211 Contingat illis turturum concordia cor meum – 96–97 Da trunken sie die liebe lange Nacht – 307–309 Defali convivium – 203–204 Douleur me bat et tristesse m'affolle – 151–152 Durch Adams Fall ist ganz verderbt – 60–61 Ecce quam bonum et quam jocundum habitare (2p. Quod descendit in orem vestimenti; 3p. Quoniam illic mandavit Dominus) – 222–223 Erhalt uns Her bei Deinem wort und steur – 437 Fortune laissez moi la vie Puisque tu veulx – 147 Freundlicher grüss mit buss ward mir heimlich – 227–228 Gaudete psallentes mire laudantes virginis – 202–203 Grates nunc omnes reddamus Domino Deo (2p. Nos liberavit de diabolica potestate; 3p. Huic oportet ut canamus cum angelis) – 215–216 Hilf glück mit freuden (= Gaude laetare Jerusalem) – 162 Hola he par la vertu goy dieu vous gart – 152 In illo tempore dixit Jesus discipulis (2p. His autem fieri incipientibus) – 301–304 In te Domine speravi non confundar (R. Quoniam fortitudo mea et refugium; Vs. In manus tuas Domine commendo spiritum – 15–16 Jamque miraissoe – 146–147 Je ne scay pas comment a mon entendement – 145 Magnum Oseae quem decus virginale parturit – 304–305 Meum est propositum in taberna mori – 88–89 Miserere mei Domine quoniam infirmus sum (2p. Et anima mea turbata est valde) – 331–333 Mit fried und freud ich fahr dahin – 48 Mit hohem fleiss freundlicher weis – 160–161 Möcht ich Gunst haben bei dir das kann ich – 220 Non eadem facies anni non aeris idem – 421–422 Non habites ubi sumptus lucra exuperant – 97–98 Nun lass uns frisch und fröhlich sein – 86 Nun meisterlich wir heben singen an – 204–206 O reynischer wein du schmeckst mir wol – 79–80 Ob ich schon arm und elend bin – 30–31 Optima virtutum Sophia mea viscera – 113–114 Praeter rerum seriem parit Deum et hominem (2p. Virtus sancti spiritus opus illud) – 335–338 Propter bonos geschwenckos – 52 Quam pulchra es amica mea columba mea (2p. Labia tua distillantia guttur tuum) – 61–63 Quid ultra debui facere ego quidem – 43–44 Scandala ne mundi cures ecclesia Christi – 422–424 Si diligitis me - 1a pars (of 2): Si diligitis me mandata mea servate – 384–385 Si diligitis me - 2a pars (of 2): Accipite spiritum sanctum ipse est – 385–386 Si quod amo liceat plenis contingere votis (2p. Tunc ego Mercurii vitricus esse velum) – 41–42 Studenten Art und Freulen zart – 243 Summe parens et imago patris flatusque (2p. Huc adsis roseis sertis redimitus) – 18–19 Tota pulchra es amica mea et macula – 108–109 Usquequo Domine oblivisceris me in finem – 14–15 Veni electa mea et ponam in te thronum – 64 Venite / Ihr schlemmer frei zu diesem guten wein – 139–140 Veu le grief mal ou sans fin je labeure – 140–141 Weinikhen / Auserlesner franzosen – 39–40 Welscher tantz – 210 Zart schöne Frau gedenk und schau – 328–329
Appenzeller, Benedictus (ca. 1480-ca. 1558)	Beati omnes qui timent Dominum qui ambulant (2p. Ecce sic benedicetur homo qui timet) – 198–202
Arcadelt, Jacques (ca. 1507-1568)	Ahi se la donna mia qual'hor lasso mi vede – 125 Ahime dov'è'l bel viso in cui solea – 119–120 Deh dimm' amor se l'alma di costei – 128 (?) Dum complerentur dies Pentecostes erant omnes – 279–281 (?) Fammi pur guerr' amor quando tu vuoi – 120–121 Gaudent in caelis animae sanctorum – 262–264 Il bianco e dolce cigno cantando more – 148–149 Il bianco e dolce cigno cantando more – 126 Io dico che fra voi potenti Dei convien – 129 Non ch'io non voglio mai altro pensiero – 127 Poss'io morir di mala morte s'io non v'amo – 124–125 Pungente dardo che 'l mio cor consumi – 122–123 Quand' io pens' al martire amor che tu – 115–116 Quanta belta quanta gratia e splendore – 123–124 Quanti travagli e pene, quant' ogn' hor dogli e morti – 130 Se per colpa del vostro fiero sdegno – 131 Ver' inferno e'l mio petto ver' infernale – 116–117 Voi ve n' andat' al cielo occhi beati – 117–119 Voulant amour sub parler gracieulx – 163–164 Vous perdes temps de me dire mal d'elle – 157–158
Bachofen, Thomas	Beati omnes qui timent Dominum qui ambulant (2p. Benedicat tibi Dominus ex Sion) – 377–380
Barra, Hotinet (1510-23)	(?) Nuptiae factae sunt in Chana Gallileae – 252–254
Baston, Josquin (1542–63)	(?) Dum transisset sabbatum - 1a pars (of 2): Dum transisset sabbatum Maria Magdalena – 374–375 (?) Dum transisset sabbatum - 2a pars (of 2): Et valde mane una sabbatorum veniunt – 375–377 (?) Je prens en gre le dure mort (4vv) – 81–82
Bauldeweyn, Noel (ca. 1480-1529)	(?) Ach Gott wem soll ichs klagen das heimliche leiden – 325–326
Berchem, Jacques (ca. 1505-1567)	(?) Pungente dardo che 'l mio cor consumi – 122–123
Bourgois	Si par faveur d'amour mostez le pris – 171
Bruck, Arnold von (ca. 1500-1554)	Da pacem Domine in diebus nostris – 209–210 Sancta Trinitas unus Deus miserere nobis (6vv) – 297–298 Wie geht es zu, dass heut und nu – 213
Brumel, Antoine (ca. 1460-ca. 1513)	Sicut lilium inter spinas sic anima mea – 65
Bucher, Johannes	Sic Deus dilexit mundum ut filium suum (2p. Haec est autem condemnatio quod lux) – 346–349
Buchmaier, Johann	Ach Gott wem soll ichs klagen das heimliche leiden – 22 Lex per Moÿsen data est gratia et veritas – 350 (?) Sophia span das füllin an den wagen – 32–33 Venite ad me omnes qui laboratis et onerati (2p. Tollite jugum meum super vos) – 344–346
Buchner, Hans	(?) Sophia span das füllin an den wagen – 32–33
Buus, Jacques	Bandez vostre arc du traict de jouissance – 167 Las si mon coeur eut mis en aultre part – 179–180
Caballus, Burckhardus	(?) Non bonum est hominem esse solum faciamus (2p. Dixitque Adam hoc nunc os ex ossibus) – 75–78
Cadeac, P(ierre?)	Il n'est celui qui naît quelque adventure – 153–154
Caen, Arnold	(?) Jerusalem luge - 1a pars (of 2): Jerusalem luge et exue te vestibus jocunditatis – 270–271 (?) Jerusalem luge - 2a pars (of 2): Deduc quasi torrentem lacrimas – 271–273
Campis, Henrico de	Si à t'aymer ton maintien gratieulx – 170–171
Canis, Cornelius	Tota pulchra es amica mea et macula – 185–186
Cellarius, Simon (ca. 1500-1544)	Veri adoratores adorabunt patrem in spiritu – 410
Certon, Pierre (-ca. 1572)	(?) Fortune hellas [alors] que n'avois cognoissance – 157 O triste adieu qui tant me mescontente – 156 (?) Puisque prier n'est de vous entendu – 169–170 Ung moins aymant aura peult estre mieulx – 176–177
Clemens non Papa, Jacob (ca. 1510-ca. 1556)	Adesto dolori meo - 1a pars (of 2): Adesto dolori meo deus nimium fatigor – 193–194 Adesto dolori meo - 2a pars (of 2): Interiora mea efferbuerunt absque ulla requie – 194–195 Caecilia virgo gloriosa - 1a pars (of 2): Caecilia virgo gloriosa semper evangelium – 36–37 Caecilia virgo gloriosa - 2a pars (of 2): Biduanis ac triduanis ieiuniis orans – 37–39 Carole magnus - 1a pars (of 2): Carole magnus eras cum solus regna tenebas – 55–57 Carole magnus - 2a pars (of 2): Nunc omnes nato tu regis a puero – 57–58 (?) Haec est arbor - 1a pars (of 2): Haec est arbor dignissima in qua salutis – 362–363 (?) Haec est arbor - 2a pars (of 2): O crux benedicta quae sola fuisti – 363–365 In honore Christi - 1a pars (of 2): In honore Christi filii Dei jubilemus – 370–372 In honore Christi - 2a pars (of 2): Caeleste beneficium, Christi incarnatio – 372–374 In te Domine speravi non confundar – 196–198 (?) Je prens en gre le dure mort (4vv) – 81–82 Jerusalem surge - 1a pars (of 2): Jerusalem surge et sta in excelso et vide – 407–408 Jerusalem surge - 2a pars (of 2): Leva in circuitu oculos tuos et vide – 408–409 Lapidabant Stephanum - 1a pars (of 2): Lapidabant Stephanum invocantem et dicentem – 367–368 Lapidabant Stephanum - 2a pars (of 2): Impetum fecerunt unanimiter in eum – 368–370 Maria Magdalena - 1a pars (of 2): Maria Magdalena et altera Maria ibant – 228–231 Maria Magdalena - 2a pars (of 2): Cito euntes dicite discipulis eius – 231–233 (?) Pater peccavi (4vv) - 1a pars (of 2): Pater peccavi in caelum et coram te – 92–93 (?) Pater peccavi (4vv) - 2a pars (of 2): Quanti mercenarii in domo patris – 93–94 Timor et tremor venit in Ninivem civitatem – 181–183 (?) Une fillette bien gorriere embrassa – 207–208
Clereau, Pierre	(?) Fortune hellas [alors] que n'avois cognoissance – 157 M'amye a eu de Dieu le don que de beauté – 173
Cleve, Johannes de (ca. 1528-1582)	(?) Dum transisset sabbatum - 1a pars (of 2): Dum transisset sabbatum Maria Magdalena – 374–375 (?) Dum transisset sabbatum - 2a pars (of 2): Et valde mane una sabbatorum veniunt – 375–377
Coclico, Adrianus Petit (ca. 1499-ca. 1562)	Disce bone clerice virgines amare – 243 In te Domine speravi non confundar – 333–335
Conseil, Jean (ca. 1498-1534)	Adjuva me Domine - 1a pars (of 2): Adjuva me Domine – 20 Adjuva me Domine - 2a pars (of 2): Servus tuus ego sum – 20–21 (?) Beata Dei genitrix - 1a pars (of 2): Beata Dei genitrix virgo Maria – 286 (?) Beata Dei genitrix - 2a pars (of 2): Et beata quae credidit quoniam – 286–287 Gott dank ich ietz unnd allezeit – 21–22
Corteccia, (Pier) Francesco	(?) Fammi pur guerr' amor quando tu vuoi – 120–121
Coste, Gabriel	Rigueur me tient et doulx acueil – 173–174 Si les oyseaulx n'avoyent espoir sortir – 175–176 Ung pouvre aÿmant de l'amour mesdisoit – 172–173
Crecquillon, Thomas (ca. 1505-ca. 1557)	Adjuva nos Deus salutaris noster – 98–99 Congratulamini mihi - 1a pars (of 2): Congratulamini mihi omnes qui diligitis – 238–240 Congratulamini mihi - 2a pars (of 2): Tulerunt Dominum meum et nescio ubi – 241–243 Erravi sicut ovis - 1a pars (of 2): Erravi sicut ovis quae periit require – 234–235 Erravi sicut ovis - 2a pars (of 2): Delicta juventutis meae et ignorantias – 236–237 Jamais en ce monde n'aurais regrets – 121 Jamais en ce monde n'aurais regrets – 306–307 Pour un plaisir qui si peu dure – 66 (?) Viri Galilaei quid aspicitis in caelum – 292–294 (?) Vous perdez temps de me dire mal d'elle – 143–144
Despres, Josquin (ca. 1450-1521)	(?) Congratulamini mihi 26.3 - 1a pars (of 2) Congratulamini mihi omnes qui diligitis – 294–295 (?) Congratulamini mihi 26.3 - 2a pars (of 2): Tulerunt Dominum meum et nescio ubi – 295–296 (?) Ecce Dominus veniet nolite timere 14.5 – 433–434 In principio erat verbum 19.7 - 1a pars (of 3): In principio erat verbum et verbum – 258–259 In principio erat verbum 19.7 - 2a pars (of 3): Fuit homo missus a Deo – 259–261 In principio erat verbum 19.7 - 3a pars (of 3): Et verbum caro factum est – 261 In te Domine speravi non confundar 28.18 – 63 Puer natus est nobis et filius datus est 26.9 – 214 Qui habitat 18.7 - 1a pars (of 2): Qui habitat in adjutorio altissimi – 410–413 Qui habitat 18.7 - 2a pars (of 2): Non accedat ad te malum – 413–415 (?) Te Deum laudamus 26.16 - 1a pars (of 3): Te Deum laudamus te dominum confitemur – 310–311 (?) Te Deum laudamus 26.16 - 2a pars (of 3): Venerandum tuum/Patrem immensae majestatis – 311–312 (?) Te Deum laudamus 26.16 - 3a pars (of 3): Te ergo quaesumus – 312–313
Ducis, Benedictus	(?) Dilexi quoniam - 1a pars (of 2): Dilexi quoniam exaudiet Dominus vocem – 224–225 (?) Dilexi quoniam - 2a pars (of 2): O Domine libera animam meam – 226–227
Dulot, Francois	(?) Longtemps y a que je vis en espoir – 34
Eckel, Matthias	Was unfahls quall in nöthen thut – 33
Elimon (Elimot)	(?) Nuptiae factae sunt in Chana Gallileae – 252–254
Faber, Heinrich (ca. 1500-1552)	Creavit Deus hominem ad imaginem suam (2p. Crescite et multiplicamini et replete) – 305–306 (?) Non bonum est hominem esse solum faciamus (2p. Dixitque Adam hoc nunc os ex ossibus) – 75–78
Fage, Jean de la	(?) Elisabeth Zacharie - 1a pars (of 2): Elisabeth Zacharie magnum virum genuit – 437–438 (?) Elisabeth Zacharie - 2a pars (of 2): Inter natos mulierum non surrexit – 438–440 (?) Rex autem David cooperto capite incedens – 84–85 Super flumina Babylonis - 1a pars (of 2): Super flumina Babylonis illic sedimus – 427–429 Super flumina Babylonis - 2a pars (of 2): Si oblitus fuero – 429–431
Festa, Costanzo (ca. 1485-1545)	Jerusalem quae occidis prophetas et lapidas (= Florentia tempus est penitentie) – 431–432 Quando ritrovo la mia pastorella – 160
Fevin, Antoine de (ca. 1470-ca. 1512)	Sancta Trinitas unus Deus miserere nobis (6vv) – 297–298 (?) Vulnerasti cor meum (2p. Veni in ortum meum) – 45–47
Finck, Heinrich	(?) Sauff aus und machts nicht lange – 104 Schön bin ich nicht mein höchster hort – 47 (?) Uncur – 107–108
Forster, Georg (ca. 1510-1568)	Vergangen ist mir glück und heil – 208–209
Forster, Johannes	(?) Quare fremuerunt - 1a pars (of 3): Quare fremuerunt gentes et populi meditati – 66–68 (?) Quare fremuerunt - 2a pars (of 3): Disrumpamus vincula eorum et proiiciamus – 68–70 (?) Quare fremuerunt - 3a pars (of 3): Dominus dixit ad me filius meus es tu – 70–72
Galliculus, Johannes	Apparuit benignitas et humanitas salvatoris – 221–222 In natali Domini clamant mortales / Wo ist uns das Kind geborn – 210–211 (?) Quare fremuerunt - 1a pars (of 3): Quare fremuerunt gentes et populi meditati – 66–68 (?) Quare fremuerunt - 2a pars (of 3): Disrumpamus vincula eorum et proiiciamus – 68–70 (?) Quare fremuerunt - 3a pars (of 3): Dominus dixit ad me filius meus es tu – 70–72
Gardano, Antonio	(?) Vivre ne puis content sans sa présence – 31–32
Gascongne, Mathieu (?Johannes) (1517-1518)	(?) Rex autem David cooperto capite incedens – 84–85
Godard, Robert	Helas amour je pensoye bien avoir – 153
Gombert, Nicolas (ca. 1495-ca. 1560)	(?) Beati omnes - 1a pars (of 2): Beati omnes qui timent Dominum – 399–401 (?) Beati omnes - 2a pars (of 2): Ecce sic benedicitur homo – 401–402 Cur mittis violas nempe ut violentius – 42–43 (?) Vater unser im Himmelreich (= Le content est riche) – 142 (?) Vostre beaulte plaisant et lyé me donne recreation – 114–115
Grefinger, Wolfgang	(?) Ach Gott wem soll ichs klagen das heimliche leiden – 325–326
Greiter, Matthias	Ach Gott wem soll ichs klagen das heimliche leiden – 322 Mir ist ein feins brauns maidelein gefallen – 321 Von üppiglichen dingen so wil ichs sehen – 329–330
Grundlerus, Andreas	Quemadmodum desiderat cervus ad fontes (2p. Quare tristis es anima mea; 3p. In die mandavit Dominus misericordiam) – 244–249
Hailland, Petrus	Puis qui'il convient et sans nul contredict – 16–17
Heintz, Wolff	Gehe wie es will, demnach ich soll mich – 150–151
Hellinck, Lupus (ca. 1494-1541)	(?) Beati omnes - 1a pars (of 2): Beati omnes qui timent Dominum – 399–401 (?) Beati omnes - 2a pars (of 2): Ecce sic benedicitur homo – 401–402 (?) Jam non dicam - 1a pars (of 2): Jam non dicam vos servos – 287–288 (?) Jam non dicam - 2a pars (of 2): Cum venerit ille spiritus veritatis – 289–290 (?) Jerusalem luge - 1a pars (of 2): Jerusalem luge et exue te vestibus jocunditatis – 270–271 (?) Jerusalem luge - 2a pars (of 2): Deduc quasi torrentem lacrimas – 271–273 Prima die sabbatorum Maria Magdalena – 427 (?) Rex autem David cooperto capite incedens – 84–85 (?) Vostre beaulte plaisant et lyé me donne recreation – 114–115
Hemmel, Sigmund	Der töricht spricht es ist kein Got – 112–113
Hemmerlen, Georgius	Ne recorderis peccata mea Domine cum veneris – 290–292
Herman, Johann	Parvulus nobis nascitur de virgine – 212
Hofhaimer, Paul	Ach lieb mit leid wie hast Dein B'scheid – 233 Mein einigs A. ich Dein beleib und mich – 206–207 Zucht Ehr und Lob ihr wohnet bei – 237–238
Hollander, Christian	(?) Congratulamini mihi - 1a pars (of 2): Congratulamini mihi omnes qui diligitis – 238–240 (?) Congratulamini mihi - 2a pars (of 2): Tulerunt Dominum meum et nescio ubi – 241–243 (?) Dum transisset sabbatum Maria Magdalena (2p. Et valde mane una sabbatorum veniunt) – 425–426
Hollander, Sebastian	(?) Dum transisset sabbatum Maria Magdalena (2p. Et valde mane una sabbatorum veniunt) – 425–426
Isaac, Heinrich (ca. 1450-1517)	Cum esset desponsata mater Jesu Maria – 355–356 Missa Quant j'ai au coeur: Benedictus – 224
Janequin, Clement (ca. 1485-ca. 1558)	(?) Je prens en gre le dure mort (4vv) – 81–82 (?) Une fillette bien gorriere embrassa – 207–208
Janin	Super salutem et omnem pulchritudinem (2p. Dixi sapientiae soror mea es) – 415–418
Jonckers, Maistre Gosse	(?) Ecce Dominus veniet nolite timere 14.5 – 433–434 Tria sunt munera- 1a pars (of 2): Tria sunt munera – 255–256 Tria sunt munera- 2a pars (of 2): Reges Tharsis et Insulae – 256–258
Keutzenhoff, Johannes	Ach Gott, wem soll ichs klagen das heimliche Leiden – 23 Chara Joanna veni sanctum solare Joannem – 29–30 Frisch und frölich wölln wir leben – 105–106 Kommt her zu mir, spricht Gottes Sohn – 65
Lasson, Mathieu	(?) Virtute magna - 1a pars (of 2): Virtute magna reddebant apostoli testimonium – 388–389 (?) Virtute magna - 2a pars (of 2): Repleti sunt quidem spiritu sancto – 389–391
Lassus, Orlande de (ca. 1532-1594)	(?) Transeunte Domino - 1a pars (of 2): Transeunte Domino clamabat caecus ad eum – 443–444 (?) Transeunte Domino - 2a pars (of 2): Et ait illi Jesus quid vis ut faciam – 444–445
Lheritier, Jean (ca. 1480-ca. 1551)	(?) Beata Dei genitrix - 1a pars (of 2): Beata Dei genitrix virgo Maria – 286 (?) Beata Dei genitrix - 2a pars (of 2): Et beata quae credidit quoniam – 286–287 Senex puerum - 1a pars (of 2): Senex puerum portabat puer autem senem – 267–268 Senex puerum - 2a pars (of 2): Hodie beata virgo – 268–270
Louys, Jean (ca. 1530-1563)	(?) Haec est arbor - 1a pars (of 2): Haec est arbor dignissima in qua salutis – 362–363 (?) Haec est arbor - 2a pars (of 2): O crux benedicta quae sola fuisti – 363–365
Lupi, Johannes (ca. 1506-1539)	(?) Quam pulchra es - 1a pars (of 2): Quam pulchra es et quam decora – 264–265 (?) Quam pulchra es - 2a pars (of 2): Veni dilecte mi egrediamur in agrum – 265–267 (?) Quam pulchra est - 1a pars (of 2): Quam pulchra est et quam decora – 48–50 (?) Quam pulchra est - 2a pars (of 2): Veni dilecte mi – 50–51
Lys, F de	En lieu du bien que doux souloient – 178–179 Mon coeur entier j'ai donne vraiement – 171–172 Ne penses pas mesdisans envieulx – 177
M.	Het sold ein meisken gaen om win – 52–54
Maffoni, Hieronymus	(?) Dilexi quoniam - 1a pars (of 2): Dilexi quoniam exaudiet Dominus vocem – 224–225 (?) Dilexi quoniam - 2a pars (of 2): O Domine libera animam meam – 226–227
Maillard, Jean (c1538–1570)	Amours brusle par son ardente flamme – 167–168 In me transierunt irae tuae et terrores – 192–193 Si comme espoir je n'ai de guarison – 175
Manchicourt, Pierre de	(?) Dulcis memoria et suavis recordatio (= Doulce memoire) – 40 (?) Pater peccavi (4vv) - 1a pars (of 2): Pater peccavi in caelum et coram te – 92–93 (?) Pater peccavi (4vv) - 2a pars (of 2): Quanti mercenarii in domo patris – 93–94 Pater peccavi (5vv) - 1a pars (of 2): Paper peccavi in caelum et coram te – 188–190 Pater peccavi (5vv) - 2a pars (of 2): Quanti mercenarii in domo patris – 190–191
Mantua, Jacquet de (1483-1559)	Alleluia. Surrexit Dominus - 1a pars (of 2): Alleluia. Surrexit Dominus vere et apparuit Simoni – 352–353 Alleluia. Surrexit Dominus - 2a pars (of 2): Qui fecit caelum et terram – 353–354 Cantate Domino - 1a pars (of 2): Cantate Domino canticum novum – 281–283 Cantate Domino - 2a pars (of 2): Cantate ei et psallite ei – 283–285 (?) Orabat Jesum mulier Cananaea ad Dominum (= Clamabat autem mulier Chananaea) – 106–107
Morales, Cristóbal de (ca. 1500-1553)	(?) Orabat Jesum mulier Cananaea ad Dominum (= Clamabat autem mulier Chananaea) – 106–107 Verbum iniquum - 1a pars (of 2): Verbum iniquum et dolosum – 338–339 Verbum iniquum - 2a pars (of 2): Duo rogavi te Domine ne deneges mihi – 339–341
Morel, Clement	Tota pulchra es amica mea et macula – 183–185
Moulu, Pierre (ca. 1484-ca. 1550)	(?) In illo tempore accesserunt - 1a pars (of 2): In illo tempore accesserunt ad Jesum – 72–74 (?) In illo tempore accesserunt - 2a pars (of 2): Propter hoc dimittet homo patrem – 74–75
Mouton, Jean (ca. 1459-1522)	(?) Elisabeth Zacharie - 1a pars (of 2): Elisabeth Zacharie magnum virum genuit – 437–438 (?) Elisabeth Zacharie - 2a pars (of 2): Inter natos mulierum non surrexit – 438–440 (?) In illo tempore accesserunt - 1a pars (of 2): In illo tempore accesserunt ad Jesum – 72–74 (?) In illo tempore accesserunt - 2a pars (of 2): Propter hoc dimittet homo patrem – 74–75 (?) Languir me fais sans t'avoir offensé – 137 Quam pulchra es - 1a pars (of 2): Quam pulchra es et quam decora – 264–265 Quam pulchra es - 2a pars (of 2): Veni dilecte mi egrediamur in agrum – 265–267 (?) Te Deum laudamus 26.16 - 1a pars (of 3): Te Deum laudamus te dominum confitemur – 310–311 (?) Te Deum laudamus 26.16 - 2a pars (of 3): Venerandum tuum/Patrem immensae majestatis – 311–312 (?) Te Deum laudamus 26.16 - 3a pars (of 3): Te ergo quaesumus – 312–313 (?) Vulnerasti cor meum (2p. Veni in ortum meum) – 45–47
Muller, Johann	Guckguckh hat sich zu todt gefallen – 309–310
Obrecht, Jacobus (ca. 1457-1505)	(?) Pater noster (4vv) - 1a pars (of 2): Pater noster qui es in caelis – 386–388 (?) Pater noster (4vv) - 2a pars (of 2): Ave Maria gratia plena Dominus tecum – 394–396
Othmayr, Caspar	Eia, der Vogel ass ein Ei, da gab er – 105 Ein gutes närrisch Tänz – 95–96 Es wolt ein Jäger jagen wolt jagen – 317 Graecia quae quondam virtute / Trink wein – 27–29 Hinc abiens quoniam cogor / So schwing ich mich – 27 Ich armer boss bin ganz verwirrt – 318–319 Ich bin durch Frauleins willen – 83–84 Ich ritt einmal spazieren durch den gruenen – 317–318 Ich weiss mir ein medlin hubsch und fein – 320–321 Lieblich hat sich gesellet mein herz – 314–315 Non argus largus non Magdalena Mathusalem – 34–35 Nun wolt ich lieber elend sein – 315–316 Omnia vertuntur certe vertuntur amore – 342–344 Philippe qui videt me alleluia – 89–92 Quisquis requiem quaeris feminam cave – 341–342 Rebus in adversis patiens terit omnia – 80–81 Scaevola tu coenas apud omnes nullus – 101–102 Vincat amor recti pulcherrima quaeque – 99–100 (?) Vineae florentes odorem / Wir haben einen guten Wirt – 102 Von Deinetwegen bin ich hie herzlieb – 319–320 Von Herzen mein bin ich ir geneigt – 313–314 Wach auff mein hort und hör mein stim – 316
Padovano [Patavus], Laurus	Tu es Petrus et super hanc petram – 420
Paminger, Leonhard (1495-1567)	Discumbentibus illis - 1a pars (of 2): Discumbentibus illis undecim apostolis – 434–435 Dixit Dominus Domino meo sede a dextris (2p. Juravit Dominus et non poenitebit) – 356–362
Panurge	(?) Puisque prier n'est de vous entendu – 169–170
Pathie, Rogier (ca. 1510-ca. 1564)	(?) Je prens en gre le dure mort (4vv) – 81–82 Nur leichtsinnig (= D'amour me plains) – 59
Pionnier, Joannes (-1573)	Lapidabant Stephanum invocantem et dicentem (2p. Positus autem genibus clamavit voce) – 109–112
Potzinger, Johannes	Tempus adest abitus niveis amora quadrigis (2p. Et quia distrahimur diversis tractibus) – 23–25
Prenner, Georg (-1590)	Factum est silentium - 1a pars (of 2): Factum est silentium in caelo dum committeret – 440–441 Factum est silentium - 2a pars (of 2): Millia millium ministrabant ei – 441–442
Rein, Conrad (ca. 1475-1522)	O trinitas et Deitas - 1a pars (of 2): O trinitas et Deitas alma tibi omnes angeli – 298–299 O trinitas et Deitas - 2a pars (of 2): Miserere qui passus est nobis – 299–301
Richafort, Jean (ca. 1480-ca. 1550)	(?) Congratulamini mihi 26.3 - 1a pars (of 2) Congratulamini mihi omnes qui diligitis – 294–295 (?) Congratulamini mihi 26.3 - 2a pars (of 2): Tulerunt Dominum meum et nescio ubi – 295–296 Jam non dicam - 1a pars (of 2): Jam non dicam vos servos – 287–288 Jam non dicam - 2a pars (of 2): Cum venerit ille spiritus veritatis – 289–290 (?) Jerusalem luge - 1a pars (of 2): Jerusalem luge et exue te vestibus jocunditatis – 270–271 (?) Jerusalem luge - 2a pars (of 2): Deduc quasi torrentem lacrimas – 271–273 Quem dicunt homines - 1a pars (of 2): Quem dicunt homines – 396–398 Quem dicunt homines - 2a pars (of 2): Petre diligis me qui respondit – 398–399 (?) Si bona suscepimus de manu Domini – 365–367
Rore, Cipriano de (ca. 1515-1565)	(?) Orabat Jesum mulier Cananaea ad Dominum (= Clamabat autem mulier Chananaea) – 106–107
Ruffo, Vincenzo (ca. 1508-1587)	A che cerchar gli specchi et fonti – 133–134 Amor poiche non vuole la bella donna – 134–136 Io non trovo me stesso stella del ciel – 131–133 Sent'un pensier in me d'amor che dice – 136–137
Sandrin, Pierre (ca. 1490-ca. 1560)	Ce qui souloit en deux se despartir – 156–157 (?) Dulcis memoria et suavis recordatio (= Doulce memoire) – 40 L'amour première en jeunesse innocente – 174 (?) Le deuil issu de la joye incertaine – 168–169 (?) Si mon travail vous peult donner plaisir – 164–165 (?) Vous perdez temps de me dire mal d'elle – 143–144 Vous usurpez dames injustement le commander – 159
Schalreutter, Paulus	Ich hab gehört von Gottes wort – 54–55
Senfl, Ludwig (ca. 1486-ca. 1543)	Collegerunt pontifices - 1a pars (of 2): Collegerunt pontifices et Pharisaei concilium – 380–382 Collegerunt pontifices - 2a pars (of 2): Unus autem ex ipsis Caiphas nomine – 382–384 (?) Da Jacob das Kleid ansah mit großem Schmerzen – 418–419 (?) Ecce Dominus veniet nolite timere 14.5 – 433–434 Homo quidam fecit caenam R. Quia parata sunt omnibus firmiter Vs. Venite comedite panem meum (P97, 4vv) – 405–407 Ich armes maidlein klag mich sehr wie soll mir – 323–324 Sum tuus in vita (4vv) [M109] – 216–218 Was ist die Welt, gelt hat allein den Preis – 219
Sermisy, Claudin de (ca. 1490-1562)	C'est a grant tort que moi povrette endure – 25 D'ou [dont] vient cela belle je vous supply – 142–143 Il est jour dit l'alouette allons jouer – 148 Jouissance vous donnerai, mon ami – 138–139 (?) Languir me fais sans t'avoir offensé – 137 (?) Le coeur est bon et le vouloir aussi – 145–146 (?) Longtemps y a que je vis en espoir – 34 Maudite soit la mondaine richesse – 163 Mon coeur voulut dedans soy recepvoir – 165–166 Pourtant si je suis brunette ami – 158–159 (?) Si mon travail vous peult donner plaisir – 164–165 Tant que vivrai - 1a pars (of 2): Tant que vivrai en age florissant – 141 (?) Vater unser im Himmelreich (= Le content est riche) – 142 Venus par toutt cherche son filz perdu – 154–155 Vivray je tousjours en soucy pour vous – 143 Vivre ne puis content sans sa présence – 31–32 (?) Vous perdez temps de me dire mal d'elle – 143–144
Silva, Andreas de (ca. 1475-ca. 1522)	(?) Mein G'müt und Blüt ist gar entzünden – 326–327 (?) Te Deum laudamus 26.16 - 1a pars (of 3): Te Deum laudamus te dominum confitemur – 310–311 (?) Te Deum laudamus 26.16 - 2a pars (of 3): Venerandum tuum/Patrem immensae majestatis – 311–312 (?) Te Deum laudamus 26.16 - 3a pars (of 3): Te ergo quaesumus – 312–313
Spengler, Lazarus	Dieweil umsonst jetz alle Kunst am Tag – 330
Stahel, Johann	Quam pulcra es amica mea oculi tui – 350–351 Unam petii Domino hanc inveni haec erit – 249–250
Susato, Tylman	Si de present peine j'endure dire puis – 78–79 Si tu te plains d'amours tant seulement – 26
Verdelot, Philippe (ca. 1480-ca. 1532)	(?) Deus qui sedes super thronum (4vv) – 273–275 Domine Deus qui conteris bella ab initio (2p. Allide virtutem eorum in virtute tuae) – 250–251 (?) Dum complerentur dies Pentecostes erant omnes – 279–281 O fili Dei succurre miseris juva pusillanimes (= Sancta Maria succurre miseris) – 432–433 (?) Quam pulchra est - 1a pars (of 2): Quam pulchra est et quam decora – 48–50 (?) Quam pulchra est - 2a pars (of 2): Veni dilecte mi – 50–51 (?) Si bona suscepimus de manu Domini – 365–367 (?) Virtute magna - 1a pars (of 2): Virtute magna reddebant apostoli testimonium – 388–389 (?) Virtute magna - 2a pars (of 2): Repleti sunt quidem spiritu sancto – 389–391 Vita della mia vita quando gran tort – 149–150
Vicinus, Eberhardus	Missa C'est à grand tort: Agnus Dei – 13–14 Missa C'est à grand tort: Credo – 9–12 Missa C'est à grand tort: Gloria – 8–9 Missa C'est à grand tort: Kyrie – 7–8 Missa C'est à grand tort: Sanctus – 12–13
Villiers, P[ierre?] de	En grant douleur faict son triste demeure – 155 Je n'oserois le penser véritable – 178 L'heur et malheur de vostre cognoissance – 166 (?) Le deuil issu de la joye incertaine – 168–169 Preste moÿ lung de tes yeulx bien – 180
Vinders, Jheronimus (c1525-1526)	(?) In illo tempore accesserunt - 1a pars (of 2): In illo tempore accesserunt ad Jesum – 72–74 (?) In illo tempore accesserunt - 2a pars (of 2): Propter hoc dimittet homo patrem – 74–75
Walter, Johann (1496-1570)	Deus misereatur nostri - 1a pars (of 2): Deus misereatur nostri et benedicat nobis – 392–393 Deus misereatur nostri - 2a pars (of 2): Laetentur et exultent gentes quoniam – 393–394 (?) Deus qui sedes super thronum (4vv) – 273–275 Festum nunc celebre magnaque gaudia (5vv) – 278–279 Gelobet seist Du, Jesu Christ, dass Du Mensch – 212 Vere beatus - 1a pars (of 2): Vere beatus et deo factus meritus auspice – 275–276 Vere beatus - 2a pars (of 2): Hanc ardet hanc amplexibus – 276–278
Wenck, J.	(?) Mein G'müt und Blüt ist gar entzünden – 326–327
Wert, Giaches [Jaches] de (1535-1596)	Transeunte Domino - 1a pars (of 2): Transeunte Domino clamabat caecus ad eum – 443–444 Transeunte Domino - 2a pars (of 2): Et ait illi Jesus quid vis ut faciam – 444–445
Willaert, Adrian (ca. 1490-1562)	(?) Beata Dei genitrix - 1a pars (of 2): Beata Dei genitrix virgo Maria – 286 (?) Beata Dei genitrix - 2a pars (of 2): Et beata quae credidit quoniam – 286–287 Dulces exuviae dum fata Deusque (3vv) – 391 Pater noster (4vv) - 1a pars (of 2): Pater noster qui es in caelis – 386–388 (?) Pater noster (4vv) - 2a pars (of 2): Ave Maria gratia plena Dominus tecum – 394–396 Pater peccavi (4vv) - 1a pars (of 2): Pater peccavi in caelum et coram te – 186–187 Pater peccavi (4vv) - 2a pars (of 2): Quanti mercenarii in domo patris – 187–188 (?) Rex autem David cooperto capite incedens – 44–45
Wüst, Paul	Freundlich von art ein freulein zart – 323
Zirler, Stephan (ca. 1518-1568)	Bewahr mich Herr und sei nicht fern – 86–88
le Brun, Jean (early 16th century)	(?) Congratulamini mihi 26.3 - 1a pars (of 2) Congratulamini mihi omnes qui diligitis – 294–295 (?) Congratulamini mihi 26.3 - 2a pars (of 2): Tulerunt Dominum meum et nescio ubi – 295–296

Composition	Composers (? Uncertain)	Folios / Pages
A che cerchar gli specchi et fonti	Ruffo, Vincenzo (ca. 1508–1587)	133–134
Accedite omnes / Ihr Schlemmer frei Herr Wirt	Anonymous	144
Ach Gott wem soll ichs klagen das heimliche leiden	Buchmaier, Johann	22
Ach Gott wem soll ichs klagen das heimliche leiden	Greiter, Matthias	322
Ach Gott wem soll ichs klagen das heimliche leiden	Grefinger, Wolfgang (?) Bauldeweyn, Noel (ca. 1480–1529) (?)	325–326
Ach Gott, wem soll ichs klagen das heimliche Leiden	Keutzenhoff, Johannes	23
Ach höchster hort, du edles Blut gedenk	Anonymous	325
Ach lieb mit leid wie hast Dein B'scheid	Hofhaimer, Paul	233
Ade zur guten Nacht, ade gesund sehn wir	Anonymous	60
Adesto dolori meo - 1a pars (of 2): Adesto dolori meo deus nimium fatigor	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	193–194
Adesto dolori meo - 2a pars (of 2): Interiora mea efferbuerunt absque ulla requie	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	194–195
Adjuva me Domine - 1a pars (of 2): Adjuva me Domine	Conseil, Jean (ca. 1498–1534)	20
Adjuva me Domine - 2a pars (of 2): Servus tuus ego sum	Conseil, Jean (ca. 1498–1534)	20–21
Adjuva nos Deus salutaris noster	Crecquillon, Thomas (ca. 1505–ca. 1557)	98–99
Ahi se la donna mia qual'hor lasso mi vede	Arcadelt, Jacques (ca. 1507–1568)	125
Ahime dov'è'l bel viso in cui solea	Arcadelt, Jacques (ca. 1507–1568)	119–120
Alleluia. Surrexit Dominus - 1a pars (of 2): Alleluia. Surrexit Dominus vere et apparuit Simoni	Mantua, Jacquet de (1483–1559)	352–353
Alleluia. Surrexit Dominus - 2a pars (of 2): Qui fecit caelum et terram	Mantua, Jacquet de (1483–1559)	353–354
Ambulans Jesus juxta mare Galileae	Anonymous	103–104
Amor poiche non vuole la bella donna	Ruffo, Vincenzo (ca. 1508–1587)	134–136
Amours brusle par son ardente flamme	Maillard, Jean (fl. c1538–1570)	167–168
Amy souffrez que je vous ayme	Anonymous	139
Apparuit benignitas et humanitas salvatoris	Galliculus, Johannes	221–222
Bandez vostre arc du traict de jouissance	Buus, Jacques	167
Beata Dei genitrix - 1a pars (of 2): Beata Dei genitrix virgo Maria	Willaert, Adrian (ca. 1490–1562) (?) Lheritier, Jean (ca. 1480–ca. 1551) (?) Conseil, Jean (ca. 1498–1534) (?)	286
Beata Dei genitrix - 2a pars (of 2): Et beata quae credidit quoniam	Willaert, Adrian (ca. 1490–1562) (?) Conseil, Jean (ca. 1498–1534) (?) Lheritier, Jean (ca. 1480–ca. 1551) (?)	286–287
Beati omnes - 1a pars (of 2): Beati omnes qui timent Dominum	Hellinck, Lupus (ca. 1494–1541) (?) Gombert, Nicolas (ca. 1495–ca. 1560) (?)	399–401
Beati omnes - 2a pars (of 2): Ecce sic benedicitur homo	Hellinck, Lupus (ca. 1494–1541) (?) Gombert, Nicolas (ca. 1495–ca. 1560) (?)	401–402
Beati omnes qui timent Dominum qui ambulant (2p. Benedicat tibi Dominus ex Sion)	Bachofen, Thomas	377–380
Beati omnes qui timent Dominum qui ambulant (2p. Ecce sic benedicetur homo qui timet)	Appenzeller, Benedictus (ca. 1480–ca. 1558)	198–202
Beatus vir - 1a pars (of 2): Beatus vir qui non abiit in consilio	Anonymous	403–404
Beatus vir - 2a pars (of 2): Non sic impii non sic sed tanquam	Anonymous	404–405
Beatus vir qui non abiit ... Selig ist der Mann	Anonymous	31
Bewahr mich Herr und sei nicht fern	Zirler, Stephan (ca. 1518–1568)	86–88
C'est a grant tort que moi povrette endure	Sermisy, Claudin de (ca. 1490–1562)	25
Caecilia virgo gloriosa - 1a pars (of 2): Caecilia virgo gloriosa semper evangelium	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	36–37
Caecilia virgo gloriosa - 2a pars (of 2): Biduanis ac triduanis ieiuniis orans	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	37–39
Cantate Domino - 1a pars (of 2): Cantate Domino canticum novum	Mantua, Jacquet de (1483–1559)	281–283
Cantate Domino - 2a pars (of 2): Cantate ei et psallite ei	Mantua, Jacquet de (1483–1559)	283–285
Carole magnus - 1a pars (of 2): Carole magnus eras cum solus regna tenebas	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	55–57
Carole magnus - 2a pars (of 2): Nunc omnes nato tu regis a puero	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	57–58
Ce qui souloit en deux se despartir	Sandrin, Pierre (ca. 1490–ca. 1560)	156–157
Ces facheux sots qui mesdisent d'aymer	Anonymous	138
Chara Joanna veni sanctum solare Joannem	Keutzenhoff, Johannes	29–30
Christum wir sollen loben schon	Anonymous	211
Collegerunt pontifices - 1a pars (of 2): Collegerunt pontifices et Pharisaei concilium	Senfl, Ludwig (ca. 1486–ca. 1543)	380–382
Collegerunt pontifices - 2a pars (of 2): Unus autem ex ipsis Caiphas nomine	Senfl, Ludwig (ca. 1486–ca. 1543)	382–384
Congratulamini mihi - 1a pars (of 2): Congratulamini mihi omnes qui diligitis	Hollander, Christian (?) Crecquillon, Thomas (ca. 1505–ca. 1557)	238–240
Congratulamini mihi - 2a pars (of 2): Tulerunt Dominum meum et nescio ubi	Crecquillon, Thomas (ca. 1505–ca. 1557) Hollander, Christian (?)	241–243
Congratulamini mihi 26.3 - 1a pars (of 2) Congratulamini mihi omnes qui diligitis	le Brun, Jean (fl. early 16th century) (?) Despres, Josquin (ca. 1450–1521) (?) Richafort, Jean (ca. 1480–ca. 1550) (?)	294–295
Congratulamini mihi 26.3 - 2a pars (of 2): Tulerunt Dominum meum et nescio ubi	Despres, Josquin (ca. 1450–1521) (?) le Brun, Jean (fl. early 16th century) (?) Richafort, Jean (ca. 1480–ca. 1550) (?)	295–296
Contingat illis turturum concordia cor meum	Anonymous	96–97
Creavit Deus hominem ad imaginem suam (2p. Crescite et multiplicamini et replete)	Faber, Heinrich (ca. 1500–1552)	305–306
Cum esset desponsata mater Jesu Maria	Isaac, Heinrich (ca. 1450–1517)	355–356
Cur mittis violas nempe ut violentius	Gombert, Nicolas (ca. 1495–ca. 1560)	42–43
D'ou [dont] vient cela belle je vous supply	Sermisy, Claudin de (ca. 1490–1562)	142–143
Da Jacob das Kleid ansah mit großem Schmerzen	Senfl, Ludwig (ca. 1486–ca. 1543) (?) Alder, Cosmas (1500–1550)	418–419
Da pacem Domine in diebus nostris	Bruck, Arnold von (ca. 1500–1554)	209–210
Da trunken sie die liebe lange Nacht	Anonymous	307–309
Defali convivium	Anonymous	203–204
Deh dimm' amor se l'alma di costei	Arcadelt, Jacques (ca. 1507–1568)	128
Der töricht spricht es ist kein Got	Hemmel, Sigmund	112–113
Deus misereatur nostri - 1a pars (of 2): Deus misereatur nostri et benedicat nobis	Walter, Johann (1496–1570)	392–393
Deus misereatur nostri - 2a pars (of 2): Laetentur et exultent gentes quoniam	Walter, Johann (1496–1570)	393–394
Deus qui sedes super thronum (4vv)	Walter, Johann (1496–1570) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?)	273–275
Dieweil umsonst jetz alle Kunst am Tag	Spengler, Lazarus	330
Dilexi quoniam - 1a pars (of 2): Dilexi quoniam exaudiet Dominus vocem	Maffoni, Hieronymus (?) Ducis, Benedictus (?)	224–225
Dilexi quoniam - 2a pars (of 2): O Domine libera animam meam	Ducis, Benedictus (?) Maffoni, Hieronymus (?)	226–227
Disce bone clerice virgines amare	Coclico, Adrianus Petit (ca. 1499–ca. 1562)	243
Discumbentibus illis - 1a pars (of 2): Discumbentibus illis undecim apostolis	Paminger, Leonhard (1495–1567)	434–435
Dixit Dominus Domino meo sede a dextris (2p. Juravit Dominus et non poenitebit)	Paminger, Leonhard (1495–1567)	356–362
Domine Deus qui conteris bella ab initio (2p. Allide virtutem eorum in virtute tuae)	Verdelot, Philippe (ca. 1480–ca. 1532)	250–251
Douleur me bat et tristesse m'affolle	Anonymous	151–152
Dulces exuviae dum fata Deusque (3vv)	Willaert, Adrian (ca. 1490–1562)	391
Dulcis memoria et suavis recordatio (= Doulce memoire)	Manchicourt, Pierre de (?) Sandrin, Pierre (ca. 1490–ca. 1560) (?)	40
Dum complerentur dies Pentecostes erant omnes	Arcadelt, Jacques (ca. 1507–1568) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?)	279–281
Dum transisset sabbatum - 1a pars (of 2): Dum transisset sabbatum Maria Magdalena	Cleve, Johannes de (ca. 1528–1582) (?) Baston, Josquin (fl. 1542–63) (?)	374–375
Dum transisset sabbatum - 2a pars (of 2): Et valde mane una sabbatorum veniunt	Baston, Josquin (fl. 1542–63) (?) Cleve, Johannes de (ca. 1528–1582) (?)	375–377
Dum transisset sabbatum Maria Magdalena (2p. Et valde mane una sabbatorum veniunt)	Hollander, Sebastian (?) Hollander, Christian (?)	425–426
Durch Adams Fall ist ganz verderbt	Anonymous	60–61
Ecce Dominus veniet nolite timere 14.5	Despres, Josquin (ca. 1450–1521) (?) Senfl, Ludwig (ca. 1486–ca. 1543) (?) Jonckers, Maistre Gosse (?)	433–434
Ecce quam bonum et quam jocundum habitare (2p. Quod descendit in orem vestimenti; 3p. Quoniam illic mandavit Dominus)	Anonymous	222–223
Eia, der Vogel ass ein Ei, da gab er	Othmayr, Caspar	105
Ein gutes närrisch Tänz	Othmayr, Caspar	95–96
Elisabeth Zacharie - 1a pars (of 2): Elisabeth Zacharie magnum virum genuit	Mouton, Jean (ca. 1459–1522) (?) Fage, Jean de la (?)	437–438
Elisabeth Zacharie - 2a pars (of 2): Inter natos mulierum non surrexit	Fage, Jean de la (?) Mouton, Jean (ca. 1459–1522) (?)	438–440
En grant douleur faict son triste demeure	Villiers, P[ierre?] de	155
En lieu du bien que doux souloient	Lys, F de	178–179
Erhalt uns Her bei Deinem wort und steur	Anonymous	437
Erravi sicut ovis - 1a pars (of 2): Erravi sicut ovis quae periit require	Crecquillon, Thomas (ca. 1505–ca. 1557)	234–235
Erravi sicut ovis - 2a pars (of 2): Delicta juventutis meae et ignorantias	Crecquillon, Thomas (ca. 1505–ca. 1557)	236–237
Es wolt ein Jäger jagen wolt jagen	Othmayr, Caspar	317
Factum est silentium - 1a pars (of 2): Factum est silentium in caelo dum committeret	Prenner, Georg (–1590)	440–441
Factum est silentium - 2a pars (of 2): Millia millium ministrabant ei	Prenner, Georg (–1590)	441–442
Fammi pur guerr' amor quando tu vuoi	Corteccia, (Pier) Francesco (?) Arcadelt, Jacques (ca. 1507–1568) (?)	120–121
Festum nunc celebre magnaque gaudia (5vv)	Walter, Johann (1496–1570)	278–279
Fortune hellas [alors] que n'avois cognoissance	Certon, Pierre (–ca. 1572) (?) Clereau, Pierre (?)	157
Fortune laissez moi la vie Puisque tu veulx	Anonymous	147
Freundlich von art ein freulein zart	Wüst, Paul	323
Freundlicher grüss mit buss ward mir heimlich	Anonymous	227–228
Frisch und frölich wölln wir leben	Keutzenhoff, Johannes	105–106
Gaudent in caelis animae sanctorum	Arcadelt, Jacques (ca. 1507–1568)	262–264
Gaudete psallentes mire laudantes virginis	Anonymous	202–203
Gehe wie es will, demnach ich soll mich	Heintz, Wolff	150–151
Gelobet seist Du, Jesu Christ, dass Du Mensch	Walter, Johann (1496–1570)	212
Gott dank ich ietz unnd allezeit	Conseil, Jean (ca. 1498–1534)	21–22
Graecia quae quondam virtute / Trink wein	Othmayr, Caspar	27–29
Grates nunc omnes reddamus Domino Deo (2p. Nos liberavit de diabolica potestate; 3p. Huic oportet ut canamus cum angelis)	Anonymous	215–216
Guckguckh hat sich zu todt gefallen	Muller, Johann	309–310
Haec est arbor - 1a pars (of 2): Haec est arbor dignissima in qua salutis	Louys, Jean (ca. 1530–1563) (?) Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?)	362–363
Haec est arbor - 2a pars (of 2): O crux benedicta quae sola fuisti	Louys, Jean (ca. 1530–1563) (?) Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?)	363–365
Helas amour je pensoye bien avoir	Godard, Robert	153
Het sold ein meisken gaen om win	M.	52–54
Hilf glück mit freuden (= Gaude laetare Jerusalem)	Anonymous	162
Hinc abiens quoniam cogor / So schwing ich mich	Othmayr, Caspar	27
Hola he par la vertu goy dieu vous gart	Anonymous	152
Homo quidam fecit caenam R. Quia parata sunt omnibus firmiter Vs. Venite comedite panem meum (P97, 4vv)	Senfl, Ludwig (ca. 1486–ca. 1543)	405–407
Ich armer boss bin ganz verwirrt	Othmayr, Caspar	318–319
Ich armes maidlein klag mich sehr wie soll mir	Senfl, Ludwig (ca. 1486–ca. 1543)	323–324
Ich bin durch Frauleins willen	Othmayr, Caspar	83–84
Ich hab gehört von Gottes wort	Schalreutter, Paulus	54–55
Ich ritt einmal spazieren durch den gruenen	Othmayr, Caspar	317–318
Ich weiss ein stoltze müllerin	Alder, Cosmas (1500–1550)	327–328
Ich weiss mir ein medlin hubsch und fein	Othmayr, Caspar	320–321
Il bianco e dolce cigno cantando more	Arcadelt, Jacques (ca. 1507–1568)	126
Il bianco e dolce cigno cantando more	Arcadelt, Jacques (ca. 1507–1568)	148–149
Il est jour dit l'alouette allons jouer	Sermisy, Claudin de (ca. 1490–1562)	148
Il n'est celui qui naît quelque adventure	Cadeac, P(ierre?)	153–154
In honore Christi - 1a pars (of 2): In honore Christi filii Dei jubilemus	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	370–372
In honore Christi - 2a pars (of 2): Caeleste beneficium, Christi incarnatio	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	372–374
In illo tempore accesserunt - 1a pars (of 2): In illo tempore accesserunt ad Jesum	Vinders, Jheronimus (fl. c1525-1526) (?) Moulu, Pierre (ca. 1484–ca. 1550) (?) Mouton, Jean (ca. 1459–1522) (?)	72–74
In illo tempore accesserunt - 2a pars (of 2): Propter hoc dimittet homo patrem	Moulu, Pierre (ca. 1484–ca. 1550) (?) Vinders, Jheronimus (fl. c1525-1526) (?) Mouton, Jean (ca. 1459–1522) (?)	74–75
In illo tempore dixit Jesus discipulis (2p. His autem fieri incipientibus)	Anonymous	301–304
In me transierunt irae tuae et terrores	Maillard, Jean (fl. c1538–1570)	192–193
In natali Domini clamant mortales / Wo ist uns das Kind geborn	Galliculus, Johannes	210–211
In principio erat verbum 19.7 - 1a pars (of 3): In principio erat verbum et verbum	Despres, Josquin (ca. 1450–1521)	258–259
In principio erat verbum 19.7 - 2a pars (of 3): Fuit homo missus a Deo	Despres, Josquin (ca. 1450–1521)	259–261
In principio erat verbum 19.7 - 3a pars (of 3): Et verbum caro factum est	Despres, Josquin (ca. 1450–1521)	261
In te Domine speravi non confundar	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	196–198
In te Domine speravi non confundar	Coclico, Adrianus Petit (ca. 1499–ca. 1562)	333–335
In te Domine speravi non confundar (R. Quoniam fortitudo mea et refugium; Vs. In manus tuas Domine commendo spiritum	Anonymous	15–16
In te Domine speravi non confundar 28.18	Despres, Josquin (ca. 1450–1521)	63
Io dico che fra voi potenti Dei convien	Arcadelt, Jacques (ca. 1507–1568)	129
Io non trovo me stesso stella del ciel	Ruffo, Vincenzo (ca. 1508–1587)	131–133
Jam non dicam - 1a pars (of 2): Jam non dicam vos servos	Richafort, Jean (ca. 1480–ca. 1550) Hellinck, Lupus (ca. 1494–1541) (?)	287–288
Jam non dicam - 2a pars (of 2): Cum venerit ille spiritus veritatis	Hellinck, Lupus (ca. 1494–1541) (?) Richafort, Jean (ca. 1480–ca. 1550)	289–290
Jamais en ce monde n'aurais regrets	Crecquillon, Thomas (ca. 1505–ca. 1557)	121
Jamais en ce monde n'aurais regrets	Crecquillon, Thomas (ca. 1505–ca. 1557)	306–307
Jamque miraissoe	Anonymous	146–147
Je n'oserois le penser véritable	Villiers, P[ierre?] de	178
Je ne scay pas comment a mon entendement	Anonymous	145
Je prens en gre le dure mort (4vv)	Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?) Pathie, Rogier (ca. 1510–ca. 1564) (?) Janequin, Clement (ca. 1485–ca. 1558) (?) Baston, Josquin (fl. 1542–63) (?)	81–82
Jerusalem luge - 1a pars (of 2): Jerusalem luge et exue te vestibus jocunditatis	Hellinck, Lupus (ca. 1494–1541) (?) Richafort, Jean (ca. 1480–ca. 1550) (?) Caen, Arnold (?)	270–271
Jerusalem luge - 2a pars (of 2): Deduc quasi torrentem lacrimas	Caen, Arnold (?) Richafort, Jean (ca. 1480–ca. 1550) (?) Hellinck, Lupus (ca. 1494–1541) (?)	271–273
Jerusalem quae occidis prophetas et lapidas (= Florentia tempus est penitentie)	Festa, Costanzo (ca. 1485–1545)	431–432
Jerusalem surge - 1a pars (of 2): Jerusalem surge et sta in excelso et vide	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	407–408
Jerusalem surge - 2a pars (of 2): Leva in circuitu oculos tuos et vide	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	408–409
Jouissance vous donnerai, mon ami	Sermisy, Claudin de (ca. 1490–1562)	138–139
Kommt her zu mir, spricht Gottes Sohn	Keutzenhoff, Johannes	65
L'amour première en jeunesse innocente	Sandrin, Pierre (ca. 1490–ca. 1560)	174
L'heur et malheur de vostre cognoissance	Villiers, P[ierre?] de	166
Languir me fais sans t'avoir offensé	Mouton, Jean (ca. 1459–1522) (?) Sermisy, Claudin de (ca. 1490–1562) (?)	137
Lapidabant Stephanum - 1a pars (of 2): Lapidabant Stephanum invocantem et dicentem	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	367–368
Lapidabant Stephanum - 2a pars (of 2): Impetum fecerunt unanimiter in eum	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	368–370
Lapidabant Stephanum invocantem et dicentem (2p. Positus autem genibus clamavit voce)	Pionnier, Joannes (–1573)	109–112
Las si mon coeur eut mis en aultre part	Buus, Jacques	179–180
Le coeur est bon et le vouloir aussi	Sermisy, Claudin de (ca. 1490–1562) (?)	145–146
Le deuil issu de la joye incertaine	Sandrin, Pierre (ca. 1490–ca. 1560) (?) Villiers, P[ierre?] de (?)	168–169
Lex per Moÿsen data est gratia et veritas	Buchmaier, Johann	350
Lieblich hat sich gesellet mein herz	Othmayr, Caspar	314–315
Longtemps y a que je vis en espoir	Sermisy, Claudin de (ca. 1490–1562) (?) Dulot, Francois (?)	34
M'amye a eu de Dieu le don que de beauté	Clereau, Pierre	173
Magnum Oseae quem decus virginale parturit	Anonymous	304–305
Maria Magdalena - 1a pars (of 2): Maria Magdalena et altera Maria ibant	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	228–231
Maria Magdalena - 2a pars (of 2): Cito euntes dicite discipulis eius	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	231–233
Maudite soit la mondaine richesse	Sermisy, Claudin de (ca. 1490–1562)	163
Mein einigs A. ich Dein beleib und mich	Hofhaimer, Paul	206–207
Mein G'müt und Blüt ist gar entzünden	Wenck, J. (?) Silva, Andreas de (ca. 1475–ca. 1522) (?)	326–327
Meum est propositum in taberna mori	Anonymous	88–89
Mir ist ein feins brauns maidelein gefallen	Greiter, Matthias	321
Miserere mei Domine quoniam infirmus sum (2p. Et anima mea turbata est valde)	Anonymous	331–333
Missa C'est à grand tort: Agnus Dei	Vicinus, Eberhardus	13–14
Missa C'est à grand tort: Credo	Vicinus, Eberhardus	9–12
Missa C'est à grand tort: Gloria	Vicinus, Eberhardus	8–9
Missa C'est à grand tort: Kyrie	Vicinus, Eberhardus	7–8
Missa C'est à grand tort: Sanctus	Vicinus, Eberhardus	12–13
Missa Quant j'ai au coeur: Benedictus	Isaac, Heinrich (ca. 1450–1517)	224
Mit fried und freud ich fahr dahin	Anonymous	48
Mit hohem fleiss freundlicher weis	Anonymous	160–161
Mon coeur entier j'ai donne vraiement	Lys, F de	171–172
Mon coeur voulut dedans soy recepvoir	Sermisy, Claudin de (ca. 1490–1562)	165–166
Möcht ich Gunst haben bei dir das kann ich	Anonymous	220
Ne penses pas mesdisans envieulx	Lys, F de	177
Ne recorderis peccata mea Domine cum veneris	Hemmerlen, Georgius	290–292
Non argus largus non Magdalena Mathusalem	Othmayr, Caspar	34–35
Non bonum est hominem esse solum faciamus (2p. Dixitque Adam hoc nunc os ex ossibus)	Faber, Heinrich (ca. 1500–1552) (?) Caballus, Burckhardus (?)	75–78
Non ch'io non voglio mai altro pensiero	Arcadelt, Jacques (ca. 1507–1568)	127
Non eadem facies anni non aeris idem	Anonymous	421–422
Non habites ubi sumptus lucra exuperant	Anonymous	97–98
Nun lass uns frisch und fröhlich sein	Anonymous	86
Nun meisterlich wir heben singen an	Anonymous	204–206
Nun wolt ich lieber elend sein	Othmayr, Caspar	315–316
Nuptiae factae sunt in Chana Gallileae	Elimon (Elimot) (?) Barra, Hotinet (fl. 1510-23) (?)	252–254
Nur leichtsinnig (= D'amour me plains)	Pathie, Rogier (ca. 1510–ca. 1564)	59
O fili Dei succurre miseris juva pusillanimes (= Sancta Maria succurre miseris)	Verdelot, Philippe (ca. 1480–ca. 1532)	432–433
O reynischer wein du schmeckst mir wol	Anonymous	79–80
O trinitas et Deitas - 1a pars (of 2): O trinitas et Deitas alma tibi omnes angeli	Rein, Conrad (ca. 1475–1522)	298–299
O trinitas et Deitas - 2a pars (of 2): Miserere qui passus est nobis	Rein, Conrad (ca. 1475–1522)	299–301
O triste adieu qui tant me mescontente	Certon, Pierre (–ca. 1572)	156
Ob ich schon arm und elend bin	Anonymous	30–31
Omnia vertuntur certe vertuntur amore	Othmayr, Caspar	342–344
Optima virtutum Sophia mea viscera	Anonymous	113–114
Orabat Jesum mulier Cananaea ad Dominum (= Clamabat autem mulier Chananaea)	Mantua, Jacquet de (1483–1559) (?) Morales, Cristóbal de (ca. 1500–1553) (?) Rore, Cipriano de (ca. 1515–1565) (?)	106–107
Parvulus nobis nascitur de virgine	Herman, Johann	212
Pater noster (4vv) - 1a pars (of 2): Pater noster qui es in caelis	Obrecht, Jacobus (ca. 1457–1505) (?) Willaert, Adrian (ca. 1490–1562)	386–388
Pater noster (4vv) - 2a pars (of 2): Ave Maria gratia plena Dominus tecum	Willaert, Adrian (ca. 1490–1562) (?) Obrecht, Jacobus (ca. 1457–1505) (?)	394–396
Pater peccavi (4vv) - 1a pars (of 2): Pater peccavi in caelum et coram te	Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?) Manchicourt, Pierre de (?)	92–93
Pater peccavi (4vv) - 1a pars (of 2): Pater peccavi in caelum et coram te	Willaert, Adrian (ca. 1490–1562)	186–187
Pater peccavi (4vv) - 2a pars (of 2): Quanti mercenarii in domo patris	Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?) Manchicourt, Pierre de (?)	93–94
Pater peccavi (4vv) - 2a pars (of 2): Quanti mercenarii in domo patris	Willaert, Adrian (ca. 1490–1562)	187–188
Pater peccavi (5vv) - 1a pars (of 2): Paper peccavi in caelum et coram te	Manchicourt, Pierre de	188–190
Pater peccavi (5vv) - 2a pars (of 2): Quanti mercenarii in domo patris	Manchicourt, Pierre de	190–191
Philippe qui videt me alleluia	Othmayr, Caspar	89–92
Poss'io morir di mala morte s'io non v'amo	Arcadelt, Jacques (ca. 1507–1568)	124–125
Pour un plaisir qui si peu dure	Crecquillon, Thomas (ca. 1505–ca. 1557)	66
Pourtant si je suis brunette ami	Sermisy, Claudin de (ca. 1490–1562)	158–159
Praeter rerum seriem parit Deum et hominem (2p. Virtus sancti spiritus opus illud)	Anonymous	335–338
Preste moÿ lung de tes yeulx bien	Villiers, P[ierre?] de	180
Prima die sabbatorum Maria Magdalena	Hellinck, Lupus (ca. 1494–1541)	427
Propter bonos geschwenckos	Anonymous	52
Puer natus est nobis et filius datus est 26.9	Despres, Josquin (ca. 1450–1521)	214
Puis qui'il convient et sans nul contredict	Hailland, Petrus	16–17
Puisque prier n'est de vous entendu	Certon, Pierre (–ca. 1572) (?) Panurge (?)	169–170
Pungente dardo che 'l mio cor consumi	Arcadelt, Jacques (ca. 1507–1568) Berchem, Jacques (ca. 1505–1567) (?)	122–123
Quam pulchra es - 1a pars (of 2): Quam pulchra es et quam decora	Lupi, Johannes (ca. 1506–1539) (?) Mouton, Jean (ca. 1459–1522)	264–265
Quam pulchra es - 2a pars (of 2): Veni dilecte mi egrediamur in agrum	Lupi, Johannes (ca. 1506–1539) (?) Mouton, Jean (ca. 1459–1522)	265–267
Quam pulchra es amica mea columba mea (2p. Labia tua distillantia guttur tuum)	Anonymous	61–63
Quam pulchra est - 1a pars (of 2): Quam pulchra est et quam decora	Verdelot, Philippe (ca. 1480–ca. 1532) (?) Lupi, Johannes (ca. 1506–1539) (?)	48–50
Quam pulchra est - 2a pars (of 2): Veni dilecte mi	Verdelot, Philippe (ca. 1480–ca. 1532) (?) Lupi, Johannes (ca. 1506–1539) (?)	50–51
Quam pulcra es amica mea oculi tui	Stahel, Johann	350–351
Quand' io pens' al martire amor che tu	Arcadelt, Jacques (ca. 1507–1568)	115–116
Quando ritrovo la mia pastorella	Festa, Costanzo (ca. 1485–1545)	160
Quanta belta quanta gratia e splendore	Arcadelt, Jacques (ca. 1507–1568)	123–124
Quanti travagli e pene, quant' ogn' hor dogli e morti	Arcadelt, Jacques (ca. 1507–1568)	130
Quare fremuerunt - 1a pars (of 3): Quare fremuerunt gentes et populi meditati	Forster, Johannes (?) Galliculus, Johannes (?)	66–68
Quare fremuerunt - 2a pars (of 3): Disrumpamus vincula eorum et proiiciamus	Forster, Johannes (?) Galliculus, Johannes (?)	68–70
Quare fremuerunt - 3a pars (of 3): Dominus dixit ad me filius meus es tu	Galliculus, Johannes (?) Forster, Johannes (?)	70–72
Quem dicunt homines - 1a pars (of 2): Quem dicunt homines	Richafort, Jean (ca. 1480–ca. 1550)	396–398
Quem dicunt homines - 2a pars (of 2): Petre diligis me qui respondit	Richafort, Jean (ca. 1480–ca. 1550)	398–399
Quemadmodum desiderat cervus ad fontes (2p. Quare tristis es anima mea; 3p. In die mandavit Dominus misericordiam)	Grundlerus, Andreas	244–249
Qui habitat 18.7 - 1a pars (of 2): Qui habitat in adjutorio altissimi	Despres, Josquin (ca. 1450–1521)	410–413
Qui habitat 18.7 - 2a pars (of 2): Non accedat ad te malum	Despres, Josquin (ca. 1450–1521)	413–415
Quid ultra debui facere ego quidem	Anonymous	43–44
Quisquis requiem quaeris feminam cave	Othmayr, Caspar	341–342
Rebus in adversis patiens terit omnia	Othmayr, Caspar	80–81
Rex autem David cooperto capite incedens	Willaert, Adrian (ca. 1490–1562) (?)	44–45
Rex autem David cooperto capite incedens	Fage, Jean de la (?) Hellinck, Lupus (ca. 1494–1541) (?) Gascongne, Mathieu (?Johannes) (fl. 1517-1518) (?)	84–85
Rigueur me tient et doulx acueil	Coste, Gabriel	173–174
Sancta Trinitas unus Deus miserere nobis (6vv)	Bruck, Arnold von (ca. 1500–1554) Fevin, Antoine de (ca. 1470–ca. 1512)	297–298
Sauff aus und machts nicht lange	Finck, Heinrich (?)	104
Scaevola tu coenas apud omnes nullus	Othmayr, Caspar	101–102
Scandala ne mundi cures ecclesia Christi	Anonymous	422–424
Schön bin ich nicht mein höchster hort	Finck, Heinrich	47
Se per colpa del vostro fiero sdegno	Arcadelt, Jacques (ca. 1507–1568)	131
Senex puerum - 1a pars (of 2): Senex puerum portabat puer autem senem	Lheritier, Jean (ca. 1480–ca. 1551)	267–268
Senex puerum - 2a pars (of 2): Hodie beata virgo	Lheritier, Jean (ca. 1480–ca. 1551)	268–270
Sent'un pensier in me d'amor che dice	Ruffo, Vincenzo (ca. 1508–1587)	136–137
Si bona suscepimus de manu Domini	Richafort, Jean (ca. 1480–ca. 1550) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?)	365–367
Si comme espoir je n'ai de guarison	Maillard, Jean (fl. c1538–1570)	175
Si de present peine j'endure dire puis	Susato, Tylman	78–79
Si diligitis me - 1a pars (of 2): Si diligitis me mandata mea servate	Anonymous	384–385
Si diligitis me - 2a pars (of 2): Accipite spiritum sanctum ipse est	Anonymous	385–386
Si les oyseaulx n'avoyent espoir sortir	Coste, Gabriel	175–176
Si mon travail vous peult donner plaisir	Sermisy, Claudin de (ca. 1490–1562) (?) Sandrin, Pierre (ca. 1490–ca. 1560) (?)	164–165
Si par faveur d'amour mostez le pris	Bourgois	171
Si quod amo liceat plenis contingere votis (2p. Tunc ego Mercurii vitricus esse velum)	Anonymous	41–42
Si tu te plains d'amours tant seulement	Susato, Tylman	26
Si à t'aymer ton maintien gratieulx	Campis, Henrico de	170–171
Sic Deus dilexit mundum ut filium suum (2p. Haec est autem condemnatio quod lux)	Bucher, Johannes	346–349
Sicut lilium inter spinas sic anima mea	Brumel, Antoine (ca. 1460–ca. 1513)	65
Sophia span das füllin an den wagen	Buchner, Hans (?) Buchmaier, Johann (?)	32–33
Studenten Art und Freulen zart	Anonymous	243
Sum tuus in vita (4vv) [M109]	Senfl, Ludwig (ca. 1486–ca. 1543)	216–218
Summe parens et imago patris flatusque (2p. Huc adsis roseis sertis redimitus)	Anonymous	18–19
Super flumina Babylonis - 1a pars (of 2): Super flumina Babylonis illic sedimus	Fage, Jean de la	427–429
Super flumina Babylonis - 2a pars (of 2): Si oblitus fuero	Fage, Jean de la	429–431
Super salutem et omnem pulchritudinem (2p. Dixi sapientiae soror mea es)	Janin	415–418
Tant que vivrai - 1a pars (of 2): Tant que vivrai en age florissant	Sermisy, Claudin de (ca. 1490–1562)	141
Te Deum laudamus 26.16 - 1a pars (of 3): Te Deum laudamus te dominum confitemur	Silva, Andreas de (ca. 1475–ca. 1522) (?) Despres, Josquin (ca. 1450–1521) (?) Mouton, Jean (ca. 1459–1522) (?)	310–311
Te Deum laudamus 26.16 - 2a pars (of 3): Venerandum tuum/Patrem immensae majestatis	Despres, Josquin (ca. 1450–1521) (?) Mouton, Jean (ca. 1459–1522) (?) Silva, Andreas de (ca. 1475–ca. 1522) (?)	311–312
Te Deum laudamus 26.16 - 3a pars (of 3): Te ergo quaesumus	Silva, Andreas de (ca. 1475–ca. 1522) (?) Despres, Josquin (ca. 1450–1521) (?) Mouton, Jean (ca. 1459–1522) (?)	312–313
Tempus adest abitus niveis amora quadrigis (2p. Et quia distrahimur diversis tractibus)	Potzinger, Johannes	23–25
Timor et tremor venit in Ninivem civitatem	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	181–183
Tota pulchra es amica mea et macula	Anonymous	108–109
Tota pulchra es amica mea et macula	Morel, Clement	183–185
Tota pulchra es amica mea et macula	Canis, Cornelius	185–186
Transeunte Domino - 1a pars (of 2): Transeunte Domino clamabat caecus ad eum	Lassus, Orlande de (ca. 1532–1594) (?) Wert, Giaches [Jaches] de (1535–1596)	443–444
Transeunte Domino - 2a pars (of 2): Et ait illi Jesus quid vis ut faciam	Lassus, Orlande de (ca. 1532–1594) (?) Wert, Giaches [Jaches] de (1535–1596)	444–445
Tria sunt munera- 1a pars (of 2): Tria sunt munera	Jonckers, Maistre Gosse	255–256
Tria sunt munera- 2a pars (of 2): Reges Tharsis et Insulae	Jonckers, Maistre Gosse	256–258
Tu es Petrus et super hanc petram	Padovano [Patavus], Laurus	420
Unam petii Domino hanc inveni haec erit	Stahel, Johann	249–250
Uncur	Finck, Heinrich (?)	107–108
Une fillette bien gorriere embrassa	Janequin, Clement (ca. 1485–ca. 1558) (?) Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?)	207–208
Ung moins aymant aura peult estre mieulx	Certon, Pierre (–ca. 1572)	176–177
Ung pouvre aÿmant de l'amour mesdisoit	Coste, Gabriel	172–173
Usquequo Domine oblivisceris me in finem	Anonymous	14–15
Vater unser im Himmelreich (= Le content est riche)	Gombert, Nicolas (ca. 1495–ca. 1560) (?) Sermisy, Claudin de (ca. 1490–1562) (?)	142
Veni electa mea et ponam in te thronum	Anonymous	64
Venite / Ihr schlemmer frei zu diesem guten wein	Anonymous	139–140
Venite ad me omnes qui laboratis et onerati (2p. Tollite jugum meum super vos)	Buchmaier, Johann	344–346
Venus par toutt cherche son filz perdu	Sermisy, Claudin de (ca. 1490–1562)	154–155
Ver' inferno e'l mio petto ver' infernale	Arcadelt, Jacques (ca. 1507–1568)	116–117
Verbum iniquum - 1a pars (of 2): Verbum iniquum et dolosum	Morales, Cristóbal de (ca. 1500–1553)	338–339
Verbum iniquum - 2a pars (of 2): Duo rogavi te Domine ne deneges mihi	Morales, Cristóbal de (ca. 1500–1553)	339–341
Vere beatus - 1a pars (of 2): Vere beatus et deo factus meritus auspice	Walter, Johann (1496–1570)	275–276
Vere beatus - 2a pars (of 2): Hanc ardet hanc amplexibus	Walter, Johann (1496–1570)	276–278
Vergangen ist mir glück und heil	Forster, Georg (ca. 1510–1568)	208–209
Veri adoratores adorabunt patrem in spiritu	Cellarius, Simon (ca. 1500–1544)	410
Veu le grief mal ou sans fin je labeure	Anonymous	140–141
Vincat amor recti pulcherrima quaeque	Othmayr, Caspar	99–100
Vineae florentes odorem / Wir haben einen guten Wirt	Othmayr, Caspar (?)	102
Viri Galilaei quid aspicitis in caelum	Crecquillon, Thomas (ca. 1505–ca. 1557) (?)	292–294
Virtute magna - 1a pars (of 2): Virtute magna reddebant apostoli testimonium	Lasson, Mathieu (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?)	388–389
Virtute magna - 2a pars (of 2): Repleti sunt quidem spiritu sancto	Verdelot, Philippe (ca. 1480–ca. 1532) (?) Lasson, Mathieu (?)	389–391
Vita della mia vita quando gran tort	Verdelot, Philippe (ca. 1480–ca. 1532)	149–150
Vivray je tousjours en soucy pour vous	Sermisy, Claudin de (ca. 1490–1562)	143
Vivre ne puis content sans sa présence	Sermisy, Claudin de (ca. 1490–1562) Gardano, Antonio (?)	31–32
Voi ve n' andat' al cielo occhi beati	Arcadelt, Jacques (ca. 1507–1568)	117–119
Von Deinetwegen bin ich hie herzlieb	Othmayr, Caspar	319–320
Von Herzen mein bin ich ir geneigt	Othmayr, Caspar	313–314
Von üppiglichen dingen so wil ichs sehen	Greiter, Matthias	329–330
Vostre beaulte plaisant et lyé me donne recreation	Hellinck, Lupus (ca. 1494–1541) (?) Gombert, Nicolas (ca. 1495–ca. 1560) (?)	114–115
Voulant amour sub parler gracieulx	Arcadelt, Jacques (ca. 1507–1568)	163–164
Vous perdes temps de me dire mal d'elle	Arcadelt, Jacques (ca. 1507–1568)	157–158
Vous perdez temps de me dire mal d'elle	Crecquillon, Thomas (ca. 1505–ca. 1557) (?) Sandrin, Pierre (ca. 1490–ca. 1560) (?) Sermisy, Claudin de (ca. 1490–1562) (?)	143–144
Vous usurpez dames injustement le commander	Sandrin, Pierre (ca. 1490–ca. 1560)	159
Vulnerasti cor meum (2p. Veni in ortum meum)	Mouton, Jean (ca. 1459–1522) (?) Fevin, Antoine de (ca. 1470–ca. 1512) (?)	45–47
Wach auff mein hort und hör mein stim	Othmayr, Caspar	316
Was ist die Welt, gelt hat allein den Preis	Senfl, Ludwig (ca. 1486–ca. 1543)	219
Was unfahls quall in nöthen thut	Eckel, Matthias	33
Weinikhen / Auserlesner franzosen	Anonymous	39–40
Welscher tantz	Anonymous	210
Wie geht es zu, dass heut und nu	Bruck, Arnold von (ca. 1500–1554)	213
Zart schöne Frau gedenk und schau	Anonymous	328–329
Zucht Ehr und Lob ihr wohnet bei	Hofhaimer, Paul	237–238

Set: A. R. 940-941

Type: Partbooks

No images available

D-Rp A. R. 940-941 (A)

No images available

D-Rp A. R. 940-941 (B)

No images available

D-Rp A. R. 940-941 (D)

No images available

D-Rp A. R. 940-941 (Q)

No images available

D-Rp A. R. 940-941 (T)

‡ denotes primary source study

Deutsches Musikgeschichtliches Archiv Kassel and Staatliches Institut für Musikforschung Preußischer Kulturbesitz Berlin (editor). 1983. Das Tenorlied: Mehrstimmige Lieder in deutschen Quellen 1450-1580. Band 2: Handschriften. Catalogus Musicus, vol. X. Kassel, Basel, Tours, and London. Pages: 222-58. Notes: contents list; incipits.

Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II, vol. 28/I-III. Bern and Stuttgart. Pages: I, xxxvi, 32-4, 73. Notes: physical description; contents list (partial); concordances (partial).

Stroux, Christoph. 1976. Die Musica Poetica des Magisters Heinrich Faber. Albert-Ludwigs-Universität (Freiburg im Breisgau), Unpublished Ph.D. dissertation. Pages: 7, 159-60, 162-5, 180-93. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Whisler, Bruce Allen. 1974. Munich, Mus. Ms. 1516: A Critical Edition. University of Rochester, Unpublished Ph.D. dissertation. Pages: I, 58-60, 163ff, 320, 324. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Steude, Wolfram. 1972. Untersuchungen zu Herkunft, Verbreitung und spezifischem Inhalt mitteldeutscher Musikhandschriften des 16. Jahrhunderts. University of Rostock, Unpublished Ph.D. dissertation. Pages: 17-8, 20-1, 31, 33-4, 113-4, passim. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Windh, John Ernfrid. 1971. Early Lutheran Masses. University of Illinois, Unpublished D.M.A. thesis. Pages: 146. Notes: physical description (partial); mention of MS; discussion.

Dunning, Albert. 1969. Die Staatsmotette 1480-1555. Utrecht. Pages: 200-l, 336. Notes: contents list (partial); transcriptions (partial); mention of MS; discussion.

Perkins, Leeman L (editor). 1969. Johannis Lhéritier: Opera Omnia. Corpus mensurabilis musicae, vol. 48. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: xliii, liv, lxii. Notes: physical description (partial); contents list (partial); concordances (partial).

Perkins, Leeman L. 1965. The Motets of Jean Lhéritier. Yale University, Unpublished Ph.D. dissertation. Pages: I, 147, 233ff. Notes: physical description (partial); contents list (partial); concordances (partial).

Brennecke, Wilfried. 1953. Die Handschrift A.R. 940/41 der Proske-Bibliothek zu Regensburg. Schriften des Landesinstituts für Musikforschung Kiel, vol. 1. Kassel and Basel. Notes: physical description (partial); contents list; concordances; incipits (partial); facsimile (partial); texts (partial); mention of MS; discussion.

Kempers, Karel Philippus Bernet, and Chris J. Maas (editors). 1951-76. Jacobus Clemens non Papa: Opera Omnia. Corpus mensurabilis musicae, vol. 4. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: IX, iv, vi; XXI, xii, 95-103. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Albrecht, Hans. 1950. Caspar Othmayr: Leben und Werk. Kassel and Basel. Pages: 54, 57, 87, 111, 113-8, 126ff. Notes: contents list (partial); concordances (partial); transcriptions (partial); texts (partial); mention of MS; discussion.

Geering, Arnold (editor). 1949-. Ludwig Senfl: Sämtliche Werke. Wolfenbüttel and Zürich. Pages: VI, 94, 98-9. Notes: physical description (partial); contents list (partial); concordances (partial).

Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik. Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: XV, xiii, 142, 149; XVI, 99-100; XXVI, 134-40, 145-50, 153, 161-5; LXX, 193,208-9. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial).

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Benjamin Ory

Wednesday, 17 March, 2021

The four-voice Dulces exuviae listed here as by Johannes Mouton (a surely spurious attribution) is the same as the three-voice Dulces exuviae elsewhere attributed to Adrian Willaert (plus a si placet voice). (Inventory corrected.)

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

D-Rp A. R. 940-941 (A)

Bischöfliche Zentralbibliothek, Regensburg, Germany

partbook: 1557-9, with a few additions after 1566

General Description

Binding

Watermark

Notation

Foliation

Foliation

Decoration

Index

Surface

Census Catalogue of Music Description

General Note

General Note