F-CA MS 128

Le Labo (formerly Médiathèque d'agglomération de Cambrai, and Bibliothèque Municipale/Bibliothèque Comunale), Cambrai, France

partbook: 1542

Archive	Le Labo (formerly Médiathèque d'agglomération de Cambrai, and Bibliothèque Municipale/Bibliothèque Comunale), Cambrai, France (F-CA)
Shelfmark	MS 128
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Paper
Numbering System	Foliation
Measurements	200 x 280 mm
Other Identifiers	CCM: CambraiBM 125-8 olim (Former shelfmark): 124
Relationships	Cambrai Cathedral (owner) van Male, Zeghere (1504–1601) (owner)
External Links	Selected images of all Cambrai MSS CMME online edition images
Provenance	Bruges, Belgium
Contents	331 pieces from 55 composers

General Description

A Discantus partbook from a set of four volumes. Copied by a single scribe, probably the 'g h' whose initials appear on several folios (see DiehlP for a discussion of his possible identity). Probably copied in Bruges. The original owner, named on the title pages, was Zeghere van Male (1504-1601), a Bruges merchant dealing in linens, yarns, and dyes. The manuscript was later moved to Cambrai (inscription in each book: 'Biblioth. S. Sepulch. Cam.').

DIAMM, 2017

Binding

Original covers of dark brown tooled leather with metal corners; clasps now missing.

DIAMM, 2017

Notation

not indicated

DIAMM, 2017

Foliation

Original ink foliation (both the recto and verso sides of each folio are numbered).

DIAMM, 2017

Decoration

Two full-page miniatures; initials and margins decorated with fanciful pen and watercolour drawings of nude human figures, animals, and scenes of everyday life. Coat of arms of Zeghere van Male appears in an initial on f. 132' of the Discantus book.

DIAMM, 2017

Index

Original index on ff. ii-iv of each book. The pieces are grouped alphabetically by the first letter of each title; under each initial letter, there is a further grouping by folio number.

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

13 Masses, 2 Mass fragments, 64 motets, 125 French secular pieces, 9 Flemish secular pieces, 3 Italian secular pieces, 12 textless pieces (1 is monophonic) = 228 + 1 duplicate = 229

(Alaire)-2, Appenzeller [Benedictus]-15, Cabillau-1, Clemens non Papa/(Baston/Janequin)-1, (Compère)-1, (Conseil)-3, P. Cornets-1, Courtois-3, (Craen)-1, (Craen/C. Festa/A. Févin/Josquin/Morales)-1, Crecquillon-2, Ducrocq-1, (Gascongne)-1, (J. Gerard?/Sermisy)-1, Gombert-8, Gombert/(Crecquillon)-1, (Gombert/Hesdin)-1, (Gombert/Lupus)-1, (Gombert/Mouton/Verdelot)-1, (Guyon)-1, Hellinck-3, Hesdin/(Roquellay)-1, Hollande-5, Hondt-14, Hondt/(J. Gerard)-1, Hondt/(Willaert)-1, (Jacotin)-2, (Jacotin/Sermisy)-1, Janequin-2, ( Janequin/Maillard/Passereau)-1, (Jhan of Ferrara)-1, Josquin-5, (Josquin/Lebrun/Richafort)-1, (Josquin/Mouton)-1, (La Rue/Obrecht)-1, Lapperdey-2, Lupi-6, Lupi/(Conseil)-1, Lupi/(Verdelot)-1, Mouton-5, Mouton/(Lupi)-1, (Mouton/Richafort)-1, (Mouton/Sermisy)-1, (Ninot le Petit/Obrecht)-1, (Ninot le Petit/Willaert)-1, (Passereau)-1, Pathie [Rogier]-1, Pipelare-1, (Prioris)-1, Raedt/(Lupus)-1, Ruelx [Reux]-1, Richafort-6, (Rocour)-1, (Rore)-1, (Sandrin/Sermisy)-1, Scheure-1, Sermisy [Claudin]-15, Sermisy/(Jacotin)-1, Sermisy/(Le Heurteur/Lhéritier)-1, Sermisy/(Vermont)-1, Verdelot-3 + 1?, Vinders/(Josquin)-1, Willaert-4, Willaert/(Divitis)-1, anon-77

4 paper partbooks (DATB-iv + 146 + iii folios each), 200 x 280. Original ink foliation (both the recto and verso sides of each folio are numbered). Original covers of dark brown tooled leather with metal corners; clasps now missing. Original index on ff. ii-iv of each book. The pieces are grouped alphabetically by the first letter of each title; under each initial letter, there is a further grouping by folio number. Copied by a single scribe, probably the "g h" whose initials appear on several folios (see DiehlP for a discussion of his possible identity). Two full-page miniatures; initials and margins decorated with fanciful pen and watercolor drawings of nude human figures, animals, and scenes of everyday life. Coat of arms of Zeghere van Male appears in an initial on f. 132' of the discantus book.

Date 1542 on title page of each book. Probably copied in Bruges.

The original owner, named on the title pages, was Zeghere van Male (1504-1601), a Bruges merchant dealing in linens, yarns, and dyes. The manuscript was later moved to Cambrai (inscription in each book: "Biblioth. S. Sepulch. Cam.").

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
[ii]–[iv]	index	-	-
index Appears on: [ii]–[iv]
[iv] v	Ave sanctissima Maria mater Dei regina	Gombert	Gombert, Nicolas (ca. 1495–ca. 1560)
Ave sanctissima Maria mater Dei regina Gombert, Nicolas (ca. 1495–ca. 1560) Appears on: [iv] v Genres: Antiphon Source Attribution: Gombert Voice: [no designation] Languages: Latin Voice Text: Ave sanctissima Maria mater dei regina
1	Christus resurgens - 1a pars (of 2): Christus resurgens ex mortuis	[Mouton/Richafort]	Richafort, Jean (ca. 1480–ca. 1550) (?) Mouton, Jean (ca. 1459–1522) (?)
Christus resurgens - 1a pars (of 2): Christus resurgens ex mortuis Richafort, Jean (ca. 1480–ca. 1550) (?) Mouton, Jean (ca. 1459–1522) (?) Appears on: 1 Genres: Motet Source Attribution: [Mouton/Richafort] Voice: [no designation] Languages: Latin Voice Text: Christus resurgens de mortuis iam non II: Mortuus est enim propter delicta
1	Christus resurgens - 2a pars (of 2): Mortuus est enim propter delicta	-	Mouton, Jean (ca. 1459–1522) (?) Richafort, Jean (ca. 1480–ca. 1550) (?)
Christus resurgens - 2a pars (of 2): Mortuus est enim propter delicta Mouton, Jean (ca. 1459–1522) (?) Richafort, Jean (ca. 1480–ca. 1550) (?) Appears on: 1 Genres: Motet
1v	Gaude Barbara beata - 1a pars (of 2): Gaude Barbara beata summe polens	[Mouton]	Mouton, Jean (ca. 1459–1522)
Gaude Barbara beata - 1a pars (of 2): Gaude Barbara beata summe polens Mouton, Jean (ca. 1459–1522) Appears on: 1v Genres: Motet Source Attribution: [Mouton] Voice: [no designation] Languages: Latin Voice Text: Gaude Barbara beata summe polens II: Gaude quia meruisti impetrare
2	Gaude Barbara beata - 2a pars (of 2): Gaude quia meruisti impetrare	-	Mouton, Jean (ca. 1459–1522)
Gaude Barbara beata - 2a pars (of 2): Gaude quia meruisti impetrare Mouton, Jean (ca. 1459–1522) Appears on: 2 Genres: Motet
2v	Nisi Dominus - 1a pars (of 2): Nisi Dominus aedificaverit domum in vanum	Claudin [de Sermisy]/ [Le Heurteur/Lhéritier]	Heurteur, Guillaume le (fl. 1530-1545) (?) Lheritier, Jean (ca. 1480–ca. 1551) (?) Sermisy, Claudin de (ca. 1490–1562) (?)
Nisi Dominus - 1a pars (of 2): Nisi Dominus aedificaverit domum in vanum Heurteur, Guillaume le (fl. 1530-1545) (?) Lheritier, Jean (ca. 1480–ca. 1551) (?) Sermisy, Claudin de (ca. 1490–1562) (?) Appears on: 2v Genres: Motet Source Attribution: Claudin [de Sermisy]/ [Le Heurteur/Lhéritier] Voice: [no designation] Languages: Latin Voice Text: Nisi dominus edificaverit domum in vanum II: Cum dederit delectis suis somnum
3	Nisi Dominus - 2a pars (of 2): Cum dederit delectis suis somnum	-	Heurteur, Guillaume le (fl. 1530-1545) (?) Lheritier, Jean (ca. 1480–ca. 1551) (?) Sermisy, Claudin de (ca. 1490–1562) (?)
Nisi Dominus - 2a pars (of 2): Cum dederit delectis suis somnum Heurteur, Guillaume le (fl. 1530-1545) (?) Lheritier, Jean (ca. 1480–ca. 1551) (?) Sermisy, Claudin de (ca. 1490–1562) (?) Appears on: 3 Genres: Motet
3v	Tanto tempore vobiscum sum et non cognovistis	Verdelot	Verdelot, Philippe (ca. 1480–ca. 1532)
Tanto tempore vobiscum sum et non cognovistis Verdelot, Philippe (ca. 1480–ca. 1532) Appears on: 3v Genres: Motet Source Attribution: Verdelot Voice: [no designation] Languages: Latin Voice Text: Tanto tempore vobiscum sum et cognovistis
3v	Ghequest ben ic van hinnen duerwont	Anon.	Anonymous
Ghequest ben ic van hinnen duerwont Anonymous Appears on: 3v Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: Flemish Voice Text: Ghequest ben ic van hinnen duerwont
4	Missa Christus resurgens: Kyrie	Anon.	Anonymous
Missa Christus resurgens: Kyrie Anonymous Appears on: 4 Genres: Kyrie eleison, Mass Ordinary Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Missa Christus resurgens
4v	Missa Christus resurgens: Gloria	-	Anonymous
Missa Christus resurgens: Gloria Anonymous Appears on: 4v Genres: Gloria (et in terra pax), Mass Ordinary
5–5v	Missa Christus resurgens: Credo	-	Anonymous
Missa Christus resurgens: Credo Anonymous Appears on: 5–5v Genres: Credo (patrem omnipotentem), Mass Ordinary
6	Missa Christus resurgens: Sanctus	-	Anonymous
Missa Christus resurgens: Sanctus Anonymous Appears on: 6 Genres: Mass Ordinary, Sanctus [& Benedictus]
6v	Missa Christus resurgens: Agnus Dei	-	Anonymous
Missa Christus resurgens: Agnus Dei Anonymous Appears on: 6v Genres: Agnus Dei, Mass Ordinary
6v	En esperant espoir me desespere tant	Cricquillon	Crecquillon, Thomas (ca. 1505–ca. 1557)
En esperant espoir me desespere tant Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 6v Genres: Chanson Source Attribution: Cricquillon Voice: [no designation] Languages: French Voice Text: En esperant espoir me desespere tant
7	Missa Gaude Barbara: Kyrie	Adriano Willaert	Willaert, Adrian (ca. 1490–1562)
Missa Gaude Barbara: Kyrie Willaert, Adrian (ca. 1490–1562) Appears on: 7 Genres: Kyrie eleison, Mass Ordinary Source Attribution: Adriano Willaert Voice: [no designation] Languages: Latin, Greek Voice Text: Missa Gaude Barbara
7v–8	Missa Gaude Barbara: Gloria	-	Willaert, Adrian (ca. 1490–1562)
Missa Gaude Barbara: Gloria Willaert, Adrian (ca. 1490–1562) Appears on: 7v–8 Genres: Gloria (et in terra pax), Mass Ordinary
8v–9	Missa Gaude Barbara: Credo	-	Willaert, Adrian (ca. 1490–1562)
Missa Gaude Barbara: Credo Willaert, Adrian (ca. 1490–1562) Appears on: 8v–9 Genres: Credo (patrem omnipotentem), Mass Ordinary
9v–10	Missa Gaude Barbara: Sanctus	-	Willaert, Adrian (ca. 1490–1562)
Missa Gaude Barbara: Sanctus Willaert, Adrian (ca. 1490–1562) Appears on: 9v–10 Genres: Mass Ordinary, Sanctus [& Benedictus] Layout Both parts of the 'Pleni' duo are copied into this book
10–10v	Missa Gaude Barbara: Agnus Dei	-	Willaert, Adrian (ca. 1490–1562)
Missa Gaude Barbara: Agnus Dei Willaert, Adrian (ca. 1490–1562) Appears on: 10–10v Genres: Agnus Dei, Mass Ordinary Layout Agnus 2 is a Sup-Ten duo, both parts copied in this book
11	Missa Nisi Dominus: Kyrie	Phelips Lapperdey	Lapperdey, Phelips
Missa Nisi Dominus: Kyrie Lapperdey, Phelips Appears on: 11 Genres: Kyrie eleison, Mass Ordinary Source Attribution: Phelips Lapperdey Voice: [no designation] Languages: Latin, Greek Voice Text: Missa Nisi dominus [KGCS]
11v–12	Missa Nisi Dominus: Gloria	-	Lapperdey, Phelips
Missa Nisi Dominus: Gloria Lapperdey, Phelips Appears on: 11v–12 Genres: Gloria (et in terra pax), Mass Ordinary
12v–13	Missa Nisi Dominus: Credo	-	Lapperdey, Phelips
Missa Nisi Dominus: Credo Lapperdey, Phelips Appears on: 12v–13 Genres: Credo (patrem omnipotentem), Mass Ordinary
13v–14	Missa Nisi Dominus: Sanctus	-	Lapperdey, Phelips
Missa Nisi Dominus: Sanctus Lapperdey, Phelips Appears on: 13v–14 Genres: Mass Ordinary, Sanctus [& Benedictus]
14v	Plus en sera garde de ma jonesse	Nicolaus Gombert	Gombert, Nicolas (ca. 1495–ca. 1560)
Plus en sera garde de ma jonesse Gombert, Nicolas (ca. 1495–ca. 1560) Appears on: 14v Genres: Chanson Source Attribution: Nicolaus Gombert Voice: [no designation] Languages: French Voice Text: Plus en sera garde de ma jonesse
14v	Je ne puis plus et nay qui me sequeure	Anon.	Anonymous
Je ne puis plus et nay qui me sequeure Anonymous Appears on: 14v Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Je ne puis plus et nay qui me sequeure
15	Se dire je l'osoie d'ou me vient le souffrir	Benedictus [Appenzeller]	Appenzeller, Benedictus (ca. 1480–ca. 1558)
Se dire je l'osoie d'ou me vient le souffrir Appenzeller, Benedictus (ca. 1480–ca. 1558) Appears on: 15 Genres: Italian secular Source Attribution: Benedictus [Appenzeller] Voice: [no designation] Languages: French Voice Text: Se dire je [l']osoie dont me vient
15	Mon povre coeur plain de douleur	Lupi	Lupi, Johannes (ca. 1506–1539)
Mon povre coeur plain de douleur Lupi, Johannes (ca. 1506–1539) Appears on: 15 Genres: Chanson Source Attribution: Lupi Voice: [no designation] Languages: French Voice Text: Mon povre cueur plain de douleur
15v	Vivrai je tousjours en telle paine 28.36	Josquin	Despres, Josquin (ca. 1450–1521)
Vivrai je tousjours en telle paine 28.36 Despres, Josquin (ca. 1450–1521) Appears on: 15v Genres: Chanson Source Attribution: Josquin Voice: [no designation] Languages: French Voice Text: Vivraige tousjours en telle paine 28.36
15v	Il me suffit de tous mes maulx	[Sermisy]	Sermisy, Claudin de (ca. 1490–1562)
Il me suffit de tous mes maulx Sermisy, Claudin de (ca. 1490–1562) Appears on: 15v Genres: Chanson Source Attribution: [Sermisy] Voice: [no designation] Languages: French Voice Text: Il me souffit de tous mes maulx
16	Considerant que par droite mesure le tout	Benedictus [Appenzeller]	Appenzeller, Benedictus (ca. 1480–ca. 1558)
Considerant que par droite mesure le tout Appenzeller, Benedictus (ca. 1480–ca. 1558) Appears on: 16 Genres: Motet Source Attribution: Benedictus [Appenzeller] Voice: [no designation] Languages: Latin Voice Text: Considerant que par droite mesure le tout
16v–17	Escoutez tous gentils (= La guerre, La bataille de Marignan) - 1a pars (of 2): Escoutez tous gentils	Clemens Jennekin [= Janequin]	Janequin, Clement (ca. 1485–ca. 1558)
Escoutez tous gentils (= La guerre, La bataille de Marignan) - 1a pars (of 2): Escoutez tous gentils Janequin, Clement (ca. 1485–ca. 1558) Appears on: 16v–17 Genres: Chanson Source Attribution: Clemens Jennekin [= Janequin] Voice: [no designation] Languages: French Voice Text: Escoutes tous gentilz gallans la victoire II: Fan fan fan frere le le lan fan Layout The little bergerette 'Amout fout trop' fills the bottom of f. 17, intervening between the two parts of 'La bataille'
17	Amour faut trop qui bien sense de faire	Anon.	Anonymous
Amour faut trop qui bien sense de faire Anonymous Appears on: 17 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Amour vault trop qui bien sen set deffaire General Note labelled 'Une bregirette" [sic]
17v–19	Escoutez tous gentils (= La guerre, La bataille de Marignan) - 2a pars (of 2): Fan, fere, lere, fan, lan	-	Janequin, Clement (ca. 1485–ca. 1558)
Escoutez tous gentils (= La guerre, La bataille de Marignan) - 2a pars (of 2): Fan, fere, lere, fan, lan Janequin, Clement (ca. 1485–ca. 1558) Appears on: 17v–19 Genres: Chanson Layout The little bergerette 'Amout fout trop' fills the bottom of f. 17, intervening between the two parts of 'La bataille'
19	C'est donc par moy que je suis fortune	[Janequin/Ninot le Petit/Willaert]	Willaert, Adrian (ca. 1490–1562) (?) Petit, Nino le (fl. c1500) (?) Janequin, Clement (ca. 1485–ca. 1558) (?)
C'est donc par moy que je suis fortune Willaert, Adrian (ca. 1490–1562) (?) Petit, Nino le (fl. c1500) (?) Janequin, Clement (ca. 1485–ca. 1558) (?) Appears on: 19 Genres: Chanson Source Attribution: [Janequin/Ninot le Petit/Willaert] Voice: [no designation] Languages: French Voice Text: Cest doncq par moy que je suis fortune
19v	Missa Cest doncq par moi: Kyrie	Anon.	Anonymous
Missa Cest doncq par moi: Kyrie Anonymous Appears on: 19v Genres: Kyrie eleison, Mass Ordinary Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Missa Cest doncq par moy
20	Missa Cest doncq par moi: Gloria	-	Anonymous
Missa Cest doncq par moi: Gloria Anonymous Appears on: 20 Genres: Gloria (et in terra pax), Mass Ordinary
20v–21	Missa Cest doncq par moi: Credo	-	Anonymous
Missa Cest doncq par moi: Credo Anonymous Appears on: 20v–21 Genres: Credo (patrem omnipotentem), Mass Ordinary
21v–22	Missa Cest doncq par moi: Sanctus	-	Anonymous
Missa Cest doncq par moi: Sanctus Anonymous Appears on: 21v–22 Genres: Mass Ordinary, Sanctus [& Benedictus] Layout f. 21v contains the 'Pleni' duo, slightly out of sequence, for Tenor & Bassus
22v–23	Missa Cest doncq par moi: Agnus Dei	-	Anonymous
Missa Cest doncq par moi: Agnus Dei Anonymous Appears on: 22v–23 Genres: Agnus Dei, Mass Ordinary Layout Agnus 3 is a6, Sup1 & Sup2 copied here
23v	Myn hertken heeft altijts verlanghen	Anon.	Anonymous
Myn hertken heeft altijts verlanghen Anonymous Appears on: 23v Genres: Song Source Attribution: Anon. Voice: [no designation] Languages: Flemish Voice Text: Myn hertken heeft altijts verlanghen
23v	A bien parler que c'est d'amours aucuns	[Conseil]	Conseil, Jean (ca. 1498–1534)
A bien parler que c'est d'amours aucuns Conseil, Jean (ca. 1498–1534) Appears on: 23v Genres: Chanson Source Attribution: [Conseil] Voice: [no designation] Languages: French Voice Text: A bien parler que cest damours aucuns [= f. 45v]
24	Missa Mijn herte altijt heeft verlanghen: Kyrie	[Gascongne]	Gascongne, Mathieu (?Johannes) (fl. 1517-1518)
Missa Mijn herte altijt heeft verlanghen: Kyrie Gascongne, Mathieu (?Johannes) (fl. 1517-1518) Appears on: 24 Genres: Kyrie eleison, Mass Ordinary Source Attribution: [Gascongne] Voice: [no designation] Languages: Latin Voice Text: [Missa] Mijn herte altijt heeft verlanghen]
24v–25	Missa Mijn herte altijt heeft verlanghen: Gloria	-	Gascongne, Mathieu (?Johannes) (fl. 1517-1518)
Missa Mijn herte altijt heeft verlanghen: Gloria Gascongne, Mathieu (?Johannes) (fl. 1517-1518) Appears on: 24v–25 Genres: Gloria (et in terra pax), Mass Ordinary
25v–26v	Missa Mijn herte altijt heeft verlanghen: Credo	-	Gascongne, Mathieu (?Johannes) (fl. 1517-1518)
Missa Mijn herte altijt heeft verlanghen: Credo Gascongne, Mathieu (?Johannes) (fl. 1517-1518) Appears on: 25v–26v Genres: Credo (patrem omnipotentem), Mass Ordinary
27–27v	Missa Mijn herte altijt heeft verlanghen: Sanctus	-	Gascongne, Mathieu (?Johannes) (fl. 1517-1518)
Missa Mijn herte altijt heeft verlanghen: Sanctus Gascongne, Mathieu (?Johannes) (fl. 1517-1518) Appears on: 27–27v Genres: Mass Ordinary, Sanctus [& Benedictus]
27v	Missa Mijn herte altijt heeft verlanghen: Agnus Dei	-	Gascongne, Mathieu (?Johannes) (fl. 1517-1518)
Missa Mijn herte altijt heeft verlanghen: Agnus Dei Gascongne, Mathieu (?Johannes) (fl. 1517-1518) Appears on: 27v Genres: Agnus Dei, Mass Ordinary
28	Quem dicunt homines - 1a pars (of 2): Quem dicunt homines	[Richafort]	Richafort, Jean (ca. 1480–ca. 1550)
Quem dicunt homines - 1a pars (of 2): Quem dicunt homines Richafort, Jean (ca. 1480–ca. 1550) Appears on: 28 Genres: Motet Source Attribution: [Richafort] Voice: [no designation] Languages: Latin Voice Text: Quem dicunt homines esse filium hominis II: Petre diligis me qui respondens
28v	Quem dicunt homines - 2a pars (of 2): Petre diligis me qui respondit	-	Richafort, Jean (ca. 1480–ca. 1550)
Quem dicunt homines - 2a pars (of 2): Petre diligis me qui respondit Richafort, Jean (ca. 1480–ca. 1550) Appears on: 28v Genres: Motet
29	Missa Quem dicunt homines: Kyrie	Pierkin de Raedt/[Lupus]raedt	Hellinck, Lupus (ca. 1494–1541) (?) Raedt, Pierquin de (fl. c1516) (?)
Missa Quem dicunt homines: Kyrie Hellinck, Lupus (ca. 1494–1541) (?) Raedt, Pierquin de (fl. c1516) (?) Appears on: 29 Genres: Kyrie eleison, Mass Ordinary Source Attribution: Pierkin de Raedt/[Lupus]raedt Voice: [no designation] Languages: Latin Voice Text: Missa Quem dicunt homines
29v–30	Missa Quem dicunt homines: Gloria	-	Hellinck, Lupus (ca. 1494–1541) (?) Raedt, Pierquin de (fl. c1516) (?)
Missa Quem dicunt homines: Gloria Hellinck, Lupus (ca. 1494–1541) (?) Raedt, Pierquin de (fl. c1516) (?) Appears on: 29v–30 Genres: Gloria (et in terra pax), Mass Ordinary
30v–31	Missa Quem dicunt homines: Credo	-	Raedt, Pierquin de (fl. c1516) (?) Hellinck, Lupus (ca. 1494–1541) (?)
Missa Quem dicunt homines: Credo Raedt, Pierquin de (fl. c1516) (?) Hellinck, Lupus (ca. 1494–1541) (?) Appears on: 30v–31 Genres: Credo (patrem omnipotentem), Mass Ordinary Layout for opening 2 sections the Ct part is copied here not the Superius
31v–32	Missa Quem dicunt homines: Sanctus	-	Hellinck, Lupus (ca. 1494–1541) (?) Raedt, Pierquin de (fl. c1516) (?)
Missa Quem dicunt homines: Sanctus Hellinck, Lupus (ca. 1494–1541) (?) Raedt, Pierquin de (fl. c1516) (?) Appears on: 31v–32 Genres: Mass Ordinary, Sanctus [& Benedictus]
32–32v	Missa Quem dicunt homines: Agnus Dei	-	Raedt, Pierquin de (fl. c1516) (?) Hellinck, Lupus (ca. 1494–1541) (?)
Missa Quem dicunt homines: Agnus Dei Raedt, Pierquin de (fl. c1516) (?) Hellinck, Lupus (ca. 1494–1541) (?) Appears on: 32–32v Genres: Agnus Dei, Mass Ordinary
32v–33	Quesse d'amours bien le vouldroye scavoir	Anon.	Anonymous
Quesse d'amours bien le vouldroye scavoir Anonymous Appears on: 32v–33 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Quesse damours bien le vouldroye scavoir Layout in 4 parts: 3 are in the Discantus book (S, T, B) while the 'Contra Tenor' (Altus) part is in the Tenor book
33v	Quam pulchra es - 1a pars (of 2): Quam pulchra es amica mea columba mea	Anon.	Anonymous
Quam pulchra es - 1a pars (of 2): Quam pulchra es amica mea columba mea Anonymous Appears on: 33v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Quam pulchra es amica mea columba mea II: Labia [tua] distilantia guttur tuum
33v	Quam pulchra es - 2a pars (of 2): Labia tua distilantia guttur tuum	-	Anonymous
Quam pulchra es - 2a pars (of 2): Labia tua distilantia guttur tuum Anonymous Appears on: 33v Genres: Motet
34	Grace et vertu bonté beaulté noblesse	Hesdin/[Roquellay]	Roquellay (?) Hesdin, Nicolle des Celliers de (–1538) (?)
Grace et vertu bonté beaulté noblesse Roquellay (?) Hesdin, Nicolle des Celliers de (–1538) (?) Appears on: 34 Genres: Chanson Source Attribution: Hesdin/[Roquellay] Voice: [no designation] Languages: French Voice Text: Grace vertu bonte beaulte noblesse
34	Maulgre moi viz et en vivant je meurs	[Sermisy]	Sermisy, Claudin de (ca. 1490–1562)
Maulgre moi viz et en vivant je meurs Sermisy, Claudin de (ca. 1490–1562) Appears on: 34 Genres: Chanson Source Attribution: [Sermisy] Voice: [no designation] Languages: French Voice Text: Maugre moy vys et en vivant je meurs
34v	Ignosce Domine - 1a pars (of 2): Ignosce Domine que rogare compellor	Anon.	Anonymous
Ignosce Domine - 1a pars (of 2): Ignosce Domine que rogare compellor Anonymous Appears on: 34v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Ignosce domine que rogare compellor II: Ignosce misterii tui secreta
35	Ignosce Domine - 2a pars (of 2): Ignosce misterii tui secreta	-	Anonymous
Ignosce Domine - 2a pars (of 2): Ignosce misterii tui secreta Anonymous Appears on: 35 Genres: Motet
35v	Philomena praevia - 1a pars (of 2): Philomena praevia temporis ameni que decessum	Richafort	Richafort, Jean (ca. 1480–ca. 1550)
Philomena praevia - 1a pars (of 2): Philomena praevia temporis ameni que decessum Richafort, Jean (ca. 1480–ca. 1550) Appears on: 35v Genres: Motet Source Attribution: Richafort Voice: [no designation] Languages: Latin Voice Text: Philomena prima temporis ameni que decessum II: Veni dulcis amica mea noctis solatia
35v	Philomena praevia - 2a pars (of 2): Veni dulcis amica mea noctis solatia	-	Richafort, Jean (ca. 1480–ca. 1550)
Philomena praevia - 2a pars (of 2): Veni dulcis amica mea noctis solatia Richafort, Jean (ca. 1480–ca. 1550) Appears on: 35v Genres: Motet
36	Domine Deus Sabaoth omnium dignatum	Anon.	Anonymous
Domine Deus Sabaoth omnium dignatum Anonymous Appears on: 36 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Domine deus Sabaoth omnium dignatum
36v	Quam pulchra es - 1a pars (of 2): Quam pulchra es et quam decora	Mouton/[Lupi]	Mouton, Jean (ca. 1459–1522) Lupi, Johannes (ca. 1506–1539) (?)
Quam pulchra es - 1a pars (of 2): Quam pulchra es et quam decora Mouton, Jean (ca. 1459–1522) Lupi, Johannes (ca. 1506–1539) (?) Appears on: 36v Genres: Motet Source Attribution: Mouton/[Lupi] Voice: [no designation] Languages: Latin Voice Text: Quam pulchra es et quam decora carissima II: Veni dilecte mi egrediamur in agris
37	Quam pulchra es - 2a pars (of 2): Veni dilecte mi egrediamur in agrum	-	Lupi, Johannes (ca. 1506–1539) (?) Mouton, Jean (ca. 1459–1522)
Quam pulchra es - 2a pars (of 2): Veni dilecte mi egrediamur in agrum Lupi, Johannes (ca. 1506–1539) (?) Mouton, Jean (ca. 1459–1522) Appears on: 37 Genres: Motet
37v	Si oblitus fuero - 1a pars (of 2): Si oblitus fuero tui Jerusalem alleluia	[Ninot le Petit/ Obrecht]	Obrecht, Jacobus (ca. 1457–1505) (?) Petit, Nino le (fl. c1500) (?)
Si oblitus fuero - 1a pars (of 2): Si oblitus fuero tui Jerusalem alleluia Obrecht, Jacobus (ca. 1457–1505) (?) Petit, Nino le (fl. c1500) (?) Appears on: 37v Genres: Motet Source Attribution: [Ninot le Petit/ Obrecht] Voice: [no designation] Languages: Latin Voice Text: [Si] oblitus fuero tui Jherusalem alleluya II: Decantabat populus Jherusalem
38	Si oblitus fuero - 2a pars (of 2): Decantabat populus laudes	-	Petit, Nino le (fl. c1500) (?) Obrecht, Jacobus (ca. 1457–1505) (?)
Si oblitus fuero - 2a pars (of 2): Decantabat populus laudes Petit, Nino le (fl. c1500) (?) Obrecht, Jacobus (ca. 1457–1505) (?) Appears on: 38 Genres: Motet
38v	Domini est terra 16.12 - 1a pars (of 2): Domini est terra et plenitudo eius	Jeronimus Vinders/ [Appenzeller/Josquin]	Vinders, Jheronimus (fl. c1525-1526) Appenzeller, Benedictus (ca. 1480–ca. 1558) (?) Despres, Josquin (ca. 1450–1521) (?)
Domini est terra 16.12 - 1a pars (of 2): Domini est terra et plenitudo eius Vinders, Jheronimus (fl. c1525-1526) Appenzeller, Benedictus (ca. 1480–ca. 1558) (?) Despres, Josquin (ca. 1450–1521) (?) Appears on: 38v Genres: Motet Source Attribution: Jeronimus Vinders/ [Appenzeller/Josquin] Voice: [no designation] Languages: Latin Voice Text: Domini est terra et plenitudo eius 16.12 II: Haec est generatio querentium
39	Domini est terra 16.12 - 2a pars (of 2): Haec est generatio querentium	-	Despres, Josquin (ca. 1450–1521) (?) Appenzeller, Benedictus (ca. 1480–ca. 1558) (?) Vinders, Jheronimus (fl. c1525-1526)
Domini est terra 16.12 - 2a pars (of 2): Haec est generatio querentium Despres, Josquin (ca. 1450–1521) (?) Appenzeller, Benedictus (ca. 1480–ca. 1558) (?) Vinders, Jheronimus (fl. c1525-1526) Appears on: 39 Genres: Motet
39v	O bone Jesu - 1a pars (of 2): O bone Jesu duo in me cognosco naturam	Anon.	Anonymous
O bone Jesu - 1a pars (of 2): O bone Jesu duo in me cognosco naturam Anonymous Appears on: 39v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: O bone Jhesu duo in me cognosco naturam II: Memento quia sum spiritus vadens
39v	O bone Jesu - 2a pars (of 2): Memento quia sum spiritus vadens	-	Anonymous
O bone Jesu - 2a pars (of 2): Memento quia sum spiritus vadens Anonymous Appears on: 39v Genres: Motet
40	En espoir davoir mieulx il fault avoir	Gombert	Gombert, Nicolas (ca. 1495–ca. 1560)
En espoir davoir mieulx il fault avoir Gombert, Nicolas (ca. 1495–ca. 1560) Appears on: 40 Genres: Chanson Source Attribution: Gombert Voice: [no designation] Languages: French Voice Text: En espoir davoir mieulx il fault avoir
40	De nous deux coeurs soit seulle voulenté	[Guyon]	Guyon, Jean (ca. 1514–ca. 1574)
De nous deux coeurs soit seulle voulenté Guyon, Jean (ca. 1514–ca. 1574) Appears on: 40 Genres: Chanson Source Attribution: [Guyon] Voice: [no designation] Languages: French Voice Text: De nous deux cueurs [soit seulle voulenté]
40v	Salve quadruplicem - 1a pars (of 2): Salve quadruplicem gestans Godelena	Anon.	Anonymous
Salve quadruplicem - 1a pars (of 2): Salve quadruplicem gestans Godelena Anonymous Appears on: 40v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Salve quadruplicem gestans Godelena II: Sicque maneus niveo rege Christo
41	Salve quadruplicem - 2a pars (of 2): Sicque maneus niveo rege Christo	-	Anonymous
Salve quadruplicem - 2a pars (of 2): Sicque maneus niveo rege Christo Anonymous Appears on: 41 Genres: Motet
41v	Candida Phebeus - 1a pars (of 2): Candida Phebeus moneas auxelia plectrum	Anon.	Anonymous
Candida Phebeus - 1a pars (of 2): Candida Phebeus moneas auxelia plectrum Anonymous Appears on: 41v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Candida Phebeus moneas auxelia plectrum II: Et chorus arguto concorditer assonat
42	Candida Phebeus - 2a pars (of 2): Et chorus arguto concorditer assonat	-	Anonymous
Candida Phebeus - 2a pars (of 2): Et chorus arguto concorditer assonat Anonymous Appears on: 42 Genres: Motet
42	Si je me plains et meine grand tristesse	Gombert	Gombert, Nicolas (ca. 1495–ca. 1560)
Si je me plains et meine grand tristesse Gombert, Nicolas (ca. 1495–ca. 1560) Appears on: 42 Genres: Chanson Source Attribution: Gombert Voice: [no designation] Languages: French Voice Text: Si je me plains et meine grand tristesse
42v	De moi narez aucun alligement une pensee	Benedictus [Appenzeller]	Appenzeller, Benedictus (ca. 1480–ca. 1558)
De moi narez aucun alligement une pensee Appenzeller, Benedictus (ca. 1480–ca. 1558) Appears on: 42v Genres: Chanson Source Attribution: Benedictus [Appenzeller] Voice: [no designation] Languages: French Voice Text: De moy narez aucun alligement une pensee
42v	Languer d'amours mest survenie par trop	Gheerkin [de Hondt]	Hondt, Gheerkin de (fl. 1539–1547)
Languer d'amours mest survenie par trop Hondt, Gheerkin de (fl. 1539–1547) Appears on: 42v Genres: Chanson Source Attribution: Gheerkin [de Hondt] Voice: [no designation] Languages: French Voice Text: Languer damours mest survenie par trop
43	Contre raison vous m'êtes fort étrange	Anon.	Anonymous
Contre raison vous m'êtes fort étrange Anonymous Appears on: 43 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Contre rayson vous me estes fort estrange
43	En souspirant les griefz souspirs d'amours	Anon.	Anonymous
En souspirant les griefz souspirs d'amours Anonymous Appears on: 43 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: En souspirant [les griefz souspirs]
43v	Sur tous regrets les miens plus piteulz	Richafort	Richafort, Jean (ca. 1480–ca. 1550)
Sur tous regrets les miens plus piteulz Richafort, Jean (ca. 1480–ca. 1550) Appears on: 43v Genres: Chanson Source Attribution: Richafort Voice: [no designation] Languages: French Voice Text: Sur tous regretz le mien plus piteulx
43v	C'est une dure despartie de celui	Lupi	Lupi, Johannes (ca. 1506–1539)
C'est une dure despartie de celui Lupi, Johannes (ca. 1506–1539) Appears on: 43v Genres: Chanson Source Attribution: Lupi Voice: [no designation] Languages: French Voice Text: Cest une dure despartye de celuy
44	En esperant de pervenir a la myenne fantazie	Cabilliau	Cabillau
En esperant de pervenir a la myenne fantazie Cabillau Appears on: 44 Genres: Chanson Source Attribution: Cabilliau Voice: [no designation] Languages: French Voice Text: En esperant de pervenir a la myenne fantazie
44	Veullant aymer on me peult parvenir	Anon.	Anonymous
Veullant aymer on me peult parvenir Anonymous Appears on: 44 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Veullant aymer on me peult parvenir
44v	Viens tost despiteulx desconfort	Claudin [de Sermisy]/ [Jacotin]	Sermisy, Claudin de (ca. 1490–1562)
Viens tost despiteulx desconfort Sermisy, Claudin de (ca. 1490–1562) Appears on: 44v Genres: Chanson Source Attribution: Claudin [de Sermisy]/ [Jacotin] Voice: [no designation] Languages: French Voice Text: Viens tost despiteulx desconfort
44v	Mijn herz altijt heeft verlanghen	[La Rue/Obrecht]	Obrecht, Jacobus (ca. 1457–1505) (?) Rue, Pierre de la (ca. 1452–1518) (?)
Mijn herz altijt heeft verlanghen Obrecht, Jacobus (ca. 1457–1505) (?) Rue, Pierre de la (ca. 1452–1518) (?) Appears on: 44v Genres: Italian secular Source Attribution: [La Rue/Obrecht] Voice: [no designation] Languages: Flemish Voice Text: Myn hert heeft altijs verlanghen
45	Sancte Barbe mon con mon compere	[Janequin/Maillard/ Passereau]	Passereau, Pierre (fl. c1509–1547) (?) Janequin, Clement (ca. 1485–ca. 1558) (?) Maillard, Jean (fl. c1538–1570) (?)
Sancte Barbe mon con mon compere Passereau, Pierre (fl. c1509–1547) (?) Janequin, Clement (ca. 1485–ca. 1558) (?) Maillard, Jean (fl. c1538–1570) (?) Appears on: 45 Genres: Motet Source Attribution: [Janequin/Maillard/ Passereau] Voice: [no designation] Languages: Latin Voice Text: Sancte Barbe mon con mon compere
45	Vous scavez bien madame souveraine	[Rore]	Rore, Cipriano de (ca. 1515–1565)
Vous scavez bien madame souveraine Rore, Cipriano de (ca. 1515–1565) Appears on: 45 Genres: Chanson Source Attribution: [Rore] Voice: [no designation] Languages: French Voice Text: Vous scavez bien madame souveraine
45v	Vous marchez du bout du pied marionnette	Anon.	Anonymous
Vous marchez du bout du pied marionnette Anonymous Appears on: 45v Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Vous marci du bout du piet marionette
45v	A bien parler que c'est d'amours aucuns	[Conseil]	Conseil, Jean (ca. 1498–1534)
A bien parler que c'est d'amours aucuns Conseil, Jean (ca. 1498–1534) Appears on: 45v Genres: Chanson Source Attribution: [Conseil] Voice: [no designation] Languages: French Voice Text: A bien parler que cest damours aucuns
46	Si je n'estois malheureux de nature	Benedictus [Appenzeller]	Appenzeller, Benedictus (ca. 1480–ca. 1558)
Si je n'estois malheureux de nature Appenzeller, Benedictus (ca. 1480–ca. 1558) Appears on: 46 Genres: Chanson Source Attribution: Benedictus [Appenzeller] Voice: [no designation] Languages: French Voice Text: Si ie nestois malheureulx de nature
46	Petite fleur coynte jolye las dictes moi	Benedictus [Appenzeller]	Appenzeller, Benedictus (ca. 1480–ca. 1558)
Petite fleur coynte jolye las dictes moi Appenzeller, Benedictus (ca. 1480–ca. 1558) Appears on: 46 Genres: Chanson Source Attribution: Benedictus [Appenzeller] Voice: [no designation] Languages: French Voice Text: Petite fleur coynte jolye las dictes moy
46v	De tous biens plaine est ma maîtresse	DvOude Schuere	D'Oude Schere
De tous biens plaine est ma maîtresse D'Oude Schere Appears on: 46v Genres: Chanson Source Attribution: DvOude Schuere Voice: [no designation] Languages: French Voice Text: De tous biens plaine [est ma maistresse]
46v	Mon petit coeur n'est point a moi	Gheerkin [de Hondt]	Hondt, Gheerkin de (fl. 1539–1547)
Mon petit coeur n'est point a moi Hondt, Gheerkin de (fl. 1539–1547) Appears on: 46v Genres: Chanson Source Attribution: Gheerkin [de Hondt] Voice: [no designation] Languages: French Voice Text: Mon petit cueur nest poinct a moy
47	Felix Anna - 1a pars (of 2): Felix Anna quaedam matrona legitima	Anon.	Anonymous
Felix Anna - 1a pars (of 2): Felix Anna quaedam matrona legitima Anonymous Appears on: 47 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Felix Anna quaedam matrona legittima II: Sancta Anna ora pro nobis
47	Felix Anna - 2a pars (of 2): Sancta Anna ora pro nobis	-	Anonymous
Felix Anna - 2a pars (of 2): Sancta Anna ora pro nobis Anonymous Appears on: 47 Genres: Motet
47v	Vox dicentis clama - 1a pars (of 2): Vox dicentis clama quid clamabo omnis	Gheerkin [de Hondt]	Hondt, Gheerkin de (fl. 1539–1547)
Vox dicentis clama - 1a pars (of 2): Vox dicentis clama quid clamabo omnis Hondt, Gheerkin de (fl. 1539–1547) Appears on: 47v Genres: Motet Source Attribution: Gheerkin [de Hondt] Voice: [no designation] Languages: Latin Voice Text: Vox dicentis clama quid clamabo omnis II: Exsiccatum est fenum et cecidit
47v	Vox dicentis clama - 2a pars (of 2): Exsiccatum est fenum et cecidit	-	Hondt, Gheerkin de (fl. 1539–1547)
Vox dicentis clama - 2a pars (of 2): Exsiccatum est fenum et cecidit Hondt, Gheerkin de (fl. 1539–1547) Appears on: 47v Genres: Motet
48	Benedictus Dominus Deus Israel - 1a pars (of 2): Benedictus Dominus Deus Israel	Lupi/[Conseil]	Conseil, Jean (ca. 1498–1534) (?) Lupi, Johannes (ca. 1506–1539)
Benedictus Dominus Deus Israel - 1a pars (of 2): Benedictus Dominus Deus Israel Conseil, Jean (ca. 1498–1534) (?) Lupi, Johannes (ca. 1506–1539) Appears on: 48 Genres: Motet Source Attribution: Lupi/[Conseil] Voice: [no designation] Languages: Latin Voice Text: Benedictus dominus deus Israel trinus II: Honor et virtus et potestas sit
48	Benedictus Dominus Deus Israel - 2a pars (of 2): Honor virtus et potestas	-	Lupi, Johannes (ca. 1506–1539) Conseil, Jean (ca. 1498–1534) (?)
Benedictus Dominus Deus Israel - 2a pars (of 2): Honor virtus et potestas Lupi, Johannes (ca. 1506–1539) Conseil, Jean (ca. 1498–1534) (?) Appears on: 48 Genres: Motet
48v–49	Missa Benedictus Dominus Deus Israel: Kyrie	Gheerkin de Hondt	Hondt, Gheerkin de (fl. 1539–1547)
Missa Benedictus Dominus Deus Israel: Kyrie Hondt, Gheerkin de (fl. 1539–1547) Appears on: 48v–49 Genres: Kyrie eleison, Mass Ordinary Source Attribution: Gheerkin de Hondt Voice: [no designation] Languages: Latin Voice Text: Missa Benedictus dominus deus Israel
49v–50	Missa Benedictus Dominus Deus Israel: Gloria	-	Hondt, Gheerkin de (fl. 1539–1547)
Missa Benedictus Dominus Deus Israel: Gloria Hondt, Gheerkin de (fl. 1539–1547) Appears on: 49v–50 Genres: Gloria (et in terra pax), Mass Ordinary
50v–51v	Missa Benedictus Dominus Deus Israel: Credo	-	Hondt, Gheerkin de (fl. 1539–1547)
Missa Benedictus Dominus Deus Israel: Credo Hondt, Gheerkin de (fl. 1539–1547) Appears on: 50v–51v Genres: Credo (patrem omnipotentem), Mass Ordinary
52–52v	Missa Benedictus Dominus Deus Israel: Sanctus	-	Hondt, Gheerkin de (fl. 1539–1547)
Missa Benedictus Dominus Deus Israel: Sanctus Hondt, Gheerkin de (fl. 1539–1547) Appears on: 52–52v Genres: Mass Ordinary, Sanctus [& Benedictus]
52v	Missa Benedictus Dominus Deus Israel: Agnus Dei	-	Hondt, Gheerkin de (fl. 1539–1547)
Missa Benedictus Dominus Deus Israel: Agnus Dei Hondt, Gheerkin de (fl. 1539–1547) Appears on: 52v Genres: Agnus Dei, Mass Ordinary
53v	Pour se garder de soif avoir fault	Anon.	Anonymous
Pour se garder de soif avoir fault Anonymous Appears on: 53v Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Pour se garder de soif avoir fault
54	Quam pulchra es - 1a pars (of 2): Quam pulchra es et quam decora carissima	Ducrocq	Ducrocq
Quam pulchra es - 1a pars (of 2): Quam pulchra es et quam decora carissima Ducrocq Appears on: 54 Genres: Motet Source Attribution: Ducrocq Voice: [no designation] Languages: Latin Voice Text: Quam pulchra es et quam decora carissima II: Veni dilecte mi egrediamur in agris
54	Quam pulchra es - 2a pars (of 2): Veni dilecte mi egrediamur in agris	-	Ducrocq
Quam pulchra es - 2a pars (of 2): Veni dilecte mi egrediamur in agris Ducrocq Appears on: 54 Genres: Motet
54v	Puer natus est - 1a pars (of 2): Puer natus est nobis et filius datus est	Anon.	Anonymous
Puer natus est - 1a pars (of 2): Puer natus est nobis et filius datus est Anonymous Appears on: 54v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Puer natus est nobis et filius datus est II: Cantate domino canticum novum
55	Puer natus est - 2a pars (of 2): Cantate Domino canticum novum	-	Anonymous
Puer natus est - 2a pars (of 2): Cantate Domino canticum novum Anonymous Appears on: 55 Genres: Motet
55v	Domine quis habitabit - 1a pars (of 2): Domine quis habitabit in tabernaculo tuo	Jacobus de Reux	Reux, Jacobus de
Domine quis habitabit - 1a pars (of 2): Domine quis habitabit in tabernaculo tuo Reux, Jacobus de Appears on: 55v Genres: Motet Source Attribution: Jacobus de Reux Voice: [no designation] Languages: Latin Voice Text: Domine quis habitabit in tabernaculo tuo II: Ad nichilum deductus est in conspectu
56	Domine quis habitabit - 2a pars (of 2): Ad nihilum deductus est in conspectu	-	Reux, Jacobus de
Domine quis habitabit - 2a pars (of 2): Ad nihilum deductus est in conspectu Reux, Jacobus de Appears on: 56 Genres: Motet
56v	Panis quem ego dabo - 1a pars (of 2): Panis quem ego dabo	Lupus noster Hellinc	Hellinck, Lupus (ca. 1494–1541)
Panis quem ego dabo - 1a pars (of 2): Panis quem ego dabo Hellinck, Lupus (ca. 1494–1541) Appears on: 56v Genres: Motet Source Attribution: Lupus noster Hellinc Voice: [no designation] Languages: Latin Voice Text: Panis quem ego dabo caro mea est II: Locutus est populus ad dominum
57	Panis quem ego dabo - 2a pars (of 2): Locutus est populus ad Dominum	-	Hellinck, Lupus (ca. 1494–1541)
Panis quem ego dabo - 2a pars (of 2): Locutus est populus ad Dominum Hellinck, Lupus (ca. 1494–1541) Appears on: 57 Genres: Motet
57	Vivons en paix tous leaulx amoureux	Anon.	Anonymous
Vivons en paix tous leaulx amoureux Anonymous Appears on: 57 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Vivons en paix tous leaulx amoureux
57v–58	Missa Panis quem ego dabo: Kyrie	Gheerkin [de Hondt]	Hondt, Gheerkin de (fl. 1539–1547)
Missa Panis quem ego dabo: Kyrie Hondt, Gheerkin de (fl. 1539–1547) Appears on: 57v–58 Genres: Kyrie eleison, Mass Ordinary Source Attribution: Gheerkin [de Hondt] Voice: [no designation] Languages: Latin Voice Text: Missa Panis quem ego dabo
58v–59	Missa Panis quem ego dabo: Gloria	-	Hondt, Gheerkin de (fl. 1539–1547)
Missa Panis quem ego dabo: Gloria Hondt, Gheerkin de (fl. 1539–1547) Appears on: 58v–59 Genres: Gloria (et in terra pax), Mass Ordinary
59v–61	Missa Panis quem ego dabo: Credo	-	Hondt, Gheerkin de (fl. 1539–1547)
Missa Panis quem ego dabo: Credo Hondt, Gheerkin de (fl. 1539–1547) Appears on: 59v–61 Genres: Credo (patrem omnipotentem), Mass Ordinary
61–61v	Missa Panis quem ego dabo: Sanctus	-	Hondt, Gheerkin de (fl. 1539–1547)
Missa Panis quem ego dabo: Sanctus Hondt, Gheerkin de (fl. 1539–1547) Appears on: 61–61v Genres: Mass Ordinary, Sanctus [& Benedictus]
62–62v	Missa Panis quem ego dabo: Agnus Dei	-	Hondt, Gheerkin de (fl. 1539–1547)
Missa Panis quem ego dabo: Agnus Dei Hondt, Gheerkin de (fl. 1539–1547) Appears on: 62–62v Genres: Agnus Dei, Mass Ordinary
63	Je me repens de vous avoir aimée	Gheerkin [de Hondt]	Hondt, Gheerkin de (fl. 1539–1547)
Je me repens de vous avoir aimée Hondt, Gheerkin de (fl. 1539–1547) Appears on: 63 Genres: Chanson Source Attribution: Gheerkin [de Hondt] Voice: [no designation] Languages: French Voice Text: Ie me reprens de vous avoir aymer
63v	Descendit angelus - 1a pars (of 2): Descendit angelus Domini ad Zachariam	Johannes de Hollande	Hollande, Johannes de (fl. c1538-1553)
Descendit angelus - 1a pars (of 2): Descendit angelus Domini ad Zachariam Hollande, Johannes de (fl. c1538-1553) Appears on: 63v Genres: Motet Source Attribution: Johannes de Hollande Voice: [no designation] Languages: Latin Voice Text: Descendit angelus domini ad Zachariam II: Ne timeas Zacharia exaudita est
64	Descendit angelus - 2a pars (of 2): Ne timeas Zacharia exaudita est	-	Hollande, Johannes de (fl. c1538-1553)
Descendit angelus - 2a pars (of 2): Ne timeas Zacharia exaudita est Hollande, Johannes de (fl. c1538-1553) Appears on: 64 Genres: Motet
64v	Emendemus in melius - 1a pars (of 2): Emendemus in melius quae ignoranter	[Richafort]	Richafort, Jean (ca. 1480–ca. 1550)
Emendemus in melius - 1a pars (of 2): Emendemus in melius quae ignoranter Richafort, Jean (ca. 1480–ca. 1550) Appears on: 64v Genres: Motet Source Attribution: [Richafort] Voice: [no designation] Languages: Latin Voice Text: Emendemus in melius quae ignorantur II: Peccavimus cum patribus nostris
65	Emendemus in melius - 2a pars (of 2): Peccavimus cum patribus nostris	-	Richafort, Jean (ca. 1480–ca. 1550)
Emendemus in melius - 2a pars (of 2): Peccavimus cum patribus nostris Richafort, Jean (ca. 1480–ca. 1550) Appears on: 65 Genres: Motet
65	Las pourquoi m'este vous si duere	Anon.	Anonymous
Las pourquoi m'este vous si duere Anonymous Appears on: 65 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Las pourquoy meste vous si duere
65v–66	Missa Christus resurgens: Kyrie	Willaert	Willaert, Adrian (ca. 1490–1562)
Missa Christus resurgens: Kyrie Willaert, Adrian (ca. 1490–1562) Appears on: 65v–66 Genres: Kyrie eleison, Mass Ordinary Source Attribution: Willaert Voice: [no designation] Languages: Latin, Greek Voice Text: Missa Christus resurgens [KGCS]
66v–67	Missa Christus resurgens: Gloria	-	Willaert, Adrian (ca. 1490–1562)
Missa Christus resurgens: Gloria Willaert, Adrian (ca. 1490–1562) Appears on: 66v–67 Genres: Gloria (et in terra pax), Mass Ordinary
67v–68	Missa Christus resurgens: Credo	-	Willaert, Adrian (ca. 1490–1562)
Missa Christus resurgens: Credo Willaert, Adrian (ca. 1490–1562) Appears on: 67v–68 Genres: Credo (patrem omnipotentem), Mass Ordinary
68v–69	Missa Christus resurgens: Sanctus	-	Willaert, Adrian (ca. 1490–1562)
Missa Christus resurgens: Sanctus Willaert, Adrian (ca. 1490–1562) Appears on: 68v–69 Genres: Mass Ordinary, Sanctus [& Benedictus]
69v	La buissonette	Anon.	Anonymous
La buissonette Anonymous Appears on: 69v Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: La buissonette [D only] General Note appears in this book only. 4 sections are indicated, but these cannot be sung simultaneously; therefore apparently a monophonic piece (uniquely in these books)
70	D'un parfond coeur j'ai crié a toi	Gheerkin [de Hondt]	Hondt, Gheerkin de (fl. 1539–1547)
D'un parfond coeur j'ai crié a toi Hondt, Gheerkin de (fl. 1539–1547) Appears on: 70 Genres: Chanson Source Attribution: Gheerkin [de Hondt] Voice: [no designation] Languages: French Voice Text: Dung parfond cueur jay cryes a toy
70v–71	Da pacem Domine in diebus nostris	Benedictus [Appenzeller]/[Verdelot]	Appenzeller, Benedictus (ca. 1480–ca. 1558) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?)
Da pacem Domine in diebus nostris Appenzeller, Benedictus (ca. 1480–ca. 1558) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?) Appears on: 70v–71 Genres: Motet Source Attribution: Benedictus [Appenzeller]/[Verdelot] Voice: [no designation] Languages: Latin Voice Text: Da pacem domine in diebus nostris
71v	Propter gravamen - 1a pars (of 2): Propter gravamen et tormentum que torquebatur	[Compère]	Compère, Loyset (ca. 1445–1518)
Propter gravamen - 1a pars (of 2): Propter gravamen et tormentum que torquebatur Compère, Loyset (ca. 1445–1518) Appears on: 71v Genres: Motet Source Attribution: [Compère] Voice: [no designation] Languages: Latin Voice Text: Propter gravamen et tormentum que torquebatur II: Et subvenii in hora ultima
72	Propter gravamen - 2a pars (of 2): Et subvenii in hora ultima	-	Compère, Loyset (ca. 1445–1518)
Propter gravamen - 2a pars (of 2): Et subvenii in hora ultima Compère, Loyset (ca. 1445–1518) Appears on: 72 Genres: Motet
72	Las ostes moi les douleurs qui jendure	Anon.	Anonymous
Las ostes moi les douleurs qui jendure Anonymous Appears on: 72 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Las ostes moy les douleurs qui jendure
72v	Vidi Jerusalem - 1a pars (of 2): Vidi Jerusalem descendentem de caelo	Anon.	Anonymous
Vidi Jerusalem - 1a pars (of 2): Vidi Jerusalem descendentem de caelo Anonymous Appears on: 72v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Vidi Jherusalem descendentem de celo II: Ecce tabernaculum dei cum hominibus
73	Vidi Jerusalem - 2a pars (of 2): Ecce tabernaculum Dei cum hominibus	-	Anonymous
Vidi Jerusalem - 2a pars (of 2): Ecce tabernaculum Dei cum hominibus Anonymous Appears on: 73 Genres: Motet
73v–74	Missa Vidi Jerusalem: Kyrie	Gheerkin [de Hondt]	Hondt, Gheerkin de (fl. 1539–1547)
Missa Vidi Jerusalem: Kyrie Hondt, Gheerkin de (fl. 1539–1547) Appears on: 73v–74 Genres: Kyrie eleison, Mass Ordinary Source Attribution: Gheerkin [de Hondt] Voice: [no designation] Languages: Latin, Greek Voice Text: Missa Vidi Jerusalem [KGCS]
74v–75	Missa Vidi Jerusalem: Gloria	-	Hondt, Gheerkin de (fl. 1539–1547)
Missa Vidi Jerusalem: Gloria Hondt, Gheerkin de (fl. 1539–1547) Appears on: 74v–75 Genres: Gloria (et in terra pax), Mass Ordinary
75v–77	Missa Vidi Jerusalem: Credo	-	Hondt, Gheerkin de (fl. 1539–1547)
Missa Vidi Jerusalem: Credo Hondt, Gheerkin de (fl. 1539–1547) Appears on: 75v–77 Genres: Credo (patrem omnipotentem), Mass Ordinary
77–77v	Missa Vidi Jerusalem: Sanctus	-	Hondt, Gheerkin de (fl. 1539–1547)
Missa Vidi Jerusalem: Sanctus Hondt, Gheerkin de (fl. 1539–1547) Appears on: 77–77v Genres: Mass Ordinary, Sanctus [& Benedictus]
78	Je vous requiers ma cherre dame	Anon.	Anonymous
Je vous requiers ma cherre dame Anonymous Appears on: 78 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Je vous requiers ma cherre dame
78	Frere grisart a jure que bon hermite	Anon.	Anonymous
Frere grisart a jure que bon hermite Anonymous Appears on: 78 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Frere grisart a jure que bon hermite
78v	Christum ascendentem - 1a pars (of 2): Christum ascendentem in caelum venite	Anon.	Anonymous
Christum ascendentem - 1a pars (of 2): Christum ascendentem in caelum venite Anonymous Appears on: 78v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Cristum ascendentem in celum venite II: Omnis pulchritudo domini exaltata
79	Christum ascendentem - 2a pars (of 2): Omnis pulchritudo Domini exaltata	-	Anonymous
Christum ascendentem - 2a pars (of 2): Omnis pulchritudo Domini exaltata Anonymous Appears on: 79 Genres: Motet
79v	Dum penderet Petrus - 1a pars (of 2): Dum penderet Petrus in cruce venit turba	Gheerkin Corael	Hondt, Gheerkin de (fl. 1539–1547) (?)
Dum penderet Petrus - 1a pars (of 2): Dum penderet Petrus in cruce venit turba Hondt, Gheerkin de (fl. 1539–1547) (?) Appears on: 79v Genres: Motet Source Attribution: Gheerkin Corael Voice: [no designation] Languages: Latin Voice Text: Dum penderet Petrus in cruce venit turba II: Gratias ago tibi domine pastor
80	Dum penderet Petrus - 2a pars (of 2): Gratias ago tibi domine pastor	-	Hondt, Gheerkin de (fl. 1539–1547) (?)
Dum penderet Petrus - 2a pars (of 2): Gratias ago tibi domine pastor Hondt, Gheerkin de (fl. 1539–1547) (?) Appears on: 80 Genres: Motet
80v	Virgo mater salvatoris - 1a pars (of 2): Virgo mater salvatoris et si verbum	Anon.	Anonymous
Virgo mater salvatoris - 1a pars (of 2): Virgo mater salvatoris et si verbum Anonymous Appears on: 80v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Virgo mater salvatoris et si verbum II: Virgo concepit virgo peperit
81	Virgo mater salvatoris - 2a pars (of 2): Virgo concepit virgo peperit	-	Anonymous
Virgo mater salvatoris - 2a pars (of 2): Virgo concepit virgo peperit Anonymous Appears on: 81 Genres: Motet
81v	Missa Virgo mater salvatoris: Kyrie	Lupus [Hellinck]	Hellinck, Lupus (ca. 1494–1541)
Missa Virgo mater salvatoris: Kyrie Hellinck, Lupus (ca. 1494–1541) Appears on: 81v Genres: Kyrie eleison, Mass Ordinary Source Attribution: Lupus [Hellinck] Voice: [no designation] Languages: Latin Voice Text: Missa Virgo mater salvatoris
82	Missa Virgo mater salvatoris: Gloria	-	Hellinck, Lupus (ca. 1494–1541)
Missa Virgo mater salvatoris: Gloria Hellinck, Lupus (ca. 1494–1541) Appears on: 82 Genres: Mass Ordinary
82v–83v	Missa Virgo mater salvatoris: Credo	-	Hellinck, Lupus (ca. 1494–1541)
Missa Virgo mater salvatoris: Credo Hellinck, Lupus (ca. 1494–1541) Appears on: 82v–83v Genres: Credo (patrem omnipotentem), Mass Ordinary
84–84v	Missa Virgo mater salvatoris: Sanctus	-	Hellinck, Lupus (ca. 1494–1541)
Missa Virgo mater salvatoris: Sanctus Hellinck, Lupus (ca. 1494–1541) Appears on: 84–84v Genres: Mass Ordinary, Sanctus [& Benedictus]
84v–85	Missa Virgo mater salvatoris: Agnus Dei	-	Hellinck, Lupus (ca. 1494–1541)
Missa Virgo mater salvatoris: Agnus Dei Hellinck, Lupus (ca. 1494–1541) Appears on: 84v–85 Genres: Agnus Dei, Mass Ordinary
85v	Osculetur me osculo oris sui quia meliora (= Ecce video caelos apertos 19.2)	[Craen/Josquin]	Despres, Josquin (ca. 1450–1521) (?) Craen, Nicolaus (ca. 1440–1502) (?)
Osculetur me osculo oris sui quia meliora (= Ecce video caelos apertos 19.2) Despres, Josquin (ca. 1450–1521) (?) Craen, Nicolaus (ca. 1440–1502) (?) Appears on: 85v Genres: Motet Source Attribution: [Craen/Josquin] Voice: [no designation] Languages: Latin Voice Text: Osculetur me osculo oris sui quia meliora [= Ecce video celos apertos] 19.2 General Note for 3vv (and marked 'a trois'/'cum tribus' in each of the Sup/Ten/Bas books). Not therefore copied in the Altus book
86	Mon petit coeur n'est point a moi	Willaert	Willaert, Adrian (ca. 1490–1562)
Mon petit coeur n'est point a moi Willaert, Adrian (ca. 1490–1562) Appears on: 86 Genres: Canon, Chanson Source Attribution: Willaert Voice: Canon Languages: French Voice Text: Mon petit cueur nest pas a moy General Note 2 versions, different realisations of the canon
86v	Vultum tuum 25.14 - 3a pars (of 7): O intemerata virgo que redemptorem	[Josquin]	Despres, Josquin (ca. 1450–1521)
Vultum tuum 25.14 - 3a pars (of 7): O intemerata virgo que redemptorem Despres, Josquin (ca. 1450–1521) Appears on: 86v Genres: Motet Source Attribution: [Josquin] Voice: [no designation] Languages: Latin Voice Text: O intemerata virgo que redemptorem 25.14 II: O Maria nullam tam gravam possimus [Partes III-IV of Vultum tuum deprecabuntur omnes]
86v	Vultum tuum 25.14 - 4a pars (of 7): O Maria nullam tam gravem possimus	-	Despres, Josquin (ca. 1450–1521)
Vultum tuum 25.14 - 4a pars (of 7): O Maria nullam tam gravem possimus Despres, Josquin (ca. 1450–1521) Appears on: 86v Genres: Motet
87	A vous me rends comme celle du monde	Benedictus [Appenzeller]	Appenzeller, Benedictus (ca. 1480–ca. 1558)
A vous me rends comme celle du monde Appenzeller, Benedictus (ca. 1480–ca. 1558) Appears on: 87 Genres: Chanson Source Attribution: Benedictus [Appenzeller] Voice: [no designation] Languages: French Voice Text: A vous me rend comme celle du monde
87	Tant voeullies vostre amant secourir	Benedictus [Appenzeller]	Appenzeller, Benedictus (ca. 1480–ca. 1558)
Tant voeullies vostre amant secourir Appenzeller, Benedictus (ca. 1480–ca. 1558) Appears on: 87 Genres: Chanson Source Attribution: Benedictus [Appenzeller] Voice: [no designation] Languages: French Voice Text: Tant voeullies vostre amant secourir
87v	Beata progenies - 1a pars (of 2): Beata progenies unde Christus natus es	Anon.	Anonymous
Beata progenies - 1a pars (of 2): Beata progenies unde Christus natus es Anonymous Appears on: 87v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Beata progenies unde Christus natus es II: Tu que nostris precibus mundas
88	Beata progenies - 2a pars (of 2): Tu que nostris precibus mundas	-	Anonymous
Beata progenies - 2a pars (of 2): Tu que nostris precibus mundas Anonymous Appears on: 88 Genres: Motet
88v	Sancta et immaculata (1) - 1a pars (of 2): Sancta et immaculata virginitas	[Gombert/Hesdin]	Hesdin, Nicolle des Celliers de (–1538) (?) Gombert, Nicolas (ca. 1495–ca. 1560) (?)
Sancta et immaculata (1) - 1a pars (of 2): Sancta et immaculata virginitas Hesdin, Nicolle des Celliers de (–1538) (?) Gombert, Nicolas (ca. 1495–ca. 1560) (?) Appears on: 88v Genres: Motet Source Attribution: [Gombert/Hesdin] Voice: [no designation] Languages: Latin Voice Text: Sancta et immaculata virginitas quibus II: Benedicta tu in mulieribus
88v	Sancta et immaculata (1) - 2a pars (of 2): Benedicta tu in mulieribus	-	Hesdin, Nicolle des Celliers de (–1538) (?) Gombert, Nicolas (ca. 1495–ca. 1560) (?)
Sancta et immaculata (1) - 2a pars (of 2): Benedicta tu in mulieribus Hesdin, Nicolle des Celliers de (–1538) (?) Gombert, Nicolas (ca. 1495–ca. 1560) (?) Appears on: 88v Genres: Motet
89	Fuit homo missus a Deo - 1a pars (of 2): Fuit homo missus a Deo	[Gombert]	Gombert, Nicolas (ca. 1495–ca. 1560)
Fuit homo missus a Deo - 1a pars (of 2): Fuit homo missus a Deo Gombert, Nicolas (ca. 1495–ca. 1560) Appears on: 89 Genres: Motet Source Attribution: [Gombert] Voice: [no designation] Languages: Latin Voice Text: Fuit homo missus a deo cui erat nomen II: Hic precursor et dilectus et lucerna
89	Fuit homo missus a Deo - 2a pars (of 2): Hic precursor et dilectus	-	Gombert, Nicolas (ca. 1495–ca. 1560)
Fuit homo missus a Deo - 2a pars (of 2): Hic precursor et dilectus Gombert, Nicolas (ca. 1495–ca. 1560) Appears on: 89 Genres: Motet
89v	Hic est vere propheta - 1a pars (of 2): Hic est vere propheta et plus quam propheta	Anon.	Anonymous
Hic est vere propheta - 1a pars (of 2): Hic est vere propheta et plus quam propheta Anonymous Appears on: 89v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Hic est vere propheta et plus quam propheta II: Elizabeth Zacharie magnum virum
90	Hic est vere propheta - 2a pars (of 2): Elizabeth Zacharie magnum virum	-	Anonymous
Hic est vere propheta - 2a pars (of 2): Elizabeth Zacharie magnum virum Anonymous Appears on: 90 Genres: Motet
90	Si le vouloir adoulcit la douleur	[Sermisy]	Sermisy, Claudin de (ca. 1490–1562)
Si le vouloir adoulcit la douleur Sermisy, Claudin de (ca. 1490–1562) Appears on: 90 Genres: Chanson Source Attribution: [Sermisy] Voice: [no designation] Languages: French Voice Text: Si le vouloir adoulcit la douleur
90v	Jubilate Deo - 1a pars (of 2): Jubilate Deo omnis terra servite Domino	Gheerkin [de Hondt]	Hondt, Gheerkin de (fl. 1539–1547)
Jubilate Deo - 1a pars (of 2): Jubilate Deo omnis terra servite Domino Hondt, Gheerkin de (fl. 1539–1547) Appears on: 90v Genres: Motet Source Attribution: Gheerkin [de Hondt] Voice: [no designation] Languages: Latin Voice Text: Iubilate deo omnis terra servite domino II: Laudate nomen eius quoniam suavis
91	Jubilate Deo - 2a pars (of 2): Laudate nomen eius quoniam suavis	-	Hondt, Gheerkin de (fl. 1539–1547)
Jubilate Deo - 2a pars (of 2): Laudate nomen eius quoniam suavis Hondt, Gheerkin de (fl. 1539–1547) Appears on: 91 Genres: Motet
91v	Pereat dies - 1a pars (of 2): Pereat dies in qua natus sum et vox	Anon.	Anonymous
Pereat dies - 1a pars (of 2): Pereat dies in qua natus sum et vox Anonymous Appears on: 91v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Pereat dies in qua natus sum et vox II: Obscurent eam tenebre et umbra
92	Pereat dies - 2a pars (of 2): Obscurent eam tenebre et umbra	-	Anonymous
Pereat dies - 2a pars (of 2): Obscurent eam tenebre et umbra Anonymous Appears on: 92 Genres: Motet
92v	Homo quidam - 1a pars (of 2): Homo quidam fecit caenam magnam et misit	Anon.	Anonymous
Homo quidam - 1a pars (of 2): Homo quidam fecit caenam magnam et misit Anonymous Appears on: 92v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Homo quidam fecit cenam magnam et misit II: Ite ergo ad exitus viarum
93	Homo quidam - 2a pars (of 2): Ite ergo ad exitus viarum	-	Anonymous
Homo quidam - 2a pars (of 2): Ite ergo ad exitus viarum Anonymous Appears on: 93 Genres: Motet
93v	Pater peccavi - 1a pars (of 2): Pater peccavi in caelum et coram te	[Conseil]	Conseil, Jean (ca. 1498–1534)
Pater peccavi - 1a pars (of 2): Pater peccavi in caelum et coram te Conseil, Jean (ca. 1498–1534) Appears on: 93v Genres: Motet Source Attribution: [Conseil] Voice: [no designation] Languages: Latin Voice Text: Pater peccavi in celum et coram te II: Quanti mercenarii in domo patris
93v	Pater peccavi - 2a pars (of 2): Quanti mercenarii in domo patris	-	Conseil, Jean (ca. 1498–1534)
Pater peccavi - 2a pars (of 2): Quanti mercenarii in domo patris Conseil, Jean (ca. 1498–1534) Appears on: 93v Genres: Motet
94	Tua est potentia tuum regnum Dominus 26.17	[Josquin/Mouton]	Despres, Josquin (ca. 1450–1521) (?) Mouton, Jean (ca. 1459–1522)
Tua est potentia tuum regnum Dominus 26.17 Despres, Josquin (ca. 1450–1521) (?) Mouton, Jean (ca. 1459–1522) Appears on: 94 Genres: Motet Source Attribution: [Josquin/Mouton] Voice: [no designation] Languages: Latin Voice Text: Tua est potentia tuum regnum dominus 26.16
94v	Missa Tua est potentia: Kyrie	Mouton	Mouton, Jean (ca. 1459–1522)
Missa Tua est potentia: Kyrie Mouton, Jean (ca. 1459–1522) Appears on: 94v Genres: Kyrie eleison, Mass Ordinary Source Attribution: Mouton Voice: [no designation] Languages: Latin Voice Text: Missa Tua est potentia
95–96	Missa Tua est potentia: Gloria	-	Mouton, Jean (ca. 1459–1522)
Missa Tua est potentia: Gloria Mouton, Jean (ca. 1459–1522) Appears on: 95–96 Genres: Gloria (et in terra pax), Mass Ordinary
96v–97v	Missa Tua est potentia: Credo	-	Mouton, Jean (ca. 1459–1522)
Missa Tua est potentia: Credo Mouton, Jean (ca. 1459–1522) Appears on: 96v–97v Genres: Credo (patrem omnipotentem), Mass Ordinary
98–98v	Missa Tua est potentia: Sanctus	-	Mouton, Jean (ca. 1459–1522)
Missa Tua est potentia: Sanctus Mouton, Jean (ca. 1459–1522) Appears on: 98–98v Genres: Mass Ordinary, Sanctus [& Benedictus]
99	Missa Tua est potentia: Agnus Dei	-	Mouton, Jean (ca. 1459–1522)
Missa Tua est potentia: Agnus Dei Mouton, Jean (ca. 1459–1522) Appears on: 99 Genres: Agnus Dei, Mass Ordinary
99v	Inclina domine - 1a pars (of 2): Inclina domine aurem tuam et exuadi me	Gheerkin [de Hondt]	Hondt, Gheerkin de (fl. 1539–1547)
Inclina domine - 1a pars (of 2): Inclina domine aurem tuam et exuadi me Hondt, Gheerkin de (fl. 1539–1547) Appears on: 99v Genres: Motet Source Attribution: Gheerkin [de Hondt] Voice: [no designation] Languages: Latin Voice Text: Inclina domine aurem tuam et exuadi me II: Quia misericordia tua magna est
100	Inclina domine - 2a pars (of 2): Quia misericordia tua magna est	-	Hondt, Gheerkin de (fl. 1539–1547)
Inclina domine - 2a pars (of 2): Quia misericordia tua magna est Hondt, Gheerkin de (fl. 1539–1547) Appears on: 100 Genres: Motet
100v	Si bona suscepimus - 1a pars (of 2): Si bona suscepimus de manu Domini	Anon.	Anonymous
Si bona suscepimus - 1a pars (of 2): Si bona suscepimus de manu Domini Anonymous Appears on: 100v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Si bona suscepimus de manu domini II: Nudus egressus sum de utero matris
101	Si bona suscepimus - 2a pars (of 2): Nudus egressus sum de utero matris	-	Anonymous
Si bona suscepimus - 2a pars (of 2): Nudus egressus sum de utero matris Anonymous Appears on: 101 Genres: Motet
101v	Ave stella matutina - 1a pars (of 2): Ave stella matutina mundi princeps	[Jhan of Ferrara]	Ferrara, Maistre Jhan of (ca. 1485–1538)
Ave stella matutina - 1a pars (of 2): Ave stella matutina mundi princeps Ferrara, Maistre Jhan of (ca. 1485–1538) Appears on: 101v Genres: Motet Source Attribution: [Jhan of Ferrara] Voice: [no designation] Languages: Latin Voice Text: Ave stella matutina mundi princeps II: Tu es area compluta celesti rore
102	Ave stella matutina - 2a pars (of 2): Tu es area compluta caelesti rore	-	Ferrara, Maistre Jhan of (ca. 1485–1538)
Ave stella matutina - 2a pars (of 2): Tu es area compluta caelesti rore Ferrara, Maistre Jhan of (ca. 1485–1538) Appears on: 102 Genres: Motet
102v	In illo tempore Maria Magdalene - 1a pars (of 2): In illo tempore Maria Magdalene Jacobi et Salome	[Josquin/Mouton]	Mouton, Jean (ca. 1459–1522) (?) Despres, Josquin (ca. 1450–1521) (?)
In illo tempore Maria Magdalene - 1a pars (of 2): In illo tempore Maria Magdalene Jacobi et Salome Mouton, Jean (ca. 1459–1522) (?) Despres, Josquin (ca. 1450–1521) (?) Appears on: 102v Genres: Motet Source Attribution: [Josquin/Mouton] Voice: [no designation] Languages: Latin Voice Text: In illo tempore Maria Magdalene 26.6 II: Dic nobis Maria quid vidisti
103	In illo tempore Maria Magdalene - 2a pars (of 2): Dic nobis Maria quid vidisti	-	Despres, Josquin (ca. 1450–1521) (?) Mouton, Jean (ca. 1459–1522) (?)
In illo tempore Maria Magdalene - 2a pars (of 2): Dic nobis Maria quid vidisti Despres, Josquin (ca. 1450–1521) (?) Mouton, Jean (ca. 1459–1522) (?) Appears on: 103 Genres: Motet
103v	Congratulamini mihi 26.3 - 1a pars (of 2) Congratulamini mihi omnes qui diligitis	[Josquin/Lebrun/Richafort]	le Brun, Jean (fl. early 16th century) (?) Despres, Josquin (ca. 1450–1521) (?) Richafort, Jean (ca. 1480–ca. 1550) (?)
Congratulamini mihi 26.3 - 1a pars (of 2) Congratulamini mihi omnes qui diligitis le Brun, Jean (fl. early 16th century) (?) Despres, Josquin (ca. 1450–1521) (?) Richafort, Jean (ca. 1480–ca. 1550) (?) Appears on: 103v Genres: Motet Source Attribution: [Josquin/Lebrun/Richafort] Voice: [no designation] Languages: Latin Voice Text: Congratulamini michi omnes qui diligitis 26.3 II: Tulerunt dominum meum et nescio
104	Congratulamini mihi 26.3 - 2a pars (of 2): Tulerunt Dominum meum et nescio ubi	-	le Brun, Jean (fl. early 16th century) (?) Richafort, Jean (ca. 1480–ca. 1550) (?) Despres, Josquin (ca. 1450–1521) (?)
Congratulamini mihi 26.3 - 2a pars (of 2): Tulerunt Dominum meum et nescio ubi le Brun, Jean (fl. early 16th century) (?) Richafort, Jean (ca. 1480–ca. 1550) (?) Despres, Josquin (ca. 1450–1521) (?) Appears on: 104 Genres: Motet
104v	Nisi quia Dominus - 1a pars (of 2): Nisi quia Dominus erat in nobis dicat nunc	Anon.	Anonymous
Nisi quia Dominus - 1a pars (of 2): Nisi quia Dominus erat in nobis dicat nunc Anonymous Appears on: 104v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Nisi quia Dominus erat in nobis dicat nunc II: Benedictus Dominus qui non dedit nos
105	Nisi quia Dominus - 2a pars (of 2): Benedictus Dominus qui non dedit nos	-	Anonymous
Nisi quia Dominus - 2a pars (of 2): Benedictus Dominus qui non dedit nos Anonymous Appears on: 105 Genres: Motet
105v	Qui habitat 18.7 - 1a pars (of 2): Qui habitat in adjutorio altissimi	Josquin de Pres	Despres, Josquin (ca. 1450–1521)
Qui habitat 18.7 - 1a pars (of 2): Qui habitat in adjutorio altissimi Despres, Josquin (ca. 1450–1521) Appears on: 105v Genres: Motet Source Attribution: Josquin de Pres Voice: [no designation] Languages: Latin Voice Text: Qui habitat in adiutorio altissimi 18.7 II: Non accedat ad te malum
106	Qui habitat 18.7 - 2a pars (of 2): Non accedat ad te malum	-	Despres, Josquin (ca. 1450–1521)
Qui habitat 18.7 - 2a pars (of 2): Non accedat ad te malum Despres, Josquin (ca. 1450–1521) Appears on: 106 Genres: Motet
106v	Spes salutis - 1a pars (of 2): Spes salutis pacis portus vas virtutis	Lupi	Lupi, Johannes (ca. 1506–1539)
Spes salutis - 1a pars (of 2): Spes salutis pacis portus vas virtutis Lupi, Johannes (ca. 1506–1539) Appears on: 106v Genres: Motet Source Attribution: Lupi Voice: [no designation] Languages: Latin Voice Text: Spes salutis pacis portus vas virtutis II: Tu es enim decus honestatis
107	Spes salutis - 2a pars (of 2): Tu es enim decus honestatis	-	Lupi, Johannes (ca. 1506–1539)
Spes salutis - 2a pars (of 2): Tu es enim decus honestatis Lupi, Johannes (ca. 1506–1539) Appears on: 107 Genres: Motet
107v	Gaude virgo Katharina - 1a pars (of 2): Gaude virgo Katharina quam refulsit lux	Anon.	Anonymous
Gaude virgo Katharina - 1a pars (of 2): Gaude virgo Katharina quam refulsit lux Anonymous Appears on: 107v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Gaude virgo Katharina quam refulsit lux II: Gaude quia convertisti sponsum
108	Gaude virgo Katharina - 2a pars (of 2): Gaude quia convertisti sponsum	-	Anonymous
Gaude virgo Katharina - 2a pars (of 2): Gaude quia convertisti sponsum Anonymous Appears on: 108 Genres: Motet
108v	Morir daimer a dame si jolye	[Appenzeller]	Appenzeller, Benedictus (ca. 1480–ca. 1558)
Morir daimer a dame si jolye Appenzeller, Benedictus (ca. 1480–ca. 1558) Appears on: 108v Genres: Chanson Source Attribution: [Appenzeller] Voice: [no designation] Languages: French Voice Text: Morir daimer a dame si jolye
108v	Druck en verdriet hebbe ic ontfanghen	Anon.	Anonymous
Druck en verdriet hebbe ic ontfanghen Anonymous Appears on: 108v Genres: Song Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Druck en verdriet hebbe ic ontfanghen
109	Domine quis habitabit - 1a pars (of 2): Domine quis habitabit in tabernaculo suo	[Courtois]	Courtois, Jean (fl. 1530-1545)
Domine quis habitabit - 1a pars (of 2): Domine quis habitabit in tabernaculo suo Courtois, Jean (fl. 1530-1545) Appears on: 109 Genres: Motet Source Attribution: [Courtois] Voice: [no designation] Languages: Latin Voice Text: Domine quis habitabit in tabernaculo tuo II: Ad nichilum deductus est in conspectu
109v	Domine quis habitabit - 2a pars (of 2): Ad nihilum deductus est in conspectu	-	Courtois, Jean (fl. 1530-1545)
Domine quis habitabit - 2a pars (of 2): Ad nihilum deductus est in conspectu Courtois, Jean (fl. 1530-1545) Appears on: 109v Genres: Motet
110	Missa Domine quis habitabit: Kyrie	Johannes Courtois	Courtois, Jean (fl. 1530-1545)
Missa Domine quis habitabit: Kyrie Courtois, Jean (fl. 1530-1545) Appears on: 110 Genres: Kyrie eleison, Mass Ordinary Source Attribution: Johannes Courtois Voice: [no designation] Languages: Latin Voice Text: Missa Domine quis habitabit
110v–111	Missa Domine quis habitabit: Gloria	-	Courtois, Jean (fl. 1530-1545)
Missa Domine quis habitabit: Gloria Courtois, Jean (fl. 1530-1545) Appears on: 110v–111 Genres: Gloria (et in terra pax), Mass Ordinary
111v–112	Missa Domine quis habitabit: Credo	-	Courtois, Jean (fl. 1530-1545)
Missa Domine quis habitabit: Credo Courtois, Jean (fl. 1530-1545) Appears on: 111v–112 Genres: Credo (patrem omnipotentem), Mass Ordinary
112v–113	Missa Domine quis habitabit: Sanctus	-	Courtois, Jean (fl. 1530-1545)
Missa Domine quis habitabit: Sanctus Courtois, Jean (fl. 1530-1545) Appears on: 112v–113 Genres: Mass Ordinary, Sanctus [& Benedictus]
113–113v	Missa Domine quis habitabit: Agnus Dei	-	Courtois, Jean (fl. 1530-1545)
Missa Domine quis habitabit: Agnus Dei Courtois, Jean (fl. 1530-1545) Appears on: 113–113v Genres: Agnus Dei, Mass Ordinary
114	Ung visage coperose estincelles	Anon.	Anonymous
Ung visage coperose estincelles Anonymous Appears on: 114 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Ung visage coperose estincelles
114	Inghelandt en Ghendt	Anon.	Anonymous
Inghelandt en Ghendt Anonymous Appears on: 114 Genres: Secular, Song Source Attribution: Anon. Voice: [no designation] Languages: Flemish Voice Text: Inghelandt en Ghendt
114v	Laqueus contritus - 1a pars (of 2): Laqueus contritus est nos liberati sumus	Nicolaus Gombert/ [Clemens non Papa]	Gombert, Nicolas (ca. 1495–ca. 1560) (?) Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?)
Laqueus contritus - 1a pars (of 2): Laqueus contritus est nos liberati sumus Gombert, Nicolas (ca. 1495–ca. 1560) (?) Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?) Appears on: 114v Genres: Motet Source Attribution: Nicolaus Gombert/ [Clemens non Papa] Voice: [no designation] Languages: Latin Voice Text: Laqueus contritus est nos liberati sumus II: Tribulationem et dolorem inveni
115	Laqueus contritus - 2a pars (of 2): Tribulationem et dolorem inveni	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?) Gombert, Nicolas (ca. 1495–ca. 1560) (?)
Laqueus contritus - 2a pars (of 2): Tribulationem et dolorem inveni Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?) Gombert, Nicolas (ca. 1495–ca. 1560) (?) Appears on: 115 Genres: Motet
115v	Quam pulchra est - 1a pars (of 2): Quam pulchra est et quam decora	Lupi/[Verdelot]	Verdelot, Philippe (ca. 1480–ca. 1532) (?) Lupi, Johannes (ca. 1506–1539) (?)
Quam pulchra est - 1a pars (of 2): Quam pulchra est et quam decora Verdelot, Philippe (ca. 1480–ca. 1532) (?) Lupi, Johannes (ca. 1506–1539) (?) Appears on: 115v Genres: Motet Source Attribution: Lupi/[Verdelot] Voice: [no designation] Languages: Latin Voice Text: Quam pulcra es et quam decora carissima II: Veni dilecte mi egrediamur in ortum
116	Quam pulchra est - 2a pars (of 2): Veni dilecte mi	-	Lupi, Johannes (ca. 1506–1539) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?)
Quam pulchra est - 2a pars (of 2): Veni dilecte mi Lupi, Johannes (ca. 1506–1539) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?) Appears on: 116 Genres: Motet
116v	Trop m'est dure la longue demouree	Anon.	Anonymous
Trop m'est dure la longue demouree Anonymous Appears on: 116v Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Trop mest dure la longue demouree
117	Pourquoi languir me viens tu assaillir	Benedictus [Appenzeller]	Appenzeller, Benedictus (ca. 1480–ca. 1558)
Pourquoi languir me viens tu assaillir Appenzeller, Benedictus (ca. 1480–ca. 1558) Appears on: 117 Genres: Chanson Source Attribution: Benedictus [Appenzeller] Voice: [no designation] Languages: French Voice Text: Pourquoy languir me viens tu assaillir
117v	Humble se tient soubz vostre haultesse	Benedictus [Appenzeller]	Appenzeller, Benedictus (ca. 1480–ca. 1558)
Humble se tient soubz vostre haultesse Appenzeller, Benedictus (ca. 1480–ca. 1558) Appears on: 117v Genres: Chanson Source Attribution: Benedictus [Appenzeller] Voice: [no designation] Languages: French Voice Text: Humble se tient soubz vostre haultesse
118	Sancta Trinitas unus Deus miserere nobis (4vv)	[Craen/C. Festa/A. Févin/Josquin/Morales]	Fevin, Antoine de (ca. 1470–ca. 1512)
Sancta Trinitas unus Deus miserere nobis (4vv) Fevin, Antoine de (ca. 1470–ca. 1512) Appears on: 118 Genres: Motet Source Attribution: [Craen/C. Festa/A. Févin/Josquin/Morales] Voice: [no designation] Languages: Latin Voice Text: Sancta trinitas unus deus miserere 26.12 General Note Motetti de la Corona, libro primo, Venezia, Ottaviano Petrucci, 1514, no 13, fol. 9 (supremus), fol. 26 (tenor), fol. 42 (altus) et fol. 57 (bassus) – [RISM 15141]; Réédition : Rome, Giovanni Giacomo Pasoti et Valerio Dorico, 1526 – [RISM 15261]
118v	Pavane	Anon.	Anonymous
Pavane Anonymous Appears on: 118v Genres: Dance Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Pavane
119	Quant tu chanteras pour ton ennuy passer	Anon.	Anonymous
Quant tu chanteras pour ton ennuy passer Anonymous Appears on: 119 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Quant tu chanteras pour ton ennuy passer
119v	Helas malheur prens tu contentement	Gheerkin [de Hondt]	Hondt, Gheerkin de (fl. 1539–1547)
Helas malheur prens tu contentement Hondt, Gheerkin de (fl. 1539–1547) Appears on: 119v Genres: Chanson Source Attribution: Gheerkin [de Hondt] Voice: [no designation] Languages: French Voice Text: Helas malheur prens tu contentement
120	Contre raison pour t'aimer je define	Benedictus [Appenzeller]	Appenzeller, Benedictus (ca. 1480–ca. 1558)
Contre raison pour t'aimer je define Appenzeller, Benedictus (ca. 1480–ca. 1558) Appears on: 120 Genres: Chanson Source Attribution: Benedictus [Appenzeller] Voice: [no designation] Languages: French Voice Text: Contre raison pour taymer je diffinne
120v	Je me contente d'avoir aimé sans avoir joyssance	[Rocour]	Rocourt, Pierre de (fl. c1540–1550)
Je me contente d'avoir aimé sans avoir joyssance Rocourt, Pierre de (fl. c1540–1550) Appears on: 120v Genres: Chanson Source Attribution: [Rocour] Voice: [no designation] Languages: French Voice Text: Je me contente davoir ayme sans avoir
120v	En non sachant ce qu'il lui fault	Anon.	Anonymous
En non sachant ce qu'il lui fault Anonymous Appears on: 120v Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: En non sachant ce quil luy fault
121	Forche sera sy de brief nay secours	Gombert/[Crecquillon]	Gombert, Nicolas (ca. 1495–ca. 1560) (?) Crecquillon, Thomas (ca. 1505–ca. 1557) (?)
Forche sera sy de brief nay secours Gombert, Nicolas (ca. 1495–ca. 1560) (?) Crecquillon, Thomas (ca. 1505–ca. 1557) (?) Appears on: 121 Genres: Chanson Source Attribution: Gombert/[Crecquillon] Voice: [no designation] Languages: French Voice Text: Forche sera sy de brief nay secours
121	Vostre beaulte plaisant et lyé me donne recreation	[Gombert/Lupus]	Gombert, Nicolas (ca. 1495–ca. 1560) (?) Hellinck, Lupus (ca. 1494–1541) (?)
Vostre beaulte plaisant et lyé me donne recreation Gombert, Nicolas (ca. 1495–ca. 1560) (?) Hellinck, Lupus (ca. 1494–1541) (?) Appears on: 121 Genres: Chanson Source Attribution: [Gombert/Lupus] Voice: [no designation] Languages: French Voice Text: Vostre beaulte [plaisant et lyé]
121v	Contre raison pour t'aimer je define	Gheerkin [de Hondt]	Hondt, Gheerkin de (fl. 1539–1547)
Contre raison pour t'aimer je define Hondt, Gheerkin de (fl. 1539–1547) Appears on: 121v Genres: Chanson Source Attribution: Gheerkin [de Hondt] Voice: [no designation] Languages: French Voice Text: Contre rayson pour taymer je diffinne
122	Qui lara la gentille brunette laultre jours	Benedictus [Appenzeller]	Appenzeller, Benedictus (ca. 1480–ca. 1558)
Qui lara la gentille brunette laultre jours Appenzeller, Benedictus (ca. 1480–ca. 1558) Appears on: 122 Genres: Chanson Source Attribution: Benedictus [Appenzeller] Voice: [no designation] Languages: French Voice Text: Qui lara la gentille brunette laultre jours
122	Si la nature en la diversite se resiouist	Anon.	Anonymous
Si la nature en la diversite se resiouist Anonymous Appears on: 122 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Sy la nature en sa diversite se resiouyst
122v	Au fons denfer voire en plus grief	Benedictus [Appenzeller]	Appenzeller, Benedictus (ca. 1480–ca. 1558)
Au fons denfer voire en plus grief Appenzeller, Benedictus (ca. 1480–ca. 1558) Appears on: 122v Genres: Chanson Source Attribution: Benedictus [Appenzeller] Voice: [no designation] Languages: French Voice Text: Au fons denfer voire en plus grief
122v	Mourir daimer a dame sy jolye	Anon.	Anonymous
Mourir daimer a dame sy jolye Anonymous Appears on: 122v Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Mourir daimer a dame sy jolye
123	Ic weedt eene muelenarinne van herten	Pipelare	Pipelare, Mattheus (ca. 1450–ca. 1515)
Ic weedt eene muelenarinne van herten Pipelare, Mattheus (ca. 1450–ca. 1515) Appears on: 123 Genres: Song Source Attribution: Pipelare Voice: [no designation] Languages: Flemish Voice Text: Ic weedt eene muelenarinne van herten
123	Vous perdez temps de me dire mal d'elle	[Crecquillon/Sandrin/ Sermisy]	Sermisy, Claudin de (ca. 1490–1562) (?) Crecquillon, Thomas (ca. 1505–ca. 1557) (?) Sandrin, Pierre (ca. 1490–ca. 1560) (?)
Vous perdez temps de me dire mal d'elle Sermisy, Claudin de (ca. 1490–1562) (?) Crecquillon, Thomas (ca. 1505–ca. 1557) (?) Sandrin, Pierre (ca. 1490–ca. 1560) (?) Appears on: 123 Genres: Chanson Source Attribution: [Crecquillon/Sandrin/ Sermisy] Voice: [no designation] Languages: French Voice Text: Vous perdes temps de moy dire mal delle
123v	Si par souffrir on peult vaincre fortune	[Courtois]	Courtois, Jean (fl. 1530-1545)
Si par souffrir on peult vaincre fortune Courtois, Jean (fl. 1530-1545) Appears on: 123v Genres: Chanson Source Attribution: [Courtois] Voice: [no designation] Languages: French Voice Text: Sy par souffrir lon peult vaincre fortune
123v	Reviens vers moi - 1a pars (of 2): Reviens vers moi qui suis tant desolee	Lupi	Lupi, Johannes (ca. 1506–1539)
Reviens vers moi - 1a pars (of 2): Reviens vers moi qui suis tant desolee Lupi, Johannes (ca. 1506–1539) Appears on: 123v Genres: Chanson Source Attribution: Lupi Voice: [no designation] Languages: French Voice Text: Reviens vers moy qui suis tant desolee II: Plus revenir me puis vers toy Layout copied in the lower part of the opening, so another short piece intervenes between the 2 partes at the top of the recto
124	De retourner mon ami je te prie	Anon.	Anonymous
De retourner mon ami je te prie Anonymous Appears on: 124 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: De retourner mon amy je te prye
124	Reviens vers moi - 2a pars (of 2): Plus revenir me puis vers toy	-	Lupi, Johannes (ca. 1506–1539)
Reviens vers moi - 2a pars (of 2): Plus revenir me puis vers toy Lupi, Johannes (ca. 1506–1539) Appears on: 124 Genres: Chanson Layout copied in the lower part of the opening, so another short piece intervenes between the 2 partes at the top of the recto
124v	Pour avoir mis	Phelips Lapperdey	Lapperdey, Phelips
Pour avoir mis Lapperdey, Phelips Appears on: 124v Genres: Chanson Source Attribution: Phelips Lapperdey Voice: [no designation] Languages: French Voice Text: Pour avoir mys
124v	Celuy a qui mon coeur fust departi	[Gombert]	Gombert, Nicolas (ca. 1495–ca. 1560)
Celuy a qui mon coeur fust departi Gombert, Nicolas (ca. 1495–ca. 1560) Appears on: 124v Genres: Chanson Source Attribution: [Gombert] Voice: [no designation] Languages: French Voice Text: Celuy a qui mon cueur fust departi
125	Plaisir me fuit et ennuie me consolle	Anon.	Anonymous
Plaisir me fuit et ennuie me consolle Anonymous Appears on: 125 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Plaisir me fuit et ennuyt me consolle
125	Chantons sonnons trompettes tabourins	[Janequin]	Janequin, Clement (ca. 1485–ca. 1558)
Chantons sonnons trompettes tabourins Janequin, Clement (ca. 1485–ca. 1558) Appears on: 125 Genres: Chanson Source Attribution: [Janequin] Voice: [no designation] Languages: French Voice Text: Chantons sonnons trompettes [tabourins]
125v	Benedicite Dominus nos et ea quaesumus	Gheerkin [de Hondt]	Hondt, Gheerkin de (fl. 1539–1547)
Benedicite Dominus nos et ea quaesumus Hondt, Gheerkin de (fl. 1539–1547) Appears on: 125v Genres: Motet Source Attribution: Gheerkin [de Hondt] Voice: [no designation] Languages: Latin Voice Text: Benedicite dominus nos et ea quesumus
125v	Vignon vingenette qui te planta il fut	Anon.	Anonymous
Vignon vingenette qui te planta il fut Anonymous Appears on: 125v Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Vignon vingenette qui te planta il fut
126	De mon triste desplaisir a vous belle	Richafort	Richafort, Jean (ca. 1480–ca. 1550)
De mon triste desplaisir a vous belle Richafort, Jean (ca. 1480–ca. 1550) Appears on: 126 Genres: Chanson Source Attribution: Richafort Voice: [no designation] Languages: French Voice Text: De mon triste desplaysier a vous belle
126	Qui la dira la paine de mon coeur	Cricquillon	Crecquillon, Thomas (ca. 1505–ca. 1557)
Qui la dira la paine de mon coeur Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 126 Genres: Chanson Source Attribution: Cricquillon Voice: [no designation] Languages: French Voice Text: Qui la dira la paine de mon cueur
126v	Rejouissez vous borgeses belles filles de Lion	[Mouton]	Mouton, Jean (ca. 1459–1522)
Rejouissez vous borgeses belles filles de Lion Mouton, Jean (ca. 1459–1522) Appears on: 126v Genres: Chanson Source Attribution: [Mouton] Voice: [no designation] Languages: French Voice Text: Resioisses vous bourgoises belle filles
126v	Tant que vivrai - 1a pars (of 2): Tant que vivrai en age florissant	[Sermisy]	Sermisy, Claudin de (ca. 1490–1562)
Tant que vivrai - 1a pars (of 2): Tant que vivrai en age florissant Sermisy, Claudin de (ca. 1490–1562) Appears on: 126v Genres: Chanson Source Attribution: [Sermisy] Voice: [no designation] Languages: French Voice Text: Tant que vivray en aige florissant General Note at the end is a cross-reference "Contra Tenor in folio 129" [=f.129v], though the part there is clearly a Discantus with a G-clef!
127	A mes ennuyz que si longtemps je porte	Anon.	Anonymous
A mes ennuyz que si longtemps je porte Anonymous Appears on: 127 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: En mes envieulx que si longement je porte [= A mes ennuyz que si longtemps je porte]
127	Che fut d'amour dont je fus abusee	[Passereau]	Passereau, Pierre (fl. c1509–1547)
Che fut d'amour dont je fus abusee Passereau, Pierre (fl. c1509–1547) Appears on: 127 Genres: Chanson Source Attribution: [Passereau] Voice: [no designation] Languages: French Voice Text: Che fut damour dont je fus abusee
127v	Vrai dieu que amoureux on de paine	Johannes Lupi	Lupi, Johannes (ca. 1506–1539)
Vrai dieu que amoureux on de paine Lupi, Johannes (ca. 1506–1539) Appears on: 127v Genres: Chanson Source Attribution: Johannes Lupi Voice: [no designation] Languages: French Voice Text: Vray dieu que [a]moureux on de paine
127v	Tous mes amis venez ma plainte ouyr	[J. Gerard?/Sermisy]	Gerard, Jacques (?) Gerarde, Derrick (fl. c1540–1580) (?)
Tous mes amis venez ma plainte ouyr Gerard, Jacques (?) Gerarde, Derrick (fl. c1540–1580) (?) Appears on: 127v Genres: Chanson Source Attribution: [J. Gerard?/Sermisy] Voice: [no designation] Languages: French Voice Text: Tous mes amys venes ma plainte ouyr
128	O coeur ingrat O fraude terrenne	Johannes de Hollande	Hollande, Johannes de (fl. c1538-1553)
O coeur ingrat O fraude terrenne Hollande, Johannes de (fl. c1538-1553) Appears on: 128 Genres: Chanson Source Attribution: Johannes de Hollande Voice: [no designation] Languages: French Voice Text: O cueur ingrat O fraude terrenne
128	Amour passion increable qui ma si toust	Claudin [de Sermisy]	Sermisy, Claudin de (ca. 1490–1562)
Amour passion increable qui ma si toust Sermisy, Claudin de (ca. 1490–1562) Appears on: 128 Genres: Chanson Source Attribution: Claudin [de Sermisy] Voice: [no designation] Languages: French Voice Text: Amour passion increable qui ma si toust
128v	Da pacem domine in diebus nostris	Willart	Willaert, Adrian (ca. 1490–1562)
Da pacem domine in diebus nostris Willaert, Adrian (ca. 1490–1562) Appears on: 128v Genres: Motet Source Attribution: Willart Voice: [no designation] Languages: Latin Voice Text: Da pacem domine in diebus nostris
128v	Si de nouveau j'ai nouvelles colleurs	[Conseil]	Conseil, Jean (ca. 1498–1534)
Si de nouveau j'ai nouvelles colleurs Conseil, Jean (ca. 1498–1534) Appears on: 128v Genres: Chanson Source Attribution: [Conseil] Voice: [no designation] Languages: French Voice Text: Sy de nouveau [j']ay nouvelles colleurs
129	On a mal dit de mon amy	Johannes de Hollande	Hollande, Johannes de (fl. c1538-1553)
On a mal dit de mon amy Hollande, Johannes de (fl. c1538-1553) Appears on: 129 Genres: Chanson Source Attribution: Johannes de Hollande Voice: [no designation] Languages: French Voice Text: On a mal dit de mon amy
129	Jamais un coeur qui d'amour est navre	Claudin [de Sermisy]	Sermisy, Claudin de (ca. 1490–1562)
Jamais un coeur qui d'amour est navre Sermisy, Claudin de (ca. 1490–1562) Appears on: 129 Genres: Chanson Source Attribution: Claudin [de Sermisy] Voice: [no designation] Languages: French Voice Text: Jamais ung cueur qui damour est navre
129v	Les yeulx bendez de triste cognoissanche	Claudin [de Sermisy]/ [Vermont]	Sermisy, Claudin de (ca. 1490–1562)
Les yeulx bendez de triste cognoissanche Sermisy, Claudin de (ca. 1490–1562) Appears on: 129v Genres: Chanson Source Attribution: Claudin [de Sermisy]/ [Vermont] Voice: [no designation] Languages: French Voice Text: Les yeulx bendez de triste cognoissanche
129v	Tant que vivrai - 2a pars (of 2): Puisque deux coeurs y a vraie union	Anon.	Sermisy, Claudin de (ca. 1490–1562) (?)
Tant que vivrai - 2a pars (of 2): Puisque deux coeurs y a vraie union Sermisy, Claudin de (ca. 1490–1562) (?) Appears on: 129v Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Puis que deux cueurs y a vraye union Layout at the end is a cross-reference "Contra Tenor in folio 126" [=f.126v, though that part is also a Discantus]
130	Il n'est si doulce vie que de joyeussete	Richafort	Richafort, Jean (ca. 1480–ca. 1550)
Il n'est si doulce vie que de joyeussete Richafort, Jean (ca. 1480–ca. 1550) Appears on: 130 Genres: Chanson Source Attribution: Richafort Voice: [no designation] Languages: French Voice Text: Il nest sy doulche vie que de joyeussete
130	Laus Deo pax vivis	Anon.	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Laus Deo pax vivis Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 130 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Laus deo pax vivis et requies pro defunctis
130	Preludium	Anon.	Anonymous
Preludium Anonymous Appears on: 130 Genres: textless Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Preludium
130v	D'amour me plains et non de vous m'amie	Rogier [Pathie]	Pathie, Rogier (ca. 1510–ca. 1564)
D'amour me plains et non de vous m'amie Pathie, Rogier (ca. 1510–ca. 1564) Appears on: 130v Genres: Chanson Source Attribution: Rogier [Pathie] Voice: [no designation] Languages: French Voice Text: Damours me plains et non de vous
130v	Den sin verblyt als ic by huer	Anon.	Anonymous
Den sin verblyt als ic by huer Anonymous Appears on: 130v Genres: Song Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Den sin verblyt als ic by huer
131	Si tu te plains d'amours tant seullement	Johannes de Hollande	Hollande, Johannes de (fl. c1538-1553)
Si tu te plains d'amours tant seullement Hollande, Johannes de (fl. c1538-1553) Appears on: 131 Genres: Chanson Source Attribution: Johannes de Hollande Voice: [no designation] Languages: French Voice Text: Si tu te plains damours tant seullement
131	Mille regrets de vous abandonner 28.24	[Josquin]	Despres, Josquin (ca. 1450–1521)
Mille regrets de vous abandonner 28.24 Despres, Josquin (ca. 1450–1521) Appears on: 131 Genres: Chanson Source Attribution: [Josquin] Voice: [no designation] Languages: French Voice Text: Mille regres de vous abandonner 28.24
131v	Musae Jovis - 1a pars (of 2): Musae Jovis ter maximi proles canora	Benedictus [Appenzeller]	Appenzeller, Benedictus (ca. 1480–ca. 1558)
Musae Jovis - 1a pars (of 2): Musae Jovis ter maximi proles canora Appenzeller, Benedictus (ca. 1480–ca. 1558) Appears on: 131v Genres: Motet Source Attribution: Benedictus [Appenzeller] Voice: [no designation] Languages: Latin Voice Text: Muse Jovis ter maximi proles canora II: Severa mors et improba qua templa General Note beside the attribution to 'Benedictus' is the statement 'Nenia in mortem Judoci a pratis (qui vulgo Josquinus de Pres vocant) cantoris suavissimi' - a lament for Josquin des Pres.
132	Musae Jovis - 2a pars (of 2): Severa mors et improba qua templa	-	Appenzeller, Benedictus (ca. 1480–ca. 1558)
Musae Jovis - 2a pars (of 2): Severa mors et improba qua templa Appenzeller, Benedictus (ca. 1480–ca. 1558) Appears on: 132 Genres: Motet
132v	Ave regina caelorum - 1a pars (of 2): Ave regina caelorum ave domina angelorum	Anon.	Anonymous
Ave regina caelorum - 1a pars (of 2): Ave regina caelorum ave domina angelorum Anonymous Appears on: 132v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Ave regina celorum ave domina angelorum II: Gaude gloriosa super omnis speciosa
132v	Ave regina caelorum - 2a pars (of 2): Gaude gloriosa super omnis speciosa	-	Anonymous
Ave regina caelorum - 2a pars (of 2): Gaude gloriosa super omnis speciosa Anonymous Appears on: 132v Genres: Ave regina caelorum, Motet
133	Si mon malheur me continue je ne sais pas	Anon.	Anonymous
Si mon malheur me continue je ne sais pas Anonymous Appears on: 133 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Sy mon malheur my continue je ne scay
133	Dieu, c'est le temps et je le sens assez	Anon.	Anonymous
Dieu, c'est le temps et je le sens assez Anonymous Appears on: 133 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Dieu scet le temps et je le sens asses
133v	Resveille toy francq coeur joyeulx	Pe. des Cornets	Cornets, Pe. de
Resveille toy francq coeur joyeulx Cornets, Pe. de Appears on: 133v Genres: Chanson Source Attribution: Pe. des Cornets Voice: [no designation] Languages: French Voice Text: Resveille toy francq cueur joyeulx
133v	Dulcis amica Dei rosa vernans stella	[Prioris]	Prioris, Johannes (Denis, Dionisius) (–1515)
Dulcis amica Dei rosa vernans stella Prioris, Johannes (Denis, Dionisius) (–1515) Appears on: 133v Genres: Lauda Source Attribution: [Prioris] Voice: [no designation] Languages: Latin Voice Text: O dulcis amica dei rosa vernans stella
134	A vous me rends comme celle du monde	Gheerkin [de Hondt]/ [Willaert]	Hondt, Gheerkin de (fl. 1539–1547) (?) Willaert, Adrian (ca. 1490–1562) (?)
A vous me rends comme celle du monde Hondt, Gheerkin de (fl. 1539–1547) (?) Willaert, Adrian (ca. 1490–1562) (?) Appears on: 134 Genres: Chanson Source Attribution: Gheerkin [de Hondt]/ [Willaert] Voice: [no designation] Languages: French Voice Text: A vous me rens comme celle du monde
134	Languir me fais sans t'avoir offensé	[Mouton/Sermisy]	Sermisy, Claudin de (ca. 1490–1562) (?) Mouton, Jean (ca. 1459–1522) (?)
Languir me fais sans t'avoir offensé Sermisy, Claudin de (ca. 1490–1562) (?) Mouton, Jean (ca. 1459–1522) (?) Appears on: 134 Genres: Chanson Source Attribution: [Mouton/Sermisy] Voice: [no designation] Languages: French Voice Text: Languir me fais sans avoir offensee
134v	Pour parvenir a che que je pretens	Anon.	Anonymous
Pour parvenir a che que je pretens Anonymous Appears on: 134v Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Pour parvenir a che que je pretens
134v	Ognun si duol d'amore io me ne lodo	[Verdelot?]	Verdelot, Philippe (ca. 1480–ca. 1532) (?)
Ognun si duol d'amore io me ne lodo Verdelot, Philippe (ca. 1480–ca. 1532) (?) Appears on: 134v Genres: Madrigal (Italian) Source Attribution: [Verdelot?] Voice: [no designation] Languages: Italian Voice Text: Ognun si duol damore iomene lodo
135	Se l'ardor fusse eguale	[Verdelot]	Verdelot, Philippe (ca. 1480–ca. 1532)
Se l'ardor fusse eguale Verdelot, Philippe (ca. 1480–ca. 1532) Appears on: 135 Genres: Madrigal (Italian) Source Attribution: [Verdelot] Voice: [no designation] Languages: Italian Voice Text: Sel ardo fussi equale ben posta
135	Donna leggiadra e bella che con le vostre	[Verdelot]	Verdelot, Philippe (ca. 1480–ca. 1532)
Donna leggiadra e bella che con le vostre Verdelot, Philippe (ca. 1480–ca. 1532) Appears on: 135 Genres: Madrigal (Italian) Source Attribution: [Verdelot] Voice: [no designation] Languages: Italian Voice Text: Donna leggiadra et belle che con le vostre
135v	Paine et traveil au lieu desbatement	De Hollande	Hollande, Johannes de (fl. c1538-1553) (?) Hollander, Christian (?)
Paine et traveil au lieu desbatement Hollande, Johannes de (fl. c1538-1553) (?) Hollander, Christian (?) Appears on: 135v Genres: Chanson Source Attribution: De Hollande Voice: [no designation] Languages: French Voice Text: Paine et traveil au lieu desbatement
135v	Pavane	Anon.	Anonymous
Pavane Anonymous Appears on: 135v Genres: Dance Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Pavane
136	Het was my wel te vooren gheseyt	Gheerkin [de Hondt]/ [J. Gerard]	Hondt, Gheerkin de (fl. 1539–1547)
Het was my wel te vooren gheseyt Hondt, Gheerkin de (fl. 1539–1547) Appears on: 136 Genres: Secular Source Attribution: Gheerkin [de Hondt]/ [J. Gerard] Voice: [no designation] Languages: Flemish Voice Text: Het was my wel te vooren gheseyt
136	Pavane La Rote	Anon.	Anonymous
Pavane La Rote Anonymous Appears on: 136 Genres: Dance Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Pavane La Rote
136v	Dulces exuviae dum fata Deusque (4vv)	[Willaert]	Willaert, Adrian (ca. 1490–1562)
Dulces exuviae dum fata Deusque (4vv) Willaert, Adrian (ca. 1490–1562) Appears on: 136v Genres: Motet Source Attribution: [Willaert] Voice: [no designation] Languages: Latin Voice Text: Dulces exuvie dum fata deusque
136v	Pavane	Anon.	Anonymous
Pavane Anonymous Appears on: 136v Genres: Dance Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Pavane
137	Just et amer de vous la specieuse	Anon.	Anonymous
Just et amer de vous la specieuse Anonymous Appears on: 137 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Iust et amer de vous la specieuse
137	La Fasana Pavane	Anon.	Anonymous
La Fasana Pavane Anonymous Appears on: 137 Genres: Dance Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: La Fasana Pavane
137v	Pavane	Benedictus [Appenzeller]	Appenzeller, Benedictus (ca. 1480–ca. 1558)
Pavane Appenzeller, Benedictus (ca. 1480–ca. 1558) Appears on: 137v Genres: Dance Source Attribution: Benedictus [Appenzeller] Voice: [no designation] Languages: none Voice Text: Pavane
137v	C'est a grant tort que moi povrette endure	[Sermisy]	Sermisy, Claudin de (ca. 1490–1562)
C'est a grant tort que moi povrette endure Sermisy, Claudin de (ca. 1490–1562) Appears on: 137v Genres: Chanson Source Attribution: [Sermisy] Voice: [no designation] Languages: French Voice Text: Cest a grand tort que moy povrette
138	Basse danche	Anon.	Anonymous
Basse danche Anonymous Appears on: 138 Genres: textless Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Basse danche
138	Autre Basse danche	Anon.	Anonymous
Autre Basse danche Anonymous Appears on: 138 Genres: Dance Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Aultre Basse danche
138v	Sire dont dieu tant ilz sont aises	Anon.	Anonymous
Sire dont dieu tant ilz sont aises Anonymous Appears on: 138v Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Sire dont dieu tant ilz sont aises
138v	Jouissance vous donnerai, mon ami	[La Rue/Sermisy]	Sermisy, Claudin de (ca. 1490–1562)
Jouissance vous donnerai, mon ami Sermisy, Claudin de (ca. 1490–1562) Appears on: 138v Genres: Chanson Source Attribution: [La Rue/Sermisy] Voice: [no designation] Languages: French Voice Text: Joyssanche vous donneray mon amy
139	Je prens en gre le dure mort (4vv)	Clemens non Papa/[Baston/Janequin/Pathie?]	Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?) Baston, Josquin (fl. 1542–63) (?) Janequin, Clement (ca. 1485–ca. 1558) (?) Pathie, Rogier (ca. 1510–ca. 1564) (?)
Je prens en gre le dure mort (4vv) Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?) Baston, Josquin (fl. 1542–63) (?) Janequin, Clement (ca. 1485–ca. 1558) (?) Pathie, Rogier (ca. 1510–ca. 1564) (?) Appears on: 139 Genres: Motet Source Attribution: Clemens non Papa/[Baston/Janequin/Pathie?] Voice: [no designation] Languages: French Voice Text: Je prens en gre la dure mort
139	Ces facheux sots qui mesdisent d'aymer	Anon.	Anonymous
Ces facheux sots qui mesdisent d'aymer Anonymous Appears on: 139 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Ces facheulx sotz qui me[s]dicent daymer
139v	Surge Petre - 1a pars (of 2): Surge Petre et indue te vestimentis tuis	[Gombert/Mouton/ Verdelot]	Moulu, Pierre (ca. 1484–ca. 1550) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?) Mouton, Jean (ca. 1459–1522) (?) Gombert, Nicolas (ca. 1495–ca. 1560)
Surge Petre - 1a pars (of 2): Surge Petre et indue te vestimentis tuis Moulu, Pierre (ca. 1484–ca. 1550) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?) Mouton, Jean (ca. 1459–1522) (?) Gombert, Nicolas (ca. 1495–ca. 1560) Appears on: 139v Genres: Motet Source Attribution: [Gombert/Mouton/ Verdelot] Voice: [no designation] Languages: Latin Voice Text: Surge Petre et indue te vestimentis tuis II: Angelus domini astitit et refulsit Layout the 2 partes occupy the upper part of the opening; another piece at the bottom of the verso therefore intervenes between the two parts; a signum congruentiae is added at the end of 1a & beginning of 2a pars to make sure the singer knows which music follows on
139v	Cruelle mort qui de riens est contente	[Alaire]	Alaire (fl. 1534–49)
Cruelle mort qui de riens est contente Alaire (fl. 1534–49) Appears on: 139v Genres: Chanson Source Attribution: [Alaire] Voice: [no designation] Languages: French Voice Text: Cruelle mort qui de riens est contente
140	Surge Petre - 2a pars (of 2): Angelus Domini astitit et lumen refulsit	-	Verdelot, Philippe (ca. 1480–ca. 1532) (?) Mouton, Jean (ca. 1459–1522) (?) Gombert, Nicolas (ca. 1495–ca. 1560) Moulu, Pierre (ca. 1484–ca. 1550) (?)
Surge Petre - 2a pars (of 2): Angelus Domini astitit et lumen refulsit Verdelot, Philippe (ca. 1480–ca. 1532) (?) Mouton, Jean (ca. 1459–1522) (?) Gombert, Nicolas (ca. 1495–ca. 1560) Moulu, Pierre (ca. 1484–ca. 1550) (?) Appears on: 140 Genres: Motet Layout the 2 partes occupy the upper part of the opening; another piece at the bottom of the verso therefore intervenes between the two parts; a signum congruentiae is added at the end of 1a & beginning of 2a pars to make sure the singer knows which music follows on
140	Fortune hellas tu ma mys en oubly	Anon.	Anonymous
Fortune hellas tu ma mys en oubly Anonymous Appears on: 140 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Fortune hellas tu ma mys en oubly
140v	Congregati sunt - 1a pars (of 2): Congregati sunt inimici nostri et gloriantur	[Sermisy]	Sermisy, Claudin de (ca. 1490–1562)
Congregati sunt - 1a pars (of 2): Congregati sunt inimici nostri et gloriantur Sermisy, Claudin de (ca. 1490–1562) Appears on: 140v Genres: Motet Source Attribution: [Sermisy] Voice: [no designation] Languages: Latin Voice Text: Congregati sunt inimici nostri et gloriantur II: Disperge eos in virtute tua
140v	Congregati sunt - 2a pars (of 2): Disperge illos in virtute tua	-	Sermisy, Claudin de (ca. 1490–1562)
Congregati sunt - 2a pars (of 2): Disperge illos in virtute tua Sermisy, Claudin de (ca. 1490–1562) Appears on: 140v Genres: Motet
141	Longtemps il y a que je viz en espoir	Anon.	Anonymous
Longtemps il y a que je viz en espoir Anonymous Appears on: 141 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Longtemps il y a que je viz en espoir
141	Missa Beata Virgine = Missa Coronata 3.3: Gloria (excerpt: Cum sancto spiritu)	Josquin de Pres/ [La Rue]	Despres, Josquin (ca. 1450–1521)
Missa Beata Virgine = Missa Coronata 3.3: Gloria (excerpt: Cum sancto spiritu) Despres, Josquin (ca. 1450–1521) Appears on: 141 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: Josquin de Pres/ [La Rue] Voice: [no designation] Languages: Latin Voice Text: Cum sancto spiritu from Missa De beata Virgine 3.3 General Note Cum snacto spiritu only
141v	J'ai le desir content et leffect resolu	[Sermisy]	Sermisy, Claudin de (ca. 1490–1562)
J'ai le desir content et leffect resolu Sermisy, Claudin de (ca. 1490–1562) Appears on: 141v Genres: Chanson Source Attribution: [Sermisy] Voice: [no designation] Languages: French Voice Text: Jay le desir content et leffect resolu
141v	Puisque fortune a sur moi entrepris	[Sermisy]	Sermisy, Claudin de (ca. 1490–1562)
Puisque fortune a sur moi entrepris Sermisy, Claudin de (ca. 1490–1562) Appears on: 141v Genres: Chanson Source Attribution: [Sermisy] Voice: [no designation] Languages: French Voice Text: Puis que fortune a sur moy entrepris
142	C'est grand pitié quand argent fault	Anon.	Anonymous
C'est grand pitié quand argent fault Anonymous Appears on: 142 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Cest grant pitie quant argent fault
142	En languissant je meurs sans esperance	Anon.	Anonymous
En languissant je meurs sans esperance Anonymous Appears on: 142 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: En languissant je meurs sans esperance
142v	N'auray je jamais reconfort de vous	[Jacotin]	Jacotin, Jacques (1445–1529)
N'auray je jamais reconfort de vous Jacotin, Jacques (1445–1529) Appears on: 142v Genres: Chanson Source Attribution: [Jacotin] Voice: [no designation] Languages: French Voice Text: Nauray je jamais reconfort de vous
142v	Si j'ai pour vous mon avoir despendu	[Sermisy]	Sermisy, Claudin de (ca. 1490–1562)
Si j'ai pour vous mon avoir despendu Sermisy, Claudin de (ca. 1490–1562) Appears on: 142v Genres: Chanson Source Attribution: [Sermisy] Voice: [no designation] Languages: French Voice Text: Sy jay pour vous [mon avoir despendu]
143	C'est grand erreur de cuider presumer	Anon.	Anonymous
C'est grand erreur de cuider presumer Anonymous Appears on: 143 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Cest grant erreur de cuider presumer
143	Herte en zinne no further text	Anon.	Anonymous
Herte en zinne no further text Anonymous Appears on: 143 Genres: Song Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Herte en zinne [no further text]
143v	Du feu d'amours je suis si tres espris	[Jacotin]	Jacotin, Jacques (1445–1529)
Du feu d'amours je suis si tres espris Jacotin, Jacques (1445–1529) Appears on: 143v Genres: Chanson Source Attribution: [Jacotin] Voice: [no designation] Languages: French Voice Text: Du f[e]u damours [je suis si tres espris]
143v	Las je my plains mauldicte soyt fortune	[Sermisy]	Sermisy, Claudin de (ca. 1490–1562)
Las je my plains mauldicte soyt fortune Sermisy, Claudin de (ca. 1490–1562) Appears on: 143v Genres: Chanson Source Attribution: [Sermisy] Voice: [no designation] Languages: French Voice Text: Las je my plains mauldicte soyt fortune
144	Au pres de vous secretement demeure	[Jacotin/Sermisy]	Sermisy, Claudin de (ca. 1490–1562)
Au pres de vous secretement demeure Sermisy, Claudin de (ca. 1490–1562) Appears on: 144 Genres: Chanson Source Attribution: [Jacotin/Sermisy] Voice: [no designation] Languages: French Voice Text: Aupres de vous secretement demuere
144	Vivray je tousjours en soucy pour vous	[Sermisy]	Sermisy, Claudin de (ca. 1490–1562)
Vivray je tousjours en soucy pour vous Sermisy, Claudin de (ca. 1490–1562) Appears on: 144 Genres: Chanson Source Attribution: [Sermisy] Voice: [no designation] Languages: French Voice Text: Vivray je tousjours [en soucy pour vous]
144v	For[s] seullement l'attente que je meure	Anon.	Anonymous
For[s] seullement l'attente que je meure Anonymous Appears on: 144v Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Forseullement [l'attente que je meure]
144v	Hors envieulx retirez vous d'ici	Gombert	Gombert, Nicolas (ca. 1495–ca. 1560)
Hors envieulx retirez vous d'ici Gombert, Nicolas (ca. 1495–ca. 1560) Appears on: 144v Genres: Chanson Source Attribution: Gombert Voice: [no designation] Languages: French Voice Text: Hors envieulx retirez vous dicy
145	Contraincte suis de reveler tous mes secrets	Johannes Lupi	Lupi, Johannes (ca. 1506–1539)
Contraincte suis de reveler tous mes secrets Lupi, Johannes (ca. 1506–1539) Appears on: 145 Genres: Chanson Source Attribution: Johannes Lupi Voice: [no designation] Languages: French Voice Text: Contraincte suis de reveler tous mes secretz
145	Puis qu'en amours a si grant passetemps	[Sermisy]	Sermisy, Claudin de (ca. 1490–1562)
Puis qu'en amours a si grant passetemps Sermisy, Claudin de (ca. 1490–1562) Appears on: 145 Genres: Chanson Source Attribution: [Sermisy] Voice: [no designation] Languages: French Voice Text: Puis quen amours a si grant passetemps
145v	Triste pensif par le pourchas de rigeur	[Alaire]	Alaire (fl. 1534–49)
Triste pensif par le pourchas de rigeur Alaire (fl. 1534–49) Appears on: 145v Genres: Chanson Source Attribution: [Alaire] Voice: [no designation] Languages: French Voice Text: Triste pensif par le pourchas de rigeur
145v	A gouverner femmes a fort afaire difficil	Anon.	Anonymous
A gouverner femmes a fort afaire difficil Anonymous Appears on: 145v Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: A gouverner femmes a fort afaire difficil
146	Jamais n'aimerai machon je suis trop belle	[Mouton]	Mouton, Jean (ca. 1459–1522)
Jamais n'aimerai machon je suis trop belle Mouton, Jean (ca. 1459–1522) Appears on: 146 Genres: Chanson Source Attribution: [Mouton] Voice: [no designation] Languages: French Voice Text: Jamais naimeray Machon je suis trop belle
146	Pavane	Anon.	Anonymous
Pavane Anonymous Appears on: 146 Genres: Dance Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Pavane

Composer	Compositions
Alaire (fl. 1534–49)	Cruelle mort qui de riens est contente – 139v Triste pensif par le pourchas de rigeur – 145v
Anonymous	A gouverner femmes a fort afaire difficil – 145v A mes ennuyz que si longtemps je porte – 127 Amour faut trop qui bien sense de faire – 17 Autre Basse danche – 138 Ave regina caelorum - 1a pars (of 2): Ave regina caelorum ave domina angelorum – 132v Ave regina caelorum - 2a pars (of 2): Gaude gloriosa super omnis speciosa – 132v Basse danche – 138 Beata progenies - 1a pars (of 2): Beata progenies unde Christus natus es – 87v Beata progenies - 2a pars (of 2): Tu que nostris precibus mundas – 88 C'est grand erreur de cuider presumer – 143 C'est grand pitié quand argent fault – 142 Candida Phebeus - 1a pars (of 2): Candida Phebeus moneas auxelia plectrum – 41v Candida Phebeus - 2a pars (of 2): Et chorus arguto concorditer assonat – 42 Ces facheux sots qui mesdisent d'aymer – 139 Christum ascendentem - 1a pars (of 2): Christum ascendentem in caelum venite – 78v Christum ascendentem - 2a pars (of 2): Omnis pulchritudo Domini exaltata – 79 Contre raison vous m'êtes fort étrange – 43 De retourner mon ami je te prie – 124 Den sin verblyt als ic by huer – 130v Dieu, c'est le temps et je le sens assez – 133 Domine Deus Sabaoth omnium dignatum – 36 Druck en verdriet hebbe ic ontfanghen – 108v En languissant je meurs sans esperance – 142 En non sachant ce qu'il lui fault – 120v En souspirant les griefz souspirs d'amours – 43 Felix Anna - 1a pars (of 2): Felix Anna quaedam matrona legitima – 47 Felix Anna - 2a pars (of 2): Sancta Anna ora pro nobis – 47 For[s] seullement l'attente que je meure – 144v Fortune hellas tu ma mys en oubly – 140 Frere grisart a jure que bon hermite – 78 Gaude virgo Katharina - 1a pars (of 2): Gaude virgo Katharina quam refulsit lux – 107v Gaude virgo Katharina - 2a pars (of 2): Gaude quia convertisti sponsum – 108 Ghequest ben ic van hinnen duerwont – 3v Herte en zinne no further text – 143 Hic est vere propheta - 1a pars (of 2): Hic est vere propheta et plus quam propheta – 89v Hic est vere propheta - 2a pars (of 2): Elizabeth Zacharie magnum virum – 90 Homo quidam - 1a pars (of 2): Homo quidam fecit caenam magnam et misit – 92v Homo quidam - 2a pars (of 2): Ite ergo ad exitus viarum – 93 Ignosce Domine - 1a pars (of 2): Ignosce Domine que rogare compellor – 34v Ignosce Domine - 2a pars (of 2): Ignosce misterii tui secreta – 35 Inghelandt en Ghendt – 114 Je ne puis plus et nay qui me sequeure – 14v Je vous requiers ma cherre dame – 78 Just et amer de vous la specieuse – 137 La Fasana Pavane – 137 La buissonette – 69v Las ostes moi les douleurs qui jendure – 72 Las pourquoi m'este vous si duere – 65 Longtemps il y a que je viz en espoir – 141 Missa Cest doncq par moi: Agnus Dei – 22v–23 Missa Cest doncq par moi: Credo – 20v–21 Missa Cest doncq par moi: Gloria – 20 Missa Cest doncq par moi: Kyrie – 19v Missa Cest doncq par moi: Sanctus – 21v–22 Missa Christus resurgens: Agnus Dei – 6v Missa Christus resurgens: Credo – 5–5v Missa Christus resurgens: Gloria – 4v Missa Christus resurgens: Kyrie – 4 Missa Christus resurgens: Sanctus – 6 Mourir daimer a dame sy jolye – 122v Myn hertken heeft altijts verlanghen – 23v Nisi quia Dominus - 1a pars (of 2): Nisi quia Dominus erat in nobis dicat nunc – 104v Nisi quia Dominus - 2a pars (of 2): Benedictus Dominus qui non dedit nos – 105 O bone Jesu - 1a pars (of 2): O bone Jesu duo in me cognosco naturam – 39v O bone Jesu - 2a pars (of 2): Memento quia sum spiritus vadens – 39v Pavane – 118v Pavane – 135v Pavane – 146 Pavane – 136v Pavane La Rote – 136 Pereat dies - 1a pars (of 2): Pereat dies in qua natus sum et vox – 91v Pereat dies - 2a pars (of 2): Obscurent eam tenebre et umbra – 92 Plaisir me fuit et ennuie me consolle – 125 Pour parvenir a che que je pretens – 134v Pour se garder de soif avoir fault – 53v Preludium – 130 Puer natus est - 1a pars (of 2): Puer natus est nobis et filius datus est – 54v Puer natus est - 2a pars (of 2): Cantate Domino canticum novum – 55 Quam pulchra es - 1a pars (of 2): Quam pulchra es amica mea columba mea – 33v Quam pulchra es - 2a pars (of 2): Labia tua distilantia guttur tuum – 33v Quant tu chanteras pour ton ennuy passer – 119 Quesse d'amours bien le vouldroye scavoir – 32v–33 Salve quadruplicem - 1a pars (of 2): Salve quadruplicem gestans Godelena – 40v Salve quadruplicem - 2a pars (of 2): Sicque maneus niveo rege Christo – 41 Si bona suscepimus - 1a pars (of 2): Si bona suscepimus de manu Domini – 100v Si bona suscepimus - 2a pars (of 2): Nudus egressus sum de utero matris – 101 Si la nature en la diversite se resiouist – 122 Si mon malheur me continue je ne sais pas – 133 Sire dont dieu tant ilz sont aises – 138v Trop m'est dure la longue demouree – 116v Ung visage coperose estincelles – 114 Veullant aymer on me peult parvenir – 44 Vidi Jerusalem - 1a pars (of 2): Vidi Jerusalem descendentem de caelo – 72v Vidi Jerusalem - 2a pars (of 2): Ecce tabernaculum Dei cum hominibus – 73 Vignon vingenette qui te planta il fut – 125v Virgo mater salvatoris - 1a pars (of 2): Virgo mater salvatoris et si verbum – 80v Virgo mater salvatoris - 2a pars (of 2): Virgo concepit virgo peperit – 81 Vivons en paix tous leaulx amoureux – 57 Vous marchez du bout du pied marionnette – 45v [No description] – [ii]–[iv]
Appenzeller, Benedictus (ca. 1480–ca. 1558)	A vous me rends comme celle du monde – 87 Au fons denfer voire en plus grief – 122v Considerant que par droite mesure le tout – 16 Contre raison pour t'aimer je define – 120 (?) Da pacem Domine in diebus nostris – 70v–71 De moi narez aucun alligement une pensee – 42v (?) Domini est terra 16.12 - 1a pars (of 2): Domini est terra et plenitudo eius – 38v (?) Domini est terra 16.12 - 2a pars (of 2): Haec est generatio querentium – 39 Humble se tient soubz vostre haultesse – 117v Morir daimer a dame si jolye – 108v Musae Jovis - 1a pars (of 2): Musae Jovis ter maximi proles canora – 131v Musae Jovis - 2a pars (of 2): Severa mors et improba qua templa – 132 Pavane – 137v Petite fleur coynte jolye las dictes moi – 46 Pourquoi languir me viens tu assaillir – 117 Qui lara la gentille brunette laultre jours – 122 Se dire je l'osoie d'ou me vient le souffrir – 15 Si je n'estois malheureux de nature – 46 Tant voeullies vostre amant secourir – 87
Baston, Josquin (fl. 1542–63)	(?) Je prens en gre le dure mort (4vv) – 139
Cabillau	En esperant de pervenir a la myenne fantazie – 44
Clemens non Papa, Jacob (ca. 1510–ca. 1556)	(?) Je prens en gre le dure mort (4vv) – 139 (?) Laqueus contritus - 1a pars (of 2): Laqueus contritus est nos liberati sumus – 114v (?) Laqueus contritus - 2a pars (of 2): Tribulationem et dolorem inveni – 115 Laus Deo pax vivis – 130
Compère, Loyset (ca. 1445–1518)	Propter gravamen - 1a pars (of 2): Propter gravamen et tormentum que torquebatur – 71v Propter gravamen - 2a pars (of 2): Et subvenii in hora ultima – 72
Conseil, Jean (ca. 1498–1534)	A bien parler que c'est d'amours aucuns – 45v A bien parler que c'est d'amours aucuns – 23v (?) Benedictus Dominus Deus Israel - 1a pars (of 2): Benedictus Dominus Deus Israel – 48 (?) Benedictus Dominus Deus Israel - 2a pars (of 2): Honor virtus et potestas – 48 Pater peccavi - 1a pars (of 2): Pater peccavi in caelum et coram te – 93v Pater peccavi - 2a pars (of 2): Quanti mercenarii in domo patris – 93v Si de nouveau j'ai nouvelles colleurs – 128v
Cornets, Pe. de	Resveille toy francq coeur joyeulx – 133v
Courtois, Jean (fl. 1530-1545)	Domine quis habitabit - 1a pars (of 2): Domine quis habitabit in tabernaculo suo – 109 Domine quis habitabit - 2a pars (of 2): Ad nihilum deductus est in conspectu – 109v Missa Domine quis habitabit: Agnus Dei – 113–113v Missa Domine quis habitabit: Credo – 111v–112 Missa Domine quis habitabit: Gloria – 110v–111 Missa Domine quis habitabit: Kyrie – 110 Missa Domine quis habitabit: Sanctus – 112v–113 Si par souffrir on peult vaincre fortune – 123v
Craen, Nicolaus (ca. 1440–1502)	(?) Osculetur me osculo oris sui quia meliora (= Ecce video caelos apertos 19.2) – 85v
Crecquillon, Thomas (ca. 1505–ca. 1557)	En esperant espoir me desespere tant – 6v (?) Forche sera sy de brief nay secours – 121 Qui la dira la paine de mon coeur – 126 (?) Vous perdez temps de me dire mal d'elle – 123
D'Oude Schere	De tous biens plaine est ma maîtresse – 46v
Despres, Josquin (ca. 1450–1521)	(?) Congratulamini mihi 26.3 - 1a pars (of 2) Congratulamini mihi omnes qui diligitis – 103v (?) Congratulamini mihi 26.3 - 2a pars (of 2): Tulerunt Dominum meum et nescio ubi – 104 (?) Domini est terra 16.12 - 1a pars (of 2): Domini est terra et plenitudo eius – 38v (?) Domini est terra 16.12 - 2a pars (of 2): Haec est generatio querentium – 39 (?) In illo tempore Maria Magdalene - 1a pars (of 2): In illo tempore Maria Magdalene Jacobi et Salome – 102v (?) In illo tempore Maria Magdalene - 2a pars (of 2): Dic nobis Maria quid vidisti – 103 Mille regrets de vous abandonner 28.24 – 131 Missa Beata Virgine = Missa Coronata 3.3: Gloria (excerpt: Cum sancto spiritu) – 141 (?) Osculetur me osculo oris sui quia meliora (= Ecce video caelos apertos 19.2) – 85v Qui habitat 18.7 - 1a pars (of 2): Qui habitat in adjutorio altissimi – 105v Qui habitat 18.7 - 2a pars (of 2): Non accedat ad te malum – 106 (?) Tua est potentia tuum regnum Dominus 26.17 – 94 Vivrai je tousjours en telle paine 28.36 – 15v Vultum tuum 25.14 - 3a pars (of 7): O intemerata virgo que redemptorem – 86v Vultum tuum 25.14 - 4a pars (of 7): O Maria nullam tam gravem possimus – 86v
Ducrocq	Quam pulchra es - 1a pars (of 2): Quam pulchra es et quam decora carissima – 54 Quam pulchra es - 2a pars (of 2): Veni dilecte mi egrediamur in agris – 54
Ferrara, Maistre Jhan of (ca. 1485–1538)	Ave stella matutina - 1a pars (of 2): Ave stella matutina mundi princeps – 101v Ave stella matutina - 2a pars (of 2): Tu es area compluta caelesti rore – 102
Fevin, Antoine de (ca. 1470–ca. 1512)	Sancta Trinitas unus Deus miserere nobis (4vv) – 118
Gascongne, Mathieu (?Johannes) (fl. 1517-1518)	Missa Mijn herte altijt heeft verlanghen: Agnus Dei – 27v Missa Mijn herte altijt heeft verlanghen: Credo – 25v–26v Missa Mijn herte altijt heeft verlanghen: Gloria – 24v–25 Missa Mijn herte altijt heeft verlanghen: Kyrie – 24 Missa Mijn herte altijt heeft verlanghen: Sanctus – 27–27v
Gerard, Jacques	(?) Tous mes amis venez ma plainte ouyr – 127v
Gerarde, Derrick (fl. c1540–1580)	(?) Tous mes amis venez ma plainte ouyr – 127v
Gombert, Nicolas (ca. 1495–ca. 1560)	Ave sanctissima Maria mater Dei regina – [iv] v Celuy a qui mon coeur fust departi – 124v En espoir davoir mieulx il fault avoir – 40 (?) Forche sera sy de brief nay secours – 121 Fuit homo missus a Deo - 1a pars (of 2): Fuit homo missus a Deo – 89 Fuit homo missus a Deo - 2a pars (of 2): Hic precursor et dilectus – 89 Hors envieulx retirez vous d'ici – 144v (?) Laqueus contritus - 1a pars (of 2): Laqueus contritus est nos liberati sumus – 114v (?) Laqueus contritus - 2a pars (of 2): Tribulationem et dolorem inveni – 115 Plus en sera garde de ma jonesse – 14v (?) Sancta et immaculata (1) - 1a pars (of 2): Sancta et immaculata virginitas – 88v (?) Sancta et immaculata (1) - 2a pars (of 2): Benedicta tu in mulieribus – 88v Si je me plains et meine grand tristesse – 42 Surge Petre - 1a pars (of 2): Surge Petre et indue te vestimentis tuis – 139v Surge Petre - 2a pars (of 2): Angelus Domini astitit et lumen refulsit – 140 (?) Vostre beaulte plaisant et lyé me donne recreation – 121
Guyon, Jean (ca. 1514–ca. 1574)	De nous deux coeurs soit seulle voulenté – 40
Hellinck, Lupus (ca. 1494–1541)	(?) Missa Quem dicunt homines: Agnus Dei – 32–32v (?) Missa Quem dicunt homines: Credo – 30v–31 (?) Missa Quem dicunt homines: Gloria – 29v–30 (?) Missa Quem dicunt homines: Kyrie – 29 (?) Missa Quem dicunt homines: Sanctus – 31v–32 Missa Virgo mater salvatoris: Agnus Dei – 84v–85 Missa Virgo mater salvatoris: Credo – 82v–83v Missa Virgo mater salvatoris: Gloria – 82 Missa Virgo mater salvatoris: Kyrie – 81v Missa Virgo mater salvatoris: Sanctus – 84–84v Panis quem ego dabo - 1a pars (of 2): Panis quem ego dabo – 56v Panis quem ego dabo - 2a pars (of 2): Locutus est populus ad Dominum – 57 (?) Vostre beaulte plaisant et lyé me donne recreation – 121
Hesdin, Nicolle des Celliers de (–1538)	(?) Grace et vertu bonté beaulté noblesse – 34 (?) Sancta et immaculata (1) - 1a pars (of 2): Sancta et immaculata virginitas – 88v (?) Sancta et immaculata (1) - 2a pars (of 2): Benedicta tu in mulieribus – 88v
Heurteur, Guillaume le (fl. 1530-1545)	(?) Nisi Dominus - 1a pars (of 2): Nisi Dominus aedificaverit domum in vanum – 2v (?) Nisi Dominus - 2a pars (of 2): Cum dederit delectis suis somnum – 3
Hollande, Johannes de (fl. c1538-1553)	Descendit angelus - 1a pars (of 2): Descendit angelus Domini ad Zachariam – 63v Descendit angelus - 2a pars (of 2): Ne timeas Zacharia exaudita est – 64 O coeur ingrat O fraude terrenne – 128 On a mal dit de mon amy – 129 (?) Paine et traveil au lieu desbatement – 135v Si tu te plains d'amours tant seullement – 131
Hollander, Christian	(?) Paine et traveil au lieu desbatement – 135v
Hondt, Gheerkin de (fl. 1539–1547)	(?) A vous me rends comme celle du monde – 134 Benedicite Dominus nos et ea quaesumus – 125v Contre raison pour t'aimer je define – 121v D'un parfond coeur j'ai crié a toi – 70 (?) Dum penderet Petrus - 1a pars (of 2): Dum penderet Petrus in cruce venit turba – 79v (?) Dum penderet Petrus - 2a pars (of 2): Gratias ago tibi domine pastor – 80 Helas malheur prens tu contentement – 119v Het was my wel te vooren gheseyt – 136 Inclina domine - 1a pars (of 2): Inclina domine aurem tuam et exuadi me – 99v Inclina domine - 2a pars (of 2): Quia misericordia tua magna est – 100 Je me repens de vous avoir aimée – 63 Jubilate Deo - 1a pars (of 2): Jubilate Deo omnis terra servite Domino – 90v Jubilate Deo - 2a pars (of 2): Laudate nomen eius quoniam suavis – 91 Languer d'amours mest survenie par trop – 42v Missa Benedictus Dominus Deus Israel: Agnus Dei – 52v Missa Benedictus Dominus Deus Israel: Credo – 50v–51v Missa Benedictus Dominus Deus Israel: Gloria – 49v–50 Missa Benedictus Dominus Deus Israel: Kyrie – 48v–49 Missa Benedictus Dominus Deus Israel: Sanctus – 52–52v Missa Panis quem ego dabo: Agnus Dei – 62–62v Missa Panis quem ego dabo: Credo – 59v–61 Missa Panis quem ego dabo: Gloria – 58v–59 Missa Panis quem ego dabo: Kyrie – 57v–58 Missa Panis quem ego dabo: Sanctus – 61–61v Missa Vidi Jerusalem: Credo – 75v–77 Missa Vidi Jerusalem: Gloria – 74v–75 Missa Vidi Jerusalem: Kyrie – 73v–74 Missa Vidi Jerusalem: Sanctus – 77–77v Mon petit coeur n'est point a moi – 46v Vox dicentis clama - 1a pars (of 2): Vox dicentis clama quid clamabo omnis – 47v Vox dicentis clama - 2a pars (of 2): Exsiccatum est fenum et cecidit – 47v
Jacotin, Jacques (1445–1529)	Du feu d'amours je suis si tres espris – 143v N'auray je jamais reconfort de vous – 142v
Janequin, Clement (ca. 1485–ca. 1558)	(?) C'est donc par moy que je suis fortune – 19 Chantons sonnons trompettes tabourins – 125 Escoutez tous gentils (= La guerre, La bataille de Marignan) - 1a pars (of 2): Escoutez tous gentils – 16v–17 Escoutez tous gentils (= La guerre, La bataille de Marignan) - 2a pars (of 2): Fan, fere, lere, fan, lan – 17v–19 (?) Je prens en gre le dure mort (4vv) – 139 (?) Sancte Barbe mon con mon compere – 45
Lapperdey, Phelips	Missa Nisi Dominus: Credo – 12v–13 Missa Nisi Dominus: Gloria – 11v–12 Missa Nisi Dominus: Kyrie – 11 Missa Nisi Dominus: Sanctus – 13v–14 Pour avoir mis – 124v
Lheritier, Jean (ca. 1480–ca. 1551)	(?) Nisi Dominus - 1a pars (of 2): Nisi Dominus aedificaverit domum in vanum – 2v (?) Nisi Dominus - 2a pars (of 2): Cum dederit delectis suis somnum – 3
Lupi, Johannes (ca. 1506–1539)	Benedictus Dominus Deus Israel - 1a pars (of 2): Benedictus Dominus Deus Israel – 48 Benedictus Dominus Deus Israel - 2a pars (of 2): Honor virtus et potestas – 48 C'est une dure despartie de celui – 43v Contraincte suis de reveler tous mes secrets – 145 Mon povre coeur plain de douleur – 15 (?) Quam pulchra es - 1a pars (of 2): Quam pulchra es et quam decora – 36v (?) Quam pulchra es - 2a pars (of 2): Veni dilecte mi egrediamur in agrum – 37 (?) Quam pulchra est - 1a pars (of 2): Quam pulchra est et quam decora – 115v (?) Quam pulchra est - 2a pars (of 2): Veni dilecte mi – 116 Reviens vers moi - 1a pars (of 2): Reviens vers moi qui suis tant desolee – 123v Reviens vers moi - 2a pars (of 2): Plus revenir me puis vers toy – 124 Spes salutis - 1a pars (of 2): Spes salutis pacis portus vas virtutis – 106v Spes salutis - 2a pars (of 2): Tu es enim decus honestatis – 107 Vrai dieu que amoureux on de paine – 127v
Maillard, Jean (fl. c1538–1570)	(?) Sancte Barbe mon con mon compere – 45
Moulu, Pierre (ca. 1484–ca. 1550)	(?) Surge Petre - 1a pars (of 2): Surge Petre et indue te vestimentis tuis – 139v (?) Surge Petre - 2a pars (of 2): Angelus Domini astitit et lumen refulsit – 140
Mouton, Jean (ca. 1459–1522)	(?) Christus resurgens - 1a pars (of 2): Christus resurgens ex mortuis – 1 (?) Christus resurgens - 2a pars (of 2): Mortuus est enim propter delicta – 1 Gaude Barbara beata - 1a pars (of 2): Gaude Barbara beata summe polens – 1v Gaude Barbara beata - 2a pars (of 2): Gaude quia meruisti impetrare – 2 (?) In illo tempore Maria Magdalene - 1a pars (of 2): In illo tempore Maria Magdalene Jacobi et Salome – 102v (?) In illo tempore Maria Magdalene - 2a pars (of 2): Dic nobis Maria quid vidisti – 103 Jamais n'aimerai machon je suis trop belle – 146 (?) Languir me fais sans t'avoir offensé – 134 Missa Tua est potentia: Agnus Dei – 99 Missa Tua est potentia: Credo – 96v–97v Missa Tua est potentia: Gloria – 95–96 Missa Tua est potentia: Kyrie – 94v Missa Tua est potentia: Sanctus – 98–98v Quam pulchra es - 1a pars (of 2): Quam pulchra es et quam decora – 36v Quam pulchra es - 2a pars (of 2): Veni dilecte mi egrediamur in agrum – 37 Rejouissez vous borgeses belles filles de Lion – 126v (?) Surge Petre - 1a pars (of 2): Surge Petre et indue te vestimentis tuis – 139v (?) Surge Petre - 2a pars (of 2): Angelus Domini astitit et lumen refulsit – 140 Tua est potentia tuum regnum Dominus 26.17 – 94
Obrecht, Jacobus (ca. 1457–1505)	(?) Mijn herz altijt heeft verlanghen – 44v (?) Si oblitus fuero - 1a pars (of 2): Si oblitus fuero tui Jerusalem alleluia – 37v (?) Si oblitus fuero - 2a pars (of 2): Decantabat populus laudes – 38
Passereau, Pierre (fl. c1509–1547)	Che fut d'amour dont je fus abusee – 127 (?) Sancte Barbe mon con mon compere – 45
Pathie, Rogier (ca. 1510–ca. 1564)	D'amour me plains et non de vous m'amie – 130v (?) Je prens en gre le dure mort (4vv) – 139
Petit, Nino le (fl. c1500)	(?) C'est donc par moy que je suis fortune – 19 (?) Si oblitus fuero - 1a pars (of 2): Si oblitus fuero tui Jerusalem alleluia – 37v (?) Si oblitus fuero - 2a pars (of 2): Decantabat populus laudes – 38
Pipelare, Mattheus (ca. 1450–ca. 1515)	Ic weedt eene muelenarinne van herten – 123
Prioris, Johannes (Denis, Dionisius) (–1515)	Dulcis amica Dei rosa vernans stella – 133v
Raedt, Pierquin de (fl. c1516)	(?) Missa Quem dicunt homines: Agnus Dei – 32–32v (?) Missa Quem dicunt homines: Credo – 30v–31 (?) Missa Quem dicunt homines: Gloria – 29v–30 (?) Missa Quem dicunt homines: Kyrie – 29 (?) Missa Quem dicunt homines: Sanctus – 31v–32
Reux, Jacobus de	Domine quis habitabit - 1a pars (of 2): Domine quis habitabit in tabernaculo tuo – 55v Domine quis habitabit - 2a pars (of 2): Ad nihilum deductus est in conspectu – 56
Richafort, Jean (ca. 1480–ca. 1550)	(?) Christus resurgens - 1a pars (of 2): Christus resurgens ex mortuis – 1 (?) Christus resurgens - 2a pars (of 2): Mortuus est enim propter delicta – 1 (?) Congratulamini mihi 26.3 - 1a pars (of 2) Congratulamini mihi omnes qui diligitis – 103v (?) Congratulamini mihi 26.3 - 2a pars (of 2): Tulerunt Dominum meum et nescio ubi – 104 De mon triste desplaisir a vous belle – 126 Emendemus in melius - 1a pars (of 2): Emendemus in melius quae ignoranter – 64v Emendemus in melius - 2a pars (of 2): Peccavimus cum patribus nostris – 65 Il n'est si doulce vie que de joyeussete – 130 Philomena praevia - 1a pars (of 2): Philomena praevia temporis ameni que decessum – 35v Philomena praevia - 2a pars (of 2): Veni dulcis amica mea noctis solatia – 35v Quem dicunt homines - 1a pars (of 2): Quem dicunt homines – 28 Quem dicunt homines - 2a pars (of 2): Petre diligis me qui respondit – 28v Sur tous regrets les miens plus piteulz – 43v
Rocourt, Pierre de (fl. c1540–1550)	Je me contente d'avoir aimé sans avoir joyssance – 120v
Roquellay	(?) Grace et vertu bonté beaulté noblesse – 34
Rore, Cipriano de (ca. 1515–1565)	Vous scavez bien madame souveraine – 45
Rue, Pierre de la (ca. 1452–1518)	(?) Mijn herz altijt heeft verlanghen – 44v
Sandrin, Pierre (ca. 1490–ca. 1560)	(?) Vous perdez temps de me dire mal d'elle – 123
Sermisy, Claudin de (ca. 1490–1562)	Amour passion increable qui ma si toust – 128 Au pres de vous secretement demeure – 144 C'est a grant tort que moi povrette endure – 137v Congregati sunt - 1a pars (of 2): Congregati sunt inimici nostri et gloriantur – 140v Congregati sunt - 2a pars (of 2): Disperge illos in virtute tua – 140v Il me suffit de tous mes maulx – 15v J'ai le desir content et leffect resolu – 141v Jamais un coeur qui d'amour est navre – 129 Jouissance vous donnerai, mon ami – 138v (?) Languir me fais sans t'avoir offensé – 134 Las je my plains mauldicte soyt fortune – 143v Les yeulx bendez de triste cognoissanche – 129v Maulgre moi viz et en vivant je meurs – 34 (?) Nisi Dominus - 1a pars (of 2): Nisi Dominus aedificaverit domum in vanum – 2v (?) Nisi Dominus - 2a pars (of 2): Cum dederit delectis suis somnum – 3 Puis qu'en amours a si grant passetemps – 145 Puisque fortune a sur moi entrepris – 141v Si j'ai pour vous mon avoir despendu – 142v Si le vouloir adoulcit la douleur – 90 Tant que vivrai - 1a pars (of 2): Tant que vivrai en age florissant – 126v (?) Tant que vivrai - 2a pars (of 2): Puisque deux coeurs y a vraie union – 129v Viens tost despiteulx desconfort – 44v Vivray je tousjours en soucy pour vous – 144 (?) Vous perdez temps de me dire mal d'elle – 123
Verdelot, Philippe (ca. 1480–ca. 1532)	(?) Da pacem Domine in diebus nostris – 70v–71 Donna leggiadra e bella che con le vostre – 135 (?) Ognun si duol d'amore io me ne lodo – 134v (?) Quam pulchra est - 1a pars (of 2): Quam pulchra est et quam decora – 115v (?) Quam pulchra est - 2a pars (of 2): Veni dilecte mi – 116 Se l'ardor fusse eguale – 135 (?) Surge Petre - 1a pars (of 2): Surge Petre et indue te vestimentis tuis – 139v (?) Surge Petre - 2a pars (of 2): Angelus Domini astitit et lumen refulsit – 140 Tanto tempore vobiscum sum et non cognovistis – 3v
Vinders, Jheronimus (fl. c1525-1526)	Domini est terra 16.12 - 1a pars (of 2): Domini est terra et plenitudo eius – 38v Domini est terra 16.12 - 2a pars (of 2): Haec est generatio querentium – 39
Willaert, Adrian (ca. 1490–1562)	(?) A vous me rends comme celle du monde – 134 (?) C'est donc par moy que je suis fortune – 19 Da pacem domine in diebus nostris – 128v Dulces exuviae dum fata Deusque (4vv) – 136v Missa Christus resurgens: Credo – 67v–68 Missa Christus resurgens: Gloria – 66v–67 Missa Christus resurgens: Kyrie – 65v–66 Missa Christus resurgens: Sanctus – 68v–69 Missa Gaude Barbara: Agnus Dei – 10–10v Missa Gaude Barbara: Credo – 8v–9 Missa Gaude Barbara: Gloria – 7v–8 Missa Gaude Barbara: Kyrie – 7 Missa Gaude Barbara: Sanctus – 9v–10 Mon petit coeur n'est point a moi – 86
le Brun, Jean (fl. early 16th century)	(?) Congratulamini mihi 26.3 - 1a pars (of 2) Congratulamini mihi omnes qui diligitis – 103v (?) Congratulamini mihi 26.3 - 2a pars (of 2): Tulerunt Dominum meum et nescio ubi – 104

Composition	Composers (? Uncertain)	Folios / Pages
A bien parler que c'est d'amours aucuns	Conseil, Jean (ca. 1498–1534)	23v
A bien parler que c'est d'amours aucuns	Conseil, Jean (ca. 1498–1534)	45v
A gouverner femmes a fort afaire difficil	Anonymous	145v
A mes ennuyz que si longtemps je porte	Anonymous	127
A vous me rends comme celle du monde	Appenzeller, Benedictus (ca. 1480–ca. 1558)	87
A vous me rends comme celle du monde	Hondt, Gheerkin de (fl. 1539–1547) (?) Willaert, Adrian (ca. 1490–1562) (?)	134
Amour faut trop qui bien sense de faire	Anonymous	17
Amour passion increable qui ma si toust	Sermisy, Claudin de (ca. 1490–1562)	128
Au fons denfer voire en plus grief	Appenzeller, Benedictus (ca. 1480–ca. 1558)	122v
Au pres de vous secretement demeure	Sermisy, Claudin de (ca. 1490–1562)	144
Autre Basse danche	Anonymous	138
Ave regina caelorum - 1a pars (of 2): Ave regina caelorum ave domina angelorum	Anonymous	132v
Ave regina caelorum - 2a pars (of 2): Gaude gloriosa super omnis speciosa	Anonymous	132v
Ave sanctissima Maria mater Dei regina	Gombert, Nicolas (ca. 1495–ca. 1560)	[iv] v
Ave stella matutina - 1a pars (of 2): Ave stella matutina mundi princeps	Ferrara, Maistre Jhan of (ca. 1485–1538)	101v
Ave stella matutina - 2a pars (of 2): Tu es area compluta caelesti rore	Ferrara, Maistre Jhan of (ca. 1485–1538)	102
Basse danche	Anonymous	138
Beata progenies - 1a pars (of 2): Beata progenies unde Christus natus es	Anonymous	87v
Beata progenies - 2a pars (of 2): Tu que nostris precibus mundas	Anonymous	88
Benedicite Dominus nos et ea quaesumus	Hondt, Gheerkin de (fl. 1539–1547)	125v
Benedictus Dominus Deus Israel - 1a pars (of 2): Benedictus Dominus Deus Israel	Conseil, Jean (ca. 1498–1534) (?) Lupi, Johannes (ca. 1506–1539)	48
Benedictus Dominus Deus Israel - 2a pars (of 2): Honor virtus et potestas	Lupi, Johannes (ca. 1506–1539) Conseil, Jean (ca. 1498–1534) (?)	48
C'est a grant tort que moi povrette endure	Sermisy, Claudin de (ca. 1490–1562)	137v
C'est donc par moy que je suis fortune	Willaert, Adrian (ca. 1490–1562) (?) Petit, Nino le (fl. c1500) (?) Janequin, Clement (ca. 1485–ca. 1558) (?)	19
C'est grand erreur de cuider presumer	Anonymous	143
C'est grand pitié quand argent fault	Anonymous	142
C'est une dure despartie de celui	Lupi, Johannes (ca. 1506–1539)	43v
Candida Phebeus - 1a pars (of 2): Candida Phebeus moneas auxelia plectrum	Anonymous	41v
Candida Phebeus - 2a pars (of 2): Et chorus arguto concorditer assonat	Anonymous	42
Celuy a qui mon coeur fust departi	Gombert, Nicolas (ca. 1495–ca. 1560)	124v
Ces facheux sots qui mesdisent d'aymer	Anonymous	139
Chantons sonnons trompettes tabourins	Janequin, Clement (ca. 1485–ca. 1558)	125
Che fut d'amour dont je fus abusee	Passereau, Pierre (fl. c1509–1547)	127
Christum ascendentem - 1a pars (of 2): Christum ascendentem in caelum venite	Anonymous	78v
Christum ascendentem - 2a pars (of 2): Omnis pulchritudo Domini exaltata	Anonymous	79
Christus resurgens - 1a pars (of 2): Christus resurgens ex mortuis	Richafort, Jean (ca. 1480–ca. 1550) (?) Mouton, Jean (ca. 1459–1522) (?)	1
Christus resurgens - 2a pars (of 2): Mortuus est enim propter delicta	Mouton, Jean (ca. 1459–1522) (?) Richafort, Jean (ca. 1480–ca. 1550) (?)	1
Congratulamini mihi 26.3 - 1a pars (of 2) Congratulamini mihi omnes qui diligitis	le Brun, Jean (fl. early 16th century) (?) Despres, Josquin (ca. 1450–1521) (?) Richafort, Jean (ca. 1480–ca. 1550) (?)	103v
Congratulamini mihi 26.3 - 2a pars (of 2): Tulerunt Dominum meum et nescio ubi	le Brun, Jean (fl. early 16th century) (?) Richafort, Jean (ca. 1480–ca. 1550) (?) Despres, Josquin (ca. 1450–1521) (?)	104
Congregati sunt - 1a pars (of 2): Congregati sunt inimici nostri et gloriantur	Sermisy, Claudin de (ca. 1490–1562)	140v
Congregati sunt - 2a pars (of 2): Disperge illos in virtute tua	Sermisy, Claudin de (ca. 1490–1562)	140v
Considerant que par droite mesure le tout	Appenzeller, Benedictus (ca. 1480–ca. 1558)	16
Contraincte suis de reveler tous mes secrets	Lupi, Johannes (ca. 1506–1539)	145
Contre raison pour t'aimer je define	Appenzeller, Benedictus (ca. 1480–ca. 1558)	120
Contre raison pour t'aimer je define	Hondt, Gheerkin de (fl. 1539–1547)	121v
Contre raison vous m'êtes fort étrange	Anonymous	43
Cruelle mort qui de riens est contente	Alaire (fl. 1534–49)	139v
D'amour me plains et non de vous m'amie	Pathie, Rogier (ca. 1510–ca. 1564)	130v
D'un parfond coeur j'ai crié a toi	Hondt, Gheerkin de (fl. 1539–1547)	70
Da pacem Domine in diebus nostris	Appenzeller, Benedictus (ca. 1480–ca. 1558) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?)	70v–71
Da pacem domine in diebus nostris	Willaert, Adrian (ca. 1490–1562)	128v
De moi narez aucun alligement une pensee	Appenzeller, Benedictus (ca. 1480–ca. 1558)	42v
De mon triste desplaisir a vous belle	Richafort, Jean (ca. 1480–ca. 1550)	126
De nous deux coeurs soit seulle voulenté	Guyon, Jean (ca. 1514–ca. 1574)	40
De retourner mon ami je te prie	Anonymous	124
De tous biens plaine est ma maîtresse	D'Oude Schere	46v
Den sin verblyt als ic by huer	Anonymous	130v
Descendit angelus - 1a pars (of 2): Descendit angelus Domini ad Zachariam	Hollande, Johannes de (fl. c1538-1553)	63v
Descendit angelus - 2a pars (of 2): Ne timeas Zacharia exaudita est	Hollande, Johannes de (fl. c1538-1553)	64
Dieu, c'est le temps et je le sens assez	Anonymous	133
Domine Deus Sabaoth omnium dignatum	Anonymous	36
Domine quis habitabit - 1a pars (of 2): Domine quis habitabit in tabernaculo suo	Courtois, Jean (fl. 1530-1545)	109
Domine quis habitabit - 1a pars (of 2): Domine quis habitabit in tabernaculo tuo	Reux, Jacobus de	55v
Domine quis habitabit - 2a pars (of 2): Ad nihilum deductus est in conspectu	Reux, Jacobus de	56
Domine quis habitabit - 2a pars (of 2): Ad nihilum deductus est in conspectu	Courtois, Jean (fl. 1530-1545)	109v
Domini est terra 16.12 - 1a pars (of 2): Domini est terra et plenitudo eius	Vinders, Jheronimus (fl. c1525-1526) Appenzeller, Benedictus (ca. 1480–ca. 1558) (?) Despres, Josquin (ca. 1450–1521) (?)	38v
Domini est terra 16.12 - 2a pars (of 2): Haec est generatio querentium	Despres, Josquin (ca. 1450–1521) (?) Appenzeller, Benedictus (ca. 1480–ca. 1558) (?) Vinders, Jheronimus (fl. c1525-1526)	39
Donna leggiadra e bella che con le vostre	Verdelot, Philippe (ca. 1480–ca. 1532)	135
Druck en verdriet hebbe ic ontfanghen	Anonymous	108v
Du feu d'amours je suis si tres espris	Jacotin, Jacques (1445–1529)	143v
Dulces exuviae dum fata Deusque (4vv)	Willaert, Adrian (ca. 1490–1562)	136v
Dulcis amica Dei rosa vernans stella	Prioris, Johannes (Denis, Dionisius) (–1515)	133v
Dum penderet Petrus - 1a pars (of 2): Dum penderet Petrus in cruce venit turba	Hondt, Gheerkin de (fl. 1539–1547) (?)	79v
Dum penderet Petrus - 2a pars (of 2): Gratias ago tibi domine pastor	Hondt, Gheerkin de (fl. 1539–1547) (?)	80
Emendemus in melius - 1a pars (of 2): Emendemus in melius quae ignoranter	Richafort, Jean (ca. 1480–ca. 1550)	64v
Emendemus in melius - 2a pars (of 2): Peccavimus cum patribus nostris	Richafort, Jean (ca. 1480–ca. 1550)	65
En esperant de pervenir a la myenne fantazie	Cabillau	44
En esperant espoir me desespere tant	Crecquillon, Thomas (ca. 1505–ca. 1557)	6v
En espoir davoir mieulx il fault avoir	Gombert, Nicolas (ca. 1495–ca. 1560)	40
En languissant je meurs sans esperance	Anonymous	142
En non sachant ce qu'il lui fault	Anonymous	120v
En souspirant les griefz souspirs d'amours	Anonymous	43
Escoutez tous gentils (= La guerre, La bataille de Marignan) - 1a pars (of 2): Escoutez tous gentils	Janequin, Clement (ca. 1485–ca. 1558)	16v–17
Escoutez tous gentils (= La guerre, La bataille de Marignan) - 2a pars (of 2): Fan, fere, lere, fan, lan	Janequin, Clement (ca. 1485–ca. 1558)	17v–19
Felix Anna - 1a pars (of 2): Felix Anna quaedam matrona legitima	Anonymous	47
Felix Anna - 2a pars (of 2): Sancta Anna ora pro nobis	Anonymous	47
For[s] seullement l'attente que je meure	Anonymous	144v
Forche sera sy de brief nay secours	Gombert, Nicolas (ca. 1495–ca. 1560) (?) Crecquillon, Thomas (ca. 1505–ca. 1557) (?)	121
Fortune hellas tu ma mys en oubly	Anonymous	140
Frere grisart a jure que bon hermite	Anonymous	78
Fuit homo missus a Deo - 1a pars (of 2): Fuit homo missus a Deo	Gombert, Nicolas (ca. 1495–ca. 1560)	89
Fuit homo missus a Deo - 2a pars (of 2): Hic precursor et dilectus	Gombert, Nicolas (ca. 1495–ca. 1560)	89
Gaude Barbara beata - 1a pars (of 2): Gaude Barbara beata summe polens	Mouton, Jean (ca. 1459–1522)	1v
Gaude Barbara beata - 2a pars (of 2): Gaude quia meruisti impetrare	Mouton, Jean (ca. 1459–1522)	2
Gaude virgo Katharina - 1a pars (of 2): Gaude virgo Katharina quam refulsit lux	Anonymous	107v
Gaude virgo Katharina - 2a pars (of 2): Gaude quia convertisti sponsum	Anonymous	108
Ghequest ben ic van hinnen duerwont	Anonymous	3v
Grace et vertu bonté beaulté noblesse	Roquellay (?) Hesdin, Nicolle des Celliers de (–1538) (?)	34
Helas malheur prens tu contentement	Hondt, Gheerkin de (fl. 1539–1547)	119v
Herte en zinne no further text	Anonymous	143
Het was my wel te vooren gheseyt	Hondt, Gheerkin de (fl. 1539–1547)	136
Hic est vere propheta - 1a pars (of 2): Hic est vere propheta et plus quam propheta	Anonymous	89v
Hic est vere propheta - 2a pars (of 2): Elizabeth Zacharie magnum virum	Anonymous	90
Homo quidam - 1a pars (of 2): Homo quidam fecit caenam magnam et misit	Anonymous	92v
Homo quidam - 2a pars (of 2): Ite ergo ad exitus viarum	Anonymous	93
Hors envieulx retirez vous d'ici	Gombert, Nicolas (ca. 1495–ca. 1560)	144v
Humble se tient soubz vostre haultesse	Appenzeller, Benedictus (ca. 1480–ca. 1558)	117v
Ic weedt eene muelenarinne van herten	Pipelare, Mattheus (ca. 1450–ca. 1515)	123
Ignosce Domine - 1a pars (of 2): Ignosce Domine que rogare compellor	Anonymous	34v
Ignosce Domine - 2a pars (of 2): Ignosce misterii tui secreta	Anonymous	35
Il me suffit de tous mes maulx	Sermisy, Claudin de (ca. 1490–1562)	15v
Il n'est si doulce vie que de joyeussete	Richafort, Jean (ca. 1480–ca. 1550)	130
In illo tempore Maria Magdalene - 1a pars (of 2): In illo tempore Maria Magdalene Jacobi et Salome	Mouton, Jean (ca. 1459–1522) (?) Despres, Josquin (ca. 1450–1521) (?)	102v
In illo tempore Maria Magdalene - 2a pars (of 2): Dic nobis Maria quid vidisti	Despres, Josquin (ca. 1450–1521) (?) Mouton, Jean (ca. 1459–1522) (?)	103
Inclina domine - 1a pars (of 2): Inclina domine aurem tuam et exuadi me	Hondt, Gheerkin de (fl. 1539–1547)	99v
Inclina domine - 2a pars (of 2): Quia misericordia tua magna est	Hondt, Gheerkin de (fl. 1539–1547)	100
Inghelandt en Ghendt	Anonymous	114
J'ai le desir content et leffect resolu	Sermisy, Claudin de (ca. 1490–1562)	141v
Jamais n'aimerai machon je suis trop belle	Mouton, Jean (ca. 1459–1522)	146
Jamais un coeur qui d'amour est navre	Sermisy, Claudin de (ca. 1490–1562)	129
Je me contente d'avoir aimé sans avoir joyssance	Rocourt, Pierre de (fl. c1540–1550)	120v
Je me repens de vous avoir aimée	Hondt, Gheerkin de (fl. 1539–1547)	63
Je ne puis plus et nay qui me sequeure	Anonymous	14v
Je prens en gre le dure mort (4vv)	Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?) Baston, Josquin (fl. 1542–63) (?) Janequin, Clement (ca. 1485–ca. 1558) (?) Pathie, Rogier (ca. 1510–ca. 1564) (?)	139
Je vous requiers ma cherre dame	Anonymous	78
Jouissance vous donnerai, mon ami	Sermisy, Claudin de (ca. 1490–1562)	138v
Jubilate Deo - 1a pars (of 2): Jubilate Deo omnis terra servite Domino	Hondt, Gheerkin de (fl. 1539–1547)	90v
Jubilate Deo - 2a pars (of 2): Laudate nomen eius quoniam suavis	Hondt, Gheerkin de (fl. 1539–1547)	91
Just et amer de vous la specieuse	Anonymous	137
La buissonette	Anonymous	69v
La Fasana Pavane	Anonymous	137
Languer d'amours mest survenie par trop	Hondt, Gheerkin de (fl. 1539–1547)	42v
Languir me fais sans t'avoir offensé	Sermisy, Claudin de (ca. 1490–1562) (?) Mouton, Jean (ca. 1459–1522) (?)	134
Laqueus contritus - 1a pars (of 2): Laqueus contritus est nos liberati sumus	Gombert, Nicolas (ca. 1495–ca. 1560) (?) Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?)	114v
Laqueus contritus - 2a pars (of 2): Tribulationem et dolorem inveni	Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?) Gombert, Nicolas (ca. 1495–ca. 1560) (?)	115
Las je my plains mauldicte soyt fortune	Sermisy, Claudin de (ca. 1490–1562)	143v
Las ostes moi les douleurs qui jendure	Anonymous	72
Las pourquoi m'este vous si duere	Anonymous	65
Laus Deo pax vivis	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	130
Les yeulx bendez de triste cognoissanche	Sermisy, Claudin de (ca. 1490–1562)	129v
Longtemps il y a que je viz en espoir	Anonymous	141
Maulgre moi viz et en vivant je meurs	Sermisy, Claudin de (ca. 1490–1562)	34
Mijn herz altijt heeft verlanghen	Obrecht, Jacobus (ca. 1457–1505) (?) Rue, Pierre de la (ca. 1452–1518) (?)	44v
Mille regrets de vous abandonner 28.24	Despres, Josquin (ca. 1450–1521)	131
Missa Beata Virgine = Missa Coronata 3.3: Gloria (excerpt: Cum sancto spiritu)	Despres, Josquin (ca. 1450–1521)	141
Missa Benedictus Dominus Deus Israel: Agnus Dei	Hondt, Gheerkin de (fl. 1539–1547)	52v
Missa Benedictus Dominus Deus Israel: Credo	Hondt, Gheerkin de (fl. 1539–1547)	50v–51v
Missa Benedictus Dominus Deus Israel: Gloria	Hondt, Gheerkin de (fl. 1539–1547)	49v–50
Missa Benedictus Dominus Deus Israel: Kyrie	Hondt, Gheerkin de (fl. 1539–1547)	48v–49
Missa Benedictus Dominus Deus Israel: Sanctus	Hondt, Gheerkin de (fl. 1539–1547)	52–52v
Missa Cest doncq par moi: Agnus Dei	Anonymous	22v–23
Missa Cest doncq par moi: Credo	Anonymous	20v–21
Missa Cest doncq par moi: Gloria	Anonymous	20
Missa Cest doncq par moi: Kyrie	Anonymous	19v
Missa Cest doncq par moi: Sanctus	Anonymous	21v–22
Missa Christus resurgens: Agnus Dei	Anonymous	6v
Missa Christus resurgens: Credo	Anonymous	5–5v
Missa Christus resurgens: Credo	Willaert, Adrian (ca. 1490–1562)	67v–68
Missa Christus resurgens: Gloria	Anonymous	4v
Missa Christus resurgens: Gloria	Willaert, Adrian (ca. 1490–1562)	66v–67
Missa Christus resurgens: Kyrie	Anonymous	4
Missa Christus resurgens: Kyrie	Willaert, Adrian (ca. 1490–1562)	65v–66
Missa Christus resurgens: Sanctus	Anonymous	6
Missa Christus resurgens: Sanctus	Willaert, Adrian (ca. 1490–1562)	68v–69
Missa Domine quis habitabit: Agnus Dei	Courtois, Jean (fl. 1530-1545)	113–113v
Missa Domine quis habitabit: Credo	Courtois, Jean (fl. 1530-1545)	111v–112
Missa Domine quis habitabit: Gloria	Courtois, Jean (fl. 1530-1545)	110v–111
Missa Domine quis habitabit: Kyrie	Courtois, Jean (fl. 1530-1545)	110
Missa Domine quis habitabit: Sanctus	Courtois, Jean (fl. 1530-1545)	112v–113
Missa Gaude Barbara: Agnus Dei	Willaert, Adrian (ca. 1490–1562)	10–10v
Missa Gaude Barbara: Credo	Willaert, Adrian (ca. 1490–1562)	8v–9
Missa Gaude Barbara: Gloria	Willaert, Adrian (ca. 1490–1562)	7v–8
Missa Gaude Barbara: Kyrie	Willaert, Adrian (ca. 1490–1562)	7
Missa Gaude Barbara: Sanctus	Willaert, Adrian (ca. 1490–1562)	9v–10
Missa Mijn herte altijt heeft verlanghen: Agnus Dei	Gascongne, Mathieu (?Johannes) (fl. 1517-1518)	27v
Missa Mijn herte altijt heeft verlanghen: Credo	Gascongne, Mathieu (?Johannes) (fl. 1517-1518)	25v–26v
Missa Mijn herte altijt heeft verlanghen: Gloria	Gascongne, Mathieu (?Johannes) (fl. 1517-1518)	24v–25
Missa Mijn herte altijt heeft verlanghen: Kyrie	Gascongne, Mathieu (?Johannes) (fl. 1517-1518)	24
Missa Mijn herte altijt heeft verlanghen: Sanctus	Gascongne, Mathieu (?Johannes) (fl. 1517-1518)	27–27v
Missa Nisi Dominus: Credo	Lapperdey, Phelips	12v–13
Missa Nisi Dominus: Gloria	Lapperdey, Phelips	11v–12
Missa Nisi Dominus: Kyrie	Lapperdey, Phelips	11
Missa Nisi Dominus: Sanctus	Lapperdey, Phelips	13v–14
Missa Panis quem ego dabo: Agnus Dei	Hondt, Gheerkin de (fl. 1539–1547)	62–62v
Missa Panis quem ego dabo: Credo	Hondt, Gheerkin de (fl. 1539–1547)	59v–61
Missa Panis quem ego dabo: Gloria	Hondt, Gheerkin de (fl. 1539–1547)	58v–59
Missa Panis quem ego dabo: Kyrie	Hondt, Gheerkin de (fl. 1539–1547)	57v–58
Missa Panis quem ego dabo: Sanctus	Hondt, Gheerkin de (fl. 1539–1547)	61–61v
Missa Quem dicunt homines: Agnus Dei	Raedt, Pierquin de (fl. c1516) (?) Hellinck, Lupus (ca. 1494–1541) (?)	32–32v
Missa Quem dicunt homines: Credo	Raedt, Pierquin de (fl. c1516) (?) Hellinck, Lupus (ca. 1494–1541) (?)	30v–31
Missa Quem dicunt homines: Gloria	Hellinck, Lupus (ca. 1494–1541) (?) Raedt, Pierquin de (fl. c1516) (?)	29v–30
Missa Quem dicunt homines: Kyrie	Hellinck, Lupus (ca. 1494–1541) (?) Raedt, Pierquin de (fl. c1516) (?)	29
Missa Quem dicunt homines: Sanctus	Hellinck, Lupus (ca. 1494–1541) (?) Raedt, Pierquin de (fl. c1516) (?)	31v–32
Missa Tua est potentia: Agnus Dei	Mouton, Jean (ca. 1459–1522)	99
Missa Tua est potentia: Credo	Mouton, Jean (ca. 1459–1522)	96v–97v
Missa Tua est potentia: Gloria	Mouton, Jean (ca. 1459–1522)	95–96
Missa Tua est potentia: Kyrie	Mouton, Jean (ca. 1459–1522)	94v
Missa Tua est potentia: Sanctus	Mouton, Jean (ca. 1459–1522)	98–98v
Missa Vidi Jerusalem: Credo	Hondt, Gheerkin de (fl. 1539–1547)	75v–77
Missa Vidi Jerusalem: Gloria	Hondt, Gheerkin de (fl. 1539–1547)	74v–75
Missa Vidi Jerusalem: Kyrie	Hondt, Gheerkin de (fl. 1539–1547)	73v–74
Missa Vidi Jerusalem: Sanctus	Hondt, Gheerkin de (fl. 1539–1547)	77–77v
Missa Virgo mater salvatoris: Agnus Dei	Hellinck, Lupus (ca. 1494–1541)	84v–85
Missa Virgo mater salvatoris: Credo	Hellinck, Lupus (ca. 1494–1541)	82v–83v
Missa Virgo mater salvatoris: Gloria	Hellinck, Lupus (ca. 1494–1541)	82
Missa Virgo mater salvatoris: Kyrie	Hellinck, Lupus (ca. 1494–1541)	81v
Missa Virgo mater salvatoris: Sanctus	Hellinck, Lupus (ca. 1494–1541)	84–84v
Mon petit coeur n'est point a moi	Hondt, Gheerkin de (fl. 1539–1547)	46v
Mon petit coeur n'est point a moi	Willaert, Adrian (ca. 1490–1562)	86
Mon povre coeur plain de douleur	Lupi, Johannes (ca. 1506–1539)	15
Morir daimer a dame si jolye	Appenzeller, Benedictus (ca. 1480–ca. 1558)	108v
Mourir daimer a dame sy jolye	Anonymous	122v
Musae Jovis - 1a pars (of 2): Musae Jovis ter maximi proles canora	Appenzeller, Benedictus (ca. 1480–ca. 1558)	131v
Musae Jovis - 2a pars (of 2): Severa mors et improba qua templa	Appenzeller, Benedictus (ca. 1480–ca. 1558)	132
Myn hertken heeft altijts verlanghen	Anonymous	23v
N'auray je jamais reconfort de vous	Jacotin, Jacques (1445–1529)	142v
Nisi Dominus - 1a pars (of 2): Nisi Dominus aedificaverit domum in vanum	Heurteur, Guillaume le (fl. 1530-1545) (?) Lheritier, Jean (ca. 1480–ca. 1551) (?) Sermisy, Claudin de (ca. 1490–1562) (?)	2v
Nisi Dominus - 2a pars (of 2): Cum dederit delectis suis somnum	Heurteur, Guillaume le (fl. 1530-1545) (?) Lheritier, Jean (ca. 1480–ca. 1551) (?) Sermisy, Claudin de (ca. 1490–1562) (?)	3
Nisi quia Dominus - 1a pars (of 2): Nisi quia Dominus erat in nobis dicat nunc	Anonymous	104v
Nisi quia Dominus - 2a pars (of 2): Benedictus Dominus qui non dedit nos	Anonymous	105
O bone Jesu - 1a pars (of 2): O bone Jesu duo in me cognosco naturam	Anonymous	39v
O bone Jesu - 2a pars (of 2): Memento quia sum spiritus vadens	Anonymous	39v
O coeur ingrat O fraude terrenne	Hollande, Johannes de (fl. c1538-1553)	128
Ognun si duol d'amore io me ne lodo	Verdelot, Philippe (ca. 1480–ca. 1532) (?)	134v
On a mal dit de mon amy	Hollande, Johannes de (fl. c1538-1553)	129
Osculetur me osculo oris sui quia meliora (= Ecce video caelos apertos 19.2)	Despres, Josquin (ca. 1450–1521) (?) Craen, Nicolaus (ca. 1440–1502) (?)	85v
Paine et traveil au lieu desbatement	Hollande, Johannes de (fl. c1538-1553) (?) Hollander, Christian (?)	135v
Panis quem ego dabo - 1a pars (of 2): Panis quem ego dabo	Hellinck, Lupus (ca. 1494–1541)	56v
Panis quem ego dabo - 2a pars (of 2): Locutus est populus ad Dominum	Hellinck, Lupus (ca. 1494–1541)	57
Pater peccavi - 1a pars (of 2): Pater peccavi in caelum et coram te	Conseil, Jean (ca. 1498–1534)	93v
Pater peccavi - 2a pars (of 2): Quanti mercenarii in domo patris	Conseil, Jean (ca. 1498–1534)	93v
Pavane	Anonymous	118v
Pavane	Anonymous	135v
Pavane	Anonymous	136v
Pavane	Appenzeller, Benedictus (ca. 1480–ca. 1558)	137v
Pavane	Anonymous	146
Pavane La Rote	Anonymous	136
Pereat dies - 1a pars (of 2): Pereat dies in qua natus sum et vox	Anonymous	91v
Pereat dies - 2a pars (of 2): Obscurent eam tenebre et umbra	Anonymous	92
Petite fleur coynte jolye las dictes moi	Appenzeller, Benedictus (ca. 1480–ca. 1558)	46
Philomena praevia - 1a pars (of 2): Philomena praevia temporis ameni que decessum	Richafort, Jean (ca. 1480–ca. 1550)	35v
Philomena praevia - 2a pars (of 2): Veni dulcis amica mea noctis solatia	Richafort, Jean (ca. 1480–ca. 1550)	35v
Plaisir me fuit et ennuie me consolle	Anonymous	125
Plus en sera garde de ma jonesse	Gombert, Nicolas (ca. 1495–ca. 1560)	14v
Pour avoir mis	Lapperdey, Phelips	124v
Pour parvenir a che que je pretens	Anonymous	134v
Pour se garder de soif avoir fault	Anonymous	53v
Pourquoi languir me viens tu assaillir	Appenzeller, Benedictus (ca. 1480–ca. 1558)	117
Preludium	Anonymous	130
Propter gravamen - 1a pars (of 2): Propter gravamen et tormentum que torquebatur	Compère, Loyset (ca. 1445–1518)	71v
Propter gravamen - 2a pars (of 2): Et subvenii in hora ultima	Compère, Loyset (ca. 1445–1518)	72
Puer natus est - 1a pars (of 2): Puer natus est nobis et filius datus est	Anonymous	54v
Puer natus est - 2a pars (of 2): Cantate Domino canticum novum	Anonymous	55
Puis qu'en amours a si grant passetemps	Sermisy, Claudin de (ca. 1490–1562)	145
Puisque fortune a sur moi entrepris	Sermisy, Claudin de (ca. 1490–1562)	141v
Quam pulchra es - 1a pars (of 2): Quam pulchra es amica mea columba mea	Anonymous	33v
Quam pulchra es - 1a pars (of 2): Quam pulchra es et quam decora	Mouton, Jean (ca. 1459–1522) Lupi, Johannes (ca. 1506–1539) (?)	36v
Quam pulchra es - 1a pars (of 2): Quam pulchra es et quam decora carissima	Ducrocq	54
Quam pulchra es - 2a pars (of 2): Labia tua distilantia guttur tuum	Anonymous	33v
Quam pulchra es - 2a pars (of 2): Veni dilecte mi egrediamur in agris	Ducrocq	54
Quam pulchra es - 2a pars (of 2): Veni dilecte mi egrediamur in agrum	Lupi, Johannes (ca. 1506–1539) (?) Mouton, Jean (ca. 1459–1522)	37
Quam pulchra est - 1a pars (of 2): Quam pulchra est et quam decora	Verdelot, Philippe (ca. 1480–ca. 1532) (?) Lupi, Johannes (ca. 1506–1539) (?)	115v
Quam pulchra est - 2a pars (of 2): Veni dilecte mi	Lupi, Johannes (ca. 1506–1539) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?)	116
Quant tu chanteras pour ton ennuy passer	Anonymous	119
Quem dicunt homines - 1a pars (of 2): Quem dicunt homines	Richafort, Jean (ca. 1480–ca. 1550)	28
Quem dicunt homines - 2a pars (of 2): Petre diligis me qui respondit	Richafort, Jean (ca. 1480–ca. 1550)	28v
Quesse d'amours bien le vouldroye scavoir	Anonymous	32v–33
Qui habitat 18.7 - 1a pars (of 2): Qui habitat in adjutorio altissimi	Despres, Josquin (ca. 1450–1521)	105v
Qui habitat 18.7 - 2a pars (of 2): Non accedat ad te malum	Despres, Josquin (ca. 1450–1521)	106
Qui la dira la paine de mon coeur	Crecquillon, Thomas (ca. 1505–ca. 1557)	126
Qui lara la gentille brunette laultre jours	Appenzeller, Benedictus (ca. 1480–ca. 1558)	122
Rejouissez vous borgeses belles filles de Lion	Mouton, Jean (ca. 1459–1522)	126v
Resveille toy francq coeur joyeulx	Cornets, Pe. de	133v
Reviens vers moi - 1a pars (of 2): Reviens vers moi qui suis tant desolee	Lupi, Johannes (ca. 1506–1539)	123v
Reviens vers moi - 2a pars (of 2): Plus revenir me puis vers toy	Lupi, Johannes (ca. 1506–1539)	124
Salve quadruplicem - 1a pars (of 2): Salve quadruplicem gestans Godelena	Anonymous	40v
Salve quadruplicem - 2a pars (of 2): Sicque maneus niveo rege Christo	Anonymous	41
Sancta et immaculata (1) - 1a pars (of 2): Sancta et immaculata virginitas	Hesdin, Nicolle des Celliers de (–1538) (?) Gombert, Nicolas (ca. 1495–ca. 1560) (?)	88v
Sancta et immaculata (1) - 2a pars (of 2): Benedicta tu in mulieribus	Hesdin, Nicolle des Celliers de (–1538) (?) Gombert, Nicolas (ca. 1495–ca. 1560) (?)	88v
Sancta Trinitas unus Deus miserere nobis (4vv)	Fevin, Antoine de (ca. 1470–ca. 1512)	118
Sancte Barbe mon con mon compere	Passereau, Pierre (fl. c1509–1547) (?) Janequin, Clement (ca. 1485–ca. 1558) (?) Maillard, Jean (fl. c1538–1570) (?)	45
Se dire je l'osoie d'ou me vient le souffrir	Appenzeller, Benedictus (ca. 1480–ca. 1558)	15
Se l'ardor fusse eguale	Verdelot, Philippe (ca. 1480–ca. 1532)	135
Si bona suscepimus - 1a pars (of 2): Si bona suscepimus de manu Domini	Anonymous	100v
Si bona suscepimus - 2a pars (of 2): Nudus egressus sum de utero matris	Anonymous	101
Si de nouveau j'ai nouvelles colleurs	Conseil, Jean (ca. 1498–1534)	128v
Si j'ai pour vous mon avoir despendu	Sermisy, Claudin de (ca. 1490–1562)	142v
Si je me plains et meine grand tristesse	Gombert, Nicolas (ca. 1495–ca. 1560)	42
Si je n'estois malheureux de nature	Appenzeller, Benedictus (ca. 1480–ca. 1558)	46
Si la nature en la diversite se resiouist	Anonymous	122
Si le vouloir adoulcit la douleur	Sermisy, Claudin de (ca. 1490–1562)	90
Si mon malheur me continue je ne sais pas	Anonymous	133
Si oblitus fuero - 1a pars (of 2): Si oblitus fuero tui Jerusalem alleluia	Obrecht, Jacobus (ca. 1457–1505) (?) Petit, Nino le (fl. c1500) (?)	37v
Si oblitus fuero - 2a pars (of 2): Decantabat populus laudes	Petit, Nino le (fl. c1500) (?) Obrecht, Jacobus (ca. 1457–1505) (?)	38
Si par souffrir on peult vaincre fortune	Courtois, Jean (fl. 1530-1545)	123v
Si tu te plains d'amours tant seullement	Hollande, Johannes de (fl. c1538-1553)	131
Sire dont dieu tant ilz sont aises	Anonymous	138v
Spes salutis - 1a pars (of 2): Spes salutis pacis portus vas virtutis	Lupi, Johannes (ca. 1506–1539)	106v
Spes salutis - 2a pars (of 2): Tu es enim decus honestatis	Lupi, Johannes (ca. 1506–1539)	107
Sur tous regrets les miens plus piteulz	Richafort, Jean (ca. 1480–ca. 1550)	43v
Surge Petre - 1a pars (of 2): Surge Petre et indue te vestimentis tuis	Moulu, Pierre (ca. 1484–ca. 1550) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?) Mouton, Jean (ca. 1459–1522) (?) Gombert, Nicolas (ca. 1495–ca. 1560)	139v
Surge Petre - 2a pars (of 2): Angelus Domini astitit et lumen refulsit	Verdelot, Philippe (ca. 1480–ca. 1532) (?) Mouton, Jean (ca. 1459–1522) (?) Gombert, Nicolas (ca. 1495–ca. 1560) Moulu, Pierre (ca. 1484–ca. 1550) (?)	140
Tant que vivrai - 1a pars (of 2): Tant que vivrai en age florissant	Sermisy, Claudin de (ca. 1490–1562)	126v
Tant que vivrai - 2a pars (of 2): Puisque deux coeurs y a vraie union	Sermisy, Claudin de (ca. 1490–1562) (?)	129v
Tant voeullies vostre amant secourir	Appenzeller, Benedictus (ca. 1480–ca. 1558)	87
Tanto tempore vobiscum sum et non cognovistis	Verdelot, Philippe (ca. 1480–ca. 1532)	3v
Tous mes amis venez ma plainte ouyr	Gerard, Jacques (?) Gerarde, Derrick (fl. c1540–1580) (?)	127v
Triste pensif par le pourchas de rigeur	Alaire (fl. 1534–49)	145v
Trop m'est dure la longue demouree	Anonymous	116v
Tua est potentia tuum regnum Dominus 26.17	Despres, Josquin (ca. 1450–1521) (?) Mouton, Jean (ca. 1459–1522)	94
Ung visage coperose estincelles	Anonymous	114
Veullant aymer on me peult parvenir	Anonymous	44
Vidi Jerusalem - 1a pars (of 2): Vidi Jerusalem descendentem de caelo	Anonymous	72v
Vidi Jerusalem - 2a pars (of 2): Ecce tabernaculum Dei cum hominibus	Anonymous	73
Viens tost despiteulx desconfort	Sermisy, Claudin de (ca. 1490–1562)	44v
Vignon vingenette qui te planta il fut	Anonymous	125v
Virgo mater salvatoris - 1a pars (of 2): Virgo mater salvatoris et si verbum	Anonymous	80v
Virgo mater salvatoris - 2a pars (of 2): Virgo concepit virgo peperit	Anonymous	81
Vivons en paix tous leaulx amoureux	Anonymous	57
Vivrai je tousjours en telle paine 28.36	Despres, Josquin (ca. 1450–1521)	15v
Vivray je tousjours en soucy pour vous	Sermisy, Claudin de (ca. 1490–1562)	144
Vostre beaulte plaisant et lyé me donne recreation	Gombert, Nicolas (ca. 1495–ca. 1560) (?) Hellinck, Lupus (ca. 1494–1541) (?)	121
Vous marchez du bout du pied marionnette	Anonymous	45v
Vous perdez temps de me dire mal d'elle	Sermisy, Claudin de (ca. 1490–1562) (?) Crecquillon, Thomas (ca. 1505–ca. 1557) (?) Sandrin, Pierre (ca. 1490–ca. 1560) (?)	123
Vous scavez bien madame souveraine	Rore, Cipriano de (ca. 1515–1565)	45
Vox dicentis clama - 1a pars (of 2): Vox dicentis clama quid clamabo omnis	Hondt, Gheerkin de (fl. 1539–1547)	47v
Vox dicentis clama - 2a pars (of 2): Exsiccatum est fenum et cecidit	Hondt, Gheerkin de (fl. 1539–1547)	47v
Vrai dieu que amoureux on de paine	Lupi, Johannes (ca. 1506–1539)	127v
Vultum tuum 25.14 - 3a pars (of 7): O intemerata virgo que redemptorem	Despres, Josquin (ca. 1450–1521)	86v
Vultum tuum 25.14 - 4a pars (of 7): O Maria nullam tam gravem possimus	Despres, Josquin (ca. 1450–1521)	86v

Set: MSS 125-128

Type: Partbooks

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‡ denotes primary source study

Gabriëls, Nele. 2010. Bourgeois Music Collecting in Mid Sixteenth-Century Bruges: The Creation of the Zeghere van Male Partbooks (Cambrai, Médiathèque Municipale, MSS 125-128). Katholieke Universiteit Leuven, PhD.

Coussemaker, Charles Edmond Henri de. 1975 (reprint). Notice sur les Collections Musicales de la Bibliothèque de Cambrai. Paris, 1843. Hildesheim and New York. Pages: 32, 121-47. Notes: physical description; contents list.

Diehl, George Karl. 1974. The Partbooks of a Renaissance Merchant. Cambrai: Bibliothèque municipale, MSS 125-128. University of Pennsylvania, Unpublished Ph.D. dissertation. Notes: physical description; contents list; concordances; incipits; facsimile (partial); mention of MS; discussion.

Bernstein, Lawrence F. 1973. La Courone et fleur des chansons a troys; A Mirror of the French Chanson in Italy in the Years between Ottaviano Petrucci and Antonio Gardano. Journal of the American Musicological Society, 1-68. Pages: 21. Notes: concordances (partial).

Drake, George Warren James. 1972. The first printed book of motets, Petrucci's Motteti A numero trentatre (Venice 1502) and Motetti de Passione De cruce De sacramento De beata virgine et huius modi B (Venice 1503): A critical study and complete edition. University of Illinois, Ph.D. Dissertation. Pages: 185-6. Notes: mention of MS.

Blackburn, Bonnie J. 1970. The Lupus Problem. University of Chicago, Unpublished Ph.D. dissertation. Pages: 365, passim. Notes: concordances (partial).

Jeppesen, Knud. 1968-70. La Frottola. Acta Jutlandica. 3 vols. Copenhagen. Pages: II, 16-7. Notes: physical description; contents list; incipitsst of contents (partial).

Lowinsky, Edward E (editor). 1968. The Medici Codex of 1518: A Choirbook of Motets Dedicated to Lorenzo de' Medici, Duke of Urbino. Monuments of Renaissance Music. Chicago. Pages: III, 108, passim. Notes: mention of MS; concordances (partial).

Minor, Andrew C (editor). 1967-. Joannes Mouton: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: IV, xi; We thank George K. Diehl for his assistance in preparing the entry for this manuscript. Notes: concordances (partial).

Böker-Heil, Norbert. 1967. Die Motetten von Philippe Verdelot. Frankfurt am Main. Pages: 246, passim. Notes: mention of MS; concordances (partial); incipits (partial).

Cross, Ronald (editor). 1966-. Matthaeus Pipelare: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I, xix. Notes: facsimile (partial).

Picker, Martin. 1960. The Chanson Albums of Marguerite of Austria: Manuscripts 228 and 11239 of the Bibliothèque Royale de Belgique, Bruxelles. University of California at Berkeley, Unpublished Ph.D. dissertation. Pages: 351. Notes: mention of MS.

Reese, Gustave. 1959. Music in the Renaissance. New York. Pages: Plate V. Notes: facsimile (partial).

Finscher, Ludwig (editor). 1958-. Loyset Compere: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: IV, xii. Notes: facsimile (partial).

Kabis, Mary Elise. 1957. The Works of Jean Richafort, Renaissance Composer (1480?-c. 1548). New York University, Unpublished Ph.D. dissertation. Pages: 18, passim. Notes: mention of MS; concordances (partial).

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: II, 703, 707-8. Notes: mention of MS; facsimile (partial).

Reese, Gustave. 1948-49. Maldeghem and His Buried Treasure: A Bibliographical Study. Notes, 75-117. Pages: 75ff; 87ff. Notes: physical description; mention of MS; discussion; contents list (partial).

Pirro, André. 1940. Histoire de la Musique de h f in du XIVe siècle à la fin du XVIe. Paris. Pages: Plates XXII-XXIV. Notes: facsimile (partial).

Gastoué, Amédée. 1934. La Musique française du moyen âge à la Révolution. Paris. Pages: 53, 56. Notes: physical description; facsimile (partial).

Bartha, Denes. 1930-1. Bibliographische Notizen zum Repertoire der Handschrift Cambrai 124 (125-128). Zeitschrift für Musikwissenschaft, 564ff. Notes: contents list (partial); concordances (partial).

Smijers, Albert (editor). 1921. Werken van Josquin des Prez: Klaagliederen op den Dood van Josquin. Amsterdam. Pages: I, vi. Notes: physical description.

Wolf, Johannes. 1913-9; Reprinted: Hildesheim, 1963. Handbuch der Notationskunde. Leipzig. Pages: I, 448. Notes: mention of MS.

Molinier, Auguste. 1885-. Catalogue General des Manuscrits des Bibliothèques Publiques de France. Paris. Pages: 32-3. Notes: physical description; contents list; incipitsst of contents (partial).

Maldeghem, R-J van. 1865-93. Tresor musical: collection authentique de musique sacrée & profane des anciens maîtres belges ... Musique profane. Brussels. Pages: XI, XIV-XX, XXII-XXIV. Notes: transcription (partial).

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Edward Tambling

Saturday, 1 July, 2023

Laus Deo (f. 130) identified as the setting by Clemens

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

F-CA MS 128

Le Labo (formerly Médiathèque d'agglomération de Cambrai, and Bibliothèque Municipale/Bibliothèque Comunale), Cambrai, France

partbook: 1542

General Description

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Census Catalogue of Music Description

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