| Composer | Machaut, Guillaume de (ca. 1300–1377) |
|---|---|
| Genre | Motet |
| Appears in |
F-Pnm Français 1584 (Machaut A) (418v—419)
F-Pnm Français 1585 (Machaut B) (262v—263v)
F-Pnm Français 1586 (Machaut C) (209v—210)
F-Pnm Français 9221 (Machaut E) (135v—136)
F-Pnm Français 22545-22546 (Machaut F-G) (106v—107)
|
Chichmaref, V (ed.) [1909]. Guillaume de Machaut: Poésies lyriques. Edition compléte en deux parties, avec introduction, glossaire et fac-similés publiée sous les auspices de la Faculté d'Histoire et de Philologie de Saint-Pétersbourg. Paris: Champion. pp. 2:491-92 no.5.
Leech-Wilkinson, Daniel. 1989. Compositional Techniques in the Four-Part Isorhythmic Motets of Philippe de Vitry and his Contemporaries. 2 vols. New York: Garland. pp. 1:89-98, 102-4, , 1:30-34, 1:43, 46, 88-104 1:165 no.45 1:193, 196, 2:ex 19, 2:ex66, 2:24 ex.38 2:64-66.
Leech-Wilkinson, Daniel. 1982-83. Related motets from fourteenth-century France. Proceedings of the Royal Musical Association, 109: 1-22. pp. 5-8, 20.
Clarkson, George Austin E. 1970. On the Nature of Medieval Song: The Declamation of Plainchant and the Lyric Structure of the Fourteenth-Century Motet. PhD Dissertation, Columbia University. pp. 262-3.
Lühmann, Rose. 1978. Versdeklamation bei Guillaume de Machaut. PhD Dissertation, Ludwig-Maximilians-Universität Munich. pp. 142-56.
Ziino, Agostino. 1978. Isoritmia musicale e tradizione metrica mediolatina nei motetti di Guillaume de Machaut. Medioevo Romanzo, 5: 438-465. pp. 440 no.6, 444-5, 451.
Poirion, Daniel. 1965. Le poète et le prince. L'évolution du lyrisme courtois de Guillaume de Machaut à Charles d'Orléans. Publications de la Faculté des lettres et sciences humaines. Paris: Presses Universitaires de France. pp. 198n; 266 no.78.
Cerquiglini-Toulet, Jacqueline. 1985. "Un Engin si soutil": Guillaume de Machaut et l'écriture au XIVe siècle. Bibliothèque du XVe Siècle. Geneva: Slatkine. pp. 60 no.13.
Huot, Sylvia. 1994. Patience in Adversity: The Courtly Lover and Job in Machaut's Motets 2 and 3. Medium Aevum, 63: 222-238. pp. 223.
Hoepffner, Ernest. 1908-1921. Oeuvres de Guillaume de Machaut. 3 vols. pp. 2:lix no.2.
Davis, Steven B. 1991. The Mediating Vision: Patronage and Literary Tradition in Guillaume de Machaut and Chaucer's Book of the Duchess. PhD Dissertation, Yale University. pp. 55.
Ludwig, Friedrich (ed.) 1926-9. Guillaume de Machaut: Musikalische Werke, 1-3. Leipzig: Publikationen älterer Musik. pp. 2:23, 3:18-23.
Machabey, Armand. 1955. Guillaume de Machault 130?-1377: La vie et lœuvre musical,. Bibliothèque d'Etudes Musicales. 2 vols. Paris: Richard-Masse. pp. 2:75-77.
Sanders, Ernest (ed.) 1973. The Medieval Motet. Gattungen der Musik in Einzeldarstellungen. Gedenkschrift Leo Schrade, 497-575. Bern. pp. 563-64.
Schrade, Leo (ed.) 1956. Complete Works of Guillaume de Machaut (I): Lais, Complainte, Chanson royale, Motets No. 1 to 16. Polyphonic Music of the Fourteenth Century. Monaco: Éditions de l'Oiseau-Lyre. pp. 72-75 no.6.
Anderson, Gordon Athol. 1976. Responsory Chants in the Tenors of Some Fourteenth-Century Continental Motets. Journal of the American Musicological Society, 29: 119-127. pp. 124 no.18.
Wolf, Johannes. 1904; Reprinted: Hildesheim, 1965. Geschichte der Mensural-Notation von 1250-1460 nach den theoretischen und praktischen Quellen. 3 vols. Leipzig. pp. 1:174.
Schrade, Leo (ed.) 1954 -1956. The Polyphonic Music of the Fourteenth Century. 3 vols. pp. 2:123-26.
Harrison, Frank Llewellyn (ed.) 1968. Motets of French provenance. Polyphonic Music of the Fourteenth Century. Monaco: Éditions de l'Oiseau-Lyre. pp. 95-99 no.18.
Schneider, Màrius. 1931. Die Ars nova des XIV. Jahrhunderts in Frankreich und Italien. Potsdam: Hayn's Erben, and Wolfenbüttel and Berlin: Kallmeyer. pp. 41 ex.5.
Gombosi, Otto Johannes. 1950. Machaut's Messe Notre-Dame. Musical Quarterly, 36: 204ff. pp. 223.
Reaney, Gilbert. 1971. Guillaume de Machaut. Oxford Studies of Composers. London: Oxford University Press. pp. 56-57.
Günther, Ursula. 1958. The fourteenth-century motet and its development. Musica Disciplina, 12: 27-58. pp. 34.
Apfel, Ernst. 1961. Über den vierstimmigen Satz im 14. und 15. Jahrhundert. Archiv für Musikwissenschaft, 18: 34-51. pp. 37.
Apfel, Ernst. 1964-1965. Beiträge zu einer Geschichte der Satztechnik von der frühen Motette bis Bach. Munich: Fink. pp. 1:40-41.
Prisor, Lothar. 1971. Die Motette in der Frühzeit der Ars Nova. Inaugural-Dissertation, Albert-Ludwig-Universität, Freiburg im Breisgau. pp. 203.
Kühn, Hellmut. 1973. Die Harmonik der Ars Nova. Zur Theorie der isorhythmischen Motette. Berliner musikwisseschaftliche Arbeiten. Munich: Katzbichler. pp. 244 no.252.
Hoppin, Richard H. 1978. Medieval Music. New York: W. W. Norton. pp. 413-14.
Newes, Virginia Ervin. 1990. Writing, Reading and Memorizing: The Transmission and resolution of Retrograde Canons from the 14th and Early 15th Centuries. Early Music, 18: 218-234. pp. 226.
Koehler, Laurie. 1990. Pythagoreisch-platonische Proportionen in Werken der ars nova und ars subtilior. Göttinger Musikwissenschaftliche Arbeiten. 2 vols. Kassel: Bärenreiter. pp. 1:102-4.
Newes, Virginia Ervin. 1987. Fuga and Related Contrapuntal Procedures in European Polyphony ca. 1350-ca. 1420. PhD Dissertation, Brandeis University. pp. 205-10.
Ludwig, Friedrich. 1929. Die geistliche nichtliturgische, weltliche einstimmige und die mehrstimmige Musik des Mittelalters bis zum Anfang des 15. Jahrhunderts. Handbuch der Musikgeschichte I, edited by Guido Adler, pp. 18.
Schrade, Leo (ed.) 1956-. Polyphonic Music of the Fourteenth Century. 24 vols. Monaco. pp. (2), 123-126.
Machabey, Armand. 1957. Problèmes de notation musicale: notations médiévales des manuscrits d’Évreux. Mélanges de linguistique et de littérature romanes à la mémoire d’István Frank, 361-387. Saarbrücken. pp. 491.