Sanders, Ernest (ed.) 1995. Rithmus. Essays on Medieval Music in Honor of David G. Hughes, Isham Library Papers. 415-440. Cambridge (Massachusetts).

Harrison, Frank Llewellyn, Peter M Lefferts, and Ernest Sanders (eds.) 1986. English Music for Mass and Offices (II) and Music for Other Ceremonies. Polyphonic Music of the Fourteenth Century.  Monaco: Éditions de L'Oiseau Lyre.

Sanders, Ernest. 1985. Conductus and Modal Rhythm. Journal of the American Musicological Society, 38: 439-469.

Sanders, Ernest. 1980. Fauvel, Roman de. The New Grove Dictionary of Music and Musicians, 4: 429-433.

Sanders, Ernest. 1980. English polyphony in the Morgan library manuscript. Music and Letters, 61/2: 172-176.

Sanders, Ernest. 1980. Isorythm. The New Grove Dictionary of Music and Musicians , 351-354.

Sanders, Ernest (ed.) 1979. English Music of the Thirteenth and Early Fourteenth Centuries. Polyphonic Music of the Fourteenth Century.  Monaco: Éditions de l'Oiseau-Lyre.

Sanders, Ernest. 1975. The early motets of Philippe de Vitry. Journal of the American Musicological Society, 28: .

Sanders, Ernest (ed.) 1973. The Medieval Motet. Gattungen der Musik in Einzeldarstellungen. Gedenkschrift Leo Schrade, 497-575. Bern.

Sanders, Ernest (ed.) 1973. Medieval English Polyphony and its Significance for the Continent. Dissertation, Columbia University.

Sanders, Ernest. 1965. Cantilena and Descant in Fourteenth-Century England. Musica Disciplina, 19: 7-52.

Sanders, Ernest (ed.) 1965. Tonal aspects of 13th-century English polyphony. Acta Musicologica, 37: 19-34.

Sanders, Ernest. 1964. Peripheral Polyphony of the Thirteenth Century. Journal of the American Musicological Society, 17: 261-287.

Sanders, Ernest. 1962. Duple Rhythm and Alternate Third Mode in the Thirteenth Century. Journal of the American Musicological Society, 15: 248-291.