Sanders, Ernest

Sanders, Ernest (ed.) 1995. Rithmus. Essays on Medieval Music in Honor of David G. Hughes, Isham Library Papers. 415-440. Cambridge (Massachusetts).

Harrison, Frank Llewellyn, Peter M Lefferts, and Ernest Sanders (eds.) 1986. English Music for Mass and Offices (II) and Music for Other Ceremonies. Polyphonic Music of the Fourteenth Century.  Monaco: Éditions de L'Oiseau Lyre.

Sanders, Ernest. 1985. Conductus and Modal Rhythm. Journal of the American Musicological Society, 38: 439-469.

Sanders, Ernest. 1980. Isorythm. The New Grove Dictionary of Music and Musicians , 351-354.

Sanders, Ernest. 1980. English polyphony in the Morgan library manuscript. Music and Letters, 61/2: 172-176.

Sanders, Ernest. 1980. Fauvel, Roman de. The New Grove Dictionary of Music and Musicians, 4: 429-433.

Sanders, Ernest (ed.) 1979. English Music of the Thirteenth and Early Fourteenth Centuries. Polyphonic Music of the Fourteenth Century.  Monaco: Éditions de l'Oiseau-Lyre.

Sanders, Ernest. 1975. The early motets of Philippe de Vitry. Journal of the American Musicological Society, 28: .

Sanders, Ernest (ed.) 1973. Medieval English Polyphony and its Significance for the Continent. Dissertation, Columbia University.

Sanders, Ernest (ed.) 1973. The Medieval Motet. Gattungen der Musik in Einzeldarstellungen. Gedenkschrift Leo Schrade, 497-575. Bern.

Sanders, Ernest. 1965. Cantilena and Descant in Fourteenth-Century England. Musica Disciplina, 19: 7-52.

Sanders, Ernest (ed.) 1965. Tonal aspects of 13th-century English polyphony. Acta Musicologica, 37: 19-34.

Sanders, Ernest. 1964. Peripheral Polyphony of the Thirteenth Century. Journal of the American Musicological Society, 17: 261-287.

Sanders, Ernest. 1962. Duple Rhythm and Alternate Third Mode in the Thirteenth Century. Journal of the American Musicological Society, 15: 248-291.