Digital Image Archive of Medieval Music :: Aucune gent m'ont demandé que j'ai / Qui plus aimme plus endure / Fiat voluntas tua

Aucune gent m'ont demandé que j'ai / Qui plus aimme plus endure / Fiat voluntas tua

Composer	Machaut, Guillaume de (ca. 1300–1377)
Genre	Motet

Appears in

Source	Location	Voices
US-KCferrell MS 1, Machaut (Vogüé, Wildenstein, Machaut Vg)	264v–265	Voice: [no designation] Clef: c2 Voice Text: Aucune gent m'ont demandé qu j'ay Voice: [no designation] Clef: c2 Voice Text: Qui plus aimme plus endure Voice: [no designation] Clef: c4 Voice Text: Fiat voluntas tua Voice: [no designation] Clef: c4
F-Pnm Français 1584 (Machaut A)	418v–419	Voice: [no designation] Clef: c2 Voice Text: Aucune gent m'ont demandé qu j'ay Voice: [no designation] Clef: c2 Voice Text: Qui plus aimme plus endure Voice: Tenor Clef: c4 Voice Text: Fiat voluntes tua Voice: Contratenor Clef: c4
F-Pnm Français 1585 (Machaut B)	262v–263v	Voice: [no designation] Clef: c2 Voice Text: Aucune gent mont demande que iay Voice: [no designation] Clef: c2 Voice Text: Qui plus aimme plus endure Voice: Tenor Clef: c4 Voice Text: Fiat voluntas tua Voice: Contratenor Clef: c4
F-Pnm Français 1586 (Machaut C)	209v–210	Voice: [no designation] Clef: c2 Voice Text: Aucune gent mont demande que iai Voice: [no designation] Clef: c2 Voice Text: Qui plus aimme plus endure Voice: Tenor Clef: c4 Voice Text: Fiat uoluntas tua. Voice: Contratenor Clef: c4
F-Pnm Français 9221 (Machaut E)	135v–136	Voice: [no designation] Clef: c2 Voice Text: Aucune gent m'ont demandé que j'ay Voice: [no designation] Clef: c2 Voice Text: Qui plus aimme plus endure Voice: Tenor Clef: c4 Voice Text: Fiat voluntas tua Voice: Contratenor Clef: c4
F-Pnm Français 22545-22546 (Machaut F-G)	106v–107	Voice: [no designation] Clef: c2 Voice Text: Aucune gent mont demande que iay Voice: [no designation] Clef: c2 Voice Text: Qvi plus aimme plus endure Voice: Tenor Clef: c4 Voice Text: Fiat uoluntas . Voice: Contratenor Clef: c4

Bibliography

Huot, Sylvia. 1994. Patience in Adversity: The Courtly Lover and Job in Machaut's Motets 2 and 3. Medium Aevum, 222-238. pp. 223.

Davis, Steven B. 1991. The Mediating Vision: Patronage and Literary Tradition in Guillaume de Machaut and Chaucer's Book of the Duchess. Yale University, PhD Dissertation. pp. 55.

Koehler, Laurie. 1990. Pythagoreisch-platonische Proportionen in Werken der ars nova und ars subtilior. Göttinger Musikwissenschaftliche Arbeiten. 2 vols. Kassel: Bärenreiter. pp. 1:102-4.

Newes, Virginia Ervin. 1990. Writing, Reading and Memorizing: The Transmission and resolution of Retrograde Canons from the 14th and Early 15th Centuries. Early Music, 218-234. pp. 226.

Leech-Wilkinson, Daniel. 1989. Compositional Techniques in the Four-Part Isorhythmic Motets of Philippe de Vitry and his Contemporaries. 2 vols. New York: Garland. pp. 1:89-98, 102-4, , 1:30-34, 1:43, 46, 88-104 1:165 no.45 1:193, 196, 2:ex 19, 2:ex66, 2:24 ex.38 2:64-66.

Newes, Virginia Ervin. 1987. Fuga and Related Contrapuntal Procedures in European Polyphony ca. 1350-ca. 1420. Brandeis University, PhD Dissertation. pp. 205-10.

Cerquiglini-Toulet, Jacqueline. 1985. "Un Engin si soutil": Guillaume de Machaut et l'écriture au XIVe siècle. Bibliothèque du XVe Siècle. Geneva: Slatkine. pp. 60 no.13.

Leech-Wilkinson, Daniel. 1982-83. Related motets from fourteenth-century France. Proceedings of the Royal Musical Association, 1-22. pp. 5-8, 20.

Hoppin, Richard H. 1978. Medieval Music. New York: W. W. Norton. pp. 413-14.

Lühmann, Rose. 1978. Versdeklamation bei Guillaume de Machaut. Ludwig-Maximilians-Universität Munich, PhD Dissertation. pp. 142-56.

Ziino, Agostino. 1978. Isoritmia musicale e tradizione metrica mediolatina nei motetti di Guillaume de Machaut. Medioevo Romanzo, 438-465. pp. 440 no.6, 444-5, 451.

Anderson, Gordon Athol. 1976. Responsory Chants in the Tenors of Some Fourteenth-Century Continental Motets. Journal of the American Musicological Society, 119-127. pp. 124 no.18.

Kühn, Hellmut. 1973. Die Harmonik der Ars Nova. Zur Theorie der isorhythmischen Motette. Berliner musikwisseschaftliche Arbeiten. Munich: Katzbichler. pp. 244 no.252.

Sanders, Ernest (editor). 1973. The Medieval Motet. Gattungen der Musik in Einzeldarstellungen. Gedenkschrift Leo Schrade, 497-575. Bern. pp. 563-64.

Prisor, Lothar. 1971. Die Motette in der Frühzeit der Ars Nova. Albert-Ludwig-Universität, Freiburg im Breisgau, Inaugural-Dissertation. pp. 203.

Reaney, Gilbert. 1971. Guillaume de Machaut. Oxford Studies of Composers. London: Oxford University Press. pp. 56-57.

Clarkson, George Austin E. 1970. On the Nature of Medieval Song: The Declamation of Plainchant and the Lyric Structure of the Fourteenth-Century Motet. Columbia University, PhD Dissertation. pp. 262-3.

Harrison, Frank Llewellyn (editor). 1968. Motets of French provenance. Polyphonic Music of the Fourteenth Century. Monaco: Éditions de l'Oiseau-Lyre. pp. 95-99 no.18.

Poirion, Daniel. 1965. Le poète et le prince. L'évolution du lyrisme courtois de Guillaume de Machaut à Charles d'Orléans. Publications de la Faculté des lettres et sciences humaines. Paris: Presses Universitaires de France. pp. 198n; 266 no.78.

Apfel, Ernst. 1964-1965. Beiträge zu einer Geschichte der Satztechnik von der frühen Motette bis Bach. Munich: Fink. pp. 1:40-41.

Apfel, Ernst. 1961. Über den vierstimmigen Satz im 14. und 15. Jahrhundert. Archiv für Musikwissenschaft, 34-51. pp. 37.

Günther, Ursula. 1958. The fourteenth-century motet and its development. Musica Disciplina, 27-58. pp. 34.

Machabey, Armand. 1957. Problèmes de notation musicale: notations médiévales des manuscrits d’Évreux. Mélanges de linguistique et de littérature romanes à la mémoire d’István Frank, 361-387. Saarbrücken. pp. 491.

Schrade, Leo (editor). 1956-. Polyphonic Music of the Fourteenth Century. 24 vols. Monaco. pp. (2), 123-126.

Schrade, Leo (editor). 1956. Complete Works of Guillaume de Machaut (I): Lais, Complainte, Chanson royale, Motets No. 1 to 16. Polyphonic Music of the Fourteenth Century. Monaco: Éditions de l'Oiseau-Lyre. pp. 72-75 no.6.

Machabey, Armand. 1955. Guillaume de Machault 130?-1377: La vie et lœuvre musical,. Bibliothèque d'Etudes Musicales. 2 vols. Paris: Richard-Masse. pp. 2:75-77.

Schrade, Leo (editor). 1954 -1956. The Polyphonic Music of the Fourteenth Century. 3 vols. pp. 2:123-26.

Gombosi, Otto Johannes. 1950. Machaut's Messe Notre-Dame. Musical Quarterly, 204ff. pp. 223.

Schneider, Màrius. 1931. Die Ars nova des XIV. Jahrhunderts in Frankreich und Italien. Potsdam: Hayn's Erben, and Wolfenbüttel and Berlin: Kallmeyer. pp. 41 ex.5.

Ludwig, Friedrich. 1929. Die geistliche nichtliturgische, weltliche einstimmige und die mehrstimmige Musik des Mittelalters bis zum Anfang des 15. Jahrhunderts. Handbuch der Musikgeschichte I, edited by Friedrich Ludwig, pp. 18.

Ludwig, Friedrich (editor). 1926-9. Guillaume de Machaut: Musikalische Werke, 1-3. Leipzig: Publikationen älterer Musik. pp. 2:23, 3:18-23.

Hoepffner, Ernest. 1908-1921. Oeuvres de Guillaume de Machaut. 3 vols. pp. 2:lix no.2.

Wolf, Johannes. 1904; Reprinted: Hildesheim, 1965. Geschichte der Mensural-Notation von 1250-1460 nach den theoretischen und praktischen Quellen. 3 vols. Leipzig. pp. 1:174.

Chichmaref, V (editor). [1909]. Guillaume de Machaut: Poésies lyriques. Edition compléte en deux parties, avec introduction, glossaire et fac-similés publiée sous les auspices de la Faculté d'Histoire et de Philologie de Saint-Pétersbourg. Paris: Champion. pp. 2:491-92 no.5.