| Composer | Machaut, Guillaume de (ca. 1300–1377) |
|---|---|
| Genre | Ballade |
| Appears in |
US-NYpm M. 396 (213v—214)
F-Pnm Français 843 (Machaut M) (242—242v)
F-Pnm Français 22545-22546 (Machaut F-G) (144—144v)
F-Pnm Italien 568 (Pit) (120v)
F-Pnm Italien 568 (Pit) (120v)
F-Pnm NAF 23190 (Trémoille) (xiii)
F-Sm 222 C. 22 (95)
|
Staehelin, Martin. 1974. Beschreibungen und Beispiele musikalischer Formen in einem unbeachteten Traktat des frühen 15. Jahrhunderts. Archiv für Musikwissenschaft, 31: 237-42. pp. 239.
Plamenac, Dragan. 1951. Keyboard Music of the 14th Century in Codex Faenza 117. Journal of the American Musicological Society, 4: 179-201. pp. 189-90 .
Carapetyan, Armen (ed.) 1961. An Early Fifteenth-Century Italian Source of Keyboard Music: The Codex Faenza, Biblioteca Comunale 117, a Facsimile Edition. Musicological Studies and Documents. Rome: American Institute of Musicology. pp. None.
Gallo, Franco Alberto (ed.) 1981. II Codice Musicale Panciatichi 26 della Biblioteca Nazionale di Firenze: Riproduzione in Facsimile. Studi e testi per la storia della musica. Florence: Leo S. Olschki. pp. fol 99v.
Chichmaref, V (ed.) [1909]. Guillaume de Machaut: Poésies lyriques. Edition compléte en deux parties, avec introduction, glossaire et fac-similés publiée sous les auspices de la Faculté d'Histoire et de Philologie de Saint-Pétersbourg. Paris: Champion. pp. 2:556.
Woledge, Brian (ed.) 1961. The Penguin Book of French Verse, vol, 1, To the Fifteenth Century. Harmondsworth, Middlesex: Penguin Books. pp. 220-21.
Wilkins, Nigel E (ed.) 1969. One Hundred Ballades, Rondeaux and Virelais from the Late Middle Ages. Cambridge: Cambridge University Press. pp. 21-22, 51, 147-50.
Riemann, Hugo. 1906. Hausmusik aus alter Zeit. Intime Gesänge mit Instrumental-Begleitung aus dem 14. bis 15. Jahrh. in ihrer Originalgestalt. Leipzig: Breitkopf & Härtel. pp. no.3.
Kelly, Douglas. 1978. Medieval Imagination. Rhetoric and the Poetry of Courtly Love. Madison: University of Wisconsin Press. pp. 149.
Wilkins, Nigel E. 1988; 2nd rev. ed. 1989. The Lyric Art of Medieval France. Fulbourn: New Press. pp. 153-54.
Johnson, Leonard W. 1990. Poets as Players: Theme and Variation in Late Medieval French Poetry. Stanford, Calif.: Stanford University Press. pp. 51-56, 312.
Wilson, David Fenwick. 1990. Music of the Middle Ages: An Anthology for Performance and Study. New York: Schirmer Books. pp. 248-50.
Fuller, Sarah. 1992. Guillaume de Machaut: De toutes flours. Music Before 1600, Models of Musical Analysis. edited by Mark E Everist, 41-65. Oxford: Blackwell. pp. 41-44, 65.
Patch, Howard Rollin. 1927. The Goddess Fortuna in Mediaeval Literature. Cambridge, Mass.: Harvard University Press. pp. 64.
Kuhn, David. 1967. La poétique de François Villon. Paris: Colin. pp. None.
Johnson, Leonard W. 1979. 'Nouviaus dis amoureux plaisans': Variation as Innovation in Guillaume de Machaut. Musique naturelle et musique artificielle: In memoriam Gustave Reese, Le Moyen Français. edited by Mary Beth Winn, 11-28. Montreal: Ceres. pp. 23-26, 28.
Zumthor, Paul. 1972. Essai de poétique médiévale, Collection Poétique. Paris: Seuil. pp. 274.
Calin, William. 1971. A Reading of Machaut's Jugement dou Roy de Navarre. Modern Language Review, 66: 294-197. pp. 244.
Patterson, Warner Forest. 1935. Three Centuries of French Poetic Theory: A Critical History of the Chief Arts of Poetry in France (1328-1630). University of Michigan Publications, Language and Literature. Ann Arbor: University of Michigan Press. pp. 2:65.
Dembowski, Peter (ed.) 1986. Le Paradis d'Amour; L'Orloge Amoureus. Edition avec notes, introduction et glossaire. Textes Littéraires Français. Geneva: Droz. pp. 79-80.
Wimsatt, James I. 1991. Chaucer and His French Contemporaries: Natural Music in the Fourteenth Century. Toronto, Buffalo, and London: University of Toronto Press,. pp. 179.
Mossler Figg, Kristen. 1994. Critiquing Courtly Convention: Jean Froissart's Playful Lyric Persona. French Studies, 48: 129-142. pp. 153-59.
McGregor Jr., Rob Roy (ed.) 1975. The Lyric Poems of Jehan Froissart. Chapel Hill: University of North Carolina Press. pp. 211 no.8.
Baudouin, Rae S (ed.) 1978. Jean Froissart: Ballades et rondeaux. Edition avec introduction, notes et glossaire. Texte Littéraires Français. Geneva: Droz. pp. 13-15 no.8.
Mossler Figg, Kristen. 1994. The Short Lyric Poems of Jean Froissart: Fixed Forms and the Expression of the Courtly Ideal. Garland Studies in Medieval Literature; Garland Reference Library of the Humanities. New York and London: Garland. pp. 135-37.
Wooldridge, Harry Ellis. 1932, 2nd ed., rev. by Percy C. Buck . The Oxford History of Music, vol. 2, The Polyphonic Period, Part 2: Method of Musical Art, 1400-c. 1600. edited by Percy C. Buck, London: Oxford University Press. pp. 2:33-36.
Wooldridge, Harry Ellis. 1929, 2nd ed., rev. by Percy C. Buck . The Oxford History of Music, vol. 1, The Polyphonic Period, Part 1: Method of Musical Art, 330-1400. edited by Percy C. Buck, London: Oxford University Press. pp. 247-50.
Ludwig, Friedrich (ed.) 1926-9. Guillaume de Machaut: Musikalische Werke, 1-3. Leipzig: Publikationen älterer Musik. pp. 1:35-36.
Einstein, Alfred (ed.) 1927 3rd edition. Beispielsammlung zur älteren Musikgeschichte. Aus Natur und Geisteswelt. Leipzig and Berlin: Teubner. pp. None.
Einstein, Alfred. 1947. A Short History of Music 3rd rev. American ed. New York: Knopf. pp. None.
Plamenac, Dragan (ed.) 1972. Keyboard Music of the Late Middle Ages in Codex Faenza 117. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. pp. 16-19 no.5.
Preston, Raymond. 1952. Chaucer. London and New York: Sheed and Ward. pp. None.
Schrade, Leo (ed.) 1954 -1956. The Polyphonic Music of the Fourteenth Century. 3 vols. pp. 3:118-19.
Schrade, Leo (ed.) 1957. Complete Works of Guillaume de Machaut (II): Motets No. 17 to 24, Mass, Double Hoquet, Ballades, Rondeaux, Virelais. Polyphonic Music of the Fourteenth Century. Monaco: Éditions de l'Oiseau-Lyre. pp. 115-16.
Wilkins, Nigel E. 1979. Music in the Age of Chaucer. Chaucer Studies. Cambridge: Brewer and Totowa, N.J., Rowman and Littlefield. pp. 39.
Kugler, Michael. 1972. Die Tastenmusik im Codex Faenza. Münchner Veröffentlichungen zur Musikgeschichte. Tutzing. pp. 11-17, 112-18.
Besseler, Heinrich. 1926. Studien zur Musik des Mittelalters: II. Die Motette von Franko von Köln bis Philipp van Vitry. Archiv für Musikwissenschaft, 8: 137-258. pp. 226-27.
Preston, Raymond. 1951. Chaucer and the Ballades notées of Guillaume de Machaut. Speculum, 26: 615-623. pp. 616.
Machabey, Armand. 1955. Guillaume de Machault 130?-1377: La vie et lœuvre musical,. Bibliothèque d'Etudes Musicales. 2 vols. Paris: Richard-Masse. pp. 2:44-46.
Günther, Ursula. 1957. Der musikalische Stilwandel der französischen Liedkunst in der zweiten Hälfte des 14. Jahrhunderts, dargestellt an Virelais, Balladen und Rondeaux von Guillaume de Machaut sowie datierbaren Kantilenensätzen seiner Zeitgenossen und dierekten Nachfolger. Ph.D. dissertation, University of Hamburg. pp. 72, 86.
Bukofzer, Manfred F. 1960. Popular and Secular Music in England (to c. 1470). New Oxford History of Music, edited by Dom Anselm Hughes and Gerald Abraham, London: Oxford University Press. pp. 858-59.
Reaney, Gilbert (ed.) 1966. Répertoire international des sources musicales. Series B IV. Munich-Duisburg: G. Henle Verlag. pp. 708.
Dömling, Wolfgang. 1970. Die mehrstimmigen Balladen, Rondeaux und Virelais von Guillaume de Machaut. Untersuchungen zum musikalischen Satz. Münchner Veröffentlichungen zur Musikgeschichte. Tutzing: Schneider. pp. 79, 80.
Hirshberg, Jehoash. 1971. he Music of the Late Fourteenth-Century: A Study in Musical Style. PhD Dissertation, University of Pennsylvania. pp. 141-42, 399-404.
Dömling, Wolfgang (ed.) 1972. Die Handschrift London, British Museum, Add. 27630 (LoD). I: Faksimile. II: Übertragung der Organa und Motetten. Das Erbe deutscher Musik. Kassel: Bärenreiter. pp. 302, 304.
Kühn, Hellmut. 1973. Die Harmonik der Ars Nova. Zur Theorie der isorhythmischen Motette. Berliner musikwisseschaftliche Arbeiten. Munich: Katzbichler. pp. 213.
Kugler, Michael. 1975. Die Musik für Tasteninstrumente im 15. und 16. Jahrhundert. Taschenbücher zur Musikwissenschaft. Wilhelmshaven: Heinrichshofen. pp. 44-45.
Delone, Richard P. 1978. Machaut and the Ballade Style. Indiana Theory Review, 2: 15-28. pp. None.
Lühmann, Rose. 1978. Versdeklamation bei Guillaume de Machaut. PhD Dissertation, Ludwig-Maximilians-Universität Munich. pp. 87-92.
Mulder, Etty Martha. 1978. Guillaume de Machaut, een grensbewoner: Samenhang von allegorie en muziek bij een laat-Middeleeuws dichter-componist. Guillaume de Machaut entre deux mondes: Les rapports d'allégorie et musique chez un poète-compositeur de la fin du Moyen Age (avec un résumé en français). Amsterdam: Stichting Musicater. pp. 77.
Hirshberg, Jehoash. 1980. Hexachordal and Modal Structure in Machaut's Polyphonic Chansons. Studies in Musicology in Honor of Otto E. Albrecht: A Collection of Essays by His Colleagues and Former Students at the University of Pennsylvania, edited by John Walter Hill, 19-42. Kassel: Bärenreiter. pp. 35-37.
Wilkins, Nigel E. 1980. Ballade (i). The New Grove Dictionary of Music and Musicians , 2: 76-78. pp. 77.
Berger, Christian. 1992. Hexachord, Mensur und Textstruktur: Studien zum französischen Lied des 14. Jahrhunderts. Beihefte zum Archiv für Musikwissenschaft. Stuttgart: Steiner. pp. 67-68.
Fuller, Sarah. 1992. Tendencies and Resolutions: The Directed Progression in Ars Nova Music. Journal of Music Theory, 36: 229-258. pp. 233-35.
Apel, Willi (ed.) 1970-72. French Secular Compositions of the Fourteenth Century. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. pp. 1:201-2 no.104.
Greene, Gordon Kay, and Terence Scully (eds.) 1981-89. French Secular Music (I-II). Polyphonic Music of the Fourteenth Century. Monaco: Éditions de l'Oiseau-Lyre. pp. 19:117-19 no.85.