F-Sm 222 C. 22

Bibliothèque Municipale, Strasbourg, France

choirbook: Mid-15th century

Archive	Bibliothèque Municipale, Strasbourg, France (F-Sm)
Shelfmark	222 C. 22
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	Foliation
Measurements	290 (260?) x 210 mm
Other Identifiers	RISM: F-Sm222 RISM: Str CCM: StrasBM 222 Other catalogues/source: Str olim (Former shelfmark): Bibliothèque de la ville, destroyed in 1871
Notations	black full mensural black void mensural
Copyists	? Laufenberg, Heinrich (ca. 1390–1460) Music
Relationships	? Church of St Gudule (author (of treatise)) Coussemaker, Edmond de (transcribed music) Borren, Charles Van den (reconstructed fragments)
External Links	14th-century French music notation tutorials Transcribed texts
Provenance	Strasbourg, France?
Contents	212 pieces from 44 composers

General Description

Main corpus – theoretical treatises by Philippe de Vitri and others (ff. 3-10 of first section; ff. 120-142 of second section), and 14 apparently monophonic pieces – copied by a single scribe. Second scribe made later additions on openings left blank by first scribe. Early studies tentatively identified main scribe as the poet and theologian Heinrich Louffenberg (ca. 1390-1460); see Bor S and TimmU for discussion. Some of the secular pieces also have Latin motet texts appended. Of southwest German monastic origin (TimmU); perhaps copied in Strasbourg, Freiburg im Breisgau, or vicinity (RISM). Entered Bibliothèque Municipale in Strasbourg at unknown date; destroyed by fire during Franco-Prussian War in 1870. Contents reconstructed by Charles Van den Borren from descriptive notes, thematic incipit list, and partial transcription made c. 1866 by Edmond de Coussemaker (now preserved as Brussels, Bibliothèque du Conservatoire Royal de Musique, MS 56286; see CouM for modern facsimile edition of portions of latter manuscript).

DIAMM, 2017

Binding

Original covers of red leather over wooden boards, with inscription 'Liber musicalis.'

DIAMM, 2017

Notation

black full and black void mensural with red full, red void, or black void coloration

DIAMM, 2017

Ruling

8 five of six-line staves per page

DIAMM, 2017

Foliation

Original ink foliation in two sections, 1-11 + 1-143 (first folio of second section not numbered).

DIAMM, 2017

Index

Original alphabetical index on first two folios

DIAMM, 2017

Surface

paper

DIAMM, 2017

RISM Description

RISM B/IV 3: 15. Jh.; 155 Blätter Papier 290 (260?) x 210 mm. Zwei aufeinanderfolgende Foliierung: 1. f. 1-11 + 1 Blatt ohne Foliierung ; 2. f. 1-143. Je Seite wohl meist 8 Fünf- oder Sechsliniensysteme Schwarz-rote, in den Nachträgen auch weiße Mensuralnotation; vereinzelt auch gotische Choralnotation - Einband: teilweise mit rotem Leder überzogene Holzdeckel; auf dem hinteren Deckel stand: Liber musicalis.

Die im Jahre 1870 in Straßburg verbrannte Handschrift ist heute in einer in Brüssel liegenden Teilkopie Coussemakers erhalten, welche sämtliche Incipits sowie einzelne Stücke in extenso enthält. Von f. 78v ist zudem ein Faksimile bekannt (siehe unter Ausgaben). Die Handschrift stammt aus elsässisch-südwestdeutschem Raum (Straßburg, Freiburg i. Br., Zofingen (?)) und wurde in ihrem ältesten Teil im frühen 15. Jh. geschrieben (vergleiche Jahrzahl 1411 auf f. 142). Die Nachträge reichen bis in die Jahrhundertmitte herauf. Als Schreiber kommt nach Jung und Coussemaker vielleicht Heinrich von Laufenburg in Frage.

Inhalt:: 1. f. 1/2 Originalindex; f. 4-10 5 lat. und deutsche Musiktraktate (3 davon publiziert in Coussemaker III, 35ff., 411ff., 413ff.); 2 leere Blätter - 2. f. 1-119 und 142v-143 siehe Incipitverzeichnis; f. 120-142r Choraltraktat (von Coussemaker nicht kopiert).

INCIPITVERZEICHNIS

Das Incipitverzeichnis folgt in der Numerierung der grundlegenden Publikation van den Borrens. Wo sich zwei Nummern als zu einem Stück gehörig herausgestellt haben, ist eine Doppelnummer gesetzt. Die Foliozahlen folgen Coussemakers Catalogue thématique (nach Borren), der nur das Incipit, meist des Superius, enthält. Die mit diesem in Coussemakers Abschrift vollständiger Stücke nicht übereinstimmenden Foliozahlen sind in Klammern gesetzt. Die von Coussemaker in extenso überlieferten Stücke sind mit der entsprechenden Nummer in eckige Klammern gesetzt und mit einem * versehen. Die vom gleichen Forscher angegebene Stimmenzahl nicht vollständig kopierter Stücke ist hinter das Incipit in Klammern gesetzt. Textergänzungen nach WolfGdM unter anderem sind in eckigen Klammern vermerkt. Punkt(e) nach dem Textincipit sind nur dort gesetzt, wo Coussemaker eine vollständige Kopie eines Werkes gegeben hat. Von Coussemaker nach der Handschrift hinzugefügte Kontrafakturtexte sind mitberücksichtigt. Wo die Art der Notation nicht aus dem Incipit ersichtlich ist, wird diese nur dort näher bezeichnet, wo es sich (nach van den Borren) um gemischtfarbige oder um nicht-schwarze Notation handelt.

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

(destroyed in 1870)

3 Kyries, 14 Glorias, 10 Credos, 1 Credo section, 4 Sanctus, 2 Sanctus-Agnus pairs, 6 hymns, 24 motets, 88 French secular pieces, 18 German secular pieces, 8 Latin secular pieces, 4 Dutch secular pieces, * 4 Italian secular pieces, 4 textless pieces = 190 + 3 duplicates = 193**

*Text of at least one of these is possibly corrupt English rather than Dutch (DartCA).

**In addition to polyphony listed above, manuscript also contains theoretical treatises by Philippe de Vitri and others (ff. 3-10 of first section; ff. 120-142 of second section), and 14 apparently monophonic pieces.

Alain? [Alanus; Magistri Alani]-4, Anthonius clericus apostolicus-1, (Antonio da Cividale)-1, Binchois-5, (Borlet)-1, Bosco [Boquet]-1, Cameraco-2, Carlay-1, (Césaris)-1, Césaris/(Passet)-1, Ja. de Clibano? [J. de Climen]-Cornelius-1, Dufay-6, Egidius de Pusiex -1, Egidius de Thenis-2, (Fontaine)-1, (Grenon)-1, Grimace-2, Heinricus de Libero Castro-3, Hesseman-2 + 1?, Lambert? [Lampens]-1, (Landini)-2, (A. Lantins)-1, G. Liberti? [C. Liebert]-1, Machaut [Wilhelmi de Maschaudio]-4, Machaut/(Molins) -1, Machaut/(Vaillant)-1, N. Merques-4, (Molins)-2, Nucella-1, (Pellisson)-1, Perrinet [Prunet]-1, Richart-1, Royllart-1, (Salinis) -1, (Selesses)-1, (Tailhandier)-1, (Vide)-1, Vitri-4, (Magister Zacharias)-1, Zeltenpferd-1, anon-120

155 paper folios, 290 x 210. Original ink foliation in two sections, 1-11 + 1-143 (first folio of second section not numbered). Original covers of red leather over wooden boards, with inscription "Liber musicalis." Original alphabetical index on first two folios. Main corpus (including treatises) copied by a single scribe, mostly in black mensural notation with red full, red void, or black void coloration, occasionally in Gothic chant notation; second scribe made later additions in white mensural notation with black or red coloration on openings left blank by first scribe. Early studies tentatively identified main scribe as the poet and theologian Heinrich Louffenberg (ca. 1390-1460); see Bor S and TimmU for discussion. Some of the secular pieces also have Latin motet texts appended.

Early 15th century (date 1411 on f. 142), with additions ca. 1450 (BorS). Of southwest German monastic origin (TimmU); perhaps copied in Strasbourg, Freiburg im Breisgau, or vicinity (RISM). Entered Bibliothèque Municipale in Strasbourg at unknown date; destroyed by fire during Franco-Prussian War in 1870. Contents reconstructed by Charles Van den Borren from descriptive notes, thematic incipit list, and partial transcription made ca. 1866 by Edmond de Coussemaker (now preserved as Brussels, Bibliothèque du Conservatoire Royal de Musique, MS 56286; see CouM for modern facsimile edition of portions of latter manuscript).

Original burned. Coussemaker's copy extant in Brussels.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
[-]	Salve regina mater misericordiae	-	Anonymous
Salve regina mater misericordiae Anonymous Appears on: [-] Genres: Motet, Salve Regina Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Salve regina Layout parts
[-]	untexted Tenor	Henrici de Libero Castro	Laufenberg, Heinrich (ca. 1390–1460)
untexted Tenor Laufenberg, Heinrich (ca. 1390–1460) Appears on: [-] Genres: Secular Source Attribution: Henrici de Libero Castro Voice: Tenor Languages: Latin Clef: c4 Voice Text: Henrici de libero Castro
1	Dominus vobiscum	-	Anonymous
Dominus vobiscum Anonymous Appears on: 1 Genres: Dominus vobiscum, Liturgical work, Motet Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Dominus vobiscum
1	Kyrie [Tro] magne Deus potentiae	-	Anonymous
Kyrie [Tro] magne Deus potentiae Anonymous Appears on: 1 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin, Greek Clef: c1 Voice Text: Kyrie [magne deus] Layout parts
1v	Salve mundi domina / divina regine superorum / Ave regis filila / Ave regina fili Maria	-	Anonymous
Salve mundi domina / divina regine superorum / Ave regis filila / Ave regina fili Maria Anonymous Appears on: 1v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Sanctus ... General Note Belongs together with the following one
1v	Salve mundi domina / divina regine superorum / Ave regis filila / Ave regina fili Maria	-	Anonymous
Salve mundi domina / divina regine superorum / Ave regis filila / Ave regina fili Maria Anonymous Appears on: 1v Genres: Motet Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Ave regis filila \| [Ave regina fili Maria] Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Salve mundi [domina \| divina regine superorum] General Note Belongs together with the previous one Layout parts
2	Salve mater Jesu [=Cacciando per gustar]	-	Zacara da Teramo, Antonio (ca. 1350–ca. 1413)
Salve mater Jesu [=Cacciando per gustar] Zacara da Teramo, Antonio (ca. 1350–ca. 1413) Appears on: 2 Genres: Contrafactum, Motet Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Salve mater Jesu Layout parts
3v–4v	Patrem omnipotentem [Credo]	Prunet	Perrinet (1375–1425)
Patrem omnipotentem [Credo] Perrinet (1375–1425) Appears on: 3v–4v Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: Prunet Voice: Tenor Languages: Latin Clef: c4 Voice Text: Patrem omnipotentem ... Voice: Triplum Languages: Latin Clef: c1 Voice Text: Patrem omnipotentem ... Voice: Discantus Languages: Latin Clef: c4 Voice Text: Patrem omnipotentem ... Voice: Contratenor Languages: Latin Clef: c2 Voice Text: Patrem omnipotentem ... Layout parts General Note text and music copied by Coussemaker in its entirety
7	O ho ho ho ho ho Venari nunc / Venari autem musicae	-	Anonymous
O ho ho ho ho ho Venari nunc / Venari autem musicae Anonymous Appears on: 7 Genres: Motet Voice: [no designation] Languages: Latin Clef: c1 Voice Text: O ho ho ho ho ho Venari nunc \| [Venari autem musicae] Layout parts
7v	Rex Karole Johannis genite / Laetitie pacis, concordie	Philippus Royllart	Royllart, Philippe
Rex Karole Johannis genite / Laetitie pacis, concordie Royllart, Philippe Appears on: 7v Genres: Motet Source Attribution: Philippus Royllart Voice: Contratenor Languages: none Clef: c3 Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Rex Karole Johannis Voice: Tenor Languages: none Clef: c3 Layout parts General Note complete text and music for triplum, tenor and contratenor copied by Coussemaker
8	Vexilla regis Vexilla Christi	-	Anonymous
Vexilla regis Vexilla Christi Anonymous Appears on: 8 Genres: Sequence Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Vexilla regis [Vexilla Christi] Layout parts
9	Et in terra pax [Gloria]	-	Anonymous
Et in terra pax [Gloria] Anonymous Appears on: 9 Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Et in terra Layout parts
10v	En tres dous En tres douls flous	-	Anonymous
En tres dous En tres douls flous Anonymous Appears on: 10v Genres: Chanson Voice: [no designation] Languages: French Voice Text: En t(r)es dous [En tres douls flous]
11	Sonorum varietas	Henrici	Finck, Heinrich (?)
Sonorum varietas Finck, Heinrich (?) Appears on: 11 Genres: Motet Source Attribution: Henrici Voice: Contratenor Languages: Latin Clef: c4 Voice Text: Sonorum etc. Voice: Discantus Languages: Latin Clef: c2 Voice Text: Sonorum varietas... Voice: Tenor Languages: Latin Clef: c4 Voice Text: Sonorum etc. General Note music and text of entire piece copied by Coussemaker Layout parts
11v	Et in terra pax [Gloria]	-	Anonymous
Et in terra pax [Gloria] Anonymous Appears on: 11v Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Et in terra Layout parts
12v	La grant dolour	-	Anonymous
La grant dolour Anonymous Appears on: 12v Genres: Chanson Voice: [no designation] Languages: Latin Clef: c1 Voice Text: La grant dolour Layout parts
12v	Salve caelestis ros	-	Anonymous
Salve caelestis ros Anonymous Appears on: 12v Genres: Marian antiphon Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Salve celestis ros \| Ave virtutum flos ... Layout parts
12v–(13)	Voulez savoir	Merques	Merques, Nicolas
Voulez savoir Merques, Nicolas Appears on: 12v–(13) Genres: Chanson Source Attribution: Merques Voice: Contratenor Languages: French Clef: c3 Voice Text: Voles scavoir. Voice: [no designation] Languages: French Clef: c1 Voice Text: Voles scavoir. Voice: Tenor Languages: French Clef: c3 Voice Text: Voles scavoir. Layout parts General Note music copied by Coussemaker in its entirety; only text incipit was copied with music (source may have been similarly untexted)
13v	Ave regina caelorum	-	Anonymous
Ave regina caelorum Anonymous Appears on: 13v Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Ave regina Layout parts
14	Ne vous vollies	-	Cluny, B. de
Ne vous vollies Cluny, B. de Appears on: 14 Genres: Motet Voice: [no designation] Languages: French Clef: c1 Voice Text: Ne vous vollies \| [Ne nous vollies] Layout parts
14–15	Organizanter contine / Luceat laudis	-	Anonymous
Organizanter contine / Luceat laudis Anonymous Appears on: 14–15 Genres: Motet Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Luceat laudis Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Organizanter contine \| Sto repleto flamine ... General Note Belongs together with the following one. Layout parts
14–15	Organizanter contine / Luceat laudis	-	Anonymous
Organizanter contine / Luceat laudis Anonymous Appears on: 14–15 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Luceat laudis General Note Belongs together with the previous one.
15v	Amour me fait desirer loyalement	-	Argentorato, Henricus Hessman de (fl. late 14th century) (?)
Amour me fait desirer loyalement Argentorato, Henricus Hessman de (fl. late 14th century) (?) Appears on: 15v Genres: Ballade Voice: [no designation] Languages: French Clef: c3 Voice Text: Amour me fayt Layout parts
16	Tota pulchra es amica mea et macula II: Flores apparuerunt	-	Lantins, Arnold de (–1432) (?)
Tota pulchra es amica mea et macula II: Flores apparuerunt Lantins, Arnold de (–1432) (?) Appears on: 16 Genres: Motet Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Tota pulchra Layout parts
16v	Fuyés de moy. C, Ct, T = Wohlauf, Gesell, wer jagen will	-	Alain
Fuyés de moy. C, Ct, T = Wohlauf, Gesell, wer jagen will Alain Appears on: 16v Genres: Chanson Voice: [no designation] Languages: French Voice Text: Fuies de moy
17	Je comincz	-	Anonymous
Je comincz Anonymous Appears on: 17 Genres: Motet Voice: [no designation] Languages: French Clef: c3 Voice Text: Je comincz Layout parts
17v	Onques ne fu si	-	Anonymous
Onques ne fu si Anonymous Appears on: 17v Genres: Hymn Voice: [no designation] Languages: French Voice Text: Onques ne fu si
18	Questa fanciull' amor fallami pia	-	Landini, Francesco (ca. 1325–1397)
Questa fanciull' amor fallami pia Landini, Francesco (ca. 1325–1397) Appears on: 18 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Questa fanciula
18v	Dicant nunc Judaei	-	Anonymous
Dicant nunc Judaei Anonymous Appears on: 18v Genres: Motet Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Dicant nunc judei Layout parts
19v	Sanctus	-	Anonymous
Sanctus Anonymous Appears on: 19v Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Sanctus Layout parts
20v	Impudenter circuivi solum / Virtutibus laudabilis, moribus / Alma redemptoris mater	Philippus de Vitriaco	Vitry, Philippe de (1291–1361)
Impudenter circuivi solum / Virtutibus laudabilis, moribus / Alma redemptoris mater Vitry, Philippe de (1291–1361) Appears on: 20v Genres: Alma redemptoris mater, BVM, Motet Source Attribution: Philippus de Vitriaco Voice: Tenor Languages: Latin Clef: c3 Voice Text: Imp(r)udenter et ad virtutibus solus. Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Imp(r)udenter circumvivi Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Virtutibus laudabilis morbus commendabilis Layout parts General Note attribution to Vitry is noted in Brussels 56286, the copy of this lost manuscript.
21v–22	Veni sancte spiritus et emitte caelitus	-	Anonymous
Veni sancte spiritus et emitte caelitus Anonymous Appears on: 21v–22 Genres: Motet, Veni sancte spiritus Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Veni Sancte spiritus
23v	Veni creator spiritus mentes tuorum	-	Vitry, Philippe de (1291–1361)
Veni creator spiritus mentes tuorum Vitry, Philippe de (1291–1361) Appears on: 23v Genres: Motet Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Veni creator spiritus
24	Molendium de Paris	-	Vitry, Philippe de (1291–1361) (?)
Molendium de Paris Vitry, Philippe de (1291–1361) (?) Appears on: 24 Genres: Motet Voice: Contratenor Languages: Italian Clef: c4 Voice Text: Contratenor Molendini de Paris. Voice: secundus discantus Languages: Latin Clef: c2 Voice Text: Molendium secundus discantus. Voice: Tenor Languages: none Clef: c4 Voice Text: Tenor Molendini de Paris. Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Molendium de Paris. Layout parts
24v	Combien qu'il a	-	Anonymous
Combien qu'il a Anonymous Appears on: 24v Genres: Motet Voice: [no designation] Languages: French Voice Text: Combien qu'il a Layout parts
25	Je vois ennui de ma dame	Magister Grimache	Grimace (fl. mid-to late 14th century)
Je vois ennui de ma dame Grimace (fl. mid-to late 14th century) Appears on: 25 Genres: Motet Source Attribution: Magister Grimache Voice: [no designation] Languages: French Clef: c3 Voice Text: Je voy ennui de ma dame. General Note attribution to Grimace is noted in Brussels 56286, the copy of this lost manuscript. music (but not text) copied by Coussemaker in its entirety. Item Bibliography Perz, Miroslaw. 1984. Zur Textunterlegungspraxis in der Mehrstimmigkeit des 14. und 15. Jahrhunderts und über einige in Polen Neu-und Wiedergefundene Quellen dieser Zeit. Musik und Text in der Mehrstimmigkeit des 14. und 15. Jahrhunderts: Vorträge des Gastsymposiums in der Herzog August Bibliothek Wolfenbüttel, 8. bis 12. September 1980, Göttinger Musikwissenschaftliche Arbeiten. edited by Miroslaw Perz, 327-49. Kassel: Bärenreiter. Pages: photo 1. Brewer, Charles Everett. 1982. A fourteenth-century polyphonic manuscript rediscovered. Studia Musicologica Academiae Scientiarum Hungaricae, 5-19. Pages: [facs.] plates III-IV.
25	La gracieuse plaisance	-	Vitry, Philippe de (1291–1361)
La gracieuse plaisance Vitry, Philippe de (1291–1361) Appears on: 25 Genres: Motet Voice: [no designation] Languages: French Clef: c2 Voice Text: La gracieuse plaisance Layout parts
25v	Comes Flandrie, flos victoris / Rector creatorum laudibus / In cimbalis bene sonantibus	-	Anonymous
Comes Flandrie, flos victoris / Rector creatorum laudibus / In cimbalis bene sonantibus Anonymous Appears on: 25v Genres: Motet Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Rector creatorum laudibus sonorum ... Voice: [no designation] Languages: Latin, French Clef: c5 Voice Text: Comes flandrie efflos victorie ... Voice: [no designation] Languages: Latin Clef: c4 Voice Text: In cymbalis bene sonantibus ... Layout parts
26v	Par ton partier	-	Anonymous
Par ton partier Anonymous Appears on: 26v Genres: Motet Voice: [no designation] Languages: French Clef: c3 Voice Text: Par ton partier Layout parts
27v	Mundi cursus perverse regitur	-	Anonymous
Mundi cursus perverse regitur Anonymous Appears on: 27v Genres: Motet Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Mundi cursus [perverse regitur] Layout parts
28v	wol mir ich weisz een meezelin	-	Anonymous
wol mir ich weisz een meezelin Anonymous Appears on: 28v Genres: Song Voice: [no designation] Languages: Dutch Clef: c3 Voice Text: wol mir ich weis(z) [een meezelin] Layout parts
29	Revien espoir	-	Anonymous
Revien espoir Anonymous Appears on: 29 Genres: Chanson Voice: [no designation] Languages: French Clef: c1c3 Voice Text: Revien espoir
29v	Exutat mea vena quodlibet ex Phylomena	-	Anonymous
Exutat mea vena quodlibet ex Phylomena Anonymous Appears on: 29v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Exutat mea vena [quodlibet ex Phylomena
30v–31	Et in terra pax [Gloria]	Henricus Hessman	Argentorato, Henricus Hessman de (fl. late 14th century)
Et in terra pax [Gloria] Argentorato, Henricus Hessman de (fl. late 14th century) Appears on: 30v–31 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: Henricus Hessman Voice: Tenor Languages: Latin Clef: f2c4 Voice Text: Et in terra pax hominibus Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Et in terra pax hominibus Voice: Contratenor Languages: Latin Clef: f2c4 Voice Text: Et in terra pax hominibus General Note music and text copied by Coussemaker in its entirety
32v	Sanctus	-	Anonymous
Sanctus Anonymous Appears on: 32v Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Sanctus
33	Combien que	-	Anonymous
Combien que Anonymous Appears on: 33 Genres: Chanson Voice: [no designation] Languages: French Clef: c2 Voice Text: Combien que
33v	Le don d'amours qui plus les coeurs…	-	Anonymous
Le don d'amours qui plus les coeurs… Anonymous Appears on: 33v Genres: Chanson Voice: [no designation] Languages: French Clef: c1 Voice Text: Le don d'amours [qui plus les cueurs attraict \| C'est doulz regars amoreus … ] General Note Only musical incipit copied by Coussemaker; first two lines of text copied by Reuss.
34	A son plaisir volentiers serviroye	-	Legrant, Guillaume (?) Fontaine, Pierre (?)
A son plaisir volentiers serviroye Legrant, Guillaume (?) Fontaine, Pierre (?) Appears on: 34 Genres: Chanson, Rondeau Voice: [no designation] Languages: French Voice Text: Addo plasier General Note text: Addo plasier
34v	Her liepstu frow	-	Anonymous
Her liepstu frow Anonymous Appears on: 34v Genres: Song Voice: [no designation] Languages: German Voice Text: Her liepstu frow, [mich dinen knecht; \| Was betuet dis naht din lut gebreht…] General Note Only musical incipit copied by Coussemaker; first two lines of text copied by Reuss.
35v	Plaignez mon coeur	-	Anonymous
Plaignez mon coeur Anonymous Appears on: 35v Genres: Chanson Voice: [no designation] Languages: French Voice Text: Plaignez mon cuer
35–35v	Por grief	-	Anonymous
Por grief Anonymous Appears on: 35–35v Genres: Secular Voice: [no designation] Languages: French Voice Text: Por grief
36	Aspur refu	-	Hothby, John (ca. 1430–1487)
Aspur refu Hothby, John (ca. 1430–1487) Appears on: 36 Genres: Motet Voice: [no designation] Languages: French Voice Text: Aspre refus
36v	De che qui vol pense	Wilhelmi de Maschandio	Machaut, Guillaume de (ca. 1300–1377) Molins, Pierre des (fl. mid-14th century)
De che qui vol pense Machaut, Guillaume de (ca. 1300–1377) Molins, Pierre des (fl. mid-14th century) Appears on: 36v Genres: Italian secular Source Attribution: Wilhelmi de Maschandio Voice: [no designation] Languages: French Voice Text: [De] Che qui vol pense General Note attribution to Machaut is noted in Brussels 56286, the copy of this lost manuscript.
37	He tres douls rossignol	-	Borlet
He tres douls rossignol Borlet Appears on: 37 Genres: Chanson Voice: [no designation] Languages: French Voice Text: He tres douls rossig[n]ol ...
37	Trurr	-	Anonymous
Trurr Anonymous Appears on: 37 Genres: not defined Voice: [no designation] Languages: insufficient Voice Text: Trurr
37v	Sanctus & benedictus	Henricus de Libero Castro	Laufenberg, Heinrich (ca. 1390–1460)
Sanctus & benedictus Laufenberg, Heinrich (ca. 1390–1460) Appears on: 37v Genres: Agnus Dei, Mass Ordinary, Sanctus [& Benedictus] Source Attribution: Henricus de Libero Castro Voice: [no designation] Languages: Latin Voice Text: Sanctus ... Voice: [no designation] Languages: Latin Voice Text: Agnus dei ... \| Sanctus ...
38	Fuga trium temporum	J. de Climen / Tenor J. Cornelii	Climen, J. de
Fuga trium temporum Climen, J. de Appears on: 38 Genres: textless Source Attribution: J. de Climen / Tenor J. Cornelii Voice: [no designation] Languages: none General Note piece copied by Coussemaker in its entirety
38v	O frow liepich dir singt nachtegall.	-	Anonymous
O frow liepich dir singt nachtegall. Anonymous Appears on: 38v Genres: Song Voice: [no designation] Languages: German Voice Text: O frow liepich [dir singt nachtegall.]
39	Ist der wol billich	-	Anonymous
Ist der wol billich Anonymous Appears on: 39 Genres: Song Voice: [no designation] Languages: German Voice Text: Ist der wol billich
39v–40	Et in terra pax [Gloria] (II)	Zeltenpferd	Zeltenpferd (?) Zacara da Teramo, Antonio (ca. 1350–ca. 1413) (?)
Et in terra pax [Gloria] (II) Zeltenpferd (?) Zacara da Teramo, Antonio (ca. 1350–ca. 1413) (?) Appears on: 39v–40 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: Zeltenpferd Voice: [no designation] Languages: Latin Voice Text: Laudamus te. Voice: [no designation] Languages: Latin Voice Text: Et in terra pax ... General Note attributed to Zacara da Teramo by Reaney (in New grove) based on elements in common with the Gloria 'Micinella'
40v	Et in terra pax (Gloria), [Tro] Qui sonitu melodia	-	Anonymous
Et in terra pax (Gloria), [Tro] Qui sonitu melodia Anonymous Appears on: 40v Genres: Mass Ordinary, Troped Gloria Voice: [no designation] Languages: Latin Voice Text: Et in terra pax
41v	Et in terra pax [Gloria]	-	Pellisson, Johannes de Bosco, alias
Et in terra pax [Gloria] Pellisson, Johannes de Bosco, alias Appears on: 41v Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Et in terra
42v	Alanus [untexted]	Alanus	Anonymous
Alanus [untexted] Anonymous Appears on: 42v Genres: textless Source Attribution: Alanus Voice: [no designation] Languages: none
43	Flous priis honnour	-	Anonymous
Flous priis honnour Anonymous Appears on: 43 Genres: Secular Voice: [no designation] Languages: Latin Voice Text: Flous priis honnour
43v–44	Salve regina misericordiae Vita dulcedo II: Ad te suspiramus gementes et flentes III: Et Jesum benedictum fructum ventris IV: O pia	-	Anonymous
Salve regina misericordiae Vita dulcedo II: Ad te suspiramus gementes et flentes III: Et Jesum benedictum fructum ventris IV: O pia Anonymous Appears on: 43v–44 Genres: Motet, Salve Regina Voice: [no designation] Languages: Latin Voice Text: Salve regina [misericordie]
44v	Kyrie eleison	-	Anonymous
Kyrie eleison Anonymous Appears on: 44v Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Greek Voice Text: Kyrie
45	Et in terra pax [Gloria]	-	Anonymous
Et in terra pax [Gloria] Anonymous Appears on: 45 Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Et in terra
46v	Or tost alarme	-	Anonymous
Or tost alarme Anonymous Appears on: 46v Genres: Secular Voice: [no designation] Languages: French Voice Text: Or tost alarme
47	Sanctus	-	Anonymous
Sanctus Anonymous Appears on: 47 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: Sanctus
47v	Je fortune fay a tous	-	Anonymous
Je fortune fay a tous Anonymous Appears on: 47v Genres: Chanson Voice: [no designation] Languages: French Voice Text: Je fortune
47v	Dame plasur	-	Anonymous
Dame plasur Anonymous Appears on: 47v Genres: Chanson Voice: [no designation] Languages: French Voice Text: Dame plasur
47v	Ich sach den mey [meygen] met bloeuen benaen	-	Anonymous
Ich sach den mey [meygen] met bloeuen benaen Anonymous Appears on: 47v Genres: Song Voice: [no designation] Languages: Middle Dutch Voice Text: Ich sach den meygen
48	Christus rex pacificus = Jour à jour la vie	Wilhelmi de Maschandio	Machaut, Guillaume de (ca. 1300–1377)
Christus rex pacificus = Jour à jour la vie Machaut, Guillaume de (ca. 1300–1377) Appears on: 48 Genres: Contrafactum Source Attribution: Wilhelmi de Maschandio Voice: [no designation] Languages: French Voice Text: Jour a jour la vie
48v	Dantur officia burce consilio / Quid scire proderit nova et vetera	-	Anonymous
Dantur officia burce consilio / Quid scire proderit nova et vetera Anonymous Appears on: 48v Genres: Motet Voice: [no designation] Languages: French Voice Text: Dantur officia
48v	Benedicamus	-	Anonymous
Benedicamus Anonymous Appears on: 48v Genres: Benedicamus Domino, Motet Voice: [no designation] Languages: Latin Voice Text: Benedicamus
49	Versuch min dienst	-	Anonymous
Versuch min dienst Anonymous Appears on: 49 Genres: Song Voice: [no designation] Languages: German Voice Text: Versuch min dienst
49	Soyes lies et menes joie	-	Anonymous
Soyes lies et menes joie Anonymous Appears on: 49 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Soyes lies [et menes joie ...]
49v	Genad true fraulin rein	-	Anonymous
Genad true fraulin rein Anonymous Appears on: 49v Genres: Song Voice: [no designation] Languages: German Voice Text: Genad true frowlin rein
50v	Et in terra pax [Gloria]	-	Pellisson, Johannes de Bosco, alias
Et in terra pax [Gloria] Pellisson, Johannes de Bosco, alias Appears on: 50v Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Patrem
51	En ce gracieux temps	-	Senleches, Jacob
En ce gracieux temps Senleches, Jacob Appears on: 51 Genres: Virelai Voice: [no designation] Languages: French Voice Text: En ce gracious [temps]
51v	Wohluff, wohluff begib din ungemach.	-	Anonymous
Wohluff, wohluff begib din ungemach. Anonymous Appears on: 51v Genres: Song Voice: [no designation] Languages: German Voice Text: Woluf[f] woluf[f] [begib din ungemach.]
52	Bon jour tres bon an	-	Anonymous
Bon jour tres bon an Anonymous Appears on: 52 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Bon jour tres bon an
52v	[Mass of Barcelona] Et in terra pax [Gloria] [Tro] Splendor patris (each of the surviving sources has a different contratenor)	-	Anonymous
[Mass of Barcelona] Et in terra pax [Gloria] [Tro] Splendor patris (each of the surviving sources has a different contratenor) Anonymous Appears on: 52v Genres: Mass Ordinary, Troped Gloria Voice: [no designation] Languages: Latin Voice Text: Et in terra [splendor patris] General Note Each of the surviving sources for this piece has a different contratenor.
53	Adieu mes tres belles amours	Bynchoys	Binchois, Gilles (ca. 1400–1460)
Adieu mes tres belles amours Binchois, Gilles (ca. 1400–1460) Appears on: 53 Genres: Rondeau Source Attribution: Bynchoys Voice: [no designation] Languages: French Voice Text: Adieu ma tres belle. Voice: [no designation] Languages: French Voice Text: Adieu ma tres. Voice: [no designation] Languages: French Voice Text: Adieu ma tres belle. General Note attribution to Binchois is noted in Brussels 56286, the copy of this lost manuscript. Music copied by Coussemaker in its entirety (but only text incipit).
54v	Sanctus in ut	-	Anonymous
Sanctus in ut Anonymous Appears on: 54v Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: Sanctus [in ut]
55	Agnus Dei	-	Anonymous
Agnus Dei Anonymous Appears on: 55 Genres: Agnus Dei, Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Agnus [dei]
55v	Patrem omnipotentem [Credo]	-	Anonymous
Patrem omnipotentem [Credo] Anonymous Appears on: 55v Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Patrem
56v	Patrem omnipotentem [Credo]	-	Tailhandier, Pierre (fl. c1390)
Patrem omnipotentem [Credo] Tailhandier, Pierre (fl. c1390) Appears on: 56v Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Patrem [aliud]
58	In min Herz	-	Anonymous
In min Herz Anonymous Appears on: 58 Genres: Song Voice: [no designation] Languages: German Voice Text: In min hertz
58v	Patrem omnipotentem [Credo]	-	Anonymous
Patrem omnipotentem [Credo] Anonymous Appears on: 58v Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Patrem
59	Las conferay	G. Dufay	Anonymous
Las conferay Anonymous Appears on: 59 Genres: Secular Source Attribution: G. Dufay Voice: Tenor Languages: French Clef: c4 Voice Text: Las conferay Voice: [no designation] Languages: French Clef: c3c2 Voice Text: Las conferay General Note attribution to Dufay is noted in Brussels 56286, the copy of this lost manuscript. Music for both voices copied by Coussemaker (but only text incipit)
59v	Hareu hareu je la vois	-	Anonymous
Hareu hareu je la vois Anonymous Appears on: 59v Genres: Chace, Motet Voice: [no designation] Languages: French Clef: c4 Voice Text: Hareu, hareu je la voy [la, La proye qui tant grevé m'a; Trop est loing de sa garyson. tru! tru! ...] General Note Reuss copied the first three lines of text; Coussemaker copied the text and music of the incipit.
59v	Der Sommer kommt	-	Anonymous
Der Sommer kommt Anonymous Appears on: 59v Genres: Song Voice: [no designation] Languages: German Voice Text: Der summer kumt
60	Salve regina mater misericordiae	-	Anonymous
Salve regina mater misericordiae Anonymous Appears on: 60 Genres: Motet, Salve Regina Voice: [no designation] Languages: Latin Voice Text: Salve regina
60v	Et in terra pax [Gloria]	-	Anonymous
Et in terra pax [Gloria] Anonymous Appears on: 60v Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Et in terra
61v	Patrem omnipotentem [Credo]	-	Anonymous
Patrem omnipotentem [Credo] Anonymous Appears on: 61v Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Patrem
62v	Se fortune	-	Anonymous
Se fortune Anonymous Appears on: 62v Genres: Secular Voice: [no designation] Languages: French Voice Text: Se fortune
62v	Onques dyre ne vout	-	Anonymous
Onques dyre ne vout Anonymous Appears on: 62v Genres: Chanson Voice: [no designation] Languages: French Clef: c1 Voice Text: Onques dyre ne vout Layout parts
63	Virgo mater veri Dei	-	Anonymous
Virgo mater veri Dei Anonymous Appears on: 63 Genres: Motet Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Virgo mater [veri dei]
64	Schack melodye	-	Anonymous
Schack melodye Anonymous Appears on: 64 Genres: Chanson Voice: [no designation] Languages: German Voice Text: Schack melodye
64v–65	Apollinis eclipsatur nunquam lux / Zodiacum signis lustrantibus / In omnem terram	-	Cluny, B. de
Apollinis eclipsatur nunquam lux / Zodiacum signis lustrantibus / In omnem terram Cluny, B. de Appears on: 64v–65 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Quadruplum sive triplum de Apollonis Voice: [no designation] Languages: Latin Voice Text: Pantheon ablitur templum ... Voice: [no designation] Languages: Latin Voice Text: Zodiacus signis ... Voice: [no designation] Languages: Latin Voice Text: In omnem terram etc. Voice: [no designation] Languages: Latin Voice Text: Apollonis ecclipsatur nunquam .. General Note text and music for all parts copied by Coussemaker in their entirety
65v	Par maintes fois ay oy recorder	[Wilhelmi de Maschandio]	Vaillant, Jacob (fl. 1360–90)
Par maintes fois ay oy recorder Vaillant, Jacob (fl. 1360–90) Appears on: 65v Genres: Motet Source Attribution: [Wilhelmi de Maschandio] Voice: [no designation] Languages: French Voice Text: Par maintes foys General Note erroneous attribution to Machaut is noted in Brussels 56286, the copy of this lost manuscript.
66v	De fortune	-	Anonymous
De fortune Anonymous Appears on: 66v Genres: Chanson Voice: [no designation] Languages: French Voice Text: De fortume
66v	De Fortune me doy pleindre et loer car quand premiers en commensay l’amer	-	Machaut, Guillaume de (ca. 1300–1377)
De Fortune me doy pleindre et loer car quand premiers en commensay l’amer Machaut, Guillaume de (ca. 1300–1377) Appears on: 66v Genres: Ballade Voice: [no designation] Languages: French Voice Text: De Fortune me doy pleindre et loer car quant premiers en commensay l’amer
66v	Quod chorus vatum	-	Anonymous
Quod chorus vatum Anonymous Appears on: 66v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Quod chorus
67	Or tost [i]	-	Anonymous
Or tost [i] Anonymous Appears on: 67 Genres: Secular Voice: [no designation] Languages: French Voice Text: Or tost
67v	Or tost [ii]	-	Anonymous
Or tost [ii] Anonymous Appears on: 67v Genres: Secular Voice: [no designation] Languages: French Clef: c2 Voice Text: Or tost
67v	Je languis d'aimer mort	-	Anonymous
Je languis d'aimer mort Anonymous Appears on: 67v Genres: Chanson Voice: [no designation] Languages: French Voice Text: Je languis d'amer
68	Egredere Emanuel	-	Anonymous
Egredere Emanuel Anonymous Appears on: 68 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Egredere [Emanuel]
68	Egredere Emanuel	-	Anonymous
Egredere Emanuel Anonymous Appears on: 68 Genres: Motet Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Egredere [Emanuel]
69	Et in terra pax [Gloria]	-	Anonymous
Et in terra pax [Gloria] Anonymous Appears on: 69 Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Et in terra
69v–70	Colla iugo subdere curias sectari / Bona condit cetera bonum libertatis / Libera me de sanguinibus	-	Vitry, Philippe de (1291–1361) (?)
Colla iugo subdere curias sectari / Bona condit cetera bonum libertatis / Libera me de sanguinibus Vitry, Philippe de (1291–1361) (?) Appears on: 69v–70 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Colla jugo Voice: [no designation] Languages: Latin Voice Text: Bona condit General Note Belongs together with the following one. Item Bibliography Perz, Miroslaw. 1984. Zur Textunterlegungspraxis in der Mehrstimmigkeit des 14. und 15. Jahrhunderts und über einige in Polen Neu-und Wiedergefundene Quellen dieser Zeit. Musik und Text in der Mehrstimmigkeit des 14. und 15. Jahrhunderts: Vorträge des Gastsymposiums in der Herzog August Bibliothek Wolfenbüttel, 8. bis 12. September 1980, Göttinger Musikwissenschaftliche Arbeiten. edited by Miroslaw Perz, 327-49. Kassel: Bärenreiter. Pages: photo 1. Brewer, Charles Everett. 1982. A fourteenth-century polyphonic manuscript rediscovered. Studia Musicologica Academiae Scientiarum Hungaricae, 5-19. Pages: [facs.] plates III-IV.
70	Zogles lies et menes	-	Anonymous
Zogles lies et menes Anonymous Appears on: 70 Genres: Secular Voice: [no designation] Languages: French Voice Text: Zogles lies et menes
70v	Corde natus ex parentis ante mundi	-	Anonymous
Corde natus ex parentis ante mundi Anonymous Appears on: 70v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Corde natus.
71–71v	Tribum, que[m] non abhorruit / Merito [hec patimur] / Quoniam secta latronum spelunca [ii]	-	Vitry, Philippe de (1291–1361) (?)
Tribum, que[m] non abhorruit / Merito [hec patimur] / Quoniam secta latronum spelunca [ii] Vitry, Philippe de (1291–1361) (?) Appears on: 71–71v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Tribum que non abhoruit .
71	Allmächtiger Gott - Benedicite	-	Anonymous
Allmächtiger Gott - Benedicite Anonymous Appears on: 71 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Tribum que non abhorruit ...
72	Espoirs me fuit a mon plus grant besoin / Revieng, espoir, confort	-	Anonymous
Espoirs me fuit a mon plus grant besoin / Revieng, espoir, confort Anonymous Appears on: 72 Genres: Rondeau Voice: [no designation] Languages: French Voice Text: Espoir me fuit
72v	Esperance qui en mon cuer	-	Anonymous
Esperance qui en mon cuer Anonymous Appears on: 72v Genres: Chanson Voice: [no designation] Languages: French Voice Text: Esperange General Note C, T, Ct?; Only incipit of C survives (text only concordance in Philadelphia 15, f. 66r - see Cuthbert (2006), 311)
72v	O zi mine my	-	Anonymous
O zi mine my Anonymous Appears on: 72v Genres: Song Voice: [no designation] Languages: none Voice: [no designation] Languages: insufficient Voice Text: O zi mine my
73v	Se vous n’estes pour mon guerredon	-	Machaut, Guillaume de (ca. 1300–1377)
Se vous n’estes pour mon guerredon Machaut, Guillaume de (ca. 1300–1377) Appears on: 73v Genres: Rondeau Voice: [no designation] Languages: French Voice Text: se vuos n'etes.
73v	Stella pia es Maria / Tenor de Stella Henrici	Heinricus Hessman de Argentorato	Anonymous
Stella pia es Maria / Tenor de Stella Henrici Anonymous Appears on: 73v Genres: Motet Source Attribution: Heinricus Hessman de Argentorato Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Stella pia es Maria ... Voice: Tenor Languages: none Clef: c4f2 Voice Text: Tenor de Stella Henrici. General Note Text and music for both voices copied by Coussemaker
74	Bonte de cors en armes	-	Anonymous
Bonte de cors en armes Anonymous Appears on: 74 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Bonte [de] cors en armes
74v–75	Ida capillorum matris / Portio nature, precellentis / Ante tronum trinitatis	Magister Heinricus / Egidius de Pusiex	Pusiex, Egidius de (?) Helene, Henri (?)
Ida capillorum matris / Portio nature, precellentis / Ante tronum trinitatis Pusiex, Egidius de (?) Helene, Henri (?) Appears on: 74v–75 Genres: Motet Source Attribution: Magister Heinricus / Egidius de Pusiex Voice: [no designation] Languages: Latin Voice Text: Portio nature precellentes geniture ... Voice: [no designation] Languages: none Voice: [no designation] Languages: Latin Voice Text: Ida capillorum matris domini dominorum ... Voice: [no designation] Languages: Latin Voice Text: Ante thronum hujus trinitatis\|virginis General Note double attribution to Magister Heinricus and Egidius de Pusiex is noted in Brussels 56286, the copy of this lost manuscript. Music and text copied by Coussemaker in its entirety
74v–75	Ida capillorum matris / Portio nature, precellentis / Ante tronum trinitatis	-	Pusiex, Egidius de (?) Helene, Henri (?)
Ida capillorum matris / Portio nature, precellentis / Ante tronum trinitatis Pusiex, Egidius de (?) Helene, Henri (?) Appears on: 74v–75 Genres: Motet Voice: [no designation] Languages: none Voice Text: [Portio nature, precellentis / Ida capillorum matris / Ante tronum [trinitatis] continued, incorrectly listed as a separate work]
75v	Amors forga	Nicolas de Merques	Anonymous
Amors forga Anonymous Appears on: 75v Source Attribution: Nicolas de Merques Voice: [no designation] Languages: French Voice Text: Amors forga. Voice: [no designation] Languages: French Voice Text: Amors forga. Voice: [no designation] Languages: French Voice Text: Amors forga.
75v	Onques de puis	Jo. Carlay	Carlay, Johannes
Onques de puis Carlay, Johannes Appears on: 75v Genres: Motet Source Attribution: Jo. Carlay Voice: [no designation] Languages: French Clef: c2 Voice Text: Onques de puis. Voice: Contratenor Languages: French Clef: c4 Voice Text: onques Voice: Tenor Languages: French Clef: c4 Voice Text: Onques. Layout parts
76	Belle volies	Cameracy	Cameraco
Belle volies Cameraco Appears on: 76 Genres: Chanson Source Attribution: Cameracy Voice: [no designation] Languages: French Voice Text: Belle volies. Voice: [no designation] Languages: French Voice Text: Bele volies. Voice: [no designation] Languages: French Voice Text: Belle.
76v	Or sus, vous dormez trop, ma dame	-	Anonymous
Or sus, vous dormez trop, ma dame Anonymous Appears on: 76v Genres: Motet Voice: [no designation] Languages: French Voice Text: Orsus vous dormes [trop]
77v	Se la face ay pale	G. Dufay	Du Fay, Guillaume (1397–1474)
Se la face ay pale Du Fay, Guillaume (1397–1474) Appears on: 77v Genres: Ballade, Chanson Source Attribution: G. Dufay Voice: [no designation] Languages: French Voice Text: Se la face. Voice: [no designation] Languages: French Voice Text: Se la face [ay pale] Voice: [no designation] Languages: French Voice Text: Se la face. General Note attribution to Dufay is noted in Brussels 56286, the copy of this lost manuscript.
77v	Pourray je avoir vostre mercy	G. Dufay	Du Fay, Guillaume (1397–1474)
Pourray je avoir vostre mercy Du Fay, Guillaume (1397–1474) Appears on: 77v Genres: Rondeau Source Attribution: G. Dufay Voice: [no designation] Languages: French Voice Text: Porraye [-je avoir] General Note attribution to Dufay is noted in Brussels 56286, the copy of this lost manuscript.
78	J'ai grand desespoir de ma vie	G. Dufay	Anonymous
J'ai grand desespoir de ma vie Anonymous Appears on: 78 Genres: Ballade Source Attribution: G. Dufay Voice: [no designation] Languages: French Voice Text: J'ay grant. Voice: [no designation] Languages: French Voice Text: J'ay grant. Voice: [no designation] Languages: French Voice Text: J'ay grant. General Note attribution to Dufay is noted in Brussels 56286, the copy of this lost manuscript.
78v	Tres douces amis / Me de pris	-	Anonymous
Tres douces amis / Me de pris Anonymous Appears on: 78v Genres: Chanson Voice: [no designation] Languages: none Voice: [no designation] Languages: French Voice Text: Tres douls amis ... Voice: [no designation] Languages: French Voice Text: Me de pris ... General Note A facsimile of 78v was published by Lippman in his 1869 article.
78v	Le somer de vous dame	-	Anonymous
Le somer de vous dame Anonymous Appears on: 78v Genres: Chanson Voice: [no designation] Languages: French Voice Text: Le somer de vous dame Voice: Tenor Languages: none Clef: c4 General Note A facsimile of 78v was published by Lippman in his 1869 article.
79	J'ai mis ce rondelet	-	Anonymous
J'ai mis ce rondelet Anonymous Appears on: 79 Genres: Chanson Voice: [no designation] Languages: none Voice: [no designation] Languages: French Voice Text: J'ay mis ce rondelet.
79v	Amis, tont dous vis	-	Moulins, Pierre des
Amis, tont dous vis Moulins, Pierre des Appears on: 79v Genres: Chanson Voice: [no designation] Languages: French Voice Text: Amis douls vis.
79	A vous m'otry	-	Anonymous
A vous m'otry Anonymous Appears on: 79 Genres: Chanson Voice: [no designation] Languages: French Voice Text: A vous m'otry
80	A me amours	-	Anonymous
A me amours Anonymous Appears on: 80 Genres: Chanson Voice: [no designation] Languages: French Voice Text: A me amours
80	Sol ich zo unrecht	-	Anonymous
Sol ich zo unrecht Anonymous Appears on: 80 Genres: Song Voice: [no designation] Languages: French Voice Text: Sol ich zo unrecht
80v	Virgo dulcis atque pia / Laudate eum in sono tube	Tuba Henrici de Libero Castro	Anonymous
Virgo dulcis atque pia / Laudate eum in sono tube Anonymous Appears on: 80v Genres: Motet Source Attribution: Tuba Henrici de Libero Castro Voice: [no designation] Languages: Latin Voice Text: Laudate eum in sono tube ... Voice: [no designation] Languages: none Voice: [no designation] Languages: Latin Voice Text: Virgo dulcis atque pia ... General Note music and text copied by Coussemaker in its entirety
81–81v	Tuba Gallicalis [untexted]	-	Anonymous
Tuba Gallicalis [untexted] Anonymous Appears on: 81–81v Genres: textless Voice: [no designation] Languages: none Voice: [no designation] Languages: none Voice: [no designation] Languages: none General Note Tuba Gallicalis
81v	Degentis vita quid prodest arte / Cum vix artidici promoti sint / Vera pudicitia	-	Anonymous
Degentis vita quid prodest arte / Cum vix artidici promoti sint / Vera pudicitia Anonymous Appears on: 81v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Degentis vita.
82v	Versuch min dienst trut froewli	-	Anonymous
Versuch min dienst trut froewli Anonymous Appears on: 82v Genres: Song Voice: [no designation] Languages: German Voice Text: Versuch min dienst [trut froewli ...]
82v	Gens corps	-	Anonymous
Gens corps Anonymous Appears on: 82v Genres: Secular Voice: [no designation] Languages: French Voice Text: Gens corps
83	Je vois mon cuer = Du ausserweltes schöns mein Herz	-	Anonymous
Je vois mon cuer = Du ausserweltes schöns mein Herz Anonymous Appears on: 83 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Cen mon chier General Note Only the incipit of C survives.
83v	Veni redemptor.	-	Anonymous
Veni redemptor. Anonymous Appears on: 83v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Veni redemptor.
83v	A solis ortus cardine ad usque terrae	-	Anonymous
A solis ortus cardine ad usque terrae Anonymous Appears on: 83v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: A solis ortu
84	O quam pulchra puella... min Herze will all Zit Frauen pflegen	Magistri Alani	Alanus, Johannes (fl. late 14th or early 15th century)
O quam pulchra puella... min Herze will all Zit Frauen pflegen Alanus, Johannes (fl. late 14th or early 15th century) Appears on: 84 Genres: Motet Source Attribution: Magistri Alani Voice: [no designation] Languages: none Voice: [no designation] Languages: German Voice Text: Min herze wil all zit frowen pflegen ... Voice: [no designation] Languages: Latin, German Voice Text: O quam pulchra puella... min herze [wil] all zit frouwen pflegen General Note 'O quam pulchra' is to be understood as an added cf.-text Music and text for entire piece copied by Coussemaker.
84v	Kyrie eleison	-	Anonymous
Kyrie eleison Anonymous Appears on: 84v Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Greek Voice Text: Kyrie
85–85v	Et in terra pax [Gloria]	Richart	Anonymous
Et in terra pax [Gloria] Anonymous Appears on: 85–85v Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: Richart Voice: [no designation] Languages: Latin Voice Text: Et in terra pax hominibus ... Voice: [no designation] Languages: none Voice: [no designation] Languages: Latin Voice Text: Et in terra. General Note Music and text for entire piece copied by Coussemaker
86v	De bon parole tal pronto se fa	Nucella	Anonymous
De bon parole tal pronto se fa Anonymous Appears on: 86v Genres: Chanson Source Attribution: Nucella Voice: [no designation] Languages: Italian Clef: c1 Voice Text: De bon parole tal pronto se fa ... Voice: Contratenor Languages: French Clef: c3 Voice Text: De bon. Voice: Tenor Languages: French Clef: c3 Voice Text: De bon. General Note attribution to Nucella is noted in Brussels 56286, the copy of this lost manuscript. music and text for entire piece copied by Couseemaker.
87	Chelle dont ma joie	-	Anonymous
Chelle dont ma joie Anonymous Appears on: 87 Genres: Chanson Voice: [no designation] Languages: French Voice Text: C(h)elle dont ma joie
87	Se vous scavies	Cesaris	Cesaris, Johannes (fl. 1406-17) (?) Passet (?)
Se vous scavies Cesaris, Johannes (fl. 1406-17) (?) Passet (?) Appears on: 87 Source Attribution: Cesaris Voice: Tenor Languages: French Clef: f4 Voice Text: Si vos saviés Voice: [no designation] Languages: French Clef: c2 Voice Text: Si vos savies.
87v	Soit tart tempre, main ou soir	-	Anonymous
Soit tart tempre, main ou soir Anonymous Appears on: 87v Genres: Chanson Voice: [no designation] Languages: French Voice Text: Soyt der tempre
88	Byen plorer doy	-	Anonymous
Byen plorer doy Anonymous Appears on: 88 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Byen plorer [doy]
88	La merchi, ma dame et amours	Binchoys	Binchois, Gilles (ca. 1400–1460)
La merchi, ma dame et amours Binchois, Gilles (ca. 1400–1460) Appears on: 88 Genres: Chanson, Rondeau Source Attribution: Binchoys Voice: [no designation] Languages: French Voice Text: La merchi. Voice: [no designation] Languages: French Voice Text: La merchi. Voice: [no designation] Languages: French Voice Text: La merchi. General Note attribution to Binchois is noted in Brussels 56286, the copy of this lost manuscript.
88v	Von fremdem Stimmen	-	Anonymous
Von fremdem Stimmen Anonymous Appears on: 88v Genres: Song Voice: [no designation] Languages: German Voice Text: Von fremdem Stimmen \| [Von froemden stamm...]
89r	Las que feray ne que je devenray	-	Du Fay, Guillaume (1397–1474)
Las que feray ne que je devenray Du Fay, Guillaume (1397–1474) Appears on: 89r Genres: Chanson, Rondeau
89v	Min Frau, min Frau	Alanus	Anonymous
Min Frau, min Frau Anonymous Appears on: 89v Genres: Song Source Attribution: Alanus Voice: [no designation] Languages: German Voice Text: Min frow min frow ... Voice: [no designation] Languages: German Voice Text: Min frow min frow ... Voice: [no designation] Languages: German Voice Text: Min frow min frow ... General Note attribution to Alanus is noted in Brussels 56286, the copy of this lost manuscript. Music and text for entire piece copied by Coussemaker
90v	In ganzen freude	-	Anonymous
In ganzen freude Anonymous Appears on: 90v Genres: Song Voice: [no designation] Languages: German Voice Text: In ganzen freude
91	Melancolya.	-	Anonymous
Melancolya. Anonymous Appears on: 91 Genres: Secular Voice: [no designation] Languages: English Voice Text: Melancolya.
91v	E ardo in un fugo [recte, I’ ardo in un fuogo]	Anthonius Clericus apostolicus	Zacara da Teramo, Antonio (ca. 1350–ca. 1413) (?)
E ardo in un fugo [recte, I’ ardo in un fuogo] Zacara da Teramo, Antonio (ca. 1350–ca. 1413) (?) Appears on: 91v Genres: Ballata Source Attribution: Anthonius Clericus apostolicus Voice: [no designation] Languages: Italian Voice Text: E ardo in un fugo... Voice: [no designation] Languages: Italian Voice Text: E ardo in un fugo... Voice: [no designation] Languages: Italian Voice Text: E ardo in un fugo... Item Bibliography Strohm, Reinhard. 1992. Magister Egardus and other Italo-Flemish Contacts. L'Ars Nova italiana del Trecento, 41-68. Notes: also names Zacara as composer. Nadas, John. 1986. Further Notes on Magister Antonius dictus Zacharias de Teramo. Studi Musicali, 167-182. Notes: identifies Zacara as composer.
92	Malgre jalousie	-	Anonymous
Malgre jalousie Anonymous Appears on: 92 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Malgre jelousie
92	Ich schouwen an dem Wetter han	-	Anonymous
Ich schouwen an dem Wetter han Anonymous Appears on: 92 Genres: Song Voice: [no designation] Languages: German Voice Text: Ich schouwen [an dem Wetter han]
92v	Gente cors	-	Anonymous
Gente cors Anonymous Appears on: 92v Genres: Motet Voice: [no designation] Languages: French Voice Text: Gente cors
92v–93v	Je loy (loe, loue) amours et ma dame mercye	-	Binchois, Gilles (ca. 1400–1460)
Je loy (loe, loue) amours et ma dame mercye Binchois, Gilles (ca. 1400–1460) Appears on: 92v–93v Genres: Ballade, Chanson Voice: [no designation] Languages: French Voice Text: Je loy amore
93–94	Patrem omnipotentem [Credo]	-	Anonymous
Patrem omnipotentem [Credo] Anonymous Appears on: 93–94 Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Patrem
94	Sanctus	-	Anonymous
Sanctus Anonymous Appears on: 94 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: Sanctus
94v	Musicorum inter collegia	-	Anonymous
Musicorum inter collegia Anonymous Appears on: 94v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Musicorum inter. Voice: [no designation] Languages: Latin Voice Text: Musicorum inter collegia . Voice: [no designation] Languages: Latin Voice Text: Musicorum inter collegia ...
95	Par fortune	-	Anonymous
Par fortune Anonymous Appears on: 95 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Par fortune
95	De toutes flours n'avoit et de tous fruits / gastés estoit li seurplus et destruis	-	Machaut, Guillaume de (ca. 1300–1377)
De toutes flours n'avoit et de tous fruits / gastés estoit li seurplus et destruis Machaut, Guillaume de (ca. 1300–1377) Appears on: 95 Genres: Ballade Voice: [no designation] Languages: French Voice Text: De toutes flours n'avoit et de tous fruis / gastés estoit li seurplus et destruis
96	Kyrie eleison	-	Anonymous
Kyrie eleison Anonymous Appears on: 96 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Greek Mensuration: c-dot Clef: c1 Voice Text: Kyrie
96v	Je ne requier de ma dame et m'amie	-	Grenon, Nicolas
Je ne requier de ma dame et m'amie Grenon, Nicolas Appears on: 96v Genres: Ballade Voice: [no designation] Languages: French Voice Text: Je ne requiers de ma dame
97	Adieu la belle adieu vous dit	-	Anonymous
Adieu la belle adieu vous dit Anonymous Appears on: 97 Genres: Chanson Voice: [no designation] Languages: French Clef: c2 Voice Text: Adieu la bele [adieu vous dy,\| Je pren congié a nos amours. ...] General Note Only musical incipit copied by Coussemaker; first two lines of poetic text copied by Reuss.
97	Puisque je n'ai plus de maystresse	-	Vide, Jacobus
Puisque je n'ai plus de maystresse Vide, Jacobus Appears on: 97 Genres: Chanson Voice: [no designation] Languages: French Clef: c1 Voice Text: Puisque je n'ay
97v	Wie lieblich ist der Maien	Egidius de Thenis	Thenis, Egidius de
Wie lieblich ist der Maien Thenis, Egidius de Appears on: 97v Genres: Song Source Attribution: Egidius de Thenis Voice: Altus Languages: German Clef: c4 Voice Text: wie lieflich Voice: [no designation] Languages: German Clef: c1 Voice Text: Sy liefstich is der mey… Voice: Tenor Languages: German Clef: c4 Voice Text: wie lieflich
97v	Jesu salvator saeculi / Quo vulneratus scelere	-	Salinis, Hymbert de (ca. 1378–)
Jesu salvator saeculi / Quo vulneratus scelere Salinis, Hymbert de (ca. 1378–) Appears on: 97v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Quo vulneratus
98	Ave maris Stella	-	Anonymous
Ave maris Stella Anonymous Appears on: 98 Genres: Ave maris stella, Motet Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Ave maris Stella
98v–99v	Patrem omnipotentem [Credo]	-	Anonymous
Patrem omnipotentem [Credo] Anonymous Appears on: 98v–99v Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Patrem
100	Mon coeur pleure mais des yeux me fault rire	-	Fontaine, Pierre
Mon coeur pleure mais des yeux me fault rire Fontaine, Pierre Appears on: 100 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Mon cuer pleure
100v–101v	Et in terra pax [Gloria]	Boquet	Bosquet, Johannes (–ca. 1406)
Et in terra pax [Gloria] Bosquet, Johannes (–ca. 1406) Appears on: 100v–101v Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: Boquet Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Et in terra pax hominibus Voice: Tenor Languages: Latin Clef: c4 Voice Text: Et in terra. Voice: Contratenor Languages: none Clef: c4
101v–102v	Et in terra pax [Gloria]	-	Anonymous
Et in terra pax [Gloria] Anonymous Appears on: 101v–102v Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Et in terra
102v	Virginis meritum et partum	-	Anonymous
Virginis meritum et partum Anonymous Appears on: 102v Genres: Motet Voice: Contratenor Languages: Latin Clef: c4 Voice Text: Virginis Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Virginis meritum et partum… Voice: [no designation] Languages: Latin Clef: f2c4 Voice Text: Virginis meritum
103	S'en vous pour moi	Alanus	Alanus, Johannes (fl. late 14th or early 15th century)
S'en vous pour moi Alanus, Johannes (fl. late 14th or early 15th century) Appears on: 103 Genres: Motet Source Attribution: Alanus Voice: Contratenor Languages: French Clef: c4 Voice: [no designation] Languages: French Clef: c2 Voice Text: S'en vous pour moy… Voice: Tenor Languages: French Clef: c4 General Note Music and text for entire piece copied by Coussemaker.
103v–108v	Patrem omnipotentem [Credo]	Lampeus	Lampens
Patrem omnipotentem [Credo] Lampens Appears on: 103v–108v Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: Lampeus Voice: Tenor Languages: none Clef: c3 Voice: [no designation] Languages: Latin Mensuration: c-dot Voice Text: Patrem omnipotentem Voice: Contratenor Languages: none Clef: c3
104v	Et in terra pax [Gloria]	-	Cividale, Antonius de
Et in terra pax [Gloria] Cividale, Antonius de Appears on: 104v Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Mensuration: c-dot Clef: c2 Voice Text: Et in terra
105v	De bleu de vermeil et de noir	-	Anonymous
De bleu de vermeil et de noir Anonymous Appears on: 105v Genres: Chanson Voice: [no designation] Languages: French Clef: c1 Voice Text: De bleu de vermeil [et de noir \| Et de ver pour le droit savoir \| Ay fait ce virelay noteir. ...] General Note Only musical incipit copied by Coussemaker; first three lines of poetic text copied by Reuss.
106	A son plaisir volentiers serviroye	-	Legrant, Guillaume (?) Fontaine, Pierre (?)
A son plaisir volentiers serviroye Legrant, Guillaume (?) Fontaine, Pierre (?) Appears on: 106 Genres: Chanson, Rondeau Voice: [no designation] Languages: French Voice Text: Adolo plasier General Note Text: Adolo plasier
106v	Ma duci mor	-	Anonymous
Ma duci mor Anonymous Appears on: 106v Genres: Secular Voice: [no designation] Languages: French Clef: c2 Voice Text: Ma duci mor […]
107	L'ardan désir	-	Anonymous
L'ardan désir Anonymous Appears on: 107 Genres: Chanson Voice: [no designation] Languages: French Clef: c2 Voice Text: L'ardan désir
107v	Herte mi wy mas du glat	-	Anonymous
Herte mi wy mas du glat Anonymous Appears on: 107v Genres: Secular Voice: [no designation] Languages: Dutch Clef: c2 Voice Text: Herte mi [wy mas du glat]
107v	Las comant porray je / Las comant	Nicolas de Merques	Merques, Nicolas
Las comant porray je / Las comant Merques, Nicolas Appears on: 107v Genres: Chanson Source Attribution: Nicolas de Merques Voice: [no designation] Languages: French Clef: c1 Voice Text: Las comant porray je Voice: Contratenor Languages: French Clef: c4 Voice Text: Las comant Voice: Tenor Languages: French Clef: c3 Voice Text: Las comant
108	Portugaler (= Or me veult)	G. Dufay	Du Fay, Guillaume (1397–1474) (?)
Portugaler (= Or me veult) Du Fay, Guillaume (1397–1474) (?) Appears on: 108 Genres: Secular Source Attribution: G. Dufay Voice: [no designation] Languages: Portuguese Mensuration: o-dot Clef: c3 Voice Text: Portugaler Voice: Tenor Languages: Solfegge Clef: c4 Voice Text: Portugaler General Note attribution to Dufay is noted in Brussels 56286, the copy of this lost manuscript.
108v	Et in spiritu	-	Anonymous
Et in spiritu Anonymous Appears on: 108v Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Et in spiritu
109	Esclave puist il donc en	Binzoijs	Binchois, Gilles (ca. 1400–1460)
Esclave puist il donc en Binchois, Gilles (ca. 1400–1460) Appears on: 109 Genres: Motet Source Attribution: Binzoijs Voice: Tenor Languages: French Clef: f3 Voice Text: Esclave. Voice: [no designation] Languages: French Clef: c3 Voice Text: Esclave puist il donc en. Voice: Contratenor Languages: French Clef: f3 Voice Text: Esclave. Layout parts General Note attribution to Binchois is noted in Brussels 56286, the copy of this lost manuscript.
109v–110v	Patrem omnipotentem [Credo]	Cameraco	Semeriaco, Johannes de Cameraco (?)
Patrem omnipotentem [Credo] Semeriaco, Johannes de Cameraco (?) Appears on: 109v–110v Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: Cameraco Voice: Contratenor Languages: Latin Clef: c4 Voice Text: Patrem. Voice: Tenor Languages: Latin Clef: c4 Voice Text: Patrem. Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Patrem omnipotentem ...
111	Adieu aprille	Nicolas de Merques	Merques, Nicolas
Adieu aprille Merques, Nicolas Appears on: 111 Genres: Chanson Source Attribution: Nicolas de Merques Voice: [no designation] Languages: French Clef: c4 Voice Text: Adieu apurille. Voice: [no designation] Languages: French Clef: c1 Voice Text: Adieu apurille. Layout parts
111v–112	Et in terra pax [Gloria]	-	Anonymous
Et in terra pax [Gloria] Anonymous Appears on: 111v–112 Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Et in terra .
112v–113	Wohluff, lieben Gesellen unverzagt / Seid willkommen	-	Anonymous
Wohluff, lieben Gesellen unverzagt / Seid willkommen Anonymous Appears on: 112v–113 Genres: Song Voice: [no designation] Languages: German Clef: c4 Voice Text: Sind willekomen Voice: [no designation] Languages: German Clef: c4 Voice Text: Woluf lieben [gesellen unverzagt] General Note Belongs together with the following one.
112v–113	Wohluff, lieben Gesellen unverzagt / Seid willkommen	-	Anonymous
Wohluff, lieben Gesellen unverzagt / Seid willkommen Anonymous Appears on: 112v–113 Genres: Song Voice: [no designation] Languages: German Voice Text: Woluf lieben [gesellen unverzagt] / Sind willekomen General Note Belongs together with the previous one.
113	Je ne puis	-	Anonymous
Je ne puis Anonymous Appears on: 113 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Je ne puis .
113v	Sind willekomen	-	Anonymous
Sind willekomen Anonymous Appears on: 113v Genres: Song Voice: [no designation] Languages: German Voice Text: Sind willekom[en]
114	Sanctus	Egidius de Thenis	Thenis, Egidius de
Sanctus Thenis, Egidius de Appears on: 114 Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: Egidius de Thenis Voice: Contratenor Languages: Latin Clef: c3 Voice Text: Sanctus Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: Sanctus ...
114–114v	Mille bonjours	G. Dufay	Du Fay, Guillaume (1397–1474)
Mille bonjours Du Fay, Guillaume (1397–1474) Appears on: 114–114v Genres: Chanson, Rondeau Source Attribution: G. Dufay Voice: [no designation] Languages: French Clef: c1 Voice Text: Mille mille bonjours ... Voice: Tenor Languages: French Clef: c3 Voice Text: Mille bonjours ... Voice: Contratenor Languages: French Clef: c3 Voice Text: Mille bonjours ... Layout parts
115	Bonté beauté	-	Cesaris, Johannes (fl. 1406-17)
Bonté beauté Cesaris, Johannes (fl. 1406-17) Appears on: 115 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Bonté biauté
115	Bien puist	Bynchois	Binchois, Gilles (ca. 1400–1460)
Bien puist Binchois, Gilles (ca. 1400–1460) Appears on: 115 Genres: Chanson Source Attribution: Bynchois Voice: [no designation] Languages: French Voice Text: Bien puist Voice: Tenor Languages: French Clef: c4 Voice Text: Bien puist Voice: Contratenor Languages: French Clef: c4 Voice Text: Bien puist General Note attribution to Binchois is noted in Brussels 56286, the copy of this lost manuscript.
115v	All eerbaer wensch	-	Anonymous
All eerbaer wensch Anonymous Appears on: 115v Genres: Song Voice: [no designation] Languages: German Voice Text: All eerbaer wensch
115v	Comment porrai	C. Liebert	Anonymous
Comment porrai Anonymous Appears on: 115v Genres: Chanson Source Attribution: C. Liebert Voice: Tenor Languages: French Clef: c3 Voice Text: Comment porray Voice: [no designation] Languages: French Clef: c1 Voice Text: Comment porray Voice: Contratenor Languages: French Clef: c4 Voice Text: Comment porray
116	Bis grüst Maria schöner merstern	-	Anonymous
Bis grüst Maria schöner merstern Anonymous Appears on: 116 Genres: Sacred Song Voice: [no designation] Languages: German Voice Text: Bis grüst Maria [schöner merstern]
117	Sunt festa que caelica	Heinrici	Anonymous
Sunt festa que caelica Anonymous Appears on: 117 Genres: Motet Source Attribution: Heinrici Voice: [no designation] Languages: Latin Voice Text: Sunt festa [que celica…]
118v	Ich suffzen von herte	-	Anonymous
Ich suffzen von herte Anonymous Appears on: 118v Genres: Song Voice: [no designation] Languages: German Voice Text: Ich suggzen von herte
119	untexted	-	-
untexted Appears on: 119 Voice: [no designation] Languages: none
119	O Maria maris Stella	-	Anonymous
O Maria maris Stella Anonymous Appears on: 119 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O maria maris Stella

Composer	Compositions
Alain	Fuyés de moy. C, Ct, T = Wohlauf, Gesell, wer jagen will – 16v
Alanus, Johannes (fl. late 14th or early 15th century)	O quam pulchra puella... min Herze will all Zit Frauen pflegen – 84 S'en vous pour moi – 103
Anonymous	A me amours – 80 A solis ortus cardine ad usque terrae – 83v A vous m'otry – 79 Adieu la belle adieu vous dit – 97 Agnus Dei – 55 Alanus [untexted] – 42v All eerbaer wensch – 115v Allmächtiger Gott - Benedicite – 71 Amors forga – 75v Ave maris Stella – 98 Ave regina caelorum – 13v Benedicamus – 48v Bis grüst Maria schöner merstern – 116 Bon jour tres bon an – 52 Bonte de cors en armes – 74 Byen plorer doy – 88 Chelle dont ma joie – 87 Combien qu'il a – 24v Combien que – 33 Comes Flandrie, flos victoris / Rector creatorum laudibus / In cimbalis bene sonantibus – 25v Comment porrai – 115v Corde natus ex parentis ante mundi – 70v Dame plasur – 47v Dantur officia burce consilio / Quid scire proderit nova et vetera – 48v De bleu de vermeil et de noir – 105v De bon parole tal pronto se fa – 86v De fortune – 66v Degentis vita quid prodest arte / Cum vix artidici promoti sint / Vera pudicitia – 81v Der Sommer kommt – 59v Dicant nunc Judaei – 18v Dominus vobiscum – 1 Egredere Emanuel – 68 Egredere Emanuel – 68 En tres dous En tres douls flous – 10v Esperance qui en mon cuer – 72v Espoirs me fuit a mon plus grant besoin / Revieng, espoir, confort – 72 Et in spiritu – 108v Et in terra pax (Gloria), [Tro] Qui sonitu melodia – 40v Et in terra pax [Gloria] – 69 Et in terra pax [Gloria] – 11v Et in terra pax [Gloria] – 9 Et in terra pax [Gloria] – 45 Et in terra pax [Gloria] – 60v Et in terra pax [Gloria] – 101v–102v Et in terra pax [Gloria] – 111v–112 Et in terra pax [Gloria] – 85–85v Exutat mea vena quodlibet ex Phylomena – 29v Flous priis honnour – 43 Genad true fraulin rein – 49v Gens corps – 82v Gente cors – 92v Hareu hareu je la vois – 59v Her liepstu frow – 34v Herte mi wy mas du glat – 107v Ich sach den mey [meygen] met bloeuen benaen – 47v Ich schouwen an dem Wetter han – 92 Ich suffzen von herte – 118v In ganzen freude – 90v In min Herz – 58 Ist der wol billich – 39 J'ai grand desespoir de ma vie – 78 J'ai mis ce rondelet – 79 Je comincz – 17 Je fortune fay a tous – 47v Je languis d'aimer mort – 67v Je ne puis – 113 Je vois mon cuer = Du ausserweltes schöns mein Herz – 83 Kyrie [Tro] magne Deus potentiae – 1 Kyrie eleison – 44v Kyrie eleison – 84v Kyrie eleison – 96 L'ardan désir – 107 La grant dolour – 12v Las conferay – 59 Le don d'amours qui plus les coeurs… – 33v Le somer de vous dame – 78v Ma duci mor – 106v Malgre jalousie – 92 Melancolya. – 91 Min Frau, min Frau – 89v Mundi cursus perverse regitur – 27v Musicorum inter collegia – 94v O Maria maris Stella – 119 O frow liepich dir singt nachtegall. – 38v O ho ho ho ho ho Venari nunc / Venari autem musicae – 7 O zi mine my – 72v Onques dyre ne vout – 62v Onques ne fu si – 17v Or sus, vous dormez trop, ma dame – 76v Or tost [i] – 67 Or tost [ii] – 67v Or tost alarme – 46v Organizanter contine / Luceat laudis – 14–15 Organizanter contine / Luceat laudis – 14–15 Par fortune – 95 Par ton partier – 26v Patrem omnipotentem [Credo] – 55v Patrem omnipotentem [Credo] – 93–94 Patrem omnipotentem [Credo] – 58v Patrem omnipotentem [Credo] – 61v Patrem omnipotentem [Credo] – 98v–99v Plaignez mon coeur – 35v Por grief – 35–35v Quod chorus vatum – 66v Revien espoir – 29 Salve caelestis ros – 12v Salve mundi domina / divina regine superorum / Ave regis filila / Ave regina fili Maria – 1v Salve mundi domina / divina regine superorum / Ave regis filila / Ave regina fili Maria – 1v Salve regina mater misericordiae – [-] Salve regina mater misericordiae – 60 Salve regina misericordiae Vita dulcedo II: Ad te suspiramus gementes et flentes III: Et Jesum benedictum fructum ventris IV: O pia – 43v–44 Sanctus – 32v Sanctus – 19v Sanctus – 47 Sanctus – 94 Sanctus in ut – 54v Schack melodye – 64 Se fortune – 62v Sind willekomen – 113v Soit tart tempre, main ou soir – 87v Sol ich zo unrecht – 80 Soyes lies et menes joie – 49 Stella pia es Maria / Tenor de Stella Henrici – 73v Sunt festa que caelica – 117 Tres douces amis / Me de pris – 78v Trurr – 37 Tuba Gallicalis [untexted] – 81–81v Veni redemptor. – 83v Veni sancte spiritus et emitte caelitus – 21v–22 Versuch min dienst – 49 Versuch min dienst trut froewli – 82v Vexilla regis Vexilla Christi – 8 Virginis meritum et partum – 102v Virgo dulcis atque pia / Laudate eum in sono tube – 80v Virgo mater veri Dei – 63 Von fremdem Stimmen – 88v Wohluff, lieben Gesellen unverzagt / Seid willkommen – 112v–113 Wohluff, lieben Gesellen unverzagt / Seid willkommen – 112v–113 Wohluff, wohluff begib din ungemach. – 51v Zogles lies et menes – 70 [Mass of Barcelona] Et in terra pax [Gloria] [Tro] Splendor patris (each of the surviving sources has a different contratenor) – 52v wol mir ich weisz een meezelin – 28v [No description] – 119
Argentorato, Henricus Hessman de (fl. late 14th century)	(?) Amour me fait desirer loyalement – 15v Et in terra pax [Gloria] – 30v–31
Binchois, Gilles (ca. 1400–1460)	Adieu mes tres belles amours – 53 Bien puist – 115 Esclave puist il donc en – 109 Je loy (loe, loue) amours et ma dame mercye – 92v–93v La merchi, ma dame et amours – 88
Borlet	He tres douls rossignol – 37
Bosquet, Johannes (–ca. 1406)	Et in terra pax [Gloria] – 100v–101v
Cameraco	Belle volies – 76 (?) Patrem omnipotentem [Credo] – 109v–110v
Carlay, Johannes	Onques de puis – 75v
Cesaris, Johannes (fl. 1406-17)	Bonté beauté – 115 (?) Se vous scavies – 87
Cividale, Antonius de	Et in terra pax [Gloria] – 104v
Climen, J. de	Fuga trium temporum – 38
Cluny, B. de	Apollinis eclipsatur nunquam lux / Zodiacum signis lustrantibus / In omnem terram – 64v–65 Ne vous vollies – 14
Du Fay, Guillaume (1397–1474)	Las que feray ne que je devenray – 89r Mille bonjours – 114–114v (?) Portugaler (= Or me veult) – 108 Pourray je avoir vostre mercy – 77v Se la face ay pale – 77v
Finck, Heinrich	(?) Sonorum varietas – 11
Fontaine, Pierre	(?) A son plaisir volentiers serviroye – 106 (?) A son plaisir volentiers serviroye – 34 Mon coeur pleure mais des yeux me fault rire – 100
Grenon, Nicolas	Je ne requier de ma dame et m'amie – 96v
Grimace (fl. mid-to late 14th century)	Je vois ennui de ma dame – 25
Helene, Henri	(?) Ida capillorum matris / Portio nature, precellentis / Ante tronum trinitatis – 74v–75 (?) Ida capillorum matris / Portio nature, precellentis / Ante tronum trinitatis – 74v–75
Hothby, John (ca. 1430–1487)	Aspur refu – 36
Lampens	Patrem omnipotentem [Credo] – 103v–108v
Landini, Francesco (ca. 1325–1397)	Questa fanciull' amor fallami pia – 18
Lantins, Arnold de (–1432)	(?) Tota pulchra es amica mea et macula II: Flores apparuerunt – 16
Laufenberg, Heinrich (ca. 1390–1460)	Sanctus & benedictus – 37v untexted Tenor – [-]
Legrant, Guillaume	(?) A son plaisir volentiers serviroye – 106 (?) A son plaisir volentiers serviroye – 34
Machaut, Guillaume de (ca. 1300–1377)	Christus rex pacificus = Jour à jour la vie – 48 De Fortune me doy pleindre et loer car quand premiers en commensay l’amer – 66v De che qui vol pense – 36v De toutes flours n'avoit et de tous fruits / gastés estoit li seurplus et destruis – 95 Se vous n’estes pour mon guerredon – 73v
Merques, Nicolas	Adieu aprille – 111 Las comant porray je / Las comant – 107v Voulez savoir – 12v–(13)
Molins, Pierre des (fl. mid-14th century)	De che qui vol pense – 36v
Moulins, Pierre des	Amis, tont dous vis – 79v
Passet	(?) Se vous scavies – 87
Pellisson, Johannes de Bosco, alias	Et in terra pax [Gloria] – 50v Et in terra pax [Gloria] – 41v
Perrinet (1375–1425)	Patrem omnipotentem [Credo] – 3v–4v
Pusiex, Egidius de	(?) Ida capillorum matris / Portio nature, precellentis / Ante tronum trinitatis – 74v–75 (?) Ida capillorum matris / Portio nature, precellentis / Ante tronum trinitatis – 74v–75
Royllart, Philippe	Rex Karole Johannis genite / Laetitie pacis, concordie – 7v
Salinis, Hymbert de (ca. 1378–)	Jesu salvator saeculi / Quo vulneratus scelere – 97v
Semeriaco, Johannes de	Patrem omnipotentem [Credo] – 109v–110v
Senleches, Jacob	En ce gracieux temps – 51
Tailhandier, Pierre (fl. c1390)	Patrem omnipotentem [Credo] – 56v
Thenis, Egidius de	Sanctus – 114 Wie lieblich ist der Maien – 97v
Vaillant, Jacob (fl. 1360–90)	Par maintes fois ay oy recorder – 65v
Vide, Jacobus	Puisque je n'ai plus de maystresse – 97
Vitry, Philippe de (1291–1361)	(?) Colla iugo subdere curias sectari / Bona condit cetera bonum libertatis / Libera me de sanguinibus – 69v–70 Impudenter circuivi solum / Virtutibus laudabilis, moribus / Alma redemptoris mater – 20v La gracieuse plaisance – 25 (?) Molendium de Paris – 24 (?) Tribum, que[m] non abhorruit / Merito [hec patimur] / Quoniam secta latronum spelunca [ii] – 71–71v Veni creator spiritus mentes tuorum – 23v
Zacara da Teramo, Antonio (ca. 1350–ca. 1413)	(?) E ardo in un fugo [recte, I’ ardo in un fuogo] – 91v (?) Et in terra pax [Gloria] (II) – 39v–40 Salve mater Jesu [=Cacciando per gustar] – 2
Zeltenpferd	(?) Et in terra pax [Gloria] (II) – 39v–40

Composition	Composers (? Uncertain)	Folios / Pages
[Mass of Barcelona] Et in terra pax [Gloria] [Tro] Splendor patris (each of the surviving sources has a different contratenor)	Anonymous	52v
A me amours	Anonymous	80
A solis ortus cardine ad usque terrae	Anonymous	83v
A son plaisir volentiers serviroye	Legrant, Guillaume (?) Fontaine, Pierre (?)	34
A son plaisir volentiers serviroye	Legrant, Guillaume (?) Fontaine, Pierre (?)	106
A vous m'otry	Anonymous	79
Adieu aprille	Merques, Nicolas	111
Adieu la belle adieu vous dit	Anonymous	97
Adieu mes tres belles amours	Binchois, Gilles (ca. 1400–1460)	53
Agnus Dei	Anonymous	55
Alanus [untexted]	Anonymous	42v
All eerbaer wensch	Anonymous	115v
Allmächtiger Gott - Benedicite	Anonymous	71
Amis, tont dous vis	Moulins, Pierre des	79v
Amors forga	Anonymous	75v
Amour me fait desirer loyalement	Argentorato, Henricus Hessman de (fl. late 14th century) (?)	15v
Apollinis eclipsatur nunquam lux / Zodiacum signis lustrantibus / In omnem terram	Cluny, B. de	64v–65
Aspur refu	Hothby, John (ca. 1430–1487)	36
Ave maris Stella	Anonymous	98
Ave regina caelorum	Anonymous	13v
Belle volies	Cameraco	76
Benedicamus	Anonymous	48v
Bien puist	Binchois, Gilles (ca. 1400–1460)	115
Bis grüst Maria schöner merstern	Anonymous	116
Bon jour tres bon an	Anonymous	52
Bonte de cors en armes	Anonymous	74
Bonté beauté	Cesaris, Johannes (fl. 1406-17)	115
Byen plorer doy	Anonymous	88
Chelle dont ma joie	Anonymous	87
Christus rex pacificus = Jour à jour la vie	Machaut, Guillaume de (ca. 1300–1377)	48
Colla iugo subdere curias sectari / Bona condit cetera bonum libertatis / Libera me de sanguinibus	Vitry, Philippe de (1291–1361) (?)	69v–70
Combien qu'il a	Anonymous	24v
Combien que	Anonymous	33
Comes Flandrie, flos victoris / Rector creatorum laudibus / In cimbalis bene sonantibus	Anonymous	25v
Comment porrai	Anonymous	115v
Corde natus ex parentis ante mundi	Anonymous	70v
Dame plasur	Anonymous	47v
Dantur officia burce consilio / Quid scire proderit nova et vetera	Anonymous	48v
De bleu de vermeil et de noir	Anonymous	105v
De bon parole tal pronto se fa	Anonymous	86v
De che qui vol pense	Machaut, Guillaume de (ca. 1300–1377) Molins, Pierre des (fl. mid-14th century)	36v
De fortune	Anonymous	66v
De Fortune me doy pleindre et loer car quand premiers en commensay l’amer	Machaut, Guillaume de (ca. 1300–1377)	66v
De toutes flours n'avoit et de tous fruits / gastés estoit li seurplus et destruis	Machaut, Guillaume de (ca. 1300–1377)	95
Degentis vita quid prodest arte / Cum vix artidici promoti sint / Vera pudicitia	Anonymous	81v
Der Sommer kommt	Anonymous	59v
Dicant nunc Judaei	Anonymous	18v
Dominus vobiscum	Anonymous	1
E ardo in un fugo [recte, I’ ardo in un fuogo]	Zacara da Teramo, Antonio (ca. 1350–ca. 1413) (?)	91v
Egredere Emanuel	Anonymous	68
Egredere Emanuel	Anonymous	68
En ce gracieux temps	Senleches, Jacob	51
En tres dous En tres douls flous	Anonymous	10v
Esclave puist il donc en	Binchois, Gilles (ca. 1400–1460)	109
Esperance qui en mon cuer	Anonymous	72v
Espoirs me fuit a mon plus grant besoin / Revieng, espoir, confort	Anonymous	72
Et in spiritu	Anonymous	108v
Et in terra pax (Gloria), [Tro] Qui sonitu melodia	Anonymous	40v
Et in terra pax [Gloria]	Anonymous	9
Et in terra pax [Gloria]	Anonymous	11v
Et in terra pax [Gloria]	Argentorato, Henricus Hessman de (fl. late 14th century)	30v–31
Et in terra pax [Gloria]	Pellisson, Johannes de Bosco, alias	41v
Et in terra pax [Gloria]	Anonymous	45
Et in terra pax [Gloria]	Pellisson, Johannes de Bosco, alias	50v
Et in terra pax [Gloria]	Anonymous	60v
Et in terra pax [Gloria]	Anonymous	69
Et in terra pax [Gloria]	Anonymous	85–85v
Et in terra pax [Gloria]	Bosquet, Johannes (–ca. 1406)	100v–101v
Et in terra pax [Gloria]	Anonymous	101v–102v
Et in terra pax [Gloria]	Cividale, Antonius de	104v
Et in terra pax [Gloria]	Anonymous	111v–112
Et in terra pax [Gloria] (II)	Zeltenpferd (?) Zacara da Teramo, Antonio (ca. 1350–ca. 1413) (?)	39v–40
Exutat mea vena quodlibet ex Phylomena	Anonymous	29v
Flous priis honnour	Anonymous	43
Fuga trium temporum	Climen, J. de	38
Fuyés de moy. C, Ct, T = Wohlauf, Gesell, wer jagen will	Alain	16v
Genad true fraulin rein	Anonymous	49v
Gens corps	Anonymous	82v
Gente cors	Anonymous	92v
Hareu hareu je la vois	Anonymous	59v
He tres douls rossignol	Borlet	37
Her liepstu frow	Anonymous	34v
Herte mi wy mas du glat	Anonymous	107v
Ich sach den mey [meygen] met bloeuen benaen	Anonymous	47v
Ich schouwen an dem Wetter han	Anonymous	92
Ich suffzen von herte	Anonymous	118v
Ida capillorum matris / Portio nature, precellentis / Ante tronum trinitatis	Pusiex, Egidius de (?) Helene, Henri (?)	74v–75
Ida capillorum matris / Portio nature, precellentis / Ante tronum trinitatis	Pusiex, Egidius de (?) Helene, Henri (?)	74v–75
Impudenter circuivi solum / Virtutibus laudabilis, moribus / Alma redemptoris mater	Vitry, Philippe de (1291–1361)	20v
In ganzen freude	Anonymous	90v
In min Herz	Anonymous	58
Ist der wol billich	Anonymous	39
J'ai grand desespoir de ma vie	Anonymous	78
J'ai mis ce rondelet	Anonymous	79
Je comincz	Anonymous	17
Je fortune fay a tous	Anonymous	47v
Je languis d'aimer mort	Anonymous	67v
Je loy (loe, loue) amours et ma dame mercye	Binchois, Gilles (ca. 1400–1460)	92v–93v
Je ne puis	Anonymous	113
Je ne requier de ma dame et m'amie	Grenon, Nicolas	96v
Je vois ennui de ma dame	Grimace (fl. mid-to late 14th century)	25
Je vois mon cuer = Du ausserweltes schöns mein Herz	Anonymous	83
Jesu salvator saeculi / Quo vulneratus scelere	Salinis, Hymbert de (ca. 1378–)	97v
Kyrie [Tro] magne Deus potentiae	Anonymous	1
Kyrie eleison	Anonymous	44v
Kyrie eleison	Anonymous	84v
Kyrie eleison	Anonymous	96
L'ardan désir	Anonymous	107
La gracieuse plaisance	Vitry, Philippe de (1291–1361)	25
La grant dolour	Anonymous	12v
La merchi, ma dame et amours	Binchois, Gilles (ca. 1400–1460)	88
Las comant porray je / Las comant	Merques, Nicolas	107v
Las conferay	Anonymous	59
Las que feray ne que je devenray	Du Fay, Guillaume (1397–1474)	89r
Le don d'amours qui plus les coeurs…	Anonymous	33v
Le somer de vous dame	Anonymous	78v
Ma duci mor	Anonymous	106v
Malgre jalousie	Anonymous	92
Melancolya.	Anonymous	91
Mille bonjours	Du Fay, Guillaume (1397–1474)	114–114v
Min Frau, min Frau	Anonymous	89v
Molendium de Paris	Vitry, Philippe de (1291–1361) (?)	24
Mon coeur pleure mais des yeux me fault rire	Fontaine, Pierre	100
Mundi cursus perverse regitur	Anonymous	27v
Musicorum inter collegia	Anonymous	94v
Ne vous vollies	Cluny, B. de	14
O frow liepich dir singt nachtegall.	Anonymous	38v
O ho ho ho ho ho Venari nunc / Venari autem musicae	Anonymous	7
O Maria maris Stella	Anonymous	119
O quam pulchra puella... min Herze will all Zit Frauen pflegen	Alanus, Johannes (fl. late 14th or early 15th century)	84
O zi mine my	Anonymous	72v
Onques de puis	Carlay, Johannes	75v
Onques dyre ne vout	Anonymous	62v
Onques ne fu si	Anonymous	17v
Or sus, vous dormez trop, ma dame	Anonymous	76v
Or tost [i]	Anonymous	67
Or tost [ii]	Anonymous	67v
Or tost alarme	Anonymous	46v
Organizanter contine / Luceat laudis	Anonymous	14–15
Organizanter contine / Luceat laudis	Anonymous	14–15
Par fortune	Anonymous	95
Par maintes fois ay oy recorder	Vaillant, Jacob (fl. 1360–90)	65v
Par ton partier	Anonymous	26v
Patrem omnipotentem [Credo]	Perrinet (1375–1425)	3v–4v
Patrem omnipotentem [Credo]	Anonymous	55v
Patrem omnipotentem [Credo]	Tailhandier, Pierre (fl. c1390)	56v
Patrem omnipotentem [Credo]	Anonymous	58v
Patrem omnipotentem [Credo]	Anonymous	61v
Patrem omnipotentem [Credo]	Anonymous	93–94
Patrem omnipotentem [Credo]	Anonymous	98v–99v
Patrem omnipotentem [Credo]	Lampens	103v–108v
Patrem omnipotentem [Credo]	Semeriaco, Johannes de Cameraco (?)	109v–110v
Plaignez mon coeur	Anonymous	35v
Por grief	Anonymous	35–35v
Portugaler (= Or me veult)	Du Fay, Guillaume (1397–1474) (?)	108
Pourray je avoir vostre mercy	Du Fay, Guillaume (1397–1474)	77v
Puisque je n'ai plus de maystresse	Vide, Jacobus	97
Questa fanciull' amor fallami pia	Landini, Francesco (ca. 1325–1397)	18
Quod chorus vatum	Anonymous	66v
Revien espoir	Anonymous	29
Rex Karole Johannis genite / Laetitie pacis, concordie	Royllart, Philippe	7v
S'en vous pour moi	Alanus, Johannes (fl. late 14th or early 15th century)	103
Salve caelestis ros	Anonymous	12v
Salve mater Jesu [=Cacciando per gustar]	Zacara da Teramo, Antonio (ca. 1350–ca. 1413)	2
Salve mundi domina / divina regine superorum / Ave regis filila / Ave regina fili Maria	Anonymous	1v
Salve mundi domina / divina regine superorum / Ave regis filila / Ave regina fili Maria	Anonymous	1v
Salve regina mater misericordiae	Anonymous	[-]
Salve regina mater misericordiae	Anonymous	60
Salve regina misericordiae Vita dulcedo II: Ad te suspiramus gementes et flentes III: Et Jesum benedictum fructum ventris IV: O pia	Anonymous	43v–44
Sanctus	Anonymous	19v
Sanctus	Anonymous	32v
Sanctus	Anonymous	47
Sanctus	Anonymous	94
Sanctus	Thenis, Egidius de	114
Sanctus & benedictus	Laufenberg, Heinrich (ca. 1390–1460)	37v
Sanctus in ut	Anonymous	54v
Schack melodye	Anonymous	64
Se fortune	Anonymous	62v
Se la face ay pale	Du Fay, Guillaume (1397–1474)	77v
Se vous n’estes pour mon guerredon	Machaut, Guillaume de (ca. 1300–1377)	73v
Se vous scavies	Cesaris, Johannes (fl. 1406-17) (?) Passet (?)	87
Sind willekomen	Anonymous	113v
Soit tart tempre, main ou soir	Anonymous	87v
Sol ich zo unrecht	Anonymous	80
Sonorum varietas	Finck, Heinrich (?)	11
Soyes lies et menes joie	Anonymous	49
Stella pia es Maria / Tenor de Stella Henrici	Anonymous	73v
Sunt festa que caelica	Anonymous	117
Tota pulchra es amica mea et macula II: Flores apparuerunt	Lantins, Arnold de (–1432) (?)	16
Tres douces amis / Me de pris	Anonymous	78v
Tribum, que[m] non abhorruit / Merito [hec patimur] / Quoniam secta latronum spelunca [ii]	Vitry, Philippe de (1291–1361) (?)	71–71v
Trurr	Anonymous	37
Tuba Gallicalis [untexted]	Anonymous	81–81v
untexted Tenor	Laufenberg, Heinrich (ca. 1390–1460)	[-]
Veni creator spiritus mentes tuorum	Vitry, Philippe de (1291–1361)	23v
Veni redemptor.	Anonymous	83v
Veni sancte spiritus et emitte caelitus	Anonymous	21v–22
Versuch min dienst	Anonymous	49
Versuch min dienst trut froewli	Anonymous	82v
Vexilla regis Vexilla Christi	Anonymous	8
Virginis meritum et partum	Anonymous	102v
Virgo dulcis atque pia / Laudate eum in sono tube	Anonymous	80v
Virgo mater veri Dei	Anonymous	63
Von fremdem Stimmen	Anonymous	88v
Voulez savoir	Merques, Nicolas	12v–(13)
Wie lieblich ist der Maien	Thenis, Egidius de	97v
Wohluff, lieben Gesellen unverzagt / Seid willkommen	Anonymous	112v–113
Wohluff, lieben Gesellen unverzagt / Seid willkommen	Anonymous	112v–113
Wohluff, wohluff begib din ungemach.	Anonymous	51v
wol mir ich weisz een meezelin	Anonymous	28v
Zogles lies et menes	Anonymous	70

‡ denotes primary source study

Coussemaker, Charles Edmond Henri de. None. Le Manuscrit musical M 222 C 22 de la Bibliothèque de Strasbourg. Brussels. Notes: contents list; incipits; transcription (partial).

Cuthbert, Michael Scott. 2006. Trecento fragments and Polyphony beyond the codex. Harvard University, Ph.D. Pages: 240.

Curtis, Gareth R K, and Andrew B Wathey. 1994. Fifteenth-Century English Liturgical Music: A List of the Surviving Repertory. Royal Musical Association Research Chronicle, 1-69.

Hamm, Charles E, and Herbert Kellman (editors). 1979-1988. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies. 5 vols. Neuhausen nr. Stuttgart: American Institute of Musicology, Hänssler Verlag.

Ward, Tom Robert. 1979. The Polyphonic Office Hymn from 1400 to 1520: A Descriptive Inventory. RMS. American Institute of Musicology. Notes: contents list (partial); incipits (partial).

Cobin, Marian W. 1978. The Aosta Manuscript: A Central Source of Early Fifteenth-Century Sacred Polyphony. New York University, Unpublished Ph.D. dissertation. Pages: I,86.

Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II. Bern and Stuttgart. Pages: III,12-3. Notes: physical description; mention of MS; discussion.

Bent, Margaret. 1973. The Transmission of English Music 1300-1500: Some Aspects of Repertory and Presentation. Studien zur Tradition in der Musik: Kurt von Fischer zum 60. Geburtstag, edited by Margaret Bent, 65–83. Munich: Musikverlag Emil Katzbichler. Pages: 68. Notes: contents list (partial); concordances (partial).

Birmingham, Hugh Myers, Jr. 1973. Schedel's Song Book and Its Role in the Development of the German Tenor Song. Indiana University, Unpublished Ph.D. dissertation. Pages: 16-8. Notes: contents list (partial); mention of MS; discussion.

Hagopian, Viola L. 1973. Italian Ars Nova Musik: A Bibliographic Guide to Modem Editions and Related Literature. 2nd ed. Berkeley, Los Angeles, and London. Pages: 66. Notes: additional bibliography.

Timm, Erika. 1972. Die Überlieferung der Lieder Oswalds von Wolkenstein. Germanische Studien. Lübeck and Hamburg. Pages: 131ff, 160-1. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.

Schlager, Karlheinz (editor). 1971-. Répertoire International des Sources Musicales. Series A/I. Kassel. Pages: B IV/3,550-92. Notes: physical description; contents list; concordances (partial); incipits; mention of MS; discussion; additional bibliography.

Besseler, Heinrich. 1968. Falsche Autornamen in den Handschriften Strassburg (Vitry) und Montecassino (Dufay). Acta Musicologica, 201-3. Notes: contents list (partial); mention of MS; discussion.

Osthoff, Helmuth. 1967. Die Niederländer und das deutsche Lied (1400-1640). Tutzing. Pages: 22-5. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Günther, Ursula (editor). 1965. The Motets of the Manuscripts Chantilly, musée condé, 564 (olim 1047) and Modena, Biblioteca estense, a. M. 5, 24 (olim lat. 568). Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: xxix-xxxii,lvii-lxii,17-22,57-65. Notes: contents list (partial); concordances (partial); transcriptions (partial); texts (partial); mention of MS; discussion.

Perkins, Leeman L. 1965. The Motets of Jean Lhéritier. Yale University, Unpublished Ph.D. dissertation. Pages: II, 178-9, 393-4. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.

Stäblein-Harder, Hanna. 1962. Fourteenth-Century Mass Music in France. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Schrade, Leo (editor). 1956-. Polyphonic Music of the Fourteenth Century. 24 vols. Monaco. Pages: Commentary to Vols. II-III, 54, passim; Commentary to Vol. IV, 98,113-4; V, 193-8; X, 101-2,152-3; XIX, 191-2,195; XX, 250,252-3,257-9. Notes: physical description; contents list (partial); concordances (partial); transcriptions (partial).

Fischer, Kurt von. 1956. Studien zur italienischen Musik des Trecento und frühen Quattrocento. Publikationen der Schweizerischen Musikforschenden Gesellschaft. Bern: Paul Haupt. Pages: 46ff, passim. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Dart, Thurston. 1954. Une Contribution Anglaise au Manuscrit de Strasbourg? Revue Belge de Musicologie, 122-4. Pages: 46ff, passim. Notes: contents list (partial); mention of MS; discussion.

Salmen, Walter. 1951. Das Lochamer Liederbuch: Eine musikgeschichtliche Studie. Leipzig. Pages: 7,35,45. Notes: contents list (partial); mention of MS; discussion.

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: II,1339; VI,1022-3; II,1437-8. Notes: physical description; contents list (partial); concordances (partial).

de Van, Guillaume, and Heinrich Besseler (editors). 1948-66. Guillaume Dufay: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: VI. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial).

Borren, Charles van den. 1941. Etudes sur le quinzième siècle musical. Antwerp. Pages: 5,53-5. Notes: physical description; mention of MS; discussion.

Marix, Jeanne (editor). 1937. Les musiciens de la cour de Bourgogne au XVe siècle (1420-1467) : Messes, motets, chansons. Paris. Pages: 7,35,45. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Kammerer, Friedrich. 1931. Die Musikstücke des Prager Kodex XI E 9. Veröffentlichungen des Musikwissenschaftlichen Institutes der Deutschen Universität in Prag. Augsburg: Dr. Benno Filser Verlag [also Brünn: Rudolf M. Rohrer Verlag]. Pages: 15-8. 117ff, passim. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Blume, Friedrich (editor). 1929-. Das Chorwerk. Berlin/Wolfenbüttel. Pages: XLV,9-10.

Besseler, Heinrich. 1928/29. Von Dufay bis Josquin. Zeitschrift für Musikwissenschaft, 1-22. Pages: VI, Nr. 65 (Ue. von Nr. 130).

Borren, Charles van den. 1926-28. Les Fragments de Messe du Manuscrit 222 C 22 de la Bibliothèque de Strasbourg. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 177-85,236-50. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Ludwig, Friedrich (editor). 1926-9. Guillaume de Machaut: Musikalische Werke, 1-3. Leipzig: Publikationen älterer Musik. Pages: I,56; II,37-40*, passim. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.

Borren, Charles van den. 1925; reprint Wiesbaden, 1969. La Musique pittoresque dans le manuscrit 222 C 22 de la Bibliothèque de Strasbourg (XVe siècle). Bericht über den Musikwissenschaftlichen Kongress in Basel ... 1924, 88-105. Leipzig: Breitkopf and Härtel. Pages: 88ff (Ue. von Nr. 22, 138, 139). Notes: contents list (partial); concordances (partial); transcriptions (partial); discussion.

Borren, Charles van den. 1924. Le Manuscrit Musical M. 222 C. 22 de la Bibliothèque de Strasbourg (XV Siècle) Brûlé en 1870, et Reconstitué d'après une Copie Partielle d'Edmond de Coussemaker. Antwerp: E. Secelle. Notes: physical description; contents list; concordances; mention of MS; discussion.

Borren, Charles van den. 1924. L'apport italien dans un manuscrit musical du XVe siècle perdu et partiellement retrouvé. Rivista Musicale Italiana, 527-33. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Ludwig, Friedrich. 1905. Review of Wolf G. Sammelbande der Internationalen Musikgesellschaft, 597-641. Pages: 618. Notes: contents list (partial); mention of MS; discussion.

Wolf, Johannes. 1904; Reprinted: Hildesheim, 1965. Geschichte der Mensural-Notation von 1250-1460 nach den theoretischen und praktischen Quellen. 3 vols. Leipzig. Pages: I, 384-9. Notes: physical description; contents list; concordances (partial).

Meyer, Paul, and Rodolphe Reuss. 1883. Notice sur un ms. brulé ayant appartenu à la Bibliothèque de Strasbourg. Bulletin de la Société des anciens textes français, 55-60. Pages: 57-60 (partial content list). Notes: contains description and content list (partial) compiled by Reuss which complements that of Coussemaker.

Lippmann, Auguste. 1869. Essai sur un Manuscrit du Quinzième Siècle Découvert dans la Bibliothèque de la Ville de Strasbourg. Bulletin de la Société pour la Conservation des Monuments Historiques d'Alsace, 73-6. Notes: [includes only known photographic reproduction from this manuscript].

Coussemaker, Charles Edmond Henri de. 1864-1876. Reprint Hildesheim, 1963. Scriptorum de musica medii aevi nova series. 4 vols. Pages: III,xvi-xvii,35ff,411-5. Notes: physical description (partial); + T of several treatises.

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Scott Metcalfe

Thursday, 6 August, 2020

'Bien puist (f. 115) is ascribed to Binchois in Brussels 56286, the copy of this lost Strasbourg MS. Attribution accordingly recorded here, and Binchois added as composer.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description

F-Sm 222 C. 22

Bibliothèque Municipale, Strasbourg, France

choirbook: Mid-15th century

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