Fuller, Sarah. 1992. Tendencies and Resolutions: The Directed Progression in Ars Nova Music. Journal of Music Theory, 36: 229-258.

Fuller, Sarah. 1992. Guillaume de Machaut: De toutes flours. Music Before 1600, Models of Musical Analysis. edited by Mark E Everist, 41-65. Oxford: Blackwell.

Fuller, Sarah. 1991. Machaut and the Definition of Musical Space. Sonus, 12: 1-15.

Fuller, Sarah. 1990. Modal Tenors and Tonal Orientation in Motets of Guillaume de Machaut. Studies in Medieval Music: Festschrift for Ernest H. Sanders, Current Musicology. edited by Peter M Lefferts and Brian Seirup, 199-245. New York.

Fuller, Sarah. 1987. Line, Contrapunctus and Structure in a Machaut Song. Music Analysis, 6: 37-58.

Fuller, Sarah. 1987. The European Musical Heritage 800-1750.  New York.

Schindler, Allan W (ed.) 1987. The European Musical Heritage 800-1750.  New York: Knopf.

Fuller, Sarah. 1986. On Sonority in Fourteenth-Century Polyphony: Some Preliminary Reflections. Journal of Music Theory, 30: 35-70.

Fuller, Sarah. 1985–6. A Phantom Treatise of the Fourteenth Century? The Ars Nova. Journal of Musicology, 4: 23–50.

Fuller, Sarah. 1978. Discant and the Theory of Fifthing. Acta Musicologica, 50: 241–275.

Fuller, Sarah. 1969. Additional Notes on the 15th-century Chansonnier Bologna Q 16. Musica Disciplina, 23: 81-103.