Fuller, Sarah. 1992. Guillaume de Machaut: De toutes flours. Music Before 1600, Models of Musical Analysis. edited by Sarah Fuller, 41-65. Oxford: Blackwell.

Fuller, Sarah. 1992. Tendencies and Resolutions: The Directed Progression in Ars Nova Music. Journal of Music Theory, 229-258.

Fuller, Sarah. 1991. Machaut and the Definition of Musical Space. Sonus, 1-15.

Fuller, Sarah. 1990. Modal Tenors and Tonal Orientation in Motets of Guillaume de Machaut. Studies in Medieval Music: Festschrift for Ernest H. Sanders, Current Musicology. edited by Sarah Fuller, 199-245. New York.

Fuller, Sarah. 1987. The European Musical Heritage 800-1750.  New York.

Fuller, Sarah. 1987. Line, Contrapunctus and Structure in a Machaut Song. Music Analysis, 37-58.

Schindler, Allan W (editor). 1987. The European Musical Heritage 800-1750.  New York: Knopf.

Fuller, Sarah. 1986. On Sonority in Fourteenth-Century Polyphony: Some Preliminary Reflections. Journal of Music Theory, 35-70.

Fuller, Sarah. 1985–6. A Phantom Treatise of the Fourteenth Century? The Ars Nova. Journal of Musicology, 23–50.

Fuller, Sarah. 1978. Discant and the Theory of Fifthing. Acta Musicologica, 241–275.

Fuller, Sarah. 1969. Additional Notes on the 15th-century Chansonnier Bologna Q 16. Musica Disciplina, 81-103.