I-Fn MS Panciatichiano 26 (Panciatichi)

Biblioteca Nazionale Centrale, Firenze (Florence), Italy

choirbook: 14th - Early 15th century

Archive Biblioteca Nazionale Centrale, Firenze (Florence), Italy (I-Fn)
Shelfmark MS Panciatichiano 26 (Panciatichi)
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 295 x 220 mm
Other Identifiers
  • RISM: I-Fn26
  • RISM: FP, FN, Fl, F, Pan
  • CCM: FlorBN Panc. 26
  • Other catalogues/source: FP
Notations
  • black full mensural
External Links
Provenance
  • Italy
Contents 186 pieces from 18 composers
General Description

Copied by four main scribes and six additional scribes (see NádasP for detailed discussion). Outer flyleaves date from 1957-8 restoration; second and penultimate flyleaves probably date from 19th century.

DIAMM, 2017
Binding

Rebound in modern covers of wooden boards, with leather spine.

DIAMM, 2017
Watermark

(1) generally re-sembles Briquet #11683; (2) generally resembles Briquet #11678 and #11684; (3) generally resembles Briquet #11853-4 and #11890 (NádasP).

DIAMM, 2017
Notation

Black mensural notation

DIAMM, 2017
Ruling

8 black 6-line staves per page

DIAMM, 2017
Foliation

115 ff

DIAMM, 2017
Foliation

Modern foliation, 1-5 + original ink foliation, i-cx, on upper right rectos.

DIAMM, 2017
Decoration

Inked Gothic initials

DIAMM, 2017
Index

Incomplete original index on ff. 2-4' contains entries for incipits beginning F-V.

DIAMM, 2017
Surface

Paper

DIAMM, 2017
RISM Description

115 folios plus modern flyleaves, 2 at front, 3 at end. Modern foliation from f.1-5; 15th or 16th century foliation from f.I-CX. 8 black 6-line staves per page. Binding of modern leather over 15th century boards.

RISM B/IV 4: 14./15. Jh.; 115 von Feuchtigkeitsspuren leicht beschädigte Blätter Papier + 2 moderne Vorsatz- und 3 Nachstoßblätter, 295 x 220 mm. Moderne Foliierung von f. 1-5 (Index) und anschließend Foliierung des 15. oder 16 Jh. von f. I-CX. Je Seite 8 schwarze Sechsliniensysteme mit schwarzer (Nachträge zum Teil mit weißer) Mensuralnotation des 14. und frühen 15. Jh. (zu Teil mit ornamentaler Rotfärbung der Schlußnoten). Wasserzeichen: Florenz 1403-1432 (?) - Einband: Holzdeckel des 15. Jh. (?) mit modernem Lederrücken.

Diese zu den wichtigsten und ältesten Quellen italienischer Trecentomusik gehörende Handschrift besteht aus 11 Faszikeln zu 8 oder 12 Blätter (letztes Faszikel: 11 Blätter), denen fünf, einen um 1420 geschriebenen Index (ab Buchstabe F) enthaltende Blätter (mit gleichem Wasserzeichen wie das Hauptcorpus) vorangestellt sind. Der systematischen Anordnung und dem Repertoire nach zu schließen, steht die Handschrift in enger Beziehung zum Werk Francesco Landinis. Es ist deshalb anzunehmen, daß sie in Florenz redigiert worden ist. Pirrotta setzt die Niederschrift des von einer einzigen Hand geschriebenen Hauptcorpus um 1400, v. Fischer um 1380/90 an. Die Nachträge reichen bis in die Mitte des 15. Jh. (siehe unten Inhalt). - Die Handschrift gehört zur Sammlung Panciatichi, die, im 16. Jh. von V. Borghini angelegt, im 17. Jh. vom Florentiner Gelehrten Lorenzo Panciatichi zusammengetragen worden ist. Ältere Besitzer- oder Herkunftsvermerke fehlen.

Inhalt: moderne f. 2-4 Index; originale f. 1-47 Landini (2- und 3-stimmige Ballate, ab f. 41v Madrigale); f. 47v-60 Giovanni; f. 61-75 Iacopo; f. 75v-80 Lorenzo; f. 80v-84 Donato; f. 84v-86 Gherardello ; ab f. 86v vermischte Madrigale und Cacce. - Die Nachträge gliedern sich in 5 Gruppen: 1. In unmittelbarem Anschluß an das Hauptcorpus, von gleicher Hand wie dieses, ergänzend an freien Stellen eingetragen: unter anderem Nr. 5, 12, 16, 19, 26 u. a. -2. Nur wenig später als das Hauptcorpus und von ähnlicher Hand wie dieses eingetragen: Nr. 110, 114, 128, 136, 139, 142,145, 156, 167, 171, 176, 177. - 3. Vermutlich um 1400/20 von etwas jüngerer Hand eingetragen: Nr. 178-185, ferner wahrscheinlich Nr. 35 und 36. -4. Nach 1420 (im Index von jüngerer Hand nachgetragen): Nr. 72. - 5. Nachträge in weißer Notation um 1430/50 (im Index nachgetragen): Nr. 33, 34, 37. - Leer sind die f. 16r, 18v-19v, 20v, 33v, 41r, 101v, 103r, 109V-110V, sowie moderne f. 1 und 5.

INCIPITVERZEICHNIS

Die in der Hs. meist mit roter Farbe geschriebenen Minuskeln der Stimmbezeichnungen sind im IncV durchwegs mit Majuskeln notiert. Die Abbreviaturen der Komponistennamen sind nur bei sicherer Lesbarkeit stillschweigend aufgelöst. Weggelassen wurden die oft unter einzelnen Textsilben anzutreffenden Punkte, welche den Zusammenzug zweier Silben bezeichnen.

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

Contents: 159 Italian secular pieces, 25 French secular pieces, 1 textless piece = 185

Composers: Antonio da Cividale-1, Bartolino da Padua-2, Césaris-1, Donatus de Florentia-6, (Dufay)-1, Feo-1, Gherardellus-5, Giovanni de Florentia-18, Guilielmo de Francia-1, Jacopo da Bologna-22, Landini [M. Franciscus de Florentia]-86, Lorenço-5, (Machaut)-6, Marcus-1, (Molins)-1, Nicolaus de Perugia-1, Piero-8, (Solage)-1, anon-18

Physical: ii + 115 + ii paper folios, 295 x 220. Outer flyleaves date from 1957-8 restoration; second and penultimate flyleaves probably date from 19th century. Modern foliation, 1-5 + original ink foliation, i-cx, on upper right rectos. Rebound in modern covers of wooden boards, with leather spine. Incomplete original index on ff. 2-4' contains entries for incipits beginning F-V. Copied by four main scribes and six additional scribes (see NádasP for detailed discussion). Inked Gothic initials. Watermarks: (1) generally re-sembles Briquet #11683; (2) generally resembles Briquet #11678 and #11684; (3) generally resembles Briquet #11853-4 and #11890 (NádasP).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1 Donna s'i' t'ò fallito M[agister] Fr[anciscus] de Flor[entia]
Appears on: 1
Genres: Italian secular
Source Attribution: M[agister] Fr[anciscus] de Flor[entia]
Voice: [no designation]
Languages: Italian
Clef: c4
Voice Text: Donna s' i' t'o fallito ...

Voice: Tenor
Languages: Italian
Clef: f3
Voice Text: Donna s' i' t'o fallito ...
Layout

parts

1v Già perch' i' penso nella tuo partita M[agister] Fr[anciscus de Florentia]
Appears on: 1v
Genres: Italian secular
Source Attribution: M[agister] Fr[anciscus de Florentia]
Voice: [no designation]
Languages: Italian
Clef: c3
Voice Text: Gia perch' i' penso nella tuo partita ...

Voice: Tenor
Languages: Italian
Clef: f3
Voice Text: Gia perch' i' penso nella tuo partita ...
Layout

parts

2 Deh pon quest'amor giu M[agister] Fr[anciscus de Florentia]
Appears on: 2
Genres: Italian secular
Source Attribution: M[agister] Fr[anciscus de Florentia]
Voice: Tenor
Languages: Italian
Clef: f3
Voice Text: Deh pon quest'amor giu ...

Voice: [no designation]
Languages: Italian
Clef: c3
Voice Text: Deh pon quest'amor giu ...
Layout

parts

2v Non creder donna che nessuna sia M[agister] Fr[anciscus de Florentia]
Appears on: 2v
Genres: Italian secular
Source Attribution: M[agister] Fr[anciscus de Florentia]
Voice: [no designation]
Languages: Italian
Clef: f3
Voice Text: Non creder donna che nessuna sia ...

Voice: Tenor
Languages: Italian
Mensuration: c
Clef: f4
Voice Text: Non creder donna che nessuna sia ...
Layout

parts

2v–3 Donna l'animo tui pur fugge amore -
Appears on: 2v–3
Genres: Italian secular
Voice: Tenor
Languages: Italian
Clef: f3
Voice Text: Donna l'animo tuo pur fugge amore ...

Voice: [no designation]
Languages: Italian
Clef: c3
Voice Text: Donna l'animo tuo pur fugge amore ...
Layout

parts

3 Per servar umiltà la mente spera M. F[ranciscus de Florentia]
Appears on: 3
Genres: Italian secular
Source Attribution: M. F[ranciscus de Florentia]
Voice: Tenor
Languages: Italian
Clef: f3
Voice Text: Per servar umilta la mente spera ...

Voice: [no designation]
Languages: Italian
Clef: c3
Voice Text: Per servar umilta la mente spera ...
Layout

parts

3v D'amor mi biasmo chi ch'esse ne lodi M. F[ranciscus de Florentia]
Appears on: 3v
Genres: Italian secular
Source Attribution: M. F[ranciscus de Florentia]
Voice: [no designation]
Languages: Italian
Clef: c3
Voice Text: D'amor mi biasmo che che se ne lodi ...

Voice: Tenor
Languages: Italian
Clef: f3
Voice Text: D'amor mi biasmo che che se ne lodi ...
Layout

parts

4 L'antica fiamma e 'l dolce bel disio M. F[ranciscus de Florentia]
Appears on: 4
Genres: Italian secular
Source Attribution: M. F[ranciscus de Florentia]
Voice: Tenor
Languages: Italian
Clef: c3
Voice Text: L'anticha fiamma e 'l dolce disio ...

Voice: [no designation]
Languages: Italian
Clef: c1
Voice Text: L'anticha fiamma e 'l dolce disio ...
Layout

parts

4v Non per fallir di me tuo vista pia M. F[ranciscus de Florentia]
Appears on: 4v
Genres: Italian secular
Source Attribution: M. F[ranciscus de Florentia]
Voice: [no designation]
Languages: Italian
Clef: c3
Voice Text: Non per fallir di me tuo vista pia ...

Voice: Tenor
Languages: Italian
Clef: f3
Voice Text: Non per fallir di me tuo vista pia ...
Layout

parts

5 Poiché da te mi convien partir via M. F[ranciscus de Florentia]
Appears on: 5
Genres: Italian secular
Source Attribution: M. F[ranciscus de Florentia]
Voice: Tenor
Languages: Italian
Clef: f3
Voice Text: Poiche da te mi convien partir via ...

Voice: [no designation]
Languages: Italian
Clef: c3
Voice Text: Poiche da te mi convien partir via ...
Layout

parts

5v Per allegreça del parlar d'amore M. F[ranciscus de Florentia]
Appears on: 5v
Genres: Italian secular
Source Attribution: M. F[ranciscus de Florentia]
Voice: Tenor
Languages: Italian
Clef: c3
Voice Text: Per allegreçça del parlar d'amore ...

Voice: [no designation]
Languages: Italian
Clef: c2
Voice Text: Per allegreçça del parlar d'amore ...
Layout

parts

5v–6 Donna 'l tuo partimento. Lascia tanto smarrita -
Appears on: 5v–6
Genres: Italian secular
Voice: Tenor
Languages: Italian
Clef: f3
Voice Text: Donna 'l tuo partimento lascia tanto smarrita ...

Voice: [no designation]
Languages: Italian
Clef: c2
Voice Text: Donna 'l tuo partimento lascia tanto smarrita ...
Layout

parts

6 La bionda treçça del fin or colore M. F[ranciscus de Florentia]
Appears on: 6
Genres: Italian secular
Source Attribution: M. F[ranciscus de Florentia]
Voice: [no designation]
Languages: Italian
Clef: c3
Voice Text: La bionda treccia di fin' or colore...

Voice: Tenor
Languages: Italian
Clef: f3
Voice Text: La bionda treccia di fin' or colore...
Layout

parts

6v Sia maledetta l'or 'l di ch'io venni M. F[ranciscus de Florentia]
Appears on: 6v
Genres: Italian secular
Source Attribution: M. F[ranciscus de Florentia]
Voice: [no designation]
Languages: Italian
Clef: c3
Voice Text: Sia maledetta l'or 'l di ch'io vennj ...

Voice: Tenor
Languages: Italian
Clef: f3
Voice Text: Sia maledetta l'or 'l di ch'io vennj ...
Layout

parts

7 Gli ochi che 'n prima tanto bel piacere M. F[ranciscus de Florentia]
Appears on: 7
Genres: Italian secular
Source Attribution: M. F[ranciscus de Florentia]
Voice: [no designation]
Languages: Italian
Clef: c3
Voice Text: Gli occhi che 'n prima tanto bel piacere ...

Voice: Tenor
Languages: Italian
Clef: f3
Voice Text: Gli occhi che 'n prima tanto bel piacere ...
Layout

parts

6v–7 Tutta soletta si gia mormorando - Anonymous
Appears on: 6v–7
Genres: Italian secular
Voice: [no designation]
Languages: Italian
Clef: c3
Voice Text: Tutta soletta si gia mormorando ...

Voice: Tenor
Languages: Italian
Clef: f3
Voice Text: Tutta soletta.
Layout

parts

7v Donna se 'l cor t' o dato M. F[ranciscus de Florentia]
Appears on: 7v
Genres: Italian secular
Source Attribution: M. F[ranciscus de Florentia]
Voice: [no designation]
Languages: Italian
Clef: c3
Voice Text: Donna se 'l cor t' o dato ...

Voice: Tenor
Languages: Italian
Clef: f3
Voice Text: Donna se 'l cor t' o dato ...
Layout

parts

8 S' i' ti son stato et vogli' esser fedele M. F[ranciscus de Florentia]
Appears on: 8
Genres: Italian secular
Source Attribution: M. F[ranciscus de Florentia]
Voice: [no designation]
Languages: Italian
Clef: c2
Voice Text: S' i' ti son stat' e vogli' eser fedele ...

Voice: Tenor
Languages: Italian
Clef: f2c4
Voice Text: S' i' ti son stat' e vogli' eser fedele ...
Layout

parts

7v–8 Or e tal l'alma mia -
Appears on: 7v–8
Genres: Italian secular
Voice: Tenor
Languages: Italian
Clef: c3
Voice Text: Or e tal alma mia per choste ...

Voice: [no designation]
Languages: Italian
Clef: c2
Voice Text: Or e tal alma mia per choste ...
Layout

parts

8v Ama ama donna chi t'ama in pura fede M. Fr[anciscus de Florentia]
Appears on: 8v
Genres: Italian secular
Source Attribution: M. Fr[anciscus de Florentia]
Voice: Tenor
Languages: Italian
Clef: c3
Voice Text: Ama donna chi t'ama 'n pura fede ...

Voice: [no designation]
Languages: Italian
Clef: c2
Voice Text: Ama ama donna chi t'ama 'n pura fede ...
Layout

parts

9 Va pure amore colle reti tue M. F[ranciscus de Florentia]
Appears on: 9
Genres: Italian secular
Source Attribution: M. F[ranciscus de Florentia]
Voice: Tenor
Languages: Italian
Clef: c4
Voice Text: Va pure amore cholle reti tue ...

Voice: [no designation]
Languages: Italian
Clef: c2
Voice Text: Va pure amore colle reti tue ...
Layout

parts

9v Poiché amor ne' begli ochi pur non veggio M. F[ranciscus de Florentia]
Appears on: 9v
Genres: Italian secular
Source Attribution: M. F[ranciscus de Florentia]
Voice: Tenor
Languages: Italian
Clef: f3
Voice Text: Poch' amor ne' begli ochi piu non veggio ...

Voice: [no designation]
Languages: Italian
Clef: c3
Voice Text: Poch' amor ne' begli ochi piu non veggio ...
Layout

parts

10 Fortuna ria amor e crudel donna M. F[ranciscus de Florentia]
Appears on: 10
Genres: Italian secular
Source Attribution: M. F[ranciscus de Florentia]
Voice: [no designation]
Languages: Italian
Clef: c3
Voice Text: Fortuna ria amor e crudel donna ...

Voice: Tenor
Languages: Italian
Clef: f3
Voice Text: Fortuna ria amor e crudel donna ...
Layout

parts

10v Vita non è più misera e più ria M. F[ranciscus de Florentia]
Appears on: 10v
Genres: Italian secular
Source Attribution: M. F[ranciscus de Florentia]
Voice: Tenor
Languages: Italian
Clef: f3
Voice Text: Vita non e piu miser ne piu ria ...

Voice: [no designation]
Languages: Italian
Clef: c3
Voice Text: Vita non e piu miser ne piu ria ...
Layout

parts

11 Gia molte volte amore Ser Feo
Appears on: 11
Genres: Italian secular
Source Attribution: Ser Feo
Voice: Tenor
Languages: Italian
Clef: f3
Voice Text: Gia molte volte amore.

Voice: [no designation]
Languages: Italian
Clef: c3
Voice Text: Gia molte volte amore ...
Layout

parts

10v–11 Vaga fanciulla leggiadr'e vezzosa M. Francis[cus de Florentia]
Appears on: 10v–11
Genres: Italian secular
Source Attribution: M. Francis[cus de Florentia]
Voice: [no designation]
Languages: Italian
Clef: c4
Voice Text: Vagha fanciulla leggiadr'e veççosa ...

Voice: Tenor
Languages: Italian
Clef: f3
Voice Text: Vaga fanciulla.
Layout

parts

11v Chi pregio vuol in virtu pong' amore M. F[ranciscus de Florentia]
Appears on: 11v
Genres: Italian secular
Source Attribution: M. F[ranciscus de Florentia]
Voice: [no designation]
Languages: Italian
Clef: c2
Voice Text: Chi pregio vuol in virtu pong'amore ...

Voice: Tenor
Languages: Italian
Clef: c3
Voice Text: Chi pregio vuol in virtu pong'amore ...
Layout

parts

12 Deh volgli gli ochi a me donna per cui M. Fr[anciscus de Florentia]
Appears on: 12
Genres: Italian secular
Source Attribution: M. Fr[anciscus de Florentia]
Voice: Tenor
Languages: Italian
Clef: f3
Voice Text: Deh volgi gli occhi a me donna ...

Voice: [no designation]
Languages: Italian
Clef: c3
Voice Text: Deh volgi gli occhi a me donna ...
Layout

parts

12v Se pronto non sarà l'uom a ben fare M. Fr[anciscus de Florentia]
Appears on: 12v
Genres: Ballata
Source Attribution: M. Fr[anciscus de Florentia]
Voice: [no designation]
Languages: Italian
Clef: c2
Voice Text: Se pronto non sara l'uom al ben fare ...

Voice: Tenor
Languages: Italian
Clef: c3
Voice Text: Se pronto non sara l'uom al ben fare ...
Layout

parts

13 L'alma leggiadra del tuo viso pio M. Fr[anciscus de Florentia]
Appears on: 13
Genres: Italian secular
Source Attribution: M. Fr[anciscus de Florentia]
Voice: Tenor
Languages: Italian
Clef: c4
Voice Text: L'alma leggiadra del tuo viso pio ...

Voice: [no designation]
Languages: Italian
Clef: c3
Voice Text: L'alma leggiadra del tuo viso pio ...
Layout

parts

13v Donna la mente mia e si 'nvaghia del tuo gentil aspetto M. Fr[anciscus de Florentia]
Appears on: 13v
Genres: Italian secular
Source Attribution: M. Fr[anciscus de Florentia]
Voice: Tenor
Languages: Italian
Clef: f3
Voice Text: Donna la mente mia e si 'nvaghia del tuo gentil aspetto ...

Voice: [no designation]
Languages: Italian
Clef: c3
Voice Text: Donna la mente mia e si 'nvaghia del tuo gentil aspetto ...
Layout

parts

14 S'andra' sança merçe di tenpo in tempo M. Fr[anciscus de Florentia]
Appears on: 14
Genres: Italian secular
Source Attribution: M. Fr[anciscus de Florentia]
Voice: [no designation]
Languages: Italian
Clef: f3
Voice Text: S'andray sança merçe ...

Voice: [no designation]
Languages: Italian
Clef: c3
Voice Text: S'andray sança merçe di tempo ...
Layout

parts

14v Bonté beauté Johan[n]es Cesar[is]
Appears on: 14v
Genres: Chanson
Source Attribution: Johan[n]es Cesar[is]
Voice: Contratenor
Languages: none
Clef: c4

Voice: [no designation]
Languages: French
Clef: c2
Voice Text: Bonte bialte

Voice: Tenor
Languages: none
Clef: c3
Layout

parts

15–15v Le firmament - Anonymous

Le firmament

Anonymous
Appears on: 15–15v
Genres: Italian secular
Voice: Tenor
Languages: none
Clef: c3

Voice: Contratenor
Languages: French
Clef: c4
Voice Text: Le firmament.

Voice: [no designation]
Languages: French
Clef: c1
Voice Text: Le firmament.
Layout

parts

16v untexted Marcus
Appears on: 16v
Genres: textless
Source Attribution: Marcus
Voice: Contratenor
Languages: none
Mensuration: o
Clef: f4

Voice: Tenor
Languages: none
Mensuration: c-dot
Clef: f4

Voice: Cantus
Languages: none
Mensuration: o-dot
Clef: f2
Layout

parts

17 O lieta stella Do.
Do.
Appears on: 17
Genres: Italian secular
Source Attribution: Do.
Voice: Tenor
Languages: none
Clef: c4

Voice: Contratenor
Languages: none
Clef: c3

Voice: [no designation]
Languages: Italian
Clef: c1
Voice Text: O lieta stella.
Layout

parts

17v–18 Invidia nimica -
Appears on: 17v–18
Genres: Italian secular
Voice: Tenor
Languages: Latin
Clef: f3c5
Voice Text: Invidia.

Voice: [no designation]
Languages: Latin
Clef: c3
Voice Text: Invidia nimica de ciaschun ...

Voice: Contratenor
Languages: Latin
Clef: f3c5
Voice Text: Invidia.
Layout

parts

Concordances

lacks the added 4th voice of BU 2216 and Ox 213

20 Se merçe donna merita 'l servire M. Fr[anciscus de Florentia]
Appears on: 20
Genres: Italian secular
Source Attribution: M. Fr[anciscus de Florentia]
Voice: [no designation]
Languages: Italian
Clef: c3
Voice Text: Se merçe donna merita 'l servire ...

Voice: Tenor
Languages: Italian
Clef: f3
Voice Text: Se merçe donna merita 'l servire ...
Layout

parts

21 Guard' una volta 'ncia verso 'l tuo servo M. Fran[ciscus de Florentia]
Appears on: 21
Genres: Italian secular
Source Attribution: M. Fran[ciscus de Florentia]
Voice: Contratenor
Languages: Italian
Clef: c1
Voice Text: Guard'una volta 'ncia verso 'l tuo servo ...

Voice: [no designation]
Languages: Italian
Clef: c1
Voice Text: Guard'una volta 'ncia verso 'l tuo servo ...

Voice: Tenor
Languages: Italian
Clef: c3
Voice Text: Guard'una volta 'ncia verso 'l tuo servo ...
Layout

parts

21v Per seguir la sperança che m' ancide M. F[ranciscus de Florentia]
Appears on: 21v
Genres: Italian secular
Source Attribution: M. F[ranciscus de Florentia]
Voice: Tenor
Languages: Italian
Clef: f3
Voice Text: Per seguir la sperança che m'ancide ...

Voice: Contratenor
Languages: Italian
Clef: c5
Voice Text: Per seguir la sperança che m'ancide ...

Voice: [no designation]
Languages: Italian
Clef: c3
Voice Text: Per seguir la sperança che m'ancide ...
Layout

parts

22v Quel sol che raggia sempre nel cor mio M. F[ranciscus de Florentia]
Appears on: 22v
Genres: Italian secular
Source Attribution: M. F[ranciscus de Florentia]
Voice: Contratenor
Languages: none
Clef: c4

Voice: [no designation]
Languages: Italian
Clef: c3
Voice Text: Quel sol che raggia sempre nel cor mio ...

Voice: Tenor
Languages: none
Clef: f3
Layout

parts

22v Questa fanciull' amor fallami pia M. F[ranciscus de Florentia]
Appears on: 22v
Genres: Italian secular
Source Attribution: M. F[ranciscus de Florentia]
Voice: Contratenor
Languages: none
Clef: f2

Voice: Tenor
Languages: Italian
Clef: f2
Voice Text: [Questa fanciulla.]

Voice: [no designation]
Languages: Italian
Clef: c3
Voice Text: Questa fanciull'amor fallami pia ...
Layout

parts

23 Poiché partir convien mi donna cara M. F[ranciscus de Florentia]
Appears on: 23
Genres: Italian secular
Source Attribution: M. F[ranciscus de Florentia]
Voice: Contratenor
Languages: none
Clef: c4

Voice: [no designation]
Languages: Italian
Clef: c3
Voice Text: Po' che partir convienmi donna chara ...

Voice: Tenor
Languages: none
Clef: f3
Layout

parts

23v Nella mie vita sento men venire -
Appears on: 23v
Genres: Italian secular
Voice: Tenor
Languages: none
Clef: f2

Voice: [no designation]
Languages: Italian
Clef: c3
Voice Text: Nella mi' vita sento men venire ...

Voice: Contratenor
Languages: none
Clef: c3
Layout

parts

23v Nella mie vita sento men venire M. F[ranciscus de Florentia]
Appears on: 23v
Genres: Italian secular
Source Attribution: M. F[ranciscus de Florentia]
Voice: [no designation]
Languages: Italian
Clef: c3
Voice Text: Nella mi'vita sento men venire ...

Voice: Tenor
Languages: none
Clef: f2

Voice: Contratenor
Languages: none
Clef: c3
Layout

parts

24v El mie dolce sospir qual move 'l core M. F[ranciscus de Florentia]
Appears on: 24v
Genres: Italian secular
Source Attribution: M. F[ranciscus de Florentia]
Voice: Tenor
Languages: none
Clef: c4

Voice: [no designation]
Languages: Italian
Clef: c2
Voice Text: El mie dolce sospir qual move 'l core ...

Voice: Contratenor
Languages: none
Clef: c2
Layout

parts

25 Giunta vega biltå on gentilezza M. F[ranciscus de Florentia]
Appears on: 25
Genres: Italian secular
Source Attribution: M. F[ranciscus de Florentia]
Voice: [no designation]
Languages: Italian
Clef: c2
Voice Text: Giunta vaga bilta con gentileça ...

Voice: Contratenor
Languages: none
Clef: c3

Voice: Tenor
Languages: none
Clef: f3
Layout

parts

25v Caro signor, palesa tuo leggi' a coste' che non à sdegno M. Fr[anciscus de Florentia]
Appears on: 25v
Genres: Italian secular
Source Attribution: M. Fr[anciscus de Florentia]
Voice: Tenor
Languages: none
Clef: c4

Voice: [no designation]
Languages: Italian
Clef: c2
Voice Text: Charo signior palesa la tuo leggie ...

Voice: Contratenor
Languages: none
Clef: c2
Layout

parts

26 Gran pianto a gli ochi M. Fr[anciscus de Florentia]
Appears on: 26
Genres: Italian secular
Source Attribution: M. Fr[anciscus de Florentia]
Voice: Contratenor
Languages: none
Clef: c2

Voice: Tenor
Languages: none
Clef: c4

Voice: [no designation]
Languages: Italian
Clef: c2
Voice Text: Gram piant'agli ochi greve dolgli'al core ...
Layout

parts

26v–27 Quanto più caro fai. Donna ghuardam' un pocho M. Fr[anciscus de Florentia]
Appears on: 26v–27
Genres: Italian secular
Source Attribution: M. Fr[anciscus de Florentia]
Voice: Tenor
Languages: Italian
Clef: c5
Voice Text: Quanto piu caro faj donna guardarm' un poco ...

Voice: [no designation]
Languages: Italian
Clef: c3
Voice Text: Quanto piu caro faj donna guardarm' un poco ...

Voice: Contratenor
Languages: Italian
Clef: c3
Voice Text: Quanto piu ca[ro] faj donna guardarm' un poco ...
Layout

parts

26v–27 La mente mi riprende. Che per altra lasciai M. Fr[anciscus de Florentia]
Appears on: 26v–27
Genres: Italian secular
Source Attribution: M. Fr[anciscus de Florentia]
Voice: Contratenor
Languages: Italian
Clef: c3
Voice Text: La mente mi riprende.

Voice: Tenor
Languages: Italian
Clef: f3
Voice Text: La mente mi riprende.

Voice: [no designation]
Languages: Italian
Clef: c3
Voice Text: La mente mi riprende ...
Layout

parts

27v–28 Gentil aspetto in cui la mente mia M. Fran[ciscus de Florentia]
Appears on: 27v–28
Genres: Italian secular
Source Attribution: M. Fran[ciscus de Florentia]
Voice: Tenor
Languages: Italian
Clef: f3
Voice Text: Gentil aspetto.

Voice: [no designation]
Languages: Italian
Clef: c3
Voice Text: Gentil aspetto in cu' la mente mia ...

Voice: Contratenor
Languages: Italian
Clef: f3
Voice Text: Gentil aspetto.
Layout

parts

27v–28 Partesi con dolore el corpo vita mia -
Appears on: 27v–28
Genres: Italian secular
Voice: Contratenor
Languages: Italian
Clef: c4
Voice Text: Partesi con dolore.

Voice: [no designation]
Languages: Italian
Clef: c3
Voice Text: Partesi con dolore el corpo vita mia ...

Voice: Tenor
Languages: Italian
Clef: f3
Voice Text: Partesi con dolore.
Layout

parts

28v Lasso di donna vana innamorato M. Fr[anciscus de Florentia]
Appears on: 28v
Genres: Italian secular
Source Attribution: M. Fr[anciscus de Florentia]
Voice: Contratenor
Languages: Italian
Clef: f2
Voice Text: Lasso di donna.

Voice: Tenor
Languages: Italian
Clef: f2
Voice Text: Lasso di donna.

Voice: [no designation]
Languages: Italian
Clef: c3
Voice Text: Lasso di donna vana inamorato ...
Layout

parts

29 S' i' fossi certo del dover morire M. Fr[anciscus de Florentia]
Appears on: 29
Genres: Italian secular
Source Attribution: M. Fr[anciscus de Florentia]
Voice: [no designation]
Languages: Italian
Clef: c3
Voice Text: S'i fossi certo del dover morire ...

Voice: Contratenor
Languages: Italian
Clef: c4
Voice Text: S'i fossi cierto.

Voice: Tenor
Languages: Italian
Clef: f4
Voice Text: S'i fossi.
Layout

parts

29v Amor in te spera' gia lungo tempo M. Fr[anciscus de Florentia]
Appears on: 29v
Genres: Italian secular
Source Attribution: M. Fr[anciscus de Florentia]
Voice: [no designation]
Languages: Italian
Clef: c4
Voice Text: Amor in te spera' gia lungo tempo ...

Voice: Contratenor
Languages: Italian
Clef: c4
Voice Text: Amor in te.

Voice: Tenor
Languages: Italian
Clef: f3c5
Voice Text: Amor in te spera' gia lungo tempo ...
Layout

parts

30 Perche di novo sdegno el petto di mie donna / Vendetta far dovrei. Ma la ingiuria M. Fr[anciscus de Florentia]M. Fr[anciscus de Florentia]
Appears on: 30
Genres: Italian secular
Source Attribution: M. Fr[anciscus de Florentia]M. Fr[anciscus de Florentia]
Voice: Tenor
Languages: Italian
Clef: c5
Voice Text: Perche' tuo servo e suggetto ...

Voice: Contratenor
Languages: Italian
Clef: c3
Voice Text: Vendetta far dovrej ...

Voice: [no designation]
Languages: Italian
Clef: c4
Voice Text: Perche' di novo sdegno ...
Layout

parts

30v Non avrà ma' pietà questa mia donna M. Fr[anciscus de Florentia]
Appears on: 30v
Genres: Italian secular
Source Attribution: M. Fr[anciscus de Florentia]
Voice: [no designation]
Languages: Italian
Clef: c2
Voice Text: Non n'avra ma' pieta questa mie donna ...

Voice: Tenor
Languages: Italian
Clef: c3
Voice Text: Non avra may piata.

Voice: Contratenor
Languages: Italian
Clef: c2
Voice Text: Non n'avra may piata.
Layout

parts

31 El gran disio e la dolce sperança M. Fr[anciscus de Florentia]
Appears on: 31
Genres: Italian secular
Source Attribution: M. Fr[anciscus de Florentia]
Voice: Contratenor
Languages: Italian
Clef: c4
Voice Text: El gran disio.

Voice: [no designation]
Languages: Italian
Clef: c3
Voice Text: El gran disi' e la dolce sperança ...

Voice: Tenor
Languages: Italian
Clef: f3
Voice Text: El gran disio.
Layout

parts

31v–32 L’alma mie piang’e ma’ non può aver pace M. Fr[anciscus de Florentia]
Appears on: 31v–32
Genres: Italian secular
Source Attribution: M. Fr[anciscus de Florentia]
Voice: [no designation]
Languages: Italian
Clef: c3
Voice Text: L'alma mie piange maj non puo aver pace ...

Voice: Contratenor
Languages: Italian
Clef: f3c5
Voice Text: L'alma mie piange maj non puo aver pace ...

Voice: Tenor
Languages: Italian
Clef: f3
Voice Text: L'alma mie piange maj non puo aver pace ...
Layout

parts

32 Deh non fuggir da me tuo vaga vista M. Fr[anciscus de Florentia]
Appears on: 32
Genres: Italian secular
Source Attribution: M. Fr[anciscus de Florentia]
Voice: Tenor
Languages: Italian
Clef: f3
Voice Text: De[h] non fuggir da me tuo vaga vista ...

Voice: [no designation]
Languages: Italian
Clef: c3
Voice Text: De[h] non fuggir da me tuo vaga vista ...
Layout

parts

32v Conviensi a fede fe' conviensi amore M. Fr[anciscus de Florentia]
Appears on: 32v
Genres: Italian secular
Source Attribution: M. Fr[anciscus de Florentia]
Voice: Contratenor
Languages: Italian
Clef: c3
Voice Text: Convien s'a fede.

Voice: [no designation]
Languages: Italian
Clef: c3
Voice Text: Convien s'a fede fe' convien s'amore ...

Voice: Tenor
Languages: Italian
Clef: f3
Voice Text: Conviensi.
Layout

parts

33 Donna i' prego amore il qual m'a fatto M. F[ranciscus de Florentia]
Appears on: 33
Genres: Italian secular
Source Attribution: M. F[ranciscus de Florentia]
Voice: [no designation]
Languages: Italian
Clef: c4
Voice Text: Donna i' prego amor il qual m'a facto ...

Voice: Contratenor
Languages: Italian
Clef: c4
Voice Text: Donna

Voice: Tenor
Languages: Italian
Clef: f3
Voice Text: Donna
Layout

parts

34v Amor in uom gentile è una luce M. Fr[anciscus de Florentia]
Appears on: 34v
Genres: Motet
Source Attribution: M. Fr[anciscus de Florentia]
Voice: [no designation]
Languages: Italian
Clef: c3
Voice Text: Amor in huom gentil e' una luce

Voice: Contratenor
Languages: Italian
Clef: c3
Voice Text: Amor in huom.

Voice: Tenor
Languages: Italian
Clef: f3
Voice Text: Amor in huom.
Layout

parts

34v O fanciulla Giulia. Con te sarà M. Fr[anciscus de Florentia]
Appears on: 34v
Genres: Italian secular
Source Attribution: M. Fr[anciscus de Florentia]
Voice: Tenor
Languages: Italian
Clef: f3
Voice Text: O fanciulla Giullia.

Voice: [no designation]
Languages: Italian
Clef: c3
Voice Text: O fanciulla Giullia. Con te sara' ...

Voice: Contratenor
Languages: Italian
Clef: c3
Voice Text: O fanciulla Giullia.
Layout

parts

35 Posto che dall' aspetto si' allungato M. Fr[anciscus de Florentia]
Appears on: 35
Genres: Italian secular
Source Attribution: M. Fr[anciscus de Florentia]
Voice: [no designation]
Languages: Italian
Clef: c3
Voice Text: Posto che dall'aspetto si' allunghato ...

Voice: Contratenor
Languages: Italian
Clef: c4
Voice Text: Posto.

Voice: Tenor
Languages: Italian
Clef: f3
Voice Text: Posto che dall'aspetto si' allunghato ...
Layout

parts

35v Cosa nulla più fe' ch'amor richiede M. Fr[anciscus de Florentia]
Appears on: 35v
Genres: Italian secular
Source Attribution: M. Fr[anciscus de Florentia]
Voice: Tenor
Languages: Italian
Clef: f3
Voice Text: Chosa nulla piu fe' ch'amor richiede ...

Voice: Contratenor
Languages: Italian
Clef: c3
Voice Text: Chosa.

Voice: [no designation]
Languages: Italian
Clef: c3
Voice Text: Chosa nulla piu fe' ch'amor richiede ...
Layout

parts

36 Donna per farmi guerra o per mal dire M. Fr[anciscus de Florentia]
Appears on: 36
Genres: Italian secular
Source Attribution: M. Fr[anciscus de Florentia]
Voice: Tenor
Languages: Italian
Clef: f2
Voice Text: Donna.

Voice: [no designation]
Languages: Italian
Clef: c3
Voice Text: Donna per farmi guerra per mal dire ...

Voice: Contratenor
Languages: Italian
Clef: c3
Voice Text: Donna.
Layout

parts

36v–37 Che pen' e' quest' al cor che si non posso M. Fr[anciscus de Florentia]
Appears on: 36v–37
Genres: Ballata
Source Attribution: M. Fr[anciscus de Florentia]
Voice: Tenor
Languages: Italian
Clef: f2
Voice Text: Che pen' e' quest' al cor che si non posso ...

Voice: [no designation]
Languages: Italian
Clef: c3
Voice Text: Che pen' e' quest' al cor che si non posso ...

Voice: Contratenor
Languages: Italian
Clef: f2
Voice Text: Che perna.
Layout

parts

36v–37 Che cosa e quest' amore che 'l ciel produce M. Fr[anciscus de Florentia]
Appears on: 36v–37
Genres: Italian secular
Source Attribution: M. Fr[anciscus de Florentia]
Voice: Tenor
Languages: Italian
Clef: f3
Voice Text: Che cosa e quest' amore che 'l ciel produce ...

Voice: Contratenor
Languages: Italian
Clef: c3
Voice Text: Che cosa e questa.

Voice: [no designation]
Languages: Italian
Clef: c3
Voice Text: Che chosa e quest' amore che 'l ciel produce ...
Layout

parts

37v–38 A le' s'andra lo spirto e l'alma mia M. Fr[anciscus de Florentia]
Appears on: 37v–38
Genres: Italian secular
Source Attribution: M. Fr[anciscus de Florentia]
Voice: [no designation]
Languages: Italian
Clef: c3
Voice Text: A le' s'andra lo spirto e l'alma mia ...

Voice: Tenor
Languages: Italian
Clef: f2
Voice Text: A le' s'andra lo spirto e l'alma mia ...

Voice: [no designation]
Languages: Italian
Clef: f2
Voice Text: A le' s'andra lo spirto e l'alma mia ...
Layout

parts

38 Long temps. - Anonymous

Long temps.

Anonymous
Appears on: 38
Genres: Chanson
Voice: Triplum
Languages: none
Clef: c1

Voice: Tenor
Languages: none
Clef: c3

Voice: [no designation]
Languages: French
Clef: c1
Voice Text: Long temps.
Layout

parts

38v Né 'n ciascun mie pensiero M. Fr[anciscus de Florentia]
Appears on: 38v
Genres: Italian secular
Source Attribution: M. Fr[anciscus de Florentia]
Voice: Contratenor
Languages: none
Clef: c5

Voice: [no designation]
Languages: Italian
Clef: f3
Voice Text: Ne 'n ciascun mie pensiero ...

Voice: [no designation]
Languages: Italian
Clef: c3
Voice Text: Ne 'n ciascun mie pensiero ...
Layout

parts

39 Già non biasim' amor po' che mie pecto ferì per donna M. Fr[anciscus de Florentia]
Appears on: 39
Genres: Italian secular
Source Attribution: M. Fr[anciscus de Florentia]
Voice: [no designation]
Languages: Italian
Clef: f3
Voice Text: Gia non biasim'amor po' che 'l mio petto ...

Voice: Contratenor
Languages: none
Clef: c5

Voice: [no designation]
Languages: Italian
Clef: c3
Voice Text: Gia non biasim'amor po' che 'l mio petto ...
Layout

parts

39v Divennon gli ochi mie nel partir duro M. Fr[anciscus de Florentia]
Appears on: 39v
Genres: Italian secular
Source Attribution: M. Fr[anciscus de Florentia]
Voice: [no designation]
Languages: Italian
Clef: c3
Voice Text: Divennon gli ochi mie nel partir duro ...

Voice: Tenor
Languages: Italian
Clef: f3
Voice Text: Divennon gli ochi mie nel partir duro ...

Voice: Contratenor
Languages: none
Clef: f4
Layout

parts

40 Nessun ponga speranza nella suo giovinezza M. Fr[anciscus de Florentia]
Appears on: 40
Genres: Italian secular
Source Attribution: M. Fr[anciscus de Florentia]
Voice: Contratenor
Languages: Italian
Clef: c4
Voice Text: Nessun ponga sperança nella suo giovineçça ...

Voice: [no designation]
Languages: Italian
Clef: c3
Voice Text: Nessun ponga sperança nella suo giovineça ...

Voice: Tenor
Languages: Italian
Clef: f3
Voice Text: Nessun ponga sperança nella suo giovineçça ...
Layout

parts

40v Le doulz printemps quand par nature vient - Anonymous
Appears on: 40v
Genres: Chanson
Voice: Tenor
Languages: French
Clef: c4
Voice Text: Le doulz.

Voice: [no designation]
Languages: French
Clef: c3
Voice Text: Le doulz prinstemps quant par nature vient ...

Voice: Contratenor
Languages: none
Clef: c4
Layout

parts

41v–42 Fa metter bando et comandar amore M. F[ranciscus de] Fl[o]r[entia]
Appears on: 41v–42
Genres: Italian secular
Source Attribution: M. F[ranciscus de] Fl[o]r[entia]
Voice: [no designation]
Languages: Italian
Clef: c3
Voice Text: Fa fa metter bando e comandar amore ...

Voice: Tenor
Languages: Italian
Clef: c4
Voice Text: Fa fa metter bando e comandar amore ...
Layout

parts

41v–42 I' non ardischo mostrar el tormento -
Appears on: 41v–42
Genres: Italian secular
Voice: Tenor
Languages: Italian
Clef: f3
Voice Text: I' non ardischo.

Voice: [no designation]
Languages: Italian
Clef: c4
Voice Text: I' non ardischo mostrar el tormento ...
Layout

parts

42v–43 Tu che l'oper' altrui vuo' giudicare M. Fra[nciscus de Florentia]
Appears on: 42v–43
Genres: Italian secular
Source Attribution: M. Fra[nciscus de Florentia]
Voice: Tenor
Languages: Italian
Clef: f3
Voice Text: Tu che l'oper' altru' vuo' giudichare ...

Voice: [no designation]
Languages: Italian
Clef: c3
Voice Text: Tu che l'oper' altru' vuo' giudichare ...
Layout

parts

42v–43 Perche' virtu fa l'uom costant' e forte -
Appears on: 42v–43
Genres: Italian secular
Voice: [no designation]
Languages: Italian
Clef: c3
Voice Text: Perche' virtu fa l'uom costant' e forte ...

Voice: Tenor
Languages: Italian
Clef: f3
Voice Text: Perche' virtu ...
Layout

parts

43v–44 O pianta vaga che nell'alto monte M. Fr[anciscus de Florentia]
Appears on: 43v–44
Genres: Italian secular
Source Attribution: M. Fr[anciscus de Florentia]
Voice: Tenor
Languages: Italian
Clef: f4
Voice Text: O[h] pianta vagha che nell'alto monte ...

Voice: [no designation]
Languages: Italian
Clef: c4
Voice Text: O[h] pianta vagha che nell'alto monte ...
Layout

parts

44v–45 Si dolce no sono con lir' Orfeo M. Fr[anciscus de Florentia]
Appears on: 44v–45
Genres: Italian secular
Source Attribution: M. Fr[anciscus de Florentia]
Voice: [no designation]
Languages: Italian
Clef: c2
Voice Text: Si dolce non sono chol lir' Orfeo ...

Voice: Tenor
Languages: Italian
Clef: f2
Voice Text: Si dolce non sono chol lir' Orfeo ...

Voice: Contratenor
Languages: Italian
Clef: c2
Voice Text: Si dolce non sono chol lir' Orfeo ...
Layout

parts

45v–46 Cosi pensoso com amor mi guida per la verde rivera M. Fra[nciscus de Florentia]
Appears on: 45v–46
Genres: Italian secular
Source Attribution: M. Fra[nciscus de Florentia]
Voice: Tenor
Languages: Italian
Clef: f2
Voice Text: Cosi pensoso.

Voice: [no designation]
Languages: Italian
Clef: c3
Voice Text: Chosi pensoso chom'amor mi ghuida ...
Layout

parts

46 Già ebbi libertate di me or l'o perduta M. Francis[c]o [de Florentia]
Appears on: 46
Genres: Italian secular
Source Attribution: M. Francis[c]o [de Florentia]
Voice: Tenor
Languages: Italian
Clef: f3
Voice Text: Gia ebbj.

Voice: [no designation]
Languages: Italian
Clef: c3
Voice Text: Gia ebbi libertate di me or l'o perduta ...
Layout

parts

46v–47 Non a Narcisso fu piu amar lo spechio M. Fra[nciscus de Florentia]
Appears on: 46v–47
Genres: Italian secular
Source Attribution: M. Fra[nciscus de Florentia]
Voice: Tenor
Languages: Italian
Clef: f3
Voice Text: Non a Narcisso fu piu amar lo spechio ...

Voice: [no designation]
Languages: Italian
Clef: c3
Voice Text: Non a Narcisso fu piu amar lo spechio ...
Layout

parts

46v–47 Il suo bel viso che guardar mi toglie M. Fr[an]cis[cus de Florentia]
Appears on: 46v–47
Genres: Italian secular
Source Attribution: M. Fr[an]cis[cus de Florentia]
Voice: [no designation]
Languages: Italian
Clef: c3
Voice Text: Il suo bel viso che guardar mi tolglie ...

Voice: Tenor
Languages: Italian
Clef: f3
Voice Text: Il suo bel viso.
Layout

parts

47v–48 La bella stella che suo fiamma tene M. Fr[anciscus de Florentia]
Appears on: 47v–48
Genres: Italian secular
Source Attribution: M. Fr[anciscus de Florentia]
Voice: Tenor
Languages: Italian
Clef: f3
Voice Text: La bella stella.

Voice: [no designation]
Languages: Italian
Clef: c4
Voice Text: La bella stella che suo fiamma tene ...
Layout

parts

47v–48 Io son' un pellegrin che vo cercando - Anonymous
Appears on: 47v–48
Genres: Italian secular
Voice: Tenor
Languages: Italian
Clef: f3
Voice Text: Io son un pellegrin che vo cercando ...

Voice: [no designation]
Languages: Italian
Clef: c2
Voice Text: Io son un pellegrin che vo cerchando ...
Layout

parts

48v–49 Angnel son bianco vo belando M. Giovannj [de Florentia]
Appears on: 48v–49
Genres: Motet
Source Attribution: M. Giovannj [de Florentia]
Voice: Tenor
Languages: Italian
Clef: f2
Voice Text: Angnel son biancho vo belando ...

Voice: [no designation]
Languages: Italian
Clef: c3
Voice Text: Angnel son biancho vo belando ...
Layout

parts

48v–49 Chom' a seguir costei amor fu presto M. Fr[anciscus de Florentia]
Appears on: 48v–49
Genres: Italian secular
Source Attribution: M. Fr[anciscus de Florentia]
Voice: Tenor
Languages: Italian
Clef: f3
Voice Text: Chom' a seguir costei amor fu presto ...

Voice: [no designation]
Languages: Italian
Clef: c3
Voice Text: Chom' a seguir costei amor fu presto ...
Layout

parts

49v–50 Nascoso el viso stava fra le fronde M. G[iovanni de Florentia]
Appears on: 49v–50
Genres: Italian secular
Source Attribution: M. G[iovanni de Florentia]
Voice: [no designation]
Languages: Italian
Clef: c3
Voice Text: Naschoso 'l viso stava 'nfra l(l)e fronde ...

Voice: Tenor
Languages: Italian
Clef: f3
Voice Text: Naschoso 'l viso stava 'nfra l(l)e fronde ...
Layout

parts

49v–50 Con gli ochi assai ne miro M. Fr[anciscus de Florentia]
Appears on: 49v–50
Genres: Italian secular
Source Attribution: M. Fr[anciscus de Florentia]
Voice: [no designation]
Languages: Italian
Clef: c3
Voice Text: Cholgli ochi assai ne miro ...

Voice: Tenor
Languages: Italian
Clef: f3
Voice Text: Cholgli ochi assai ne miro.
Layout

parts

50v Appress'un fiume chiaro M. G[iovanni] de Flor[entia]
Appears on: 50v
Genres: Italian secular
Source Attribution: M. G[iovanni] de Flor[entia]
Voice: [no designation]
Languages: Italian
Clef: c3
Voice Text: Appress'un fiume chiaro ...

Voice: Tenor
Languages: Italian
Clef: c4
Voice Text: Appress'un fiume chiaro ...
Layout

parts

51 De sotto 'l verde vidi gli ochi vaghi - Anonymous
Appears on: 51
Genres: Italian secular
Voice: Tenor
Languages: Italian
Clef: f3
Voice Text: De sotto 'l verde vidi gli ochi vaghi ...

Voice: [no designation]
Languages: Italian
Clef: c4
Voice Text: De sotto 'l verde vidi gli ochi vaghi ...
Layout

parts

51v–52 O tu cara scienza mia musica M. G[iovanni de Florentia]
Appears on: 51v–52
Genres: Italian secular
Source Attribution: M. G[iovanni de Florentia]
Voice: [no designation]
Languages: Italian
Clef: f3
Voice Text: O[h] tu chara sciença mie musica ...

Voice: [no designation]
Languages: Italian
Clef: c3
Voice Text: O[h] tu chara sciença mie musica ...
Layout

parts

52v–53 Sedendo a l'ombra d'una bella mandorla M. G[iovanni de Florentia]
Appears on: 52v–53
Genres: Italian secular
Source Attribution: M. G[iovanni de Florentia]
Voice: [no designation]
Languages: Italian
Clef: c3
Voice Text: Sedendo all'ombra d'una bella mandorla ...

Voice: Tenor
Languages: Italian
Clef: f3
Voice Text: Sedendo all'ombra ...
Layout

parts

53 Deh come dolcemente m'abbracciava M. G[iovanni de Florentia]
Appears on: 53
Genres: Italian secular
Source Attribution: M. G[iovanni de Florentia]
Voice: [no designation]
Languages: Italian
Clef: c3
Voice Text: De[h] come dolcemente m'abbracciava ...

Voice: Tenor
Languages: Italian
Clef: f3
Voice Text: De[h] come dolcemente.
Layout

parts

53v–54 Piu non mi curo M. G[iovanni de Florentia]
Appears on: 53v–54
Genres: Italian secular
Source Attribution: M. G[iovanni de Florentia]
Voice: [no designation]
Languages: Italian
Clef: c3
Voice Text: Piu non mi curo della tua rampogna ...

Voice: Tenor
Languages: Italian
Clef: f3
Voice Text: Piu non mi curo della tua rampogna ...
Layout

parts

53v–54 I' fu' tuo serv' amore in verde etate M. Fra[nciscus de Florentia]
Appears on: 53v–54
Genres: Italian secular
Source Attribution: M. Fra[nciscus de Florentia]
Voice: [no designation]
Languages: Italian
Clef: c3
Voice Text: I' fu' tuo servo amore in verde estate ...

Voice: Tenor
Languages: Italian
Clef: f3
Voice Text: I' fu' tuo servo.
Layout

parts

54v Quando la stella press' a l' alba spira M. G[iovanni de Florentia]
Appears on: 54v
Genres: Italian secular
Source Attribution: M. G[iovanni de Florentia]
Voice: [no designation]
Languages: Italian
Clef: c3
Voice Text: Quando la stella press' a l' alba spira ...

Voice: Tenor
Languages: Italian
Clef: f3
Voice Text: Quando la stella press' a l' alba spira ...
Layout

parts

55 Nel meço a sei pagon ne vidi un bianco M. G[iovanni de Florentia]
Appears on: 55
Genres: Italian secular
Source Attribution: M. G[iovanni de Florentia]
Voice: Tenor
Languages: Italian
Clef: f3
Voice Text: Nel meço a sey paghon ne vid'un biancho ...

Voice: [no designation]
Languages: Italian
Clef: c3
Voice Text: Nel meço a sey paghon ne vid'un biancho ...
Layout

parts

55v–56 Togliendo l'una all'altera fogli' e fiori M. Giova[nni de Florentia]
Appears on: 55v–56
Genres: Italian secular
Source Attribution: M. Giova[nni de Florentia]
Voice: Tenor
Languages: none
Clef: f3c5

Voice: [no designation]
Languages: Italian
Clef: c3
Voice Text: Togliendo l'un' all'altra fogli e fiori ...
Layout

parts

56 Nella partita pianser gli ochi miei M. Fran[ciscus de Florentia]
Appears on: 56
Genres: Italian secular
Source Attribution: M. Fran[ciscus de Florentia]
Voice: Tenor
Languages: Italian
Clef: f3
Voice Text: Nella partita pianson gli occhi miei ...

Voice: [no designation]
Languages: Italian
Clef: c3
Voice Text: Nella partita pianson gli ochi miej ...
Layout

parts

56v–57 Donna gia fu' leggiadra 'nnamorata M. Giova[nni de Florentia]
Appears on: 56v–57
Genres: Italian secular
Source Attribution: M. Giova[nni de Florentia]
Voice: [no designation]
Languages: Italian
Clef: c3
Voice Text: Donna gia fu' leggiadra 'nnamorata ...

Voice: Tenor
Languages: Italian
Clef: f3
Voice Text: Donna gia fuy leggiadra 'nnamorata ...
Layout

parts

57v–58 O perlaro gentil gentil se dispoglato se' M. Giova[nni de Florentia]
Appears on: 57v–58
Genres: Italian secular
Source Attribution: M. Giova[nni de Florentia]
Voice: Tenor
Languages: Italian
Clef: c4
Voice Text: O[h] perlaro gentil gentil se dispoglato se' ...

Voice: [no designation]
Languages: Italian
Clef: c3
Voice Text: O[h] perlaro gentil gentil se dispoglato se' ...
Layout

parts

57v–58 Quando l'aria comença a farse bruno M. Piero
Appears on: 57v–58
Genres: Italian secular
Source Attribution: M. Piero
Voice: Tenor
Languages: Italian
Clef: f3
Voice Text: Quando l'aria comincia farsi bruna ...

Voice: [no designation]
Languages: Italian
Clef: c3
Voice Text: Quando l'aria comincia farsi bruna ...
Layout

parts

58v–59 Per ridd' andando ratto al terço cerchio M. Giova[nni de Florentia]
Appears on: 58v–59
Source Attribution: M. Giova[nni de Florentia]
Voice: [no designation]
Languages: Italian
Clef: f3
Voice Text: Per ridd' andando ratto al terço cerchio ...

Voice: [no designation]
Languages: Italian
Mensuration: senaria .s.
Clef: c3
Voice Text: Per ridd' andando ratto al terço cerchio ...
Layout

parts

59v–60 In sulla ripa del dorato fiume M. Giova[nni de Florentia]
Appears on: 59v–60
Genres: Italian secular
Source Attribution: M. Giova[nni de Florentia]
Voice: [no designation]
Languages: Italian
Clef: c3
Voice Text: In sulla ripa del dorato fiume ...

Voice: Tenor
Languages: Italian
Clef: c4
Voice Text: In sulla ripa del dorato fiume ...
Layout

parts

60 Se vos n'estes pour mon gueredonee - Anonymous
Appears on: 60
Genres: Chanson
Voice: Tenor
Languages: none
Clef: f3

Voice: [no designation]
Languages: French
Clef: c4
Voice Text: Se vos n'estes pour mon gueredonee ...

Voice: Contratenor
Languages: none
Clef: c4
Layout

parts

60 Se vous n’estes pour mon guerredon -
Appears on: 60
Genres: Rondeau
Voice: [no designation]
Languages: French
Voice Text: Se vous n’estes pour mon guerredon
60v All'ombra d'un perlaro M. Piero
Appears on: 60v
Genres: Italian secular
Source Attribution: M. Piero
Voice: [no designation]
Languages: Italian
Clef: c2
Voice Text: All'onbra d'un perlaro ...

Voice: Tenor
Languages: Italian
Clef: c4
Voice Text: All'onbra d'un perlaro ...
Layout

parts

61 Tanto che siat' aquistati nel giusto M. Jacopo da Bol[ogna]
Appears on: 61
Genres: Italian secular
Source Attribution: M. Jacopo da Bol[ogna]
Voice: [no designation]
Languages: Italian
Clef: c1
Voice Text: Tanto che sete aquistati nel giusto ...

Voice: Tenor
Languages: Italian
Clef: f2c4
Voice Text: Tanto che sete aquistati nel giusto ...
Layout

parts

61v–62 Sovra un fiume regale M. Piero
Appears on: 61v–62
Genres: Italian secular
Source Attribution: M. Piero
Voice: Tenor
Languages: Italian
Clef: f3c5
Voice Text: Sovra un fiume reale ...

Voice: [no designation]
Languages: Italian
Clef: c3
Voice Text: Sovra un fiume reghale ...
Layout

parts

61v–62 Rose sans per, de toutes - Anonymous
Appears on: 61v–62
Genres: Motet
Voice: [no designation]
Languages: French
Clef: c3
Voice Text: Rose sans perdre toutes.

Voice: Contratenor
Languages: French
Clef: c5
Voice Text: Rose.

Voice: Tenor
Languages: French
Clef: c5
Voice Text: Rose.
Layout

parts

62v–63 O dolce apresso un bel perlaro fiume M. Jacopo da Bol[ogna]
Appears on: 62v–63
Genres: Italian secular
Source Attribution: M. Jacopo da Bol[ogna]
Voice: [no designation]
Languages: Italian
Clef: c2
Voice Text: O[h] dolce apresso un bel perlaro fiume ...

Voice: Tenor
Languages: Italian
Clef: f3
Voice Text: O[h] dolce apresso un bel perlaro fiume ...
Layout

parts

63 Amar si li alti tuo gentil costumi M. Francescho [de Florentia]
Appears on: 63
Genres: Italian secular
Source Attribution: M. Francescho [de Florentia]
Voice: Contratenor
Languages: Italian
Clef: c3
Voice Text: Amar si gli alti.

Voice: [no designation]
Languages: Italian
Clef: c2
Voice Text: Amar si gli alti tuo genti costumi ...

Voice: Tenor
Languages: Italian
Clef: c3
Voice Text: Amar si gli alti.
Layout

parts

63v Nel bel giardino che l'Adice cinge M. Jacopo da Bolo[gna]
Appears on: 63v
Genres: Italian secular
Source Attribution: M. Jacopo da Bolo[gna]
Voice: Tenor
Languages: Italian
Clef: c4
Voice Text: Nel bel giardino che l'Adice cinge ...

Voice: [no designation]
Languages: Italian
Clef: c2
Voice Text: Nel bel giardino che l'Adice cinge ...
Layout

parts

64 O in Italia felice Liguria M. Jacopo da Bolo[gna]
Appears on: 64
Genres: Italian secular
Source Attribution: M. Jacopo da Bolo[gna]
Voice: Tenor
Languages: Italian
Clef: f3
Voice Text: O[h] in Ytalia felice Luguria ...

Voice: [no designation]
Languages: Italian
Clef: c3
Voice Text: O[h] in Ytalia felice Luguria ...
Layout

parts

64v Io mi son un che per le frasch'andando M. Jacopo da Bolo[gna]
Appears on: 64v
Genres: Italian secular
Source Attribution: M. Jacopo da Bolo[gna]
Voice: [no designation]
Languages: Italian
Clef: c3
Voice Text: Io mi son un che per le frasch'andando ...

Voice: Tenor
Languages: Italian
Clef: f3
Voice Text: Io mi son un che per le frasch'andando ...
Layout

parts

65 O cieco mondo di lusinghe pieno M. Jacopo [da Bologna]
Appears on: 65
Genres: Motet
Source Attribution: M. Jacopo [da Bologna]
Voice: [no designation]
Languages: Italian
Clef: c3
Voice Text: O ciecho mondo di lusinghe pieno ...

Voice: Tenor
Languages: Italian
Clef: c4
Voice Text: O ciecho mondo di lusinghe pieno ...
Layout

parts

65v–66 Posando sopra un'aqua in sonio vidi M. Jacopo da Bolo[gna]
Appears on: 65v–66
Genres: Italian secular
Source Attribution: M. Jacopo da Bolo[gna]
Voice: [no designation]
Languages: Italian
Clef: c3
Voice Text: Posando sopr'un acqua in sonnio vidj ...

Voice: Tenor
Languages: Italian
Clef: f3
Voice Text: Posando sopr'un acqua in sonnio vidj ...
Layout

parts

66 Per un per un verde boschetto Fra Bartolino
Appears on: 66
Genres: Italian secular
Source Attribution: Fra Bartolino
Voice: [no designation]
Languages: Italian
Voice Text: Per un verde boschetto ...
Layout

parts

66v–67 Prima virtute e costringer la lingua M. Jacopo da Bolo[gna]
Appears on: 66v–67
Genres: Italian secular
Source Attribution: M. Jacopo da Bolo[gna]
Voice: Tenor
Languages: Italian
Clef: c4
Voice Text: Prima virtut' e costringer la lingua ...

Voice: [no designation]
Languages: Italian
Clef: c2
Voice Text: Prima virtut' e costringer la lingua ...
Layout

parts

66v–67 Ma' non s'andrà per questa donn' altera M. Francescho [de Florentia]
Appears on: 66v–67
Genres: Italian secular
Source Attribution: M. Francescho [de Florentia]
Voice: [no designation]
Languages: Italian
Clef: c4
Voice Text: Ma' non s'andra per questa donn' altera

Voice: Tenor
Languages: Italian
Clef: f3
Voice Text: Ma' non s'andra per questa donn' altera
Layout

parts

67v Lo lume vostro dolçe mie signore M. Jacopo da Bolo[gna]
Appears on: 67v
Genres: Italian secular
Source Attribution: M. Jacopo da Bolo[gna]
Voice: Tenor
Languages: Italian
Clef: c4
Voice Text: Lo lume vostro dolce 'l mio signore ...

Voice: [no designation]
Languages: Italian
Clef: c2
Voice Text: Lo lume vostro dolce 'l mio signore ...
Layout

parts

68 Di novo è guinto un chavalier errante M. Jacopo [da Bologna]
Appears on: 68
Genres: Italian secular
Source Attribution: M. Jacopo [da Bologna]
Voice: [no designation]
Languages: Italian
Clef: c3
Voice Text: Di novo e giunto un chavalier errante ...

Voice: Tenor
Languages: Italian
Clef: f3
Voice Text: Di novo e giunto un chavalier errante ...
Layout

parts

68v–69 Ogelletto silvagio / Si è piena la terra M. Jacopo da Bolo[gna]
Appears on: 68v–69
Genres: Caccia, Madrigal (trecento)
Source Attribution: M. Jacopo da Bolo[gna]
Voice: Tenor
Languages: Italian
Clef: f3
Voice Text: Osellecto selvaggio per stagione ...

Voice: [no designation]
Languages: Italian
Clef: c3
Voice Text: Osellecto selvaggio per stagione ...
Layout

parts

69 Je languis d'aimer mort - Anonymous
Appears on: 69
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Je languis d'amere mort ...
69v In su be' fiori in sulla verde fronde M. Jacopo da Bolo[gna]
Appears on: 69v
Genres: Italian secular
Source Attribution: M. Jacopo da Bolo[gna]
Voice: [no designation]
Languages: Italian
Clef: c4
Voice Text: In su be' fiorj in sulla verde fronde ...

Voice: Tenor
Languages: Italian
Clef: c5
Voice Text: In su be' fiorj in sulla verde fronde ...
Layout

parts

70 Per sparverare tolsi el mio sparvero M. J[acopo da Bologna]
Appears on: 70
Genres: Chace
Source Attribution: M. J[acopo da Bologna]
Voice: [no designation]
Languages: Italian
Clef: c3
Voice Text: Per sparverare tolsi el mio sparvero ...

Voice: Tenor
Languages: none
Clef: f3
General Note

Chaccie

Layout

parts

70v Si com' al canto della bella Iguana M. Piero
Appears on: 70v
Genres: Italian secular
Source Attribution: M. Piero
Voice: [no designation]
Languages: Italian
Clef: c4
Voice Text: Si com' al canto della bella Yguana ...

Voice: Tenor
Languages: Italian
Clef: f3c5
Voice Text: Si com' al canto della bella Yguana ...
Layout

parts

71 Non al suo amante piu Diana piacque M. Jacopo da Bolo[gna]
Appears on: 71
Genres: Italian secular
Source Attribution: M. Jacopo da Bolo[gna]
Voice: Tenor
Languages: Italian
Clef: c3
Voice Text: Non al su' amante piu Diana piaque ...

Voice: [no designation]
Languages: Italian
Clef: c1
Voice Text: Non al su' amante piu Diana piaque ...
Layout

parts

71v–72 Sotto l'imperio del possente prinçe M. Jacopo da Bolo[gna]
Appears on: 71v–72
Genres: Italian secular
Source Attribution: M. Jacopo da Bolo[gna]
Voice: Tenor
Languages: Italian
Clef: c3
Voice Text: Sotto l'imperio del possente prinçe ...

Voice: [no designation]
Languages: Italian
Clef: c2
Voice Text: Sotto l'imperio del possente prinçe ...

Voice: Contratenor
Languages: Italian
Clef: c2
Voice Text: Sotto l'imperio del possente prinçe ...
Layout

parts

72v–73 Ogelletto silvagio / Si è piena la terra M. Jacopo da Bolo[gna]
Appears on: 72v–73
Genres: Caccia, Madrigal (trecento)
Source Attribution: M. Jacopo da Bolo[gna]
Voice: [no designation]
Languages: Italian
Clef: c1
Voice Text: Ogelletto silvagio per stagione ...

Voice: Tenor
Languages: Italian
Clef: c4
Voice Text: Oselletto.
Layout

parts

73v–74 Un bel sparver gentil di penna bianca M. Jacopo da Bolo[gna]
Appears on: 73v–74
Genres: Italian secular
Source Attribution: M. Jacopo da Bolo[gna]
Voice: Tenor
Languages: Italian
Clef: c4
Voice Text: Un bel sparver çentil di penna biancha ...

Voice: [no designation]
Languages: Italian
Clef: c1
Voice Text: Un bel sparver çentil di penna biancha ...
Layout

parts

73v–74 Christus rex pacificus = Jour à jour la vie -
Appears on: 73v–74
Genres: Contrafactum
Voice: [no designation]
Languages: French
Voice Text: Jour a your(iz) la vie.
Layout

parts

74v–75 Nel mio parlar di questa donn'eterna M. Jacopo da Bolo[gna]
Appears on: 74v–75
Genres: Italian secular
Source Attribution: M. Jacopo da Bolo[gna]
Voice: [no designation]
Languages: Italian
Voice Text: Nel mio parlar di questa donn'eterna ...

Voice: [no designation]
Languages: none
Layout

parts

75v–76 Sovra la riva d'un corrente fiume Ser Lorenço
Appears on: 75v–76
Genres: Italian secular
Source Attribution: Ser Lorenço
Voice: Tenor
Languages: Italian
Clef: c4
Voice Text: Sovra la riva d'un corrente fiume ...

Voice: [no designation]
Languages: Italian
Clef: c3
Voice Text: Sovra la riva d'un corrente fiume ...
Layout

parts

75v–76 Honte, paour, doubtance de meffaire / large en refus et lente d'ottroy faire -
Appears on: 75v–76
Genres: Ballade
Voice: Contratenor
Languages: French
Clef: f3
Voice Text: Honte paour.

Voice: Tenor
Languages: French
Clef: f3
Voice Text: Honte paour.

Voice: [no designation]
Languages: French
Clef: c3
Voice Text: Honte paour doubranche de mesfayre ...
Layout

parts

76v–77 A poste messe veltri et gram mastini Ser Lorenço
Appears on: 76v–77
Genres: Italian secular
Source Attribution: Ser Lorenço
Voice: [no designation]
Languages: Italian
Clef: c4
Voice Text: A poste messe veltr' e gran mastinj ...
General Note

Caccia

Layout

parts

77v–78 Nel chiaro fiume dilettoso et bello Ser Lorenço
Appears on: 77v–78
Genres: Italian secular
Source Attribution: Ser Lorenço
Voice: [no designation]
Languages: Italian
Clef: c3
Voice Text: Nel chiaro fiume dilectoso e bello ...

Voice: Tenor
Languages: Italian
Clef: f3
Voice Text: Nel chiaro fiume dilectoso e bello ...
Layout

parts

77v–78 Simple regart en toutes doulz vis - Anonymous
Appears on: 77v–78
Genres: Chanson
Voice: [no designation]
Languages: French
Clef: c3
Voice Text: Simple regart en toutes doulz vis.

Voice: Tenor
Languages: French
Clef: f3
Voice Text: Simple regart.

Voice: Triplum
Languages: French
Clef: c5
Voice Text: Simple regart.
Layout

parts

78v–79 Vidi nell' ombra d'una bella luce Ser Lorenço
Appears on: 78v–79
Genres: Italian secular
Source Attribution: Ser Lorenço
Voice: [no designation]
Languages: Italian
Clef: c4
Voice Text: Vidi nell'ombra d'una bella luce ...

Voice: Tenor
Languages: Italian
Clef: f3
Voice Text: Vidi nell'ombra d'una bella luce ...
Layout

parts

79v–80 Di riv'a riva mi guidav' amore Ser Lorenço
Appears on: 79v–80
Genres: Italian secular
Source Attribution: Ser Lorenço
Voice: [no designation]
Languages: Italian
Clef: c3
Voice Text: Di riv' a riva mi guidar' amore ...

Voice: Tenor
Languages: Italian
Clef: f3
Voice Text: Di riv' a riva mi guidar' amore ...
Layout

parts

79v–80 Quiconques veut d’amour joïr - Anonymous
Appears on: 79v–80
Genres: Rondeau
Voice: Tenor
Languages: French
Clef: c5
Voice Text: Quiconques.

Voice: Contratenor
Languages: French
Clef: c5
Voice Text: Quiconques.

Voice: [no designation]
Languages: French
Clef: c3
Voice Text: Quiconques veilt d'amours ioir ...
Layout

parts

80v Come 'l potes'tu far dolce singnore Ser Donato
Appears on: 80v
Genres: Italian secular
Source Attribution: Ser Donato
Voice: [no designation]
Languages: Italian
Mensuration: duodenaria .d.
Clef: c3
Voice Text: Come 'l potestu far dolce singnore ...

Voice: Tenor
Languages: Italian
Clef: c4
Voice Text: Come 'l potestu fare.
Layout

parts

81 Un cane, un'ocha e una vechia paçça Ser Donato
Appears on: 81
Genres: Italian secular
Source Attribution: Ser Donato
Voice: [no designation]
Languages: Italian
Clef: c3
Voice Text: Un can e un'ocha e una vechia paçça ...

Voice: Tenor
Languages: Italian
Clef: f2
Voice Text: Un can e un'ocha.
Layout

parts

81v–82 Seguendo 'l canto d'un uccel selvaggio Ser Donato
Appears on: 81v–82
Genres: Italian secular
Source Attribution: Ser Donato
Voice: Tenor
Languages: Italian
Clef: c4
Voice Text: Seguendo 'l canto d'un uccel selvaggio ...

Voice: [no designation]
Languages: Italian
Clef: c3
Voice Text: Seguendo 'l canto d'un uccel selvaggio ...
Layout

parts

82 Contemplar le gran cose c'e onesto M. Francescho [de Florentia]
Appears on: 82
Genres: Italian secular
Source Attribution: M. Francescho [de Florentia]
Voice: Tenor
Languages: Italian
Clef: f2
Voice Text: Chontemplar le gran cose.

Voice: [no designation]
Languages: Italian
Clef: c3
Voice Text: Chontemplar le gran cose c'e onesto ...

Voice: Contratenor
Languages: none
Clef: c4
Layout

parts

82v–83 Sovran uccello se fra tutti gli altii Ser Donato
Appears on: 82v–83
Genres: Italian secular
Source Attribution: Ser Donato
Voice: Tenor
Languages: Italian
Clef: f3
Voice Text: Sovran uccello se fra tuttj gli altij ...

Voice: [no designation]
Languages: Italian
Clef: c3
Voice Text: Sovran uccello se fra tuttj gli altij ...
Layout

parts

83v–84 Lucida pecorella son canpata Ser Donato
Appears on: 83v–84
Genres: Italian secular
Source Attribution: Ser Donato
Voice: [no designation]
Languages: Italian
Clef: c3
Voice Text: Lucida pecorella son canpata ...

Voice: Tenor
Languages: Italian
Clef: f3
Voice Text: Lucida pecorella son canpata ...
Layout

parts

84v–85 Con levrieri e mastini segugi e bracchi Ser Gherardello
Appears on: 84v–85
Genres: Italian secular
Source Attribution: Ser Gherardello
Voice: Tenor
Languages: Italian
Clef: f3
Voice Text: Con levrieri e mastini segugi e bracchi ...

Voice: [no designation]
Languages: Italian
Clef: c2
Voice Text: Con levrieri e mastini segugi e bracchi ...
Layout

parts

85v Intranda ad abitar per una selva Ser Gherardello
Appears on: 85v
Genres: Italian secular
Source Attribution: Ser Gherardello
Voice: Tenor
Languages: Latin
Clef: c5
Voice Text: Intrando ad abitar per una selva ...

Voice: [no designation]
Languages: Latin
Clef: c5
Voice Text: Intrando ad abitar per una selva ...
Layout

parts

86 Tosto che l'alba del bel giorn appare Ser Gherardello
Appears on: 86
Genres: Chace
Source Attribution: Ser Gherardello
Voice: [no designation]
Languages: Italian
Clef: c4
Voice Text: Tosto che l'alba del bel giorn appare ...

Voice: Tenor
Languages: none
Clef: f2
General Note

caccie

Layout

parts

86v–87 Nel meço già del mar la navicella Ser Nicholo del proposto
Appears on: 86v–87
Genres: Italian secular
Source Attribution: Ser Nicholo del proposto
Voice: [no designation]
Languages: Italian
Clef: c2
Voice Text: Nel meço gia del mar la navicella ...

Voice: Tenor
Languages: Italian
Clef: c4
Voice Text: Nel meço gia del mar la navicella ...
Layout

parts

86v–87 De ce que fol pense -
Appears on: 86v–87
Genres: Ballade
Voice: [no designation]
Languages: French
Voice Text: De ce que fol pense.
Layout

parts

87v–88 Per prender cacciagion legiadra et bella Ser Gherardello
Appears on: 87v–88
Genres: Italian secular
Source Attribution: Ser Gherardello
Voice: [no designation]
Languages: Italian
Clef: c3
Voice Text: Per prender cacciagion leççadra e bella ...

Voice: Tenor
Languages: Italian
Clef: f3
Voice Text: Per prender cacciagion leççadra e bella ...
Layout

parts

88 Onni diletto e ongni bel piacere M. Piero
Appears on: 88
Genres: Italian secular
Source Attribution: M. Piero
Voice: [no designation]
Languages: Italian
Clef: c3
Voice Text: Ongni dilecto e ongni bel piacere ...

Voice: Secundus
Languages: Italian
Clef: c3
Voice Text: Ongni dilecto.
Layout

parts

88v–89 Sotto verdi fraschetti molt'augelli Ser Gherardello
Appears on: 88v–89
Genres: Italian secular
Source Attribution: Ser Gherardello
Voice: Tenor
Languages: Italian
Clef: f3
Voice Text: Sotto verdi fraschetti

Voice: [no designation]
Languages: Italian
Clef: c3
Voice Text: Sotto verdi fraschetti
Layout

parts

89v–90 Musica son che mi dolgo piangendo / Già furon le dolceçe mie pregiate / Ciascun vuole narrar musical note M. Francescho [de Florentia]
Appears on: 89v–90
Genres: Italian secular
Source Attribution: M. Francescho [de Florentia]
Voice: Contratenor
Languages: Italian
Clef: c3
Voice Text: Gia' furon le dolceççe mie pregiate ...

Voice: Cantus
Languages: Italian
Clef: c3
Voice Text: Musicha son che mi dolgo piangendo ...

Voice: Tenor
Languages: Italian
Clef: f3
Voice Text: Ciascun vuol innarrar musical note ...
Layout

parts

90v Quan ye voy le duç tems venir - Anonymous
Appears on: 90v
Genres: Chanson
Voice: Primus
Languages: French
Clef: c3
Voice Text: Quan ye voy le duç tens venir ...

Voice: Secundus
Languages: none
Clef: c3

Voice: Tenor
Languages: Italian
Clef: c4
Voice Text: Quan ye voy.
Layout

parts

91 Cavalcando con un giovine / Cavalcando. usque. Um bel prato M. Piero
Appears on: 91
Genres: Italian secular
Source Attribution: M. Piero
Voice: [no designation]
Languages: Italian
Clef: c3
Voice Text: Chavalchando chon un giovine ...

Voice: Secundus
Languages: Italian
Clef: c3
Voice Text: Chavalchando. usque. Um bel prato ...
Layout

parts

91v–92 Aquila altera ferma in su la vetta / Uccel di dio insegna di giustitia / Creatura gentil animal degno M. Jacopo da Bolo[gna]
Appears on: 91v–92
Genres: Madrigal (Italian)
Source Attribution: M. Jacopo da Bolo[gna]
Voice: Contratenor
Languages: Italian
Clef: c2
Voice Text: Creatura gentile animal degno ...

Voice: [no designation]
Languages: Italian
Clef: c2
Voice Text: Aquila altera ferma in su la vetta ...

Voice: Tenor
Languages: Italian
Clef: f3c5
Voice Text: Uccel di dio insegna di giustizia ...
Layout

parts

92v Con brachi assai e chon molti sperveri M. Piero
Appears on: 92v
Genres: Italian secular
Source Attribution: M. Piero
Voice: Primus
Languages: Italian
Clef: c3
Voice Text: Chon brachi assai e chon molti sperverj ...

Voice: Secundus
Languages: Italian
Clef: c4
Voice Text: Chon brachi.

Voice: Tenor
Languages: Italian
Clef: f4
Voice Text: Chon brachi assai.
Layout

parts

93 Giunge 'l bel tempo della primavera M. Jacopo da Bolo[gna]
Appears on: 93
Genres: Italian secular
Source Attribution: M. Jacopo da Bolo[gna]
Voice: Primus
Languages: Italian
Clef: c4
Voice Text: Giunge 'l bel tempo della primavera ...

Voice: Secundus
Languages: none
Clef: c4
Layout

parts

93v–94 Con brachi assai e chon molti sperveri M. Giovannj
Appears on: 93v–94
Genres: Italian secular
Source Attribution: M. Giovannj
Voice: Secundus
Languages: Italian
Clef: c3
Voice Text: Chon bracchi usque. Quando ...

Voice: Primus
Languages: Italian
Clef: c3
Voice Text: Chon brachi assai e chon molti sparverj ...

Voice: Tenor
Languages: Italian
Clef: f4
Voice Text: Chom bracchi assay.
Layout

parts

94v Qui contre fortune - Anonymous

Qui contre fortune

Anonymous
Appears on: 94v
Genres: Chanson
Voice: Tenor
Languages: French
Clef: c3
Voice Text: Qui contra fortune.

Voice: [no designation]
Languages: French
Clef: c2
Voice Text: Qui contre fortune.
Layout

parts

94v–95 Si com' al canto della bella Iguana M. Jacopo da Bolo[gna]
Appears on: 94v–95
Genres: Italian secular
Source Attribution: M. Jacopo da Bolo[gna]
Voice: [no designation]
Languages: Italian
Clef: c3
Voice Text: Si chome al chanto della bella Yguana ...

Voice: Tenor
Languages: Italian
Clef: f3
Voice Text: Si chome al chanto della bella Yguana ...

Voice: Contratenor
Languages: Italian
Clef: c3
Voice Text: Si chome al chanto della bella Yguana ...
Layout

parts

95v–96 In verde prato apadilglon tenduti M. Jacopo [da Bologna]
Appears on: 95v–96
Genres: Italian secular
Source Attribution: M. Jacopo [da Bologna]
Voice: Tenor
Languages: Italian
Clef: f3
Voice Text: In verde prato apadilglon tenduti ...

Voice: Contratenor
Languages: Italian
Clef: c3
Voice Text: In verde prato apadilglon tenduti ...

Voice: [no designation]
Languages: Italian
Clef: c3
Voice Text: In verde prato apadilglon tenduti ...
Layout

parts

96v–97 Per larghi prati e per gran boschi folti M. Giovannj
Appears on: 96v–97
Genres: Italian secular
Source Attribution: M. Giovannj
Voice: Secundus
Languages: Italian
Clef: c2
Voice Text: Per larghi prati.

Voice: Primus
Languages: Italian
Clef: c3
Voice Text: Per larghi prati e per gran boschi folti ...

Voice: Tenor
Languages: Italian
Clef: f3
Voice Text: Per larghi prati.
Layout

parts

97 En amer a douce vie / car tant plaist la maladie -
Appears on: 97
Genres: Ballade
Voice: [no designation]
Languages: French
Voice Text: En amer la doulce vie ...
97v–98 Nel bosco senza foglie cacciando M. Giovannj
Appears on: 97v–98
Genres: Italian secular
Source Attribution: M. Giovannj
Voice: Primus
Languages: Italian
Clef: c3
Voice Text: Nel boscho sença foglie cacciando ...

Voice: Tenor
Languages: Italian
Clef: f3
Voice Text: Nel boscho.

Voice: Secundus
Languages: Italian
Clef: c3
Voice Text: Nel boscho.
Layout

parts

98v–99 Con dolce brama e con gran disio M. Piero
Appears on: 98v–99
Genres: Italian secular
Source Attribution: M. Piero
Voice: Tenor
Languages: Italian
Clef: f3
Voice Text: Con dolce brama.

Voice: Primus
Languages: Italian
Clef: c4
Voice Text: Con dolce brama e con gran disio ...

Voice: Secundus
Languages: Italian
Clef: c4
Voice Text: Con dolcie.
Layout

parts

99 Segugi a corta e can per la foresta / Segugi a usque - Anonymous
Appears on: 99
Genres: Chace
Voice: Primus
Languages: Italian
Clef: c3
Voice Text: Seghugi a corta e can per la foresta ...

Voice: Tenor
Languages: Italian
Clef: f3
Voice Text: Segugi a corta etc.

Voice: Secundus
Languages: Italian
Clef: c3
Voice Text: Segugi a usque ...
Layout

parts

99v De toutes flours n'avoit et de tous fruits / gastés estoit li seurplus et destruis -
Appears on: 99v
Genres: Ballade
Voice: [no designation]
Languages: French
Voice Text: De toutes flours ...

Voice: [no designation]
Languages: none
100 De petit peu, de nient volenté -
Appears on: 100
Genres: Ballade
Voice: Contratenor
Languages: French
Clef: c5
Voice Text: De petit.

Voice: Tenor
Languages: French
Clef: c5
Voice Text: De petit.

Voice: [no designation]
Languages: French
Clef: c4
Voice Text: De petit.
Layout

parts

100v En mon coeur est un blame - Anonymous
Appears on: 100v
Genres: Chanson
Voice: Contratenor
Languages: French
Clef: c5
Voice Text: En mon cuer.

Voice: [no designation]
Languages: French
Clef: c3
Voice Text: En mon cuer est un blame (?) ...

Voice: Tenor
Languages: French
Clef: f3
Voice Text: En mon cuer.
Layout

parts

101v–102 Le signe vermeil - Anonymous

Le signe vermeil

Anonymous
Appears on: 101v–102
Genres: Chanson, Motet
Voice: Contratenor
Languages: French
Mensuration: o-dot
Clef: c4
Voice Text: Signe vermell.

Voice: [no designation]
Languages: French
Clef: c2
Voice Text: Cigne vermeill ...

Voice: Tenor
Languages: French
Clef: c4
Voice Text: Le signe vermeill.
Layout

parts

102v Je prins conget d'amours en souspirant - Anonymous
Appears on: 102v
Genres: Chanson
Voice: Tenor
Languages: French
Clef: c3
Voice Text: Je prins.

Voice: [no designation]
Languages: French
Clef: c1
Voice Text: Je prins conget d'amours en souspirant ...

Voice: Contratenor
Languages: none
Clef: c2
Layout

parts

103v–104 Le mont Aon de Trace a en sa court ix dames -
Appears on: 103v–104
Genres: Motet
Voice: Contratenor
Languages: none
Clef: f3

Voice: [no designation]
Languages: French
Clef: c3
Voice Text: Le mont Aon,

Voice: Tenor
Languages: none
Clef: f3
Layout

parts

104v–105 Je ne puis avoir plaisir - Anonymous
Appears on: 104v–105
Genres: Virelai
Voice: Contratenor
Languages: none
Mensuration: o
Clef: f3

Voice: Tenor
Languages: none
Clef: f3

Voice: [no designation]
Languages: French
Mensuration: [O]
Clef: c3
Voice Text: Je ne puis avoyr plasir ne reposer.
Layout

parts

105v–106 Toute clarté m’est obscure … Je n’ai d’esbatement cure - Anonymous
Appears on: 105v–106
Genres: Motet
Voice: Contratenor
Languages: none
Clef: f3c5

Voice: [no designation]
Languages: French
Clef: c3
Voice Text: Toute clerite.

Voice: Tenor
Languages: none
Clef: f3c5
Layout

parts

106v–107 Pluseurs gens voy qui leur pensée l'un vest une cote brodée -
Appears on: 106v–107
Genres: Motet
Voice: Tenor
Languages: none
Clef: c5

Voice: [no designation]
Languages: French
Clef: c3
Voice Text: [Pluseurs gens voy]

Voice: Triplum
Languages: none
Clef: c2

Voice: Contratenor
Languages: none
Clef: c5
Layout

parts

107v–108 Medea. - Anonymous

Medea.

Anonymous
Appears on: 107v–108
Genres: Secular
Voice: Contratenor
Languages: none
Clef: c5

Voice: [no designation]
Languages: insufficient
Clef: c3
Voice Text: Medea.

Voice: Tenor
Languages: none
Mensuration: c-dot
Clef: c5
Layout

parts

108v–109 La douce ciere d'un fier animale Fra Bartolino da (Perugia) [Padua]
Appears on: 108v–109
Genres: Italian secular
Source Attribution: Fra Bartolino da (Perugia) [Padua]
Voice: [no designation]
Languages: French
Clef: c1
Voice Text: La doulse cere d'un fier animal ...

Voice: Contratenor
Languages: none
Clef: c3

Voice: Tenor
Languages: none
Clef: f1c3
Layout

parts

Composer Compositions
Anonymous
Bologna, Jacopo da
Cascia, Donato da (fl. c1350)
Cascia, Giovanni da (fl. 1340–50)
Cesaris, Johannes (fl. 1406-17)
Do.
Du Fay, Guillaume (1397–1474)
Feo, Ser
Firenze, Gherardello da (ca. 1320–ca. 1363)
Firenze, Lorenzo da (–ca. 1373)
Landini, Francesco (ca. 1325–1397)
Machaut, Guillaume de (ca. 1300–1377)
Molins, Pierre des (fl. mid-14th century)
Mustateller (Muscateller?), Marcus
Padua, Bartolinus de (fl. 1365-1405)
Perugia, Nicolo da
Piero
Solage (fl. late 14th century)
Composition Composers (? Uncertain) Folios / Pages
A le' s'andra lo spirto e l'alma mia 37v–38
A poste messe veltri et gram mastini 76v–77
All'ombra d'un perlaro 60v
Ama ama donna chi t'ama in pura fede 8v
Amar si li alti tuo gentil costumi 63
Amor in te spera' gia lungo tempo 29v
Amor in uom gentile è una luce 34v
Angnel son bianco vo belando 48v–49
Appress'un fiume chiaro 50v
Aquila altera ferma in su la vetta / Uccel di dio insegna di giustitia / Creatura gentil animal degno 91v–92
Bonté beauté 14v
Caro signor, palesa tuo leggi' a coste' che non à sdegno 25v
Cavalcando con un giovine / Cavalcando. usque. Um bel prato 91
Che cosa e quest' amore che 'l ciel produce 36v–37
Che pen' e' quest' al cor che si non posso 36v–37
Chi pregio vuol in virtu pong' amore 11v
Chom' a seguir costei amor fu presto 48v–49
Christus rex pacificus = Jour à jour la vie 73v–74
Come 'l potes'tu far dolce singnore 80v
Con brachi assai e chon molti sperveri 92v
Con brachi assai e chon molti sperveri 93v–94
Con dolce brama e con gran disio 98v–99
Con gli ochi assai ne miro 49v–50
Con levrieri e mastini segugi e bracchi 84v–85
Contemplar le gran cose c'e onesto 82
Conviensi a fede fe' conviensi amore 32v
Cosa nulla più fe' ch'amor richiede 35v
Cosi pensoso com amor mi guida per la verde rivera 45v–46
D'amor mi biasmo chi ch'esse ne lodi 3v
De ce que fol pense 86v–87
De petit peu, de nient volenté 100
De sotto 'l verde vidi gli ochi vaghi Anonymous 51
De toutes flours n'avoit et de tous fruits / gastés estoit li seurplus et destruis 99v
Deh come dolcemente m'abbracciava 53
Deh non fuggir da me tuo vaga vista 32
Deh pon quest'amor giu 2
Deh volgli gli ochi a me donna per cui 12
Di novo è guinto un chavalier errante 68
Di riv'a riva mi guidav' amore 79v–80
Divennon gli ochi mie nel partir duro 39v
Donna 'l tuo partimento. Lascia tanto smarrita 5v–6
Donna gia fu' leggiadra 'nnamorata 56v–57
Donna i' prego amore il qual m'a fatto 33
Donna l'animo tui pur fugge amore 2v–3
Donna la mente mia e si 'nvaghia del tuo gentil aspetto 13v
Donna per farmi guerra o per mal dire 36
Donna s'i' t'ò fallito 1
Donna se 'l cor t' o dato 7v
El gran disio e la dolce sperança 31
El mie dolce sospir qual move 'l core 24v
En amer a douce vie / car tant plaist la maladie 97
En mon coeur est un blame Anonymous 100v
Fa metter bando et comandar amore 41v–42
Fortuna ria amor e crudel donna 10
Gentil aspetto in cui la mente mia 27v–28
Gia molte volte amore 11
Giunge 'l bel tempo della primavera 93
Giunta vega biltå on gentilezza 25
Già ebbi libertate di me or l'o perduta 46
Già non biasim' amor po' che mie pecto ferì per donna 39
Già perch' i' penso nella tuo partita 1v
Gli ochi che 'n prima tanto bel piacere 7
Gran pianto a gli ochi 26
Guard' una volta 'ncia verso 'l tuo servo 21
Honte, paour, doubtance de meffaire / large en refus et lente d'ottroy faire 75v–76
I' fu' tuo serv' amore in verde etate 53v–54
I' non ardischo mostrar el tormento 41v–42
Il suo bel viso che guardar mi toglie 46v–47
In su be' fiori in sulla verde fronde 69v
In sulla ripa del dorato fiume 59v–60
In verde prato apadilglon tenduti 95v–96
Intranda ad abitar per una selva 85v
Invidia nimica 17v–18
Io mi son un che per le frasch'andando 64v
Io son' un pellegrin che vo cercando Anonymous 47v–48
Je languis d'aimer mort Anonymous 69
Je ne puis avoir plaisir Anonymous 104v–105
Je prins conget d'amours en souspirant Anonymous 102v
L'alma leggiadra del tuo viso pio 13
L'antica fiamma e 'l dolce bel disio 4
La bella stella che suo fiamma tene 47v–48
La bionda treçça del fin or colore 6
La douce ciere d'un fier animale 108v–109
La mente mi riprende. Che per altra lasciai 26v–27
Lasso di donna vana innamorato 28v
Le doulz printemps quand par nature vient Anonymous 40v
Le firmament Anonymous 15–15v
Le mont Aon de Trace a en sa court ix dames 103v–104
Le signe vermeil Anonymous 101v–102
Lo lume vostro dolçe mie signore 67v
Long temps. Anonymous 38
Lucida pecorella son canpata 83v–84
L’alma mie piang’e ma’ non può aver pace 31v–32
Ma' non s'andrà per questa donn' altera 66v–67
Medea. Anonymous 107v–108
Musica son che mi dolgo piangendo / Già furon le dolceçe mie pregiate / Ciascun vuole narrar musical note 89v–90
Nascoso el viso stava fra le fronde 49v–50
Nel bel giardino che l'Adice cinge 63v
Nel bosco senza foglie cacciando 97v–98
Nel chiaro fiume dilettoso et bello 77v–78
Nel meço a sei pagon ne vidi un bianco 55
Nel meço già del mar la navicella 86v–87
Nel mio parlar di questa donn'eterna 74v–75
Nella mie vita sento men venire 23v
Nella mie vita sento men venire 23v
Nella partita pianser gli ochi miei 56
Nessun ponga speranza nella suo giovinezza 40
Non a Narcisso fu piu amar lo spechio 46v–47
Non al suo amante piu Diana piacque 71
Non avrà ma' pietà questa mia donna 30v
Non creder donna che nessuna sia 2v
Non per fallir di me tuo vista pia 4v
Né 'n ciascun mie pensiero 38v
O cieco mondo di lusinghe pieno 65
O dolce apresso un bel perlaro fiume 62v–63
O fanciulla Giulia. Con te sarà 34v
O in Italia felice Liguria 64
O lieta stella
Do.
17
O perlaro gentil gentil se dispoglato se' 57v–58
O pianta vaga che nell'alto monte 43v–44
O tu cara scienza mia musica 51v–52
Ogelletto silvagio / Si è piena la terra 68v–69
Ogelletto silvagio / Si è piena la terra 72v–73
Onni diletto e ongni bel piacere 88
Or e tal l'alma mia 7v–8
Partesi con dolore el corpo vita mia 27v–28
Per allegreça del parlar d'amore 5v
Per larghi prati e per gran boschi folti 96v–97
Per prender cacciagion legiadra et bella 87v–88
Per ridd' andando ratto al terço cerchio 58v–59
Per seguir la sperança che m' ancide 21v
Per servar umiltà la mente spera 3
Per sparverare tolsi el mio sparvero 70
Per un per un verde boschetto 66
Perche di novo sdegno el petto di mie donna / Vendetta far dovrei. Ma la ingiuria 30
Perche' virtu fa l'uom costant' e forte 42v–43
Piu non mi curo 53v–54
Pluseurs gens voy qui leur pensée l'un vest une cote brodée 106v–107
Poiché amor ne' begli ochi pur non veggio 9v
Poiché da te mi convien partir via 5
Poiché partir convien mi donna cara 23
Posando sopra un'aqua in sonio vidi 65v–66
Posto che dall' aspetto si' allungato 35
Prima virtute e costringer la lingua 66v–67
Quan ye voy le duç tems venir Anonymous 90v
Quando l'aria comença a farse bruno 57v–58
Quando la stella press' a l' alba spira 54v
Quanto più caro fai. Donna ghuardam' un pocho 26v–27
Quel sol che raggia sempre nel cor mio 22v
Questa fanciull' amor fallami pia 22v
Qui contre fortune Anonymous 94v
Quiconques veut d’amour joïr Anonymous 79v–80
Rose sans per, de toutes Anonymous 61v–62
S' i' fossi certo del dover morire 29
S' i' ti son stato et vogli' esser fedele 8
S'andra' sança merçe di tenpo in tempo 14
Se merçe donna merita 'l servire 20
Se pronto non sarà l'uom a ben fare 12v
Se vos n'estes pour mon gueredonee Anonymous 60
Se vous n’estes pour mon guerredon 60
Sedendo a l'ombra d'una bella mandorla 52v–53
Seguendo 'l canto d'un uccel selvaggio 81v–82
Segugi a corta e can per la foresta / Segugi a usque Anonymous 99
Si com' al canto della bella Iguana 70v
Si com' al canto della bella Iguana 94v–95
Si dolce no sono con lir' Orfeo 44v–45
Sia maledetta l'or 'l di ch'io venni 6v
Simple regart en toutes doulz vis Anonymous 77v–78
Sotto l'imperio del possente prinçe 71v–72
Sotto verdi fraschetti molt'augelli 88v–89
Sovra la riva d'un corrente fiume 75v–76
Sovra un fiume regale 61v–62
Sovran uccello se fra tutti gli altii 82v–83
Tanto che siat' aquistati nel giusto 61
Togliendo l'una all'altera fogli' e fiori 55v–56
Tosto che l'alba del bel giorn appare 86
Toute clarté m’est obscure … Je n’ai d’esbatement cure Anonymous 105v–106
Tu che l'oper' altrui vuo' giudicare 42v–43
Tutta soletta si gia mormorando Anonymous 6v–7
Un bel sparver gentil di penna bianca 73v–74
Un cane, un'ocha e una vechia paçça 81
untexted 16v
Va pure amore colle reti tue 9
Vaga fanciulla leggiadr'e vezzosa 10v–11
Vidi nell' ombra d'una bella luce 78v–79
Vita non è più misera e più ria 10v

denotes primary source study

Günther, Ursula. None. Gunther ?

Marrocco, W. Thomas. None. Marrocco ?

Campagnolo, Stefano. 1999. Il codice Panciatichi 26 della Biblioteca Nazionale di Firenze nella tradizione delle opere di Francesco Landini. Col dolce suon che da te piove: Studi su Francesco Landini e la musica del suo tempo: In memoria di Nino Pirrotta, 1 vols.77-119. Florence: Sismel.

Kreyszig, Walter Kurt. 1984. Anonymous Compositions from the Late-Fourteenth and Early-Fifteenth Centuries. Forschungen zur älteren Musikgeschichte.  Vienna: Braumüller. Pages: 34-5,161ff,255-6,288-93. Notes: contents list (partial); transcriptions (partial); facsimile (partial); mention of MS; discussion.

Gallo, Franco Alberto (editor). 1981. II Codice Musicale Panciatichi 26 della Biblioteca Nazionale di Firenze: Riproduzione in Facsimile. Studi e testi per la storia della musica.  Florence: Leo S. Olschki. Notes: physical description (partial); contents list; concordances; facsimile; mention of MS; discussion.

Nadas, John. 1981. The Structure of MS Panciatichi 26 and the Transmission of Trecento Polyphony. Journal of the American Musicological Society, 393-427. Notes: physical description (partial); contents list (partial); concordances (partial); facsimile (partial); mention of MS; discussion.

Greene, Gordon Kay (editor). 1980. French Secular Music (I). Polyphonic Music of the Fourteenth Century.  Monaco: Éditions de l'Oiseau-Lyre. Pages: XVIII, 146,153-4; XIX, 191,193-4; XX, 120-2,170-2. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Fischer, Kurt von. 1979. The Mass Cycle of the Trecento Manuscript F-Pn568(Pit). Essays on Music for Charles Warren Fox, 1-13. Rochester, N.Y.

Baumann, Dorothea. 1978. Some Extraordinary Forms in the Italian Secular Trecento Repertoire. L'Ars Nova Italiana del Trecento IV, Notes: contents list (partial); concordances (partial); transcriptions (partial); texts (partial); mention of MS; discussion.

Timm, Erika. 1972. Die Überlieferung der Lieder Oswalds von Wolkenstein. Germanische Studien.  Lübeck and Hamburg. Pages: 160-l,164. Notes: physical description; contents list (partial); concordances (partial).

Fischer, Kurt von. 1966. Ein Versuch zur Chronologie von Landinis Werken. Musica Disciplina, 31ff.

Schrade, Leo. 1958. Übertragungen der Werke Landinis. Pages: (Ue. der Werke Landinis); Commentary Notes, 58.

Fischer, Kurt von. 1956. Studien zur italienischen Musik des Trecento und frühen Quattrocento. Publikationen der Schweizerischen Musikforschenden Gesellschaft.  Bern: Paul Haupt. Pages: 88ff. u. ö.

Reaney, Gilbert (editor). 1955-83. Early Fifteenth-Century Music. Corpus mensurabilis musicae.  Rome: American Institute of Musicology. Pages: , 30 (Ue. von Nr. 33).

Pirrotta, Nino (editor). 1954-1998. The Music of Fourteenth Century Italy. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: III, 119 (Anm. 113).

Reaney, Gilbert. 1954. The Manuscript Chantilly, Musée Condé 1047. Musica Disciplina, 59-113. Pages: (1954n 100 (Ue. von Nr. 180 nach F-CH).

Apel, Willi (editor). 1950. French Secular Music of the Late Fourteenth Century.  Cambridge, Massachusetts: The Medieval Academy of America. Pages: Nr. 37.

Gotti, Ettore Li, and Nino Pirrotta. 1949-1951. II codice di Lucca. Musica Disciplina, III, 119-38; IV, 111-52; V, 115-42. Pages: 58f.

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik.  Kassel. Pages: Art. Florentiner Handschriften, IV, Sp. 401ff.; V,Tf. 2 (Faks. von Nr. 152); VI, Sp. 1621 (Faks. von Nr. 119); X, Sp. 1261. (Faks. von Nr. 164).

Ellinwood, Leonard. 1941. The Conductus. Musical Quarterly, 165ff. Pages: XVIII.

Ghisi, Federico. 1939. Poesie musicali italiane: canzonette a ballo, strambotti, frottole, canti e trionfi carnascialeschi; autori diversi e anonimi. Note d'archivio per la storia musicale, 40-73. Pages: 36ff., 189ff., 271ff.

Wolf, Johannes. 1931); American reprint: 'Music of earlier times. Vocal and instrumental examples; 13th century to Bach'. (New York, 1946. Sing-und Spielmusik aus älterer Zeit.  Leipzig. Pages: 2, Nr. 8 (Ue. von Nr. 33).

Besseler, Heinrich. 1928/29. Von Dufay bis Josquin. Zeitschrift für Musikwissenschaft, 1-22. Pages: VI, 2.

Besseler, Heinrich. 1925. Studien zur Musik des Mittelalters: I. Neue Quellen des 14. und beginnenden 15. Jahrhunderts. Archiv für Musikwissenschaft, 167-252. Pages: I, 226.

Ludwig, Friedrich. 1925. Die mehrstimmige Messe des 14. Jahrhunderts. Archiv für Musikwissenschaft, 417ff. Pages: 44, 52f. I (Ue. von Nr. 110,139, 171,175,176 nac2 versch. Hss.); III, 119 (Anmerkung 113).

Ludwig, Friedrich. 1923. Die Quellen der Motetten ältesten Stils. Archiv für Musikwissenschaft, 185-222, Vol. 5 (1924) 273-315. Pages: 284, 285 (Anm. 1).

Wolf, Johannes. 1913-9; Reprinted: Hildesheim, 1963. Handbuch der Notationskunde.  Leipzig. Pages: I, 292, 297, 305, 347.

Ludwig, Friedrich. 1905. Studien über die Geschichte der mehrstimmigen Musik im Mittelalter. II. Ein mehrstimmiges St. Jakobs-Offiziumdes 12. Jahrhunderts. Kirchenmusikalisches Jahrbuch, . Pages: 614.

Wolf, Johannes. 1904; Reprinted: Hildesheim, 1965. Geschichte der Mensural-Notation von 1250-1460 nach den theoretischen und praktischen Quellen. 3 vols. Leipzig. Pages: 244ff.

Bartoli, Adolfo. 1887. I codici Panciatichiani della R. Biblioteca nazionale centrale di Firenze, Vol. I, Fase. I. Indici e cataloghi.  Roma. Pages: 41ff.

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Karen Cook

Sunday, 9 June, 2019

"Je ne puis" now concordant with version in ModA and Chantilly

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description