Digital Image Archive of Medieval Music :: Amours qui a le povoir de moi faire recevoir / Fauls Semblant m'a deceü / Vidi Dominum

Amours qui a le povoir de moi faire recevoir / Fauls Semblant m'a deceü / Vidi Dominum

Composer	Machaut, Guillaume de (ca. 1300–1377)
Genre	Motet

Appears in

Source	Location	Voices
US-KCferrell MS 1, Machaut (Vogüé, Wildenstein, Machaut Vg)	274v–275	Voice: [no designation] Clef: c1 Voice Text: Amours qui ha le povoir de moy faire recevoir Voice: [no designation] Clef: c2 Voice Text: Faus Samblant m'a deceü Voice: [no designation] Clef: c4 Voice Text: Vidi dominum
F-Pnm Français 1584 (Machaut A)	428v–429	Voice: [no designation] Clef: c1 Voice Text: Amours qui ha le povoir de moy faire recevoir Voice: [no designation] Clef: c2 Voice Text: Faus Samblant m'a deceü Voice: Tenor Clef: c4 Voice Text: Vidi dominum
F-Pnm Français 1585 (Machaut B)	272v–273	Voice: [no designation] Clef: c1 Voice Text: Amours qui ha le pouoir Voice: [no designation] Clef: c2 Voice Text: Faus samblant ma deceu Voice: Tenor Clef: c4 Voice Text: Uidi dominum
F-Pnm Français 1586 (Machaut C)	219v–220	Voice: [no designation] Clef: c1 Voice Text: Amours qui a le pooir Voice: [no designation] Clef: c2 Voice Text: Faus semblant ma deceu Voice: Tenor Clef: c4 Voice Text: Vidi dominum
F-Pnm Français 9221 (Machaut E)	143v	Voice: [no designation] Clef: c1 Voice Text: Amours qui a le pouoir Voice: [no designation] Clef: c2 Voice Text: Fauls semblant ma deceu Voice: Tenor Clef: c4 Voice Text: Uidi dominum Tenor
F-Pnm Français 22545-22546 (Machaut F-G)	116v–117	Voice: [no designation] Clef: c1 Voice Text: Amours qui ha le pouoir Voice: [no designation] Clef: c2 Voice Text: Faus samblant ma deceu Voice: Tenor Clef: c4 Voice Text: Uidi dominum
F-Pnm NAF 23190 (Trémoille)	viii	Voice: [no designation] Clef: c1 Voice Text: Faux samblans ma deceu Voice: Tenor Clef: c4 Voice Text: Vidi dominum Voice: [no designation] Clef: c4 Voice Text: [lost]
I-IV MS CXV (115) (Ivrea Codex)	20v–21	Voice: [no designation] Clef: c1 Voice Text: Amors qui a le poïr de moy f(r)ayre recevoir Voice: [no designation] Clef: c2 Voice Text: Faus Semblans m'a deceü Voice: Tenor Clef: c4 Voice Text: Vidi dominum

Bibliography

Kügle, Karl. 1993. The Manuscript Ivrea, Biblioteca capitolare 115: Studies in the Transmission and Composition of Ars Nova Polyphony. New York University, PhD Dissertation. pp. 250-51.

Bent, Margaret. 1991. Deception, Exegesis and Sounding Number in Machaut's Motet 15. Early Music History, 15-27. pp. 20-23, 16-19.

Brownlee, Kevin. 1991. Machaut's Motet 15 and the Roman de la Rose: The Literary Context of Amours qui a le pouoir / Faus Semblant m'a deceü / Vidi Dominum. Early Music History, 1-14. pp. 2-3.

Kügle, Karl. 1991. Die Musik des 14. Jahrhunderts: Frankreich und sein direkter Einflussbereich. Die Musik des Mittelalters, Neues Handbuch der Musikwissenschaft. edited by Karl Kügle, 352-384. Laaber: Laaber. pp. 370.

Leech-Wilkinson, Daniel. 1989. Compositional Techniques in the Four-Part Isorhythmic Motets of Philippe de Vitry and his Contemporaries. 2 vols. New York: Garland. pp. 1:110 no. 15.

Fuller, Sarah. 1986. On Sonority in Fourteenth-Century Polyphony: Some Preliminary Reflections. Journal of Music Theory, 35-70. pp. 57-59.

Leech-Wilkinson, Daniel. 1982-83. Related motets from fourteenth-century France. Proceedings of the Royal Musical Association, 1-22. pp. 4, 14.

Greene, Gordon Kay, and Terence Scully (editors). 1981-89. French Secular Music (I-II). Polyphonic Music of the Fourteenth Century. Monaco: Éditions de l'Oiseau-Lyre. pp. 22:64 no. 35.

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Pelinski, Ramòn A. 1975. Zusammenklang und Aufbau in den Motetten Machauts. Musikforschung, 62-71. pp. 69.

Sanders, Ernest (editor). 1973. The Medieval Motet. Gattungen der Musik in Einzeldarstellungen. Gedenkschrift Leo Schrade, 497-575. Bern. pp. 558 no. 257.

Clarkson, George Austin E. 1970. On the Nature of Medieval Song: The Declamation of Plainchant and the Lyric Structure of the Fourteenth-Century Motet. Columbia University, PhD Dissertation. pp. 286-7, 291.

Professione, Alfonso. 1967 rev. Inventario dei manoscritti della Biblioteca Capitolare di Ivrea. edited by Alfonso Professione, Alba: Domenical. pp. plate 5.

Günther, Ursula. 1958. The fourteenth-century motet and its development. Musica Disciplina, 27-58. pp. 32.

Machabey, Armand. 1957. Problèmes de notation musicale: notations médiévales des manuscrits d’Évreux. Mélanges de linguistique et de littérature romanes à la mémoire d’István Frank, 361-387. Saarbrücken. pp. 511.

Günther, Ursula. 1957. Der musikalische Stilwandel der französischen Liedkunst in der zweiten Hälfte des 14. Jahrhunderts, dargestellt an Virelais, Balladen und Rondeaux von Guillaume de Machaut sowie datierbaren Kantilenensätzen seiner Zeitgenossen und dierekten Nachfolger. University of Hamburg, Ph.D. dissertation. pp. 135-6.

Reichert, Georg. 1956. Das Verhältnis zwischen musikalischer und textlicher Struktur in den Motetten Machauts. Archiv für Musikwissenschaft, 197-216. pp. 202, 212-13.

Schrade, Leo (editor). 1956. Complete Works of Guillaume de Machaut (I): Lais, Complainte, Chanson royale, Motets No. 1 to 16. Polyphonic Music of the Fourteenth Century. Monaco: Éditions de l'Oiseau-Lyre. pp. 76-81 no.7.

Machabey, Armand. 1955. Guillaume de Machault 130?-1377: La vie et lœuvre musical,. Bibliothèque d'Etudes Musicales. 2 vols. Paris: Richard-Masse. pp. 2:92-94.

Schrade, Leo (editor). 1954 -1956. The Polyphonic Music of the Fourteenth Century. 3 vols. pp. 2:157-59.

Ludwig, Friedrich (editor). 1926-9. Guillaume de Machaut: Musikalische Werke, 1-3. Leipzig: Publikationen älterer Musik. pp. 3:55-57.

Besseler, Heinrich. 1926. Studien zur Musik des Mittelalters: II. Die Motette von Franko von Köln bis Philipp van Vitry. Archiv für Musikwissenschaft, 137-258. pp. 223.

Droz, Eugénie, and Geneviève Thibault. 1926. Un Chansonnier de Philippe le Bon. Revue de Musicologie, . pp. .

Chichmaref, V (editor). [1909]. Guillaume de Machaut: Poésies lyriques. Edition compléte en deux parties, avec introduction, glossaire et fac-similés publiée sous les auspices de la Faculté d'Histoire et de Philologie de Saint-Pétersbourg. Paris: Champion. pp. 2:511-12 no.15.