I-Fn MS Magl. XIX.166

Biblioteca Nazionale Centrale, Firenze (Florence), Italy

partbook: 1530-40 (BecherTI); 1520-5 (PanneCP); c. 1515-c. 1522 (Rifkin)

Archive	Biblioteca Nazionale Centrale, Firenze (Florence), Italy (I-Fn)
Shelfmark	MS Magl. XIX.166
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	None
Measurements	107 x 167 mm
Other Identifiers	RISM: I-Fn 164-67 CCM: FlorBN Magl. 164-7
Notations	black void mensural
Copyists	scribal concordance [49] Text and Music
Provenance	Firenze (Florence)? Italy
Contents	102 pieces from 23 composers

General Description

A Tenor partbook from a set of four volumes. The books are in 3 sections separated by blank but ruled leaves: Italian songs, French songs, and Latin motets.

The scribe also appears in portions of FlorC 2440 and FlorBN Magl. 178; the pieces by this scribe in FlorC 2440 were evidently copied directly from this manuscript (Rifkin) and in the same order. Vorrei saper amanti' appears to be by a different scribe (Fenlon/Haar); the Te Deum and 'Se siorsi' (which is in 3vv only) are later additions; and the Discantus also has some jottings in score on f. 112v from the later sixteenth century.

The contents suggest the manuscript was copied in Florence, but the binding suggests Rome. 'The provenance before acquisition by the Biblioteca Palatina is unknown.

DIAMM, 2022

Binding

Original covers of brown tooled leather, with impressed medallion flanked by 'S' and 'C' and surrounded by 'Divus Augustus.'

DIAMM, 2017

Watermark

One of the watermarks, an anvil and hammer, resembles Briquet #5963; the same mark or a similar one is also found in BolC Q21 (Rifkin), FlorBN Magl. 111, 112, and 122-5. Other marks are: crossed arrows similar to Briquet #6293, and an anchor within a circle surmounted by a star.

DIAMM, 2022

Notation

Black void mensural notation

DIAMM, 2017

Date

1530-40 (BecherTI); 1520-5 (PanneCP); c. 1515-c. 1522 (Rifkin, based on the strong presence of Pisano, and absence of Verdelot who superseded him as the leading Florentine madrigalist c. 1522-23).

DIAMM, 2022

Ruling

3 staves per page

DIAMM, 2022

Foliation

Old foliation only in Altus book; new foliation only in Bassus book

DIAMM, 2017

Decoration

As in FlorBN BR 229, FlorBN Magl. 121, and FlorBN Magl. 122-5, the edges of the folios are painted gold, and bear tooled designs (Crawford).

DIAMM, 2017

Index

Original index in Discantus & Tenor books. the latter incomplete.

DIAMM, 2022

Surface

paper

DIAMM, 2017

RISM Description

RISM

XVIe s. Papier 110 x 164 mm. 4 livres: Cantus (167), 116ff. + 3ff. limin. portant la Table et 1 f. à la fin; les ff. 56r-v, 85 à 86v, 113 à 115, 116 sont blancs. Au f. 112v, pièce instr. copiée postérieurement. Altus (164), 122ff. + 3ff. limin. et 3 à la fin; les ff. 42r-v, 62r-v, 91v à 92v sont blancs. Tenor (166), 120ff., les ff. 2, 40v, 60v, 87v à 90v, 116 à 119, 120 sont blancs. Au f. 1, Table incomplète du ms. Bassus (165), 120ff. + 2ff. limin. et 2ff. à la fin; les ff. 38 à 40v, 59v à 60v, 89v à 90v, 115v, 116, 117v à 119, 120 sont blancs. Aux ff. 116v-117, pièce instr. copiée postérieurement. Foliotation moderne au bas des ff. et numérotation ancienne de chaque pièce en ch. romains. Au Tenor, foliotation et numérotation anciennes. Notation mesurée blanche. 3 portées par p. Au 1er f. limin. de tous les vol. cachet portant: Med. Palat. Bibl. Caes. Reliures anciennes (dos refait au Cantus) cuir estampé avec médaillon orné d'un buste entouré de l'inscription: Divus Augustus.

Il est très clair que le scribe a suivi un plan préétabli quant à l'ordre des pièces dans le ms. où l'on distingue 3 sections: 1. Chansons italiennes (nos 1 à 45); 2. Chansons françaises (nos 46 à 69); 3. Motets latins (nos 70 à 81), les nos 82 et 83 ayant été copiés postérieurement. Le ms. où la nouvelle école (avec Pisano et S. Festa) côtoie les valeurs sûres (comme Josquin, Isaac ou Compère), se présente ainsi comme le ms. idéal conçu à la fois pour la distraction et pour l'édification d'un amateur de musique, et il est probable qu'il a été compilé dans ce but pour quelque mécène de noble famille florentine. Les datations proposées ne montrent pas de divergences sensibles: 1515-1516 (Bragard); ca. 1520 (Einstein, Rifkin); 1520-1525 (Pannella); ca. 1525 (D'Accone); 1514-1529 (Jeppesen qui s'appuie sur les filigranes du papier que l'on retrouve aussi dans I-Bc 21). Les concordances qui s'établissent avec des recueils imprimés chez Petrucci, Antico et Dorico entre 1510 et 1531, ou avec des mss. copiés ca. 1515-1520, confirment les dates émises ci-dessus, situant ainsi le ms. à l'époque où la musique italienne s'engageait sur la voie du madrigal.

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Te Deum, 12 motets, 24 French secular pieces, 49 Italian secular pieces = 86

(Bruhier)-3, (Cara/Pesenti/Tromboncino)-1, (Carpentras)-1, (Compere)-6, (S. Festa)-6 + 2?, (Isaac)-2, (Josquin)-9, (Mouton) -3, (Musicola)-1, (Ninot le Petit)-5, (Obrecht)-1, (Ostia or Santacroce? [F.P.])-2, (Pesenti)-2, (Pipelare)-1, (Pisano)-12 + 7?, (Silva)-1, (Tromboncino)-2, anon-20

4 paper partbooks (D-116 folios, A-122, T-120, B-120), 107x167. Old foliation in altus book; new foliation in bassus. Original covers of brown tooled leather, with impressed medallion flanked by "S" and "C" and surrounded by "Divus Augustus." Original index in discantus book. The scribe also appears in portions of FlorC 2440 and FlorBN Magl. 178; the pieces by this scribe in FlorC 2440 were evidently copied directly from this manuscript (Rifkin). As in FlorBN BR 229, FlorBN Magl. 121, and FlorBN Magl. 122-5, the edges of the folios are painted gold, and bear tooled designs (Crawford). One of the watermarks resembles Briquet #5963; the same mark or a similar one is also found in BolC Q21 (Rifkin), FlorBN Magl. 111, 112, and 122-5. The Te Deum and one of the Italian pieces are later additions.

1530-40 (BecherTI); 1520-5 (PanneCP); ca. 1515-ca. 1522 (Rifkin). Copied in Florence.

Vol 4

Composers: Add "(Leo X)-l"; change "(S. Festa)-6 + 2?" to "(C. Festa/S. Festa)-1, (S. Festa)-5 + 2?"; change "(Ostia or Santacroce? [F.P.])-2" to "(Santacroce)-2"; change "anon-20" to "anon-19."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1–2v	Quanto più desiar sento'l mio core	-	Anonymous
Quanto più desiar sento'l mio core Anonymous Appears on: 1–2v Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Quanto più desiar sento'l mio core . . .
2v–4	Si è debile el filo	[B. PISANO]*	Pisano, Bernardo
Si è debile el filo Pisano, Bernardo Appears on: 2v–4 Genres: Madrigal (Italian) Source Attribution: [B. PISANO]* Voice: [no designation] Languages: Italian Voice Text: Si è debile el filo … Concordances 'SartoriB n° 59 et RISM P 2451
4–5v	De perche in odio m'hai	-	Anonymous
De perche in odio m'hai Anonymous Appears on: 4–5v Genres: Madrigal (Italian) Voice: [no designation] Languages: Italian Voice Text: De perche in odio m'hay … Concordances *SartoriB n° 59 et RISM P 2451
5v–6	Son io donna qual mostri (I)	[B. PISANO]*	Pisano, Bernardo
Son io donna qual mostri (I) Pisano, Bernardo Appears on: 5v–6 Genres: Madrigal (Italian) Source Attribution: [B. PISANO]* Voice: [no designation] Languages: Italian Voice Text: Son io donna qual mostri ogni tuo bene . . . Concordances »SartoriB n° 59 et RISM P 2451
6v–7	Son io donna qual mostri (II)	[B. PISANO]*	Pisano, Bernardo
Son io donna qual mostri (II) Pisano, Bernardo Appears on: 6v–7 Genres: Italian secular Source Attribution: [B. PISANO]* Voice: [no designation] Languages: Italian Voice Text: Son io donna qual mostri ogni tuo bene . . . General Note Publ. cf. Bc 21 n° 3 Concordances 'SartoriB n° 59 et RISM P 2451
7v–9v	Ne la stagion- 1a pars (of 2): Ne la stagion che'l ciel rapido inchina	[B. PISANO]*	Pisano, Bernardo
Ne la stagion- 1a pars (of 2): Ne la stagion che'l ciel rapido inchina Pisano, Bernardo Appears on: 7v–9v Genres: Madrigal (Italian) Source Attribution: [B. PISANO]* Voice: [no designation] Languages: Italian Voice Text: Ne la stagion che'l ciel rapido inchina . . . Concordances 'SartoriB n° 59 et RISM P 2451
7v–9v	Ne la stagion- 2a pars (of 2): Canzon se l'esser mecho'	[B. PISANO]*	Pisano, Bernardo
Ne la stagion- 2a pars (of 2): Canzon se l'esser mecho' Pisano, Bernardo Appears on: 7v–9v Genres: Madrigal (Italian) Source Attribution: [B. PISANO]* Voice: [no designation] Languages: Italian Voice Text: [2a p.]: Canzon se l'esser mecho . . .' Concordances 'SartoriB n° 59 et RISM P 2451
10–11	Donna benche di rado et con riguardo	[B. PISANO]*	Pisano, Bernardo
Donna benche di rado et con riguardo Pisano, Bernardo Appears on: 10–11 Genres: Madrigal (Italian) Source Attribution: [B. PISANO]* Voice: [no designation] Languages: Italian Voice Text: Donna benché di rado … General Note Publ. cf. Bc 21 n° 6 Concordances SartoriB n" 59 et RISM P 2451
11–12	Amore, amore quand'io speravo - 1a pars (of 2): Amore, amore quand'io speravo	[B. PISANO]*	Pisano, Bernardo
Amore, amore quand'io speravo - 1a pars (of 2): Amore, amore quand'io speravo Pisano, Bernardo Appears on: 11–12 Genres: Madrigal (Italian) Source Attribution: [B. PISANO]* Voice: [no designation] Languages: Italian Voice Text: Amore amore quand'io speravo General Note Publ. cf. Fc 2440 n» 39 Concordances *SartoriB n° 59 et RISM P 2451
11–12	Amore, amore quand'io speravo - 2a pars (of 2): Tal ch'io pavento assai	[B. PISANO]*	Pisano, Bernardo
Amore, amore quand'io speravo - 2a pars (of 2): Tal ch'io pavento assai Pisano, Bernardo Appears on: 11–12 Genres: Madrigal (Italian) Source Attribution: [B. PISANO]* Voice: [no designation] Languages: Italian Voice Text: 2a p.]: Tal ch'io pavento assai . . . General Note Publ. cf. Fc 2440 n» 39 Concordances *SartoriB n° 59 et RISM P 2451
12v–13v	Amore se vuoi ch'i torni al giogho anticho	[B. PISANO]*	Pisano, Bernardo
Amore se vuoi ch'i torni al giogho anticho Pisano, Bernardo Appears on: 12v–13v Genres: Madrigal (Italian) Source Attribution: [B. PISANO]* Voice: [no designation] Languages: Italian Voice Text: Amore se vuoi ch'i torni al giogho anticho.... Concordances *SartoriB n° 59 et RISM P 2451
14–15	Perche donna non vuoi	[B. PISANO]*	Pisano, Bernardo
Perche donna non vuoi Pisano, Bernardo Appears on: 14–15 Genres: Madrigal (Italian) Source Attribution: [B. PISANO]* Voice: [no designation] Languages: Italian Voice Text: Perche donna non vuoi … General Note Publ. cf. Fc 2440 n° 38 Concordances . 'SartoriB n° 59 et RISM P 2451
15v–16v	Chiare fresche et dolc' aque	[B. PISANO]*	Pisano, Bernardo
Chiare fresche et dolc' aque Pisano, Bernardo Appears on: 15v–16v Genres: Madrigal (Italian) Source Attribution: [B. PISANO]* Voice: [no designation] Languages: Italian Voice Text: Chiare fresche et dolc'aque … Concordances 'SartoriB n° 59 et RISM P
17–18v	Che degg'io far che mi consigli amore	[B. PISANO]*	Pisano, Bernardo
Che degg'io far che mi consigli amore Pisano, Bernardo Appears on: 17–18v Genres: Madrigal (Italian) Source Attribution: [B. PISANO]* Voice: [no designation] Languages: Italian Voice Text: Che degg'io far che mi consigli amore . . . General Note Publ. cf. Fc 2440 n° 42 Concordances .SartoriB n° 59 et RISM P 2451
18v–19v	Già mai non veder gli occhi	-	Pisano, Bernardo (?)
Già mai non veder gli occhi Pisano, Bernardo (?) Appears on: 18v–19v Genres: Madrigal (Italian) Voice: [no designation] Languages: Italian Voice Text: Giamai non veder gli occhi … General Note Publ. cf. Fc 2440 n" 46Attrib. à Pisano par D'Accone Concordances Attrib. à Pisano par D'Accone
20–21	Chi della fede altrui piglia sospecto	-	Anonymous
Chi della fede altrui piglia sospecto Anonymous Appears on: 20–21 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Chi della fede altrui piglia sospecto . . .
21–22	Cosi nel mio parlare	-	Pisano, Bernardo (?)
Cosi nel mio parlare Pisano, Bernardo (?) Appears on: 21–22 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Cosi nel mio parlare …
22v–23v	Tanta pietà cor mio	[B. PISANO]*	Pisano, Bernardo
Tanta pietà cor mio Pisano, Bernardo Appears on: 22v–23v Genres: Italian secular Source Attribution: [B. PISANO]* Voice: [no designation] Languages: Italian Voice Text: Tanta pietà cor mio … Concordances 'SartoriB n° 59
24–25	Nova angioletta sovra l'ale accorta	-	Anonymous
Nova angioletta sovra l'ale accorta Anonymous Appears on: 24–25 Genres: Madrigal (Italian) Voice: [no designation] Languages: Italian Voice Text: Nuova angioletta sovra l'ale accorta . . .
25–26v	Poich'io parti'da cui partir non posso	-	Anonymous
Poich'io parti'da cui partir non posso Anonymous Appears on: 25–26v Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Poich'io parti'da cui partir non posso . . .
26v–27v	Hor vedi amor che giovanetta donna	-	Anonymous
Hor vedi amor che giovanetta donna Anonymous Appears on: 26v–27v Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Hor vedi Amore che giovinetta Donna . . .
28–29	Amor che mi tormenti	[S. FESTA]*	Festa, Sebastiano (ca. 1490–1524)
Amor che mi tormenti Festa, Sebastiano (ca. 1490–1524) Appears on: 28–29 Genres: Madrigal (Italian) Source Attribution: [S. FESTA]* Voice: [no designation] Languages: Italian Voice Text: Amor che mi tormenti … Concordances . *15266
29–30	Quando el suave mio fido conforto	-	Anonymous
Quando el suave mio fido conforto Anonymous Appears on: 29–30 Genres: Madrigal (Italian) Voice: [no designation] Languages: Italian Voice Text: Quando el suave mio fido conforto . . . General Note Publ. cf. Bc 21 n° 11
30v–31	Ben mi credea passar mio temp'omai	[S. FESTA]*	Festa, Sebastiano (ca. 1490–1524)
Ben mi credea passar mio temp'omai Festa, Sebastiano (ca. 1490–1524) Appears on: 30v–31 Genres: Madrigal (Italian) Source Attribution: [S. FESTA]* Voice: [no designation] Languages: Italian Voice Text: Ben mi credea passar mio tempo homai … Concordances *15266
32–33	Amor se vuoi ch'io torni al giogo antico	[S. FESTA]*	Festa, Sebastiano (ca. 1490–1524)
Amor se vuoi ch'io torni al giogo antico Festa, Sebastiano (ca. 1490–1524) Appears on: 32–33 Genres: Madrigal (Italian) Source Attribution: [S. FESTA]* Voice: [no designation] Languages: Italian Voice Text: Amor se vuoi ch'io torni al giogho antico Concordances *15266
33–34	Perch'ai viso d'amor portava insegna	[S. FESTA]*	Festa, Sebastiano (ca. 1490–1524)
Perch'ai viso d'amor portava insegna Festa, Sebastiano (ca. 1490–1524) Appears on: 33–34 Genres: Madrigal (Italian) Source Attribution: [S. FESTA]* Voice: [no designation] Languages: Italian Voice Text: Perch'al viso d'amor portava insegnia. . . General Note Publ. cf. Bc 21 n° 10 Concordances *[1521]6
34v–35	O passi sparsi o pensier vaghi et prompti	[S. FESTA]*	Festa, Sebastiano (ca. 1490–1524)
O passi sparsi o pensier vaghi et prompti Festa, Sebastiano (ca. 1490–1524) Appears on: 34v–35 Genres: Madrigal (Italian) Source Attribution: [S. FESTA]* Voice: [no designation] Languages: Italian Voice Text: O passi sparsi o pensier vaghi et pronti General Note Publ. cf. Bc 21 n° 24 Concordances *15266
35v–36v	Amor quando fioriva mie speme - 1a pars (of 2): Amor quando fioriva	-	Anonymous
Amor quando fioriva mie speme - 1a pars (of 2): Amor quando fioriva Anonymous Appears on: 35v–36v Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Amor quando fioriva mie speme
35v–36v	Amor quando fioriva mie speme - 2a pars (of 2): Ha dispietata morte	-	Anonymous
Amor quando fioriva mie speme - 2a pars (of 2): Ha dispietata morte Anonymous Appears on: 35v–36v Genres: Song Voice: [no designation] Languages: Italian Voice Text: 2a p.: Ha dispietata morte . . .
37–38v	Quanta mai leggiadria quanda beltade	[B. TROMBONCINO]*	Tromboncino, Bartolomeo (1470–ca. 1534)
Quanta mai leggiadria quanda beltade Tromboncino, Bartolomeo (1470–ca. 1534) Appears on: 37–38v Genres: Italian secular Source Attribution: [B. TROMBONCINO]* Voice: [no designation] Languages: Italian Voice Text: Quanta mai leggiadria quanta beliate . . . Concordances *1513'
38v–39v	Fra le infelice vivo più felice	-	Anonymous
Fra le infelice vivo più felice Anonymous Appears on: 38v–39v Genres: Madrigal (Italian) Voice: [no designation] Languages: Italian Voice Text: Fraile infelice vivo più felice …
40–41	S'il dixi mai - 1a pars (of 2): S'il dixi mai ch'io vengha in odio	-	Anonymous
S'il dixi mai - 1a pars (of 2): S'il dixi mai ch'io vengha in odio Anonymous Appears on: 40–41 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: S'il dixi mai ch'io vengha in odio
40–41	S'il dixi mai - 2a pars (of 2): Per Rachel ho servito	-	Anonymous
S'il dixi mai - 2a pars (of 2): Per Rachel ho servito Anonymous Appears on: 40–41 Genres: Italian secular Voice: [no designation] Languages: Latin Voice Text: 2a p.: Per Rachel ho servito . . .
41–42v	Quel foco ch'io pensai - 1a pars (of 2): Quel foco ch'io pensai che fussi spento	-	Anonymous
Quel foco ch'io pensai - 1a pars (of 2): Quel foco ch'io pensai che fussi spento Anonymous Appears on: 41–42v Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Quel foco ch'io pensai chefussi spento . .
41–42v	Quel foco ch'io pensai - 2a pars (of 2): Non fur mai tutte spente	-	Anonymous
Quel foco ch'io pensai - 2a pars (of 2): Non fur mai tutte spente Anonymous Appears on: 41–42v Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: [2a p.]: Non fur mai tutte spente .
42v–43v	So ben che la non sa quando che l'amo	[M. PESENTI]	Pesenti, Michele
So ben che la non sa quando che l'amo Pesenti, Michele Appears on: 42v–43v Genres: Madrigal (Italian) Source Attribution: [M. PESENTI] Voice: [no designation] Languages: Italian Voice Text: So ben che lei non sa …
43v–44v	Quando lo pomo vien dallo pomaro	[M. PESENTI ou M. CARA* ou B. TROMBONCINO**]	Tromboncino, Bartolomeo (1470–ca. 1534) (?) Cara, Marchetto (?) Pesenti, Martino (?)
Quando lo pomo vien dallo pomaro Tromboncino, Bartolomeo (1470–ca. 1534) (?) Cara, Marchetto (?) Pesenti, Martino (?) Appears on: 43v–44v Genres: Italian secular Source Attribution: [M. PESENTI ou M. CARA* ou B. TROMBONCINO] Voice: [no designation] Languages: Italian Voice Text:** Quando lo pome vien dallo pomaro … General Note Publ. cf. Fc 2440 n° 37 Concordances 15162 *15142
44v–45	O dio che la brunetta mia	[M. PESENTI]	Pesenti, Michele
O dio che la brunetta mia Pesenti, Michele Appears on: 44v–45 Genres: Madrigal (Italian) Source Attribution: [M. PESENTI] Voice: [no designation] Languages: Italian Voice Text: O dio che la brunetta mia … General Note ] Publ. cf. Fc 2440 n° 35
45–45v	Hora è di maggio	[H. ISAAC]	Isaac, Heinrich (ca. 1450–1517)
Hora è di maggio Isaac, Heinrich (ca. 1450–1517) Appears on: 45–45v Genres: Italian secular Source Attribution: [H. ISAAC] Voice: [no designation] Languages: Italian Voice Text: Hora è di maggio …
46	Che fa la ramanzina	-	Compère, Loyset (ca. 1445–1518)
Che fa la ramanzina Compère, Loyset (ca. 1445–1518) Appears on: 46 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Che fa la ramanzina General Note Publ. cf. Bc 17 n» 57
46v–47	Che degg'io far che mi consigli amore	[B. TROMBONCINO]*	Tromboncino, Bartolomeo (1470–ca. 1534)
Che degg'io far che mi consigli amore Tromboncino, Bartolomeo (1470–ca. 1534) Appears on: 46v–47 Genres: Italian secular Source Attribution: [B. TROMBONCINO]* Voice: [no designation] Languages: Italian Voice Text: Che deggio far che mi consigli amore . . . Concordances »1510
47v–48	La tortorella che è semplice uccelletto	[J. OBRECHT]	Obrecht, Jacobus (ca. 1457–1505)
La tortorella che è semplice uccelletto Obrecht, Jacobus (ca. 1457–1505) Appears on: 47v–48 Genres: Italian secular Source Attribution: [J. OBRECHT] Voice: [no designation] Languages: Italian Voice Text: La tortorella el semplice uccelletto . . .
48–48v	Scaramella va alla guerra colla lancia	[JOSQUIN DES PRÉS]	Despres, Josquin (ca. 1450–1521)
Scaramella va alla guerra colla lancia Despres, Josquin (ca. 1450–1521) Appears on: 48–48v Genres: Frottola Source Attribution: [JOSQUIN DES PRÉS] Voice: [no designation] Languages: Italian Voice Text: Scaramella fa la. guerra …
48v–49	Fortuna desperata / Vidi la forosetta / Voi m'avete / Fortuna mang'io biscotti	-	Anonymous
Fortuna desperata / Vidi la forosetta / Voi m'avete / Fortuna mang'io biscotti Anonymous Appears on: 48v–49 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Fortuna disperata …
49–49v	Jam pris amours. Che'l corpo mi consuma	[MUSICOLA]	Musicola
Jam pris amours. Che'l corpo mi consuma Musicola Appears on: 49–49v Genres: Italian secular Source Attribution: [MUSICOLA] Voice: [no designation] Languages: French Voice Text: Jam pris amours. Che'l corpo mi consuma … 4vx
50–50v	Donna tu pur invechi - 1a pars (of 2): Donna tu pur invechi	-	Anonymous
Donna tu pur invechi - 1a pars (of 2): Donna tu pur invechi Anonymous Appears on: 50–50v Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Donna tu pur invechi …
50–50v	Donna tu pur invechi - 2a pars (of 2): Arrecho da Siena mostarda	-	Anonymous
Donna tu pur invechi - 2a pars (of 2): Arrecho da Siena mostarda Anonymous Appears on: 50–50v Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: 2a p.: Arrecho da Siena mostarda …
51–51v	Donne venite al ballo donne innamorate	[F.P.* = PIETRO DA HOSTIA ou FRANCESCO PATAVINO]	Patavino, Francesco (ca. 1487–ca. 1556) (?) Hostia, Pietro da (?)
Donne venite al ballo donne innamorate Patavino, Francesco (ca. 1487–ca. 1556) (?) Hostia, Pietro da (?) Appears on: 51–51v Genres: Italian secular Source Attribution: [F.P.* = PIETRO DA HOSTIA ou FRANCESCO PATAVINO] Voice: [no designation] Languages: Italian Voice Text: Donne venite al ballo donne innamorate ... General Note Publ. cf. Fc 2440 n» 47 Concordances . *15314
51v–52	Un cavalier di Spagna cavalcha per la via	[F.P.* = PIETRO DA HOSTIA ou FRANCESCO PATAVINO]	Azzaiolo, Filippo (fl. 1557-69) (?) Hostia, Pietro da (?) Patavino, Francesco (ca. 1487–ca. 1556) (?)
Un cavalier di Spagna cavalcha per la via Azzaiolo, Filippo (fl. 1557-69) (?) Hostia, Pietro da (?) Patavino, Francesco (ca. 1487–ca. 1556) (?) Appears on: 51v–52 Genres: Italian secular Source Attribution: [F.P.* = PIETRO DA HOSTIA ou FRANCESCO PATAVINO] Voice: [no designation] Languages: Italian Voice Text: Un cavalier di Spagna cavalcha per la vù … General Note Publ. cf. Fc 2440 n° 48 Concordances *1526'
52v–53	L'ultimo dì di maggio d'un bel mattino	[S. FESTA]*	Festa, Sebastiano (ca. 1490–1524)
L'ultimo dì di maggio d'un bel mattino Festa, Sebastiano (ca. 1490–1524) Appears on: 52v–53 Genres: Italian secular Source Attribution: [S. FESTA]* Voice: [no designation] Languages: Italian Voice Text: L'ultimo dì di maggio d'un bel mattino . . . General Note Publ. cf. Fc 2440 n° 49 Concordances *15266
53–53v	Vaghe le montanine	-	Anonymous
Vaghe le montanine Anonymous Appears on: 53–53v Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Vaghe le montanine pasturelle General Note Publ. cf. Fc 2440 n° 50 Concordances *15265 "OsthoffT I, 39f
55v–55	Solingo et vago augello - 1a pars (of 2): Solingo et vago augello	-	Anonymous
Solingo et vago augello - 1a pars (of 2): Solingo et vago augello Anonymous Appears on: 55v–55 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Solingho et vagho augello … General Note Publ. cf. Fc 2440 n° 50 Concordances *15265 "OsthoffT I, 39f
53–53v	Solingo et vago augello - 2a pars (of 2): Io vissi in gioia	-	Anonymous
Solingo et vago augello - 2a pars (of 2): Io vissi in gioia Anonymous Appears on: 53–53v Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: [2a p.]: Io vissi in gioia . . . General Note Publ. cf. Fc 2440 n° 50 Concordances *15265 "OsthoffT I, 39f
53–53v	Vorrei saper amanti [Superius and Bass only]	-	Anonymous
Vorrei saper amanti [Superius and Bass only] Anonymous Appears on: 53–53v Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Vorrei saper amanti … Sup. et B seul1 General Note Publ. cf. Fc 2440 n° 50 Concordances *15265 "OsthoffT I, 39f
57–58	Entre je suis en grand pensée 28.13	[JOSQUIN DES PRÉS]	Despres, Josquin (ca. 1450–1521)
Entre je suis en grand pensée 28.13 Despres, Josquin (ca. 1450–1521) Appears on: 57–58 Genres: Chanson Source Attribution: [JOSQUIN DES PRÉS] Voice: [no designation] Languages: French Voice Text: Entré je suis en gran pensier … General Note Publ. cf. CT 95-96 n° 21 Concordances *1535"
58–58v	Tant ravy suis en la bonté	-	Anonymous
Tant ravy suis en la bonté Anonymous Appears on: 58–58v Genres: Chanson Voice: [no designation] Languages: French Voice Text: Tant ravy suis en la bonté …
59–59v	Amoreuse mi fault estre	-	Anonymous
Amoreuse mi fault estre Anonymous Appears on: 59–59v Genres: Chanson Voice: [no designation] Languages: French Voice Text: Amoreuse mi fault estre …
59v–60v	Joulis mariner passe moi sena	-	Anonymous
Joulis mariner passe moi sena Anonymous Appears on: 59v–60v Genres: Chanson Voice: [no designation] Languages: French Voice Text: Jouly mariner passe mon sene
60v–61v	Notre chambrier si malade estet	[NINOT LE PETIT]	Petit, Nino le (fl. c1500)
Notre chambrier si malade estet Petit, Nino le (fl. c1500) Appears on: 60v–61v Genres: Chanson Source Attribution: [NINOT LE PETIT] Voice: [no designation] Languages: French Voice Text: Notre chambrier si malade estet General Note Publ. cf. Fc 2442 n° 16
61v–63	Impotent suis et ajfollé madame	[A. BRUHIER]	Bruhier, Antoine (–ca. 1521)
Impotent suis et ajfollé madame Bruhier, Antoine (–ca. 1521) Appears on: 61v–63 Genres: Chanson Source Attribution: [A. BRUHIER] Voice: [no designation] Languages: French Voice Text: Impotent suis et ajfollé madame
63–64	Se je perdu mon amy je n'ai pas cause 27.34	[JOSQUIN DES PRÉS]	Despres, Josquin (ca. 1450–1521)
Se je perdu mon amy je n'ai pas cause 27.34 Despres, Josquin (ca. 1450–1521) Appears on: 63–64 Genres: Chanson Source Attribution: [JOSQUIN DES PRÉS] Voice: [no designation] Languages: French Voice Text: Se j'ay perdu mon amy …
64–655	Et la la la la la fay tes le bonne chyere	[NINOT LE PETIT]	Petit, Nino le (fl. c1500)
Et la la la la la fay tes le bonne chyere Petit, Nino le (fl. c1500) Appears on: 64–655 Genres: Chanson Source Attribution: [NINOT LE PETIT] Voice: [no designation] Languages: French Voice Text: Et la la la la la fay tes le bonne chyere . . . General Note Publ. cf. Fe 2442 n° 18
65–66	En l'ombre d'un bepin	-	Anonymous
En l'ombre d'un bepin Anonymous Appears on: 65–66 Genres: Chanson Voice: [no designation] Languages: French Voice Text: En l'ombre da ung bepin … General Note Publ. cf. Fc 2442 n° 11
66–67	Tres dolce filette - 1a pars (of 2): Tres dolce filette et sy deliet Juliette	-	Anonymous
Tres dolce filette - 1a pars (of 2): Tres dolce filette et sy deliet Juliette Anonymous Appears on: 66–67 Genres: Chanson Voice: [no designation] Languages: Italian Voice Text: Tres dolce filette et sy deliet Juliette . . .
66–67	Tres dolce filette - 2a pars (of 2): D'un gran merze mon bol amy	-	Anonymous
Tres dolce filette - 2a pars (of 2): D'un gran merze mon bol amy Anonymous Appears on: 66–67 Genres: Chanson Voice: [no designation] Languages: French Voice Text: [2a p.]: D'un gran merze mon bol amy . . .
67v–69	Frapés petit coup petit Hiean mon amy	[A. BRUHIER]	Brumel, Antoine (ca. 1460–ca. 1513)
Frapés petit coup petit Hiean mon amy Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 67v–69 Genres: Chanson Source Attribution: [A. BRUHIER] Voice: [no designation] Languages: French Voice Text: Frapés petit coup petit Hiean mon amy …
69–71	Jaquet mon con est esragé	[A. BRUHIER]	Bruhier, Antoine (–ca. 1521)
Jaquet mon con est esragé Bruhier, Antoine (–ca. 1521) Appears on: 69–71 Genres: Chanson Source Attribution: [A. BRUHIER] Voice: [no designation] Languages: French Voice Text: Jacquet Jaquet mon con est ersarget …
71v–73	N'as tu poinct mis ton hault bonnet	[NINOT LE PETIT]	Petit, Nino le (fl. c1500)
N'as tu poinct mis ton hault bonnet Petit, Nino le (fl. c1500) Appears on: 71v–73 Genres: Chanson Source Attribution: [NINOT LE PETIT] Voice: [no designation] Languages: French Voice Text: N'as tu poynct mis tout hault bonnet . . . General Note Publ. cf. Fc 2442 n" 15
74–75	Fors seullement l'atent que ye meure	-	Anonymous
Fors seullement l'atent que ye meure Anonymous Appears on: 74–75 Genres: Chanson Voice: [no designation] Languages: French Voice Text: For seullement l'atent que ye meure . . .
75–76	Fors seulement l'atent que je meure (II)	[P. DE LA RUE* ou M. PIPELARE]	Pipelare, Mattheus (ca. 1450–ca. 1515) Rue, Pierre de la (ca. 1452–1518) (?)
Fors seulement l'atent que je meure (II) Pipelare, Mattheus (ca. 1450–ca. 1515) Rue, Pierre de la (ca. 1452–1518) (?) Appears on: 75–76 Genres: Chanson Source Attribution: [P. DE LA RUE* ou M. PIPELARE] Voice: [no designation] Languages: French Voice Text: For seullement l'atent que ye meure . . . [= Exortum est*] General Note Publ. cf. Bc 19 n° 4 Concordances 15022 "E-SE
76–77	L'autre jour me chevauchoie / L'autrier joiant et joli doi compaignon / Vilain, lieve sus o.	-	Anonymous
L'autre jour me chevauchoie / L'autrier joiant et joli doi compaignon / Vilain, lieve sus o. Anonymous Appears on: 76–77 Genres: Motet Voice: [no designation] Languages: French Voice Text: L'autre jor ye cavacioye …
77–78	Gentil galans de France chi alla guerra ales	-	Anonymous
Gentil galans de France chi alla guerra ales Anonymous Appears on: 77–78 Genres: Chanson Voice: [no designation] Languages: Italian Voice Text: Gentil galans de Fransa chi alla guerra ales …
78–78v	Je suis amie du forrier	[L. COMPÈRE]	Compère, Loyset (ca. 1445–1518)
Je suis amie du forrier Compère, Loyset (ca. 1445–1518) Appears on: 78–78v Genres: Chanson Source Attribution: [L. COMPÈRE] Voice: [no designation] Languages: French Voice Text: Je suys amie d'un forier General Note Publ. cf. CT 95-96 n° 9
79–79v	Alons fere nus barbes	[L. COMPÈRE]	Compère, Loyset (ca. 1445–1518)
Alons fere nus barbes Compère, Loyset (ca. 1445–1518) Appears on: 79–79v Genres: Chanson Source Attribution: [L. COMPÈRE] Voice: [no designation] Languages: French Voice Text: Alons fere nus barbes . General Note Publ. cf. CT 95-96 n° 11
79v–81	Volez ouir une sanson de chyons	[L. COMPÈRE]	Compère, Loyset (ca. 1445–1518)
Volez ouir une sanson de chyons Compère, Loyset (ca. 1445–1518) Appears on: 79v–81 Genres: Secular Source Attribution: [L. COMPÈRE] Voice: [no designation] Languages: French Voice Text: Volez ouir une sanson de chyons … [= Veles mon getes] General Note Publ. cf. CT 95-96 n° 14
81–82v	Plus nulz regrets grand moiens 28.28	[JOSQUIN DES PRÉS]	Despres, Josquin (ca. 1450–1521)
Plus nulz regrets grand moiens 28.28 Despres, Josquin (ca. 1450–1521) Appears on: 81–82v Genres: Chanson Source Attribution: [JOSQUIN DES PRÉS] Voice: [no designation] Languages: French Voice Text: Plus nullez regretez.[= Adjuro vos o filie Syon] General Note Publ. cf. Bc 142 n° 3
82v–83v	Il etait un bon homme qui venoit de Lyons	-	Anonymous
Il etait un bon homme qui venoit de Lyons Anonymous Appears on: 82v–83v Genres: Chanson Voice: [no designation] Languages: French Voice Text: Ille etet ung bon homme qui venon de Leons … General Note Publ. cf. CT 95-96 n° 23
83v–84v	Une playsant filette au matin se leva	[L. COMPÈRE]	Compère, Loyset (ca. 1445–1518)
Une playsant filette au matin se leva Compère, Loyset (ca. 1445–1518) Appears on: 83v–84v Genres: Chanson Source Attribution: [L. COMPÈRE] Voice: [no designation] Languages: French Voice Text: Une playsant filette au matin se leva . . . General Note Publ. cf. CT 95-96 n° 3
87–88v	Judica me Deus - 1a pars (of 2): Judica me Deus	[A. DA SILVA]	Silva, Andreas de (ca. 1475–ca. 1522)
Judica me Deus - 1a pars (of 2): Judica me Deus Silva, Andreas de (ca. 1475–ca. 1522) Appears on: 87–88v Genres: Motet Source Attribution: [A. DA SILVA] Voice: [no designation] Languages: Latin Voice Text: Judica me Deus … General Note Publ. cf. Bc 19 n' 69
87–88v	Judica me Deus - 2a pars (of 2): Et introibo ad altare Dei	[A. DA SILVA]	Silva, Andreas de (ca. 1475–ca. 1522)
Judica me Deus - 2a pars (of 2): Et introibo ad altare Dei Silva, Andreas de (ca. 1475–ca. 1522) Appears on: 87–88v Genres: Motet Source Attribution: [A. DA SILVA] Voice: [no designation] Languages: Latin Voice Text: [2a p.]: Et introïbo ad altare dei . . General Note Publ. cf. Bc 19 n' 69
89–91	Prophetarum maxime - 1a pars (of 2): Prophetarum maxime vatumque princeps	[H. ISAAC]	Isaac, Heinrich (ca. 1450–1517)
Prophetarum maxime - 1a pars (of 2): Prophetarum maxime vatumque princeps Isaac, Heinrich (ca. 1450–1517) Appears on: 89–91 Genres: Motet Source Attribution: [H. ISAAC] Voice: [no designation] Languages: Latin Voice Text: Prophetarum maxime …
89–91	Prophetarum maxime - 2a pars (of 2): [Praesta nobis] Concede nobis tuas digne concinere laudes - Inter natos mulierum	[H. ISAAC]	Isaac, Heinrich (ca. 1450–1517)
Prophetarum maxime - 2a pars (of 2): [Praesta nobis] Concede nobis tuas digne concinere laudes - Inter natos mulierum Isaac, Heinrich (ca. 1450–1517) Appears on: 89–91 Genres: Motet Source Attribution: [H. ISAAC] Voice: [no designation] Languages: Latin Voice Text: 2a p.: Concede nobis . . .
91v–94	Paratum cor meum - 1a pars (of 3): Paratum cor meum Deus cantabo et psallam	[JOSQUIN DES PRÉS]*	Despres, Josquin (ca. 1450–1521)
Paratum cor meum - 1a pars (of 3): Paratum cor meum Deus cantabo et psallam Despres, Josquin (ca. 1450–1521) Appears on: 91v–94 Genres: Psalm motet Source Attribution: [JOSQUIN DES PRÉS]* Voice: [no designation] Languages: Latin Voice Text: Paratum cor meum … General Note Publ. cf. CT 95-96 n° 47 Concordances *1539'
91v–94	Paratum cor meum - 2a pars (of 3): Salvam fac dextera tua	[JOSQUIN DES PRÉS]*	Despres, Josquin (ca. 1450–1521)
Paratum cor meum - 2a pars (of 3): Salvam fac dextera tua Despres, Josquin (ca. 1450–1521) Appears on: 91v–94 Genres: Motet Source Attribution: [JOSQUIN DES PRÉS]* Voice: [no designation] Languages: Latin Voice Text: Salvam fac dextera tua General Note Publ. cf. CT 95-96 n° 47 Concordances *1539'
91v–94	Paratum cor meum - 3a pars (of 3): In idumeam extendam	[JOSQUIN DES PRÉS]*	Despres, Josquin (ca. 1450–1521)
Paratum cor meum - 3a pars (of 3): In idumeam extendam Despres, Josquin (ca. 1450–1521) Appears on: 91v–94 Genres: Motet Source Attribution: [JOSQUIN DES PRÉS]* Voice: [no designation] Languages: Latin Voice Text: [3a p.]: In idumeam extendam … General Note Publ. cf. CT 95-96 n° 47 Concordances *1539'
94–95	Spem in alium	-	Anonymous
Spem in alium Anonymous Appears on: 94–95 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Spem in alium …
95–97	Regem confessorum - 1a pars (of 2): Regem confessorum Dominum venite adoremus	[J. MOUTON]	Mouton, Jean (ca. 1459–1522)
Regem confessorum - 1a pars (of 2): Regem confessorum Dominum venite adoremus Mouton, Jean (ca. 1459–1522) Appears on: 95–97 Genres: Motet Source Attribution: [J. MOUTON] Voice: [no designation] Languages: Latin Voice Text: Regem confessorum dominum …
95–97	Regem confessorum - 2a pars (of 2): Beatus vir qui hodie	[J. MOUTON]	Mouton, Jean (ca. 1459–1522)
Regem confessorum - 2a pars (of 2): Beatus vir qui hodie Mouton, Jean (ca. 1459–1522) Appears on: 95–97 Genres: Motet Source Attribution: [J. MOUTON] Voice: [no designation] Languages: Latin Voice Text: [2a p.]: Beatus vir hodie . . .
97v–100	Bona vita bona refectio - 1a pars (of 2): Bona vita bona refectio bona cena	[J. MOUTON]	Mouton, Jean (ca. 1459–1522)
Bona vita bona refectio - 1a pars (of 2): Bona vita bona refectio bona cena Mouton, Jean (ca. 1459–1522) Appears on: 97v–100 Genres: Motet Source Attribution: [J. MOUTON] Voice: [no designation] Languages: Latin Voice Text: Bona vita bona refectio …
97v–100	Bona vita bona refectio - 2a pars (of 2): Educas panem de terra	[J. MOUTON]	Mouton, Jean (ca. 1459–1522)
Bona vita bona refectio - 2a pars (of 2): Educas panem de terra Mouton, Jean (ca. 1459–1522) Appears on: 97v–100 Genres: Motet Source Attribution: [J. MOUTON] Voice: [no designation] Languages: Latin Voice Text: [2a p.]: Educas panem de terra …
100v–102	Alma redemptoris mater / Ave regina caelorum 23.2 - 1a pars (of 2): Alma redemptoris mater / Ave regina caelorum	[JOSQUIN DES PRÉS]	Despres, Josquin (ca. 1450–1521)
Alma redemptoris mater / Ave regina caelorum 23.2 - 1a pars (of 2): Alma redemptoris mater / Ave regina caelorum Despres, Josquin (ca. 1450–1521) Appears on: 100v–102 Genres: Alma redemptoris mater, BVM, Motet Source Attribution: [JOSQUIN DES PRÉS] Voice: [no designation] Languages: Latin Voice Text: Alma redemptoris mater General Note T et A: Ave regina celorum Publ. cf. CT 95-96 n° 31
100v–102	Alma redemptoris mater / Ave regina caelorum 23.2 - 2a pars (of 2): Tu que genuisti natura mirante / Gaude virgo gloriosa	[JOSQUIN DES PRÉS]	Despres, Josquin (ca. 1450–1521)
Alma redemptoris mater / Ave regina caelorum 23.2 - 2a pars (of 2): Tu que genuisti natura mirante / Gaude virgo gloriosa Despres, Josquin (ca. 1450–1521) Appears on: 100v–102 Genres: Alma redemptoris mater, BVM, Motet Source Attribution: [JOSQUIN DES PRÉS] Voice: [no designation] Languages: Latin Voice Text: [2a p.]: Tu que genuisti … General Note Publ. cf. CT 95-96 n° 31
102–103v	Ave Maria ... virgo serena 23.6 (2p. Ave vera virginitas)	[JOSQUIN DES PRÉS]	Despres, Josquin (ca. 1450–1521)
Ave Maria ... virgo serena 23.6 (2p. Ave vera virginitas) Despres, Josquin (ca. 1450–1521) Appears on: 102–103v Genres: Ave Maria, Motet Source Attribution: [JOSQUIN DES PRÉS] Voice: [no designation] Languages: Latin Voice Text: Ave Maria gratia plena, Virgo serena
103v–107v	Miserere mei Deus - 1a pars (of 3): Miserere mei Deus secundum magnam	[CARPENTRAS]	Carpentras, Elzear Genet (ca. 1470–1548)
Miserere mei Deus - 1a pars (of 3): Miserere mei Deus secundum magnam Carpentras, Elzear Genet (ca. 1470–1548) Appears on: 103v–107v Genres: Miserere mei Deus, Motet Source Attribution: [CARPENTRAS] Voice: [no designation] Languages: Latin Voice Text: Miserere mei Deus …
103v–107v	Miserere mei Deus - 2a pars (of 3): Cor mundum crea in me Deus	[CARPENTRAS]	Carpentras, Elzear Genet (ca. 1470–1548)
Miserere mei Deus - 2a pars (of 3): Cor mundum crea in me Deus Carpentras, Elzear Genet (ca. 1470–1548) Appears on: 103v–107v Genres: Motet Source Attribution: [CARPENTRAS] Voice: [no designation] Languages: Latin Voice Text: [2a p.]: Cor mundum crea in me Deus . .
103v–107v	Miserere mei Deus - 3a pars (of 3): Benigne fac domine	[CARPENTRAS]	Carpentras, Elzear Genet (ca. 1470–1548)
Miserere mei Deus - 3a pars (of 3): Benigne fac domine Carpentras, Elzear Genet (ca. 1470–1548) Appears on: 103v–107v Genres: Motet Source Attribution: [CARPENTRAS] Voice: [no designation] Languages: Latin Voice Text: [3a p.]: Benigne fac domine . . .
107v–108v	Missus est Gabriel angelus ad Mariam 20.6	[JOSQUIN DES PRÉS]	Despres, Josquin (ca. 1450–1521)
Missus est Gabriel angelus ad Mariam 20.6 Despres, Josquin (ca. 1450–1521) Appears on: 107v–108v Genres: Motet Source Attribution: [JOSQUIN DES PRÉS] Voice: [no designation] Languages: Latin Voice Text: Missus est Gabriel angelus … General Note Publ. cf. Bc 142 n" 8
109–111	Felix namque - 1a pars (of 2): Felix namque es sacra virgo Maria	[J. MOUTON]	Mouton, Jean (ca. 1459–1522)
Felix namque - 1a pars (of 2): Felix namque es sacra virgo Maria Mouton, Jean (ca. 1459–1522) Appears on: 109–111 Genres: Motet Source Attribution: [J. MOUTON] Voice: [no designation] Languages: Latin Voice Text: Felix namque es sacra virgo Maria . . . General Note Publ. cf. CMac D(F) n' 7
109–111	Felix namque - 2a pars (of 2): O Maria mater dei mater pietatis	[J. MOUTON]	Mouton, Jean (ca. 1459–1522)
Felix namque - 2a pars (of 2): O Maria mater dei mater pietatis Mouton, Jean (ca. 1459–1522) Appears on: 109–111 Genres: Motet Source Attribution: [J. MOUTON] Voice: [no designation] Languages: Latin Voice Text: [2a p.]: O Maria mater Dei . . . General Note Publ. cf. CMac D(F) n' 7
111–112v	O bone et dulcis Domine Jesu credo / Pater noster / Ave Maria 21.8	[JOSQUIN DES PRÉS]	Despres, Josquin (ca. 1450–1521)
O bone et dulcis Domine Jesu credo / Pater noster / Ave Maria 21.8 Despres, Josquin (ca. 1450–1521) Appears on: 111–112v Genres: Ave Maria, BVM, Motet, Pater noster Source Attribution: [JOSQUIN DES PRÉS] Voice: [no designation] Languages: Latin Voice Text: O bone et dulcis domine Jeshu … General Note … Publ. cf. CT 95-96 n° 30
115v	Te Deum. Te aeternum	-	Anonymous
Te Deum. Te aeternum Anonymous Appears on: 115v Genres: Motet, Te Deum Voice: [no designation] Languages: Latin Voice Text: Te Deum. Te eternum … General Note .[copié postérieurement]
116v–117	Se sciorsi ved'il laccio che mi strinse	-	Anonymous
Se sciorsi ved'il laccio che mi strinse Anonymous Appears on: 116v–117 Genres: Motet Voice: [no designation] Languages: Italian Voice Text: Se sciorsi ved'il laccio che mi strinse . . . General Note . + + [madrigal copié postérieurement]Stella was here

Composer	Compositions
Anonymous	Amor quando fioriva mie speme - 1a pars (of 2): Amor quando fioriva – 35v–36v Amor quando fioriva mie speme - 2a pars (of 2): Ha dispietata morte – 35v–36v Amoreuse mi fault estre – 59–59v Chi della fede altrui piglia sospecto – 20–21 De perche in odio m'hai – 4–5v Donna tu pur invechi - 1a pars (of 2): Donna tu pur invechi – 50–50v Donna tu pur invechi - 2a pars (of 2): Arrecho da Siena mostarda – 50–50v En l'ombre d'un bepin – 65–66 Fors seullement l'atent que ye meure – 74–75 Fortuna desperata / Vidi la forosetta / Voi m'avete / Fortuna mang'io biscotti – 48v–49 Fra le infelice vivo più felice – 38v–39v Gentil galans de France chi alla guerra ales – 77–78 Hor vedi amor che giovanetta donna – 26v–27v Il etait un bon homme qui venoit de Lyons – 82v–83v Joulis mariner passe moi sena – 59v–60v L'autre jour me chevauchoie / L'autrier joiant et joli doi compaignon / Vilain, lieve sus o. – 76–77 Nova angioletta sovra l'ale accorta – 24–25 Poich'io parti'da cui partir non posso – 25–26v Quando el suave mio fido conforto – 29–30 Quanto più desiar sento'l mio core – 1–2v Quel foco ch'io pensai - 1a pars (of 2): Quel foco ch'io pensai che fussi spento – 41–42v Quel foco ch'io pensai - 2a pars (of 2): Non fur mai tutte spente – 41–42v S'il dixi mai - 1a pars (of 2): S'il dixi mai ch'io vengha in odio – 40–41 S'il dixi mai - 2a pars (of 2): Per Rachel ho servito – 40–41 Se sciorsi ved'il laccio che mi strinse – 116v–117 Solingo et vago augello - 1a pars (of 2): Solingo et vago augello – 55v–55 Solingo et vago augello - 2a pars (of 2): Io vissi in gioia – 53–53v Spem in alium – 94–95 Tant ravy suis en la bonté – 58–58v Te Deum. Te aeternum – 115v Tres dolce filette - 1a pars (of 2): Tres dolce filette et sy deliet Juliette – 66–67 Tres dolce filette - 2a pars (of 2): D'un gran merze mon bol amy – 66–67 Vaghe le montanine – 53–53v Vorrei saper amanti [Superius and Bass only] – 53–53v
Azzaiolo, Filippo (fl. 1557-69)	(?) Un cavalier di Spagna cavalcha per la via – 51v–52
Bruhier, Antoine (–ca. 1521)	Impotent suis et ajfollé madame – 61v–63 Jaquet mon con est esragé – 69–71
Brumel, Antoine (ca. 1460–ca. 1513)	Frapés petit coup petit Hiean mon amy – 67v–69
Cara, Marchetto	(?) Quando lo pomo vien dallo pomaro – 43v–44v
Carpentras, Elzear Genet (ca. 1470–1548)	Miserere mei Deus - 1a pars (of 3): Miserere mei Deus secundum magnam – 103v–107v Miserere mei Deus - 2a pars (of 3): Cor mundum crea in me Deus – 103v–107v Miserere mei Deus - 3a pars (of 3): Benigne fac domine – 103v–107v
Compère, Loyset (ca. 1445–1518)	Alons fere nus barbes – 79–79v Che fa la ramanzina – 46 Je suis amie du forrier – 78–78v Une playsant filette au matin se leva – 83v–84v Volez ouir une sanson de chyons – 79v–81
Despres, Josquin (ca. 1450–1521)	Alma redemptoris mater / Ave regina caelorum 23.2 - 1a pars (of 2): Alma redemptoris mater / Ave regina caelorum – 100v–102 Alma redemptoris mater / Ave regina caelorum 23.2 - 2a pars (of 2): Tu que genuisti natura mirante / Gaude virgo gloriosa – 100v–102 Ave Maria ... virgo serena 23.6 (2p. Ave vera virginitas) – 102–103v Entre je suis en grand pensée 28.13 – 57–58 Missus est Gabriel angelus ad Mariam 20.6 – 107v–108v O bone et dulcis Domine Jesu credo / Pater noster / Ave Maria 21.8 – 111–112v Paratum cor meum - 1a pars (of 3): Paratum cor meum Deus cantabo et psallam – 91v–94 Paratum cor meum - 2a pars (of 3): Salvam fac dextera tua – 91v–94 Paratum cor meum - 3a pars (of 3): In idumeam extendam – 91v–94 Plus nulz regrets grand moiens 28.28 – 81–82v Scaramella va alla guerra colla lancia – 48–48v Se je perdu mon amy je n'ai pas cause 27.34 – 63–64
Festa, Sebastiano (ca. 1490–1524)	Amor che mi tormenti – 28–29 Amor se vuoi ch'io torni al giogo antico – 32–33 Ben mi credea passar mio temp'omai – 30v–31 L'ultimo dì di maggio d'un bel mattino – 52v–53 O passi sparsi o pensier vaghi et prompti – 34v–35 Perch'ai viso d'amor portava insegna – 33–34
Hostia, Pietro da	(?) Donne venite al ballo donne innamorate – 51–51v (?) Un cavalier di Spagna cavalcha per la via – 51v–52
Isaac, Heinrich (ca. 1450–1517)	Hora è di maggio – 45–45v Prophetarum maxime - 1a pars (of 2): Prophetarum maxime vatumque princeps – 89–91 Prophetarum maxime - 2a pars (of 2): [Praesta nobis] Concede nobis tuas digne concinere laudes - Inter natos mulierum – 89–91
Mouton, Jean (ca. 1459–1522)	Bona vita bona refectio - 1a pars (of 2): Bona vita bona refectio bona cena – 97v–100 Bona vita bona refectio - 2a pars (of 2): Educas panem de terra – 97v–100 Felix namque - 1a pars (of 2): Felix namque es sacra virgo Maria – 109–111 Felix namque - 2a pars (of 2): O Maria mater dei mater pietatis – 109–111 Regem confessorum - 1a pars (of 2): Regem confessorum Dominum venite adoremus – 95–97 Regem confessorum - 2a pars (of 2): Beatus vir qui hodie – 95–97
Musicola	Jam pris amours. Che'l corpo mi consuma – 49–49v
Obrecht, Jacobus (ca. 1457–1505)	La tortorella che è semplice uccelletto – 47v–48
Patavino, Francesco (ca. 1487–ca. 1556)	(?) Donne venite al ballo donne innamorate – 51–51v (?) Un cavalier di Spagna cavalcha per la via – 51v–52
Pesenti, Martino	(?) Quando lo pomo vien dallo pomaro – 43v–44v
Pesenti, Michele	O dio che la brunetta mia – 44v–45 So ben che la non sa quando che l'amo – 42v–43v
Petit, Nino le (fl. c1500)	Et la la la la la fay tes le bonne chyere – 64–655 N'as tu poinct mis ton hault bonnet – 71v–73 Notre chambrier si malade estet – 60v–61v
Pipelare, Mattheus (ca. 1450–ca. 1515)	Fors seulement l'atent que je meure (II) – 75–76
Pisano, Bernardo	Amore se vuoi ch'i torni al giogho anticho – 12v–13v Amore, amore quand'io speravo - 1a pars (of 2): Amore, amore quand'io speravo – 11–12 Amore, amore quand'io speravo - 2a pars (of 2): Tal ch'io pavento assai – 11–12 Che degg'io far che mi consigli amore – 17–18v Chiare fresche et dolc' aque – 15v–16v (?) Cosi nel mio parlare – 21–22 Donna benche di rado et con riguardo – 10–11 (?) Già mai non veder gli occhi – 18v–19v Ne la stagion- 1a pars (of 2): Ne la stagion che'l ciel rapido inchina – 7v–9v Ne la stagion- 2a pars (of 2): Canzon se l'esser mecho' – 7v–9v Perche donna non vuoi – 14–15 Si è debile el filo – 2v–4 Son io donna qual mostri (I) – 5v–6 Son io donna qual mostri (II) – 6v–7 Tanta pietà cor mio – 22v–23v
Rue, Pierre de la (ca. 1452–1518)	(?) Fors seulement l'atent que je meure (II) – 75–76
Silva, Andreas de (ca. 1475–ca. 1522)	Judica me Deus - 1a pars (of 2): Judica me Deus – 87–88v Judica me Deus - 2a pars (of 2): Et introibo ad altare Dei – 87–88v
Tromboncino, Bartolomeo (1470–ca. 1534)	Che degg'io far che mi consigli amore – 46v–47 (?) Quando lo pomo vien dallo pomaro – 43v–44v Quanta mai leggiadria quanda beltade – 37–38v

Composition	Composers (? Uncertain)	Folios / Pages
Alma redemptoris mater / Ave regina caelorum 23.2 - 1a pars (of 2): Alma redemptoris mater / Ave regina caelorum	Despres, Josquin (ca. 1450–1521)	100v–102
Alma redemptoris mater / Ave regina caelorum 23.2 - 2a pars (of 2): Tu que genuisti natura mirante / Gaude virgo gloriosa	Despres, Josquin (ca. 1450–1521)	100v–102
Alons fere nus barbes	Compère, Loyset (ca. 1445–1518)	79–79v
Amor che mi tormenti	Festa, Sebastiano (ca. 1490–1524)	28–29
Amor quando fioriva mie speme - 1a pars (of 2): Amor quando fioriva	Anonymous	35v–36v
Amor quando fioriva mie speme - 2a pars (of 2): Ha dispietata morte	Anonymous	35v–36v
Amor se vuoi ch'io torni al giogo antico	Festa, Sebastiano (ca. 1490–1524)	32–33
Amore se vuoi ch'i torni al giogho anticho	Pisano, Bernardo	12v–13v
Amore, amore quand'io speravo - 1a pars (of 2): Amore, amore quand'io speravo	Pisano, Bernardo	11–12
Amore, amore quand'io speravo - 2a pars (of 2): Tal ch'io pavento assai	Pisano, Bernardo	11–12
Amoreuse mi fault estre	Anonymous	59–59v
Ave Maria ... virgo serena 23.6 (2p. Ave vera virginitas)	Despres, Josquin (ca. 1450–1521)	102–103v
Ben mi credea passar mio temp'omai	Festa, Sebastiano (ca. 1490–1524)	30v–31
Bona vita bona refectio - 1a pars (of 2): Bona vita bona refectio bona cena	Mouton, Jean (ca. 1459–1522)	97v–100
Bona vita bona refectio - 2a pars (of 2): Educas panem de terra	Mouton, Jean (ca. 1459–1522)	97v–100
Che degg'io far che mi consigli amore	Pisano, Bernardo	17–18v
Che degg'io far che mi consigli amore	Tromboncino, Bartolomeo (1470–ca. 1534)	46v–47
Che fa la ramanzina	Compère, Loyset (ca. 1445–1518)	46
Chi della fede altrui piglia sospecto	Anonymous	20–21
Chiare fresche et dolc' aque	Pisano, Bernardo	15v–16v
Cosi nel mio parlare	Pisano, Bernardo (?)	21–22
De perche in odio m'hai	Anonymous	4–5v
Donna benche di rado et con riguardo	Pisano, Bernardo	10–11
Donna tu pur invechi - 1a pars (of 2): Donna tu pur invechi	Anonymous	50–50v
Donna tu pur invechi - 2a pars (of 2): Arrecho da Siena mostarda	Anonymous	50–50v
Donne venite al ballo donne innamorate	Patavino, Francesco (ca. 1487–ca. 1556) (?) Hostia, Pietro da (?)	51–51v
En l'ombre d'un bepin	Anonymous	65–66
Entre je suis en grand pensée 28.13	Despres, Josquin (ca. 1450–1521)	57–58
Et la la la la la fay tes le bonne chyere	Petit, Nino le (fl. c1500)	64–655
Felix namque - 1a pars (of 2): Felix namque es sacra virgo Maria	Mouton, Jean (ca. 1459–1522)	109–111
Felix namque - 2a pars (of 2): O Maria mater dei mater pietatis	Mouton, Jean (ca. 1459–1522)	109–111
Fors seulement l'atent que je meure (II)	Pipelare, Mattheus (ca. 1450–ca. 1515) Rue, Pierre de la (ca. 1452–1518) (?)	75–76
Fors seullement l'atent que ye meure	Anonymous	74–75
Fortuna desperata / Vidi la forosetta / Voi m'avete / Fortuna mang'io biscotti	Anonymous	48v–49
Fra le infelice vivo più felice	Anonymous	38v–39v
Frapés petit coup petit Hiean mon amy	Brumel, Antoine (ca. 1460–ca. 1513)	67v–69
Gentil galans de France chi alla guerra ales	Anonymous	77–78
Già mai non veder gli occhi	Pisano, Bernardo (?)	18v–19v
Hor vedi amor che giovanetta donna	Anonymous	26v–27v
Hora è di maggio	Isaac, Heinrich (ca. 1450–1517)	45–45v
Il etait un bon homme qui venoit de Lyons	Anonymous	82v–83v
Impotent suis et ajfollé madame	Bruhier, Antoine (–ca. 1521)	61v–63
Jam pris amours. Che'l corpo mi consuma	Musicola	49–49v
Jaquet mon con est esragé	Bruhier, Antoine (–ca. 1521)	69–71
Je suis amie du forrier	Compère, Loyset (ca. 1445–1518)	78–78v
Joulis mariner passe moi sena	Anonymous	59v–60v
Judica me Deus - 1a pars (of 2): Judica me Deus	Silva, Andreas de (ca. 1475–ca. 1522)	87–88v
Judica me Deus - 2a pars (of 2): Et introibo ad altare Dei	Silva, Andreas de (ca. 1475–ca. 1522)	87–88v
L'autre jour me chevauchoie / L'autrier joiant et joli doi compaignon / Vilain, lieve sus o.	Anonymous	76–77
L'ultimo dì di maggio d'un bel mattino	Festa, Sebastiano (ca. 1490–1524)	52v–53
La tortorella che è semplice uccelletto	Obrecht, Jacobus (ca. 1457–1505)	47v–48
Miserere mei Deus - 1a pars (of 3): Miserere mei Deus secundum magnam	Carpentras, Elzear Genet (ca. 1470–1548)	103v–107v
Miserere mei Deus - 2a pars (of 3): Cor mundum crea in me Deus	Carpentras, Elzear Genet (ca. 1470–1548)	103v–107v
Miserere mei Deus - 3a pars (of 3): Benigne fac domine	Carpentras, Elzear Genet (ca. 1470–1548)	103v–107v
Missus est Gabriel angelus ad Mariam 20.6	Despres, Josquin (ca. 1450–1521)	107v–108v
N'as tu poinct mis ton hault bonnet	Petit, Nino le (fl. c1500)	71v–73
Ne la stagion- 1a pars (of 2): Ne la stagion che'l ciel rapido inchina	Pisano, Bernardo	7v–9v
Ne la stagion- 2a pars (of 2): Canzon se l'esser mecho'	Pisano, Bernardo	7v–9v
Notre chambrier si malade estet	Petit, Nino le (fl. c1500)	60v–61v
Nova angioletta sovra l'ale accorta	Anonymous	24–25
O bone et dulcis Domine Jesu credo / Pater noster / Ave Maria 21.8	Despres, Josquin (ca. 1450–1521)	111–112v
O dio che la brunetta mia	Pesenti, Michele	44v–45
O passi sparsi o pensier vaghi et prompti	Festa, Sebastiano (ca. 1490–1524)	34v–35
Paratum cor meum - 1a pars (of 3): Paratum cor meum Deus cantabo et psallam	Despres, Josquin (ca. 1450–1521)	91v–94
Paratum cor meum - 2a pars (of 3): Salvam fac dextera tua	Despres, Josquin (ca. 1450–1521)	91v–94
Paratum cor meum - 3a pars (of 3): In idumeam extendam	Despres, Josquin (ca. 1450–1521)	91v–94
Perch'ai viso d'amor portava insegna	Festa, Sebastiano (ca. 1490–1524)	33–34
Perche donna non vuoi	Pisano, Bernardo	14–15
Plus nulz regrets grand moiens 28.28	Despres, Josquin (ca. 1450–1521)	81–82v
Poich'io parti'da cui partir non posso	Anonymous	25–26v
Prophetarum maxime - 1a pars (of 2): Prophetarum maxime vatumque princeps	Isaac, Heinrich (ca. 1450–1517)	89–91
Prophetarum maxime - 2a pars (of 2): [Praesta nobis] Concede nobis tuas digne concinere laudes - Inter natos mulierum	Isaac, Heinrich (ca. 1450–1517)	89–91
Quando el suave mio fido conforto	Anonymous	29–30
Quando lo pomo vien dallo pomaro	Tromboncino, Bartolomeo (1470–ca. 1534) (?) Cara, Marchetto (?) Pesenti, Martino (?)	43v–44v
Quanta mai leggiadria quanda beltade	Tromboncino, Bartolomeo (1470–ca. 1534)	37–38v
Quanto più desiar sento'l mio core	Anonymous	1–2v
Quel foco ch'io pensai - 1a pars (of 2): Quel foco ch'io pensai che fussi spento	Anonymous	41–42v
Quel foco ch'io pensai - 2a pars (of 2): Non fur mai tutte spente	Anonymous	41–42v
Regem confessorum - 1a pars (of 2): Regem confessorum Dominum venite adoremus	Mouton, Jean (ca. 1459–1522)	95–97
Regem confessorum - 2a pars (of 2): Beatus vir qui hodie	Mouton, Jean (ca. 1459–1522)	95–97
S'il dixi mai - 1a pars (of 2): S'il dixi mai ch'io vengha in odio	Anonymous	40–41
S'il dixi mai - 2a pars (of 2): Per Rachel ho servito	Anonymous	40–41
Scaramella va alla guerra colla lancia	Despres, Josquin (ca. 1450–1521)	48–48v
Se je perdu mon amy je n'ai pas cause 27.34	Despres, Josquin (ca. 1450–1521)	63–64
Se sciorsi ved'il laccio che mi strinse	Anonymous	116v–117
Si è debile el filo	Pisano, Bernardo	2v–4
So ben che la non sa quando che l'amo	Pesenti, Michele	42v–43v
Solingo et vago augello - 1a pars (of 2): Solingo et vago augello	Anonymous	55v–55
Solingo et vago augello - 2a pars (of 2): Io vissi in gioia	Anonymous	53–53v
Son io donna qual mostri (I)	Pisano, Bernardo	5v–6
Son io donna qual mostri (II)	Pisano, Bernardo	6v–7
Spem in alium	Anonymous	94–95
Tant ravy suis en la bonté	Anonymous	58–58v
Tanta pietà cor mio	Pisano, Bernardo	22v–23v
Te Deum. Te aeternum	Anonymous	115v
Tres dolce filette - 1a pars (of 2): Tres dolce filette et sy deliet Juliette	Anonymous	66–67
Tres dolce filette - 2a pars (of 2): D'un gran merze mon bol amy	Anonymous	66–67
Un cavalier di Spagna cavalcha per la via	Azzaiolo, Filippo (fl. 1557-69) (?) Hostia, Pietro da (?) Patavino, Francesco (ca. 1487–ca. 1556) (?)	51v–52
Une playsant filette au matin se leva	Compère, Loyset (ca. 1445–1518)	83v–84v
Vaghe le montanine	Anonymous	53–53v
Volez ouir une sanson de chyons	Compère, Loyset (ca. 1445–1518)	79v–81
Vorrei saper amanti [Superius and Bass only]	Anonymous	53–53v

Set: Ms. Magl. XIX. 164-167

Type: Partbooks

No images available

I-Fn MS Magl. XIX.164

No images available

I-Fn MS Magl. XIX.165

No images available

I-Fn MS Magl. XIX.166

No images available

I-Fn MS Magl. XIX.167

‡ denotes primary source study

Brown, Howard Mayer. 1987. Florence MS Magl. IXI. 164, Facsimile reproduction, with introduction. Renaissance Music in Facsimile. Garland.

Boorman, Stanley. 1983. Notational Spelling and Scribal Habit. Datierung und Filiation von Musikhandschriften der Josquin-Zeit, Wolfenbütteler Forschungen. Wiesbaden. Pages: 78,90,109. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Cummings, Anthony M. 1983. A Florentine Sacred Repertory from the Medici Restoration (Manuscript II. I. 232 [Olim Magi. XIX. 58; Gaddi 1113] of the Biblioteca Nazionale Centrale, Florence): Bibliography and History. Acta Musicologica, 267-332. Pages: 275,280-2,285,289-93,309ff. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Jonas, Luise. 1983. Das Augsburger Liederbuch: Die Musikhandschrift 2° Codex 142a der Staats- und Stadtbibliothek Augsburg. Edition und Kommentar. Berliner Musikwissenschaftliche Arbeiten. Munich and Salzburg. Pages: II,8, passim. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.

Brown, Howard Mayer. 1981. Words and Music in Early loth-Century Chansons: Text Underlay in Florence, Biblioteca del Conservatorio, Ms Basevi 2442. Formen und Probleme der Überlieferung mehrstimmiger Musik im Zeitalter Josquins Desprez, Wolfenbütteler Forschungen. 7-141. Munich. Notes: contents list (partial); concordances (partial); transcriptions (partial); texts (partial); facsimile (partial); mention of MS; discussion.

Fenlon, Iain, and James Haar. 1980. A New Source for the Early Madrigal. Journal of the American Musicological Society, 164-80. Pages: 171-8. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Hamm, Charles E, and Herbert Kellman (editors). 1979-1988. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies. 5 vols. Neuhausen nr. Stuttgart: American Institute of Musicology, Hänssler Verlag. Pages: I, 228 f.

Hudson, Barton (editor). 1979. Ninot le Petit: Collected Works. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: xiv,xxi-xxiii. Notes: mention of MS; contents list (partial); concordances (partial).

Atlas, Allan W. 1976. The Cappella Giulia chansonnier. (Rome, Biblioteca Apostolica Vaticana, CG. XII-27). Musicological Studies. Brooklyn. Pages: 246.

Benthem, Jaap van. 1976. Josquin's Three-part 'Chansons rustiques': A Critique of the Readings in Manuscripts and Prints. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25 June 1971, London, New York, and Toronto. Pages: 430ff. Notes: contents list (partial); texts (partial); mention of MS; discussion.

Gallico, Claudio. 1976. Josquin's Compositions on Italian Texts and the Frottola. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25 June 1971, 446-54. London, New York, and Toronto. Pages: 450. Notes: mention of MS.

Picker, Martin. 1976. Josquiniana in Some Manuscripts at Piacenza. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25June 1971, 247-60. London, New York, and Toronto. Pages: 253. Notes: mention of MS.

Bernstein, Lawrence F. 1973. "La courone et fleur des chansons a troys" - A mirror of the French Chanson in Italy in the years between Ottaviano Petrucci and Antonio Gardano. Journal of the American Musicological Society, 1ff. Pages: 18 et n. 46. Notes: mention of MS.

Rifkin, Joshua. 1973. Scribal Concordances for Some Renaissance Manuscripts in Florentine Libraries. Journal of the American Musicological Society, 305-26. Pages: 312f. Notes: physical description; mention of MS; discussion; facsimile (partial).

Drake, George Warren James. 1972. The first printed book of motets, Petrucci's Motteti A numero trentatre (Venice 1502) and Motetti de Passione De cruce De sacramento De beata virgine et huius modi B (Venice 1503): A critical study and complete edition. University of Illinois, Ph.D. Dissertation. Pages: 172-3. Notes: physical description; mention of MS; discussion.

Atlas, Allan W. 1971. Rome, Biblioteca Apostolica Vaticana, Cappella Giulia XIII. 27, and the Dissemination of the Franco-Netherlandish Chanson in Italy, c. 1460-c. 1530. New York University, Unpublished Ph.D. dissertation. Pages: 479-81. Notes: physical description; mention of MS; discussion; concordances (partial).

D'Accone, Frank A. 1970. Some Neglected Composers in the Florentine Chapels, ca. 1475-1525. Viator, 263-88. Notes: mention of MS.

Osthoff, Wolfgang. 1969. Theatergesang und Darstellende Musik in der Italienischen Renaissance. Münchner Veröffentlichungen zur Musikgeschichte. Tutzing. Pages: I, 41; II, 14, 38. Notes: physical description; mention of MS; discussion; concordances (partial); transcription (partial).

Benthem, Jaap van. 1968-70. Die Chanson Entré je suis à 4 von Josquin des Prez und ihre Überlieferung. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 203-10. Notes: mention of MS.

Jeppesen, Knud. 1968-70. La Frottola. Acta Jutlandica. 3 vols. Copenhagen. Pages: II, xvii, 45-6, 132-5. Notes: physical description; contents list (partial); concordances (partial); facsimile (partial).

Pannella, Liliana. 1968. Le composizioni profane di una raccolta fiorentina del cinquecento. Revista Italiana di Musicologia, 3-47. Notes: physical description; contents list; concordances.

Bragard, Anne-Marie. 1966. Un manuscrit florentin du quattrocento: le Magi. XIX, 59 (B.R. 229). Revue de Musicologie, 56-72. Pages: 68 n. 5. Notes: mention of MS.

D'Accone, Frank A (editor). 1966. Bernardo Pisano: Collected Works. Vol. I of Music of the Florentine Renaissance. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: vi-xxiv, 11ff. Notes: concordances (partial); transcription (partial); texts (partial).

D'Accone, Frank A. 1963. Bernardo Pisano: An Introduction to His Life and Works. Musica Disciplina, 115-35. Pages: 129-30. Notes: physical description; contents list (partial); concordances (partial).

Just, Martin. 1963. Heinrich Isaacs Motetten in Italienischen Quellen. Analecta Musicologica, 1-19. Pages: 5. Notes: concordances (partial).

Pannella, Liliana. 1961–62. II canto della "Ramacina" nella tradizione letteraria e musicale. Lares: Journal of the International Folk Music Council, .

Gallico, Claudio. 1961. Un Canzionere Musicale Italiano del Cinquecento (Bologna, Conservatorio di Musica "G. B. Martini" Ms. Q 21). Florence. Pages: 79ff. Notes: concordances (partial); incipits (partial).

Picker, Martin. 1960. The Chanson Albums of Marguerite of Austria: Manuscripts 228 and 11239 of the Bibliothèque Royale de Belgique, Bruxelles. University of California at Berkeley, Unpublished Ph.D. dissertation. Pages: 355. Notes: concordances (partial).

Becherini, Bianca. 1959. Catalogo dei manoscritti musicali della Biblioteca Nazionale di Firenze. Kassel. Pages: 69-71. Notes: physical description; contents list.

Becherini, Bianca. 1953. Tre incatenature del codice fiorentino Magi. XIX. 164-65-66-67. Collectanea Historiae Musicae I, 79-96. Notes: physical description; transcription (partial).

Rubsamen, Walter H. 1951. Music Research in Italian Libraries: An Anecdotal Account of Obstacles and Discoveries. Los Angeles. Pages: 64. Notes: mention of MS.

Jeppesen, Knud. 1944. Venetian folksongs of the Renaissance. Papers read at the international congress of musicology held at New York September 11th to 16th, 1939, 44ff. New York. Pages: 68f.

Hewitt, Helen Margaret (editor). 1942. Harmonice Musices Odhecaton A. Studies and Documents. Cambridge, Massachusetts: Mediaeval Academy of America. Pages: 107. Notes: concordances (partial).

Einstein, Alfred. 1939. Dante on the way to the madrigal. The Musical Quarterly, 142ff. Pages: 144ff. Notes: physical description; contents list; incipitsst of contents (partial); transcription (partial).

Einstein, Alfred. 1939. A Supplement: An Old Music Print at the J. P. Morgan Library at New York. The Musical Quarterly, 507-9. Notes: mention of MS.

Smijers, Albert (editor). 1926-64. Werken van Josquin des Prez: Motetten. Amsterdam. Pages: I, v. Notes: physical description.

Smijers, Albert, Myroslaw Antonowycz, and Willem Elders (editors). 1925-, 1926-. Werken van Josquin des Prés: Motetten. Leipzig/ Amsterdam. Pages: I, p. V et IX.

Wolf, Johannes. 1913-9; Reprinted: Hildesheim, 1963. Handbuch der Notationskunde. Leipzig. Pages: I, 450II,8, passim. Notes: mention of MS; Dcontents list (partial); concordances (partial); mention of MS; discussion.

Wolf, Johannes (editor). 1908-21. Reprint: Farnborough, England, 1968. Werken van Jacob Obrecht. Leipzig and Amsterdam,. Pages: XV/XVI, xi. Notes: physical description.

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: XXXII, 238. Notes: physical description.

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description