I-Fn MS Magl. XIX.178

Biblioteca Nazionale Centrale, Firenze (Florence), Italy

manuscript of polyphony: c. 1492-4

Archive	Biblioteca Nazionale Centrale, Firenze (Florence), Italy (I-Fn)
Shelfmark	MS Magl. XIX.178
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Paper
Numbering System	Foliation
Measurements	114 x 165 mm
Other Identifiers	RISM: I-Fn 178 CCM: FlorBN Magl. 178
Notations	black void mensural
Copyists	scribal concordance [49] Text and Music
External Links	images
Provenance	Firenze (Florence), Italy
Contents	77 pieces from 26 composers

General Description

Copied by two scribes; the second of these also wrote FlorBN Magl. 164-7 and portions of FlorC 2440 (Rifkin). Copied in Florence. Close repertorial connections with VatG XIII.27 (AtlCM).

DIAMM, 2017

Binding

Brown leather covers

DIAMM, 2017

Watermark

similar to Briquet #91, which also appears in VatG XIII.27 (AtlCM)

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Foliation

Original foliation, 1-78.

DIAMM, 2017

Index

Original index on ff. iv-v', listing 69 pieces

DIAMM, 2017

Surface

paper

DIAMM, 2017

RISM Description

RISM

XVIe s. 79ff. dont le 1er n. ch. (+ 4ff. limin. n. ch. et 1 à la fin). Papier, 116 x 170 mm. Foliotation ancienne; 1-78. Notation mesurée blanche. 6 portées par p. Table du ms. sur 2 desff. limin., les autres sont blancs. Reliure ancienne cuir estampé.

Ms. provenant de la Bibi. Med. Palatina. Le filigrane (aigle couronné) et le répertoire franco-flamand, très proches de I-Fn 229, incitent à penser que le ms. est d'origine florentine et à le dater des toutes premières années du XVIe s. (sinon de la fin du XVe), d'autant plus qu'il ne présente pas moins de 18 concordances avec l'Odhecaton et 3 avec les Canti B publiés à Venise en 1500-1502. A part 3 pièces latines, 4 chansons flamandes, 3 italiennes et 2 espagnoles, le ms. contient 63 chansons françaises, sans que l'on puisse affirmer cependant qu'il soit l'oeuvre d'un copiste français, l'orthographe s'éloignant souvent du texte réel (nos 4, 5, 41, 42, 63 par exemple). Pour toutes les pièces, seul l'incipit des paroles est noté.

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

2 motets, 1 motet-chanson, 61 French secular pieces (5 textless in this manuscript), 5 Italian secular pieces, 2 Flemish secular pieces, 1 Spanish secular piece, 1 canon = 73

A. Agricola-17, A. Agricola/Rompere)-3, A. Agricola/(Fresneau)-1, A. Agricola/(Hayne van Ghizeghem)-1, (Bosfrin)-1, (Busnois/Caron)-1, (Busnois/Compere/Mureau)-1, (Busnois/Japart)-1, Compère-4, Compère/(A. Agricola)-1, (Compère/Pipelare/Weerbecke)-1, Dufay-1, Hayne van Ghizeghem-3, Isaac-9, Japart-3, Josquin-8, Josquin/(A. Agricola)-1, Josquin/(Japart)-1, Josquin/(Lannoy)-1, Martini-2, (Molinet)-1, Obrecht-1, (Ockeghem)-1, Pietrequin-1, Pietrequin/(Compère)-1, Stokhem/(Compère/Rubinet)-1, Weerbecke [Gaspar]-1, (Wreede)-1, anon-4

vii + 78 + i paper folios, 114x165. Original foliation, 1-78. Brown leather covers. Original index on ff. iv-v', listing 69 pieces. Copied by two scribes; the second of these also wrote FlorBN Magl. 164-7 and portions of FlorC 2440 (Rifkin). Watermark similar to Briquet #91, which also appears in VatG XIII.27 (AtlCM). Close repertorial connections with VatG XIII.27 (AtlCM).

Ca. 1492-4 (AtlCM). Copied in Florence.

Vol 4

Composers: Change "Japart-3" to "Japart-2, Japart/(Isaac/Obrecht)-1"; change "(Wreede)-1" to "( Enrique/Wreede)-1."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
limin.v_2v–_2v	Je n'ai deuil - 1a pars (of 2): Je n'ai deuil que de vous ne viegne	ALEXANDER	Agricola, Alexander (ca. 1445–1506)
Je n'ai deuil - 1a pars (of 2): Je n'ai deuil que de vous ne viegne Agricola, Alexander (ca. 1445–1506) Appears on: limin.v_2v–_2v Genres: Chanson Source Attribution: ALEXANDER Voice: [no designation] Languages: French Voice Text: Je n'ay de duel [que de vous ne viegne]. General Note Publ. cf. Bc 17 n» 64
limin.v_2v–_2v	Je n'ai deuil - 2a pars (of 2): Car Dieu voulut tant pour vous faire	ALEXANDER	Agricola, Alexander (ca. 1445–1506)
Je n'ai deuil - 2a pars (of 2): Car Dieu voulut tant pour vous faire Agricola, Alexander (ca. 1445–1506) Appears on: limin.v_2v–_2v Genres: Chanson Source Attribution: ALEXANDER Voice: [no designation] Languages: French Voice Text: 2a p.: [Car dieu voulut] General Note Publ. cf. Bc 17 n» 64
2v–4	J'ay prins amours (4vv) - 1a pars (of 2): J'ay prins amours à ma devise	YSAC	Isaac, Heinrich (ca. 1450–1517)
J'ay prins amours (4vv) - 1a pars (of 2): J'ay prins amours à ma devise Isaac, Heinrich (ca. 1450–1517) Appears on: 2v–4 Genres: Chanson Source Attribution: YSAC Voice: [no designation] Languages: French Voice Text: J'am pris amors [a ma devise]
2v–4	J'ay prins amours (4vv) - 2a pars (of 2): Heureux seray	YSAC	Isaac, Heinrich (ca. 1450–1517)
J'ay prins amours (4vv) - 2a pars (of 2): Heureux seray Isaac, Heinrich (ca. 1450–1517) Appears on: 2v–4 Genres: Chanson Source Attribution: YSAC Voice: [no designation] Languages: French Voice Text: [2a p-]: [Heureux seray]
4v–5	J'ai pris amours a ma devise	JAPART	Japart, Jean
J'ai pris amours a ma devise Japart, Jean Appears on: 4v–5 Genres: Chanson Source Attribution: JAPART Voice: [no designation] Languages: French Voice Text: J'am pris amors. General Note [après résolution du canon: —2—5 ,0—2] Item Bibliography Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the time of Lorenzo the Magnificent. Monuments of Renaissance Music. Chicago and London. Hewitt, Helen Margaret (editor). 1967. Canti B numero cinquanta, Venice 1502. Monuments of Renaissance Music. Chicago. Disertori, Benvenuto. 1946. II manoscritto 1947-4 di Trento e la canzone 'i'ay prins amours. Rivista Musicale Italiana, 1-29.
5v–7	L'heure est venue de me plaindre.	ALEXANDER - L'ore venus	Agricola, Alexander (ca. 1445–1506) (?) Merlo, Alessandro (?)
L'heure est venue de me plaindre. Agricola, Alexander (ca. 1445–1506) (?) Merlo, Alessandro (?) Appears on: 5v–7 Genres: Chanson Source Attribution: ALEXANDER - L'ore venus Voice: [no designation] Languages: French Voice Text: L'ore venus [sic pour: L'heure est venue de me plaindre.] General Note Publ. cf. Bc 17 n° 39
7v–8	O Jesu filii David = Comment poit avoir joie	-	Anonymous
O Jesu filii David = Comment poit avoir joie Anonymous Appears on: 7v–8 Genres: Chanson Voice: [no designation] Languages: French Voice Text: [C]omen pot aver yoye. [=0 Jesu filii David*] General Note Publ. cf. Bc 17 n° 53 Concordances 'Dodecachordon
8v–9	In minen sin (= Myns herten troest)	ALEXANDER	Agricola, Alexander (ca. 1445–1506)
In minen sin (= Myns herten troest) Agricola, Alexander (ca. 1445–1506) Appears on: 8v–9 Genres: Chanson, Song Source Attribution: ALEXANDER Voice: [no designation] Languages: French, Flemish Voice Text: In minen zin. [= Le second jour d'avril] [= Sy j'ayme mon amy] General Note [= Nolite sanctum dare] [= Mijns herten troest mijn siels] Concordances "CH-SGs 462 SA-Csa 12 **B-Br 27088 Item Bibliography Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the time of Lorenzo the Magnificent.* Monuments of Renaissance Music. Chicago and London. Baker, Norma Klein. 1978. A fifteenth-century manuscript from the Segovia cathedral. University of Maryland, Ph.D. Dissertation. Jones, George Morton. 1972. The "First" Chansonnier of the Biblioteca Riccardiana, Codex 2794: A Study in the Method of Editing l6th-Century Music. New York University, Unpublished Ph.D. dissertation. Wolff, Arthur S. 1970. The Chansonnier Biblioteca Casanatense 2856, Its History, Purpose and Music. North Texas State University, Ph.D. dissertation. Geering, Arnold (editor). 1955-. Schweizerische Musikdenkmäler. Basel. Pages: 5. Birmingham, Hugh Myers, Jr. 1955. A Transcription into Modern Notation of a Chansonnier (Fonds Français 2245) of the Duke of Orleans, with Commentary and Concordance. North Texas State College, Unpublished Master's thesis. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 22, V.
9v–10	Belle pous l'amous 28.5	JOSQUIN	Despres, Josquin (ca. 1450–1521)
Belle pous l'amous 28.5 Despres, Josquin (ca. 1450–1521) Appears on: 9v–10 Genres: Chanson Source Attribution: JOSQUIN Voice: [no designation] Languages: French Voice Text: Belle pous l'amous. Item Bibliography Picker, Martin. 1965. The Chanson Albums of Marguerite of Austria. Berkeley and Los Angeles: University of California Press.
10v–11	Je me 27.17	JOSQUIN	Despres, Josquin (ca. 1450–1521)
Je me 27.17 Despres, Josquin (ca. 1450–1521) Appears on: 10v–11 Genres: Chanson Source Attribution: JOSQUIN Voice: [no designation] Languages: French Voice Text: Je me
11v–13	Il n'est vivant tant soit savant ou sage = Penses vivant	Alexander [ou L.COMPERE]	Compère, Loyset (ca. 1445–1518) (?) Agricola, Alexander (ca. 1445–1506)
Il n'est vivant tant soit savant ou sage = Penses vivant Compère, Loyset (ca. 1445–1518) (?) Agricola, Alexander (ca. 1445–1506) Appears on: 11v–13 Genres: Chanson Source Attribution: Alexander [ou L.COMPERE] Voice: [no designation] Languages: French Voice Text: Il n'est vivant (=Penses vivant] Item Bibliography Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the time of Lorenzo the Magnificent. Monuments of Renaissance Music. Chicago and London. Wolff, Arthur S. 1970. The Chansonnier Biblioteca Casanatense 2856, Its History, Purpose and Music. North Texas State University, Ph.D. dissertation. Shipp, Clifford Marion. 1960. A chansonnier of the dukes of Lorraine: The Paris manuscript Fonds Français 1597. North Texas State College, Ph.D. Dissertation. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 22, V.
13v–14	Dites moi toutes vos pensées = Dites le moi	Alexander	Agricola, Alexander (ca. 1445–1506)
Dites moi toutes vos pensées = Dites le moi Agricola, Alexander (ca. 1445–1506) Appears on: 13v–14 Genres: Chanson Source Attribution: Alexander Voice: [no designation] Languages: French Voice Text: Dictes moy toutes [vos pensées].[ = Dictes le moy] [ = Amice ad quid venisti] General Note Publ. cf. Bc 16 n° 17
14v–16	Se je vous eslonge de l'oeil	ALEXANDER [ou HAYNE VAN GHIZEGHEM]	Ghizeghem, Hayne van (ca. 1445–ca. 1497) (?) Agricola, Alexander (ca. 1445–1506) (?)
Se je vous eslonge de l'oeil Ghizeghem, Hayne van (ca. 1445–ca. 1497) (?) Agricola, Alexander (ca. 1445–1506) (?) Appears on: 14v–16 Genres: Chanson Source Attribution: ALEXANDER [ou HAYNE VAN GHIZEGHEM] Voice: [no designation] Languages: French Voice Text: [Se je vous eslonge de l'oeil] Item Bibliography Jones, George Morton. 1972. The "First" Chansonnier of the Biblioteca Riccardiana, Codex 2794: A Study in the Method of Editing l6th-Century Music. New York University, Unpublished Ph.D. dissertation. Picker, Martin. 1965. The Chanson Albums of Marguerite of Austria. Berkeley and Los Angeles: University of California Press. Shipp, Clifford Marion. 1960. A chansonnier of the dukes of Lorraine: The Paris manuscript Fonds Français 1597. North Texas State College, Ph.D. Dissertation. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 22,V. Stainer, John F. R, Cécie Stainer, and Edward W. B. Nicholson. 1901, 1913. Early Bodleian Music I-II (1901); Early Bodleian Music III. Pages: I & II;.
14v–16	Helas de vous me doy complaindre	ALEXANDER [ou HAYNE VAN GHIZEGHEM]	Agricola, Alexander (ca. 1445–1506) (?) Ghizeghem, Hayne van (ca. 1445–ca. 1497) (?)
Helas de vous me doy complaindre Agricola, Alexander (ca. 1445–1506) (?) Ghizeghem, Hayne van (ca. 1445–ca. 1497) (?) Appears on: 14v–16 Genres: Chanson Source Attribution: ALEXANDER [ou HAYNE VAN GHIZEGHEM] Voice: [no designation] Languages: French Voice Text: 2a p.: [Helas de vous me doy complaindre] Item Bibliography Jones, George Morton. 1972. The "First" Chansonnier of the Biblioteca Riccardiana, Codex 2794: A Study in the Method of Editing l6th-Century Music. New York University, Unpublished Ph.D. dissertation. Picker, Martin. 1965. The Chanson Albums of Marguerite of Austria. Berkeley and Los Angeles: University of California Press. Shipp, Clifford Marion. 1960. A chansonnier of the dukes of Lorraine: The Paris manuscript Fonds Français 1597. North Texas State College, Ph.D. Dissertation. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 22, V. Stainer, John F. R, Cécie Stainer, and Edward W. B. Nicholson. 1901, 1913. Early Bodleian Music I-II (1901); Early Bodleian Music III. Pages: 1 & 2.
16v–17	Une mosche de Bischaye 28.35	JOSQUIN	Despres, Josquin (ca. 1450–1521)
Une mosche de Bischaye 28.35 Despres, Josquin (ca. 1450–1521) Appears on: 16v–17 Genres: Chanson Source Attribution: JOSQUIN Voice: [no designation] Languages: French Voice Text: Une mosche de Bischaye. General Note Publ. cf. Bc 17 n° 69Canon. Quiescit qui super me volat post venit que ante me factus est.
17v–18	Corri fortuna	YZAC	Isaac, Heinrich (ca. 1450–1517)
Corri fortuna Isaac, Heinrich (ca. 1450–1517) Appears on: 17v–18 Genres: Secular Source Attribution: YZAC Voice: [no designation] Languages: Italian Voice Text: Corri fortuna. Item Bibliography Jeppesen, Knud. 1968-70. La Frottola. Acta Jutlandica. 3 vols. Copenhagen. Pages: II facs. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 28, (XIV).
18v–19	En atendant de vous [=d'avoir] secours	[L. COMPÈRE]	Compère, Loyset (ca. 1445–1518)
En atendant de vous [=d'avoir] secours Compère, Loyset (ca. 1445–1518) Appears on: 18v–19 Genres: Chanson Source Attribution: [L. COMPÈRE] Voice: [no designation] Languages: French Voice Text: En atendant [de vous secours] General Note Publ. cf. Bc 18 n° 90
19v–20	J'ai beau huer avant que bien avoir	ALEXANDER [ou L. COMPÈRE*]	Agricola, Alexander (ca. 1445–1506) (?) Compère, Loyset (ca. 1445–1518) (?)
J'ai beau huer avant que bien avoir Agricola, Alexander (ca. 1445–1506) (?) Compère, Loyset (ca. 1445–1518) (?) Appears on: 19v–20 Genres: Chanson Source Attribution: ALEXANDER [ou L. COMPÈRE] Voice:* [no designation] Languages: French Voice Text: [J'ay beau huer] [= J'ay bien et honore] [= Robert*] General Note Publ. cf. Bc 16 no 6 Concordances E-SE **c. 153514
20v–21	C'est mal serché votre avantage (I)	Alexander	Agricola, Alexander (ca. 1445–1506)
C'est mal serché votre avantage (I) Agricola, Alexander (ca. 1445–1506) Appears on: 20v–21 Genres: Chanson Source Attribution: Alexander Voice: [no designation] Languages: Latin Voice Text: Id est trophis [= C'est mal cherche vostre avantage] Item Bibliography Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the time of Lorenzo the Magnificent. Monuments of Renaissance Music. Chicago and London. Moerk, Alice Anne. 1971. The Seville Chansonnier: An Edition of Seville 5-1-43 and Paris N.A.FR. 4379 (Pt 1). West Virginia University, Ph.D. Dissertation. Wolff, Arthur S. 1970. The Chansonnier Biblioteca Casanatense 2856, Its History, Purpose and Music. North Texas State University, Ph.D. dissertation. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 22, V. Hewitt, Helen Margaret (editor). 1942. Harmonice Musices Odhecaton A. Studies and Documents. Cambridge, Massachusetts: Mediaeval Academy of America. Pages: 4vx. Boer, Coenraad L W. 1938. Chansonvormen op het einde van de xvde eeuw : een studie naar aanleiding van Petrucci's "harmonice musices odhecaton". Amsterdam.
21v–22	Sempre giro piangendo per aspre selve forte.	YÇAC	Isaac, Heinrich (ca. 1450–1517)
Sempre giro piangendo per aspre selve forte. Isaac, Heinrich (ca. 1450–1517) Appears on: 21v–22 Genres: Italian secular Source Attribution: YÇAC Voice: [no designation] Languages: Italian Voice Text: Sempre giro piangendo per aspre selve forte. Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 28 (XIV).
22v–23	J'ars du desir = Mon pere	ALEXANDER - Mon pere	Agricola, Alexander (ca. 1445–1506) (?)
J'ars du desir = Mon pere Agricola, Alexander (ca. 1445–1506) (?) Appears on: 22v–23 Source Attribution: ALEXANDER - Mon pere Voice: [no designation] Languages: French Voice Text: Mon pere. [= J'ars du désir] Concordances F-Pn 57; F-Dm 517 Item Bibliography Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the time of Lorenzo the Magnificent. Monuments of Renaissance Music. Chicago and London. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 22, V (op dub.).
23v–24	Se vous voulez m'estre loyalle et bonne = Je vous en prise	ALEXANDER	Agricola, Alexander (ca. 1445–1506)
Se vous voulez m'estre loyalle et bonne = Je vous en prise Agricola, Alexander (ca. 1445–1506) Appears on: 23v–24 Genres: Chanson Source Attribution: ALEXANDER Voice: [no designation] Languages: French Voice Text: Je vous vous eri. [sic pour: Je vous en prie] General Note [= Se vous voulez m'estre loyale et bonne] Item Bibliography Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the time of Lorenzo the Magnificent. Monuments of Renaissance Music. Chicago and London. Jones, George Morton. 1972. The "First" Chansonnier of the Biblioteca Riccardiana, Codex 2794: A Study in the Method of Editing l6th-Century Music. New York University, Unpublished Ph.D. dissertation. Hewitt, Helen Margaret (editor). 1967. Canti B numero cinquanta, Venice 1502. Monuments of Renaissance Music. Chicago. Shipp, Clifford Marion. 1960. A chansonnier of the dukes of Lorraine: The Paris manuscript Fonds Français 1597. North Texas State College, Ph.D. Dissertation. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 22, V.
24v–25	C'est trop sur amours entrepriz (= C'est mal serché (II))	ALEXANDER - Cest mal serch	Agricola, Alexander (ca. 1445–1506)
C'est trop sur amours entrepriz (= C'est mal serché (II)) Agricola, Alexander (ca. 1445–1506) Appears on: 24v–25 Genres: Chanson Source Attribution: ALEXANDER - Cest mal serch Voice: [no designation] Languages: French Voice Text: C'est mal serché [sic pour: C'est trop sur amour entrepris] General Note Publ. cf. Bc 17 n° 24
25v–26	En attendant la grace de ma dame	ALEXANDER AGRICOLA	Agricola, Alexander (ca. 1445–1506)
En attendant la grace de ma dame Agricola, Alexander (ca. 1445–1506) Appears on: 25v–26 Genres: Chanson Source Attribution: ALEXANDER AGRICOLA Voice: [no designation] Languages: French Voice Text: En atendant. General Note Publ. cf. Fn 121 n° 27
26v–27	La saison en est ou jamais que je cognoisce	LOYSET COMPÈRE [ou A. AGRICOLA*]	Compère, Loyset (ca. 1445–1518) Agricola, Alexander (ca. 1445–1506) (?)
La saison en est ou jamais que je cognoisce Compère, Loyset (ca. 1445–1518) Agricola, Alexander (ca. 1445–1506) (?) Appears on: 26v–27 Genres: Chanson Source Attribution: LOYSET COMPÈRE [ou A. AGRICOLA] Voice:* [no designation] Languages: French Voice Text: [La saison en est ou james] Concordances DK-Kk 1848 Item Bibliography Jones, George Morton. 1972. The "First" Chansonnier of the Biblioteca Riccardiana, Codex 2794: A Study in the Method of Editing l6th-Century Music. New York University, Unpublished Ph.D. dissertation. Shipp, Clifford Marion. 1960. A chansonnier of the dukes of Lorraine: The Paris manuscript Fonds Français 1597. North Texas State College, Ph.D. Dissertation. Geering, Arnold (editor). 1955-. Schweizerische Musikdenkmäler.* Basel. Pages: 5. Birmingham, Hugh Myers, Jr. 1955. A Transcription into Modern Notation of a Chansonnier (Fonds Français 2245) of the Duke of Orleans, with Commentary and Concordance. North Texas State College, Unpublished Master's thesis. Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music. London. Pages: XVIII. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 15, V. Wolf, Johannes. 1936. Eine deutsche Quelle geistlicher Musik aus dem Ende des 15. Jahrhunderts. Jahrbuch der Musikbibliothek Peters, .
27v–28	Mon souvenir mi fait morir pour les regrets	AYNE	Ghizeghem, Hayne van (ca. 1445–ca. 1497)
Mon souvenir mi fait morir pour les regrets Ghizeghem, Hayne van (ca. 1445–ca. 1497) Appears on: 27v–28 Genres: Chanson Source Attribution: AYNE Voice: [no designation] Languages: French Voice Text: Mon sovenir [me fait morir]. General Note Publ. cf. Bc 17 n° 28
28v–29	O Venus bant (I)	[A. AGRICOLA]*	Agricola, Alexander (ca. 1445–1506)
O Venus bant (I) Agricola, Alexander (ca. 1445–1506) Appears on: 28v–29 Genres: Chanson Source Attribution: [A. AGRICOLA]* Voice: [no designation] Languages: Latin Voice Text: O Venus bant. Concordances E-SE Item Bibliography Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the time of Lorenzo the Magnificent.* Monuments of Renaissance Music. Chicago and London. Baker, Norma Klein. 1978. A fifteenth-century manuscript from the Segovia cathedral. University of Maryland, Ph.D. Dissertation. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 22, V.
29v–30	La morra dona gentile (= Veni sancte spiritus Reple tuorum corda fidelium) (= Elaes) (= O regina)	ENRICUS YZAC	Isaac, Heinrich (ca. 1450–1517)
La morra dona gentile (= Veni sancte spiritus Reple tuorum corda fidelium) (= Elaes) (= O regina) Isaac, Heinrich (ca. 1450–1517) Appears on: 29v–30 Genres: Italian secular Source Attribution: ENRICUS YZAC Voice: [no designation] Languages: Latin Voice Text: La mora [dona gentile]. [= Elaes] [= O regina*] General Note Publ. cf. Bc 18 n° 71 Concordances F-Pn 676 E-SE CH-SGs 462 ***D-ddr-LEu 1494
30v–31	Le renvoi d'un coeur esgaré	[L. COMPÈRE]	Compère, Loyset (ca. 1445–1518)
Le renvoi d'un coeur esgaré Compère, Loyset (ca. 1445–1518) Appears on: 30v–31 Genres: Chanson Source Attribution: [L. COMPÈRE] Voice: [no designation] Languages: French Voice Text: Le renvoyé [d'ung cueur esgaré] General Note Publ. cf. Bc 17 n° 23
31v–32	Si dedero somnum oculis meis	ALEXANDER [ou VERBONNET*]	Agricola, Alexander (ca. 1445–1506)
Si dedero somnum oculis meis Agricola, Alexander (ca. 1445–1506) Appears on: 31v–32 Genres: Motet Source Attribution: ALEXANDER [ou VERBONNET] Voice:* [no designation] Languages: Latin Voice Text: Si dedero somnum oculis meis General Note ' Publ. cf. Bc 16 n° 117 Concordances . *CH-SGs 463 (Sup. seul')
32v–33	J'ai bien nori sept ans 27.16	JOSQUIN DEPRÉS [ou J. JAPART ou J. JOYE*]	Joye, Gilles (?) Despres, Josquin (ca. 1450–1521) (?) Japart, Jean (?)
J'ai bien nori sept ans 27.16 Joye, Gilles (?) Despres, Josquin (ca. 1450–1521) (?) Japart, Jean (?) Appears on: 32v–33 Genres: Chanson Source Attribution: JOSQUIN DEPRÉS [ou J. JAPART ou J. JOYE] Voice:* [no designation] Languages: French Voice Text: Nay [sic pour: J'ay] bien nori set ans. Concordances E-SE Item Bibliography Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the time of Lorenzo the Magnificent.* Monuments of Renaissance Music. Chicago and London. Baker, Norma Klein. 1978. A fifteenth-century manuscript from the Segovia cathedral. University of Maryland, Ph.D. Dissertation. Atlas, Allan W. 1976. The Cappella Giulia chansonnier. (Rome, Biblioteca Apostolica Vaticana, CG. XII-27). Musicological Studies. Brooklyn. Pages: II.
33v–34	Ha traite amours me sçauroes-tu feire pis	STOCHEM [ou L. COMPÈRE* ou RUBINET]	Compère, Loyset (ca. 1445–1518) (?) Stockem, Johannes de (ca. 1445–1487) (?) Robinet, F (?)
Ha traite amours me sçauroes-tu feire pis Compère, Loyset (ca. 1445–1518) (?) Stockem, Johannes de (ca. 1445–1487) (?) Robinet, F (?) Appears on: 33v–34 Genres: Chanson Source Attribution: STOCHEM [ou L. COMPÈRE* ou RUBINET] Voice: [no designation] Languages: French Voice Text: Ha traytor amors. General Note Publ. cf. Bc 17 n° 38 Concordances *c. 153514
34v–35	De tous biens plaine est ma maîtresse	HAYNE	Ghizeghem, Hayne van (ca. 1445–ca. 1497)
De tous biens plaine est ma maîtresse Ghizeghem, Hayne van (ca. 1445–ca. 1497) Appears on: 34v–35 Genres: Chanson Source Attribution: HAYNE Voice: [no designation] Languages: French Voice Text: De tous biens playne.[= Cum defecerint ligna] General Note Publ. cf. Bc 16 n° 115 Concordances SA-Csa 12
35v–36	Je n'ose plus 27.19	JOSQUIN DEPRÉS	Despres, Josquin (ca. 1450–1521)
Je n'ose plus 27.19 Despres, Josquin (ca. 1450–1521) Appears on: 35v–36 Genres: Chanson Source Attribution: JOSQUIN DEPRÉS Voice: [no designation] Languages: French Voice Text: Je n'ose plus.
36v–37	Et qui la dira	ALEXANDER	Agricola, Alexander (ca. 1445–1506)
Et qui la dira Agricola, Alexander (ca. 1445–1506) Appears on: 36v–37 Genres: Chanson Source Attribution: ALEXANDER Voice: [no designation] Languages: French Voice Text: Et quilla dira. General Note Publ. cf. Fn 121 n° 5
37v–38	Nunca fue pena mayor / Numquam fuit pena magior	[J. URREDE ou ENRIQUE]	Urrede (Wrede), Juan de (fl. 1451-c1482) (?) Enrique (?)
Nunca fue pena mayor / Numquam fuit pena magior Urrede (Wrede), Juan de (fl. 1451-c1482) (?) Enrique (?) Appears on: 37v–38 Genres: Motet Source Attribution: [J. URREDE ou ENRIQUE] Voice: [no designation] Languages: Latin Voice Text: Numquam fuit pena magior. General Note Publ. cf. Bc 16 n" 116
38v–39	Vrai dieu quel payne esse que d'aymer = Quam diu che pena messe	[L. COMPÈRE* ou G. VAN WEERBECKE ou M. PIPELARE**]	Pipelare, Mattheus (ca. 1450–ca. 1515) (?) Weerbecke, Gaspar van (ca. 1445–ca. 1516) (?) Compère, Loyset (ca. 1445–1518) (?)
Vrai dieu quel payne esse que d'aymer = Quam diu che pena messe Pipelare, Mattheus (ca. 1450–ca. 1515) (?) Weerbecke, Gaspar van (ca. 1445–ca. 1516) (?) Compère, Loyset (ca. 1445–1518) (?) Appears on: 38v–39 Genres: Chanson, Contrafactum, Motet Source Attribution: [L. COMPÈRE* ou G. VAN WEERBECKE ou M. PIPELARE] Voice: [no designation] Languages: French Voice Text:** Vray diu [quel paine esse]. General Note Publ. cf. Bc 17 n' 65 Concordances 15043 *CH-SGs 530
39v–40	Cela sans plus et plus hola	JOSQUIN [sic pour: COLINET DE LANNOY]	Despres, Josquin (ca. 1450–1521) (?) Lannoy, Colinet de
Cela sans plus et plus hola Despres, Josquin (ca. 1450–1521) (?) Lannoy, Colinet de Appears on: 39v–40 Genres: Chanson Source Attribution: JOSQUIN [sic pour: COLINET DE LANNOY] Voice: [no designation] Languages: French Voice Text: Cela sant plus. General Note Publ. cf. Bc 16 n° 42
40v–41	Je ne fais plus je ne dis ne escris = Au joli mois de may	[A. BUSNOIS ou L. COMPÈRE* ou G. MUREAU]	Busnoys, Antoine (ca. 1430–1492) (?) Mureau, Gilles (?) Compère, Loyset (ca. 1445–1518) (?)
Je ne fais plus je ne dis ne escris = Au joli mois de may Busnoys, Antoine (ca. 1430–1492) (?) Mureau, Gilles (?) Compère, Loyset (ca. 1445–1518) (?) Appears on: 40v–41 Genres: Chanson Source Attribution: [A. BUSNOIS ou L. COMPÈRE* ou G. MUREAU] Voice: [no designation] Languages: French Voice Text: Je ne fay plus [je ne dis]. [= Au joly moys de may] General Note Publ. cf. Bc 17 n° 33 Concordances *E-SE
41v–42	Hé logierons nous céans l'hôtesse.	YSAC	Isaac, Heinrich (ca. 1450–1517)
Hé logierons nous céans l'hôtesse. Isaac, Heinrich (ca. 1450–1517) Appears on: 41v–42 Genres: Chanson Source Attribution: YSAC Voice: [no designation] Languages: French Voice Text: He longeron [nous céans]. General Note Publ. cf. Bc 17 n° 56
42v–43	Allez regrets vuides de ma présence	HAYNE	Agricola, Alexander (ca. 1445–1506) (?) Ghizeghem, Hayne van (ca. 1445–ca. 1497) (?)
Allez regrets vuides de ma présence Agricola, Alexander (ca. 1445–1506) (?) Ghizeghem, Hayne van (ca. 1445–ca. 1497) (?) Appears on: 42v–43 Genres: Chanson, Rondeau Source Attribution: HAYNE Voice: [no designation] Languages: Latin Voice Text: Aies regres General Note Publ. cf. Bc 17 n° 26
43v–44	Helas madame 27.13	JOSQUIN DEPRÉS	Despres, Josquin (ca. 1450–1521)
Helas madame 27.13 Despres, Josquin (ca. 1450–1521) Appears on: 43v–44 Genres: Chanson Source Attribution: JOSQUIN DEPRÉS Voice: [no designation] Languages: French Voice Text: Helas ma dame Item Bibliography Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the time of Lorenzo the Magnificent. Monuments of Renaissance Music. Chicago and London. Moerk, Alice Anne. 1971. The Seville Chansonnier: An Edition of Seville 5-1-43 and Paris N.A.FR. 4379 (Pt 1). West Virginia University, Ph.D. Dissertation. Smijers, Albert, Myroslaw Antonowycz, and Willem Elders (editors). 1925 - . Werken van Josquin des Prés: Wereldlijke Werken (1925); Missen (1931). Leipzig/ Amsterdam. Pages: II.
44v–45	Des biens d'amour	JOHANNES MARTIN[I]	Martini, Johannes (ca. 1430–1497)
Des biens d'amour Martini, Johannes (ca. 1430–1497) Appears on: 44v–45 Genres: Chanson Source Attribution: JOHANNES MARTIN[I] Voice: [no designation] Languages: French Voice Text: La ré.[= Des biens d'amour] General Note Publ. cf. Bc 16 n° 1
45v–46	Helas que il est a mon gré	[J. JAPART]	Japart, Jean
Helas que il est a mon gré Japart, Jean Appears on: 45v–46 Genres: Italian secular Source Attribution: [J. JAPART] Voice: [no designation] Languages: French Voice Text: Che'l et a mon gré. General Note [sic pour: Helas que il est a mon gré]. Publ. cf. Fu 27 n° 96
46v–47	Ha qu'il m'ennuie et que je ne treuve	ALEXANDER [ou J. FRESNEAU*]	Agricola, Alexander (ca. 1445–1506) (?) Fresneau, Jehan
Ha qu'il m'ennuie et que je ne treuve Agricola, Alexander (ca. 1445–1506) (?) Fresneau, Jehan Appears on: 46v–47 Genres: Chanson Source Attribution: ALEXANDER [ou J. FRESNEAU] Voice:* [no designation] Languages: French Voice Text: A gnil mie me et que de me. [sic pour: Ha qu'il m'ennuye] Concordances F-Pn 2245 General Note This is only the first part of this bergerette, second part is missing. Item Bibliography Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the time of Lorenzo the Magnificent.* Monuments of Renaissance Music. Chicago and London. Shipp, Clifford Marion. 1960. A chansonnier of the dukes of Lorraine: The Paris manuscript Fonds Français 1597. North Texas State College, Ph.D. Dissertation. Birmingham, Hugh Myers, Jr. 1955. A Transcription into Modern Notation of a Chansonnier (Fonds Français 2245) of the Duke of Orleans, with Commentary and Concordance. North Texas State College, Unpublished Master's thesis. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 22, V (Op. dub.);.
47v–48	Gentil galans	ALEXANDER	Agricola, Alexander (ca. 1445–1506)
Gentil galans Agricola, Alexander (ca. 1445–1506) Appears on: 47v–48 Genres: Secular Source Attribution: ALEXANDER Voice: [no designation] Languages: French, Italian Voice Text: Gentil galans Item Bibliography Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the time of Lorenzo the Magnificent. Monuments of Renaissance Music. Chicago and London. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 22, V.
48v–49	Adieu mes amours/Adieu vous command (28.3) - 1a pars (of 2): Adieu mes amours on m'atent/Adieu vous command	JOSQUIN DEPRÉS	Despres, Josquin (ca. 1450–1521)
Adieu mes amours/Adieu vous command (28.3) - 1a pars (of 2): Adieu mes amours on m'atent/Adieu vous command Despres, Josquin (ca. 1450–1521) Appears on: 48v–49 Genres: Chanson Source Attribution: JOSQUIN DEPRÉS Voice: [no designation] Languages: French Voice Text: Adiu mens amors General Note Publ. cf. Bc 17 n° 54
48v–49	Adieu mes amours/Adieu vous command (28.3) - 2a pars (of 2): [untexted]	-	Despres, Josquin (ca. 1450–1521)
Adieu mes amours/Adieu vous command (28.3) - 2a pars (of 2): [untexted] Despres, Josquin (ca. 1450–1521) Appears on: 48v–49 Genres: Chanson
49v–50	Mon tot ma perfaytes.	-	Anonymous
Mon tot ma perfaytes. Anonymous Appears on: 49v–50 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Mon tot ma perfaytes.
50v–51	Tart ara mon coeur sa plaisance	[J. MOLINET]	Molinet, Jehan
Tart ara mon coeur sa plaisance Molinet, Jehan Appears on: 50v–51 Genres: Chanson Source Attribution: [J. MOLINET] Voice: [no designation] Languages: French Voice Text: Tart ara mon cuer Item Bibliography Wolff, Arthur S. 1970. The Chansonnier Biblioteca Casanatense 2856, Its History, Purpose and Music. North Texas State University, Ph.D. dissertation. Pope, Isabel. 1964. The musical manuscript Montecassino N879 [sic; recte 871]. Anuário Musical, 123-53. Pages: ms. 871. Pease, Edward Joseph. 1959. An Edition of the Pixérécourt Manuscript. Indiana University, Ph.D. Dissertation. Jeppesen, Knud (editor). 1927. Der Kopenhagener Chansonnier, das Manuskript Thott 2918 der Königlichen Bibliothek Kopenhagen. Kopenhagen/Leipzig. Droz, Eugénie, and Geneviève Thibault. 1924. Poètes et musiciens du XVe siècle. Documents artistiques du XVe siècle. Paris. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 28 (XIV).
51v–52	Que vous madame / In pace in idipsum 27.33	JOSQUIN DEPRÉS [ou A. AGRICOLA*]	Despres, Josquin (ca. 1450–1521) Agricola, Alexander (ca. 1445–1506) (?)
Que vous madame / In pace in idipsum 27.33 Despres, Josquin (ca. 1450–1521) Agricola, Alexander (ca. 1445–1506) (?) Appears on: 51v–52 Genres: Motet Source Attribution: JOSQUIN DEPRÉS [ou A. AGRICOLA] Voice:* [no designation] Languages: Latin Voice Text: In pace in idipsum [= Que vous madame] General Note Publ. cf. Bc 17 n° 31 Concordances *15043
52v–53	Amie des que = Votre amour = Memento mei domine (= Christe from Missa Charge de dueil)	Isaac	Isaac, Heinrich (ca. 1450–1517)
Amie des que = Votre amour = Memento mei domine (= Christe from Missa Charge de dueil) Isaac, Heinrich (ca. 1450–1517) Appears on: 52v–53 Genres: Motet Source Attribution: Isaac Voice: [no designation] Languages: French Voice Text: Amie des que General Note [= Christe de la Missa Chargé de deuil**] Concordances E-SE SA-Csa 12 SartoriB n° 28 Item Bibliography Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the time of Lorenzo the Magnificent.* Monuments of Renaissance Music. Chicago and London. Baker, Norma Klein. 1978. A fifteenth-century manuscript from the Segovia cathedral. University of Maryland, Ph.D. Dissertation. Migliavacca, Luciano, Angelo Ciceri, and Eugenio Consonni (editors). 1958-1968. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: X (Missa Chargé de deuil). Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 28 (XIV).
53v–54	Plus que pantofles de bone.	-	Anonymous
Plus que pantofles de bone. Anonymous Appears on: 53v–54 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Plus que pantofles de bone.
54v–55	Je ne puis plus	Alexander [Agricola]/[Compère]	Agricola, Alexander (ca. 1445–1506) (?) Compère, Loyset (ca. 1445–1518) (?)
Je ne puis plus Agricola, Alexander (ca. 1445–1506) (?) Compère, Loyset (ca. 1445–1518) (?) Appears on: 54v–55 Genres: Chanson, Contrafactum Source Attribution: Alexander [Agricola]/[Compère] Voice: [no designation] Languages: Latin, French Voice Text: Je ne puis plus, Benedic anima mea domino Concordances Segovia s.s. (f 192r): Je ne puis plus - Loyset Compere Florence Magl XIX 178 (ff. 54v-55r): Je ne puis haver - Alexander [Agricola] Florence Magl. XIX 59 (ff. 26v-27r: Je nem puis - anon Cape Town, 3.b.12 (f. 120v): Benedic anima mea Domino - anon Item Bibliography Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the time of Lorenzo the Magnificent. Monuments of Renaissance Music. Chicago and London. Baker, Norma Klein. 1978. A fifteenth-century manuscript from the Segovia cathedral. University of Maryland, Ph.D. Dissertation. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 22, V.
55v–56	Vostre hault bruit	ALEXANDER AGRICOLA	Agricola, Alexander (ca. 1445–1506)
Vostre hault bruit Agricola, Alexander (ca. 1445–1506) Appears on: 55v–56 Genres: Chanson Source Attribution: ALEXANDER AGRICOLA Voice: [no designation] Languages: French Voice Text: Vostre hale [sic pour: hault] bruit. Item Bibliography Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the time of Lorenzo the Magnificent. Monuments of Renaissance Music. Chicago and London. Wolff, Arthur S. 1970. The Chansonnier Biblioteca Casanatense 2856, Its History, Purpose and Music. North Texas State University, Ph.D. dissertation. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 22, V.
56v–57	Mes pensées ne me laissent une heure 27.26	LOYSET [COMPÈRE]	Despres, Josquin (ca. 1450–1521) (?) Compère, Loyset (ca. 1445–1518)
Mes pensées ne me laissent une heure 27.26 Despres, Josquin (ca. 1450–1521) (?) Compère, Loyset (ca. 1445–1518) Appears on: 56v–57 Genres: Chanson Source Attribution: LOYSET [COMPÈRE] Voice: [no designation] Languages: French Voice Text: Mas pensés [ne me laissent une heure]. General Note Publ. cf. Bc 17 n° 12
58v–59	Mauldicte soit envie et jaulosye	ALEXANDER	Agricola, Alexander (ca. 1445–1506)
Mauldicte soit envie et jaulosye Agricola, Alexander (ca. 1445–1506) Appears on: 58v–59 Genres: Chanson Source Attribution: ALEXANDER Voice: [no designation] Languages: French Voice Text: Maldit soie, Item Bibliography Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the time of Lorenzo the Magnificent. Monuments of Renaissance Music. Chicago and London. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 22, V.
57v–58	Amour fait moult (Tant que nostre argent dure) / Il est de bonne heure ne	[J. JAPART ou A. BUSNOIS ou PIRSON* = P. DE LA RUE]	Busnoys, Antoine (ca. 1430–1492) (?) Rue, Pierre de la (ca. 1452–1518) (?) Japart, Jean (?)
Amour fait moult (Tant que nostre argent dure) / Il est de bonne heure ne Busnoys, Antoine (ca. 1430–1492) (?) Rue, Pierre de la (ca. 1452–1518) (?) Japart, Jean (?) Appears on: 57v–58 Genres: Chanson Source Attribution: [J. JAPART ou A. BUSNOIS ou PIRSON* = P. DE LA RUE] Voice: [no designation] Languages: French Voice Text: Amors fait mol tant que nostre argent dure. General Note Publ. cf. Bc 17 n° 58 Concordances *CH-Bu F.X 1-4
59v–60	Se je fais bien ou mal aussi	ALEXANDER	Agricola, Alexander (ca. 1445–1506)
Se je fais bien ou mal aussi Agricola, Alexander (ca. 1445–1506) Appears on: 59v–60 Genres: Chanson Source Attribution: ALEXANDER Voice: [no designation] Languages: French Voice Text: Se je fais biem. Item Bibliography Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the time of Lorenzo the Magnificent. Monuments of Renaissance Music. Chicago and London. Jones, George Morton. 1972. The "First" Chansonnier of the Biblioteca Riccardiana, Codex 2794: A Study in the Method of Editing l6th-Century Music. New York University, Unpublished Ph.D. dissertation. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 22, V.
60v–61	Servitur suis = Je suis malcontent = Verumtamen universa vanitas	[H. ISAAC]	Isaac, Heinrich (ca. 1450–1517)
Servitur suis = Je suis malcontent = Verumtamen universa vanitas Isaac, Heinrich (ca. 1450–1517) Appears on: 60v–61 Genres: Chanson Source Attribution: [H. ISAAC] Voice: [no designation] Languages: French Voice Text: Servitur suay. [= Je suys malcontent] ' [= Veruntamen universa vanitas] Concordances SA-Csa 12 Item Bibliography Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the time of Lorenzo the Magnificent. Monuments of Renaissance Music. Chicago and London. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 28 (XIV) Je suys malcontent).
61v–62	Cent mille escus quand je voldroie	[A. BUSNOIS oit CARON]	Busnoys, Antoine (ca. 1430–1492) (?) Caron, Firminus (ca. 1460–ca. 1475)
Cent mille escus quand je voldroie Busnoys, Antoine (ca. 1430–1492) (?) Caron, Firminus (ca. 1460–ca. 1475) Appears on: 61v–62 Genres: Chanson Source Attribution: [A. BUSNOIS oit CARON] Voice: [no designation] Languages: French Voice Text: Cent mille escus. General Note . Publ. cf. Bc 16 n° 126
62v–63	D'un aultre aimer mon coeur s'abesseroit	[J. OCKEGHEM ou A. BUSNOIS*]	Busnoys, Antoine (ca. 1430–1492) (?) Ockeghem, Jean de (ca. 1410–1497) (?)
D'un aultre aimer mon coeur s'abesseroit Busnoys, Antoine (ca. 1430–1492) (?) Ockeghem, Jean de (ca. 1410–1497) (?) Appears on: 62v–63 Genres: Chanson Source Attribution: [J. OCKEGHEM ou A. BUSNOIS] Voice:* [no designation] Languages: French Voice Text: D'un altre amer mon cors'abasaret. General Note Publ. cf. Bc 17 n° 36 Concordances *F-Pn 15123
63v–64	Adieu per bon temps.	-	Anonymous
Adieu per bon temps. Anonymous Appears on: 63v–64 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Adiu per bon temps. Item Bibliography Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the time of Lorenzo the Magnificent. Monuments of Renaissance Music. Chicago and London. Atlas, Allan W. 1976. The Cappella Giulia chansonnier. (Rome, Biblioteca Apostolica Vaticana, CG. XII-27). Musicological Studies. Brooklyn. Pages: II.
64v–65	Je ne suis point	ALEXANDER	Agricola, Alexander (ca. 1445–1506)
Je ne suis point Agricola, Alexander (ca. 1445–1506) Appears on: 64v–65 Genres: Chanson Source Attribution: ALEXANDER Voice: [no designation] Languages: French Voice Text: Je ne suis point. Item Bibliography Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the time of Lorenzo the Magnificent. Monuments of Renaissance Music. Chicago and London. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 22, V.
65v–66	Se mai el cielo et fati fur benigni = Je remerchi dieu	JOHANNES MARTIN[I]	Martini, Johannes (ca. 1430–1497)
Se mai el cielo et fati fur benigni = Je remerchi dieu Martini, Johannes (ca. 1430–1497) Appears on: 65v–66 Genres: Chanson, Italian secular Source Attribution: JOHANNES MARTIN[I] Voice: [no designation] Languages: Italian Voice Text: Se mai el cielo et fati fur benigni.[= Je remerchi dieu] Item Bibliography Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the time of Lorenzo the Magnificent. Monuments of Renaissance Music. Chicago and London. Wolff, Arthur S. 1970. The Chansonnier Biblioteca Casanatense 2856, Its History, Purpose and Music. North Texas State University, Ph.D. dissertation.
66v–67	Et trop penser me fet amor 27.9	[BOSFRIN]	Despres, Josquin (ca. 1450–1521) (?)
Et trop penser me fet amor 27.9 Despres, Josquin (ca. 1450–1521) (?) Appears on: 66v–67 Genres: Chanson Source Attribution: [BOSFRIN] Voice: [no designation] Languages: Italian Voice Text: E tro penser. General Note Publ. cf. Fn 121 n° 30
67v–68	Mais que ce fut secrètement en aulcune	PIETRAQUIN [ou L. COMPÈRE*]	Rue, Pierre de la (ca. 1452–1518) (?) Compère, Loyset (ca. 1445–1518) (?)
Mais que ce fut secrètement en aulcune Rue, Pierre de la (ca. 1452–1518) (?) Compère, Loyset (ca. 1445–1518) (?) Appears on: 67v–68 Genres: Chanson Source Attribution: PIETRAQUIN [ou L. COMPÈRE] Voice:* [no designation] Languages: French Voice Text: Meschin che sui secretament, [sic pour: Mais que ce fut secrètement] General Note [= Donzella no men culpeys 4vx.]Publ. cf. Bc 17 n° 14 Concordances *1501
68v–69	Ce de vous je n'ai recouvrance	-	Anonymous
Ce de vous je n'ai recouvrance Anonymous Appears on: 68v–69 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Ce de vous [je n'ai recouvrance] Concordances F-Pn 15123 Item Bibliography Pease, Edward Joseph. 1959. An Edition of the Pixérécourt Manuscript. Indiana University, Ph.D. Dissertation.
69v–70	O fortune contrent = Or maudit soit il (=Qui tollis of Missa Charge de deuil)	YÇAC	Isaac, Heinrich (ca. 1450–1517)
O fortune contrent = Or maudit soit il (=Qui tollis of Missa Charge de deuil) Isaac, Heinrich (ca. 1450–1517) Appears on: 69v–70 Genres: Chanson, Contrafactum Source Attribution: YÇAC Voice: [no designation] Languages: French Voice Text: O fortune contrent. [= Or maudit soit il] Concordances DK-Kk 1848 Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 28 (XIV: A fortune contrent).
70v–72	Fille vous have mal guarde / Ave sanctissima Maria	ENRIGUS YZAC	Isaac, Heinrich (ca. 1450–1517)
Fille vous have mal guarde / Ave sanctissima Maria Isaac, Heinrich (ca. 1450–1517) Appears on: 70v–72 Genres: Contrafactum, Marian antiphon, Song Source Attribution: ENRIGUS YZAC Voice: [no designation] Languages: French Voice Text: Fille vos avé mal gardé il pan davant. General Note . Publ. cf. Bc 17 n° 59
72v–73	Anima mea liquefacta est ut dilectus meus	Gaspar [van Weerbecke]	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Anima mea liquefacta est ut dilectus meus Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 72v–73 Genres: Motet Source Attribution: Gaspar [van Weerbecke] Voice: [no designation] Languages: Latin Voice Text: Anima mea liquefacta est Item Bibliography Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the time of Lorenzo the Magnificent. Monuments of Renaissance Music. Chicago and London. Picker, Martin. 1965. The Chanson Albums of Marguerite of Austria. Berkeley and Los Angeles: University of California Press. Migliavacca, Luciano, Angelo Ciceri, and Eugenio Consonni (editors). 1958-1968. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: XI.
73v–74	Vostre bargeronette mamiette	LOYSET COMPER	Compère, Loyset (ca. 1445–1518)
Vostre bargeronette mamiette Compère, Loyset (ca. 1445–1518) Appears on: 73v–74 Genres: Chanson Source Attribution: LOYSET COMPER Voice: [no designation] Languages: French Voice Text: Vostre bregironette ma miecte. General Note . Publ. cf. Bc 17 n° 60
74v–75	Je vous prie mon tres douce amie / Tant que mon argent dura / Ma tres douce amie	DUFAY	Du Fay, Guillaume (1397–1474)
Je vous prie mon tres douce amie / Tant que mon argent dura / Ma tres douce amie Du Fay, Guillaume (1397–1474) Appears on: 74v–75 Genres: Chanson Source Attribution: DUFAY Voice: [no designation] Languages: French Voice Text: Je vous pri mon tres [doux ami] General Note ] Publ. cf. Fn 107bis n° 16
75v–76	Anima mea liquefacta est	JAPART [ou H. ISAAC* ou J. OBRECHT**]	Japart, Jean (?) Obrecht, Jacobus (ca. 1457–1505) (?) Isaac, Heinrich (ca. 1450–1517) (?)
Anima mea liquefacta est Japart, Jean (?) Obrecht, Jacobus (ca. 1457–1505) (?) Isaac, Heinrich (ca. 1450–1517) (?) Appears on: 75v–76 Genres: Motet Source Attribution: JAPART [ou H. ISAAC* ou J. OBRECHT] Voice: [no designation] Languages: Flemish Voice Text: De tusche in busche. [= T'meiskin was jonck] General Note Publ. cf. Bc 17 n« 63 Concordances *1501 »»E-SE
76v–77	Adieu Adieu (= Meskin es hu)	JACOB OBRET	Obrecht, Jacobus (ca. 1457–1505)
Adieu Adieu (= Meskin es hu) Obrecht, Jacobus (ca. 1457–1505) Appears on: 76v–77 Genres: Chanson Source Attribution: JACOB OBRET Voice: [no designation] Languages: Italian Voice Text: Adiu adiu [= Meskin es hu] General Note Publ. cf. Fn 27 n° 105
77v–78	Adieux Florens la jolie = Carmen in sol	PIETRAQUIN [ou P. DE LA RUE*]	Rue, Pierre de la (ca. 1452–1518)
Adieux Florens la jolie = Carmen in sol Rue, Pierre de la (ca. 1452–1518) Appears on: 77v–78 Genres: Chanson Source Attribution: PIETRAQUIN [ou P. DE LA RUE] Voice:* [no designation] Languages: French Voice Text: Adieu Florens. [= Carmen in sol*] Concordances A-Wn 18810 **D-brd-Mbs 328-31
78v	Recordans de my signora	JOSQUIN	Despres, Josquin (ca. 1450–1521)
Recordans de my signora Despres, Josquin (ca. 1450–1521) Appears on: 78v Genres: Secular Source Attribution: JOSQUIN Voice: [no designation] Languages: Spanish Voice Text: [Recordans de my signora] General Note Canon: Omnia probate quod bonum est tenete Item Bibliography Osthoff, Helmuth. 1962. Josquin Desprez. 2 vols. Tutzing. Pages: II. Smijers, Albert, Myroslaw Antonowycz, and Willem Elders (editors). 1925 - . Werken van Josquin des Prés: Wereldlijke Werken (1925); Missen (1931). Leipzig/ Amsterdam. Pages: II.

Composer	Compositions
Agricola, Alexander (ca. 1445–1506)	(?) Allez regrets vuides de ma présence – 42v–43 C'est mal serché votre avantage (I) – 20v–21 C'est trop sur amours entrepriz (= C'est mal serché (II)) – 24v–25 Dites moi toutes vos pensées = Dites le moi – 13v–14 En attendant la grace de ma dame – 25v–26 Et qui la dira – 36v–37 Gentil galans – 47v–48 (?) Ha qu'il m'ennuie et que je ne treuve – 46v–47 (?) Helas de vous me doy complaindre – 14v–16 Il n'est vivant tant soit savant ou sage = Penses vivant – 11v–13 In minen sin (= Myns herten troest) – 8v–9 (?) J'ai beau huer avant que bien avoir – 19v–20 (?) J'ars du desir = Mon pere – 22v–23 Je n'ai deuil - 1a pars (of 2): Je n'ai deuil que de vous ne viegne – limin.v_2v–_2v Je n'ai deuil - 2a pars (of 2): Car Dieu voulut tant pour vous faire – limin.v_2v–_2v (?) Je ne puis plus – 54v–55 Je ne suis point – 64v–65 (?) L'heure est venue de me plaindre. – 5v–7 (?) La saison en est ou jamais que je cognoisce – 26v–27 Mauldicte soit envie et jaulosye – 58v–59 O Venus bant (I) – 28v–29 (?) Que vous madame / In pace in idipsum 27.33 – 51v–52 Se je fais bien ou mal aussi – 59v–60 (?) Se je vous eslonge de l'oeil – 14v–16 Se vous voulez m'estre loyalle et bonne = Je vous en prise – 23v–24 Si dedero somnum oculis meis – 31v–32 Vostre hault bruit – 55v–56
Anonymous	Adieu per bon temps. – 63v–64 Ce de vous je n'ai recouvrance – 68v–69 Mon tot ma perfaytes. – 49v–50 O Jesu filii David = Comment poit avoir joie – 7v–8 Plus que pantofles de bone. – 53v–54
Busnoys, Antoine (ca. 1430–1492)	(?) Amour fait moult (Tant que nostre argent dure) / Il est de bonne heure ne – 57v–58 (?) Cent mille escus quand je voldroie – 61v–62 (?) D'un aultre aimer mon coeur s'abesseroit – 62v–63 (?) Je ne fais plus je ne dis ne escris = Au joli mois de may – 40v–41
Caron, Firminus (ca. 1460–ca. 1475)	Cent mille escus quand je voldroie – 61v–62
Compère, Loyset (ca. 1445–1518)	En atendant de vous [=d'avoir] secours – 18v–19 (?) Ha traite amours me sçauroes-tu feire pis – 33v–34 (?) Il n'est vivant tant soit savant ou sage = Penses vivant – 11v–13 (?) J'ai beau huer avant que bien avoir – 19v–20 (?) Je ne fais plus je ne dis ne escris = Au joli mois de may – 40v–41 (?) Je ne puis plus – 54v–55 La saison en est ou jamais que je cognoisce – 26v–27 Le renvoi d'un coeur esgaré – 30v–31 (?) Mais que ce fut secrètement en aulcune – 67v–68 Mes pensées ne me laissent une heure 27.26 – 56v–57 Vostre bargeronette mamiette – 73v–74 (?) Vrai dieu quel payne esse que d'aymer = Quam diu che pena messe – 38v–39
Despres, Josquin (ca. 1450–1521)	Adieu mes amours/Adieu vous command (28.3) - 1a pars (of 2): Adieu mes amours on m'atent/Adieu vous command – 48v–49 Adieu mes amours/Adieu vous command (28.3) - 2a pars (of 2): [untexted] – 48v–49 Belle pous l'amous 28.5 – 9v–10 (?) Cela sans plus et plus hola – 39v–40 (?) Et trop penser me fet amor 27.9 – 66v–67 Helas madame 27.13 – 43v–44 (?) J'ai bien nori sept ans 27.16 – 32v–33 Je me 27.17 – 10v–11 Je n'ose plus 27.19 – 35v–36 (?) Mes pensées ne me laissent une heure 27.26 – 56v–57 Que vous madame / In pace in idipsum 27.33 – 51v–52 Recordans de my signora – 78v Une mosche de Bischaye 28.35 – 16v–17
Du Fay, Guillaume (1397–1474)	Je vous prie mon tres douce amie / Tant que mon argent dura / Ma tres douce amie – 74v–75
Enrique	(?) Nunca fue pena mayor / Numquam fuit pena magior – 37v–38
Fresneau, Jehan	Ha qu'il m'ennuie et que je ne treuve – 46v–47
Ghizeghem, Hayne van (ca. 1445–ca. 1497)	(?) Allez regrets vuides de ma présence – 42v–43 De tous biens plaine est ma maîtresse – 34v–35 (?) Helas de vous me doy complaindre – 14v–16 Mon souvenir mi fait morir pour les regrets – 27v–28 (?) Se je vous eslonge de l'oeil – 14v–16
Isaac, Heinrich (ca. 1450–1517)	Amie des que = Votre amour = Memento mei domine (= Christe from Missa Charge de dueil) – 52v–53 (?) Anima mea liquefacta est – 75v–76 Corri fortuna – 17v–18 Fille vous have mal guarde / Ave sanctissima Maria – 70v–72 Hé logierons nous céans l'hôtesse. – 41v–42 J'ay prins amours (4vv) - 1a pars (of 2): J'ay prins amours à ma devise – 2v–4 J'ay prins amours (4vv) - 2a pars (of 2): Heureux seray – 2v–4 La morra dona gentile (= Veni sancte spiritus Reple tuorum corda fidelium) (= Elaes) (= O regina) – 29v–30 O fortune contrent = Or maudit soit il (=Qui tollis of Missa Charge de deuil) – 69v–70 Sempre giro piangendo per aspre selve forte. – 21v–22 Servitur suis = Je suis malcontent = Verumtamen universa vanitas – 60v–61
Japart, Jean	(?) Amour fait moult (Tant que nostre argent dure) / Il est de bonne heure ne – 57v–58 (?) Anima mea liquefacta est – 75v–76 Helas que il est a mon gré – 45v–46 (?) J'ai bien nori sept ans 27.16 – 32v–33 J'ai pris amours a ma devise – 4v–5
Joye, Gilles	(?) J'ai bien nori sept ans 27.16 – 32v–33
Lannoy, Colinet de	Cela sans plus et plus hola – 39v–40
Martini, Johannes (ca. 1430–1497)	Des biens d'amour – 44v–45 Se mai el cielo et fati fur benigni = Je remerchi dieu – 65v–66
Merlo, Alessandro	(?) L'heure est venue de me plaindre. – 5v–7
Molinet, Jehan	Tart ara mon coeur sa plaisance – 50v–51
Mureau, Gilles	(?) Je ne fais plus je ne dis ne escris = Au joli mois de may – 40v–41
Obrecht, Jacobus (ca. 1457–1505)	Adieu Adieu (= Meskin es hu) – 76v–77 (?) Anima mea liquefacta est – 75v–76
Ockeghem, Jean de (ca. 1410–1497)	(?) D'un aultre aimer mon coeur s'abesseroit – 62v–63
Pipelare, Mattheus (ca. 1450–ca. 1515)	(?) Vrai dieu quel payne esse que d'aymer = Quam diu che pena messe – 38v–39
Robinet, F	(?) Ha traite amours me sçauroes-tu feire pis – 33v–34
Rue, Pierre de la (ca. 1452–1518)	Adieux Florens la jolie = Carmen in sol – 77v–78 (?) Amour fait moult (Tant que nostre argent dure) / Il est de bonne heure ne – 57v–58 (?) Mais que ce fut secrètement en aulcune – 67v–68
Stockem, Johannes de (ca. 1445–1487)	(?) Ha traite amours me sçauroes-tu feire pis – 33v–34
Urrede (Wrede), Juan de (fl. 1451-c1482)	(?) Nunca fue pena mayor / Numquam fuit pena magior – 37v–38
Weerbecke, Gaspar van (ca. 1445–ca. 1516)	Anima mea liquefacta est ut dilectus meus – 72v–73 (?) Vrai dieu quel payne esse que d'aymer = Quam diu che pena messe – 38v–39

Composition	Composers (? Uncertain)	Folios / Pages
Adieu Adieu (= Meskin es hu)	Obrecht, Jacobus (ca. 1457–1505)	76v–77
Adieu mes amours/Adieu vous command (28.3) - 1a pars (of 2): Adieu mes amours on m'atent/Adieu vous command	Despres, Josquin (ca. 1450–1521)	48v–49
Adieu mes amours/Adieu vous command (28.3) - 2a pars (of 2): [untexted]	Despres, Josquin (ca. 1450–1521)	48v–49
Adieu per bon temps.	Anonymous	63v–64
Adieux Florens la jolie = Carmen in sol	Rue, Pierre de la (ca. 1452–1518)	77v–78
Allez regrets vuides de ma présence	Agricola, Alexander (ca. 1445–1506) (?) Ghizeghem, Hayne van (ca. 1445–ca. 1497) (?)	42v–43
Amie des que = Votre amour = Memento mei domine (= Christe from Missa Charge de dueil)	Isaac, Heinrich (ca. 1450–1517)	52v–53
Amour fait moult (Tant que nostre argent dure) / Il est de bonne heure ne	Busnoys, Antoine (ca. 1430–1492) (?) Rue, Pierre de la (ca. 1452–1518) (?) Japart, Jean (?)	57v–58
Anima mea liquefacta est	Japart, Jean (?) Obrecht, Jacobus (ca. 1457–1505) (?) Isaac, Heinrich (ca. 1450–1517) (?)	75v–76
Anima mea liquefacta est ut dilectus meus	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	72v–73
Belle pous l'amous 28.5	Despres, Josquin (ca. 1450–1521)	9v–10
C'est mal serché votre avantage (I)	Agricola, Alexander (ca. 1445–1506)	20v–21
C'est trop sur amours entrepriz (= C'est mal serché (II))	Agricola, Alexander (ca. 1445–1506)	24v–25
Ce de vous je n'ai recouvrance	Anonymous	68v–69
Cela sans plus et plus hola	Despres, Josquin (ca. 1450–1521) (?) Lannoy, Colinet de	39v–40
Cent mille escus quand je voldroie	Busnoys, Antoine (ca. 1430–1492) (?) Caron, Firminus (ca. 1460–ca. 1475)	61v–62
Corri fortuna	Isaac, Heinrich (ca. 1450–1517)	17v–18
D'un aultre aimer mon coeur s'abesseroit	Busnoys, Antoine (ca. 1430–1492) (?) Ockeghem, Jean de (ca. 1410–1497) (?)	62v–63
De tous biens plaine est ma maîtresse	Ghizeghem, Hayne van (ca. 1445–ca. 1497)	34v–35
Des biens d'amour	Martini, Johannes (ca. 1430–1497)	44v–45
Dites moi toutes vos pensées = Dites le moi	Agricola, Alexander (ca. 1445–1506)	13v–14
En atendant de vous [=d'avoir] secours	Compère, Loyset (ca. 1445–1518)	18v–19
En attendant la grace de ma dame	Agricola, Alexander (ca. 1445–1506)	25v–26
Et qui la dira	Agricola, Alexander (ca. 1445–1506)	36v–37
Et trop penser me fet amor 27.9	Despres, Josquin (ca. 1450–1521) (?)	66v–67
Fille vous have mal guarde / Ave sanctissima Maria	Isaac, Heinrich (ca. 1450–1517)	70v–72
Gentil galans	Agricola, Alexander (ca. 1445–1506)	47v–48
Ha qu'il m'ennuie et que je ne treuve	Agricola, Alexander (ca. 1445–1506) (?) Fresneau, Jehan	46v–47
Ha traite amours me sçauroes-tu feire pis	Compère, Loyset (ca. 1445–1518) (?) Stockem, Johannes de (ca. 1445–1487) (?) Robinet, F (?)	33v–34
Helas de vous me doy complaindre	Agricola, Alexander (ca. 1445–1506) (?) Ghizeghem, Hayne van (ca. 1445–ca. 1497) (?)	14v–16
Helas madame 27.13	Despres, Josquin (ca. 1450–1521)	43v–44
Helas que il est a mon gré	Japart, Jean	45v–46
Hé logierons nous céans l'hôtesse.	Isaac, Heinrich (ca. 1450–1517)	41v–42
Il n'est vivant tant soit savant ou sage = Penses vivant	Compère, Loyset (ca. 1445–1518) (?) Agricola, Alexander (ca. 1445–1506)	11v–13
In minen sin (= Myns herten troest)	Agricola, Alexander (ca. 1445–1506)	8v–9
J'ai beau huer avant que bien avoir	Agricola, Alexander (ca. 1445–1506) (?) Compère, Loyset (ca. 1445–1518) (?)	19v–20
J'ai bien nori sept ans 27.16	Joye, Gilles (?) Despres, Josquin (ca. 1450–1521) (?) Japart, Jean (?)	32v–33
J'ai pris amours a ma devise	Japart, Jean	4v–5
J'ars du desir = Mon pere	Agricola, Alexander (ca. 1445–1506) (?)	22v–23
J'ay prins amours (4vv) - 1a pars (of 2): J'ay prins amours à ma devise	Isaac, Heinrich (ca. 1450–1517)	2v–4
J'ay prins amours (4vv) - 2a pars (of 2): Heureux seray	Isaac, Heinrich (ca. 1450–1517)	2v–4
Je me 27.17	Despres, Josquin (ca. 1450–1521)	10v–11
Je n'ai deuil - 1a pars (of 2): Je n'ai deuil que de vous ne viegne	Agricola, Alexander (ca. 1445–1506)	limin.v_2v–_2v
Je n'ai deuil - 2a pars (of 2): Car Dieu voulut tant pour vous faire	Agricola, Alexander (ca. 1445–1506)	limin.v_2v–_2v
Je n'ose plus 27.19	Despres, Josquin (ca. 1450–1521)	35v–36
Je ne fais plus je ne dis ne escris = Au joli mois de may	Busnoys, Antoine (ca. 1430–1492) (?) Mureau, Gilles (?) Compère, Loyset (ca. 1445–1518) (?)	40v–41
Je ne puis plus	Agricola, Alexander (ca. 1445–1506) (?) Compère, Loyset (ca. 1445–1518) (?)	54v–55
Je ne suis point	Agricola, Alexander (ca. 1445–1506)	64v–65
Je vous prie mon tres douce amie / Tant que mon argent dura / Ma tres douce amie	Du Fay, Guillaume (1397–1474)	74v–75
L'heure est venue de me plaindre.	Agricola, Alexander (ca. 1445–1506) (?) Merlo, Alessandro (?)	5v–7
La morra dona gentile (= Veni sancte spiritus Reple tuorum corda fidelium) (= Elaes) (= O regina)	Isaac, Heinrich (ca. 1450–1517)	29v–30
La saison en est ou jamais que je cognoisce	Compère, Loyset (ca. 1445–1518) Agricola, Alexander (ca. 1445–1506) (?)	26v–27
Le renvoi d'un coeur esgaré	Compère, Loyset (ca. 1445–1518)	30v–31
Mais que ce fut secrètement en aulcune	Rue, Pierre de la (ca. 1452–1518) (?) Compère, Loyset (ca. 1445–1518) (?)	67v–68
Mauldicte soit envie et jaulosye	Agricola, Alexander (ca. 1445–1506)	58v–59
Mes pensées ne me laissent une heure 27.26	Despres, Josquin (ca. 1450–1521) (?) Compère, Loyset (ca. 1445–1518)	56v–57
Mon souvenir mi fait morir pour les regrets	Ghizeghem, Hayne van (ca. 1445–ca. 1497)	27v–28
Mon tot ma perfaytes.	Anonymous	49v–50
Nunca fue pena mayor / Numquam fuit pena magior	Urrede (Wrede), Juan de (fl. 1451-c1482) (?) Enrique (?)	37v–38
O fortune contrent = Or maudit soit il (=Qui tollis of Missa Charge de deuil)	Isaac, Heinrich (ca. 1450–1517)	69v–70
O Jesu filii David = Comment poit avoir joie	Anonymous	7v–8
O Venus bant (I)	Agricola, Alexander (ca. 1445–1506)	28v–29
Plus que pantofles de bone.	Anonymous	53v–54
Que vous madame / In pace in idipsum 27.33	Despres, Josquin (ca. 1450–1521) Agricola, Alexander (ca. 1445–1506) (?)	51v–52
Recordans de my signora	Despres, Josquin (ca. 1450–1521)	78v
Se je fais bien ou mal aussi	Agricola, Alexander (ca. 1445–1506)	59v–60
Se je vous eslonge de l'oeil	Ghizeghem, Hayne van (ca. 1445–ca. 1497) (?) Agricola, Alexander (ca. 1445–1506) (?)	14v–16
Se mai el cielo et fati fur benigni = Je remerchi dieu	Martini, Johannes (ca. 1430–1497)	65v–66
Se vous voulez m'estre loyalle et bonne = Je vous en prise	Agricola, Alexander (ca. 1445–1506)	23v–24
Sempre giro piangendo per aspre selve forte.	Isaac, Heinrich (ca. 1450–1517)	21v–22
Servitur suis = Je suis malcontent = Verumtamen universa vanitas	Isaac, Heinrich (ca. 1450–1517)	60v–61
Si dedero somnum oculis meis	Agricola, Alexander (ca. 1445–1506)	31v–32
Tart ara mon coeur sa plaisance	Molinet, Jehan	50v–51
Une mosche de Bischaye 28.35	Despres, Josquin (ca. 1450–1521)	16v–17
Vostre bargeronette mamiette	Compère, Loyset (ca. 1445–1518)	73v–74
Vostre hault bruit	Agricola, Alexander (ca. 1445–1506)	55v–56
Vrai dieu quel payne esse que d'aymer = Quam diu che pena messe	Pipelare, Mattheus (ca. 1450–ca. 1515) (?) Weerbecke, Gaspar van (ca. 1445–ca. 1516) (?) Compère, Loyset (ca. 1445–1518) (?)	38v–39

‡ denotes primary source study

Powers, Wendy Jane. 1994. The Music Manuscript Fondo Magliabechi XIX.178 of the Biblioteca Nazionale Centrale, Florence: A Study in the Changing Role of the Chanson in Late Fifteenth-Century Florence. Columbia University, Ph. D. dissertation.

Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the Time of Lorenzo the Magnificent: Florence, Biblioteca Nazionale Centrale MS Banco Rari 229. Monuments of Renaissance Music. Chicago and London. Pages: 113,144,147-8,186,207ff. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Atlas, Allan W. 1981. Conflicting Attributions in Italian Sources of the Franco-Netherlandish Chanson, c. 1465-c. 1505: A Progress Report on a New Hypothesis. Music in Medieval and Early Modern Europe: Patronage, Sources and Texts, Cambridge. Pages: 257-8,260-1,265-7,277-84. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Edwards, Warwick. 1981. Songs Without Words by Josquin and His Contemporaries. Music in Medieval and Early Modern Europe: Patronage, Sources and Texts, 79-92. Cambridge. Pages: 83-5. Notes: contents list (partial); transcription (partial).

Hamm, Charles E, and Herbert Kellman (editors). 1979-1988. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies. 5 vols. Neuhausen nr. Stuttgart: American Institute of Musicology, Hänssler Verlag. Pages: I, 230.

Perkins, Leeman L, and Howard Garey (editors). 1979. The Mellon Chansonnier. New Haven and London. Pages: II, 161-2,321. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.

Baker, Norma Klein. 1978. An Unnumbered Manuscript of Polyphony in the Archives of the Cathedral of Segovia: Its Provenance and History. University of Maryland, Unpublished Ph.D. dissertation. Notes: contents list (partial); concordances (partial); incipits (partial); mention of MS; discussion.

Hudson, Barton (editor). 1977. Hayne van Ghizeghem: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: xvii-xviii,xxii-xxiv,xxxiv,xxxvii-xxxviii,xlv. Notes: mention of MS; contents list (partial); concordances (partial).

Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II. Bern and Stuttgart. Pages: I.xxiii, 30-1, 62,86; III,70,88-9. Notes: physical description; contents list (partial); concordances (partial).

Atlas, Allan W. 1976. The Cappella Giulia chansonnier. (Rome, Biblioteca Apostolica Vaticana, CG. XII-27). Musicological Studies. Brooklyn. Pages: 247.

Jeffery, Brian. 1976. The Literary Texts of Josquin's Chansons. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25 June 1971, 401-420. London, New York, and Toronto. Pages: 414. Notes: mention of MS.

Atlas, Allan W. 1971. Rome, Biblioteca Apostolica Vaticana, Cappella Giulia XIII. 27, and the Dissemination of the Franco-Netherlandish Chanson in Italy, c. 1460-c. 1530. New York University, Unpublished Ph.D. dissertation. Pages: 482-3. Notes: concordances (partial).

D'Accone, Frank A. 1970. Some Neglected Composers in the Florentine Chapels, ca. 1475-1525. Viator, 263-88. Pages: 274. Notes: mention of MS.

Staehelin, Martin. 1970. Pierre de la Rue in Italien. Archiv für Musikwissenschaft, 128-37. Notes: concordances (partial).

Osthoff, Wolfgang. 1969. Theatergesang und Darstellende Musik in der Italienischen Renaissance. Münchner Veröffentlichungen zur Musikgeschichte. Tutzing. Pages: I, 174. Notes: mention of MS.

Jeppesen, Knud. 1968-70. La Frottola. Acta Jutlandica. 3 vols. Copenhagen. Pages: II, 59.

Thomson, James. 1964. An Introduction to Philippe(?) Caron. Musicological Studies. Brooklyn. Pages: 44. Notes: concordances (partial).

Cross, Ronald. 1963. The Life and Works of Matthaeus Pipelare. Musica Disciplina, 97-114. Pages: 113. Notes: concordances (partial).

Lerner, Edward R (editor). 1961-70. Alexandrí Agricola: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: IV, xv-xvi, xix-xx; V, viii-ff, 57-8. Notes: concordances (partial); transcription (partial).

Picker, Martin. 1960. The Chanson Albums of Marguerite of Austria: Manuscripts 228 and 11239 of the Bibliothèque Royale de Belgique, Bruxelles. University of California at Berkeley, Unpublished Ph.D. dissertation. Pages: 356. Notes: physical description; contents list (partial); concordances (partial).

Becherini, Bianca. 1959. Catalogo dei manoscritti musicali della Biblioteca Nazionale di Firenze. Kassel. Pages: 75ff.

Picker, Martin. 1959. Polyphonic Settings c. 1500 of the Flemish Tune, 'In minen sin'. Journal of the American Musicological Society, 94-5. Pages: 94. Notes: mention of MS.

Rubsamen, Walter H. 1951. Music Research in Italian Libraries: An Anecdotal Account of Obstacles and Discoveries. Los Angeles. Pages: 26. Notes: mention of MS.

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: IV, Tafel 18. Notes: facsimile (partial).

Hewitt, Helen Margaret (editor). 1942. Harmonice Musices Odhecaton A. Studies and Documents. Cambridge, Massachusetts: Mediaeval Academy of America. Pages: 107. Notes: concordances (partial).

Anglès, Higinio (editor). 1941-1971. Monumentos de la Mùsica Espanola. Madrid (later Barcelona, later Rome). Pages: I, 132; I, V, X, passim).

Smijers, Albert. 1935. Vijftiende en zestiende eeuwsche Muziekhandschriften in Italië met werken van Nederlandsche Componisten. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 165-81. Pages: 174, 180. Notes: contents list (partial); concordances (partial).

Jeppesen, Knud (editor). 1927. Der Kopenhagener Chansonnier, das Manuskript Thott 2918 der Königlichen Bibliothek Kopenhagen. Kopenhagen/Leipzig. Pages: LXXII.

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: XXVIII, 122, passim.

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Clemens Goldberg

Wednesday, 18 May, 2022

f. 69v-70r is a contrafactum of the Qui tollis section of the Gloria of the Missa Charge de deuil

Clemens Goldberg

Monday, 25 April, 2022

Japart's 'Helas qu'il est' modified to show concordances properly.

Clemens Goldberg

Monday, 25 April, 2022

Pointed out that Josquin's "Adieu mes amours" (fols 48v–49r) is a double texted chanson, the second text being "Adieu vous command" - and that it is complete in this source.

Clemens Goldberg

Monday, 25 April, 2022

Notified that 'Ha quil mennuie' on fols 46v-47r is only the first part of this bergerette, with the second part here missing.

Clemens Goldberg

Tuesday, 15 February, 2022

"O Jesu fili David" (7v-8r) concordant with "Comment peut avoir joye" in Bol Q 17 (f. 58v-59r) & Cappella Giulia "Ne come peult" f. 4v-5r (11v-12r). Glarean mentions the text for the tenor, "O Jesu fili David"

Clemens Goldberg

Friday, 31 December, 2021

Image link provided

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description