Boone, Graeme M. 1997. Tonal Color in Dufay. Music in renaissance Cities and Courts: Studies in Honor of Lewis Lockwood, edited by Jessie Ann Owens and Anthony M Cummings, 57-99. Michigan: Warren.

Hallmark, Anne. 1997. Protector, imo verus pater: Francesco Zabarella's Patronage of Johannes Ciconia. Music in Renaissance Cities and Courts: Studies in Honor of Lewis Lockwood, edited by Jessie Ann Owens and Anthony M Cummings, 153-68. Warren, Michigan.

Noble, Jeremy. 1997. Weerbeke's Motet for the Temple of Peace. Music in Renaissance Cities and Courts. Studies in Honor of Lewis Lockwood, edited by Jessie Ann Owens and Anthony M Cummings, 227-240. Warren, Michigan.

Cummings, Anthony M, and Jessie Ann Owens (eds.) 1997. Music in Renaissance Cities and Courts: Studies in Honor of Lewis Lockwood .  Warren, Michigan.

Planchart, Alejandro Enrique. 1997. Guillaume Du Fay's Second Style. Music in Renaissance Cities and Courts: Studies in Honor of Lewis Lockwood, edited by Jessie Ann Owens and Anthony M Cummings, 307-40. Warren, Michigan.

Cummings, Anthony M. 1983. A Florentine Sacred Repertory from the Medici Restoration (Manuscript II. I. 232 [Olim Magi. XIX. 58; Gaddi 1113] of the Biblioteca Nazionale Centrale, Florence): Bibliography and History. Acta Musicologica, 55: 267-332.

Cummings, Anthony M. 1981. Toward an Interpretation of the Sixteenth-Century Motet. Journal of the American Musicological Society, 34: 43-59.

Cummings, Anthony M. 1981. Medici Musical Patronage in the Early Sixteenth Century: New Perspectives. Studi Musicali, 10: 197-216.