Copied by a single scribe; the canon is probably a later addition (JepFR). Copied in Florence. Owned by Marietta, daughter of Francesco Pugi (inscription inside front cover; initial letters of first eight pieces form acrostic 'Marietta').
I-Fn MS Magl. XIX.121
Biblioteca Nazionale Centrale, Florence, Italy
manuscript of polyphony: c. 1510
| Archive | Biblioteca Nazionale Centrale, Florence, Italy (I-Fn) |
|---|---|
| Shelfmark | MS Magl. XIX.121 |
| Image Availability | DIAMM does not have images of this source. Please refer to the external links for image availability. |
| Surface | Paper |
| Numbering System | Foliation |
| Measurements | 140 x 207 mm |
| Other Identifiers |
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| Notations |
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| Relationships |
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| External Links | |
| Provenance |
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| Contents | Contains 37 compositions, 14 from 12 composers, 23 are anonymous. |
General Description
Binding
Modern covers
Liminary Note
Inscription on f. iii: 'Questo cha(n)zoniere / e della marietta filiuola di franc(esc)o pugi.'
Notation
black void mensural
Foliation
Modern pencil foliation
Decoration
Initials painted in gold, red, and blue; music notation on f. 1' is gold-leaf. Edges of folios are painted gold and bear tooled designs; this feature is also found in FlorBN BR 229, FlorBN Magl. 122-5, and FlorBN Magl. 164-7 (Crawford).
Surface
paper
RISM Description
RISM
XVIe s. 38ff. + 2ff. limin. n. ch. dont 1 en parchemin. Papier, 140 x 207 mm. Foliotation moderne. Notation mesurée blanche. 4 portées par p. Initiales ornées or, rouge et bleu jusqu'au f. 22 v. Au f. 1 v., texte en caractères or. Reliure soie rose restaurée. (Origine: MED PALAT BIBL CAES)
Ce ms. florentin a été compilé, par un seul scribe semble-t-il, au début du XVIe s., le terminus post quem pouvant être fixé grâce au Canto di lanzi pellegrini (no 11) où il est fait allusion au voyage à Rome des pèlerins florentins pour l'année jubilaire en 1500 (GhisiCC, 206). On lit au 2ef. limin: «Questo chanzoniere è della Marietta filiuola di Franc[esc]o Pugi», notaire à Florence, ce qui contribue à situer encore plus vraisemblablement la copie du ms. dans cette ville.
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
17 Italian secular pieces, 14 French secular pieces, 1 Flemish secular piece, 4 textless pieces, 1 canon with Latin text = 37
(An accurate count of pieces in each language is difficult to make because the texts are highly corrupt and sometimes unintelligible).
(A. Agricola)-3, (Busnois/Compère/Mureau)-1, (Busnois/Felice de Giovanni)-1, (Compère/Rubinet/Stokhem)-1, (Coppinus)-1, (Hayne van Ghizeghem)-1, (Isaac)-3, (Martini)-1, (Obrecht)-1, anon-24
iii + 38 paper folios, 140 x 207. Modern pencil foliation. Modern covers. Copied by a single scribe; the canon is probably a later addition (JepFR). Initials painted in gold, red, and blue; music notation on f. 1' is gold-leaf. Edges of folios are painted gold and bear tooled designs; this feature is also found in FlorBN BR 229, FlorBN Magl. 122-5, and FlorBN Magl. 164-7 (Crawford). Inscription on f. iii: "Questo cha(n)zoniere / e della marietta filiuola di franc(esc)o pugi."
Ca. 1500 (JepFR). Copied in Florence.
Vol 4
Contents: 20 Italian secular pieces (2 without text), 11 French secular pieces (2 without text), 3 Dutch secular pieces, 1 canon with Latin text, 1 piece with unintelligible text, 1 textless piece = 37
Composers: Change "(Busnois/Felice de Giovanni)-1" to "(Busnois)-1"; change "(Isaac)-3" to "(Isaac)-2"; add "(Bosfrin)-1."
Date/provenance: Ca. 1510 (BlackCS). Copied in Florence. Owned by Marietta, daughter of Francesco Pugi (inscription inside front cover; initial letters of first eight pieces form acrostic "Marietta").
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‡ denotes primary source study
Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the Time of Lorenzo the Magnificent: Florence, Biblioteca Nazionale Centrale MS Banco Rari 229. Monuments of Renaissance Music, vol. VII. Chicago and London. Pages: 186,213ff. Notes: mention of MS; contents list (partial); concordances (partial).
Blackburn, Bonnie J. 1981. Two 'Carnival Songs' Unmasked: A Commentary on MS Florence Magi. XIX. 121. Musica Disciplina, 35: 121-78. Notes: physical description; contents list; concordances (partial); transcription (partial); facsimile (partial); texts (partial); mention of MS; discussion.
Hamm, Charles E, and Herbert Kellman (editors). 1979-1988. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies, vol. 1-5. 5 vols. Neuhausen nr. Stuttgart: American Institute of Musicology, Hänssler Verlag. Pages: I, 226.
Perkins, Leeman L, and Howard Garey (editors). 1979. The Mellon Chansonnier. New Haven and London. Pages: II, 159-60,321. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.
Cattin, Giulio. 1977. Musiche per le Laude di Castellano Castellani. Rivista Italiana di Musicologia, 12: 183-230. Pages: 200,222-4. Notes: contents list (partial); concordances (partial); transcriptions (partial).
Hudson, Barton (editor). 1977. Hayne van Ghizeghem: Opera Omnia. Corpus mensurabilis musicae, vol. 74. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: xxiii,xxxvii-xxxviii. Notes: mention of MS; contents list (partial); concordances (partial).
Atlas, Allan W. 1976. The Cappella Giulia chansonnier. (Rome, Biblioteca Apostolica Vaticana, CG. XII-27). Musicological Studies, vol. XXVII, 1-2. Brooklyn. Pages: 245.
Atlas, Allan W. 1971. Rome, Biblioteca Apostolica Vaticana, Cappella Giulia XIII. 27, and the Dissemination of the Franco-Netherlandish Chanson in Italy, c. 1460-c. 1530. New York University, Unpublished Ph.D. dissertation. Pages: 479. Notes: physical description; mention of MS; discussion; concordances (partial).
Osthoff, Wolfgang. 1969. Theatergesang und Darstellende Musik in der Italienischen Renaissance. Münchner Veröffentlichungen zur Musikgeschichte, vol. 14. Tutzing. Pages: I, 74ff. Notes: physical description; mention of MS; discussion.
Jeppesen, Knud. 1968-70. La Frottola. Acta Jutlandica, vol. XL/2, XLI/1, & XLII/1. 3 vols. Copenhagen. Pages: II, 52-3, 144-5, Facs. XXXVIII. Notes: physical description; contents list; concordances (partial); facsimile (partial).
D'Accone, Frank A (editor). 1967. Collected Works of Alessandro Coppini, Bartolomeo degli Organi, Giovanni Serragli and three anonymous works. Corpus mensurabilis musicae, vol. 32. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: xiv, passim. Notes: concordances (partial); transcription (partial).
D'Accone, Frank A. 1967. Alessandro Coppini and Bartolomeo degli Organi: Two Florentine Composers of the Renaissance. Analecta Musicologica, 4: 38-76. Pages: 55. Notes: concordances (partial).
Rubsamen, Walter H. 1967. The Music for 'Quant'è bella giovinezza' and Other Carnival Songs by Lorenzo de' Medici. Art, Science, and History in the Renaissance, 163-84. Baltimore. Pages: 174. Notes: contents list (partial).
Lerner, Edward R (editor). 1961-70. Alexandrí Agricola: Opera Omnia. Corpus mensurabilis musicae, vol. 22. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: V, xxix, xlvi-xlviii. Notes: concordances (partial).
Becherini, Bianca. 1959. Catalogo dei manoscritti musicali della Biblioteca Nazionale di Firenze. Kassel. Pages: 52-4. Notes: physical description; contents list.
Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: IV, Tafel 18. Notes: facsimile (partial).
Hewitt, Helen Margaret (editor). 1942. Harmonice Musices Odhecaton A. Studies and Documents, vol. 5. Cambridge, Massachusetts: Mediaeval Academy of America. Pages: 107. Notes: concordances (partial).
Ghisi, Federico. 1939. Canti carnascialeschi, frottole, canzoni francesi. Note D'Archivio per la Storia Musicale, 16: 68ff. Pages: 204ff.
Ghisi, Federico. 1939. Poesie musicali italiane: canzonette a ballo, strambotti, frottole, canti e trionfi carnascialeschi; autori diversi e anonimi. Note d'archivio per la storia musicale, 16: 40-73. Pages: 68-73. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.
Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: XXXII, 238. Notes: physical description.
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Jane Hatter
Wednesday, 20 November, 2024
Concordance added for Tambur tambur, textless in this source, which as Bonnie Blackburn identified is concordant with the copy (Bassus only) in Banco Rari 337.
Mark Statler
Friday, 11 September, 2020
image link updated
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description
Répertoire Internationale des Sources Musicales
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description