| Composer | Machaut, Guillaume de (ca. 1300–1377) |
|---|---|
| Genre | Motet |
| Appears in |
F-Pnm Français 1584 (Machaut A) (430v—431)
F-Pnm Français 1585 (Machaut B) (274v—275)
F-Pnm Français 1586 (Machaut C) (221v—222)
F-Pnm Français 9221 (Machaut E) (136v—137)
F-Pnm Français 22545-22546 (Machaut F-G) (118v—119)
F-Pnm Français 22545-22546 (Machaut F-G) (118v—119)
|
Chichmaref, V (ed.) [1909]. Guillaume de Machaut: Poésies lyriques. Edition compléte en deux parties, avec introduction, glossaire et fac-similés publiée sous les auspices de la Faculté d'Histoire et de Philologie de Saint-Pétersbourg. Paris: Champion. pp. 2:516-17.
Besseler, Heinrich. 1926. Studien zur Musik des Mittelalters: II. Die Motette von Franko von Köln bis Philipp van Vitry. Archiv für Musikwissenschaft, 8: 137-258. pp. 224.
Reichert, Georg. 1956. Das Verhältnis zwischen musikalischer und textlicher Struktur in den Motetten Machauts. Archiv für Musikwissenschaft, 13: 197-216. pp. 201, 212.
Reaney, Gilbert. 1980. Machaut [Machau, Machaud, Machault], Guillaume de [Guillelmus de Machaudio]. The New Grove Dictionary of Music and Musicians, 11: 428-436. pp. 431-32.
Günther, Ursula. 1957. Der musikalische Stilwandel der französischen Liedkunst in der zweiten Hälfte des 14. Jahrhunderts, dargestellt an Virelais, Balladen und Rondeaux von Guillaume de Machaut sowie datierbaren Kantilenensätzen seiner Zeitgenossen und dierekten Nachfolger. Ph.D. dissertation, University of Hamburg. pp. 139.
Günther, Ursula. 1958. The fourteenth-century motet and its development. Musica Disciplina, 12: 27-58. pp. 32-34.
Clarkson, George Austin E. 1970. On the Nature of Medieval Song: The Declamation of Plainchant and the Lyric Structure of the Fourteenth-Century Motet. PhD Dissertation, Columbia University. pp. 240.
Ziino, Agostino. 1978. Isoritmia musicale e tradizione metrica mediolatina nei motetti di Guillaume de Machaut. Medioevo Romanzo, 5: 438-465. pp. 444,446-47.
Boogaart, Jaques. 1993. Love's Unstable Balance. Part II: More Balance Problems and the Order of Machaut's Motets. Muziek & Wetenschap, 3: 24-33. pp. 32-33.
Ludwig, Friedrich (ed.) 1926-9. Guillaume de Machaut: Musikalische Werke, 1-3. Leipzig: Publikationen älterer Musik. pp. 2: 60a, 3:62-64.
Leech-Wilkinson, Daniel. 1982-83. Related motets from fourteenth-century France. Proceedings of the Royal Musical Association, 109: 1-22. pp. 15 n.25.
Sanders, Ernest (ed.) 1973. The Medieval Motet. Gattungen der Musik in Einzeldarstellungen. Gedenkschrift Leo Schrade, 497-575. Bern. pp. 563 n.286.
Schrade, Leo (ed.) 1954 -1956. The Polyphonic Music of the Fourteenth Century. 3 vols. pp. 3:1-3.
Schrade, Leo (ed.) 1957. Complete Works of Guillaume de Machaut (II): Motets No. 17 to 24, Mass, Double Hoquet, Ballades, Rondeaux, Virelais. Polyphonic Music of the Fourteenth Century. Monaco: Éditions de l'Oiseau-Lyre. pp. 86.
Hoppin, Richard H. 1960. Notational Licenses of Guillaume de Machaut. Musica disciplina, 14: 13-27. pp. 25.
Machabey, Armand. 1955. Guillaume de Machault 130?-1377: La vie et lœuvre musical,. Bibliothèque d'Etudes Musicales. 2 vols. Paris: Richard-Masse. pp. 2:96-98.
Pelinski, Ramòn A. 1975. Zusammenklang und Aufbau in den Motetten Machauts. Musikforschung, 28: 62-71. pp. 69.
Fuller, Sarah. 1986. On Sonority in Fourteenth-Century Polyphony: Some Preliminary Reflections. Journal of Music Theory, 30: 35-70. pp. 45-46.
Fuller, Sarah. 1990. Modal Tenors and Tonal Orientation in Motets of Guillaume de Machaut. Studies in Medieval Music: Festschrift for Ernest H. Sanders, Current Musicology. edited by Peter M Lefferts and Brian Seirup, 199-245. New York. pp. 215-23.
Reaney, Gilbert. 1971. Guillaume de Machaut. Oxford Studies of Composers. London: Oxford University Press. pp. 53.
Wernli, Andreas. 1977. La percettibilità delle strutture isoritmiche. Osservazioni sui Motetti di Guillaume de Machaut. Studie musicali, 6: 13-25. pp. 18-19.
Schrade, Leo (ed.) 1956-. Polyphonic Music of the Fourteenth Century. 24 vols. Monaco. pp. (3), 1-3.