Quant vraie amour enflamée d'ardant desir / O series, summa rata, regendo / Super omnes speciosa

Appears in

Source Location Voices
US-KCferrell MS 1, Machaut (Vogüé, Wildenstein, Machaut Vg) 276v–277
Voice: [no designation]
Clef: c1
Voice Text: Quant vraie amour enflamée d'ardant desir

Voice: [no designation]
Clef: c2
Voice Text: O series summe rata, regendo

Voice: [no designation]
Clef: c3
Voice Text: [Super omnes speciosa]
F-Pnm Français 1584 (Machaut A) 430v–431
Voice: [no designation]
Clef: c1
Voice Text: Quant vraie amour enflamée d'ardant desir

Voice: [no designation]
Clef: c2
Voice Text: O series summe rata, regendo

Voice: Tenor
Clef: c3
Voice Text: [Super omnes speciosa]
F-Pnm Français 1585 (Machaut B) 274v–275
Voice: [no designation]
Clef: c1
Voice Text: Qvant vraie amour enflamee

Voice: [no designation]
Clef: c2
Voice Text: O series summa rata

Voice: Tenor
Clef: c3
Voice Text: [Super omnes speciosa]
F-Pnm Français 1586 (Machaut C) 221v–222
Voice: [no designation]
Clef: c1
Voice Text: Quant vraie amour enflamee

Voice: [no designation]
Clef: c2
Voice Text: O Series summe rata

Voice: Tenor
Clef: c3
Voice Text: [Super omnes speciosa]
F-Pnm Français 9221 (Machaut E) 136v–137
Voice: [no designation]
Clef: c1
Voice Text: Quant vraie amour enflamée d'ardant desir

Voice: [no designation]
Clef: c2
Voice Text: O series, summa rata, regendo

Voice: Tenor
Clef: c3
Voice Text: [Super omnes speciosa]
F-Pnm Français 22545-22546 (Machaut F-G) 118v–119
Voice: [no designation]
Clef: c1
Voice Text: Quant vraie amour enflamee

Voice: [no designation]
Clef: c2
Voice Text: O series summe rata

Voice: Tenor
Clef: c3
Voice Text: Super omnes speciosa
F-Pnm Français 22545-22546 (Machaut F-G) 118v–119
Voice: [no designation]
Voice Text: Quant vraie amour/ O series summe rata/ Super omnes speciosa

Voice: [no designation]
Voice Text: O Series summe rata

Voice: [no designation]
Voice Text: [Super omnes speciosa]

Bibliography

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Fuller, Sarah. 1990. Modal Tenors and Tonal Orientation in Motets of Guillaume de Machaut. Studies in Medieval Music: Festschrift for Ernest H. Sanders, Current Musicology. edited by Sarah Fuller, 199-245. New York. pp. 215-23.

Fuller, Sarah. 1986. On Sonority in Fourteenth-Century Polyphony: Some Preliminary Reflections. Journal of Music Theory, 35-70. pp. 45-46.

Leech-Wilkinson, Daniel. 1982-83. Related motets from fourteenth-century France. Proceedings of the Royal Musical Association, 1-22. pp. 15 n.25.

Reaney, Gilbert. 1980. Machaut [Machau, Machaud, Machault], Guillaume de [Guillelmus de Machaudio]. The New Grove Dictionary of Music and Musicians, 428-436. pp. 431-32.

Ziino, Agostino. 1978. Isoritmia musicale e tradizione metrica mediolatina nei motetti di Guillaume de Machaut. Medioevo Romanzo, 438-465. pp. 444,446-47.

Wernli, Andreas. 1977. La percettibilità delle strutture isoritmiche. Osservazioni sui Motetti di Guillaume de Machaut. Studie musicali, 13-25. pp. 18-19.

Pelinski, Ramòn A. 1975. Zusammenklang und Aufbau in den Motetten Machauts. Musikforschung, 62-71. pp. 69.

Sanders, Ernest (editor). 1973. The Medieval Motet. Gattungen der Musik in Einzeldarstellungen. Gedenkschrift Leo Schrade, 497-575. Bern. pp. 563 n.286.

Reaney, Gilbert. 1971. Guillaume de Machaut. Oxford Studies of Composers.  London: Oxford University Press. pp. 53.

Clarkson, George Austin E. 1970. On the Nature of Medieval Song: The Declamation of Plainchant and the Lyric Structure of the Fourteenth-Century Motet. Columbia University, PhD Dissertation. pp. 240.

Hoppin, Richard H. 1960. Notational Licenses of Guillaume de Machaut. Musica disciplina, 13-27. pp. 25.

Günther, Ursula. 1958. The fourteenth-century motet and its development. Musica Disciplina, 27-58. pp. 32-34.

Günther, Ursula. 1957. Der musikalische Stilwandel der französischen Liedkunst in der zweiten Hälfte des 14. Jahrhunderts, dargestellt an Virelais, Balladen und Rondeaux von Guillaume de Machaut sowie datierbaren Kantilenensätzen seiner Zeitgenossen und dierekten Nachfolger. University of Hamburg, Ph.D. dissertation. pp. 139.

Schrade, Leo (editor). 1957. Complete Works of Guillaume de Machaut (II): Motets No. 17 to 24, Mass, Double Hoquet, Ballades, Rondeaux, Virelais. Polyphonic Music of the Fourteenth Century.  Monaco: Éditions de l'Oiseau-Lyre. pp. 86.

Schrade, Leo (editor). 1956-. Polyphonic Music of the Fourteenth Century. 24 vols. Monaco. pp. (3), 1-3.

Reichert, Georg. 1956. Das Verhältnis zwischen musikalischer und textlicher Struktur in den Motetten Machauts. Archiv für Musikwissenschaft, 197-216. pp. 201, 212.

Machabey, Armand. 1955. Guillaume de Machault 130?-1377: La vie et lœuvre musical,. Bibliothèque d'Etudes Musicales. 2 vols. Paris: Richard-Masse. pp. 2:96-98.

Schrade, Leo (editor). 1954 -1956. The Polyphonic Music of the Fourteenth Century. 3 vols. pp. 3:1-3.

Ludwig, Friedrich (editor). 1926-9. Guillaume de Machaut: Musikalische Werke, 1-3.  Leipzig: Publikationen älterer Musik. pp. 2: 60a, 3:62-64.

Besseler, Heinrich. 1926. Studien zur Musik des Mittelalters: II. Die Motette von Franko von Köln bis Philipp van Vitry. Archiv für Musikwissenschaft, 137-258. pp. 224.

Chichmaref, V (editor). [1909]. Guillaume de Machaut: Poésies lyriques. Edition compléte en deux parties, avec introduction, glossaire et fac-similés publiée sous les auspices de la Faculté d'Histoire et de Philologie de Saint-Pétersbourg.  Paris: Champion. pp. 2:516-17.