| Composer | Machaut, Guillaume de (ca. 1300–1377) |
|---|---|
| Genre | Motet |
| Appears in |
F-Pnm Français 1584 (Machaut A) (423v—424)
F-Pnm Français 1585 (Machaut B) (266v—269)
F-Pnm Français 1586 (Machaut C) (213v—214)
F-Pnm Français 22545-22546 (Machaut F-G) (110v—111)
F-Pnm NAF 23190 (Trémoille) (xxxiv)
|
Chichmaref, V (ed.) [1909]. Guillaume de Machaut: Poésies lyriques. Edition compléte en deux parties, avec introduction, glossaire et fac-similés publiée sous les auspices de la Faculté d'Histoire et de Philologie de Saint-Pétersbourg. Paris: Champion. pp. 2:499-500.
Eggebrecht, Hans Heinrich. 1962-63. Machaut's Motette Nr. 9. Archiv für Musikwissenschaft, 19-20: 281-293. pp. 282, 286-93.
Markstrom, Kurt. 1989. Machaut and the Wild Beast. Acta Musicologica, 61: 12-39. pp. 17-26, 34, 36-37.
Reaney, Gilbert. 1967. Towards a Chronology of Machaut's Musical Works. Musica disciplina, 21: 87-96. pp. 92.
Besseler, Heinrich. 1926. Studien zur Musik des Mittelalters: II. Die Motette von Franko von Köln bis Philipp van Vitry. Archiv für Musikwissenschaft, 8: 137-258. pp. 222.
Reichert, Georg. 1956. Das Verhältnis zwischen musikalischer und textlicher Struktur in den Motetten Machauts. Archiv für Musikwissenschaft, 13: 197-216. pp. 201, 204, 211.
Günther, Ursula. 1958. The fourteenth-century motet and its development. Musica Disciplina, 12: 27-58. pp. 33.
Clarkson, George Austin E. 1970. On the Nature of Medieval Song: The Declamation of Plainchant and the Lyric Structure of the Fourteenth-Century Motet. PhD Dissertation, Columbia University. pp. 266 n.93.
Kittredge, George Lyman. 1915. Guillaume de Machaut and the Book of the Duchess. Publications of the Modern Language Association of America, 30: 1-24. pp. 11.
Ziino, Agostino. 1978. Isoritmia musicale e tradizione metrica mediolatina nei motetti di Guillaume de Machaut. Medioevo Romanzo, 5: 438-465. pp. 440, 442-43.
Wimsatt, James I. 1968. Chaucer and the French Love Poets: the Literary Background of the Book of the Duchess. University of North Carolina Studies in Comparative Literature. Chapel Hill: University of North Carolina Press. pp. 159.
Wimsatt, James I. 1979. Chaucer, Fortune, and Machaut's 'Il m'est avis'. Chaucerian Problems and Perspectives: Essays Presented to Paul E. Beichner C.S.C., 119-131. edited by Edward Vasta and Zacharias Thundy, Notre Dame, Ind.: University of Notre Dame Press. pp. 130 n.11.
Wimsatt, James I. 1981. The Book of the Duchess: Secular Elegy or Religious Vision? igns and Symbols in Chaucer's Poetry, edited by John P. Hermann and John J. Burke Jr., 113-129,notes230-233. Tuscaloosa: University of Alabama Press. pp. 232 n.31.
Wimsatt, James I. 1991. Chaucer and His French Contemporaries: Natural Music in the Fourteenth Century. Toronto, Buffalo, and London: University of Toronto Press,. pp. 131.
Ludwig, Friedrich (ed.) 1926-9. Guillaume de Machaut: Musikalische Werke, 1-3. Leipzig: Publikationen älterer Musik. pp. 3:33-36, 3:8.
Sanders, Ernest (ed.) 1973. The Medieval Motet. Gattungen der Musik in Einzeldarstellungen. Gedenkschrift Leo Schrade, 497-575. Bern. pp. 563 n.286.
Schrade, Leo (ed.) 1954 -1956. The Polyphonic Music of the Fourteenth Century. 3 vols. pp. 2:137-40.
Schrade, Leo (ed.) 1957. Complete Works of Guillaume de Machaut (II): Motets No. 17 to 24, Mass, Double Hoquet, Ballades, Rondeaux, Virelais. Polyphonic Music of the Fourteenth Century. Monaco: Éditions de l'Oiseau-Lyre. pp. 80-81.
Machabey, Armand. 1955. Guillaume de Machault 130?-1377: La vie et lœuvre musical,. Bibliothèque d'Etudes Musicales. 2 vols. Paris: Richard-Masse. pp. 2:82-84.
Earp, Lawrence M. 1983. Scribal Practice, Manuscript Production and the Transmission of Music in Late Medieval France: The Manuscripts of Guillaume de Machaut. PhD Dissertation, Princeton University. pp. 181-82, 224 n.390.
Eggebrecht, Hans Heinrich. 1968. Machaut's Motette Nr. 9. Archiv für Musikwissenschaft, 25: 173-195. pp. 194-95.
Kühn, Hellmut. 1973. Die Harmonik der Ars Nova. Zur Theorie der isorhythmischen Motette. Berliner musikwisseschaftliche Arbeiten. Munich: Katzbichler. pp. 104-10.
Fuller, Sarah. 1986. On Sonority in Fourteenth-Century Polyphony: Some Preliminary Reflections. Journal of Music Theory, 30: 35-70. pp. 36-37.
Fuller, Sarah. 1990. Modal Tenors and Tonal Orientation in Motets of Guillaume de Machaut. Studies in Medieval Music: Festschrift for Ernest H. Sanders, Current Musicology. edited by Peter M Lefferts and Brian Seirup, 199-245. New York. pp. 204-209.
Ludwig, Friedrich. 1929. Die geistliche nichtliturgische, weltliche einstimmige und die mehrstimmige Musik des Mittelalters bis zum Anfang des 15. Jahrhunderts. Handbuch der Musikgeschichte I, edited by Guido Adler, pp. 33.
Schrade, Leo (ed.) 1956-. Polyphonic Music of the Fourteenth Century. 24 vols. Monaco. pp. (2), 137-140.
Machabey, Armand. 1957. Problèmes de notation musicale: notations médiévales des manuscrits d’Évreux. Mélanges de linguistique et de littérature romanes à la mémoire d’István Frank, 361-387. Saarbrücken. pp. 499.